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A new musical spotlights the Nazi persecution of LGBTQ+ people

(New York Jewish Week) — Some 50,000 gay men and women were imprisoned by Nazis during the Holocaust. Of them, approximately 10,000 to 15,000 were held in concentration camps, and nearly all of those who were sent to the camps died there.

And yet, many stories of LGBTQ+ people who died in Nazi prisons are left untold. The numbers, while huge, shrink in comparison to the millions of Jewish people who died and were tortured at the hands of the Nazis.

This dynamic is why writer, director and actor Alan Palmer first learned about Nazi persecution of homosexuals completely by chance. In August 2016, Palmer — who is best known for his off-Broadway show “Fabulous Divas of Broadway” and his role on the “Mighty Morphin Power Rangers” — was performing at Edinburgh Fringe Festival when he stumbled upon an article about the specific targeting of gay men and women under Hitler. He found himself falling into a world of ever-deepening research, consumed by the idea that there were so many lost stories of LGBTQ+ people who died in concentration camps.

Inspired, Palmer decided to travel to Germany. There, he visited some concentration camps and saw pictures of the gay men who were imprisoned there. “I found these beautiful photos of these people who were Jewish and trans” and gay], Palmer said. “Being a writer of musicals by trade, the pictures started me on a journey of writing this new piece.”

This “new piece” is Palmer’s one-man play, “Chanteuse: A Survival Musical,” which he’s currently performing at Here Arts Center (145 Sixth Ave.). The play relates the story of Werner, a gay man in 1930s Berlin who assumes the identity of his landlady, a German woman who had died unexpectedly, in order to avoid persecution and imprisonment. A performer by trade, Werner reinvents himself as a chanteuse and begins singing for his supper, and survival, in the clubs of Berlin. “It’s fictional, in a way, because there’s no [single] person who had this experience,” Palmer told the New York Jewish Week. “However, each one of the pieces [in the play] is true.”

The play explores the precarity of survival and how intersecting identities complicate ideas about oppression and freedom. “There are heart-wrenching stories of Jewish families whose relatives were killed during these times. And some of those people were gay — but you don’t hear about them much,” Palmer said. “The reason is families didn’t talk about it back then. If Uncle So-and-so was sent away [before the round-ups of Jews intensified], no one talked about why. So all of these records of people who existed are just gone.”

Palmer plays Werner, a gay man in 1930s Berlin who assumes the identity of his landlady to escape Nazi persecution. (Russ Rowland)

Despite being raised in a Mormon community in Salt Lake City, Palmer said he’s long felt a kinship with Jews. “As soon as I left [home] I began to make lifelong friendships with Jewish people, mostly because of theater. You can’t have theater without Jewish people or gay people!” he said. “When I see the rise of antisemitism today I just think: ‘For gosh sakes, how can people keep attacking this group of people?’”

As “Chanteuse” unfolds, Werner, like so many gay men during that time, isn’t able to escape the long arm of the Nazi regime for long. He is eventually outed and imprisoned in a concentration camp, where he both experiences and witnesses brutal violence and dehumanization. “Even though the Jewish people are in another camp on the other side of the wall, there are still a small number of gay Jews on this side. On Friday evenings, the gay Jewish men pray,” he relates, in a touching monologue toward the end of the scene.

“Chanteuse,” written and performed by Palmer and directed by Dorothy Danner, is about memorializing those whose stories were lost. Throughout the play, Werner relates stories of LGBTQ+ prisoners as well as Romani people, people with mental and physical disabilities, and, of course, Jewish people he meets throughout his calamitous journey. It is also, however, about creating connections to the rise in anti-LGBTQ+ legislation and antisemitism in the current age.

To that end, Palmer curated a mini pop-up museum, displayed in the atrium outside the theater, that presents information about what happened to members of the LGBTQ+ community in Europe during World War II. “I envisioned people engaging before the performance and having the information sink in during the play,” Palmer said. “But it’s interesting to see how many people walk past all of these panels, and after the show they went out to the museum and actually spent time reading and viewing the history.”

According to the United States Holocaust Memorial Museum, gay men were “often subjected to physical and sexual abuse by camp guards and fellow inmates,” and some were “beaten and publicly humiliated.” Some of these prisoners were also subject to inhumane medical experiments or forced castration, according to the USHMM. These “pink triangle prisoners,” named for the badge they were forced to wear in the camps, were arrested for breaking an existing German law that made same-sex relations illegal in the country.

The exhibit draws direct connections between the use of the legal system and false medical science by the Nazis and the current rise in vitriol directed towards the LGBTQ+ community in America and around the world. While our government isn’t conducting forced castrations of gay men and women like the Nazis did, given the veritable flood of anti-LGBTQ+ (and particularly anti-trans) laws being passed by state governments across the United States, Palmer believes we should be paying very close attention to these legislative moves before it’s too late.

“History cannot repeat itself,” Palmer said. “People are being silenced. They’re being forced to hide. I’ve never lived in a closet, I’ve always been myself. My truth was always out there. The idea that people like me are being told they can’t live their whole truth is frightening to me.”

But bringing historical documentation into the experience isn’t the only way in which “Chanteuse” is a multimedia project — it’s also musical, with a score written by award-winning composer and arranger David Legg. “The music serves almost as a spoonful of sugar: It helps the information go down easier,” Palmer said.

Stylistically, the score implements melodic and harmonic elements of both early-‘30s-era jazz and traditional European Jewish music. The instrumentation (piano, tenor saxophone, percussion and upright bass) was chosen by Legg in order to facilitate this evocative musical landscape. “We ended up putting an underscore through the entire piece,” Palmer said. “It created a continuity, so you never feel it’s disjointed — dialogue, song, dialogue, song — the audience is never shocked out of the world we’re creating.”

And yet, Palmer insists that his created world is very relevant to the one we’re living in today. While it may seem unimaginable for something as horrifying as the Holocaust to repeat itself, Palmer said he and his co-creators want to remind audiences of the current trends towards authoritarianism around the world as they watch Werner navigate the terror of being gay in 1930s Berlin.

“Around the United States, we’re seeing more and more bans of drag performance, of gay media,” Palmer said.  “And I think drag, like any other art form, is a way of storytelling. It isn’t anything people should be afraid of.”

“This is a moment in which it’s important to say, ‘We all need to work together,’” he added. “You know, if every persecuted group stood strong together, we’d be surprised at how quickly things would turn around in a positive way.”

“Chanteuse” is being performed at Here Arts Center (145 Sixth Ave.) on Tuesdays through Saturdays through July 30. For tickets and additional info, click here. In order to allow broader access to the musical, 10 tickets priced at $10 are available for each performance on a first come, first served basis.


The post A new musical spotlights the Nazi persecution of LGBTQ+ people appeared first on Jewish Telegraphic Agency.

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Australia’s Spy Chief Warns Surge in Antisemitism Across Country Has ‘Not Yet Plateaued’

Southern Sydney Synagogue in the suburb of Allawah, Australia, was vandalized with antisemitic graffiti on Jan. 10, 2024. Photo: Screenshot

The head of Australia’s domestic intelligence agency has revealed that five major terrorist plots were prevented over the past year, amid a wave of antisemitic incidents in recent months that has alarmed the country’s Jewish community.

Mike Burgess, director-general of the Australian Security Intelligence Organization (ASIO), delivered his annual threat assessment on Wednesday, warning that Australia has never faced so many serious national security threats at once. The agency declassified its security outlook for the next five years, raising concerns about the increasing threat of state-sanctioned murder.

Burgess disclosed that his organization had identified “at least three” countries plotting to “physically harm people” living in Australia over the past 12 months.

“It goes without saying that plots like these are repugnant,” he said. “They not only involve plans to hurt people — obviously bad enough — they are shocking assaults on Australian sovereignty and the freedoms we hold dear.”

Based on the agency’s predictions, the coming years will be more volatile and dangerous as countries like Russia and Iran become increasingly aggressive, the spy chief asserted.

“Over the next five years, a complex, challenging, and changing security environment will become more dynamic, more diverse, and more degraded,” Burgess said during his speech at ASIO headquarters in Canberra on Wednesday night.

“If the spy game has a rule book, it is being rewritten. If there are red lines, they are being blurred — or deliberately rubbed out.”

When speaking about the shocking surge in antisemitic attacks that have been spreading across Australia since the beginning of the war in Gaza in October 2023, Burgess warned these incidents might only get worse as extremists are increasingly self-radicalizing and “choosing their own adventure” toward potential terrorist activity.

“Threats transitioned from harassment and intimidation to specific targeting of Jewish communities, places of worship, and prominent figures,” he said. “I am concerned these attacks have not yet plateaued.”

Several Jewish sites in Australia have been targeted with vandalism and even arson in recent months, continuing a rise in antisemitism that began with the Palestinian terrorist group Hamas’s Oct. 7, 2023, invasion of and massacre across southern Israel, amid the ensuing war in Gaza. A recent report from the Executive Council of Australian Jewry (ECAJ) found that antisemitism in Australia quadrupled to record levels following the outbreak of the Gaza war, with Australian Jews experiencing more than 2,000 antisemitic incidents between October 2023 and September 2024.

Burgess described how narratives originally centered on “freeing Palestine” have expanded to include incitements to “kill the Jews.”

Last week, Australia experienced its latest scandal in which two nurses were caught on video vowing to kill Israeli patients, prompting outrage from authorities.

At Bankstown Hospital in Sydney, two nurses, Ahmad Nadir and Sarah Abu Lebdeh, were seen making inflammatory statements in a video that surfaced online, during a night-shift discussion with Israeli social media personality Max Veifer.

The footage featured Lebdeh stating she would refuse to treat an Israeli patient and would instead kill them, while Nadir used a throat-slitting gesture when he confessed to having already killed many.

“It’s Palestine’s country, not your country, you piece of s—t,” Lebdeh told Veifer. “One day your time will come, and you will die the most disgusting death.”

After the video went viral, both nurses were suspended and permanently barred from employment within the New South Wales state health system.

Following the incident, the health minister of the state of Victoria, Mary-Anne Thomas, directed health-care facilities across the state to remove anti-Israel and pro-Palestinian badges and markings, declaring that political displays in hospitals are “unacceptable” and “will not be tolerated.”

Jews in Australia have questioned their safety at hospitals across the country amid a flurry of anti-Israel and even anti-Jewish animus coming from health-care facilities.

Last year, ASIO raised the national terror threat level from possible to probable and warned Australian defense personnel about being targeted by foreign spies.

“Australia has entered a period of strategic surprise and security fragility,” Burgess said on Wednesday.

As the country’s federal elections approach in the coming months, the federal government warned foreign embassies about attempts to interfere, including planting news stories about candidates or instructing people on how to protest.

Burgess warned that “high-impact sabotage,” such as attacks on nuclear-powered submarines or major cyberattacks, is becoming more likely, along with “state-sponsored or state-supported terrorism.” He singled out Russia, which could target Australia due to its support for Ukraine, and Iran as potential threats to Australia and its allies.

“A small number of authoritarian regimes are behaving more aggressively, more recklessly, more dangerously,” he said. “More willing to engage in what we call ‘high-harm’ activities.”

Burgess’s comments came after law enforcement in Australia last month started an investigation into the origins behind the spree of recent antisemitic crimes, announcing they suspect individuals outside the country have coordinated the campaign of hate.

Burgess also revealed that cyber units from at least one nation-state “routinely try to explore and exploit Australia’s critical infrastructure networks, almost certainly mapping systems so they can lay down malware or maintain access in the future.”

The post Australia’s Spy Chief Warns Surge in Antisemitism Across Country Has ‘Not Yet Plateaued’ first appeared on Algemeiner.com.

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Israeli Singer Noa Kirel Leads New Rom-Com Series With Argentine Pop Star Agustin Bernasconi

Agustín Bernasconi and Noa Kirel co-star in the new series “NOA.” Photo: Provided

Israeli singer Noa Kirel is starring alongside Argentine actor and fellow pop singer Agustín Bernasconi in a new music-centered romantic comedy series that will begin filming in March, The Algemeiner has learned.

The 25-episode series “NOA,” which will be filmed entirely in Argentina, is a global co-production from Argentina’s FAM Contenidos and Israel’s entertainment studio Sipur.

In the series, Noa (Kirel) travels to Argentina to meet her boyfriend, after months of having a long-distance relationship, but things don’t turn out the way she thought they would. She then meets Tomy (Bernasconi), “a young man who tries to reconcile with his past and forge a new life away from music, all while Noa begins a journey of discovery in search of her musical identity, while dealing with pressure from her parents and her new reality in Buenos Aires,” according to a provided synopsis.

Kirel is a singer, rapper, songwriter, dancer, and actress. She competed on behalf of Israel in the Eurovision Song Contest in 2023 and finished third with her song “Unicorn.” She was also formerly a judge on “Israel’s Got Talent.”

Bernasconi is an Argentine actor, singer, composer, and musician, with over 100 million views on YouTube.

“It will be a great experience to star in the series with Noa,” said Bernasconi. “She is an exceptional artist, and we complement each other very well.”

“NOA” producer and Dori Media Group founder Yair Dori, who originated the series, said: “I am very proud to be part of this great project, which I believe will have a very solid performance worldwide.”

Sipur CEO Emilio Schenker added: “NOA marks the beginning of our co-financing and co-producing major IP franchises globally. I can’t think of a better team or first project to invest in outside of Israel. It fits perfectly with our mandate to bring high-quality fiction, documentary, and unscripted projects to the world through high-level strategic partnerships and the support of powerful investors.”

Sipur’s latest projects include the Hebrew-language scripted drama series “Bad Boy,” from original “Euphoria” creator and Academy Award-nominated screenwriter Ron Leshem and Hagar Ben-Asher. Netflix acquired streaming rights for “Bad Boy” in November 2024. Sipur’s recent works also include the medical thriller series “Heart of a Killer,” starring “Tehran” lead actress Niv Sultan, the documentary “We Will Dance Again,” “The Devil’s Confession: The Lost Eichmann Tapes,” and the documentary series “Munich ’72” about the Palestinian terrorist attack on Israeli athletes at the 1972 Olympic Games in Munich, Germany.

The showrunners for “NOA” are Alejandro Cacetta and Mili Roque Pitt, and the director is Mauro Scandolari.

The post Israeli Singer Noa Kirel Leads New Rom-Com Series With Argentine Pop Star Agustin Bernasconi first appeared on Algemeiner.com.

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Freed Hamas Hostage Agam Berger Begs Trump to Help Get Israeli Captives Home: ‘Don’t Stop Until All Are Back’

Released Israeli hostage, Agam Berger, a soldier who was seized from her army base in southern Israel during the deadly Oct. 7, 2023 attack by Hamas, is reunited with her parents following her release, in a handout photo obtained by Reuters on Jan. 30, 2025. Photo: Israel Defense Forces/Handout via REUTERS

Former Hamas hostage Agam Berger urged US President Donald Trump to continue pushing for the release of the remaining Israeli hostages in a Hebrew-language video message that the president shared on his Truth Social app on Monday night.

A soldier in the Israel Defense Forces, Berger, 20, also thanked Trump for helping to secure her release from Hamas captivity in Gaza last month.

“I want to take this chance to say to you, President Trump: Thank you from the bottom of my heart for everything you’ve done and continue to do for the hostages,” Berger said in the clip. “Thanks to you, we’re home. But we must remember there are still people who truly depend on you and are waiting for you to save them. They’re waiting for your help and you have the power to do it.”

Berger was kidnapped from the IDF’s Nahal Oz military base on Oct. 7, 2023, along with four other Israeli soldiers. Dozens of IDF soldiers were murdered at the military outpost. Berger was released from Hamas captivity in January a week after four of her fellow IDF soldiers, as part of a ceasefire agreement between Israel and the US-designated terrorist organization.

The ceasefire deal took effect the day before Trump entered office last month and it put a pause to the 15-month war in Gaza. The agreement was mediated by the outgoing Biden and incoming Trump administrations, and the framework of the agreement was agreed upon last year.

“I beg you, don’t stop until all the hostages, both living and deceased, are brought back as quickly as possible,” Berger also told Trump in her video message. She then talked about her time in Hamas captivity, saying: “I went through many hardships there. The days didn’t pass. They stood still. Every night and day felt eternity. That’s how those [hostages] still feel there.”

“We must act fast to bring everyone home. They’re just waiting to be rescued,” she added.

Monday marked 500 days since Hamas-led Palestinian terrorists infiltrated southern Israel on Oct. 7, 2023, slaughtered 1,200 people, and took 251 hostages back to the Gaza Strip. Seventy-three men, women, and children remain in Hamas captivity. The bodies of four deceased hostages will be returned to Israel on Thursday, two days before the next round of living hostages will be released.

The post Freed Hamas Hostage Agam Berger Begs Trump to Help Get Israeli Captives Home: ‘Don’t Stop Until All Are Back’ first appeared on Algemeiner.com.

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