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A Florida sheriff is on the warpath against neo-Nazi ‘scumbags’ who want him dead
(JTA) – After hate groups in his county on Florida’s East coast projected antisemitic messages onto the Daytona International Speedway, the local sheriff delivered a press conference with one simple message: He’d had enough.
“We put up their photos, talked about their arrest records, and let everybody know what a bunch of reprehensible thugs were in our community, and what they were up to,” Sheriff Mike Chitwood told the Jewish Telegraphic Agency about the February press conference. Standing with local Jewish, interfaith and minority group representatives, the sheriff had announced he would be coming after the “scumbags” who did this.
“And after that,” he recalled, “all hell broke loose.”
The group that had made its presence known in Volusia County was the Goyim Defense League, one of the country’s most prominent antisemitic organizations, known for harassing worshippers at synagogues and papering neighborhoods with fliers hawking anti-Jewish conspiracies.
The movement’s leaders recently relocated to the area from California, and they had chosen the Daytona 500, a major NASCAR race that draws more than 100,000 people to the speedway, to make their antisemitic presence known. They didn’t like that the sheriff was now effectively declaring war on them.
Online after the press conference, several men started making death threats against Chitwood, even harassing his daughter and sending SWAT teams to his parents’ house. Antisemitic groups began planning to hold a public demonstration to oppose him specifically, which Chitwood’s intelligence determined was set for this past weekend in Ormond Beach.
So Chitwood fought back. Last week, thanks in part to his corralling, three men in three different states — California, Connecticut and New Jersey — were arrested and charged with making online death threats against him. Two of the three have already been extradited to Volusia County.
Volusia County Sheriff Michael Chitwood (right) thanks residents who turned up to counter-protest a canceled demonstration by a neo-Nazi group in Ormond Beach, Florida, April 22, 2023. (Nadia Zomorodian, courtesy of Volusia County Sheriff)
On Saturday the sheriff went to the airport to personally “welcome” one of the men. He hopes to send a message to hate groups more generally that he intends to “keep up the heat” so that they know they will face resistance from law enforcement if they attempt any public demonstrations: “I think that makes it a little bit harder to peddle your wares.”
Amid a national climate of rising antisemitism, one vexing question has been how to tackle antisemitic activity that is trollish but not violent. While European authorities have prosecuted Holocaust denial and other antisemitic sentiments expressed in social media posts, U.S. law is less expansive about what kind of online posts represent criminal activity. Meanwhile, the Goyim Defense League’s most frequent activities — flier drops, banner displays and public demonstrations — make up the fastest-growing type of antisemitic incidents in the United States, according to the Anti-Defamation League, but they do not always violate the law. A citation for littering in Wisconsin last year was the first known charge in the United States related to the Goyim Defense League’s distribution of antisemitic materials.
The issue is especially acute in Florida, where the populations of Jews and avowed antisemites are both growing. Chitwood suspects the state’s rising Jewish population is one of the reasons why white supremacists have also flocked to the area, along with Florida’s relaxed gun laws.
In this environment, Chitwood’s outspokenness and forceful commitment to eradicating antisemitism — in a county with a relatively small number of Jews — has set a new tone. Raised in a law-enforcement family in Philadelphia — his father was a prominent police officer whose biography chronicles his own battle against “scumbags” — Chitwood speaks in a tough clip peppered with colorful insults directed at his white supremacist opponents (“these clowns,” “little sissies,” “ugly faces”). His passion on the issue is evident when he talks about his desire to be “standing in for John Q. Citizen,” or “some poor son-of-a-gun that’s going to synagogue.” He’s still green enough on the issue that he frequently confuses the Anti-Defamation League with the “JDL,” or Jewish Defense League — a radical violent splinter group of Jewish extremists.
Chitwood has garnered national attention for his actions, as well as the respect of the Jewish community.
“This sheriff is not like all the others, in a sense,” said Oren Segal, vice president of the ADL’s Center on Extremism. “He’s taking different methods and putting himself out there and showing what one type of response can be.”
Rob Lennick, director of the Jewish Federation of Volusia and Flagler Counties, is one of Chitwood’s local allies. The federation is known locally for running several charitable programs, including food pantries, meant to reach people in need across the entire community, and Chitwood has a good relationship with them.
Lennick praised Chitwood for taking “a very strong forward position against these neo-Nazis, against these white supremacist groups coming to our community.” (Lennick arrived in Volusia County last year after leaving the Jewish Federation of New Mexico, which collapsed after employees accused him of misconduct.)
Counter-protesters at a planned neo-Nazi demonstration in Ormond Beach, Florida, thank Volusia County Sheriff Michael Chitwood “for standing against antisemitism,” April 22, 2023. Chitwood has had white supremacists who have threatened him online arrested and extradited to his county. (Nadia Zomorodian, courtesy of Volusia County Sheriff)
In the end, the planned neo-Nazi demonstration against Chitwood on Saturday never took place — though a large group of what the sheriff described as “professional counter-protesters” did show up, flying joint American and Israeli flags and thanking him for standing up to antisemitism. Walking among that interfaith crowd, many of whom had traveled from outside the county to be there, was profound for Chitwood. The experience “was very, very humbling,” he said. “I don’t think I’ve wrapped my brain around it yet.”
Segal declined to comment on the degree to which Chitwood’s office has liaised with the ADL. But he praised Chitwood’s outspokenness, and said he considered it a form of “allyship.”
“It’s easy to speak out against something that breaks the law. It’s not always easy to speak out against something that breaks the value of our communities because it’s hateful, because it scares people, because it makes people feel unsafe,” Segal said. He mused that the fact that so many neo-Nazis now have Chitwood in their crosshairs “creates an inadvertent bond between law enforcement and the Jewish community, that they’re both being harassed by antisemites.”
Lennick had advised local Jews not to attend the site of the protests, not even to participate in the counter-protests. “You’re walking a fine line,” he said. “You don’t want to fuel the bad guys.”
Chitwood, though, has made a point out of naming and shaming the antisemites in his midst, believing that the increased media attention will expose further misdeeds and make it harder for them to hold down employment.
“There is now a national spotlight on these GDL punks,” Chitwood said. “Sooner or later, they’re going to stub their toe. And you have all these entities looking at you.”
The sheriff wants to go further in his crusade. He has pushed for a bill in the Florida legislature that would allow him and other law enforcement in the state to charge people with felonies for distributing fliers and broadcasting messages of “ethnic intimidation” on private property.
Florida Gov. Ron DeSantis shows off after signing a bill making “ethnic intimidation” displays a felony in his state, during a ceremony at the Museum of Tolerance in Jerusalem, April 27, 2023. Randy Fine, a Jewish Republican lawmaker from Florida who authored the bill, stands at left. (Yonatan Sindel/Flash90)
On Thursday, Florida’s Republican governor, Ron DeSantis, signed the bill into law during a ceremony in Jerusalem after Randy Fine, the Jewish Republican state representative who authored it, delivered it to him there. (DeSantis last year called Nazis rallying in his state “jackasses” but drew criticism for not condemning them more forcefully.) The law was written specifically to address the kinds of activities the Goyim Defense League regularly engages in, including the Daytona message that spurred Chitwood to address the problem head-on, and enjoyed unanimous support from legislators of both parties.
“I guess we need to thank our scumbag Neo-Nazi invaders for uniting our community and the entire state of Florida against hate,” Chitwood tweeted after the signing.
“I see it as another tool in the toolbox,” Chitwood told JTA about his support of the bill. “You go onto private property and drop these leaflets on somebody’s doorstep or in their driveway, that’s now a felony trespass.”
Chitwood acknowledges that law enforcement can often be slow to respond to crimes of ethnic intimidation, and particularly online harassment, which hinders their ability to organize against a common threat. “We are very reactive,” he said. “No matter what it is, even a car break trend, sometimes you have to break into 20 or 30 cars before we detect a trend to go and do what needs to be done.”
He’s frank about the police’s shortcomings when it comes to dealing with such behavior. The fact that he is a sheriff, he said, meant that it was easier to bring the perpetrators of out-of-state online death threats to justice. And, he said, broad coordination across different law enforcement entities for the specific addressing of antisemitism in the state does not yet exist: Apart from communication with some neighboring county sheriffs and the FBI, efforts to collaborate with the broader law enforcement community have been slow.
But, he said, he remains committed to trying to fight antisemitism in his own backyard at the very least. “It is personal,” Chitwood said. “This is my community.”
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The post A Florida sheriff is on the warpath against neo-Nazi ‘scumbags’ who want him dead appeared first on Jewish Telegraphic Agency.
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New documentary captures the lively history of Yiddish theater in America
The new documentary Immigrant Songs: Yiddish Theater and the American Jewish Experience, produced by the Milken Archive of Jewish Music, is fast, entertaining and a good introduction to the topic.
Focusing mainly on the musical side of the story, but covering ‘straight plays’ as well, the film opens with a superb ‘warm-up act’: “Hu Tsa Tsa,” a stock Yiddish vaudeville number performed by the widely mourned Bruce Adler, who died in 2008 at age 63. Bursting with charm and talent, Adler, scion of a top Yiddish vaudeville family, demonstrates that Yiddish theater used to be pretty damned lively.
What follows is the oft-told story of the rise and decline of the American Yiddish theater, beginning with its prehistory in the Purimshpiels — the annual performances that for centuries served as the only secular entertainment in the Ashkenazic world. From there the film takes us to Yiddish theater’s 1876 birth in Romania, courtesy of Avrom Goldfadn, a.k.a. “The Father of Yiddish Theater.”
The film also describes Yiddish theater’s arrival in America, which, thanks to massive Jewish immigration, quickly became its capital. We learn of its influence on American theater’s styles of acting and set design. And the film describes the decline of its audience, due to assimilation and the immigration quotas of the 1920s.
There’s an excellent section on “The Big Four” Yiddish theater composers — Joseph Rumshinsky, Alexander Olshanetsky, Abe Ellstein, and Sholom Secunda. All in all, the documentary does a fine job of teaching the aleph-beyz, the ABCs, of the history of Yiddish theater to the uninitiated.
The most impressive aspect of Immigrant Songs is its well-crafted pace. Though there are a few snippets of vintage Yiddish cinema (Yiddish theater’s “kid brother”), most of the film consists of recent concert footage, some well-selected photographs and ephemera, and a lot of talking heads. Almost every prominent Yiddish theater historian was interviewed for it, along with several musicologists, an archivist, Yiddish actors, directors, producers, etc. (Full disclosure: I am one of them.) Director Jeff Janeczko cuts between the interviewees so smoothly — sometimes in mid-sentence — that it feels like they’re in the same room and feeding off each other’s energy. The movie just flies by.
There are a few errors. Marc Chagall is described as an important designer of Yiddish theater; actually he designed one minor production in Russia in 1921, and never did another. In a bizarre, and biblically illiterate, statement, one interviewee claims that Jews hadn’t developed a theater culture earlier because the Second Commandment’s prohibition of “graven images” forbade the construction of sets. (Actually it’s about idol worship.)
Another interviewee claims that the Yiddish play Der Yeshiva Bokher; oder, Der Yudisher Hamlet — The Yeshiva Student; or, The Jewish Hamlet (Yiddish plays then often had subtitles), is closely patterned on Shakespeare’s tragedy. In truth, the play — written by Isidore Zolotarevski, the prolific writer of shund (“trash”) melodramas — is not only awful, but is as close to Shakespeare as baked ham is to your grandmother’s kreplach.
The film’s biggest fault, however, is its short running time (45 minutes). This is a rich topic, and too much is left by the wayside in the interest of brevity. There’s nothing about what shund melodramas felt like, why they appealed to their audiences, and why they became the only thing a lot of people know about Yiddish theater.
There’s also nothing about the World War I-era wave of shtetl plays, which reflected immigrants’ homesickness without indulging in nostalgia, and provided some of Yiddish theater’s shining moments with plays like Green Fields, The Empty Inn and Tevye. And the most important play in the Yiddish canon, The Dybbuk, is never mentioned.
Perhaps most surprisingly, considering the film’s emphasis on music, there is no examination of Yiddish theater’s influence on Broadway’s music. (Cole Porter — ironically, the only gentile among the major composers of Broadway’s Golden Age — had a pronounced Jewish lilt in a number of his songs, and he actually attended Yiddish theater regularly.)
The film’s last section is about the renewed interest in Yiddish that began in the 1970s and ’80s with the klezmer revival. Much of it focuses on the 2018 Yiddish production of Fiddler on the Roof in Yiddish, whose success was predetermined the moment the production was announced.
For the overwhelming majority of American Jews, from the Orthodox to the unaffiliated, Fiddler is all they know about the lives of their ancestors. And though it’s a world-class piece of musical theater, as a work of social history Fiddler is as phony as a glass eye. Nevertheless, for American Jews it’s a sacred text.
Fiddler was a huge hit, but it was a gimmick, a one-off, whose success does very little for the future of Yiddish theater. Worse, the Yiddish — not the text, but the lines spoken by most of the actors — was often mispronounced and had the wrong intonation. (One elderly gentleman of my acquaintance, a native Yiddish speaker from Czechoslovakia, told me he didn’t understand a word the actors said, and spent the whole evening reading the English supertitles.)
What follows the Fiddler section in Immigrant Songs is mostly bromides. But the best current Yiddish theater reflects the kind of fresh thinking that keeps the form alive.
An occasional well-presented museum piece, like the Folksbiene’s 2016 revival of Rumshinsky’s operetta The Golden Bride, is a very worthwhile project (though it, too, suffered from poorly spoken Yiddish). But the most dynamic contemporary Yiddish theater is, in Jeffrey Shandler’s apt phrase, “post vernacular” — i .e., the use of Yiddish is self-conscious, a deliberate choice rather than something that’s done automatically, as it would have been a century ago when there were a lot more Yiddish speakers in the world.
An example of this is the 2017 neo-realist film Menashe, which could far more easily and conventionally have been made in English. Or a well-known piece done in Yiddish translation, like Shane Baker’s stunning Yiddish translation of Waiting for Godot, can become something much more valuable than a mere stunt. The Yiddish version, under Moshe Yassur’s straightforward direction, humanized the play, stripping it of the encrusted pretentiousness that had hidden its soul. (When it was presented in the International Samuel Beckett Festival in Ireland, multiple audience members approached the cast afterwards with the same reaction: “I don’t speak a word of Yiddish. But I’ve seen Godot five or six times, and this is the first time I understood it.”)
There’s a lot to be learned from Immigrant Songs. If you find yourself hungry for more, you couldn’t do better than to seek out YIVO’s online Yiddish theater course “Oh, Mama, I’m in Love!” But by all means, start with Immigrant Songs. It’s a very entertaining and informative appetizer.
The post New documentary captures the lively history of Yiddish theater in America appeared first on The Forward.
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UK PM Starmer Says There Could Be New Powers to Ban Pro-Palestinian Marches
British Prime Minister Keir Starmer gives a media statement at Downing Street in London, Britain, April 30, 2026. Photo: REUTERS/Jack Taylor/File photo
British Prime Minister Keir Starmer said the government could ban pro-Palestinian marches in some circumstances because of the “cumulative effect” the demonstrations had on the Jewish community after two Jewish men were stabbed in London on Wednesday.
Starmer told the BBC that he would always defend freedom of expression and peaceful protest, but chants like “Globalize the Intifada” during demonstrations were “completely off limits” and those voicing them should be prosecuted.
Pro-Palestinian marches have become a regular feature in London since the October 2023 attack by Hamas on Israel that triggered the Gaza war. Critics say the demonstrations have generated hostility and become a focus for antisemitism.
Protesters have argued they are exercising their democratic right to spotlight ongoing human rights and political issues related to the situation in Gaza.
Starmer said he was not denying there were “very strong legitimate views about the Middle East, about Gaza,” but many people in the Jewish community had told him they were concerned about the repeat nature of the marches.
Asked if the tougher response should focus on chants and banners, or whether the protests should be stopped altogether, Starmer said: “I think certainly the first, and I think there are instances for the latter.”
“I think it’s time to look across the board at protests and the cumulative effect,” he said, adding that the government needed to look at what further powers it could take.
Britain raised its terrorism threat level to “severe” on Thursday amid mounting security concerns that foreign states were helping fuel violence, including against the Jewish community.
“We are seeing an elevated threat to Jewish and Israeli individuals and institutions in the UK,” the head of counter-terrorism policing, Laurence Taylor, said in a statement, adding that police were also working “against an unpredictable global situation that has consequences closer to home, including physical threats by state-linked actors.”
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War Likely to Resume After Trump’s Rejection of Latest Proposal, Says IRGC General
Iranians carry a model of a missile during a celebration following an IRGC attack on Israel, in Tehran, Iran, April 15, 2024. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
i24 News – A senior Iranian military figure said that fighting with the US was “likely” to resume after President Donald Trump stated he was dissatisfied with Tehran’s latest proposal, regime media reported on Saturday.
The comments of General Mohammad Jafar Asadi, one of the top Islamic Revolutionary Guard Corps (IRGC) commanders, were relayed by the Fars news agency, considered as a mouthpiece of the the powerful paramilitary body.
“Evidence has shown that the Americans do not not adhere to any commitments,” Asadi was quoted as saying.
He further added that Washington’s decision-making was “primarily media-driven aimed first at preventing a drop in oil prices and second at extricating themselves from the mess they have created.”
Iranian armed forces are ready “for any new adventures or foolishness from the Americans,” he said, going to assert that the Iran war would prove for the US a tragedy comparable with what was for Israel the October 7 massacre.
“Just as our martyred Leader said that the Zionist regime will never be the same as before the Al‑Aqsa Storm operation [the name chosen by Hamas leadership for the October 7, 2023 massacre in southern Israel], the United States will also never return to what it was before its attack on Iran,” he said. “The world has understood the true nature of America, and no matter how much malice it shows now, it is no longer the America that many once feared.”