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A Florida sheriff is on the warpath against neo-Nazi ‘scumbags’ who want him dead

(JTA) – After hate groups in his county on Florida’s East coast projected antisemitic messages onto the Daytona International Speedway, the local sheriff delivered a press conference with one simple message: He’d had enough.

“We put up their photos, talked about their arrest records, and let everybody know what a bunch of reprehensible thugs were in our community, and what they were up to,” Sheriff Mike Chitwood told the Jewish Telegraphic Agency about the February press conference. Standing with local Jewish, interfaith and minority group representatives, the sheriff had announced he would be coming after the “scumbags” who did this. 

“And after that,” he recalled, “all hell broke loose.”

The group that had made its presence known in Volusia County was the Goyim Defense League, one of the country’s most prominent antisemitic organizations, known for harassing worshippers at synagogues and papering neighborhoods with fliers hawking anti-Jewish conspiracies. 

The movement’s leaders recently relocated to the area from California, and they had chosen the Daytona 500, a major NASCAR race that draws more than 100,000 people to the speedway, to make their antisemitic presence known. They didn’t like that the sheriff was now effectively declaring war on them. 

Online after the press conference, several men started making death threats against Chitwood, even harassing his daughter and sending SWAT teams to his parents’ house. Antisemitic groups began planning to hold a public demonstration to oppose him specifically, which Chitwood’s intelligence determined was set for this past weekend in Ormond Beach.

So Chitwood fought back. Last week, thanks in part to his corralling, three men in three different states — California, Connecticut and New Jersey — were arrested and charged with making online death threats against him. Two of the three have already been extradited to Volusia County. 

Volusia County Sheriff Michael Chitwood (right) thanks residents who turned up to counter-protest a canceled demonstration by a neo-Nazi group in Ormond Beach, Florida, April 22, 2023. (Nadia Zomorodian, courtesy of Volusia County Sheriff)

On Saturday the sheriff went to the airport to personally “welcome” one of the men. He hopes to send a message to hate groups more generally that he intends to “keep up the heat” so that they know they will face resistance from law enforcement if they attempt any public demonstrations: “I think that makes it a little bit harder to peddle your wares.”

Amid a national climate of rising antisemitism, one vexing question has been how to tackle antisemitic activity that is trollish but not violent. While European authorities have prosecuted Holocaust denial and other antisemitic sentiments expressed in social media posts, U.S. law is less expansive about what kind of online posts represent criminal activity. Meanwhile, the Goyim Defense League’s most frequent activities — flier drops, banner displays and public demonstrations — make up the fastest-growing type of antisemitic incidents in the United States, according to the Anti-Defamation League, but they do not always violate the law. A citation for littering in Wisconsin last year was the first known charge in the United States related to the Goyim Defense League’s distribution of antisemitic materials.

The issue is especially acute in Florida, where the populations of Jews and avowed antisemites are both growing. Chitwood suspects the state’s rising Jewish population is one of the reasons why white supremacists have also flocked to the area, along with Florida’s relaxed gun laws. 

In this environment, Chitwood’s outspokenness and forceful commitment to eradicating antisemitism — in a county with a relatively small number of Jews — has set a new tone. Raised in a law-enforcement family in Philadelphia — his father was a prominent police officer whose biography chronicles his own battle against “scumbags” — Chitwood speaks in a tough clip peppered with colorful insults directed at his white supremacist opponents (“these clowns,” “little sissies,” “ugly faces”). His passion on the issue is evident when he talks about his desire to be “standing in for John Q. Citizen,” or “some poor son-of-a-gun that’s going to synagogue.” He’s still green enough on the issue that he frequently confuses the Anti-Defamation League with the “JDL,” or Jewish Defense League — a radical violent splinter group of Jewish extremists.

Chitwood has garnered national attention for his actions, as well as the respect of the Jewish community. 

“This sheriff is not like all the others, in a sense,” said Oren Segal, vice president of the ADL’s Center on Extremism. “He’s taking different methods and putting himself out there and showing what one type of response can be.”

Rob Lennick, director of the Jewish Federation of Volusia and Flagler Counties, is one of Chitwood’s local allies. The federation is known locally for running several charitable programs, including food pantries, meant to reach people in need across the entire community, and Chitwood has a good relationship with them.

Lennick praised Chitwood for taking “a very strong forward position against these neo-Nazis, against these white supremacist groups coming to our community.” (Lennick arrived in Volusia County last year after leaving the Jewish Federation of New Mexico, which collapsed after employees accused him of misconduct.)

Counter-protesters at a planned neo-Nazi demonstration in Ormond Beach, Florida, thank Volusia County Sheriff Michael Chitwood “for standing against antisemitism,” April 22, 2023. Chitwood has had white supremacists who have threatened him online arrested and extradited to his county. (Nadia Zomorodian, courtesy of Volusia County Sheriff)

In the end, the planned neo-Nazi demonstration against Chitwood on Saturday never took place — though a large group of what the sheriff described as “professional counter-protesters” did show up, flying joint American and Israeli flags and thanking him for standing up to antisemitism. Walking among that interfaith crowd, many of whom had traveled from outside the county to be there, was profound for Chitwood. The experience “was very, very humbling,” he said. “I don’t think I’ve wrapped my brain around it yet.”

Segal declined to comment on the degree to which Chitwood’s office has liaised with the ADL. But he praised Chitwood’s outspokenness, and said he considered it a form of “allyship.”

“It’s easy to speak out against something that breaks the law. It’s not always easy to speak out against something that breaks the value of our communities because it’s hateful, because it scares people, because it makes people feel unsafe,” Segal said. He mused that the fact that so many neo-Nazis now have Chitwood in their crosshairs “creates an inadvertent bond between law enforcement and the Jewish community, that they’re both being harassed by antisemites.”

Lennick had advised local Jews not to attend the site of the protests, not even to participate in the counter-protests. “You’re walking a fine line,” he said. “You don’t want to fuel the bad guys.”

Chitwood, though, has made a point out of naming and shaming the antisemites in his midst, believing that the increased media attention will expose further misdeeds and make it harder for them to hold down employment.

“There is now a national spotlight on these GDL punks,” Chitwood said. “Sooner or later, they’re going to stub their toe. And you have all these entities looking at you.”

The sheriff wants to go further in his crusade. He has pushed for a bill in the Florida legislature that would allow him and other law enforcement in the state to charge people with felonies for distributing fliers and broadcasting messages of “ethnic intimidation” on private property. 

Florida Gov. Ron DeSantis shows off after signing a bill making “ethnic intimidation” displays a felony in his state, during a ceremony at the Museum of Tolerance in Jerusalem, April 27, 2023. Randy Fine, a Jewish Republican lawmaker from Florida who authored the bill, stands at left. (Yonatan Sindel/Flash90)

On Thursday, Florida’s Republican governor, Ron DeSantis, signed the bill into law during a ceremony in Jerusalem after Randy Fine, the Jewish Republican state representative who authored it, delivered it to him there. (DeSantis last year called Nazis rallying in his state “jackasses” but drew criticism for not condemning them more forcefully.) The law was written specifically to address the kinds of activities the Goyim Defense League regularly engages in, including the Daytona message that spurred Chitwood to address the problem head-on, and enjoyed unanimous support from legislators of both parties.

“I guess we need to thank our scumbag Neo-Nazi invaders for uniting our community and the entire state of Florida against hate,” Chitwood tweeted after the signing.

“I see it as another tool in the toolbox,” Chitwood told JTA about his support of the bill. “You go onto private property and drop these leaflets on somebody’s doorstep or in their driveway, that’s now a felony trespass.”

Chitwood acknowledges that law enforcement can often be slow to respond to crimes of ethnic intimidation, and particularly online harassment, which hinders their ability to organize against a common threat. “We are very reactive,” he said. “No matter what it is, even a car break trend, sometimes you have to break into 20 or 30 cars before we detect a trend to go and do what needs to be done.” 

He’s frank about the police’s shortcomings when it comes to dealing with such behavior. The fact that he is a sheriff, he said, meant that it was easier to bring the perpetrators of out-of-state online death threats to justice. And, he said, broad coordination across different law enforcement entities for the specific addressing of antisemitism in the state does not yet exist: Apart from communication with some neighboring county sheriffs and the FBI, efforts to collaborate with the broader law enforcement community have been slow.

But, he said, he remains committed to trying to fight antisemitism in his own backyard at the very least. “It is personal,” Chitwood said. “This is my community.”


The post A Florida sheriff is on the warpath against neo-Nazi ‘scumbags’ who want him dead appeared first on Jewish Telegraphic Agency.

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Tucker Carlson’s ‘Banned in Israel’ Film Is Just Old News Repackaged

Tucker Carlson speaks on first day of AmericaFest 2025 at the Phoenix Convention Center in Phoenix, Arizona, Dec. 18, 2025. Photo: Charles-McClintock Wilson/ZUMA Press Wire via Reuters Connect

From the man who revived the “Al-Aqsa is in danger” conspiracy for a Western audience and falsely claimed he was detained at Ben Gurion Airport, comes yet another round of misinformation.

This time, Tucker Carlson is promoting via his online channel, what he calls a “banned in Israel” documentary exposing the alleged dark dealings of Prime Minister Benjamin Netanyahu.

Corruption. “Anti-U.S. geopolitical maneuvers.” “A side of power that regular citizens were never meant to see.”

Sounds explosive.

It isn’t.

As noted by analyst (and occasional HonestReporting contributor) Nick Matau, this is little more than a “nothing-burger.”

The documentary Carlson is selling to his subscribers — at $6 a month — was not produced by his network and is hardly new. It was released in 2024 and has been widely available online and in select theaters ever since.

In fact, it was prominent enough to be nominated for Best Documentary Feature at the 2025 Academy Awards.

So much for “hidden truth.”

Yes, the film cannot be officially screened in Israel. But not for the reasons Carlson suggests.

The claim that it is banned because it “exposes” Netanyahu is misleading. The real reason is far more mundane: the documentary includes leaked police interview footage tied to Netanyahu’s ongoing corruption trial.

Under Israeli law, broadcasting such material would violate privacy protections, which is why it cannot be formally shown. As reported here, this is a legal issue, not a political cover-up.

And in practice? Israelis can still watch it online via VPNs or streaming platforms. It has also been reviewed across the Israeli media spectrum.

Hardly the mark of a suppressed exposé.

Carlson’s promotion leans heavily on one supposed bombshell: that Netanyahu allowed Qatari funds to flow into Gaza.

One advertisement claims: “We were lied to about Benjamin Netanyahu’s dealings with Hamas.”

But who exactly is “we”? Anyone following Israeli politics over the past decade would recognize this as old news.

This policy has been:

To name only a few examples.

Whether one views the policy as pragmatic containment or strategic miscalculation, it was never secret.

The only people likely to find this “shocking” are those newly introduced to the subject or who, like Carlson, have only recently found the Jewish State to be a significant topic of interest.

Why push a two-year-old, widely discussed film as if it’s breaking new ground?

A few possibilities stand out:

1. Exploiting Audience Gaps
Carlson’s audience may not be deeply familiar with Israeli politics. By framing old information as newly uncovered, he creates the illusion of exclusive insight — and monetizes it.

2. Advancing a Narrative on the Iran War
Carlson has positioned himself as a leading critic of US involvement in the war. The documentary is being repurposed to suggest shadowy forces are driving American policy. Or as he puts it, “As America dives deeper into the Iran War, understanding who is pulling the strings matters more than ever.”

3. Staying Relevant in a Shifting Debate
As segments of the American right reassess US-Israel ties, repackaging familiar material as scandal helps Carlson remain central to the conversation even if the premise is misleading.

There is no hidden documentary.
There is no suppressed truth.
There is only old information repackaged, reframed, and resold.

And once again, Carlson is counting on his audience not knowing the difference.

The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

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Atlanta movie exec who complained of ‘nasty Jews’ is running for Congress

Ryan Millsap, a prominent film and real estate executive in Atlanta who made antisemitic and racist comments in private text messages, is now running for a congressional seat in rural Georgia.

ProPublica and the Atlanta Journal-Constitution reported two years ago that Millsap had sent the offensive texts to a girlfriend.

“Just had a meeting with one of the most nasty Jews I’ve ever encountered,” Millsap wrote in a 2019 text message viewed by the Forward. John Da Grosa Smith, Millsap’s former attorney, filed the text messages in Fulton County Superior Court in Georgia in 2024.

The news outlets also reported that Smith said in court documents that Millsap had allegedly made derogatory comments about Jews while they worked together, including referring to his Jewish colleagues as “the Jew crew” and calling one of them “a greedy Israelite.”

ProPublica and the AJC reported that during arbitration with Smith, Millsap said the comments Smith had described represented “locker room talk.”

Millsap apologized for the offensive text messages in a 2024 statement to the news outlets, saying “comments which I never intended to share publicly have come to light, and people I care about and who put their trust in me have been hurt.”

He also spoke directly at the time to the racist and antisemitic remarks.

“I want to extend my sincere apologies to my dear friends, colleagues and associates in both the black and Jewish communities for any and all pain my words have caused,” his statement continued. “My sincere hope is that the bonds and friendships that we have forged speak far louder than some flippant, careless remarks.”

Millsap is running in the Republican primary for the open seat in Georgia’s 10th Congressional District, which stretches from the far outskirts of Atlanta to the South Carolina border and includes the college town of Athens. The district is outside of the major Jewish population centers in Georgia and had fewer than 7,000 Jewish adults, according to the American Jewish Population Project.

The election is on May 19 and Millsap is running against a popular state lawmaker Houston Gaines in what is expected to be a competitive race.

Gaines called Millsap’s reported text messages “disqualifying.”

“Antisemitism has no place in this country, and as a Christian, I’ll always stand firmly against it,” Gaines said in a statement to the Forward.

Millsap did not respond to a request for comment about the text messages or whether he has conducted any outreach to the local Jewish community as part of his campaign.

In an interview last month with the Washington Reporter, Millsap said that negative interactions with local protesters had pushed him into politics. Millsap’s studio controlled land adjacent to the construction site for Cop City, a planned police training ground near Atlanta, and both sites were targeted by activists.

“They tried to ruin my reputation,” Millsap said in the interview. “Leftist journalists at ProPublica were enlisted to write hit pieces on me, call me a racist, antisemite, anything they could do to hurt my life and put me in a bad political position, because obviously DeKalb County is mostly black Democrats.”

Millsap’s Blackhall Group, whose studio produced movies including “Venom,” “Blockers,” and “Loki,” purchased the property in a county forest near the future Cop City site in 2021. Millsap said activists violently attacked construction workers on his property, burned a pickup truck and left threatening messages in 2022.

He has referred to the demonstrators as “antifa” and made his dispute with them a cornerstone of his campaign.

Antisemitism does not seem to be a major issue in the congressional race, in which Millsap and Gaines have focused on immigration and election security. The seat is considered a safe Republican district and the winner of the GOP primary is expected to win the general election.

According to the text messages filed in court and reviewed by the Forward, Millsap and his then-girlfriend, Christy Hockmeyer, complained about Jews and Black people on several occasions. “F—king Black people,” Millsap wrote in one message reported by ProPublica and AJC after Hockmeyer complained about a Black driver whose car she hit.

Hockmeyer also apologized for her role in the text message conversations with Millsap. “Those comments do not reflect who I am and I disavow racism and antisemitism as a whole,” she wrote in a statement to ProPublica and the AJC.

The ProPublica and AJC article noted that Millsap had built close ties with the Black and Jewish communities in Atlanta after relocating to the city from California and seeking to become active in its robust film industry. He had also been applauded for embracing workplace diversity.

His apology received a mixed response from those he had worked with in Atlanta.

Smith, Millsap’s former attorney, filed the text messages in a lawsuit after the two became embroiled in a heated legal dispute. An arbitrator found that Smith had violated his contract with Millsap when the two were working together and ordered him to pay $3.7 million for breach of contract and breach of fiduciary duty.

Millsap said in his 2024 apology that Smith had “violated the most basic and fundamental principle of attorney client privilege and released private text messages between myself and a former romantic partner.”

The post Atlanta movie exec who complained of ‘nasty Jews’ is running for Congress appeared first on The Forward.

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A new book explores the vibrancy of pre-war Warsaw

The Last Woman of Warsaw
Judy Batalion
Dutton, 336 pages, $30

Don’t be misled by the title of this debut novel by Judy Batalion, nor by her previous book, The Light of Days, about the role of Polish-Jewish women in the anti-Nazi resistance.

Though the specter of the Holocaust looms over The Last Woman of Warsaw, the novel is not really Holocaust fiction. It does not portray a final female survivor of that embattled city. Its subject is instead the odd-couple friendship of two young Jewish women embroiled in the artistic and political ferment of pre-World War II Warsaw.

For Batalion, recreating the atmosphere and quotidian life of this cosmopolitan city, which once elicited comparisons to Paris, was a major aim. “In our contemporary minds, historical Warsaw conjures images of gray and death,” she writes in a lengthy author’s note. But that shouldn’t negate its more vibrant past. “Long before Vegas,” Batalion writes, “Warsaw was the capital of neons, its night skyline dotted with glittering cocktail glasses and chefs carrying platters of roasts. Much of this artistic production was Jewish.”

Even this brief excerpt shows that Batalion isn’t much of a prose stylist. But awkward locutions and diction mistakes aside — including the repeated use of “cache” when she means “cachet” — Batalion generally succeeds in immersing readers in Warsaw’s lively urban bustle and heated street politics. Here, skating on the edge of catastrophe, Polish Jews of varying ideologies and backgrounds face off against antisemitic persecution and violence.

Batalion’s handling of the historical backdrop is defter than her fledgling fictional technique. The narrative of The Last Woman of Warsaw is a plodding and repetitive affair that ultimately turns on an improbable coincidence.

The plot involves the sudden disappearance of a photography professor with communist ties and the halting efforts of the novel’s two protagonists to find and free her. The pair, whose initial antagonism mellows into friendship, are Fanny Zelshinsky, an upper-middle-class Warsaw University student, and Zosia Dror, who hails from a religious shtetl family. Her adopted surname references the Labor Zionist group that now claims her loyalty. Despite their differences, the two women have in common a desire to shake off the past and forge new lives. They also share an attraction to a single man, Abram, who can’t seem to decide between them.

When the story begins, Fanny is engaged to the perfectly nice, highly suitable Simon Brodasz, whom she’s known since her teenage years. Her mother is pushing the match. But Fanny is not in love and dreads the loss of freedom marriage entails. Her true passion is photography – in particular, fashion photography, to which she brings an idiosyncratic, modernist flair.

Zosia’s passion is political activism, and she aspires to a more prominent leadership role in Dror. Like Fanny, she is at odds with her mother, who is urging her to return to the shtetl for the festivities preceding her sister’s wedding.

What brings these women together is the arrest of the famous photographer Wanda Petrovsky, to whom both are connected. Wanda is one of Fanny’s professors, and Fanny needs her help to enter a potentially career-making exhibition. Wanda also happens to be a political activist, a leader of Zosia’s Zionist group, and Zosia hopes she’ll provide her with a visa for Palestine.

As Batalion’s narrative alternates between their perspectives, the antisemitic fervor in Warsaw mounts. Polish right-wing groups have started terrorizing Jews. Police invade clubs where Jewish comedians are mocking antisemitism. At Warsaw University, where Jewish students already have been subject to admissions quotas, the humiliation of being consigned to a “Jew bench” in class comes as a humiliating shock to Fanny.

Zosia, by contrast, has seen far worse. She and her family were victims of one of the murderous pogroms that periodically roiled the Polish countryside. She has been traumatized by the burning of her home, her father’s injuries and the refusal of her neighbors to offer refuge from the catastrophe.

In late 1930s Warsaw, Polish Jews are fighting back – with protests, hunger strikes and more. But what will any of this accomplish? Will Wanda attain her freedom, with or without the help of her protegees? Will Zosia and Fanny successfully defy their families and find meaningful lives? Which woman will Abram ultimately choose? And will any of this matter as both Poland and Polish Jewry hover on the brink of destruction?

Batalion answers these questions in an epilogue describing the fate of both women and of Fanny’s photographs, which eventually take a political turn, and in her author’s note. In the note,  she reveals that all four of her own grandparents “spent their young adulthoods in interwar Warsaw.” That heritage helps account for her  own passion: “to memorialize Warsaw’s golden age of creativity and the Jewish art and culture that, along with six million lives, was also decimated in the Holocaust.” A worthy endeavor, however clumsily executed.

The post A new book explores the vibrancy of pre-war Warsaw appeared first on The Forward.

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