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A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs.
(J. The Jewish News of Northern California via JTA) — Tucked in the far corner of a large, brightly-lit exhibition hall on the ground floor of the Contemporary Jewish Museum in San Francisco, there is a delicate-looking piece of art with a strong political message.
At first glance, it appears to be three circular vases with flowers in them. The ceramic vases sit on shelves attached to the wall, and colorful collages hang above them. On closer inspection, visitors will notice that the flowers are made out of paper and that affixed to each vase is an image of the Palestinian flag printed on foam board.
A nearby label written by the curators of the exhibit, titled “Tikkun: For the Cosmos, the Community, and Ourselves,” explains that the piece was inspired by a conversation the artist, Tosha Stimage of Berkeley, had with a Palestinian man. He told Stimage about the plants that are native to Palestine — “a place which he can no longer access due to the ongoing conflict in the region,” the curators write.
The label also includes a note about the flag: “Some may find its presence at The CJM troubling or confusing, while others may find it appropriate and forthright. Stimage recognizes the potential for these divergent responses and hopes to use them as a means of generating dialogue.”
On a Sunday afternoon in October, Maury Ostroff read the label and walked away without inspecting the artwork.
Visitors to the “Tikkun” exhibit are encouraged to share their responses to the artwork via comment cards. (Andrew Esensten)
Asked how the presence of the flag made him feel, Ostroff, who is Jewish and lives in Muir Beach, in Marin County, replied, “Unhappy.”
Why?
“It’s not offensive to me in the same way that a swastika is. My skin is a little bit thicker than that. But I wish it weren’t here.”
He added, “What’s so Jewish about this? What’s so ‘tikkun olam’ about all of this?”
For the “Tikkun” exhibit, which opened Feb. 17 and runs through Jan. 8, the CJM invited both Jewish and non-Jewish Bay Area artists to contribute new works on the theme of repair, however they chose to interpret it. “No one is listening to us,” the piece by Stimage, who is not Jewish, is the first work of art featuring the Palestinian flag to be shown at CJM in recent memory; the museum could not say when or if the flag has been displayed on its walls before.
The piece prompted several internal conversations among CJM staff when it was first submitted and, since it has been on display, has generated a variety of responses from museumgoers who have left comments in a box at the entrance to the exhibit. Intentionally or not, Stimage has raised numerous questions with the artwork, including: Does a work of art that is sympathetic to the Palestinian struggle for statehood belong in a Jewish museum? And what is the role of a contemporary Jewish museum, anyway?
“To truly be a contemporary art museum, meaning embedded in the contemporary issues of our day, our job is to provide a platform for dialogue and to share a diversity of perspectives on our walls,” said Chad Coerver, CJM’s executive director since September 2021. “If any institution [like ours] took the path of withholding artwork that troubled our staff, our board or our community, it would be very difficult to mount exhibitions.”
CJM is a member of the Council of American Jewish Museums, a network of 76 museums across the country. CAJM does not have guidelines about the kind of art its member museums can and cannot display, according to Executive Director Melissa Yaverbaum.
J. reached out to several CAJM member museums in New York, Los Angeles and other places by email to ask if they had ever shown artwork with Palestinian iconography or works by Palestinian artists. The museums declined to answer or did not respond.
In recent years, two Jewish museums have been embroiled in controversy over issues relating to the Israeli-Palestinian conflict. The Spertus Institute for Jewish Learning and Leadership in Chicago staged an exhibit in 2008 on Israeli and Palestinian concepts of homeland that included maps and portraits of Palestinians. Following outcry from members of the local Jewish community who felt the exhibit presented Israel in a negative light, the museum decided to close the exhibit after only a few weeks. And in 2019, the director of the Jewish Museum Berlin resigned after the museum tweeted a link to a pro-BDS article in a German newspaper. (The museum previously came under fire for welcoming anti-Zionist scholar Judith Butler and representatives of Iran.)
In a joint interview with J., two CJM staffers who worked on “Tikkun” — co-curator Qianjin Montoya, who is not Jewish, and a Jewish senior curator who served in an advisory role, Heidi Rabben — shared the story of how Stimage’s piece came to be in the exhibit. (Montoya’s co-curator for the exhibit, Arianne Gelardin, no longer works at the museum.)
Since 2009, CJM has invited local artists from different backgrounds to create new work as part of the museum’s annual Dorothy Saxe Invitational. The idea for “Tikkun” was hatched before the pandemic put the planning process on hold. Once the CJM and Saxe — a local philanthropist and art collector — agreed on the theme, the co-curators invited artists “already engaged in healing through their relationship to community or in their practice of daily life,” Gelardin told J. last February.
The 30 artists who accepted the museum’s invitation were given only four months to conceive of and submit new works. That was likely the shortest timeline in the history of the invitational, which has been held 11 previous times, according to the museum. Each artist received a packet of materials compiled by CJM staff, with input from the Shalom Hartman Institute, a non-degree granting Jewish education center, to guide their thinking on “tikkun.”
Stimage was invited to participate because she is “very active” in the Bay Area and because “her work reflects ideas of community and connection,” Montoya said.
The curators said Stimage’s inclusion of the Palestinian flag in her submitted piece came as a surprise and prompted challenging conversations. However, they noted that they found the content of some of the other artists’ work surprising, too, and that it’s not unusual for contemporary artists to push the envelope in their work.
“I wouldn’t say we expected to receive a piece about the Israeli-Palestinian conflict, but we weren’t steering anyone away from that, either,” Rabben told J., adding that the submission guidelines did not place any topic off limits. “That’s a commitment from the museum to authentically represent the creative spirit of the artists that we’re working with,” she said.
Still, the curators said they engaged in a dialogue with Stimage in order to better understand each aspect of her piece and her overall intentions. Through those conversations, the curators learned that Stimage wanted to explore a moment of “rupture,” and that through her piece she hoped to communicate “that before healing or repair might happen, you have to first acknowledge that rupture,” Rabben said.
The Contemporary Jewish Museum in San Francisco is showing “Tikkun,” an exhibit of works by Jewish and non-Jewish artists on the theme of repair. (Andrew Esensten)
Coerver, who was involved in some of the conversations, stressed that “careful consideration” was given to including the piece in the exhibit. “We felt an artwork addressing the plight of the Palestinians was appropriate in an exhibition on healing and repair,” he said. (No work submitted as part of the Dorothy Saxe Invitational has ever been outright rejected, the museum said.)
Stimage did not respond to interview requests from J. According to a CV on her website, she was born in Jackson, Mississippi, and earned an MFA from California College of the Arts in 2016. She is a past fellow at the Yerba Buena Center for the Arts in San Francisco and was an artist-in-residence at Facebook in 2018. She also owns a floral gift shop in Oakland called Saint Flora.
Her work often touches on Black identity; she created a piece honoring Sandra Bland, an African-American woman whose 2015 arrest and death in a Texas jail cell sparked protests, and contributed to a 2019 San Francisco Art Institute exhibit on the Black Panther Party.
“I have a responsibility to create things that will, to the best of my present knowledge, do more good than harm, heal, inspire and uplift other humans,” she told the San Francisco Bay View National Black Newspaper in 2015.
Stimage’s precise views on Israel are unknown. CJM referred J. to her artist statement for “No one is listening to us,” which reads: “Olive, sage, and sumac are flowering plants native to the Mediterranean (including regions of Gaza and the West Bank) that have a direct relationship to contested ancestral land and affect the livelihood of so many Palestinian farmers and families caught in the conflict. They are positioned in the space of The Contemporary Jewish Museum as a metaphor for the ongoing conflict over land rights and the desperate need for restoration and healing of an age-old wound.”
The curators told J. that during their conversations with Stimage about her piece, they asked her why including images of the Palestinian flag was important to her but did not request that she remove them.
“We determined that none of [the piece’s] components in and of themselves signified something problematic or concerning,” Rabben said. “Of course, we had the awareness that the symbol [of the flag] will be read in a variety of ways by a variety of people.”
(Rabben pointed out that the exhibit includes other works with national symbols rendered in provocative ways, such as a black-and-white photograph of an American flag that was torn apart and partially reassembled by Mexican-American artist Jose Arias.)
The Palestinian flag — which contains the Pan-Arab colors of black, white, green and red — was adopted by the Palestine Liberation Organization in 1964. Since then, it has been the primary symbol of Palestinian nationalism.
For decades, the PLO was considered an enemy organization by Israel, and anything associated with it “had no place in Israeli public life,” said Eran Kaplan, an Israeli-born professor of Israel studies at San Francisco State University. Israel never went so far as to ban the flag. However, during the First Intifada, which lasted from 1987 to 1993, Israeli soldiers sometimes followed orders to confiscate the flag from protesters in the West Bank and Gaza.
With the signing of the Oslo Accord in 1993, Israel and the PLO recognized each other as negotiating partners. Yet the Palestinian flag remains a contentious symbol in Israel today. Kaplan noted that it recently served as a flashpoint during the funeral procession of Shireen Abu Akleh, the Palestinian American broadcaster who was killed in the West Bank in May. (The IDF conducted a review and admitted that the Israeli soldier who shot her had most likely misidentified her as an armed militant.) After warning Abu Akleh’s family not to display the flag, Israeli police attacked mourners in East Jerusalem, ripping flags out of their hands and off of the vehicle carrying her casket.
Today, the flag holds different meanings for Israelis and American Jews from different generations and political persuasions.
“There are large segments in Israeli society who view any form of Palestinian national identity as a threat to the existence of Israel,” Kaplan said. “There are others who view the PLO as legitimate partners in any form of negotiations [over the creation of a Palestinian state], but there’s an absolute split over those questions.”
Given the sensitive nature of Stimage’s work and others in the exhibit, the curators decided to solicit feedback from visitors via comment cards available at the entrance to the hall. Rabben said the museum has received a number of comments specifically about “No one is listening to us,” most of which were positive. “The majority of those comments were ‘Thank you for offering space for this topic at the museum,’” she said.
Last month, a security guard sitting in the “Tikkun” exhibition hall told a reporter that he had not witnessed any expressions of outrage or protest through the first nine months of the exhibit. “When we opened we were afraid of negative reactions, but they’re not stressed about it,” he said of visitors. “We have shown worse things here.” The guard, who has worked at the museum since it opened in 2008, mentioned a 2010 exhibit, “Our Struggle: Responding to Mein Kampf,” which included a copy of Hitler’s autobiography. “Some people were cussing us out” for displaying the book, he recalled.
Meanwhile, on the same floor as “Tikkun,” there is another, smaller exhibit containing potentially offensive art. A sign outside of the room warns visitors that inside is a Hitler marionette created by the parents of puppeteer Frank Oz. “Our intention in displaying this object is to keep the memory of the Holocaust alive through the objects and firsthand stories of those who experienced its persecution, and to encourage conversation and education about the ongoing horrors of antisemitism and authoritarianism today,” the sign says.
Coerver, CJM’s executive director, said he was proud that the museum’s three current exhibits — “Tikkun,” “Oz is for Oznowicz: A Puppet Family’s History” and “Gillian Laub: Family Matters,” which includes photographs that Laub took of her Trump-supporting relatives — are raising “challenging questions” and providing opportunities for both visitors and museum staff to “expand our horizons.”
“We’ve been wading into some issues that I think are a little thicker than maybe we’ve been confronting in the past,” he said, “and I hope that continues.”
A version of this piece originally ran in J. The Jewish News of Northern California, and is reprinted with permission.
—
The post A Jewish museum exhibit features the Palestinian flag. Some visitors wonder if it belongs. appeared first on Jewish Telegraphic Agency.
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DSA to LA mayoral favorite Nithya Raman: BDS or our endorsement — pick one
When Nithya Raman told Jewish Angelenos last month that she believed the Boycott, Divestment and Sanctions movement was a “legitimate” form of protest, she didn’t go far enough for the Democratic Socialists of America, whose national leadership threatened to expel her for not championing the Israel boycott outright.
The organization’s staunchly anti-Zionist politics have long clashed with Raman, a progressive councilmember who is running for mayor of Los Angeles — and in a dead heat with incumbent Karen Bass in a recent L.A. Times poll. Though she has called the war in Gaza a genocide, Raman has never been a hardliner on Israel, raising the question of whether the DSA would dig in its heels or back a popular candidate who doesn’t meet all of its criteria.
The answer arrived on Monday night in a pair of resolutions by the DSA’s National Political Committee, which together struck some form of compromise. The committee voted not to expel Raman — at least not before the election. But it threatened to revoke the LA chapter’s earlier endorsement if she does not commit to supporting BDS in a town hall that the LA chapter is expected to convene on Saturday.
Even that measure, though, may not have teeth. It’s unclear whether the LA chapter will actually convene for such a meeting — or whether the national organization even could pull the local group’s endorsement. In a statement following the vote, DSA-LA co-chair Leslie Chang said the chapter was standing by its endorsement.
”Our members voted in a supermajority, democratic decision to support her campaign and we are excited to continue knocking on doors for Nithya and our entire slate through Nov. 3,” Chang said.
The expulsion timeline, on the other hand, gives her until Jan. 1 to endorse BDS and sign on to DSA’s campaign to stop the shipment of weapons for Israel out of Los Angeles International Airport. (Municipal authorities have limited direct legal jurisdiction over international aviation and cargo regulations.)
The lengthy resolutions reflect the fierce competition between ideology and pragmatism inside the DSA as its members increasingly run for and win public office. With Zohran Mamdani at the helm of New York City, a Raman victory would mean DSA members run City Hall in the country’s two largest cities. But many in the organization believe Raman’s politics dilute the brand.
Raman, who in 2020 became the first DSA member elected to LA’s City Council, has sought to thread a needle on Israel during her time in office and on the campaign trail. DSA’s Los Angeles chapter voted to censure her after she accepted an endorsement from Democrats for Israel–Los Angeles, a liberal Zionist group. At the time, Raman told DFI-LA she believed Israel had a right to exist, departing from DSA dogma.
She also touts her support for the Jewish community after Oct. 7. In the wake of the attack, Raman — whose district includes some of the city’s largest Jewish neighborhoods — criticized the DSA for a statement she said was “unacceptably devoid of empathy.”
She has also disappointed some Jewish constituents by supporting a ceasefire in Gaza in early 2024 and by telling controversial left-wing influencer Hasan Piker earlier this year she believed the war was a genocide. She reiterated the genocide remark at the Jewish community forum Sept. 29, crossing what the local Jewish federation said was a “red line” for political candidates.
Thanks to a wave of support from less-active DSA members, the Los Angeles chapter endorsed Raman Sept. 2 by a 937 to 484 vote.
The Raman campaign declined to comment for this story.
‘For a Fighting Anti-Zionist DSA’
DSA-LA’s endorsement came under the microscope of the National Political Committee after it was revealed that the chapter had failed to include a question about BDS in its candidate questionnaire.
The omission of BDS violated a rule about pro-Palestinian policy the national organization passed last year. Known as R22, the rule outlines conditions for revoking endorsements or expelling a member if they make certain pro-Israel statements, such as saying that Israel has “a right to defend itself” or opposing BDS.
Chapter leaders called the missing question an “oversight.”
Meanwhile, Raman’s language on the Israel boycott — if not her stance on the issue — has changed over time.
Back in 2020, when she was running for council, Raman told the Jewish Journal of Greater Los Angeles, “I absolutely do not support BDS,” adding, “At a time when hate crimes are rising in LA and across the world, it is dangerous for a candidate to be so closely aligned with a political movement bent on demonizing Israel and the Jewish people.”
She has spoken less forcefully against boycotting during her campaign. In the Jewish community forum last month, she said that while BDS was a legitimate form of peaceful protest, it was not part of her platform or her focus on LA.
Massive groans in the Skirball auditorium when Nithya Raman defends BDS as a “legitimate form of protest.” Question from @AJCGlobal. https://t.co/W2Uml0lPMI
— Louis Keene (@thislouis) September 30, 2026
In a statement to LA’s DSA chapter sent in advance of Monday’s vote, Raman’s stance on BDS was vague, seemingly supporting BDS as a form of pressure on Israel but stopping short of adopting it herself.
“I believe the best way for working Angelenos to stand in solidarity with Gaza is through non-violent protest, legislative action and diplomatic pressure, including BDS,” Raman said.
DSA members on X appeared split on whether the statement satisfied the requirements of R22.
A second round of questions
The questions Raman will be expected to answer at an Oct. 31 town hall are a familiar list of anti-Zionist litmus tests. In addition to receiving a point-blank question about her support for BDS, she will be asked to make two commitments: to refrain from any affiliation with “Zionist lobby groups” and to oppose any legislation that harms Palestinians.
She will also be asked to oppose legislation “that would allow direct financial donations of any kind to Israel and/or settler NGOs who carry out the mission of Israeli settlement and Palestinian dispossession/displacement, such as the Jewish National Fund,” and to condemn weapons shipments from LAX.
If the meeting doesn’t happen by Oct. 31, the resolution says, the national committee will order DSA-LA to pull the endorsement. And if DSA-LA refuses to comply — either by not holding a meeting or maintaining its endorsement — the chapter and its leadership could be censured.
DSA-LA leadership didn’t seem particularly troubled by the possibility of a break from the national committee.
“As DSA-LA is a membership-driven organization,” Chang, its co-chair, said, “any decision around our electoral strategy lies with our members and we will be maintaining our endorsement of Nithya and all our candidates.”
Meanwhile, the resolution calling for Raman’s expulsion if she has not complied by Jan. 1 adds that if she doesn’t win Nov. 3, “all deadlines and proposed disciplinary votes for CM Raman and the LA chapter in this proposal shall be null and void.”
If she does not win the election, Raman’s council term will end in 2028.
The post DSA to LA mayoral favorite Nithya Raman: BDS or our endorsement — pick one appeared first on The Forward.
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What can we make of the initial results of the Israeli elections?
אַ גרױסער יום-טובֿ איז געפֿײַערט געװאָרן אין ישׂראל, דעם 27סטן אָקטאָבער — אַ יום-טובֿ פֿאַר דעמאָקראַטיע און אַ יום-טובֿ פֿאַר ייִדן.
דאָ האָבן אַלע רעגיסטרירטע בירגער פֿון 18 יאָר און עלטער געהאַט די מעגלעכקײט צו שטימען פֿאַר אײנער פֿון 35 פּאָליטישע פּאַרטײען: סײַ ייִדישע און סײַ ניט-ייִדישע פּאַרטײען, כּדי אױסצוקלײַבן אַ נײַע רעגירונג פֿאַר אַ קאַדענץ װאָס — לױטן געזעץ — דאַרף אױסהאַלטן 4 יאָר. אין דער אמתן איז זעלטן װען עס האַלט אַזױ לאַנג אױס, נאָר אין די װאַלן פֿון 2022 האָט בנימין נתניהוס רעגירונג טאַקע אױסגעהאַלטן.
עטלעכע פֿאַקטן וועגן די איצטיקע װאַלן
- איבער 12,000 שטימערטער זײַנען געװען צעשפּרײט איבער אַרום 1,200 ייִשובים.
- טױזנטער ישׂראלים מיט שטימרעכט זײַנען ספּעציעל אָנגעפֿלױגן פֿון אַנדערע לענדער, כּדי אָנטײלצונעמען אין די װאַלן. צװישן זײ — די װעלט-באַרימטע אַקטריסע גל גדוט (גאַל גאַדאָט) װאָס האָט לעצטנס באַקומען אַן ערן־דאָקטאָראַט פֿון בר־אילן אוניװערסיטעט.
- צענדליקער טױזנטער סאָלדאַטן האָבן געשטימט פֿאַרן וואַלטאָג, דעם 27סטן. די רעזולטאַטן װעלן שפּעטער צוגעגעבן װערן און קענען האָבן אַ ממשתדיקע השפּעה אױף דעם אַרױסקום.
- עס האָבן געשטימט 5,695,682 פֿון די בירגער מיט שטימרעכט (7,331,981). דאָס איז אַרום 77.7% — דער העכסטער פּראָצענט מענטשן וואָס האָבן געשטימט במשך פֿון לאַנגע יאָרן.
די פּרעלימינאַרע רעזולטאַטן מיט אַ טאָג שפּעטער
לױט די אַנקעטעס פֿון עטלעכע טעג פֿאַר די װאַלן האָט מען פֿאָרױסגעזאָגט אַז פֿון די מעגלעכע 120 כּנסת־ערטער װעלן בערך 52 גיין פֿאַר די שותּפֿים פֿון נתניהון; 54 פֿאַר די קעגנערס פֿון נתניהו, און 14 פֿאַר די אַראַבישע פּאַרטײען.
װי נאָר דאָס װײלן האָט זיך געשלאָסן 10 אַ זייגער אין אָוונט , האָבן די פֿאַרשײדענע אױספֿרעג-פֿירמעס שױן אָנגעהױבן אַרױסזאָגן זײערע נבֿיאות. עס איז שוין אָנגענומען, אַז זײַט-בײַ-זײַט מיט אַ צאָל וויכטיקע שטימערטער, שטעלט מען אױס שטימקעסטלעך, און מע בעט די װײלער אַרײַנװאַרפֿן אין קעסטל אַ קאָפּיע פֿון זײער אױסװײל. בערך 600 אַזעלכע שטימקעסטלעך האָט מען אויפֿגעשטעלט איבער אַ צאָל ייִשובים. די אויספרעג-פֿירמעס באַאַרבעטן די דאָזיקע „פּאַראַלעלע“ רעזולטאַטן צוזאַמען מיט געװיסע אַנדערע פֿאַקטאָרן און מאַכן אַ סך-הכּל פֿון װי עס װעלן אפֿשר אױסזען די לעצטגילטיקע רעזולטאַטן.
די פֿיר הױפּט טעלעװיזיע־סטאַנציעס האָבן אַלע געהאַט אָנגעשטעלט אױספֿרעג-פֿירמעס, און דרײַ פֿון זײ האָבן געהאַט מער אָדער װײניקער די זעלבע רעזולטאַטן: אַז נתניהוס בלאָק האָט פֿאַרשפּילט. די פֿערטע טעלעװיזיע־סטאַנציע, ארוץ 14, װאָס רעכנט זיך פֿאַר אַ גרױסן שטיצער פֿון די רעכטע און פֿון נתניהון – האָט לרובֿ געגעבן ענלעכע רעזולטאַטן, אָבער אָנגעװיזן אַז נתניהו װעט זײַן דער געװינער.
װי אַ רעזולטאַט פֿון די דאָזיקע מוסטער-שטימען, האָבן נאָך האַלבער נאַכט געמאָלדן סײַ גדי אײַזנקאָט פֿון דער „ישר“ פּאַרטײ, װאָס האָט באַװיזן 23 שטימען, סײַ נפֿתּלי בענעט פֿון דער „ביחד“ פּאַרטײ מיט יאיר לפּיד (מיט 12 שטימען) — אַז נתניהו און זײַן בלאָק האָט פֿאַרשפּילט.
נתניהו, דאַקעגן, האָט זיך ניט אונטערגעגעבן, און דעקלאַרירט אַז ער האָט די גרעסטע פּאַרטײ, און אַז מע דאַרף װאַרטן אױף די אמתע שטימען, װאָס מע װעט צומאָרגנס דערגאַנצן. און מיט דעם איז מען געגאַנגען שלאָפֿן – אַז נתניהוס קעגנערס האָבן געװוּנען.
אַ גאַנצע נאַכט האָט מען געציילט די אמתע שטימען. אין דער פֿרי האָבן מענטשן זיך אױפֿגעװעקט צו גאָר אַן אַנדער רעאַליטעט. סײַ נאָכן אױססאָרטירן און אָפּצײלן בערך אַ דריטל פֿון די שטימען 7 אַ זייגער אין דער פֿרי, סײַ ווען מע האָט שוין איבערגעציילט 50% מיט צוויי שעה שפּעטער, האָט אױסגעזען אַז נתניהו און זײַן בלאָק פֿון דער איצטיקער רעגירונגס קאָאַליציע װעט האָבן די מערסטע ערטער אין דער כּנסת און װעט קענען צוריק װערן די אָנפירענדיקע פּאַרטיי אין לאַנד.
די אַראַבישע פּאַרטײען האָבן אויך געהאַט גרױס דערפֿאָלג. זײערע שטיצערס זײַנען אַרױס אין די טױזנטער צו שטימען (מע זאָגט אַז בן-גבֿיר און זײַן פּאַרטײ האָט זײ אָנגעבייזערט) און באַקומען אַ גרעסערע צאָל ערטער אין כּנסת װי װען עס איז. די פֿאַרגרעסערטע צאָל אַראַבישע װײלער האָבן אױך פֿאַרגרעסערט דעם מינימום צאָל שטימען װאָס אַ קלענערע פּאַרטײ האָט געמוזט אָנזאַמלען כּדי צו דערגרייכן דעם מינימום פֿון 4 ערטער. אױב אין די פֿריִערדיקע װאַלן פֿון 2022 האָט אַ פּאַרטײ באַדאַרפֿט אַרײַנציִען 155,000 שטימען, איז שאַרף געװאַקסן דער מינימום נעענטער צו 184,000 צוליב דער הױכער צאָל װײלער (ייִדן און ניט-ייִדן) װאָס זײַנען אַרױס שטימען.
נאָכן איבערציילן בערך 77% פון די שטימען הײַנט ביז 2 אַ זייגער נאָך מיטאָג, ווערן די 120 כּנסת־מיטגלידער אײַנגעטיילט אַזוי: נתניהוס בלאָק — 54, די קעגנער — 49 און די אַראַבישע פּאַרטייען — 17.
צי די רעזולטאַטן וועלן זיך בײַטן נאָך דעם ווי מע האָט איבערגעציילט 100% וועט מען נאָך זען. מע דאַרף אויך אין זינען האָבן די עטלעכע הונדערט טױזנט שטימען פֿון די סאָלדאַטן. דאָס קען נאָך אַרױסראַטעװען יועז הענדעלס „מילואימניקים“ פּאַרטײ, וואָס איך האָב באַשריבן אין אַ פֿריִערדיקן אַרטיקל.
סך-הכּלען און מעגלעכע אױסקומען
געװיסע פּאַרטײען פֿון נתניהוס בלאָק האָבן פֿאָדערונגען װאָס קענען זײַן פֿאַר אים שװער אױסצופֿירן. למשל, די חרדים האָבן געזאָגט אַז זײ װעלן זיך דאָס מאָל ניט פֿאַראײניקן מיטן ליכּוד, כּל־זמן מע װעט ניט באַפֿרײַען צענדליקער טױזנטער פֿרומע יונגעלײַט פֿון מיליטער-דינסט. בן-גבֿיר האָט געפֿאָדערט אַז ער זאָל זײַן דער פֿאַרטײדיקונג־מיניסטער. אַנדערע פּאַרטײען װעלן זיכער האָבן נאָך פֿאָדערונגען.
עס קען זײַן, אַז נתניהו װעט װעלן זיך אָפּטשעפּענען פֿון די קאָפּװײטיקן פֿון זײַנע ביז-איצטיקע שותּפֿים, און זוכן זיך צו פֿאַראײניקן מיט געװיסע פּאַרטײען פֿון זײַנע פּאָליטישע קעגנערס.
די מערסטע ציוניסטישע פּאַרטײען װאָס האָבן זיך קעגנגעשטעלט נתניהוס בלאָק, װעלן זיכער ניט װעלן זיך פֿאַראײניקן מיטן ליכּוד כּל־זמן נתניהו איז אין דער שפּיץ. צי װעט ער זײַן גרײט צו זײַן אויפֿן צװײטן אָרט? לױט די איצטיקע געזעצן קען ער ניט װערן אַ מיניסטער אַזוי לאַנג ווי מע פֿירט קעגן אים אַ משפּט. צי װעט עמעצער צוליב דעם אײַנפֿירן אַן ענדערונג אינעם געזעץ?
די װאָס האָבן הײַנט אפֿשר דעם גרעסטן כּוח זײַנען די צװײ אַראַבישע פּאַרטײען. װי פּראַגמאַטיש װעלן זײ קענען זײַן? זײ װעלן כּמעט װי זיכער זיך ניט פֿאַראײניקן מיט אַ טײל פֿון נתניהוס בלאָק. די גרעסערע גרופּע האָט זיך אױסגעדריקט אַז זײ זײַנען גרײט אַלץ צו טאָן כּדי נתניהו זאָל ניט קענען צוריק װערן דער פּרעמיער. פֿון דער אַנדערער זײַט זײַנען ליכּודס אײנציקע מעגלעכע שותּפֿים די פּאַרטייען אין דער אַנטי-נתניהו מחנה. די מערסטע פֿון זײ האָבן צוגעזאָגט זײערע װײלער אַז זײ װעלן קײנמאָל ניט װערן שותּפֿים פֿון די אַראַבישע פּאַרטײען.
אין מײַן פֿריִערדיקן אַרטיקל האָב איך דערציילט וועגן דעם קאַנדידאַט יואבֿ סעגאַלאָװיטש – דעם געוועזענעם, פֿאַרדינסטפֿולן הויפּט פֿון דער ישׂראל־פּאָליציי וואָס פֿיגורירט אויפֿן צווייטן אָרט אין דער איסלאַמישער רע״ם פּאַרטײ. איז מעגלעך אַז די ציוניסטישע פּאַרטייען וועלן זײַן גרייט צו מאַכן אַ קאָאַליציע מיט זיי? ס׳קלינגט אוממעגלעך אָבער אין דער ישׂראל־פּאָליטיק קענען תּמיד פֿאָרקומען סורפּריזן.
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A famed rabbi’s yeshiva reopens for students for the first time since World War II
(JTA) — Dovid Hofstedter was visiting Belarus five years ago when he discovered that a historic Jewish school had turned into something else.
Hofstedter, a Canadian rabbi, was joining a group of rabbis from around the world at the Radin Yeshiva, nestled in the small town of Radun in western Belarus. The school was founded in 1869 by the famed Lithuanian rabbi Israel Meir Kagan, known as the Chofetz Chaim, and housed 300 students before World War II.
As Hofstedter delivered a lecture in the building, he was surprised to see it fill up with locals, who then gradually wandered out. He realized they didn’t know the building had once housed a yeshiva in a town where no Jews live today.
Instead, people had walked in expecting a play — and left when they didn’t get one.
The Radin Yeshiva had been converted into a theater, with a stage and red seats, Hofstedter told the Jewish Telegraphic Agency. Like many Jewish sites across Eastern Europe, where the Nazis’ annihilation was followed by decades of Soviet rule that stifled Jewish memory and communal life, the school’s history had been buried.
“In other places that I’ve been to in Eastern Europe, some yeshivas were used as a post office,” said Hofstedter. “Some were used as government buildings.”
This month, Hofstedter and another group of 100 international rabbis filled the building again, this time to inaugurate the reopened Radin Yeshiva, now fully restored to serve Torah students as a functioning school.
Yad Yisroel, a nonprofit dedicated to strengthening Jewish life in Belarus, bought the yeshiva building from the municipality of Radun (or Radin, according to its Yiddish pronunciation) in 2025. That spurred a year of planning and construction, headed internationally by Hofstedter, who founded the Torah study organization Dirshu, and locally by Moshe Fhima, who directs Yad Yisroel’s projects and leads a yeshiva in the southern city of Pinsk.
The restoration team replaced the building’s roof and windows, which had deteriorated over years of neglect. Inside, they installed a new Torah ark and recreated the wooden lecterns and chairs that filled the yeshiva before World War II. A library of books is being transported from Israel to stock the school’s shelves.
The Radin Yeshiva closed after the outbreak of World War II, when the Soviet Union occupied the region and Soviet authorities seized the building. Nazi Germany captured Radun in 1941. Some yeshiva students escaped to Japan, where they received aid from the American Jewish Joint Distribution Committee. Rabbi Mendel Zaks, the Radin Yeshiva’s then-leader and the Chofetz Chaim’s son-in-law, fled in 1941 to the United States and reestablished the yeshiva in New York City. In the 1950s, the new school moved upstate to Suffern, New York, where it remains active.
Meanwhile, more than 2,000 Jews from Radun and neighboring villages were interned in a ghetto; most were killed by the Germans and local police.
Hofstedter believes that the Radin Yeshiva will draw interest from Jewish communities across Belarus. Though the country’s 30,000 to 50,000 Jews today are largely secular, Hofstedter said a subset of the community has shown interest in reconnecting with facets of their Jewish identity that were quashed under the Soviets, and the yeshiva can serve as a focal point for that rediscovery. Many of its students will also come from abroad, as Orthodox Jews make regular pilgrimages to study the Chofetz Chaim’s teachings and visit his gravesite.
The Chofetz Chaim, who lived from 1838 to 1933 and whose sobriquet is the title of his first and most famous book, was widely hailed as the leading Jewish scholar of his generation. His establishment of the Radin Yeshiva brought the town fame in the Jewish world of Eastern Europe, where current-day Belarus and Lithuania were home to many “Litvak” Jews who followed a rigorous, anti-Hasidic religious tradition. He remains influential among Orthodox Jews globally for his works codifying Jewish law and ethics, especially his guidance on refraining from “lashon hara,” or “evil speech” about others, said Hofstedter.
There are recent signs of renewed attention to Belarusian and Lithuanian sites of Jewish heritage, according to Alena Kuliounich, the deputy chair of the Union of Belarusian Jewish Public Associations and Communities. The Volozhin Yeshiva, another jewel of Lithuanian Jewish history founded in 1803, reopened as a museum in 2024. Today, no more than a handful of Jews are estimated to live in Volozhin, now in western Belarus.
“Volozhin demonstrates that a historic Jewish site can attract considerable interest even in the absence of a substantial local Jewish community,” Kuliounich told JTA.
Hofstedter, whose parents survived the Holocaust in Auschwitz and Mauthausen before rebuilding their lives in Toronto, had a different vision for the Radin Yeshiva. He explicitly did not want it to become a museum.
“We didn’t want to just have some sort of tribute to the past,” said Hofstedter. “We wanted to be in continuity with the future, the teachings of the Chofetz Chaim for future generations.”
At the Radin Yeshiva’s rededication ceremony, he was moved to watch rabbis from the United States, Israel, Britain, France and elsewhere join to celebrate the Chofetz Chaim. The Lithuanian sage’s teachings are followed by Jews across Orthodox movements. It was rare to see rabbis with a range of backgrounds and beliefs “come together with such a feeling of solidarity,” said Hofstedter.
“There was an enormous amount of emotion at that gathering,” he said. “After almost 100 years, to be able to come back to the Chofetz Chaim’s yeshiva, to rejuvenate it and have the yeshiva functioning — it was just incredible.”
This article originally appeared on JTA.org.
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