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Alarmed by their country’s political direction, more Israelis are seeking to move abroad
TEL AVIV (JTA) — When Daniel Schleider and his wife, Lior, leave Israel next month, it will be for good — and with a heavy heart.
“I have no doubt I will have tears in my eyes the whole flight.” said Schleider, who was born in Mexico and lived in Israel for a time as a child before returning on his own at 18. Describing himself as “deeply Zionist,” he served in a combat unit in the Israeli army, married an Israeli woman and built a career in an Israeli company.
Yet as Prime Minister Benjamin Netanyahu returned to power, assembled a coalition that includes far-right parties and started pushing changes that would erode hallmarks of Israeli democracy, Schleider found himself booking plane tickets and locating an apartment in Barcelona. Spain’s language and low cost of living made the city a good fit, he said, but the real attraction was living in a place where he wouldn’t constantly have to face down the ways that Israel is changing.
Israel’s strength over its 75 years, Schleider said, is “the economy we built by selling our brains.… And yet, in less than half a year, we’ve managed to destroy all that.”
Schleider has been joining the sweeping protests that have taken root across the country in response to the new right-wing government and its effort to strip the Israeli judiciary of much of its power and independence. But while he considered recommitting to his country and fighting the changes rather than fleeing over them, he also accepts the government’s argument that most Israelis voted for something he doesn’t believe in.
Daniel Schleider and his wife Lior are leaving Israel for Barcelona because of the political instability in their country. (Courtesy Schleider)
“I have a lot of internal conflict,” he said about the protests. “Who am I to fight against what the majority has accepted?”
Schleider is far from alone in seeking to leave Israel this year. While Israelis have always moved abroad for various reasons, including business opportunities or to gain experience in particular fields, the pace of planned departures appears to be picking up. No longer considered a form of social betrayal, emigration — known in Hebrew as yerida, meaning descent — is on the table for a wide swath of Israelis right now.
Many of the people weighing emigration were already thinking about it but were catalyzed by the new government, according to accounts from dozens of people in various stages of emigration and of organizations that seek to aid them.
“I’ve already been on the fence for a few years — not in terms of leaving Israel but in terms of relocating for something new,” said Schleider.
“But in the past year, with all the craziness and everything, I realized where the country was going. And after the recent elections, my wife — who had been unconvinced — was the one who took the step and said now she understood where the public is going and what life is going to be like in the country. You could call it the straw that broke the camel’s back,” he said.
“And then when the whole issue of the [judicial] revolution started, we just decided not to wait and to do it immediately.”
Ocean Relocation, which assists people with both immigration to and emigration from Israel, has received more than 100 inquiries a day from people looking to leave since Justice Minister Yariv Levin first presented his proposal for judicial reform back in January. That’s four times the rate of inquiries the organization received last year, according to senior manager Shay Obazanek.
“Never in history has there been this level of demand,” Obazanek said, citing the company’s 80 years’ experience as the “barometer” of movement in and out the country.
Shlomit Drenger, who leads Ocean Relocation’s business development, said those looking to leave come from all walks of life. They include families pushed to leave by the political situation; those investing in real estate abroad as a future shelter, if needed; and Israelis who can work remotely and are worried about the country’s upheaval. Economics are also a concern: With foreign investors issuing dire warnings about Israel’s economy if the judicial reforms go through, companies wary to invest in the country and the shekel already weakening, it could grow more expensive to leave in the future.
The most common destination for the new departures, Drenger said, is Europe, representing representing 70% of moves, compared to 40% in the recent past. Europe’s draws include its convenient time zones, quality-of-life indices, and chiefly, the relative ease in recent years of obtaining foreign passports in countries such as Portugal, Poland and even Morocco. Many Israelis have roots in those countries and are or have been entitled to citizenship today because their family members were forced to leave under duress during the Holocaust or the Spanish Inquisition.
Israelis protesting against the government’s controversial judicial reform bill block the main road leading to the departures area of Ben Gurion Airport near Tel Aviv on March 9, 2023. (Ahmad Gharabli/AFP via Getty Images)
On the other hand, Drenger said, emigration to the United States, where the vast majority of the 1 million Israeli citizens abroad live, has declined significantly. The United States is known for its tough immigration laws and high cost of living in areas with large Israeli and Jewish communities, and even people who have no rights to a foreign passport have an easier time obtaining residency rights in Europe than the United States.
Some Israelis aren’t picking anywhere in particular before leaving. Ofer Stern, 40, quit his job as a tech developer, left Israel and is now traveling around the world before deciding where to settle.
“We’re living in a democracy and that democracy is dependent on demography and I can’t fight it,” he said, alluding to the fact that Orthodox Jews, who tend to be right wing, are the fastest-growing segment of the Israeli population. “The country that I love and that I’ve always loved will not be here in 10 years. Instead, it will be a country that is suited to other people, but not for me.”
While others have already started their emigration process, American-born Marni Mandell, a mother of two living in Tel Aviv, is still on the fence. Her greatest fear is that judicial reforms could open the door to significant changes in civil rights protections — and in so doing break her contract with the country she chose.
“If this so-called ‘reform’ is enacted, which is really tantamount to a coup, it’s hard to imagine that I want my children to grow up to fight in an army whose particularism outweighs the basic human rights that are so fundamental to my values,” Mandell said.
Most people who look into emigrating for political reasons do not end up doing so. In the weeks leading up to the United States’ 2020 presidential election, inquiries to law firms specializing in helping Americans move abroad saw a sharp uptick in inquiries — many of them from Jews fearful about a second Trump administration after then-President Donald Trump declined to unequivocally condemn white supremacists. When President Joe Biden was elected, they largely called off the alarm.
The Trump scenario is not analogous with the Israeli one for several reasons, starting with the fact that the Israelis are responding to an elected government’s policy decisions, not just the prospect of an election result. What’s more, U.S. law contains safeguards designed to prevent any single party or leader from gaining absolute power. Israel has fewer of those safeguards, and many of those appear threatened if the government’s proposals go through.
Casandra Larenas had long courted the idea of moving overseas. “As a childfree person, Israel doesn’t have much to offer and is a really expensive country. I’ve traveled around so I know the quality of life I can reach abroad,” she said. But she said she had always batted away the idea: “I’m still Jewish and my family are still here.”
Clockwise from upper left: Benjamin-Michael Aronov, Casandra Larenas and Ofer Stern are all leaving Israel because of political unrest there. (All photos courtesy)
That all changed with the judicial overhaul, she said. While not against the idea of a reform per se, Laranes is firmly opposed to the way it is being carried out, saying it totally disregards the millions of people on the other side. Chilean-born, Laranes grew up under Augusto Pinochet’s military dictatorship.
“I still remember [it] and I don’t want something like that again,” said Larenas, who has purchased a plane ticket for later this spring and plans to take up residency abroad — though she said she would maintain her citizenship and hoped to return one day.
The departure of liberal and moderate Israelis could have implications on Israel’s political future. Israel does not permit its citizens to vote absentee, meaning that anyone who leaves the country must incur costly, potentially frequent travel to participate in elections — or cede political input altogether.
Benjamin-Michael Aronov, who grew up with Russian parents in the United States, said he was taken aback by how frequently Israelis express shock that he moved to Israel in the first place. “The No. 1 question I get from Israelis is, ‘Why would you move here from the U.S.? We’re all trying to get out of here. There’s no future here.’”
He said he had come to realize that they were right.
“I thought the warnings were something that would truly impact our children or grandchildren but that our lifetime would be spent in an Israeli high-tech, secular golden era. But I’m realizing the longevity of Tel Aviv’s bubble of beaches and parties and crazy-smart, secular people changing the world with technology is maybe even more a fantasy now than when Herzl dreamt it,” Aronov said. “I found my perfect home, a Jewish home, sadly being undone by Jews.”
Not everyone choosing to jump ship is ideologically aligned with the protest movement. Amir Cohen, who asked to use a pseudonym because he has not informed his employers of his plans yet, is a computer science lecturer at Ariel University in the West Bank who voted in the last election for the Otzma Yehudit party chaired by far-right provocateur Itamar Ben-Gvir. Cohen was willing to put aside his ideological differences with the hared Orthodox parties if it meant achieving political stability — but was soon disillusioned.
“None of it is working. And now we’re on our way to civil war, it’s that simple. I figured, ‘I don’t need this nonsense, there are plenty of places in the world for me to go,’” he said.
Thousands of Israeli protesters rally against the Israeli goverment’s judicial overhaul bills in Tel Aviv, March 4, 2023. (Gili Yaari Flash90)
Cohen stuck with the country after one of his brothers was killed in the 2014 Gaza War. Now, he said, his other brothers have recently followed his lead and applied for Hungarian passports in an effort to find a way to move abroad permanently.
“I’m not alone,” he said. “Most of my friends and family feel the same way.”
Others still, like Omer Mizrahi, view themselves as apolitical. A contractor from Jerusalem, Mizrahi, 27, headed to San Diego, California, a month ago as a result of the reform. Mizrahi, who eschewed casting a vote in the last election, expressed a less common impetus for leaving: actual fear for his life. Mizrahi described sitting in traffic jams in Jerusalem and realizing that if a terror attack were to unfold — “and let’s be honest, there are at least one or two every week” — he wouldn’t be able to escape in time because he was caught in a gridlock. “Our politicians can’t do anything about it because they’re too embroiled in a war of egos.”
Now 7,500 miles away, Mizrahi says he feels like he’s finally living life. “I sit in traffic now and I’m happy as a clam. Everything’s calm.”
Back in Israel, Schleider is making his final preparations for leaving, advertising his Tesla for sale on Facebook this week. He remains hopeful that the massive anti-government protests will make a difference. In the meantime, though, his one-way ticket is scheduled for April 14.
“I dream of coming back, but I don’t know that it will ever happen,” he said. “We made a decision that was self-serving, but that doesn’t mean we’re any less Zionist.”
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Yiddish writer and Forverts columnist Miriam Hoffman has died
די ייִדישע שרײַבערין, דראַמאַטורגין, פֿאָרווערטס־קאָלומניסטקע און באַליבטע לעקטאָרין מרים שמולעוויטש־האָפֿמאַן איז מיטוואָך אַוועק אין דער אייביקייט אין קאָראַל ספּרינגס, פֿלאָרידע. זי איז געווען 90 יאָר אַלט.
אַלע וואָס האָבן מרימען געקענט האָבן געוווּסט וואָס פֿאַר אַ געניטע דערציילערין זי איז געווען. סײַ אינעם דאָקומענטאַר־פֿילם, וואָס דער פֿאָרווערטס האָט אַרויסגעלאָזט אין 2017, סײַ אינעם בוך זכרונות אויף ענגליש וואָס זי האָט פּובליקירט אינעם זעלבן יאָר, דערציילט זי אויף אַ פֿאַרכאַפּנדיקן אופֿן וועגן איר דראַמאַטישן לעבן פֿון סיביר קיין ניו־יאָרק.
מרים איז געווען אַ פֿרוי מיט אַ סך טאַלאַנטן. זי האָט יאָרן לאַנג געפֿירט אַ לעבעדיקן רובריק אינעם פֿאָרווערטס, וווּ זי האָט קאָמענטירט מיט אַ בײַסיקן הומאָר אויף דער ייִדישער געזעלשאַפֿט, באַניצנדיק זיך אָפֿט מיט אויסדרוקן פֿון איר היימישן פּויליש־ייִדיש. אַ טייל פֿון אירע עסייען האָבן אָבער געהאַט אַ מער ערנסטן, ווייכערן טאָן, בפֿרט ווען זי האָט איבערגעגעבן אירע זכרונות ווי אַ יונגע אימיגראַנטקע אין אַמעריקע. אין דעם רירנדיקן אַרטיקל למשל דערציילט זי ווי זי האָט מיידלווײַז פּלוצלינג אָפּגעשניטן אירע לאָקן כּדי זיך צו אַמעריקאַניזירן — און ווי אַזוי איר מאַמע האָט רעאַגירט אויף דער טאָכטערס „רעבעלירונג“.
פֿון 1999 ביז 1988 האָט זי געפֿירט אַ פּאָפּולערע ייִדישע ראַדיאָ־פּראָגראַם אויף דער פֿאָרווערטס־סטאַנציע WEVD.
מרים האָט אויך געשריבן אַ צאָל פּיעסעס פֿאַרן ייִדישן טעאַטער. אין איינעם מיט רינע באָראָו האָט זי געשאַפֿן דעם מיוזיקל „לידער פֿון גן־עדן“, וואָס האָט אין 1989 געשפּילט אין ניו־יאָרק, סײַ אינעם אָנגעזעענעם „פּאָבליק־טעאַטער“ סײַ אינעם שעקספּיר־פֿעסטיװאַל. אירע פּיעסעס האָט מען אויך אױפֿגעפֿירט אין מאָנטרעאָל, קאַנאַדע און איבער אײראָפּע.
במשך פֿון 23 יאָר איז זי געווען אַ באַליבטע ייִדיש־לערערין אין קאָלומביע־אוניווערסיטעט, און עטלעכע זומערן אויך אין אָקספֿאָרדער אוניװערסיטעט און אין װילנער אוניװערסיטעט. אין 2011 האָט זי אַרויסגעגעבן אַ ייִדיש לערנבוך, „אַ שליסל צו ייִדיש“, וואָס האָט אַרײַנגענומען נישט בלויז שפּראַך־לעקציעס, נאָר אויך געשיכטע, מנהגים, לידער און יום־טובֿ־מאַטעריאַלן.
אויף מיר פּערזענלעך האָט מער פֿון אַלץ אימפּאָנירט מרימס קעמפֿערישע איבערגעגעבנקייט אויפֿצוהאַלטן ייִדיש ווי אַ לעבעדיקע שפּראַך בײַם ייִנגערן דור. אין די 1960ער יאָרן האָט זי, אין איינעם מיט דרײַ אַנדערע פֿרויען — געלע שווייד־פֿישמאַן, מלכּה גאָטליב און צירל וואַלעצקי, אַרויסגעגעבן אַ סעריע קינדערביכלעך אויף ייִדיש דורך אַ פֿאַרלאַג וואָס זיי האָבן אַליין געשאַפֿן, „אויפֿגאַנג“.
ווי מרים און געלע האָבן מיר מיט יאָרן שפּעטער דערציילט, איז די שטימונג אין דער ייִדיש־וועלט דעמאָלט געווען אַזאַ פּעסימיסטישע, און דער צוגאַנג צו פֿרויען אַזאַ נישט־בכּבֿודיקער, אַז קיינער פֿון די ייִדישע אָרגאַניזאַציעס — אַרײַנגערעכנט דעם אַרבעטער רינג און דעם ייִדישן קולטור קאָנגרעס — האָט די ביכלעך נישט געוואָלט אַרויסגעבן.
מרים און אירע מיטאַרבעטער האָבן זיך אָבער נישט אונטערגעגעבן. אַ דוגמא דערפֿון איז דאָס פּרעכטיקע מוזיקאַלישע פּורים־שפּיל, „פּורים איז אַ שפּיל אַזאַ“, אַרויסגעלאָזט אין 1968. אויף דער הילע שטייט אַז דער מחבר איז „גבֿריאל טאָליעס“. דאָס איז אָבער געווען אַ פּסעוודאָנים; מרים איז געווען די אמתע מחברטע. „מיר האָבן פֿאַרשטאַנען, אַז קיינער וועט דאָס ביכל נישט אויפֿנעמען ערנסט, אויב מע דערוויסט זיך, אַז דאָס האָבן פֿיר פֿרויען אַרויסגעגעבן,“ האָט מרים מיר געזאָגט. „האָב איך גענומען מײַן מאַמעס נאָמען, טאָליע, און געמאַכט דערפֿון: גבֿריאל טאָליעס.“
מרים שמולעוויטש איז געבוירן געוואָרן אין טאָבאָלסק, סיביר אין 1936. איר משפּחה איז אָנגעקומען קײן אַמעריקע אין 1950, וווּ זי האָט זיך געלערנט אין ייִדישן לערער־סעמינאַר ביז 1957; אין מיאַמי־אוניװערסיטעט ביז 1981, און פֿאַרענדיקט אירע גראַדויִר־שטודיעס אין קאָלאָמביע־אוניװערסיטעט אין 1983.
אין די 1970ער יאָרן האָט זי מיט איר מאַן מענדל און קינדער אַבֿרהם און בנימין פֿאַרבראַכט עטלעכע יאָר אין ישׂראל, וווּ זי האָט אין איינעם מיטן קאָמיקער שמעון דזשיגאַן אָנגעפֿירט מיט דער ערשטער ייִדישער טעלעװיזיע־פּראָגראַם אין דער ייִדישער מדינה.
בײַ מרימען איז דאָס לערנען ייִדן די ייִדישע שפּראַך, קולטור און געשיכטע, און נאָך מער — אָפּשטעלן די געוואַלדיקע אַסימילאַציע — געווען אַ הויפּטציל אין לעבן. אין 2015 האָט זי אין איינעם מיט איר עלטערן זון — דעם אָנגעזעענעם ייִדישן אַקטיאָר, רעזשיסאָר און פּראָדוצענט אַבֿי האָפֿמאַן — פֿאַרלייגט די אָרגאַניזאַציע „ייִדישקייט איניציאַטיוו, ווי אַן אופֿן צוריקברענגען ייִדן צו זייערע ייִדישע וואָרצלען דורך לעקציעס און פֿאָרשטעלונגען וואָס שילדערן די ייִדישע ווערטן און קולטור.
מרים האָט פֿאַראָבֿלט אירע זין אַבֿי און בנימין, פֿיר אייניקלעך און אַן אור־אייניקל.
אַנשטאָט בלומען אָדער מתּנות, בעט די משפּחה מע זאָל געבן אַ בײַשטײַער דער „ייִדישקייט איניציאַטיוו“ אויף דעם אַדרעס, YILoveJewish.org/donate.
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Amid blazing heat and rising tides, artists find beauty and desperation in these biblical times
Daniel Rothbart’s floating aluminum and glass forms are at once playful and lyrical, biomorphic and other-worldly; prehistoric and futuristic. They are set in a pond and two small pools in Staten Island’s Snug Harbor, a hidden pastoral gem that once served as a safe haven for sailors.
Overflowing with colorful flowers and plants and shrubbery, the scene is idyllic, short of the oppressive, steamy heat that has settled over the landscape. But then that’s part of it too. Rothbart’s Serpentine Sibyls: A Floating Sculptural Installation, animated by winds and currents, are site-specific and immersive. He is keenly in tune with its ecology.
“No, my work has not always addressed political issues, but water is a fraught medium,” he told me over the phone. “You can’t work with water without addressing its importance to life on this planet and climate change and stewardship. Water has always fascinated me.”
Growing up in the Pacific Northwest the ocean was a constant alluring presence. And as a Jew, the water’s historical, cultural and religious traditional significance is defining, he said.
“There’s the purification ritual of the mikveh, the parting of the Red Sea, the washing of hands and feet before entering the temple in Biblical times and the casting off of sins, Tashlich on Rosh Hashanah. Water diplomacy and technology has always been central in Israel. Making the desert bloom.”
Rothbart, a multidisciplinary artist whose work has been exhibited across the globe, is the author of Jewish Metaphysics as Generative Principle in American Art, which examines how Jewish mystical traditions, especially Kabbalah, informed abstract American art in the post-World War II years.
Erudite and heady, Rothbart said that his work can be viewed through the lens of tikkun olam, the Jewish imperative to help repair a fractured world, but it also borrows from Japanese culture, outer space imagery, Marcel Duchamp’s dadaism and Greek mythology.
The title of his exhibit references Sibyls, the Greek female prophets who were consulted in catastrophic times, not unlike our current era cursed by floods and wildfires and heat waves.
Rothbart started thinking about floating sculptures in 2007 for a piece he was conceiving for the Venice Biennial. A city surrounded by water cried out for it. Japanese glass fishing floats came to mind.
“The Japanese fishing floats would wash up on shore in Oregon where I grew up,” he recalled. “I loved the fragile recycled pieces of glass that came from the orient and that I could de-contextualize a common object and in so doing create something new.”
To anchor the sculptures, Rothbart and his assistant kayaked to the middle of the pond. There, once he established where he wanted each sculpture, he dropped each form, now attached to two to five-pound iron weights.
“The sculptures are sensitive to any existing life in the water,” he said. “The pond here has turtles and fish. I’ve found that the animals adjust to the new forms. I love the relationship between life in the pond and the foreign objects.”
Three artists, one flood
The Interchurch Center in upper Manhattan is currently hosting Noah, A Future of Hope, 3 Faiths/ 3 Artists/ 1 Story. A traveling exhibit, it employs the story of Noah and the flood to gently remind viewers to save, protect and celebrate the environment. The topic is explored respectively through a Christian, Muslim and Jewish vision. The artists — Yona Verwer, a Dutch-born Jew, Brian Whelan, a British-born Christian of Irish heritage and Hady Boraey, an Egyptian Muslim — each merge their religious identity with personal aesthetics and the need to advocate for the environment.
“Each artist was invited to create eight paintings that visually inspire our imaginations to heal our world by honoring our intricate connection to the earth as our sustainer, and by maintaining a sacred balance with all her life forms,” said curator Paul G. Chandler in his introductory remarks at the exhibit’s opening night reception. “In this way, the story of the ark, its animals, and the flood, take on contemporary relevance as we face today’s climate crisis.”
Seven is a significant number in each religion, so Chandler selected seven core lessons, each reflecting some part of the Noah story, for the artists to address. The eighth painting from each artist served as a kind of synopsis of the work that was to follow.
Water is a common image throughout the exhibit; indeed, water plays a major role, not only in Judaism, but in Christian and Islamic rituals as well, from Christian baptism to the washing of feet and hands before prayer in a Mosque.
When I asked Chandler if he could guess the religion of each artist on the basis of their paintings he said he could for the Jew and Christian, but wouldn’t have had a clue that Boraey emerges from an Islamic tradition.
“His paintings have an individual aesthetic and a more universal feeling. Still, you never see the face of Noah in his work. In Islamic tradition you can only view him from the back. To see his face is idolatry. Jews have the same tradition, but may not adhere to it as rigidly.”
Some of Verwer’s work incorporates Hebraic texts and characters. In “Care for the Species,” a figure is blowing a shofar. Similarly, Chandler said, he’d know that Whelan’s paintings were made by a Christian. They are literal illustrations of key moments in the Noah story.
His depiction of Noah evokes a figure right out of vaudeville, grinning broadly, sporting a little hat and in more than one instance looking slightly confused.
“Christians turn catastrophe into a kind of children’s bedtime story,” Chandler said. “It’s very Christian to sanitize the story. Jews don’t do that.”
“My being Jewish — a religious Jew—has had a bearing on how I look at everything,” said Verwer who says that water and its preservation is deeply important to her not least because for more than 2,000 years Judaism has had many rules to safeguard water. As a Holland native, she, like Rothbart, grew up near water and so it was always part of her universe.
Verwer’s work is also exhibited in an accompanying solo show, Fluid Futures-Living Waters, which features eight paintings that explore ocean pollution through a comic sensibility. One piece, bal tashchit (prohibition against needless destruction) depicts an octopus, submerged in deep ocean waters, clutching a soda can in its mouth.
“I don’t feel a painting is finished if I haven’t laughed at least once,” Brian Whelan said. “But it also needs a message.”
His major challenge was Chandler’s insistence that the paintings embrace a note of optimism.
“I don’t see any hope in what’s happening to this planet,” said Whelan. “My work mostly follows in the tradition of East Anglican medieval narrative paintings found in churches dating back to the 14th-to-16th centuries.”
For me his strongest piece is “Humans Outside the Ark Perished,” which appears in his linked, one-man show, 40 Days and 40 Nights. Here we see desperate hands reaching towards Noah for safety. A mouse sits alongside Noah, a poignant image. It’s safe and sound compared to the desperate humans.
Of the three painters, Boraey said his work was the least likely to be connected to any one particular religion. Unable to obtain a visa to the States he spoke to me on the phone from the Northern coast of Egypt.
He said his piece “The Great Collapse” spoke most vividly to both the Noah story and the ecological precipice we’re now facing as a result of climate change.
In the foreground, we view Noah from the back gazing out across a body of water at masses of people crushed together and almost immobilized as they hopelessly struggle to move forward. In the background hangs a giant and cratered blue moon sinking below the horizon and into the ground. It is at once foreboding and exquisite.
Having participated in exhibitions in the Middle East and Europe, Boraey said he was most influenced by the surrealist art movement in Cairo in the late 30s. The marriage between folkloric and political motifs is its hallmark.
The Noah tale for him is “both pessimistic and optimistic because hope is always there and they survived at the end of the story,” he said. “Noah saved humanity. He reminds us that we have to be very careful with the earth.”
In harmony with nature
Back at Snug Harbor, the late afternoon heat dome has made the airless, sun-baked space even more relentless than it was earlier in the afternoon. Rothbart’s visitors are slowly straggling out of the park, some wiping away sweat with bits of tissue, others fanning themselves; still others pouring water from their bottles onto reddened necks and arms and legs indifferent to the water splashing on to their clothes.
“Talk about global warming and climate change,” he told me. “This weather only drives home the point of just how serious this is and how we have to learn to live in harmony with nature and our environment.”
Serpentine Sibyls will run through Sept. 28.
Noah: A Future of Hope will run at the Interfaith Center through Aug. 26 and then continues its global tour.
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Fire at Postville, Iowa, kosher meat processing plant shuts down production ahead of the High Holidays
(JTA) — A major fire at one of the largest kosher meat processing plants in the United States is poised to increase the price of kosher meat ahead of the High Holidays, in addition to devastating the plant’s local community.
Investigators in Postville, Iowa, said on Wednesday that the fire that devastated AgriStar Processing started accidentally in the facility’s laundry room. The fire, which began on Tuesday, destroyed at least 75% of the plant and has put more than 600 people out of work, Fire Chief Jeff Bohr told the local TV network KCRG.
The fire has also interrupted a linchpin of kosher meat production, according to OU Kosher, the oversight agency run by the Orthodox Union.
“The damaged facility means a significant portion of kosher beef and chicken slaughtered and sold in the US will not enter the kosher supply chain,” Rabbi Moshe Elefant, the organization’s CEO, said in a statement on Wednesday. “Kosher consumers will feel the impact of the tightening supply with reduction of availability.”
Elefant said OU Kosher was working to “find solutions for ramping up production at other plants” while warning that the crisis could fuel bad actors.
“Unfortunately, when supply is limited, it creates opportunity for unscrupulous individuals who seek to make money by preying on the well-meaning Kosher observant public,” he wrote.
Jarad Bernstein, the executive director of the Jewish Federation of Greater Des Moines, said the fire represented “a terrible situation” in an email to the Jewish Telegraphic Agency.
“The impact on the local community and the business will be large,” he said.
The fire is not the first time that a crisis at AgriStar has sent the community into a tailspin. In 2008, a federal immigration raid at the plant, then known as Agriprocessors, netted the arrest of hundreds of workers and led to the arrest and conviction of the company’s longtime CEO Sholom Rubashkin on 86 counts of bank fraud, mail fraud and money laundering. It also led most of Postville’s Jewish residents to leave the town, which had developed as an unusual stronghold of Orthodox life in eastern Iowa.
Saying that “many people” believed Rubashkin’s 27-year prison sentence had been excessive, President Donald Trump commuted Rubashkin’s sentence in 2017. Rubashkin’s conviction stands.
Canadian Jewish billionaire Hershy Friedman purchased Agriprocessors and reopened it as Agri-Star. He told JTA in 2016 that he had done so after being urged by Jewish leaders to ensure competition in the kosher meat processing industry.
“It wasn’t done for financial purposes; it was done to really cater to the Jewish community,” he said about the purchase. “During the time Rubashkin was closed, the price of beef roughly doubled. After we acquired it, it came right back down.”
Friedman also said he had shored up the company’s employment practices, which had run afoul of the law, and made improvements to the slaughter process that had made Agriprocessors a target of animal rights activists.
Agri-Star said in a statement on Wednesday that it appreciated the first responders who “worked tirelessly and selflessly to protect lives and contain the fire” and the employees who had shown “inspiring” care for each other. It also indicated that it did not yet know the future of the plant.
“We understand there are many questions about what comes next,” Agri-Star wrote on social media. “While we are still gathering information and evaluating our short-term plans, we are committed to sharing verified updates as soon as they become available. We appreciate your patience as we work through this process thoughtfully and responsibly.”
This article originally appeared on JTA.org.
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