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A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.
(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.
At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.
A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.
The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”
On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.
Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)
Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”
Why?
“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”
He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”
For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.
The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?
“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”
CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.
J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.
In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)
In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)
Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.
The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”
Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.
The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.
“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.
Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.
The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)
Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)
Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.
Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.
“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.
Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”
The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.
“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”
(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)
The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.
For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.
With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.
Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.
“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”
Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.
Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.
Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.
Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,” which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”
“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”
A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.
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‘Blue Wave’: Israel Expands Diplomatic, Security Ties Across Latin America Amid Shifting Regional Politics
Argentine President Javier Milei speaks during a Plenum session of the Knesset, Israel’s Parliament, in Jerusalem, June 11, 2025. Photo: REUTERS/Ronen Zvulun
A new wave of diplomacy in Latin America has seen several governments adopt a friendlier, more supportive stance toward Israel, deepening bilateral ties that Jerusalem is now leveraging on the global stage while signaling a potential shift in regional political alignments.
In a new interview with Israel’s Channel 12, Amir Ofek, deputy director for Latin America at Israel’s Ministry of Foreign Affairs, explained that the country is undergoing a major shift in its diplomatic engagement across the region, marked by a series of significant developments.
“There have been shifts in countries that were once our allies, and we have faced periods under very critical and challenging governments,” Ofek said. “We respond quickly to these changes, stay in close contact, and we are now beginning to make real progress.”
In a significant regional breakthrough, Israel and Bolivia formally restored diplomatic relations late last year, ending a two-year rupture sparked by the war in Gaza and reopening channels of official dialogue between the two countries.
In December, Bolivian Foreign Minister Fernando Armayo also announced that the country will lift visa requirements for Israeli travelers, a move that Israeli Foreign Minister Gideon Saar praised as helping to “strengthen the human bridge between our peoples.”
Chile and Honduras are also leading the way among other Latin American nations making a striking turn toward Israel
Last year, Chile elected far-right President José Antonio Kast, who promised to reshape the country’s foreign policy toward the Jewish state, overturning the stance of a previously hostile administration.
This year, Honduras also chose a far-right candidate, President Nasry Asfura, who expressed hopes for a “new era” in bilateral relations and stronger ties with Jerusalem.
“The shift in Honduras is part of a broader regional trend: a ‘blue wave’ across Latin American countries that embrace freedom and democracy and align closely with US policy in the region,” Nadav Goren, Israel’s ambassador to Honduras, told Channel 12. “We are in a very optimistic period for Latin America.”
With the official launch of the Isaac Accords by Argentina’s President Javier Milei last year, Israel has been working to expand its diplomatic and security ties across the region, in an effort designed to promote government cooperation and fight antisemitism and terrorism.
Modeled after the Abraham Accords, a series of historic US-brokered normalization agreements between Israel and several Arab countries, this new initiative aims to strengthen political, economic, and cultural cooperation between the Jewish state and Latin American governments.
“Israel offers globally recognized expertise that meets the needs of many countries, covering areas such as agricultural technology, water management, food security, cybersecurity, and innovation. Partners understand that Israel can help propel them forward, even in the context of internal security,” Ofek said.
The first phase of the Isaac Accords will focus on Uruguay, Panama, and Costa Rica, where potential projects in technology, security, and economic development are already taking shape as this framework seeks to deepen cooperation in innovation, commerce, and cultural exchange.
The Isaac Accords will also aim to encourage partner countries to move their embassies to Jerusalem, formally recognize Hamas and Hezbollah as terrorist organizations, and shift longstanding anti-Israel voting patterns at the United Nations.
Less than a year after the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023, Argentina became the first Latin American country to designate the Palestinian Islamist group as a terrorist organization, with Paraguay following suit last year.
Building on a deepening partnership, Saar and Paraguay’s President Santiago Peña also signed a landmark security cooperation memorandum, as the two countries continue to expand their relationship following Paraguay’s move to relocate its embassy to Israel’s capital of Jerusalem in 2024.
“Over the past two very difficult years, our friendship has shown its strength through international forums, mutual cooperation, official visits, and measures against Iran. We have expressed our friendship in meaningful, if sometimes implicit, ways,” Ofek told Channel 12, referring to the country’s growing ties with Paraguay.
In recent years, Latin America has gained strategic importance for Israel as a frontline in countering Iran and its Lebanese proxy Hezbollah, whose growing influence and criminal networks in the region — especially in Venezuela and Cuba — have prompted Jerusalem to expand its diplomatic, security, and intelligence presence.
“For us, this is a circle of allies that recognizes the same threat we face from Iran’s growing influence in the region, and it is only natural to cooperate to halt its expansion,” Ofek said. “We have seen firsthand how damaging this is, particularly in the context of attacks on Israeli and Jewish targets.”
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Australian Nurses Plead Not Guilty Over Viral Video Threatening to Kill Israeli Patients
Sarah Abu Lebdeh, 27, and Ahmad Rashad Nadir, 28, face criminal charges in Australia for statements made in an online video in February 2025 in which they allegedly threatened Israelis, prompting nationwide bans from treating patients. Photo: Screenshot
Two nurses in Australia who were charged over a viral video in which they allegedly threatened to kill Israeli patients pleaded not guilty during their arraignment on Monday.
Sarah Abu Lebdeh, 27, and Ahmad Rashad Nadir, 28, previously worked at the Bankstown-Lidcombe Hospital in Sydney until appearing on a video with Israeli social media personality Max Veifer in February 2025.
The footage, which circulated widely, featured Abu Lebdeh stating she would refuse to treat an Israeli patient and would instead kill them, while Nadir used a throat-slitting gesture when he confessed to having already killed many.
“It’s Palestine’s country, not your country, you piece of s—t,” Lebdeh told Veifer.
“One day your time will come, and you will die the most disgusting death,” she added.
Veifer began asking the two during a night shift discussion how they would respond if an Israeli seeking treatment landed in their hospital. Abu Lebdeh, preempting the question, interrupted: “I won’t treat them. I’ll kill them.”
Nadir interjected: “You have no idea how many s—t dog Israelis came to this hospital,” and using a throat-slitting gesture, continued, “I sent them to Jahannam,” the Islamic word for hell.
The video went viral and sparked global outrage, prompting a two-year nationwide suspension to prevent them from continuing to treat patients.
Abu Lebdeh was charged with federal offenses, including threatening violence against a group and using a carriage service to threaten, menace, and harass.
Nadir was also charged with federal offenses, including using a carriage service to menace, harass, or cause offense, as well as possession of a prohibited drug.
Speaking before Judge Stephen Hanley at Downing Center District Court in Sydney, Abu Lebdeh appeared “with tears streaming down her face,” according to Australia’s Sky News.
The Australian reported last year that Lebdeh has expressed remorse and is now experiencing extreme anxiety. An uncle told a journalist that she “will come out and make a statement when she’s ready, but you can’t talk to her now because she’s having a panic attack, an anxiety attack. We might be calling the ambulance for her.”
Lawyer Zemarai Khatiz represents Nadir and confirmed to Sky News that the defense strategy would seek to make the video inadmissible in court.
“It will be, yes,” Khatiz stated before declining to elaborate. “You will have to just wait until the first of June when the applications are heard.”
The video drew international attention, with Israel’s deputy minister of foreign affairs, Sharren Haskel, demanding action.
“There needs to be an investigation immediately into these two Australian medical professionals who are saying they will kill Israeli patients – and suggesting that they already have,” Haskel posted on social media after the video was released. “They are expressing criminal intent towards Jewish people; this must be stopped.”
Haskel went on to declare antisemitism “a disease that is spreading in Australia,” arguing the nurses should be fired and their behavior must “be treated with the highest consequences under the law.’”
“They have broken the Hippocratic Oath,” the diplomat continued. “They have talked about killing Jews, they show the true racism and hate that the Australian Jewish community is currently enduring.”
A US-born Jewish woman who moved from Israel to Australia six years ago told The Algemeiner last year that she no longer feels safe in hospitals given the atmosphere of heightened antisemitism.
“In the past year alone, my little boy has witnessed many hostile protests where ‘anti-Zionists’ have actually come into the Jewish community without permits to intimidate us. Time and time again, instead of [authorities] dispersing and arresting anyone in the crowd for screaming racial slurs and threats, Jews are asked to evacuate and told if they don’t run away, they are inciting violence,” the woman said.
“Now they actually brag online about killing Israeli patients,” she continued, referring to the case in Australia. “I don’t know how safe I would feel giving birth at that hospital.”
Following the video’s exposure and international condemnation, a group of 50 Muslim leaders and organizations came together in defense of Abu Lebdeh and Nadir. “This statement is not about defending inappropriate remarks,” the coalition wrote in a letter. “It is about pushing back against the double standards and moral manipulation at play while the mass killing of our brothers and sisters in Gaza is met with silence, dismissal, or complicity.”
The district court scheduled the suspended nurses’ trial for Aug. 31 with an anticipated five days of arguments and deliberations. A pre-trial hearing will take place on June 1.
The charges against Abu Lebdeh and Nadir reflect a global trend that has emerged since the Oct. 7, 2023, Hamas-led invasion of and massacre across southern Israel wherein medical practitioners come under scrutiny or even legal prosecutions following the exposure of antisemitic statements and behavior.
One notable case drawing attention involved Dr. Rahmeh Aladwan, a trainee trauma and orthopedic surgeon, who British police arrested on Oct. 21, charging her with four offenses related to malicious communications and inciting racial hatred. In November, she was suspended from practicing medicine in the UK over social media posts denigrating Jews and celebrating Hamas’s terrorism. She also described London’s Royal Free Hospital as “a Jewish supremacy cesspit” and declared her belief that “over 90% of the world’s Jews are genocidal.”
That same month, UK Health Secretary Wes Streeting called it “chilling” that some members of the Jewish community fear discrimination within the National Health Service (NHS)., amid reports of widespread antisemitism in Britain’s health-care system.
British Prime Minister Keir Starmer unveiled a new plan in October to address what he described as “just too many examples, clear examples, of antisemitism that have not been dealt with adequately or effectively” in the NHS.
Another notable incident occurred in September, when a Belgian doctor reportedly listed “Jewish (Israeli)” as a medical problem in a child’s report.
Jewish writer Jonath Weinberger, a dual Belgian-Israeli citizen living in Amsterdam, recounted an episode in November about a nurse denying her medical care after refusing to remove a pro-Palestinian button
In Argentina, a Buenos Aires doctor received a suspension following a social media post in which he wrote about Jews that “instead of performing circumcision, their carotid artery and main artery should be cut from side to side.”
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‘Don’t be a wimp’: Josh Shapiro, Philly DA Larry Krasner spar over ICE-Nazi comparisons
(JTA) — The Jewish governor of Pennsylvania this week rebuked one of his state’s most visible elected officials for comparing ICE officers to Nazis, leading to a protracted war of words between the two men.
The spat between Josh Shapiro and Philadelphia District Attorney Larry Krasner, Democrats with a long-running rivalry, comes amid a rise in such incendiary comparisons used to describe weeks of chaotic Immigration and Customs Enforcement activity.
Minnesota Gov. Tim Walz recently invoked Anne Frank when discussing ICE, and was criticized by the U.S. Holocaust Memorial Museum, among others. Celebrities like Bruce Springsteen and Stephen King have also compared ICE to the Gestapo. Some Jews, including those with connections to the Holocaust, have also made such comparisons as ICE’s behavior in the streets of Minneapolis and other cities has become more aggressive and deadly.
For Shapiro, such waters are proving especially difficult to navigate. Shapiro holds higher office aspirations and has become more vocal in his criticisms of ICE in recent days while also saying his office is more open to collaboration with agents.
The fight began last week when Krasner, a pugilistic progressive prosecutor, called ICE “a small bunch of wannabe Nazis” at a rally amid speculation that ICE could turn its attentions to his city. Then, musing about when Trump’s term ends, Krasner likened his own office to Nazi hunters like Simon Wiesenthal.
“If we have to hunt you down the way they hunted down Nazis for decades, we will find your identities, we will find you, we will achieve justice and we will do so under the Constitution and the laws of the United States,” he said.
Shapiro, in response, called Krasner’s comments “abhorrent” and “wrong, period.”
“We need to bring down the rhetoric, bring down the temperature, and create calm in the community,” the governor said in an interview with Fox News’ Bret Baier.
Other state officials, including Democratic Pennsylvania Sen. John Fetterman, who has vocally allied with the pro-Israel Jewish community, also condemned Krasner’s remarks. So did the White House, whose press secretary Karoline Leavitt shared video of Krasner’s comments and asked, “Will the media ask Dems to condemn?”
That didn’t deter Krasner, the son of an Evangelical minister mother and Russian Jewish crime novelist father who enlisted to fight Nazis in World War II. Instead of “bringing down the temperature,” the DA, who does not identify as Jewish, escalated.
“Gov. Shapiro is not meeting the moment,” Krasner told the Philadelphia Inquirer Tuesday. “The moment requires that we call a subgroup of people within federal law enforcement — who are killing innocent people, physically assaulting innocent people, threatening and punishing the use of video — what they are.”
He added, “Just say it. Don’t be a wimp.”
The interview came days after Krasner doubled down on ICE-Nazi comparisons during a CNN appearance, when he also claimed that white supremacists had threatened him with the gas chamber.
“There are some people who are all in on a fascist takeover of this country who do not like the comparisons to what happened in Nazi Germany,” Krasner told Kaitlan Collins on Thursday. “The reality is, they’re taking almost everything they do out of the Nazi playbook. And I say that as the son of a volunteer who served in World War II, who explained his experiences to me.”
Speaking to the Inquirer, Crasher went on to quote Rabbi Joachim Prinz, who fled Nazi Germany for the United States, became a civil rights and Zionist activist, and delivered a famous speech entitled “The Problem of Silence” at the March on Washington in 1963.
“Bigotry and hatred are not the most urgent problem,” the DA quoted Prinz. “The most urgent, the most disgraceful, the most shameful, and the most tragic problem is silence.”
Krasner continued, “A reminder, Mr. Governor: Silence equals death.” Referring to ICE, he said, “These are people who have taken their moves from a Nazi playbook and a fascist playbook.”
The two men have longstanding differences, and it’s not the first time Nazis have come between them. In 2019, when Shapiro — then the state’s attorney general — hired away some of Krasner’s staff, Krasner and his remaining staff referred to them as “war criminals” and joked that they had fled to “Paraguay” (a country that housed fleeing Nazis after World War II). The joke received pushback at the time from the Anti-Defamation League.
Jews have been caught up in the fight against ICE in a myriad of ways. On Tuesday, the Washington Post reported that a British Jewish immigrant to suburban Philadelphia was subpoenaed by the Department of Homeland Security. Identified in reports only as Jon, the former Soviet Jewry activist had written a critical email to a federal prosecutor about his handling of an Afghan immigration case.
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