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A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.
(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.
At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.
A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.
The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”
On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.
Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)
Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”
Why?
“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”
He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”
For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.
The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?
“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”
CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.
J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.
In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)
In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)
Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.
The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”
Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.
The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.
“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.
Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.
The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)
Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)
Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.
Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.
“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.
Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”
The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.
“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”
(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)
The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.
For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.
With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.
Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.
“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”
Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.
Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.
Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.
Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,” which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”
“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”
A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.
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The post A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs. appeared first on Jewish Telegraphic Agency.
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Former Edmonton journalist admits to vandalizing monuments of Ukrainian Nazi collaborators
(JTA) —
EDMONTON, Canada – Duncan Kinney, a former journalist with the left-wing website Progress Report, pleaded guilty to criminal mischief on Monday, four years after he was arrested for vandalizing monuments to Ukrainian Nazi collaborators in Edmonton, Alberta.
Monday’s guilty plea was an anticlimactic not-quite-end to a case that appeared to be run-of-the-mill vandalism but was so culturally charged that it drew the attention of everyone from the Premier of Alberta to Friends of the Simon Wiesenthal Center in Toronto.
In 2021, Kinney broke the news story that someone had spray-painted “Actual Nazi” on a bust erected to honor WWII military commander and Nazi collaborator Roman Shukhevych and then painted “Nazi Monument” and “14th Waffen SS” on a memorial to the SS Galizien, a Ukrainian military unit that was part of the Nazi Party’s military wing.
According to court documents, Kinney was caught on a security camera spray-painting the Shukhevych monument shortly after midnight on Aug. 10, 2021, and caught again eight hours later photographing his handiwork. He then sent an email to the staff of the Ukrainian Youth Unity Complex, where the monument was located, explaining that Progress Report had received photos of the defaced monument. The brief email concluded with “Do you have any statement or information on this matter? Was Roman Shukhevych a Nazi or Nazi collaborator? Our deadline is 3:15 pm. Thank you.”
Kinney initially pleaded not guilty to one count each of criminal mischief and mischief relating to a war memorial. He suggested he’d been targeted because he was critical of the Edmonton Police Service and alleged that they were trying to silence him.
He is due to be sentenced Jan. 25, 2027, at which time the crown prosecutor is expected to drop the more serious charge of defacing a war memorial, which carries a sentence of up to 10 years in prison.
Neither Kinney nor his defense attorney, Tom Engel, would comment after the court appearance. However, the board of Progress Report issued a statement decrying its former employee’s actions, calling committing a crime and reporting that somebody else did it “a cardinal breach of journalistic ethics and not acceptable behavior within any media organization. Mr. Kinney has always maintained his innocence in this matter and we trusted him; today’s news was an unpleasant surprise for us.”
Ultimately, the case exposed deep divisions in the Ukrainian diaspora about the role that Ukraine played in the Holocaust.
Shukhevych was a leader in both the Organization of Ukrainian Nationalists (OUN) and its armed force, the Ukrainian Insurgent Army (UPA). He was also an officer in a Third Reich auxiliary battalion. During World War II, he commanded troops that murdered Jews, Polish civilians, other national minorities, communists and his countrymen from Ukraine. And he helped marshal the fight for Ukrainian independence from the Soviets.
The monument to the SS Galizien is located at St. Michael’s Cemetery, less than two miles from the complex housing the Shukhevych bust. Among the unit’s members was Yaroslav Hunka, who, at age 98, received two standing ovations for his service in WWII and fighting for Ukrainian independence when he appeared in the House of Commons alongside visiting Ukrainian President Volodymyr Zelensky in September 2023.
Nobody in Parliament, it seemed, was aware of Hunka’s Nazi past. When the news became public, the incident became a national embarrassment. At least temporarily, the country was forced to examine how it dealt with WWII war criminals.
In Edmonton, however, the blunder appeared to have no impact on Kinney’s case. For his alleged vandalism to the SS Galizien monument, he had been charged not with simple mischief, but with vandalizing a war monument.
“We do not consider a statue honoring a Nazi to be a war monument,” says Jaime Kirzner-Roberts, senior director of policy and advocacy at the Friends of Simon Wiesenthal Center in Toronto. “When we talk about veterans’ monuments, we are talking about Canada’s veterans. We are not talking about Nazi veterans.”
Kirzner-Roberts’ organization, B’nai Brith Canada and the Jewish Federation of Edmonton, as well as local politicians and academics, have been asking for years for the monuments to be removed.
“I think that in the case of the Shukhevych monument, you shouldn’t put up monuments to people responsible for mass murder,” says John-Paul Himka, a University of Alberta professor emeritus of history, whose 2021 book “Ukrainian Nationalists and the Holocaust” examines the role that the OUN and UPA had in destroying Ukraine’s Jewish population during WWII.
“As for the Waffen-SS memorial, Austria has also been trying to get rid of their Waffen-SS memorials and it’s an issue around the world, really, how much you want to put up memorials to SS men or to people who collaborated with the Nazi state.”
Less than six months after the Hunka debacle in Parliament, the monument to the SS Galizien at the St. Volodymyr Ukrainian Cemetery in Oakville, Ontario, was permanently removed. Himka doesn’t see anything like that happening in Edmonton, a city with the largest population of people with Ukrainian descent in a country with one of the largest populations of people with Ukrainian descent outside of Ukraine.
“The diaspora community doesn’t want to hear about this,” he says. “They don’t want to confront the history, and nobody is telling them otherwise really.”
The courtroom, though, did host one such confrontation. At the conclusion of Kinney’s appearance, two women who appeared to be in their 40s and who had spent the half-hour proceedings knitting, engaged in a conversation with two men who appeared to be at least twice their age and were sitting across the aisle.
The discussion started innocently enough, with inquiries as to what brought each of them to the courtroom. When the women said that Shukhevych was a Nazi who had killed thousands of innocent people, the temperature heated up.
When the women insisted, the men all but rolled their eyes. “That’s Russian propaganda,” they scoffed, then got up and marched together out of the courtroom.
The post Former Edmonton journalist admits to vandalizing monuments of Ukrainian Nazi collaborators appeared first on The Forward.
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Mike Rogers says his opponent is ‘anti-Jew.’ Do Michigan’s Jews believe him?
(JTA) —
WHITE LAKE, Mich. – Former U.S. Rep. Mike Rogers did not have to go very far back in time to find a new example of how, in his view, his opponent is a danger to the Jewish community. Twelve hours would do.
Rogers recalled an interview that had aired the previous night on ABC. “He basically said that Israel now is just not an ally — matter of fact may be the enemy — of the United States of America,” the Republican nominee for U.S. Senate in Michigan told the Jewish Telegraphic Agency on Tuesday morning.
The “he” in question was, of course, Abdul El-Sayed, the former county health director and polarizing Democratic nominee for the state’s open Senate seat. The night before, El-Sayed had told ABC that Israel was “not actually our friend.” He also recently told MS NOW that “the government of Israel has done nothing but use us.”
Rogers, by contrast, told JTA that Israel is “the best ally we have in the Middle East. They have Western values baked into their political system.” He proudly noted that far-right commentator Tucker Carlson has attacked him for his pro-Israel views.
Remarks like the ones El-Sayed recently made, Rogers continued, clarify his view of his opponent: “There’s so much evidence. It’s pretty hard to say that this guy is anything but anti-Jew.”
For Rogers and the Republican Party writ large, El-Sayed’s hardline criticism of Israel has thrown them an unexpected gift in a tough race that could help determine who controls the Senate after the November midterms.
That opportunity runs through Michigan’s Jewish community. At a recent rally in the state, Vice President JD Vance echoed that criticism, accusing El-Sayed of being “obsessed” with Israel.
“He’s 10 times more interested in what’s happening in Palestine than in Port Huron,” Vance, whose own views on Israel have concerned many conservative Jews, told the crowd. “He’s way more interested in what’s happening in Gaza than he is in what’s happening in Grand Rapids.”
Another recent Trump administration event, held at a Michigan synagogue, mostly discussed antisemitism. Neither Senate candidate’s name was mentioned from the stage. But Jews who attended the event told JTA they were scared of the prospect of a Senator El-Sayed. “I pray he does not get in,” one attendee, Sharon Matlen, said.
Rogers, a former congressman who lost the 2024 Senate race to Elissa Slotkin, a Jewish Democrat, by fewer than 20,000 votes, hopes to convince enough of the state’s estimated 100,000 Jewish adults and other traditionally Democratic blocs to vote for him in the election in two weeks’ time. He’s confident of his chances.
“I think the alternative is so bad, and they looked at us and said, ‘He’s not that bad,’” the candidate said. “And trust me, I think that’s a good place for us to be.”
Rogers positions himself as a common-sense Republican, one whose chief concerns are improving child literacy, rebuilding manufacturing jobs and lowering utility rates. Drawing on his military background, he insists he doesn’t have a problem with the fact that El-Sayed is Muslim: “I wore the uniform of the United States so you can pray any way you want.”
Local rabbi Asher Lopatin, who briefly went on leave from his role directing Jewish communal relations in Ann Arbor to stump for Rogers, has called him “a caring, sensitive man.”
Rogers is also trying to make inroads with Black communities, as well as other ethnic and faith-based groups. At a Tim Hortons in this tony Detroit suburb, an Iraqi Christian couple came out from behind the counter to take selfies and profess their support.
But among his potential new voters, it’s the Jewish community Rogers has made the most overt appeals to. His outreach has included meeting with various Jewish clergy and community leaders and hosting a meet-and-greet Sunday night in a heavily Orthodox Jewish neighborhood, catered by a kosher BBQ joint. And he and Texas Sen. Ted Cruz will be appearing together in Detroit next week for an event spearheaded by the Republican Jewish Coalition titled, “Who Will Keep Us Safe?”
Hundreds of Jews, including several prominent community leaders and lifelong Democrats, have already signed a pledge to vote for Rogers. El-Sayed’s association with left-wing streamer Hasan Piker and linking of the spring attack on Temple Israel to Israel’s war in Lebanon have troubled some Jewish voters.
(L-r) Michigan Jewish Democratic activist Alicia Chandler, Illinois congressional candidate Daniel Biss and former Michigan Rep. Andy Levin make a progressive Jewish case for Senate candidate Abdul El-Sayed to a small audience of conflicted Jews in Detroit, Michigan, Oct. 19, 2026. (Andrew Lapin/JTA)
But others, even those deeply worried about El-Sayed and his movement, still can’t bring themselves to support the current Republican platform. A new progressive canvassing campaign is targeting Jews in the Detroit suburbs to persuade them not to vote for the GOP candidate.
“We’ve been doing a lot of listening to people’s concerns and anxieties,” said Amanda Berger, a progressive Jewish activist from California who is leading Seed the Vote’s Jewish canvassing efforts for El-Sayed in Michigan.
But the volunteers’ goals, Berger told JTA, are then “to pivot to the question of, what will it mean to you, or what will it mean to the Jewish community, or what will it mean to your neighbors, if Mike Rogers is elected and Trump is unchecked for another two years.”
Elaine Driker, a prominent Detroit Jewish community leader, was no fan of El-Sayed. Yet after seeing so many of her peers sign the pro-Rogers letter, Driker signed a Jewish letter pledging to vote for El-Sayed.
She then went a step further, hosting Daniel Biss, a progressive Jewish congressional candidate from Illinois, and 50 Jews at her house Monday night for a dialogue about El-Sayed. One in attendance, Susan Ruttenberg, admitted that though she had already cast her vote for the Democrat, “I’m uncomfortable with him.”
Biss holds Israeli citizenship and told the group he believes “that the Jewish people have a legitimate claim to the land where the state of Israel has been established.” He conceded, “Some of the ways that Abdul has spoken about antisemitism have landed imperfectly with some people.”
Yet Biss insisted, “I think he’s shown a willingness to learn and grow.” He also warned the crowd against what he called “the political narrowness of the organized Jewish community.”
It was one of several such small-room Jewish conversations about the race that have taken place in recent weeks. Others have featured New York congressional candidate Brad Lander and Vermont U.S. Rep. Becca Balint. Michigan state Sen. Mallory McMorrow, who dropped out of the Senate primary that El-Sayed eventually won, will speak at another.
The events are intended “to breathe some air into the possibility that Abdul is not scary, that he is not antisemitic,” said Stacie Chaiken, an organizer with Michigan Jews for Democracy, which is also putting on the meet-and-greets. The coalition’s open letter of Jews pledging to vote for El-Sayed has topped 950 signatures to date.
To win over more Jews, Rogers will make his case by acknowledging what other Jews have told him is a deep fear for where the country is headed.
“They’re afraid for what kind of America their children will live in,” Rogers told JTA of the Jews he’s spoken to on the campaign trail. El-Sayed is building a “movement,” the Republican said, arguing that such a movement bodes poorly for Jews: “You have to remember, if elected to the Senate, this is just the beginning for them.”
Democrat US Senate candidate for Michigan Abdul El-Sayed speaks during a midterm campaign rally in Flint, Michigan on October 18, 2026. El-Sayed is competing against Republican candidate Mike Rodgers for Michigan’s US Senate seat in the upcoming midterm elections. (Jeff Kowalsky / AFP via Getty Images)
Rogers repeatedly brought up his opponent’s “ideology” and “extremism.” He sought to link El-Sayed to the Muslim Brotherhood, echoing a growing GOP line of attack. Republicans have cited resurfaced tweets by El-Sayed’s half-sister describing their mother’s activism in the movement in the early 1970s.
El-Sayed has disavowed the group and accused questioners of invoking Islamophobic tropes.
Rogers also said he doubted the sincerity of El-Sayed’s August apology to the Jewish community for his “hurt people hurt people” remarks regarding the March attack on Temple Israel — a similar sentiment other Michigan Jews have shared with JTA.
“That’s not an apology,” he said. “That says, ‘I’m sorry I said it then. Maybe I should have said it later.’ I don’t buy that.”
The Rogers campaign is additionally arguing that El-Sayed’s rhetoric has activated a deeper antisemitic contingent on the left. A Rogers campaign staffer, who is Jewish, posted to X Tuesday morning that El-Sayed is “a raging antisemite who is responsible for the hate and vitriol Michigan Jews face daily,” with a link to his ABC interview. That staffer, Abby Ronson, told JTA that she received death threats because of the tweet after progressive commentator Mehdi Hasan went after her.
El-Sayed has strongly rejected any allegation that he is antisemitic, saying he loves Judaism and that “AIPAC and Israel are not the same as Judaism and the Jewish people.” Some of the state’s top Jewish Democrats, including Slotkin and state Attorney General Dana Nessel, have endorsed him; others, including congressional candidate Jeremy Moss, have not.
But Rogers also hopes to tell more of Michigan’s Jews who he is — beyond simply not being El-Sayed. There’s someone else, he said, who he’s not: the deeply unpopular Republican president.
“I’m not Trump. And I don’t plan to be Trump when I get to Washington,” Rogers said. He listed issues he has broken with Trump on, including the joint U.S.-Israeli war in Iran, which Rogers formerly supported but now wants wrapped up: “I argue we met our objectives. Don’t hang out there very long.”
If such a view puts him at odds with Israeli leadership, he said, they will politely hash it out. “Every once in a while, we’re going to disagree with our allies. I don’t see this as a problem.”
Still, when it comes to issues of concern to Jewish voters, Rogers said he’s more aligned with Trump than not. He “absolutely” approves of the president’s campaign against campus antisemitism, which has drawn criticism and legal action for pulling billions of dollars in funding from various universities in order to pressure them to sign settlements.
If the government wanted to do the same to the University of Michigan, the state’s top research school that has been embroiled in a stream of antisemitism controversies of its own, Rogers — who donned Michigan gear for a TV ad running in the state — would support it.
“I wish there were a better way, but nothing else is working,” he told JTA. “Hell, their professors are talking in ways that would be shocking about an ally to the United States, and they’re buying into this ‘oppressor versus oppressed.’ It’s the craziest thing I’ve ever seen. The whole thing is anti-American. We’re going to get it fixed.”
Rogers dismissed as “a made-up story” reports that his allies had asked the pro-Israel lobbying group AIPAC not to advertise publicly on his behalf, reportedly because they fearedfearing its involvement could hurt his campaign.
“What I’ve always said is, if anybody wants to help defeat the most extreme candidate from his Democratic Socialists of America ties to his very, I think, hateful, angry, riddled contempt for Israel and Jews, welcome,” Rogers said. “I’ll take anybody that wants to help.” El-Sayed is not a DSA member, but he has spoken at the organization’s events and received campaign support from its members.
Recently, an AIPAC-linked super PAC, the United Democracy Project, spent about $95,000 against El-Sayed, according to federal elections filings. That expenditure took the form of mailers targeting the Jewish community.
Rogers insists his fight against El-Sayed is bigger than the candidates. Voters, he said, are concerned with what the Democratic Party’s treatment of Jews says about the coalition’s direction in general.
“I can’t tell you how many people tell me that they’re so disappointed in their party,” he said. “And if you can bring yourself to diminish one set of people or one ethnic group of people in Michigan, what stops you there? I argue, nothing.”
Yet many of the Michigan Jews trying to convince their neighbors to vote for El-Sayed are making the same argument — in a different order — about Republicans. The GOP’s demonizing of certain immigrant groups and LGBTQ people, progressive Jews argue, could lead back to antisemitism.
“A society that abandons pluralism in an effort to attack someone other than the Jews is surely going to be coming for the Jews pretty soon,” Biss told the assembled crowd on Monday.
Rogers rejected the premise that Republicans are doing the same thing. “I don’t equate them at all,” he said. “It may be a legitimate concern. But if you have somebody that wants to eliminate, you know, ‘from the river to the sea,’ last I checked, that’s just about every Jew that lives in Israel. There’s no more clear, brighter line than that.”
On his way out the door to speak at the Detroit Economic Club, Rogers was asked if he had any last message for American Jews.
“Keep the faith,” he said, before driving away.
The post Mike Rogers says his opponent is ‘anti-Jew.’ Do Michigan’s Jews believe him? appeared first on The Forward.
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Germany reprimands Iran over plot to kill Jewish leader and Israel advocate
(JTA) — Germany’s foreign ministry summoned Iran’s ambassador after a German court convicted two men of spying for Tehran and plotting attacks on a leader of the country’s Jewish community and a prominent non-Jewish supporter of Israel.
A slap on the wrist is not enough, said Volker Beck, president of the interfaith German-Israeli Society, who had been one of the spies’ targets.
Iranian Ambassador Majid Nili Ahmadabadi and most of the embassy’s personnel should be personae non grata in Germany, Beck said. He added he would be satisfied if the embassy was emptied except for a lone guard “to look after the building and this is it.”
Hamburg’s Higher Regional Court last week sentenced 54-year-old defendant S. to eight-and-a-half years in prison and 43-year-old defendant M. to four and a half years for plotting assassinations and an arson attack. The convicts’ full names have not been publicized.
The court found that the two men, living in Denmark, had in early 2025 carried out orders from Iranian intelligence oepratives to spy on Josef Schuster, head of the Central Council of Jews in Germany, and Beck, a Green Party politician and longtime Israel advocate, with the aim of planning an assassination.
In a statement issued Oct. 15, the court said that defendant S. was allegedly tasked “with conducting surveillance on Jewish or Israeli targets — including both locations and individuals — within Germany and preparing to carry out murders and arson attacks against them.”
S. was also convicted of conducting surveillance on a Jewish grocery store in Berlin. “To execute these orders, the defendant S. reportedly enlisted the assistance of the defendant M,” the court said.
The convicted men have until Oct. 22 to appeal the verdict. Further details about the case and the court’s reasoning will be released with the final report, in about three months, a spokesperson for the court told JTA in an email.
In a statement sent to JTA, Schuster praised the verdict but called the case “the tip of the iceberg.”
“With the now proven commissioning of these two spies, the regime in Tehran has once again shown its true face. The masterminds are in Iran, and the danger they pose to our open society remains great as long as the mullahs’ regime exists,” he said.
At the trial, Germany’s federal security agency, the Federal Office for the Protection of the Constitution, testified that it got wind of the plot in 2024, Beck told JTA. “Last year I had six weeks of the highest level of personal protection,” said Beck, who is not Jewish. He couldn’t take out the trash or walk his dog without police protection.
After German Foreign Minister Johann Wadephul’s summoned Iran’s ambassador, Iran called in Germany’s ambassador to the country, Axel Wilhelm Dittmann, for a meeting in Tehran to complain about accusations it considers “baseless.”
In a post Oct. 19 on X, the German Foreign Ministry said Germany “will not allow Iran to threaten our free society. We will not tolerate attacks on Jewish life and those who defend it—anywhere, least of all in Germany. The malicious attempted attacks against” Schuster and Beck “will have legal consequences.”
The post Germany reprimands Iran over plot to kill Jewish leader and Israel advocate appeared first on The Forward.
