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A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.
(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.
At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.
A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.
The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”
On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.
Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)
Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”
Why?
“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”
He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”
For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.
The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?
“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”
CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.
J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.
In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)
In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)
Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.
The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”
Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.
The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.
“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.
Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.
The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)
Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)
Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.
Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.
“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.
Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”
The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.
“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”
(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)
The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.
For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.
With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.
Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.
“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”
Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.
Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.
Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.
Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,” which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”
“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”
A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.
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Ossoff vs. Collins: The choices facing Jewish voters in the Georgia Senate race
(JTA) — Georgia Jews will choose between a Democratic politician who wants to limit arms sales to Israel and a Republican with ties to white nationalists when they head to vote Tuesday in a Senate race that will help determine which party controls the chamber.
The race pits incumbent Jewish Sen. Jon Ossoff – widely expected to be a 2028 presidential contender – against GOP Rep. Mike Collins. The Republican challenger has received a good deal of media attention, as well as attacks by his opponent, over family members’ and former employees’ far-right political views. Ossoff, meanwhile, sparked outrage among some in the Jewish community when he became one of the earliest Senate Democrats to vote to halt certain arms sales to Israel.
Collins’ son-in-law, David Alan Scheer II, has invoked the Jewish Bolsheviks conspiracy theory propagated by Nazi Germany that blamed Jews for atrocities committed by the Soviet Union. He has also complained about Holocaust education and media on the subject.
“They don’t tell us the history of Germany before World War II,” Scheer said in a YouTube video last year, titled “I’m NOT a Judeo Christian.”
He continued, “All we’re told is Germany bad, Hitler evil, don’t ask questions. Holocaust, Holocaust, Holocaust. Here’s 50 movies every year about the Holocaust and why it’s so bad.”
In the same video, Scheer also said that “Jewish executives run the entire mainstream media complex” as well as “homosexual propaganda, they run all of the fraudulent banking systems and insurance scams. They are behind this orchestrated downfall of what was once the most prosperous nation in the world.” Israeli newspaper Haaretz has reported that Scheer apparently lives in a house built on property owned by Collins.
The Collins campaign did not return the Jewish Telegraphic Agency’s request for comment. But elsewhere Collins has addressed Scheer’s statements by saying, “I don’t believe or support those views.”
Scheer did not respond to a request for comment.
Meanwhile, a former Collins staffer had posted Nazi imagery and an image of what appeared to be himself in KKK robes, The Washington Post reported in August. Collins replaced another staffer — his chief of staff Kip Talley — in 2024 after Slate reported that he was in a group chat with streamer Nick Fuentes, widely accused of being one of the internet’s foremost antisemites, and white supremacist Richard Spencer. Slate reported that the chat was dedicated to trying to help Charles Johnson, who has been accused of promoting Holocaust denial and was in jail at the time.
In a statement, Talley told Slate that he acted “solely in my personal capacity after hearing concerns that an acquaintance I have known for years was being mistreated in custody and denied basic medical care.”
The Georgia congressman also appeared at last year’s New York Young Republican Club gala, which drew controversy as it hosted white nationalists and a number of officials from Germany’s far-right AfD party. Fuentes said that he received an invitation that was later rescinded, and Jewish New York City Council member Inna Vernikov backed out of the event and suggested the decision was connected to antisemitism on the right.
Collins has responded to questions about his connections to these white nationalist elements by saying he condemns “all forms of antisemitism” and hate, and citing his support for Israel.
J Street, the liberal Jewish Middle East advocacy group, homed in on Collins’ far-right connections in a 15-second ad released last week that ended with the message, “Mike Collins: Dangerously extreme for Georgia.”
The attack ad was the first released in J Street’s $3 million campaign this year to take down six Republican candidates who are backed by the pro-Israel lobbying group AIPAC. In a piece for the Atlanta Jewish Times, Collins wrote earlier this month that he supports Israel “because my faith tells me to and because it is the right policy for America.”
Ossoff, meanwhile, has long targeted Collins over his white nationalist ties, calling him a “notorious bigot, antisemite and extremist” in June. Ossoff told Collins during a debate that he “hired half the Third Reich to staff your congressional office.”
The quip drew some pushback. “Jon Ossoff, my advice to him is, if you start calling your political opponents Nazis, maybe it’s time to shut up,” said The Atlantic’s center-right staff writer David Brooks, during a PBS NewsHour conversation about personal attacks in this year’s U.S. Senate races. “That’s just not what we do here in this country.”
Meanwhile, Collins’ Jewish supporters have said that Ossoff’s status as a Democrat — a party that increasingly includes strident anti-Zionist voices — is more damning than the headlines around Collins.
“At a time of rising antisemitism, at a time when Jewish Americans need friends, Mike Collins has been a friend to the Jewish community,” Sam Markstein, spokesperson for the Republican Jewish Coalition, told JTA. He said that Collins was “a friend to the Jewish community in the aftermath of Oct. 7” and pointed to his voting record on Israel.
Eric Levine, an RJC board member, said he has not been involved in this particular race but that extremes “must be condemned” on both sides.
“It is never a good thing to have ties to antisemitic/far-right figures,” he told JTA in a text. “I will also say, it is never a good thing to have ties to antisemitic/far left figures like Hasan Piker, [New York Mayor] Zohran Mamdani, [Michigan Senate candidate] Abdul el-Sayed and much of the DSA/Democratic caucus.”
Piker, an anti-Israel streamer who has campaigned with some left-wing Democratic candidates, has drawn heat for remarks about American Jews’ connection to Israel. Earlier this year, he named Ossoff positively as a “dark horse” contender for the 2028 Democratic presidential nomination. Ossoff later distanced himself from Piker and has said he will not run for president in 2028. Ossoff endorsed El-Sayed after he won the Democratic nomination in Michigan.
Ossoff has also come under fire for his decision to vote to block certain arms sales to Israel during the height of the Gaza war in November 2024, a position that he has generally stuck to since then.
In July 2025 he voted to block a sale of rifles to Israel, citing mass starvation in Gaza caused by “the policies of Prime Minister Benjamin Netanyahu’s government,” but voted against a resolution that would block an air-to-ground munitions sale.
Ossoff wrote at that time that the U.S. “must continue to support the Israeli people, who face the persistent threat of rocket and missile attack and have been subjected to intense aerial bombardment from Iran, Lebanon, and Yemen.”
Though Ossoff called his commitment to Israel’s security “ironclad” in a Senate floor speech ahead of the arm sales vote, some Jewish voters and organizations said it rang hollow.
Michael Morris, publisher of the Atlanta Jewish Times, penned an open letter this August blasting Ossoff for “lying to me and your constituents” about his support for Israel.
Ossoff’s first vote against weapons in November 2024 spurred another critical letter from several Georgia Jewish organizations including synagogues, Jewish schools, the local Anti-Defamation League chapter and other groups. His vote also drew the attention of AIPAC, which released 30-second ads attacking U.S. senators — including Ossoff — who had voted to block weapons sales.
Asked about Collins’ far-right ties, Morris told JTA he did not believe they were disqualifying.
“Most of the complaints about him are about his son-in-law who is a virulent antisemite,” Morris said in a text. “But his son-in-law does not get to vote, and as a father of 4 girls I can tell you that we do not get ANY say in who our girls marry, so from that standpoint, I am not concerned.”
Morris also said that neither President Donald Trump nor President Joe Biden condemned the most extreme among their voters, and opined that when it comes to Collins’ own extreme backers, he “can maintain their support without taking in their position.”
A number of readers disagreed with Morris’ sharp criticism of Ossoff, however, and wrote letters to the editor expressing their disapproval, as well as their concern about Collins.
“Mike Collins has peddled antisemitism. He has surrounded himself with bigotry while refusing to denounce white supremacy,” wrote a reader named Richard Mitchell, who said he is from Atlanta. “These values do not represent Georgians and are fundamental to why I will not be supporting Collins this election.”
Halier Soifer, CEO of the Jewish Democratic Council of America, which has endorsed Ossoff, wrote in a statement to JTA that her organization recognizes Ossoff’s “steadfast support for Israel’s security and future as a Jewish and democratic state.”
“Georgia voters should remember that a vote for Mike Collins is a vote for Donald Trump, and Collins is one of the most extreme candidates on the ballot,” she wrote.
This article originally appeared on JTA.org.
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Arab parties have rarely been full partners in governing Israel. It’s time to let them into the tent of Abraham.
Like a goal-line pileup in football, with half the players signaling a touchdown and the other half celebrating a defensive stop, everyone is claiming victory in Israel’s election. Prime Minister Benjamin Netanyahu points to Likud’s status as Israel’s largest party. His opponents point to the loss of his governing majority. Did Netanyahu win? Did the opposition win? Those of us watching from the stands are waiting for the referee’s signal, unsure of what exactly is going on in the field.
The arithmetic is straightforward. In Israel’s 120-seat Knesset, a governing coalition needs 61 seats. Netanyahu’s bloc won 53. The principal Jewish-led opposition parties won 48. Israel’s Arab parties won an unprecedented 19 seats, nearly doubling their previous representation. Neither major bloc can govern alone. The election is over, but the overtime game of coalition politicking has just begun.
There are several paths forward. Netanyahu and his opponents could form a national unity government. Alternatively, either bloc could seek cooperation with Arab parties. The difficulty is that political leaders have drawn red lines against both possibilities.
Herein lies one of the most uncomfortable paradoxes of Israeli democracy: Arab citizens have exercised their democratic rights in extraordinary numbers, yet the very parties whose votes could break the political deadlock are those whom much of Israel’s political establishment refuses to consider as governing partners.
Arab parties have rarely been full partners in Israeli governing coalitions. During Israel’s early decades, Arab lists affiliated with the ruling party participated but enjoyed little autonomy. In the 1990s, Yitzhak Rabin relied on Arab parties from outside his coalition. In 2021, Mansour Abbas and his Islamist Ra’am party became the first independent Arab party to join an Israeli government. Ironically, Netanyahu himself had explored cooperation with Abbas earlier that year.
Since Oct. 7, political boundaries have hardened. The attack, the hostages, the war, the continuing grief and fear have shattered trust. Many Israeli Jews now regard cooperation with non-Zionist parties with profound suspicion. These anxieties cannot be dismissed; there remains a trauma through which much of Israeli society sees its present and future.
The predicament has been called a “dilemma from hell.” Either politicians find a way to cross red lines or Israel risks another election, another round of recriminations, another deepening of its internal divisions.
At the heart of this political dilemma lies a question as old as the Jewish people itself: Can the Jewish family make room for those who do not share its Jewish identity? Can we affirm our own destiny without excluding another?
The biblical precedent
This is not the first time the Jewish people have confronted the question of whether there is room in the Jewish family for those who do not share its identity. The question goes back to the very first Jewish family. In the biblical account, Abraham and Sarah are blessed with Isaac, their long-awaited son. But Isaac is not Abraham’s firstborn. Years earlier, Sarah had given her Egyptian maidservant Hagar to Abraham, and Hagar had borne Ishmael. When Isaac arrives, Sarah perceives Ishmael as a threat. Biblical commentators debate her motivations: Was Ishmael behaving dangerously? Was Sarah concerned about inheritance? Whatever her concerns may have been, Sarah’s demand is unequivocal: “Cast out that woman and her son.” Despite Abraham’s distress, Hagar and Ishmael are sent into the wilderness.
The first Jewish family could not find a way to live together.
Jewish, Christian and Islamic traditions have long associated Ishmael with the ancestry of Arab peoples. It raises the question. What if Isaac’s covenantal destiny had not required Ishmael’s expulsion? What if Abraham’s tent had been large enough for Isaac to remain Isaac, Ishmael to remain Ishmael, and both to know they belonged?
We cannot rewrite Genesis. But given the crossroads Israel faces today, we can ask whether its tragedy must remain ours.
Three considerations make this moment worthy of serious political imagination.
First, consider Israel’s internal political health. Imagine what cooperation across entrenched political divisions might communicate to Israeli society. Coalition politics have always required compromise: Religious parties negotiate military-service exemptions and yeshiva funding. Why should negotiations with Arab parties be categorically unthinkable?
Not all Arab parties are alike, and their differences matter. Mansour Abbas condemned the atrocities of Oct. 7 and has acknowledged Israel’s Jewish character. Surely the “Start-Up Nation” can devise an agreement that safeguards Israel’s security and Jewish character while giving Arab representatives substantive governance over the issues affecting their communities.
Second, consider Israel’s international standing. Israel faces mounting criticism and accusations of discrimination and apartheid. Arab participation in government would not resolve the Palestinian question or erase existing inequalities. But imagine the Jewish state’s democratic promise expressed not only through Arab citizens voting, or the oft-cited presence of Arab pharmacists, but through Arab representatives sharing responsibility at the highest levels of government. What happens in Israel does not stay in Israel. Those of us who defend Israel in the public square understand the significance such an arrangement could carry.
Third, and perhaps most importantly, consider Israel’s Arab citizens. Their communities face violent crime, inadequate policing, infrastructure deficiencies, housing shortages and educational disparities. Effective representation matters. As the saying goes, nobody brings a rental car to the car wash. People invest in institutions in which they have a stake. Giving Arab representatives governing responsibility would strengthen the sense that Israel belongs to all its citizens.
An Israeli friend offered a simple observation this week: “If everyone keeps their pre-election promises, we’re going to have another election.” His comment reminded me of hatarat nedarim, the Jewish legal institution for annulling certain vows. Judaism takes promises seriously. Yet Jewish law also recognizes, as reflected in the tradition of hatarat nedarim and the familiar words of Kol Nidre, that commitments made without full knowledge of future circumstances may, under prescribed conditions and for the greater good, be reconsidered. What good could be greater than the future welfare of the Jewish state?
Jews love invoking Abba Eban’s famous observation that the Arabs never miss an opportunity to miss an opportunity. I can’t help but wonder if this is a moment that future generations will turn that observation back on us.
Perhaps what appears to be a dilemma could become an opportunity to break political deadlock and reconsider entrenched patterns of exclusion – a moment calling for political imagination across the spectrum.
It is the great “what if” of our people, from the first Jewish family to the present day. What if Abraham had found a way to keep Ishmael in the fold? Israel’s leaders now have a chance to recognize possibilities that have longed seemed out of reach; its citizens have a chance to give those leaders the political room to act, and together the opportunity to summon the courage and collective imagination to build a Jewish and democratic state capacious enough for all who seek a place within the tent of Abraham.
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American Jews have fought BDS for 20 years. Israel’s election just handed them the winning move.
For decades, the American Jewish community has battled the Boycott, Divestment, and Sanctions movement against Israel. Now, in the aftermath of the election there, it has the opportunity to deal it the biggest blow yet. All it has to do is send one clear message to the Israeli opposition leaders: Join with the Arab parties.
Many Israelis, such as The Democrats party leader Yair Golan, are making the same argument. Arab Israelis voted in historic numbers in this week’s national election, winning a total of 19 seats with all votes counted. Together Zionist and Arab parties would, with 67 seats, become the country’s ruling coalition and bring an end to the government of Prime Minister Benjamin Netanyahu.
Opposition leader Gadi Eisenkot pledged not to bring Arab parties into his coalition, and doing so would be no easy task. But if pressure builds at home and abroad — and if he gets cover and encouragement from Jewish leaders around the world — he might find a way. It’s a big ask of Eisenkot and more conservative opposition members, but it’s the right ask.
Breaking that one promise would enable Eisenkot to keep many more. He could pass his top legislative priorities, including an independent inquiry into Oct. 7, a crackdown on Jewish terrorism in the West Bank and a restoration of democratic norms.
Those are the immediate — and sufficient — Israeli reasons. There is a more basic one: a democracy shouldn’t treat the votes of 20% of its citizens as treyf. And from abroad, there’s an added benefit, one that could have a long-term impact on Israel’s well-being: Undermining the BDS movement.
For a generation, the movement to boycott, divest and sanction the Jewish state has called on governments, businesses and institutions to pull their investments from Israel, cancel Israeli academics and performers, and ban the import of Israeli goods.
It hasn’t succeeded — yet. Israeli international exports surged to $169 billion in 2025, the highest ever, and more than 35 states have passed anti-BDS laws. But BDS has been notching some major wins: In June, United Auto Workers delegates voted — barely — to divest from Israel bonds, the first major union to do so. Internationally, at least 50 universities, institutions and academic groups ended cooperative programs with Israeli universities, and there have been more than 1,000 cases of academic boycotts, cancellation of student exchange programs and research grants.
Some of that is in direct response to the Gaza War, but the BDS movement has built the infrastructure that turned outrage over the war into concrete actions.
The BDS movement has also normalized, or tried to normalize, the idea that entities that do business with Israel are complicit in apartheid, that Israel is a sham democracy and that Zionism is racism. BDS supplies the vocabulary of anti-Israel diatribes on social media.
Now Israel’s election provides a historic opportunity to prove BDS wrong, to take the steam out of a movement that shows no sign of slowing. Bringing together Jews and Arabs in a ruling coalition would be the single greatest blow to BDS.
For decades, American Jewish leaders and organizations have lobbied government officials, organized counter-petitions and worked to stem the BDS tide.
That job can now either get much easier, or immeasurably more difficult. A Jewish-Arab ruling coalition that acts on the issues of crime and under-investment plaguing Israel’s Arab communities would belie BDS advocates’ claim that a Jewish state and democracy are mutually exclusive.
That same Jewish-Arab partnership would have to work toward resolving Israel’s occupation of the West Bank and the Gaza disaster — but those enormous tasks will be much easier with a strong majority and in a country not facing constant international pressure.
And if those 19 Arab seats amount to nothing? If the Jewish parties do all within their power to disempower Arab citizens who turned out in historic numbers?
Try arguing against the BDSers then. Try defending Israel as “the only democracy in the Middle East” when 20% of its citizens were just shut out of national representation.
Of course, there are other good reasons to bring the Arab parties into the government. One of them is written into Israel’s Declaration of Independence, which promises Arab inhabitants of the State of Israel, “full and equal citizenship and due representation in all its provisional and permanent institutions.”
For decades many Arab Israelis didn’t believe that sentence because they didn’t experience it. They stayed home, many because they refused to participate in a system that they believed would never truly serve them. This time, enraged by the Gaza War, fearful of violence in their own community and disgusted by the overt racism of Netanyahu’s Kahanist cabinet ministers, they chose to vote.
“I also wanted to show that Palestinians can participate when we choose to, and that our exclusion cannot be blamed on our refusal to enter the political arena,” wrote the journalist Nagham Zbeedat in Haaretz.
Seeing Arab Israelis dance in celebration when the election results were announced is a testament to the power of democracy and the hope it brings.
I know that what gives hope to American Jews like me instills fear in many Israelis. Palestinians from Gaza came over a border and slaughtered their loved ones.
But Palestinian citizens of Israel did not join the terror — something Hamas leader Yahya Sinwar counted on them doing. Arab Israelis were killed alongside their Israeli Jewish neighbors. And in many cases, they rescued Jews under attack.
American Jewish institutions need to step up and fight as hard for including Israeli Arabs in a new government as they do against boycotting Israel. Because fighting for democracy and fighting against BDS — it’s the same fight.
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