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A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.

(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.

At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.

A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.

The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”

On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.

Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)

Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”

Why?

“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”

He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”

For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.

The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?

“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”

CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.

J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.

In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)

In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)

Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.

The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”

Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.

The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.

“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.

Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.

The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)

Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)

Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.

Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.

“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.

Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”

The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.

“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”

(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)

The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.

For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.

With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.

Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.

“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”

Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.

Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.

Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.

Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,”  which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”

“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”

A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.


The post A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs. appeared first on Jewish Telegraphic Agency.

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In the Southwest, public libraries are becoming Yiddish hubs

Think of Yiddish today and you might picture Hasidic Brooklyn, Haredi neighborhoods in Israel or scholars working to preserve a language too often falsely written off as “dead” or “dying.”

But Texas? Ikh ken es nisht gleybn! (I can’t believe it!)

Sebastian Shulman, director of partnerships at the Yiddish Book Center, has spent the past year traveling around the U.S. and working with communities interested in Yiddish. Through the program, public libraries establish reading groups focused on English translations of Yiddish literature. Libraries in small towns across the Southwest, the Deep South and rural Michigan and Illinois have participated.

In Dallas, one library organized a daylong Yiddish festival that drew more than 500 people.

In Austin, Shulman gave a talk about Yiddish history during the city’s huge annual event, South by Southwest. The room for his lecture filled up, in spite of having to compete with the popular festival.

“There were young people and old people and Jewish people and non-Jewish people,” Shulman said. “It was such a deep hunger and a deep interest.”

At the end of the talk, a young Indigenous woman approached him and described similarities she saw between Yiddish and the culture and storytelling tradition of her own Cherokee Native American Nation.  He was moved by the encounter, which served as a testament to the bridges forged by Yiddish literature and history.

“Yiddish kind of blows apart the concept of the unexpected place,” Shulman said, calling it “a language of everywhere and nowhere, all at the same time.”

In a Santa Fe, New Mexico public library, Yiddish literature and history is preserved by those who didn’t necessarily inherit the language from their grandparents. Many of them aren’t even Jewish and encountered it for the first time in libraries, archives, classrooms, festivals and books.

Yiddish culture in New Mexico got even more of a boost last year when Jordan Wax, a Santa Fe-based composer and performer of Yiddish and New Mexican regional music, released an album of original secular Yiddish children’s songs.

Letters from history

David Katz, a longtime Texas resident who has spent years collecting and translating Yiddish archival material from the state, said he’s found a life-long mission of preserving not only the language and idioms – but also the human stories of Yiddish-speaking Jews who immigrated to towns across Texas.

Katz regularly receives requests from families around Texas, asking him to translate Yiddish letters and documents that are between 70 and 150 years old. He’s also assisted in translating materials donated to the Dallas Holocaust and Human Rights Museum. Some contain ordinary family news. Others document poverty, illness, migration and the desperate search by Jews in Europe for a way out, as antisemitism intensified in the 1930s.

One letter from Germany from the early 1930s particularly stayed with him. The family wrote to relatives who’d already resettled in the U.S. about trying to obtain a visa to settle elsewhere, debating whether Canada, the United States or somewhere in South America might be the best destination.

Katz found it distressing that the family who wrote the letter seemed, ironically, to be unaware of the dangers facing them under the Nazis.“They’re debating about which climate might be better,” Katz recalled. “From their standpoint, they don’t know how bad things are about to get; it’s tragic to read that history so intimately.”

For Katz, translating these letters creates a connection to their senders and recipients.

“You read them, and even though the letters are maybe 100 years old, 80 years old, they very much make an impression on you that this is very understandable or approachable, because it’s Jewish life, not that different from today,” he said.

But that preservation work is only part of the story.

Susan Bronson, president of the Yiddish Book Center, said the center has increasingly worked with public libraries and Jewish communities around the country, and was inspired by the cross-generational and interfaith excitement to engage with Yiddish.

Many people attending these programs don’t speak the language. But translated literature, music, theater and lectures can provide an entry point.

Bronson has seen this among younger people through the Yiddish Book Center’s Great Jewish Books program, which introduces high school students to Jewish literature, including Yiddish works. Some students have said the experience helped them feel closer to a grandparent or better understand their family’s background.

The Yiddish Book Center’s oral history work has found Yiddish speakers in places people don’t typically associate with the language, including towns across the South and among Jewish farmers in New Jersey.

“It’s unexpected only because our perception of Yiddish became, in some ways, so narrow, but reality is more complicated and this narrow image obscures the breadth of Jewish life in America,” Bronson said.

Back in Texas, Katz is excited about the future possibility for Yiddish in the state, in the form of thousands of letters that remain untranslated and the old Texas Yiddish newspapers sitting on microfilm at university libraries.

“There are stories still waiting to be read,” he said, building on the state’s rich history.

Jewish immigrants spoke mame-loshen in homes and synagogues in Galveston, Dallas and San Antonio. They published newspapers in it, built community institutions around it and gathered to hear visiting writers and Jewish leaders speak the language.

In 1921, the Russian-born Yiddish literary critic Shmuel Niger traveled to Dallas and delivered a lecture in Yiddish to hundreds of people. A few years earlier, David Grün — better known as David Ben-Gurion, the future first prime minister of Israel — visited San Antonio, Texas twice where he addressed a packed room in Yiddish. He was meeting members of the Texas Labor Zionist chapter of Poale Zion (the Socialist Zionist movement), advocating for a sovereign Jewish state and raising money for Jewish immigrants to settle in Eretz Yisroel (The Land of Israel),

A lesser known historic Jewish community, deep in the “Bible Belt”, Waco, Texas had its first Jewish immigrants arrive in the mid-19th century. The first wave was Sepahardic, the second — Ashenazi. They built an Orthodox synagogue and later established an active chapter of the Jewish Workmen’s Circle, holding meetings in Yiddish.

A century after Ben-Gurion addressed Texan Jews in Yiddish, the language is still moving through the state — and far beyond it— not simply as a relic, but as a phenomenon people can continue to discover.

 

The post In the Southwest, public libraries are becoming Yiddish hubs appeared first on The Forward.

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These college students have favorable views of Israel. They also think it’s committing genocide.

A quarter of college students who view Israel favorably also believe its government is committing genocide.

That’s according to a Brandeis study published earlier this month, which surveyed nearly 4,000 students across 303 colleges in fall 2025 about their views on the Israeli-Palestinian conflict and concluded views on the Israeli-Palestinian conflict are more nuanced than often portrayed.

So how do students reconcile those views?

Researchers can’t say for sure, but one possibility is that students are distinguishing between supporting Israel’s existence and the actions of its current government.

The fact that many of the same students who say Israel is committing genocide also affirm its right to exist is not a contradiction, according to the Nexus Project, a watchdog group that works to combat antisemitism and protect open debate. In an Instagram post referring to the Brandeis study, the group lauded the nuance of the report.

“Collapsing both views into a single all-encompassing camp of ‘anti-Israel sentiment’ erases the gray area where most students actually live,” the post said.

Another explanation, the study says, is that the “genocide” label has less to do with actual views on Israel than political affiliation. Respondents who identified as liberal were much more likely to agree that Israel was committing genocide than those who identified as moderate or conservative. In fact, political ideology was a better predictor of whether someone said Israel was committing genocide than their stance on the Israeli-Palestinian conflict itself, the study found.

Overall, condemnation of Israel’s actions in Gaza is the more popular position on campus. Close to three-quarters of all students agreed with the statement that Israel is committing genocide against Palestinians.

Students may also have different interpretations of the term “genocide,” said Graham Wright, first author on the study and an associate research scientist at Brandeis.

“It’s possible that some of them think, ‘I do generally support the Israeli government, but I don’t like some of the things they’re doing,’” Wright said. “The word genocide is just a stand-in for, ‘I don’t think they’re doing a good thing.’”

The very word genocide has also been a subject of debate.

Some Jewish groups, such as the Israeli human rights group B’Tselem, have argued genocide is an accurate term to describe what they see as the deliberate destruction of Palestinian society.

Meanwhile, many pro-Israel advocates loathe the word genocide, legally defined as the intentional destruction of any national, racial, ethnic, or religious group, to describe Israel’s actions in Gaza following Oct. 7, 2023. They argue that Israel is seeking the destruction of Hamas, a terror group that states its intent to destroy the Jewish state.

Here are two other key takeaways from the study.

1. Most students differentiate between governments and their citizens — but not all

The study divided students into four groups based on their stances on the Israeli-Palestinian conflict. The largest group, 49% of students, supported civilians on both sides of the conflict.

Those students viewed both the Israeli and Palestinian people positively, while they expressed disdain toward the Israeli government, Hamas and the Palestinian Authority.

“This suggests that most people are able to make that distinction and have fairly nuanced views about a lot of these conflicts,” Wright said.

The vast majority of students, 85% of those surveyed, had unfavorable views of the Israeli government. But those views did not always extend to hostility toward the Israeli people. Students were split about half and half between favorable and unfavorable views of Israeli citizens.

Out of the 20% of  students who held strong anti-Israel views — meaning they were likely to view both the Israeli government and its people unfavorably — half also viewed Hamas favorably.

“Certainly, I think that’s concerning,” Wright said. “You have a relatively small number of students who have very extreme views on Jews in Israel, and that seems to be contributing to a lot of the hostility that Jewish students are experiencing.”

Those students may make headlines, Wright said, but most undergraduates aren’t thinking about Israel day-to-day. In fact, 56% of surveyed students said they had low knowledge about the Israeli-Palestinian conflict and the topic was of low to moderate personal importance to them.

2. Jewish students have diverse views on the conflict, but they were also more likely to view Israel favorably than their non-Jewish peers

The survey included responses from 743 Jewish students. About 29% of those respondents viewed Israel favorably, the largest share of any ethno-religious identity surveyed.

That higher support for Israel among Jewish students held across political divides. Both politically liberal and politically conservative Jews were less likely to hold anti-Israel views than their non-Jewish peers, the study found.

The largest proportion of Jewish students, 56%, were “civilian sympathizers” — the group that views both Israeli and Palestinian civilians favorably while disliking both governments.

A minority of Jewish students, 9%, held unfavorable views of both the Israeli government and its people and favorable views of Palestinians.

Overall, the results show subtleties in how college students view the Israeli-Palestinian conflict that the media rarely captures, Wright said. “You only detect the nuance if you ask about it specifically.”

The post These college students have favorable views of Israel. They also think it’s committing genocide. appeared first on The Forward.

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In a forest where Jews fought the Nazis, a German military base and Lithuanian politics encroach on memory

(JTA) — Rūdninkai, LITHUANIA — Deep in the trees and swampy thickets of Lithuania’s Rūdninkai Forest, a series of makeshift forts is sinking into the earth.

These represent the remains of underground bunkers where Jewish partisans resisted their annihilation in the Holocaust. Under German occupation, some 400 Jews escaped the Vilnius ghetto to this forest and organized attacks against the Nazis.

After World War II, the story of these partisans was folded into Soviet propaganda, leaving a shroud of mystery over the bunkers. Now, construction of a new German military base in the area is throwing into question the fate of the forts — and the memory of their fighters.

Jewish former partisans and their descendants have traveled for decades to visit the bunkers, which mark the only memorial to their resistance in Lithuania. But in recent months, new obstacles have appeared: Signs forbidding entry and demarcating a “dangerous area” are installed on the road to the forest and pinned on trees approaching the forts.

Lithuania is nearing the final stage of constructing a military base for German troops in Rūdninkai Forest, nestled about 27 miles south of Vilnius. The training ground near the former partisan camps was planned after Russia’s 2022 invasion of Ukraine to shore up NATO’s eastern flank. Strategically located some 12 miles from the border with Moscow-allied Belarus and east of Russia’s Kaliningrad exclave, the troops will be Germany’s first permanent deployment abroad since World War II. About 5,000 German soldiers will begin arriving this fall.

“You cannot easily find the forts, so those who know how to get there, we just go,” Aušra Mikulskienė, a Jewish history tour guide from Vilnius, told the Jewish Telegraphic Agency. “But now, there are ‘don’t enter’ stickers and stop signs. It’s becoming impossible to get there because they are closing all of the forest.”

Mikulskienė has brought the children and grandchildren of Jewish partisans to Rūdninkai for 10 years. They need her guidance to find eight standing forts, covered in logs and soil, which are not marked on maps and GPS systems. In such remote corners of the forest, partisans planned to ambush their enemies, lay explosives on German trains and equipment and sabotage telephone lines and infrastructure in Vilnius.

The bunkers are not protected by the Lithuanian government as cultural heritage sites, and they have deteriorated over years of neglect. But as the German base is completed and military training begins, Mikulskienė worries that prohibitory signs related to construction will turn into more serious barriers to the forts, and visitors could lose access altogether.

Twists of history over decades plunged the forts into obscurity. Lithuania was occupied from 1944 to 1990 by the Soviet Union, which honored hundreds of Soviet partisans who went to Rūdninkai Forest to battle the Germans. The Jewish partisans who joined them, and who helped Russian forces liberate Vilnius from the Nazis in 1944, were not part of this narrative.

The Lithuanian Soviet Republic, or Lithuanian SSR, began to commemorate Soviet partisans on the site of the Rūdninkai forts in the 1970s. Soviet and Jewish fighters only had access to wood and soil to build their bunkers. But the forts standing today are reinforced with concrete, an indication that the Soviet government fortified the structures to serve as memorials, said Mikulskienė. She remembers visiting the site on a school trip in the 1980s and listening to lessons about how the forebears of Soviet citizens resisted the fascists.

Since the fall of the Soviet Union, researchers have debated how much of the structures is original, and how much was reconstructed by the Soviet government for propaganda purposes. The first sign memorializing Jews was installed in the area by Bildungswerk Stanisław Hantz, a German educational group, in 2024. A small silver plaque reads, “In memory of the Jewish partisans who fought out of these forests against the Nazi occupiers and their helpers.”

The legacy of the forts — and the memory of Jewish partisans — is now mired in Lithuania’s repudiation of its Soviet past. Thousands of Lithuanian intellectuals, dissidents and other citizens were arrested, deported to Gulags and executed under Soviet rule. Once Lithuania gained independence in 1990, the stench of Soviet repression overpowered that of the Nazi occupation for many Lithuanians.

Lithuania was for centuries a center of rich Jewish thought, religious life and secular culture; Vilna, as the capital was known in Yiddish, was nicknamed the “Jerusalem of the North.” But after more than 90% of Lithuanian Jews were killed by the Nazis and their collaborators, few remained to commemorate the Holocaust.

“The collective memory of Lithuanians basically sees only one occupation: the Soviet occupation,” said Ilya Lempertas, a researcher and editor of books on the Holocaust in Lithuania. “Soviet partisans, in Lithuanian memory, are those who deported Lithuanians to Siberia.”

That means the Jewish partisans of Rūdninkai Forest are often viewed not as heroes, but as traitors, according to Mikulskienė. “They are not considered as fighting against Nazis, these Jews,” she said. “They are considered to be fighting with the Soviets.”

Fania Brantsovsky, the last living Jewish resistance fighter of Rūdninkai Forest, died in 2024 at 102. She joined a Jewish partisan unit under the command of the writer Abba Kovner, known as the Nokmim, or Avengers. On Sept. 23, 1943, the same night she was smuggled out of the Vilnius ghetto, the Nazis began their final liquidation of the ghetto. None of her family survived.

Brantsovsky led tours to the forest bunkers in the 2000s. Until her death, she advocated for the structures to be preserved and protected as a site of learning about the Jewish partisans’ struggle.

Dovid Katz, a Brooklyn-born, Vilnius-based scholar of Yiddish and the Holocaust who runs the online journal “Defending History,” was a friend of Brantsovsky’s. “Her one last request was, ‘Dovid, please, never stop reminding Jews around the world to speak up for the existence of the forts,’” said Katz. “‘Let our grandchildren be able to come to this place in the forest and see wooden forts in the ground, which were the only postwar physical remnant of Jewish resistance.’”

Germany’s federal government has signaled that it will not disturb the site. In response to a parliamentary inquiry, the Bundestag announced in July that it was “committed to preserving the former World War II partisan camp in Rūdninkai Forest, located on the training grounds of Panzer Brigade 45 stationed in Lithuania, as a place of learning and remembrance.”

The government added that the former partisan bunkers were not part of Germany’s training facilities and would not be affected by construction, but it was in Lithuania’s hands to manage the site’s preservation and access.

“The Lithuanian government has been asked to examine whether the area in question merits protection and to take this into account in further planning,” said the Bundestag.

Lithuania’s Ministry of Culture told JTA that the bunkers do not have protected status as cultural heritage sites because they “are not authentic and are not located at their original sites.” Instead of being linked to Jewish fighters, the ministry said the forts were “associated with Soviet partisans.”

“During the Soviet era, they were included in the list of historical monuments of the Lithuanian SSR, while a significant proportion of such ‘monuments’ were intended to reinforce Soviet ideology and historical narratives,” the ministry said in a statement.

The area will be maintained in the future with an information board installed nearby, according to the ministry, which said the content of that information has yet to be decided. Visiting the forts won’t be prohibited altogether, but those who wish to go will have to comply with military rules and obtain advance approval from the Rūdninkai Training Area Command, the ministry said.

Katz believes nationalist factions in the Lithuanian government are revising the history of a site that hosts genuine remnants of Jewish bunkers. He views the government’s resistance to protecting the site as an outgrowth of the “double genocide” theory, a nationalist narrative that emerged in Lithuania after the fall of the Soviet Union. This theory equates World War II atrocities committed by the Soviets, who occupied Lithuania in 1940-1941 following a non-aggression pact between Stalin and Hitler, with those of the Nazis, who took control after Hitler broke the agreement and invaded the Soviet Union. (The Soviets reoccupied Lithuania in 1944.)

In this framework, the Soviets committed genocide against Lithuanians through mass deportations — with the complicity, some add, of Jewish communists — and only afterwards came the killing of Jews by the Nazis and their Lithuanian collaborators.

“The Soviets and their Jewish friends, as the narrative has it, committed the first genocide, and then came the reaction, the tragic second genocide,” which was the Holocaust, said Katz.

The equating of Soviet deportations with the Holocaust has been widely rejected by international scholars and Jewish institutions. The Soviet regime deported some 17,500 Lithuanians in 1941 to remote parts of Siberia and northern Russia. While individual Lithuanian Jews served in the Soviet administration, Jews were also disproportionately targeted in the deportations.

Lempertas, who like Katz is Jewish, does not believe the forts standing in Rūdninkai Forest include genuine remains of Jewish partisan bunkers. He supports the government’s view that the structures were built entirely as Soviet propaganda — but even so, he believes they should be protected.

“It has to be saved, from my point of view, for those who are coming there because of family,” said Lempertas. “It serves as an exhibition.”

Mikulskienė said the forts are deeply important to the families of Jewish fighters. She watches visitors stand before them, recite memories of war and sing partisan songs passed down through generations.

Yet in recent years, as Russia’s invasion of Ukraine sparked security threats and surging anti-Russian sentiment in Lithuania, Mikulskienė has found it increasingly difficult to advocate for the memory of Jews who fought alongside Soviets.

“You are seen as a follower of Soviet propaganda, and also now Putin’s propaganda,” she said. “That’s a bit dangerous, being this person in Lithuania.”

Anna Avidan, who was born in Vilnius to Holocaust survivors and founded the Jewish history nonprofit Jerusalem of the North, said the bunkers should be treated as a memorial site with educational opportunities.

“There is a strong stereotype here that Jews were communists and they deserved the killings — this simplified worldview,” she said. Dispelling such stereotypes “is a good case for explaining why it has to be commemorated.”

One the eve of World War II, about 4 in 10 people in Vilnius were Jewish. But decades after the end of the Soviet Union, Avidan said the city has yet to fully recognize the Jewish world that vanished from Lithuania’s cities, towns and forests.

“Lithuania has been independent for more than 35 years already,” said Avidan. “Still, we have no clear memorial in this city to the victims of the Holocaust, and for me, that’s a message.”

This article originally appeared on JTA.org.

The post In a forest where Jews fought the Nazis, a German military base and Lithuanian politics encroach on memory appeared first on The Forward.

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