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A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.
(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.
At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.
A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.
The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”
On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.
Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)
Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”
Why?
“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”
He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”
For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.
The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?
“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”
CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.
J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.
In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)
In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)
Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.
The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”
Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.
The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.
“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.
Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.
The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)
Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)
Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.
Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.
“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.
Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”
The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.
“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”
(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)
The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.
For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.
With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.
Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.
“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”
Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.
Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.
Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.
Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,” which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”
“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”
A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.
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His kippah was a symbol of coexistence. Israeli police officers seized and destroyed it.
(JTA) — Alex Sinclair had no idea what would follow when he posted a picture of his mutilated kippah to Facebook on Thursday.
Sinclair, who lives in central Israel, described being detained by police officers who told him that his kippah, which had both the Israeli and Palestinian flags woven in, was illegal. When he was released from their custody, he was allowed to take his kippah home — but only after the Palestinian flag was cut out, leaving him with roughly half a head-covering.
To Sinclair, a British-born writer and educator whose books include “Loving the Real Israel: An Educational Agenda for Liberal Zionism,” the situation was galling, and not just because he had been accused of breaking a law that does not exist.
“She’d taken my possession, a religious ritual object, something that is very dear to my heart, and destroyed it,” he wrote about the officer who returned his kippah. He added, “That was it. I walked home, shaken, angry, depressed.”
A day after publishing his account of the encounter, eliciting hundreds of almost universally supportive comments, Sinclair said he had not heard from anyone in the government about his Facebook post or the complaint he filed on the Israel Police website.
But he had gotten offers of legal aid; calls from left-wing politicians, including Yair Golan; and even Shabbat flowers from a prominent liberal activist. His phone had been ringing off the hook with calls from journalists, and someone he barely knows was planning a rally for outside the police station in Modiin where he was detained.
“I’ve never experienced anything like this,” Sinclair said in an interview with the Jewish Telegraphic Agency on Friday afternoon.
The Israel Police has acknowledged the incident, saying publicly that a man had been detained after they were contacted about his kippah and had been released “following a clarification process.” They said the official complaint about the incident prevented further comment.
Sinclair said he thought the image of the defiled kippah was resonant for Jews who instinctively associated it with centuries of antisemitism. But he said he wondered whether the depth of the response reflected something else, too.
After the ceasefire in the Iran war, Israelis were “beginning to be able to breathe a little bit and look above the parapet and just sort of see, OK, maybe we can start to think about the future in a way that we really weren’t able to as a society for the past couple of years,” he said. Now, the thought for many is: “If we are looking ahead, oh my God, is this what is in store for us?”
The incident comes amid a broad crackdown on Palestinian symbols in public spaces, and allegations that police, who have come under the control of a far-right minister, are increasingly intimidating liberal activists.
Soon after being named national security minister in January 2023, Itamar Ben-Gvir told Israeli police officers to exercise wide latitude in removing Palestinian national flags from public places in order to preserve public order. He characterized the flag as a terrorist symbol, even though it is legal in Israel.
“It cannot be that lawbreakers wave terrorist flags, incite and encourage terrorism, so I ordered the removal of flags supporting terrorism from the public space and to stop the incitement against Israel,” he said at the time. Following the Oct. 7 attack on Israel later that year, the crackdown intensified even more.
During the same period, the police have been accused of using inappropriate force against people protesting against the right-wing government. Sinclair said he was concerned about the threats to liberal values in his chosen country.
“The job as a police officer is not to police people’s political opinions,” he said. “That happens in other countries that we don’t want to become.”
Among the hundreds of people responding to Sinclair’s Facebook post were many who echoed that sentiment — even while saying they did not share his appreciation for the Palestinian flag. (Elsewhere in Israel and online, Sinclair drew more scorn.)
“While I don’t agree with your choice of kippa, I do agree you have every right to wear it,” wrote one commenter. “This is awful and I’m sorry you experienced it. And I hate that this is where we are now, that someone could be detained for something like this.”
Gilad Kariv, a Reform rabbi and member of the opposition in Israel’s parliament, said in a statement that there was “systemic madness” within the Israel Police and that he believed a criminal investigation and civil lawsuit would be appropriate. He also called for introspection.
“If police officers had cut off a Jew’s kippah in any other country in the world, there would have been an uproar here in Israel,” Kariv wrote.
Sinclair said the kippah that was destroyed was not his first with the same design. After the wind blew away the first one, which he had custom-made by a popular Jerusalem vendor nearly 20 years ago, he ordered a replacement — that’s how motivated he was to wear his values on his head.
“I’m a Zionist, and I believe in the Jewish people’s right to self-determination in this part of their historic homeland. And I also think that the Palestinians are also people who have a right to self-determination in part of this place, which is also their historic homeland,” Sinclair said.
“By the ironies of history, the same chunk of land ended up being a place where two peoples have a legitimate connection, and we have to figure that out,” he continued. “People from both sides who want to delegitimize or erase the other side forget about whether they’re being nice or nasty; they’re just not being true to history.”
That was once a relatively widely held view among Israelis and Jews around the world. But decades of failed peace efforts, violent attacks on Israelis from Palestinian terrorists, and increasing extremism among both Jews and Arabs have caused a two-state solution to fall sharply out of favor during that period.
Sinclair says he sees himself as a peace activist, though he called the term “grandiose” and said, “I’ve got a lot of respect for people whose life is much more about the activism than mine.”
What he is, he says, is a Jew who loves Israel and is scared for its future. His next book, out this fall, will tackle what he believes is “a struggle for the soul of the Jewish people,” a topic on which he has suddenly become an unwilling case study.
On one side, he said, are far-right extremists, including Ben-Gvir, who “want a kind of Judaism and an Israel which doesn’t have a place for all kinds of things that feel very important to me,” including egalitarianism, Palestinians and left-leaning politics. (That side, he noted, is currently advancing legislation that would ban egalitarian prayer at the Western Wall.) On the other, he said, are those who promote an Israel that “is open and pluralist,” one in which people tolerate people who practice Judaism in ways they would not and hold values they do not.
“We’re in a struggle between these two versions of Judaism and versions of Zionism,” Sinclair said. “I very much hope that we’ll win the struggle. I think it’s not too late to win that struggle. … But it’s not a slam-dunk. And we, the Jewish people, are in real trouble if we lose.”
Sinclair believes his book could help turn that lofty vision into a how-to guide for Israeli liberals. But he also has more practical concerns, like where to get another kippah. He isn’t sure the vendor who made it before will be willing to do so again. And this time, it’s not just him but many of his friends who say they are interested in getting their hands on one.
“Some bright lefty entrepreneur,” he joked, “has got a big money-making opportunity there.”
This article originally appeared on JTA.org.
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DOJ’s indictment of Southern Poverty Law Center recalls Jewish groups’ use of informants to fight extremism
(JTA) — Jewish social justice organizations are sharply criticizing the Trump administration’s decision to indict the Southern Poverty Law Center, framing the move as part of a broader campaign against civil society groups that monitor extremism.
The Department of Justice alleges that SPLC engaged in bank and wire fraud and conspired to commit money laundering, arguing that its use of paid informants to monitor extremist groups amounted to a funding mechanism for those same groups. SPLC has not yet issued a detailed public response to the charges.
For many observers, the clash also echoes an earlier and lesser-known chapter in American Jewish history — one in which Jewish organizations themselves used covert methods, including paid informants, to track and expose white supremacist movements, often with little support from the federal government.
Coincidentally, the indictment came down nearly simultaneously with the publication of “The Secret War Against Hate: American Resistance to Antisemitism and White Supremacy,” by historian Steven J. Ross. The book, which is being released next week, documents how groups such as the Anti-Defamation League and the American Jewish Committee infiltrated neo-Nazi and Ku Klux Klan organizations in the decades before and after World War II, passing intelligence to law enforcement agencies that were often reluctant to act.
The historical parallel is not exact, but it is striking: Tactics once employed by Jewish groups to counter violent extremism are now at the center of a federal prosecution against one of the country’s most prominent civil rights watchdogs.
The Union for Reform Judaism said it was “watching with concern” the Department of Justice’s action, noting SPLC’s long record of combating hate, including antisemitism.
“SPLC is a long-time ally in the civil rights space and has a record of more than five decades of combating hate, including antisemitism,” the group said in a statement. “While no one is above the law, this DOJ has pursued multiple cases over the last 14 months whose political motivations have been questioned and even rejected by juries and judges. For this reason, we are concerned that this, too, is a case motivated by politics, rather than fact.”
Leaders at the Jewish Council for Public Affairs were more forceful, casting the indictment as a direct threat to organizations that track hate groups and protect vulnerable communities.
“Civil society is under attack as the administration weaponizes the federal government against those with whom they disagree, while normalizing extremism and gutting the very programs we have to counter it — and it puts Jewish and so many other communities at risk of violence,” said CEO Amy Spitalnick.
“As today’s attack on the Southern Poverty Law Center shows, groups that protect civil rights and counter violent extremism are being criminalized by this Administration,” she added. “None of us can afford to be silent.”
The liberal Jewish advocacy group Bend the Arc similarly argued that the indictment reflects an effort to undermine democratic institutions.
“Groups like the Southern Poverty Law Center (SPLC) make this nation safer for American Jews and all Americans — which is why the Trump regime’s DOJ is targeting them,” the organization said. “Americans and American Jews will keep showing up to defend our democracy, from our elections to all of our liberties.”
Ross, whose parents were Holocaust survivors, describes a period in which antisemitism and white supremacist ideology were both widespread and frequently violent, with extremists targeting synagogues and Black churches and staging rallies adorned with Nazi imagery. Figures such as George Lincoln Rockwell, who founded the American Nazi Party in 1959, and Jesse Benjamin Stoner, the racist and antisemitic politician convicted in the 1958 bombing of the Bethel Baptist Church in Birmingham, Alabama, sought to build mass movements rooted in racial and religious exclusion.
At the same time, Jewish defense organizations quietly developed sophisticated intelligence operations, including the use of informants, to monitor those threats. Their efforts, Ross writes, were often met with indifference from officials such as J. Edgar Hoover, whose FBI frequently declined to take more than token action against extremist groups.
In his book, Ross argues that while movements and leaders evolve, the underlying ideas — including white supremacy and antisemitism — persist. Today, he notes, those ideologies are often expressed less through explicit antisemitism than through broader attacks on immigrants and demographic change.
Speaking to NPR’s Terry Gross on Thursday, Ross said he was skeptical about the indictment of the SPLC.
“I’m not sure if the indictment is true or not, but the idea that there are informants is not illegal,” he said. “These people are simply monitoring what was going on and whether accused of stealing records, their records were sent, I’m sure, to the government forces like the FBI, the Justice Department, because they weren’t doing their job.”
Ross also said that the groups he writes about in the book made it clear to informants and infiltrators that they couldn’t break any laws. “I’m sure the SPLC is doing the same thing because they know their informants would get in trouble otherwise, that they could be prosecuted by the government,” he said.
Another ADL operation came to light just a few years ago when political historian Matthew Dallek of George Washington University wrote a book detailing how the ADL’s covert operation targeting the John Birch Society helped bring down an influential far-right extremist movement in the United States in the 1960s and ’70s.
“The ADL also had undercover agents with code names, who were able to infiltrate the society’s headquarters in Belmont, Massachusetts, and various chapter officers,” Dallek told the Jewish Telegraphic Agency in 2023. “They dug up financial and employment information about individual Birchers. And they not only used the material for their own newsletters and press releases, but they also fed information to the media.”
In the early 1990s, however, the West Coast branch of the ADL was accused in federal court of illegally spying on left-wing and pro-Arab groups, including the African National Congress, the American Indian Movement and the Association of Vietnam Veterans.
The ADL eventually settled a federal lawsuit, which charged, among other things, that the organization had sold information on anti-apartheid groups to the government of South Africa. The ADL consistently denied any improper or illegal actions, a position reiterated in the settlement.
Critics at the same accused the ADL of drifting from its founding mission — fighting antisemitism and promoting tolerance — to target legitimate criticism of Israel and advocacy of the Palestinian cause.
The Anti-Defamation League did not respond to a request for comment about the Department of Justice’s prosecution of the Southern Poverty Law Center.
But for Jewish groups now rallying to SPLC’s defense, the concern is not only about a single indictment but about the potential chilling effect on organizations that track and expose extremism — work they see as essential at a time of rising antisemitism.
“At a moment of rising antisemitism and broader extremism,” Spitalnick said, “the Administration should focus on how to protect our communities from these threats, not attack the very organizations and infrastructure whose work helps keep us safe in the first place.”
This article originally appeared on JTA.org.
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Inside Mamdani’s split decision on synagogue and school protests in NYC
New York City Mayor Zohran Mamdani vetoed on Friday a City Council bill aimed at requiring safety plans around protests near schools, while allowing a separate measure protecting houses of worship to become law.
The split decision — his first veto since taking office more than 100 days ago — drew sharp backlash from a wide swath of Jewish organizations, reinforcing concerns about his handling of antisemitism in a city with the largest Jewish population in the United States and his alignment with the pro-Palestinian protest movement.
Here’s a step-by-step explainer of what happened, why it matters and what happens next.
What’s the difference between the two bills?
The City Council passed two companion bills last month aimed at curbing disruptive demonstrations outside synagogues and schools as part of a broader package to address rising antisemitism. One focused on houses of worship, requiring the New York City Police Department to develop a plan within 45 days for managing protests around the entrances. The proposal emerged following disruptive protests in recent months outside the Park East Synagogue in Manhattan and Young Israel of Kew Gardens Hills in Queens centered on events promoting immigration to and real estate in Israel.
The second bill focused on schools and educational institutions. It was broader in scope — including museums, libraries and teaching hospitals — and would have required more expansive planning for protests in those spaces. Progressive groups and labor unions opposed the schools bill, arguing it could impact their ability to organize and potentially limit pro-Palestinian demonstrations, particularly on campuses.
Why were there two bills?
The measures were largely similar in scope and raised comparable constitutional considerations around the rights to free exercise of religion and peaceable assembly. It was scaled back from an earlier buffer-zone proposal after objections from the mayor’s police commissioner and civil liberties groups about a one-size-fits-all rule.
The measures were split by Julie Menin, New York’s first Jewish speaker of the City Council, who was elected unanimously by the Council’s 51 members and seen by some as a counterweight to Mamdani on Jewish issues. She helped secure broader support for the synagogue-focused bill, aimed at addressing fears of intimidation for congregants entering houses of worship.
At the same time, the separation gave critics room to oppose the schools measure, which has drawn more sustained protest activity since Oct. 7, 2023 and raised sharper free speech concerns.
How did the City Council vote?
The houses of worship buffer zone bill, which was authored by Menin, passed with a 44–5 veto-proof majority in the 51-member chamber.
The schools bill, introduced by Councilmember Eric Dinowitz, passed by a narrower margin, 30-19, and could be vetoed by Mamdani.
What happened on Friday?
A day before the bills would automatically take effect, Mamdani vetoed the schools bill. At the same time, he allowed the houses of worship bill to take effect without his signature.
In a video statement, Mamdani said the distinction is legal and constitutional. He said that while he expressed reservations about the houses of worship measure, the final version of the bill was narrowed to avoid constitutional concerns and largely requires existing NYPD practices. The schools bill, he said, remained too broad and lacked a clear balance between the right to protest and other constitutional protections.
The measure could have applied to some public campuses, including City University of New York schools, depending on how policies were implemented. Private campuses — like Columbia University — would likely not be affected, since the NYPD is generally not authorized to operate on their property without coordination.
How did Jewish groups respond?
The backlash was swift and rather unified.
“This veto is a profound failure of City Hall to demonstrate to all New Yorkers that our safety is a priority,” a coalition of major Jewish organizations, including the Conference of Presidents and the Union for Reform Judaism, said in a sharp-worded statement. The New York Board of Rabbis, which has engaged with Mamdani since his election, also signed on to the statement.
Even the New York Jewish Agenda, a progressive Zionist group formed in 2020 to be a voice for liberal Jews in New York, said it was “disappointed” by Mamdani’s veto and his dismissal of a “good faith effort” to lower tensions. Mamdani attended NYJA’s Hanukkah celebration and said he associates himself with their mission of “bringing people together” on critical issues. Its most recent executive director is Phylisa Wisdom, now head of the mayor’s Office to Combat Antisemitism.
Rev. Al Sharpton, an ally of Mamdani, was also upset about the mayor’s veto of the schools bill, calling its implementation ”important” for the safety of all communities.
Mamdani’s progressive Jewish allies — Jews For Racial & Economic Justice and Bend the Arc — welcomed his veto, calling it a “victory for free speech and civil liberties in New York City.“
Why did Mamdani do it?
The move was an early signal of Mamdani’s governing style as he marks three months in office.
A strident critic of Israel who rose to power aligned with pro-Palestinian activism, Mamdani appears willing to take politically difficult positions in step with his base on the Israeli-Palestinian issue, even if it risks alienating mainstream Jewish institutions.
At the same time, he avoided a fight he was likely to lose — vetoing the synagogue bill only to have the Council override his veto — sidestepping a direct confrontation with the Jewish community, already uneasy over his responses to antisemitism and pro-Palestinian protests.
What happens next?
The City Council could attempt to override Mamdani’s veto of the schools bill, though it would need an additional four votes. Lawmakers could also revise the bill to address legal concerns and try to pass it again, but this time with a veto-proof majority.
Meanwhile, the NYPD is expected to move forward with drafting a plan for the houses-of-worship measure and present it within 45 days.
Longer term, this moment may shape Mamdani’s relationship with the Jewish community and test whether he can broaden his coalition in a city where concerns about his policies carry significant weight.
Last week, the city’s most senior Jewish elected officials — Menin, City Comptroller Mark Levine and Manhattan Borough President Brad Hoylman-Sigal urged Mamdani to do more to address the concerns of Jewish New Yorkers directly, including acknowledging the community’s deep emotional connection to Israel and reconsidering his pledge not to visit the country. Mamdani has given no indication that he plans to follow that advice.
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