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A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.
(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.
At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.
A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.
The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”
On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.
Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)
Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”
Why?
“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”
He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”
For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.
The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?
“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”
CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.
J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.
In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)
In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)
Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.
The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”
Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.
The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.
“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.
Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.
The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)
Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)
Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.
Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.
“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.
Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”
The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.
“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”
(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)
The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.
For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.
With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.
Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.
“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”
Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.
Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.
Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.
Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,” which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”
“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”
A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.
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Florida’s primaries have many pain points for Jews. Here are 5 races to watch
(JTA) — As an exhausting primary season begins to wind down, voters in Florida, the last remaining big state yet to hold its primaries, head to the polls Tuesday with several races on the Jewish community’s radar.
The conservative state is home to large numbers of Jews, including a growing number of Jewish emigres from more liberal enclaves, and features several marquee matchups on both sides of the aisle. The state has faced some political turmoil, including last-minute Republican-led redistricting that could hurt the chances of some pro-Israel Jewish Democrats at a moment when such figures are an endangered species in the U.S. House.
On the GOP side, the right’s civil war between hardline pro-Israel figures and a growing crop of white nationalist-adjacent Israel skeptics will be laid bare in multiple races.
Here are some of the storylines for Jews to watch for on Florida’s ballot:
The ‘groyper’ governor’s race
No other low-polling candidate this cycle has grabbed as much attention as James Fishback, the former investment banker running for governor in Florida.
Despite consistently trailing his rival, U.S. Rep. Byron Donalds, in the GOP primary, Fishback has raised concern among both Jewish conservatives and party elites. He has embraced online far-right figures including Nick Fuentes, the white nationalist and antisemitic influencer, and uses memes and coded phrases such as “goyslop” to court Fuentes’s “groyper” movement of young men who spread irony-laced antisemitic talking points online.
Asked earlier in the campaign about “goyslop,” a term that refers to low-quality food supposedly promoted by Jewish elites, Fishback told the Jewish Telegraphic Agency he employed it in a speech “because it’s funny. Get a life.”
Much of Fishback’s campaign has focused on the youth vote, fueling concerns that antisemitism could be a building block of the next generation of the right. His college campus visits have boasted high turnout, and young Republican groups that have hosted him have themselves been criticized for antisemitic behavior.
Few analysts expect Fishback to win the primary. His campaign has been mired by scandal and odd behavior, and Donalds, the Trump-endorsed frontrunner, leads most polls by comfortable margins. But Fishback is polling in the double digits in some recent analyses of likely voters from polling outlets including Cygnal, which also has him outpacing two other establishment candidates, and primary polling in Michigan and Wisconsin that turned out to be inaccurate further complicates the prognosis.
Even a reasonably strong performance from Fishback, particularly among the youth vote, would be met with alarm in some Jewish conservative corners.
A Jew who insults Muslims takes on a rival who insults Jews
Elsewhere in Florida’s Republican field, tensions between rising antisemitic and anti-Islamic sentiment within the party are mounting.
U.S. Rep. Randy Fine, the incumbent in the state’s deep-red 6th District, has prompted considerable ire on Capitol Hill for comments denigrating Muslims — including comparing them to dogs — and saying that Gazans should “starve away” until the Israeli hostages were released. As a hardline pro-Israel voter who also wears a kippah on the House floor, Fine has made his Judaism central to his political identity, making him a litmus test for both the right and organized Jewry.
Some of that ire has made it back to his home district, where Fine is facing primary challenger Dan Bilzerian, a celebrity poker player and Instagram influencer who routinely promotes antisemitic conspiracy theories. He has said he wants to “kill Israelis,” has called Fine a “fat Jew” and called antisemitism “a made-up term.” He has further claimed that Israel “wanted Oct. 7 to happen” and called reports of Hamas raping victims that day “bull—t.” Bilzerian has spent at least $1 million of his own money on the race.
The primary has been marked by inflammatory rhetoric and personal attacks. Fine responded to Bilzerian’s entry into the race by declaring that “we don’t want Armenians to be able to serve in Congress” (Bilzerian is Armenian), prompting anger from Armenian-American groups.
Last week a Fine campaign sign was defaced with a swastika, an act condemned by the Anti-Defamation League and other Jewish groups. In a release, Fine accused Bilzerian’s supporters of having painted the swastika, a charge Bilzerian has denied and labeled “the most jew move of all time.”
On Friday, Fine’s campaign said the candidate had referred Bilzerian to federal investigators for allegedly receiving unreported campaign donations from China. Bilzerian’s pitch to voters heavily centers around antisemitism: “District 6 understands the jewish problem,” he wrote on social media over the weekend, accompanied by pictures of his campaign stops.
Some Jewish groups, including the American Jewish Committee, have condemned Fine’s rhetoric on Gaza and other matters. He still receives support from AIPAC, the pro-Israel lobby, as well as the Republican Jewish Coalition, whose PAC has given his campaign thousands of dollars this cycle, according to federal election filings. In recent days, Republican leaders including House Speaker Mike Johnson — who had declined to condemn Fine’s earlier remarks about Muslims and dogs — have condemned Bilzerian’s antics as antisemitic.
The combined presence of Bilzerian and Fishback on the ballot is leading at least one GOP group to lump them together as similar threats. The Front Line, a Republican PAC aligned with Texas Sen. Ted Cruz and formed with the goal of curbing antisemitism within the party, released an ad during the World Cup that attacked them both.
In the ad, which was generated with artificial intelligence, the two candidates are shown hosting a party with media personalities Tucker Carlson and Candace Owens, Democratic Reps. Rashida Tlaib and Ilhan Omar, the pro-Palestinian group Code Pink and Iranian clerics who cut a giant cake made to look like a crossed-out Israeli flag.
One pro-Israel Dem faces a left-wing challenger…
Rep. Jared Moskowitz, one of the most pro-Israel Democrats in Congress, is finding himself in a familiar predicament this election cycle: fending off an anti-Zionist democratic socialist.
Activist Oliver Larkin is running against Moskowitz for the seat in the state’s 25th District, which is about 25% Jewish and is considered a toss-up in November after being redrawn this year. Moskowitz currently represents the 23rd District, which covers much of the same ground.
Moskowitz has outraised his challenger 11-to-1, according to local media estimates, and has refused to debate him. He has the support of AIPAC, which has raised at least $667,000 for him, according to analyses of federal campaign reports.
He also has a groundswell of Jewish support in the district, even from some unlikely corners: The rabbi of a large Orthodox synagogue in Boca Raton has encouraged his congregants to change their voter registrations from Republican to Democrat in order to cast votes for Moskowitz.
Polling from Moskowitz-aligned firms has shown him with a considerable lead, while a poll from a Larkin-aligned outlet this month put the two in a statistical dead heat.
Moskowitz has also outright accused Larkin of fomenting antisemitism, telling the South Florida Sun Sentinel editorial board in a letter that his opponent “has embraced the support of individuals and organizations that have repeatedly trafficked in antisemitic rhetoric and hostility toward the Jewish community.”
Moskowitz has also claimed that Larkin is “running against me solely on my religion.” The Sun Sentinel board rated Moskowitz’s claim “demonstrably untrue” and, in an unusual move, said it would not endorse him for reelection after he declined a joint interview with Larkin. The paper decried what it described as Moskowitz’s “lack of respect for voters.”
But Larkin’s own language has alarmed some Jews, including his labeling of modern-day Israel as a “religious supremacist” country and his call for Israel to become a “secular” state. Asked by Fox News if he supports selling defensive weapons to Israel, Larkin responded, “I do not make a distinction between offensive and defensive weaponry.” A rally he and other progressive candidates were scheduled to participate in with Palestinian-American Rep. Rashida Tlaib of Michigan on Friday was moved at the last minute after the venue, citing Jewish leaders’ concerns over Tlaib’s anti-Israel rhetoric, cancelled.
Larkin has denied charges of antisemitism and spoken positively about Judaism on the campaign trail. In a statement to JTA, his campaign said he would advocate for “the liberation of Jewish South Floridians and Jewish people the world over from antisemitism,” and said an arms embargo on Israel should be “the minimum standard for anyone claiming to support democracy.”
He also has the support of Jewish figureheads on the anti-Zionist left. Author and trans activist Abby Stein was among a group of progressive figures who hosted a fundraiser for him in Brooklyn earlier this month.

… while another faces a redistricting controversy
Things once seemed simpler for Rep. Debbie Wasserman Schultz, an establishment Jewish Democrat and former chair of the Democratic National Committee who has comfortably served in Congress since 2004 from a safe blue seat.
But after a late GOP-led redistricting push in Florida earlier this year, prompted by President Donald Trump’s demands for Republicans to redraw their districts to help them hold the House, Wasserman Schultz’s future is suddenly a lot less certain.
Instead of the district she has represented for decades and which many Democratic observers believed she could still win despite the gerrymandering, the congresswoman decided to run in the neighboring 20th — a heavily Black district that for three decades has been represented by a Black lawmaker.
And Wasserman Schultz’s primary opponents, including a former congresswoman facing a federal fraud trial and 2 Live Crew rap star “Uncle Luke” Campbell, aren’t happy she’s gunning for the seat. Critics accuse Wasserman Schultz of carpetbagging and say her decision to run in an easier seat will harm Black representation in government. Campbell has said her decision to run would harm Black-Jewish relations.
Even congressional leaders normally in Wasserman Schultz’s corner have balked at her decision. House Minority Leader Hakeem Jeffries withheld an endorsement in the race, citing what he called the “sensitivities of the moment.”
Florida’s third Jewish Democratic mainstay in the House, Rep. Lois Frankel, is facing her own primary challenge in a new district — though in her case, the boundaries are similar to her old district. Frankel, a staunch Israel supporter, will have to defeat progressive challenger Victoria Doyle, a retired attorney. The close resemblance to her old district and lack of substantive groundswell support behind Doyle likely means Frankel will retain the party’s nomination.
Besides redistricting, Wasserman Schultz and Frankel, as with other institutional Democrat figures, are also facing a voter base unhappy with the party’s status quo. This year the state’s LGBTQ+ Democratic Caucus withheld endorsements in both races, despite Wasserman Schultz’s and Frankel’s historically good relationships with the caucus. Rep. Jared Moskovitz, meanwhile, did receive the caucus’s endorsement.
DSA vs. Soviet refugee in Dem Senate primary
Democrats haven’t held a U.S. Senate seat in Florida since 2019. But in a midterm environment expected to favor the party, the state could prove pivotal, and the primary to replace former Sen. Marco Rubio is putting one of the party’s biggest division points — “socialist” branding — in the spotlight.
The frontrunner for the nomination, retired Lt. Col. Alexander Vindman, is a Kyiv-born Jewish refugee from the former Soviet Union. Vindman, whose twin brother is a congressman in Virginia, attained broader name recognition during the first Trump administration, when he publicly testified about a controversial phone call between Trump and Ukrainian President Volodymyr Zelensky.
Vindman’s opponent is state Rep. Angie Nixon, who, in contrast to her opponent’s family history of fleeing from socialism, recently joined the Democratic Socialists of America. Nixon has made noise in her party for pushing pro-Palestinian legislation on the state level — including a push, less than a month after the Oct. 7, 2023, attacks in Israel, for “de-escalation and cease-fire in the state of Israel and occupied Palestine.”
Nixon has campaigned alongside Oliver Larkin, as well as far-left elected figures in the party including Tlaib, and her pro-Palestinian positions are a big point of worry for some Jewish figures. But in a state with high numbers of voters, particularly Latinos, who have fled socialist or Communist regimes, it’s the candidates’ associations with the “S”-word that may prove the deciding factor.
Vindman has far outraised Nixon to date, and leads in the scant polling that has been conducted so far. A July poll from the University of North Florida, however, suggests that Nixon fares slightly better against the Republican nominee, appointed Sen. Ashley Moody.
Joseph Strauss contributed reporting.
This article originally appeared on JTA.org.
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Vandals attack prominent Reform synagogue in Jerusalem
(JTA) — JERUSALEM – Vandals broke into a Reform synagogue in Jerusalem over the weekend, damaging the building and artwork and tearing down Pride flags displayed by the congregation.
Shortly after midnight a group of youths entered the grounds of Kol HaNeshamah in Jerusalem’s Baka neighborhood, smashed a window and made their way into the prayer hall.
Security footage released by the Reform movement shows at least three people at the site. No congregants were present at the time.
“This past weekend we experienced a serious incident at our synagogue, when unknown individuals broke into the compound, damaged the building, vandalized a work of art and tore down the Pride flags that represent the community’s values of inclusion and acceptance,” Debi Shoua Haim, a rabbi at Kol HaNeshamah, told the Jewish Telegraphic Agency.
“Precisely during the month of mercy and forgiveness, it is painful to see displays of hatred and violence that have no place in a properly functioning society,” Shoua Haim said, referring to the Hebrew month of Elul, traditionally a period of repentance leading up to the Jewish High Holidays.
The congregation turned over security footage from the incident to police, who opened an investigation through Jerusalem’s Moriah station, Shoua Haim said. Police also sent a detective to the synagogue on Saturday to examine the footage and collect fingerprints, according to Shoua Haim.
Kol HaNeshamah is one of Israel’s best-known Reform congregations and has previously been targeted in attacks involving its support for the LGBTQ community. In 2018, a large rock was hurled into its courtyard while more than 200 people were taking part in Simchat Torah celebrations, prompting the congregation to file a police complaint. No one was injured.
In June 2023, the synagogue reported two break-ins within a matter of weeks in which Pride flags displayed for Pride Month were torn down. During one of those incidents, intruders also entered the sanctuary, although nothing was stolen.
Security footage from the 2023 incidents showed two youths entering the synagogue. Rabbi Oded Mazor, another rabbi at Kol HaNeshamah, said at the time that the intruders had entered through a kitchen window before moving through the building, kicking objects and pulling down the flag. Police complaints were filed after both attacks.
The latest attack drew condemnation from Gilad Kariv, a Reform rabbi and lawmaker from Israel’s Democrats party who previously headed the Israel Movement for Reform and Progressive Judaism.
Kariv called those responsible “incited hooligans” and accused the Israeli government of contributing to hostility toward Reform and other liberal Jewish denominations.
“This is a government that specializes in spreading hatred for free and in delegitimizing the liberal Jewish streams,” he wrote on X.
Kariv also called on Jerusalem Mayor Moshe Lion to visit Kol HaNeshamah and publicly stand with the congregation. Reform and Conservative communities in Jerusalem and elsewhere in Israel face similar attacks “on a weekly basis,” he said.
Lion has not yet publicly commented on the incident but Jerusalem Deputy Mayor Yossi Havilio described it as part of a “wave of hate crimes against the LGBTQ community in Jerusalem,” saying the Pride flag had been taken from the synagogue and urged police not to dismiss the vandalism as a prank.
“A hate crime is not a ‘prank,’” Havilio wrote on social media.
The incident also came within hours of an attack at Central Synagogue, a major Reform congregation in Manhattan, where an assailant disrupted a Friday night Shabbat service and attacked a congregant and a security guard. There has been no indication that the two incidents were connected.
Kol HaNeshamah was founded in Jerusalem in 1984 and has become a prominent center of Reform Judaism in the city, combining egalitarian religious practice with support for religious pluralism and LGBTQ inclusion. Its presence in Jerusalem has also periodically made it a target of opposition from critics of non-Orthodox Judaism.
Police have not publicly identified the perpetrators or declared a motive for Saturday’s break-in, and there have been no arrests announced in the case.
Shoua Haim said the congregation would not change course in response to the attack.
“To all those who are trying to extinguish our light, the Kol HaNeshamah community will continue to be an open, embracing and accepting house of prayer,” she said. “Hatred will not defeat our values, and we will continue to work for togetherness, love and tolerance.”
This article originally appeared on JTA.org.
The post Vandals attack prominent Reform synagogue in Jerusalem appeared first on The Forward.
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The Central Synagogue attack had no clear connection to Mamdani. He’s still being blamed.
A stabbing outside a synagogue on Manhattan’s Upper West Side. Dozens of swastikas painted on a Brooklyn playground. A Queens synagogue desecrated with feces and motor oil.
Combined with an unprecedented call by New York’s mayor to protest Israel’s prime minister, the recent rash of crimes against Jews in New York City has the community on edge.
So after Larry Montes, 46, was charged with hate crimes for attempting to disrupt Central Synagogue’s Friday night Shabbat service, striking a congregant and spitting on a security guard, many online rushed to blame Mayor Zohran Mamdani for his rhetoric against Israel. The incident seemed to fit into the political narrative held among Mamdani’s fiercest critics.
“The attack at Manhattan’s Central Synagogue is a direct result of Mayor Mamdani’s sustained campaign of incitement,” Ofir Akunis, consul general of Israel in New York, posted to X Saturday morning. “I warned that words would turn into actions, and that is exactly what is happening.”
The details that have emerged about Montes complicate that conclusion. A Forward analysis of the attacker’s social media and statements from his family paint a very different picture of Montes: a pro-Israel Republican who wanted to convert to Judaism.
In June, Montes reposted two videos critical of Mamdani: one comparing the mayor to Iran’s Ayatollah Ruhollah Khomeini, and another accusing Mamdani of having “betrayed” the city’s Dominicans and Puerto Ricans. In 2024, Montes posted a photo of the map of Israel with text overlaid that says, “Keep Israel in your heart.” He also reposted a video featuring Rabbi Yosef Mizrachi explaining why evangelical Christians support Israel.
If anything, Montes may have believed that the Reform congregation was too progressive. After his arrest, Montes called the congregants “fake Jews” in statements to the police, according to the assistant district attorney on the case, Ali Fazal.
Amy Spitalnick, chief executive of the Jewish Council for Public Affairs, said in an interview that the suspect appeared to have a “a deeply, frankly, disturbing worldview when it came to Jews that was simultaneously both philosemitic and antisemitic.” Conflating the suspect’s worldview with Mamdani’s, she added, “harms the fight against antisemitism.”
Online influencers place the blame on Mamdani
The attacker’s background and stance on Israel didn’t stop influencers and longstanding critics of Mamdani from piling on. “Do you think your non-stop demonization of Jews could have anything to do with it?” said Brianna Wu, an activist who has become a vocal critic of the progressive left, on X in response to Mamdani’s condemnation of the attack.
“It’s your fault Mr. Mayor,” Loay Alshareef, an activist who advocates for the Arab world to normalize relations with Israel, posted to X on the night of the attack. “You allowed this to happen.”
Others didn’t name Mamdani but quickly attributed the attack to increasing animus toward Zionists — even as the attacker’s social media suggests he was Zionist himself.
“American politics has become so obsessively antagonistic toward ‘Zionists’ that even a synagogue is seen as fair game for disruption and desecration,” said U.S. Rep. Ritchie Torres of New York, one of Israel’s staunchest supporters in Congress, on X.
Why exactly Montes attacked one of New York’s iconic synagogues is still unclear. Montes’ aunt, Myriam Montes, told the New York Post he was “mentally traumatized” because of his desire to be Jewish — suggesting he may have wanted to convert to Judaism but was rebuffed.
Mental health may also have been a factor. Montes was arrested three times for violent robberies between 2019 and 2023, police said, and he was a known “emotionally disturbed person.”
Some have argued that outsized attention on Israel can make Jews a natural target especially for people in the throes of a mental health crisis.
Hank Sheinkopf, a veteran New York political consultant, said the suspects’ anti-Mamdani views don’t weaken the case against the mayor. “There are crazy people that take cues from what they hear and what they read,” Sheinkopf said.
Spitalnick disagreed. “There are absolutely things the mayor has done that further reinforce concerns about Jewish safety,” she said. At the same time, “it’s disingenuous and unhelpful to blame him for all antisemitism in New York, which long predates him and which, as the evidence in this specific incident shows, is far more complicated than that.”
All that’s to say Montes could have had any number of motives for attacking a congregant during Shabbat services, including but not limited to warped philosemitism, a mental health crisis and prejudice against Reform Jews.
Playing into Netanyahu’s campaign
Blaming hatred of Israel and local political rhetoric for the attack could have an ulterior motive and political consequences halfway around the world. As Netanyahu and the ruling Likud Party, of which Israeli Consul General Akunis is a member, face a tough reelection fight in the Israeli Knesset elections in October, Mamdani has become a campaign target.
Last month, Netanyahu incorporated Mamdani’s video address encouraging New Yorkers to protest the Israeli leader into his own political campaign. In a campaign clip, he portrayed Mamdani as the face of a worldwide surge of antisemitism directed at Israel. Mamdani had initially threatened to arrest Netanyahu in September when he visits the city for the United Nations General Assembly, but the city’s legal department determined the mayor did not have the authority to do so.
Footage of Mamdani’s call to protest has now expanded to billboards and digital clips to rally Israeli voters on the right.
“They want Netanyahu to lose,” the new Likud campaign reads, placing Mamdani alongside Turkish President Recep Tayyip Erdoğan, Iran’s Supreme Leader Mojtaba Khamenei and Hezbollah leader Naim Qassem. “Don’t let them win.”
The political logic is straightforward. Portray Mamdani as the symbol of a hostile movement against Israel. Cast Netanyahu’s political survival as part of the larger fight against international efforts to isolate the Jewish state.
Both Spitalnick and Sheinkopf facetiously called Mamdani’s pledge to arrest Netanyahu an “in-kind contribution” to the Netanyahu campaign. Spitalnick said the Israeli leader “thrives by being able to point to that as opposed to talking about his own policies and record.”
Jewish leaders and local politicians have called for lowering the temperature. Micah Lasher, the Democratic nominee for the 12th congressional district that includes Central Synagogue, told The New York Times after the attack that the political climate must be taken into consideration at a time like this.
“You can’t divorce the dramatic increase in violence targeted at the Jewish community,” he said, “from the political climate and the tone and tenor of the discourse around Jews and Israel.”
The post The Central Synagogue attack had no clear connection to Mamdani. He’s still being blamed. appeared first on The Forward.

