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And the Emmy Goes To … Terrorism and Propaganda!
Another blow for journalistic integrity is giving awards to terrorists, and terror supporters who mask themselves as journalists.
Last week, the News and Documentary Emmys Awards did not shy away from doing so.
It’s Bisan from Gaza and I’m Still Alive is a powerful documentation of daily life for displaced Gazans — but only from a surface level point of view.
This approximately eight-minute video on YouTube documents one activist, Bisan Owda’s, experience as a displaced person on the grounds of Al-Shifa Hospital. The biggest kicker is the moment when Owda says that she narrowly avoided death after the Israeli Air Force struck a hospital entrance.
But when one considers all the facts, a certain fabrication of truth and distortion of reality come to light. It’s biased Al Jazeera reporting, from a woman with terror ties.
If you missed the News Emmys, here’s the scoop:
Besides the terrorists honored throughout, Bisan Owda won an Emmy for ‘Outstanding Hard News Feature Story.’
But just a decade ago, she was leading PFLP rallies in Gaza.
Journalism is not a crime, but terrorism certainly is. pic.twitter.com/Qwhs1kxXfz
— HonestReporting (@HonestReporting) September 26, 2024
Bisan Owda, 27, was known for her cultural content before October 7, but she was also tied to The Popular Front for the Liberation of Palestine (PFLP) as recently as 2019. The PFLP is recognized as a terror organization by the European Union and the United States, for its decades of terror attacks in Israel and across the world.
𝐓𝐡𝐞 𝐁𝐢𝐬𝐚𝐧 𝐎𝐰𝐝𝐚 𝐄𝐱𝐩𝐨𝐬𝐞́
Bisan Owda, the Peabody Award-winning and Emmy-nominated queen of Gaza propaganda, is a member of the PFLP terrorist organization.
Here she is in 2015 leading a rally celebrating the PFLP’s 48th anniversary, looking very journalist-y pic.twitter.com/T7Izziqs5w
— Eitan Fischberger (@EFischberger) July 27, 2024
And according to press reports, Owda still supports the actions of the PFLP today.
Owda, in association with AJ+ (Al Jazeera Plus) won an Emmy for her piece in the short-form category for outstanding hard news feature story. There were also two other Al Jazeera wins — in Outstanding Climate, Environment & Weather Coverage, as well as Outstanding Feature Story in Spanish categories.
This is the moment when AJ+ representatives made their “thank you” statements on stage:
The #NewsEmmys Award for Outstanding Hard News Feature Story: Short Form goes to It’s Bisan from Gaza and I’m Still Alive | Aj+ Reports (@ajplus). pic.twitter.com/lKTDR9sfys
— News & Documentary Emmys (@newsemmys) September 26, 2024
Throughout the ceremony, it was said three times that more than 100 Palestinian journalists had been killed in the Gaza Strip since the start of the Israel-Hamas war.
But plenty of facts were left out of this claim.
How many of these “journalists” were affiliated with terror groups such as Hamas and Islamic Jihad? That answer was never given, and would greatly reduce the number cited.
And this isn’t the first award granted to Owda or other Hamas and PIJ “journalists” in Gaza for their “coverage” of the October 7 Hamas-led attacks on Israel, and the subsequent war.
Owda also won two more awards for the same report, including a Peabody Award.
Other awards include the AP’s win for Picture of the Year back in March for its disturbing image of murdered Israeli Shani Louk on the back of a pickup truck packed with Hamas terrorists on October 7.
Meanwhile, as Hollywood was busy rewarding terrorists last Wednesday, Berlin’s German Television Awards was honoring Jewish actors and creators across the pond at the same time:
Die Zweiflers, a miniseries about a Jewish family in Frankfurt with a delicatessen empire, won four awards. The cast of the show stars a list of both Jewish and Israeli actors.
What can we take away from all this? Two things: 1) Journalism is not a crime, but terrorism is, and 2) Maybe it’s time to shift focus away from traditional American-based awards, to other awards ceremonies as well.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
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‘Globalize the Intifada’ Becomes Reality as Amsterdam Erupts in Fresh Wave of Antisemitic Riots
“Globalize the Intifada.”
It’s the chant that has become a staple at anti-Israel protests sweeping across the West after the Hamas-led October 7 attacks ,and throughout Israel’s subsequent war against the terrorist group in Gaza. The phrase is a call for Israel’s destruction, and a thinly veiled invitation to target Jews worldwide.
Unfortunately,“Globalize the Intifada” is fast becoming a reality. On Monday night in Amsterdam, violence erupted again. Rioters, reportedly “youth claiming solidarity with Palestinians,” attacked police with fireworks and projectiles, destroyed property, and set a tram ablaze.
This time, there were no Israeli sports fans in sight and no alleged provocation. Just a city under siege, with attackers chanting “Cancer Jews” into the night.
What’s more, the violence appears to be escalating, with Belgian police announcing on Monday the arrest of five people in Antwerp as calls spread on social media for a “Jew hunt” in the city, which was already grappling with a surge in antisemitic assaults.
The scenes in Amsterdam last week hinted at what was to come: Israeli soccer fans were ambushed in what we now know was a coordinated attack planned in advance and unleashed after the Maccabi Tel Aviv versus Ajax match.
And yet, many media outlets were predictably reluctant to call it what it was: antisemitic violence.
The following video has been circulating on social media showcasing riots breaking out in Amsterdam, again.
Rioters are damaging property and shouting “Kankerjoden,” which means “Cancer Jews.” pic.twitter.com/dWqqE9GVSz
— Jewish News Syndicate (@JNS_org) November 12, 2024
Meanwhile, media pundits like Mehdi Hasan and Owen Jones rushed to rationalize the attacks, implying Israelis “brought it on themselves” by singing offensive songs before the game — as if that justified being hunted down by a baying mob (and ignoring that he attack was planned.)
This, despite the Mayor of Amsterdam condemning the attacks as perpetrated by “antisemitic hit-and-run squads,” and Dutch police confirming evidence of premeditation.
In other words, Israeli fans were targeted not for their chants, but simply for being Israeli.
When antisemitic mobs in Amsterdam launched a coordinated assault on Jewish fans, some media pundits glossed over the premeditated nature of the attack.
This wasn’t a random clash—it was a planned assault, but that context was lost in the media’s dangerous spin. pic.twitter.com/KRiiuOLjU8
— HonestReporting (@HonestReporting) November 11, 2024
So, how are the media covering Monday’s fresh wave of violence? Mostly, they’re not.
The Associated Press and BBC are among the few major outlets to report on it in any capacity, and even they avoid linking it to the recent antisemitic surge — ignoring footage of rioters screaming “Cancer Jews.”
The conclusion? “No Jews, no news.”
If there’s no angle to subtly blame Jewish victims, the mainstream media doesn’t seem interested.
Footage from the scene caught at least one of the participants shouting, “Cancer Jews.”
But @AP leaves that bit out to avoid linking this arson attack on a tram to the same people who attacked Israelis and Jews in Amsterdam only a few days ago. pic.twitter.com/KjERhNNYM7
— HonestReporting (@HonestReporting) November 12, 2024
The attacks in Amsterdam last Thursday night, reminiscent of Nazi-era pogroms, are the direct result of the “Globalize the Intifada” movement that anti-Israel protesters have been championing for over a year. This slogan isn’t just a catchy chant; it’s a blatant call for violence against Jews, mirroring the atrocities of the First and Second Palestinian Intifadas.
Just days before Israelis were hunted down in the streets of Amsterdam, reports emerged from the Netherlands revealing that some Dutch police officers were refusing to guard Jewish sites, citing “moral dilemmas.” Such inaction and moral equivocation effectively serve as a green light for the violence we’ve witnessed, both last week and this week.
Welcome to the “globalized intifada” — it didn’t begin in Amsterdam, and it certainly won’t end there.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
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Mahmoud Abbas’ Advisor: Terror Is Legal, But Only PLO Can Decide on ‘The Armed Option’
The Palestinian Authority (PA) is trying to have its cake and eat it too.
On the one hand, the PA is still angry that Hamas launched its terror war against Israel on Oct. 7, 2023, without consulting it first, and that Hamas has been able to take all the credit for successfully massacring over 1,100 Israelis. As a result, Hamas has overwhelming support among Palestinians in the West Bank.
Accordingly, despite the animosity, the PA needs Hamas on board with the PLO, due to the vast support among Palestinians for Hamas. Despite the destruction Hamas has brought on the Gaza Strip, the terror movement is still 2.5-3 times more popular than its rival Fatah, the ruling party in the PA/PLO.
To balance those competing interests, PA leader Mahmoud Abbas’ advisor on Religious Affairs and Islamic Relations, Mahmoud Al-Habbash, made the following statement, sending two messages that stand somewhat at odds with each other:
- The PA/PLO endorses terror as “legal” and does not oppose “the armed option”
- Hamas or other terror organizations are not allowed to single-handedly decide and launch terror attacks. Such decisions must be made “together” and only “in the framework of the PA/PLO” — in other words: Hamas must subordinate to the PA/PLO
Mahmoud Al-Habbash: “It is unacceptable to say that the resistance [i.e., terror] is legal or illegal — it is legal. No one can cancel this fact or evade this fact. But the resistance needs to be a comprehensive national project. Not a project of one movement that drags all the Palestinians after its decision
. No, if we want to choose the armed option, we must all go together in a national decision. The national decision needs to be made in the framework of the PLO, the sole legal representative of the Palestinian people. No faction that feels like carrying out armed resistance can take the Palestinian people together with it without taking into account the considerations, results, and consequences.” [emphasis added]
[Mahmoud Al-Habbash, Facebook page, Nov. 1, 2024]
Palestinian Media Watch has documented that the PA, and Al-Habbash specifically, have criticized Hamas for not consulting with the PLO before it attacked Israel on Oct. 7, 2023, launching the 2023 Gaza war
. However, they have never criticized Hamas for the massacre itself, but rather applauded and celebrated it.
The author is a senior analyst at Palestinian Media Watch, where a version of this article was originally published.
The post Mahmoud Abbas’ Advisor: Terror Is Legal, But Only PLO Can Decide on ‘The Armed Option’ first appeared on Algemeiner.com.
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Paramount+ Announces New Docuseries About World’s First Israeli-Palestinian Boy Band As1one
Parmount+ announced on Wednesday that it will premiere a four-part docuseries in December focusing on the world’s first mixed Israeli-Palestinian pop music group, As1one.
“As1one: The Israeli-Palestinian Pop Music Journey” will premiere Dec. 3. The coming-of-age docuseries, which will detail how six young men joined forced to form the global hit pop group, was produced by The As1One Production Company in association with Best Production Company for MTV Entertainment Studios. It was co-produced by the band’s founders, American music entrepreneurs Ken Levitan and James Diener, who developed bands such as Kings of Leon and Maroon 5.
The group is comprised of four Jewish Israelis and two Palestinians — Ohad Attia and Neat Rozenblat from Tel Aviv; Sadik Dogosh, a Palestinian Bedouin Muslim from Rahat; Aseel Farah, a Palestinian Christian from Haifa; Niv Lin from the southern Israeli town of Sapir; and Nadav Philips from Holon.
The docuseries will follow the band members over a five-year period and show how they founded the band, navigate the music industry, face challenges among themselves, and even cope with the deadly Hamas-led terrorist attacks that took place in southern Israel on Oct. 7, 2023.
“The band members share their ups and downs including the challenging audition process in 2020; their language barriers, intense rehearsals, emotional highs and lows as they found their footing; navigating the very unexpected world events that happened on October 7th, 2023 — the morning after they flew to LA to record their first album; and the monumental challenges they have faced each day since,” Paramount+ said in a press release. “With so much more at stake because of the war, the band finds greater purpose in their music now representing something much greater than the six of them.”
The docuseries “spotlights the work of platinum-selling artists and producers, stylists, choreographers, and industry leaders, all collaborating to create a group that embodies unity, with members agreeing to disagree on the war in their homeland as they focus on making music together,” Paramound+ added.
The docuseries will also feature original music from the group, including their debut single “All Eyes On Us” featuring Nile Rodgers, as well as their upcoming single “Stranger,” which the band will debut on Friday.
Watch the trailer for “AS1One: The Israeli-Palestinian Pop Music Journey” below.
The post Paramount+ Announces New Docuseries About World’s First Israeli-Palestinian Boy Band As1one first appeared on Algemeiner.com.