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A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.

(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.

At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.

A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.

The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”

On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.

Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)

Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”

Why?

“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”

He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”

For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.

The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?

“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”

CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.

J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.

In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)

In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)

Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.

The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”

Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.

The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.

“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.

Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.

The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)

Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)

Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.

Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.

“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.

Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”

The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.

“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”

(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)

The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.

For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.

With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.

Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.

“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”

Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.

Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.

Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.

Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,”  which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”

“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”

A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.


The post A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs. appeared first on Jewish Telegraphic Agency.

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Academic BDS Gains Ground in Europe, Poses Strategic Threat to Israel, New Report Warns

Anti-Israel demonstration supporting the BDS movement, Paris France, June 8, 2024. Photo: Claire Serie / Hans Lucas via Reuters Connect

Advocates of the boycott, divestment, and sanctions (BDS) movement against Israel have intensified efforts to sever ties between the European Union and Israeli academic institutions, according to a new bombshell report published on Thursday.

Israel’s Association of University Heads (VERA) Task Force to Combat Academic Boycotts said it has documented a surge in “academic BDS” activity across Europe and other Western countries, including the United States, since the Hamas-led Oct. 7, 2023, massacre across southern Israel.

VERA warned that mounting political pressure against Israel’s participation in the European Union’s Horizon Europe research initiative could increasingly influence the continent’s approach to academic cooperation with the Jewish state. The report went so far as to call Brussels’ stance on BDS “closer to establishing itself as an official foreign policy.”

Founded in 2021 as a seven-year EU project, Horizon Europe funds research related to sustainability, climate change, medicine, and emerging technologies. Israel’s participation in the multi-billion-euro initiative has long reflected both the country’s scientific reputation and its integration into major European research networks.

In recent years, however, several member states and activist groups have challenged Israel’s participation in the program, while the share of Horizon funding awarded to Israeli researchers has declined sharply.

According to VERA’s report, which covered the period from October 2025 to April 2026, there has been a 150 percent increase in efforts to exclude Israel from Horizon Europe.

In 2022, Israeli researchers received 5.4 percent of all Horizon grants. By 2025, that figure had fallen
to 2.5 percent — a decline of more than 50 percent.

“Israel’s participation in the ‘Horizon Europe’ association agreements is a strategic objective and
national goal of the State of Israel. For adversaries in this arena, this represents a major vulnerability
for Israel,” the report said.

It seems for this reason anti-Israel activists have specifically targeted the program. Indeed, VERA found that nearly 25 percent of all recent boycott reports were associated with Horizon Europe.

“Participation in the Horizon program provides not only an irreplaceable boost of valuable funding, but also enables Israeli researchers to establish research partnerships, maintain interactions with researchers from European countries and from countries outside Europe, and influence from within the scientific-academic agenda of Europe,” the report explained.

“This is the most prestigious and largest scientific club in the world,” VERA added. “Israel has earned a place within it, and every effort must be made to remain there in order to preserve scientific leadership and maintain our status as the ‘Start-Up Nation.’”

However, the BDS movement and other efforts to weaken Israel’s international standing create “a significant threat to Israel’s continued participation in the existing Horizon agreements,” VERA warned, “and a serious danger to its inclusion in the next Horizon agreements that will be signed during 2027 and implemented in 2028 for the years ahead.”

The report described the BDS movement’s string of victories as posing a “clear and immediate danger” to Israeli scientific and academic interests, while calling for a broader effort to improve public perceptions of Israel and its military operations in the Middle East.

VERA previously documented about 500 incidents of academic boycotts were reported just during the half-year through February 2025, a 66 percent increase compared to the six months following Hamas’s Oct. 7, 2023, attack.

Since then, the onslaught has continued, although at a slower rate.

“There has been a relatively moderate increase in the number of reports concerning new academic
boycotts of all types, whether at the level of the individual researcher, the academic institution, or
professional associations. This is most likely the result of the fact that anyone who wished to boycott
Israeli researchers and institutions has already acted in this direction over the past two years, and
therefore, there are now fewer new participants in such boycotts,” VERA found.

“At the same time, there has been no decline in the scope or quantity of the existing boycotts. The
meaning is that the broad academic boycott trend continues, and there is clearly a pattern of
gradual strengthening,” the report added.

The initiatives included efforts to exclude Israeli academics from conferences, research collaborations, publications, and other forms of scholarly exchange.

In May 2024, for example, Ghent University in Belgium banned partnerships with Israeli universities altogether.

The exact number of academic boycotts remains unclear. According to the Israeli news outlet Ynet, which first reported on VERA’s latest findings, 1,120 boycott complaints were recorded during the period examined in the report. However, Daniel Chamovitz — president of Ben-Gurion University of the Negev, a member of VERA — wrote that nearly 1,000 academic boycotts against Israeli universities have been recorded since the Oct. 7 attack, and a quarter of them came last summer.

“Academic boycotts do not pressure governments,” he posted on LinkedIn. “They isolate scientists. They sever the collaborations that science depends on, and they send a message to a generation of young researchers that their work is unwelcome. Not because of its quality, but because of their passport. That is not a political position. It is a betrayal of what science is for.”

The VERA report argued that the rise in academic boycott campaigns reflected a broader surge in antisemitism and anti-Zionist activism across Europe following the Oct. 7 attacks and the ensuing war in Gaza.

As previously reported by The Algemeiner, an overwhelming majority of 2,030 EU teachers surveyed in a study released in January said antisemitic incidents occur daily in classrooms and workplaces. Seventy-eight percent “encountered at least one antisemitic incident between students,” and 27 percent “witnessed nine or more such incidents.” Another 61 percent saw students promoting Holocaust denialism, while others reported students drawing or wearing Nazi symbols. Forty-two percent said they had witnessed “other teachers being antisemitic.”

Amid the academic boycott campaign, Europe has seen a relentless wave of antisemitic incidents on campuses across the continent.

At the University of Strasbourg, a group of Jewish students was assaulted by an individual shouting “Zionist fascists,” while the University of Vienna hosted an “Intifada Camp,” a pro-Hamas encampment.

At the Free University of Brussels campus in Solbosch, a pro-Hamas group illegally occupied an administrative building and renamed it after a terrorist. Elsewhere, anti-Zionist demonstrators damaged property to the tune of hundreds of thousands of Euros, desecrated Jewish religious symbols, graffitied Jewish students’ dormitories with swastikas, and assaulted Jewish student leaders.

Antisemitic violence in the streets of Europe’s major cities is perpetrated regularly, too. In July 2025, a group wielding knives attacked Jews walking home from an event on the Greek island of Rhodes. In Davos, Switzerland, a man spat on, attacked, and verbally abused a Jewish couple — behavior he reportedly repeated multiple times against other Jewish individuals.

Jewish communities across the West continue to face similar threats and require stronger governmental protections for their civil and human rights, the Special Envoys and Coordinators Combatting Antisemitism (SECCA) group proclaimed on Tuesday after convening in Geneva.

“Antisemitism is a threat to Jews — and that alone would be reason enough to fight it,” the group said.

“But it also erodes the very foundations of democratic societies: human rights, dignity, equality, and the rule of law. A society in which Jews cannot live openly and safely is one in which fundamental rights are under threat for everyone.”

Follow Dion J. Pierre @DionJPierre.

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The profound internal contradiction that could spell doom for Hillel

Shortly after I graduated from Swarthmore College, it became the first campus to formally break with Hillel International. The campus Jewish organization began, instead, to call themselves an “Open Hillel,” then rebranded entirely after the parent organization threatened legal action over a civil rights panel it deemed too critical of Israel.

Swarthmore Jewish students lost the name, but they kept their integrity. Jewish students at Middlebury just faced the same question. They answered it the same way. And they were right to do so.

What happened in Vermont is not just a local story about one campus organization. It is a story about a deep contradiction at the heart of Hillel International — one that the organization may no longer be able to sustain.

Hillel presents itself, publicly and forcefully, as the Jewish student organization at colleges and universities across the United States. It’s the home of Jewish campus life, where Jewish students celebrate the High Holidays, eat kosher meals, light Hanukkah candles and gather for Shabbat. It describes itself as the world’s largest Jewish campus organization, serving nearly 200,000 students at more than 850 colleges and universities. It is, at many of those colleges, the only such institution that exists.

Precisely because of that monopoly position, Hillel and its allies have argued — with some justification — that protests targeting Hillel are a form of antisemitism. To make Jewish students feel unwelcome at the one place on campus where they can observe their religious obligations, they argue, is to attack Jewish students as Jews, not merely to criticize a political organization.

That argument has real force. Jewish students deserve to celebrate their holidays without running a political gauntlet. No one should have to defend their views on the West Bank occupation before they can get a bowl of matzo ball soup.

But the problem is that Hillel is also an explicitly political organization. And as such, it should be fair game for protesters.

Hillel International has a mandatory political line that all affiliated chapters must enforce: Its guidelines declare that Hillel is “steadfastly committed to the support of Israel as a Jewish and democratic state,” and campus chapters are prohibited from partnering with or hosting any group or individual that supports the Boycott, Divestment and Sanctions movement, “delegitimizes” Israel by Hillel’s own definition, or questions Israel’s right to exist as a Jewish state.

When the Middlebury Jewish students met with Hillel International representatives, they were told that board members must universally adopt the organization’s political values about Israel. Universally. There is no asterisk, no opt-out, no room for the challenging pluralism of Jewish life in 2026.

This, from an organization that recently used imagery showing the entire territory from the Jordan River to the Mediterranean Sea as part of Israel, without distinguishing the West Bank and Gaza.

This is not a neutral cultural position. It is a political one, and a fairly aggressive one at that. Hillel sends students on trips to Israel through Birthright and similar programs and received $22 million from a $66 million Israeli government initiative called Mosaic International to promote pro-Israel sentiment in the U.S. These are choices a political organization makes.

So which is it? Is Hillel a cultural and religious organization that provides communal Jewish life for all students, in which case it has no business enforcing political litmus tests? Or is it a politically committed advocacy organization with a defined ideological position — in which case it cannot claim special immunity from protest on the grounds that criticizing it means attacking Jewish students’ ability to celebrate Passover?

The answer, uncomfortable as it is, is that Hillel is both. For students like those at Middlebury, the tension between those two identities has become impossible to manage. I suspect more will soon follow their lead.

This contradiction matters now more than ever, because the American Jewish community is changing.

A major recent survey by the Jewish Federations of North America found that 14% of Jews ages 18 to 34 identify as anti-Zionist. Even among younger Jews who support Israel’s existence, the survey found, less than half agreed that Israel makes them feel proud to be Jewish. The Jewish Electorate Institute’s most recent survey found that only about a third of American Jews self-identify as Zionist. As the government of Israel moves further and further to the right, the divide between American Jews and the state of Israel is only likely to grow.

Under current Hillel rules, the meaningful and growing number of Jewish students who identify as non-Zionist or anti-Zionist are effectively excluded. If they choose to participate, they are required to keep their politics at the door — but the organization doesn’t require the same of itself.

The Middlebury case illustrates the absurdity with unusual clarity.

The students’ discomfort with Hillel International began, they explained, after a November 2023 challah sale raised $656 for World Central Kitchen, an organization that provides food relief in Israel, the West Bank and Gaza. That act of simple, universalist charity created friction with the chapter’s parent body. Co-president Caroline Jaffe put the stakes plainly: “How are we ever going to get to peace in Israel and Palestine if we can’t even have a Middlebury Jewish group and a Middlebury SJP” — Students for Justice in Palestine — “talk to each other in Vermont, pretty much as far removed as you could be?”

That should not be a radical question.

The solution is not to try to reform Hillel International from within; that project has been tried repeatedly, by the Open Hillel movement and others, and the structural incentives against change are too powerful. The solution is instead what the Middlebury students are pointing toward: decentralization.

Political pluralism within Jewish campus life is not a threat to Jewish students. It is a reflection of the actual diversity of Jewish opinion, which surveys consistently show to be far wider than Hillel International’s guidelines allow. An American Jewish community that can only cohere by suppressing internal dissent is far more fragile than one that has learned to argue openly and remain in relationship. The students at Middlebury, by renaming themselves the Jewish Association of Middlebury and insisting on a more pluralistic identity, are not abandoning Jewish community. They are building a community that is more honest about what it is and who it is for.

I remember the moment at Swarthmore when Jewish students stopped asking permission and started asking a different question: not “what will Hillel International allow?” but “what do our Jewish students actually need?” The answer turned out to be more interesting, more contested, and, in its way, more Jewish than anything the guidelines had room for.

The post The profound internal contradiction that could spell doom for Hillel appeared first on The Forward.

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US May Ask Israel to Put Palestinian Tax Money Toward Trump’s Gaza Plan, Sources Say

US President Donald Trump takes part in a charter announcement for his Board of Peace initiative aimed at resolving global conflicts, alongside the 56th annual World Economic Forum (WEF), in Davos, Switzerland, Jan. 22, 2026. Photo: REUTERS/Denis Balibouse

The US is considering asking Israel to give some tax money it is withholding from the Palestinian Authority to Donald Trump’s Board of Peace to fund the US president’s post-war plan for Gaza, five sources familiar with the matter said.

The Trump administration has not yet decided whether to make a formal request to Israel, said three of the sources, officials with knowledge of US deliberations with Israel.

The two other sources, Palestinians with knowledge of the deliberations, said that under the proposal a portion of the tax money would go to a US-backed transitional government for Gaza and other funds to the PA if it makes reforms.

The PA puts the amount of tax being withheld at $5 billion.

The prospect of the Palestinians’ own tax money being repurposed toward Trump’s Gaza rebuilding plan, over which their government has had no input, could further sideline the Western-backed PA even as Israel‘s withholding of the funds begets a financial crisis in the West Bank.

The PA exercises limited self-rule in the West Bank but has not had any sway over Gaza since it was exiled from the territory after a brief civil war with terrorist group Hamas in 2007.

Trump’s plan for Gaza, shattered after more than two years of war, has been held up by a refusal by Hamas to lay down their weapons.

MONEY HELD IN A BANK DOES NOTHING’

The Board of Peace declined to comment on whether a proposal to use Palestinian tax money was under consideration.

A Board official said it had asked all parties to leverage resources to support Trump’s rebuild plan, estimated to cost $70 billion.

“That includes the Palestinian Authority and Israel. There is no doubt that money held in a bank does nothing to further the President’s 20-Point Plan,” the official said.

That appeared to refer to the PA tax revenue that Israel has withheld from the body in a long-running dispute over payments it makes to Palestinians and their families for carrying out terrorist attacks against Israelis.

Under this policy, official payments are made to Palestinian prisoners held in Israeli jails, the families of “martyrs” killed in attacks on Israelis, and Palestinians injured in terrorist attacks.

Reports estimate that approximately 8 percent of the PA’s budget has been allocated to paying stipends to convicted terrorists and their families.

Israel collects taxes on imported goods on behalf of the PA and is meant to transfer the revenue under a longstanding arrangement. The PA is supposed to use the funds to pay civil servants and fund public services.

The sources did not say how much of the tax money Washington was considering asking Israel to transfer to the Board.

The US State Department, Israeli government, and PA did not immediately respond to requests for comment.

The US and Israel have long pressured the PA to abolish payments to Palestinian prisoners and families of those killed by Israeli forces, arguing it encourages violence.

In response to US pressure, the PA in February 2025 said it was reforming the payment system, but the US said those changes did not go far enough. As punishment, Israel has withheld taxes it collects on the PA’s behalf, an amount that Palestinian officials say has reached $5 billion – well over half of the PA’s annual budget.

That has set off a financial crisis in the West Bank, with the PA slashing salaries of thousands of civil servants.

Israel accepted a US invitation to join the Board of Peace. The PA was not invited.

Under Trump’s plan, a group of Palestinian technocrats dubbed the National Committee for the Administration of Gaza would take control of Gaza from Hamas as the terrorists lay down their weapons.

Nickolay Mladenov, Trump’s Board of Peace envoy for Gaza, said during a press conference in Jerusalem on Wednesday that reconstruction planning was in advanced stages.

“We’re doing it sector by sector. We’re costing things. We’re coordinating with donors and we’re ready to begin in earnest once the conditions allow it,” Mladenov said, without mentioning the tax issue.

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