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At the Jewish Museum, gut-wrenching drawings depict the terror of the Oct. 7 Hamas attack on Israel

(New York Jewish Week) — A family of ashen, burned bodies sit around their kitchen table, their expressions frozen in terror — hands pressed against gaping mouths, silently screaming. An elderly couple, hands bound in rope behind their backs, embraces as blood pools around them and flames lick at their feet. A mother grips her son close to her chest as she looks over a pile of dead bodies. 

These horrifying scenes are part of “7 October 2023,” a new exhibit of 12 drawings created by Israeli artist Zoya Cherkassy in response to the Hamas attacks on that day. The colorful but violent and gut-wrenching works, which are now on view at the Jewish Museum on the Upper East Side, are inspired in part by Pablo Picasso’s renowned “Guernica,” which he painted to show the world the violence and inhumanity during the Spanish Civil War.   

“Museums exist to be custodians of world cultural heritage, and this kind of savagery and barbarism is the antithesis of that,” James Snyder, who took over as the new director of the Jewish Museum last month, told the New York Jewish Week. “We need to speak out against them and we need to do what we can to educate and engage.” 

An Israeli mother holds her son and looks at a mass of bodies in “Massacre of the Innocents.” (Drawing by Zoya Cherkassy)

When Hamas attacked Israel on Oct. 7, killing about 1,200 people and kidnapping around 240, Snyder said he immediately began thinking about the unique responsibility that the Jewish Museum — and museums around the world — had to meet the moment. 

“I started thinking about how after World War I, Dadaism and surrealism were new vocabularies that got created coming out of the chaos of that moment,” Snyder said. “We thought we could create a similar opportunity to show installations of work by artists at this moment.”

It’s cultural activism; it’s art activism,” he explained. “It’s not about the complex politics of what’s going on. It’s about artists producing work in response to trauma and tragedy happening in the world.”

Cherkassy’s exhibit at the Jewish Museum, which will run until Feb. 19, is the first time her Oct. 7 drawings are being displayed in public. Two months is an atypically fast turnaround time for museums, Snyder said, but the material was too important to wait. 

Immediately after the terrorist attack, Snyder said that he and the museum’s curators began to develop an ongoing series to address the attack and the subsequent war, and to provide “a forum for dialogue and reflection on the role of art and culture during these complex times,” according to a press release. In addition to art exhibitions, the museum is preparing public programs, a speaker series and opportunities for staff to engage more deeply with the cultural ramifications of the conflict. 

Cherkassy, who lives and works in Tel Aviv, began drawing the scenes that became “7 October 2023” just a few days after the Hamas attacks in Israel. She had temporarily fled to a friend’s apartment in Berlin with her young daughter, bringing along the art supplies she knew she would need to process the tragedy.

“When we got ready to leave home, I packed some drawing and art supplies because I knew something was going to come. In a moment like this, you cannot think about anything else, so I knew I would be making art about it,” Cherkassky, who was unavailable for an interview with the New York Jewish Week, told the Times of Israel in October.“I grabbed pencils, wax crayons, watercolors — whatever. My whole [Tel Aviv] studio can’t fit in one bag, but it’s enough for me to do what I want.”

The 11 x 17 drawings in “7 October 2023” are displayed in an all-black room. (Courtesy of The Jewish Museum)

The series is one of the first to be displayed under the helm of Snyder, who began his tenure in early November after four years as the executive chairman of the Jerusalem Foundation and, before that, 22 years as the director of The Israel Museum in Jerusalem

Snyder first worked with Cherkassy in 2018, when The Israel Museum exhibited her work “Pravda” (“Truth”), which depicted her experience as an immigrant to Israel from the Soviet Union. And this isn’t her first time making wartime art: A native of Kyiv, she has also been painting and drawing art in response to Russia’s invasion of Ukraine for nearly two years. In her series “Before and After” Cherkassy juxtaposes art she made about her childhood in Ukraine with present-day scenes of the war-town country. 

At the Jewish Museum, Cherkassy’s Oct. 7 artwork is like “bereshit,” said Snyder, using the Hebrew word for the first book of the Torah, meaning “creation” or “genesis.” “It’s the day everything started,” he said.

Museums are places of repose and reflection,” Snyder said. “We felt that as a place of education and engagement, we needed to shape an action plan that would offer opportunities to educate our staff, to engage with our audience and with the public, and to provide opportunities for artists to show work responding to the tragedy unfolding in the Middle East.”

The first guest in the Jewish Museum’s speaker series will be Israeli author Ruby Namdar, who will be in conversation with Snyder about the cultural ramifications of the Israel-Hamas war in the diaspora on Feb 5. Talks with Cherkassy and Israeli artist Michal Rovner are forthcoming this spring. 


The post At the Jewish Museum, gut-wrenching drawings depict the terror of the Oct. 7 Hamas attack on Israel appeared first on Jewish Telegraphic Agency.

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Black Muslim Leaders Call on Supporters Not to Vote for Kamala Harris Due to Gaza, Israel Policy

US Vice President and Democratic presidential candidate Kamala Harris speaks during a campaign event in Eau Claire, Wisconsin, US, Aug. 7, 2024. Photo: REUTERS/Erica Dischino

Black Muslim leaders across the United States are calling on their supporters to withhold their vote from Democratic presidential nominee Kamala Harris, accusing the incumbent US vice president of facilitating a so-called “genocide” in Gaza. 

In a letter published by the Middle East Eye on Monday, 50 black Muslim leaders called on members of their community to embrace the legacy of “black liberation” by only voting for candidates who support a ceasefire in Gaza and an arms blockade on Israel. The coalition of Muslim leaders urged their followers to reject the notion that Harris would be better on domestic issues and that a Donald Trump presidency would pose greater danger to Palestinians. 

As black Muslims, we also know that the Israeli government’s genocide in Gaza is a war on Islam,” the letter read. “The Israeli government and its unhinged army of cowardly criminals have filmed themselves destroying mosques, burning Qurans, and slandering our sacred religious figures. The supremacist Israeli government has also destroyed churches and attacked the Palestinian Christian community.”

The black Muslim leaders condemned the Biden administration for supporting Israel’s defensive military operations against the Palestinian terrorist group Hamas in Gaza. The coalition also slammed Harris for not taking a more adversarial position against the Jewish state since she replaced US President Joe Biden at the top of the Democratic presidential ticket. 

“All of this has occurred under the watch of the Biden-Harris administration, which has provided steadfast military, financial, diplomatic, and rhetorical support for the Israeli government’s war crimes for four years, including at least $18 billion since the start of the genocide,” the group wrote.

The Muslim leaders lambasted Harris over her repeated refusals to implement an arms embargo against Israel. In recent months, anti-Israel activists have attempted to pressure Harris into agreeing to block weapons transfers to the Jewish state. In August, the her campaign released a statement denying any support for such a move and affirming Harris’s commitment to ensuring “Israel is able to defend itself.”

Vice President Harris has explicitly opposed an arms embargo on the Israeli government even though US law requires it. She has refused to lay out any plan whatsoever to force [Israeli Prime Minister Benjamin] Netanyahu to accept a ceasefire deal in Gaza that ends the genocide,” the letter stated. “She has validated the Israeli government’s efforts to spark a regional war with Iran, leading to instability in the region and the world at large. Just this week, she said that she would not have done anything differently than President Biden over the past four years.”

The coalition attempted to draw a parallel between the experience of black Americans and Palestinians, arguing that the Palestinian inhabitants of Gaza and the West Bank are subject to brutal racial discrimination. 

“As Muslims obliged to uphold justice and as black Americans whose ancestors experienced the worst of crimes, genocide must be our red line,” the letter added.

“There’s a false narrative that is being pushed that the majority of Muslims who are black are Kamala Harris supporters,” Imam Dawud Walid, a Muslim leader from Michigan, told the Middle East Eye. “There’s this narrative that is trying to divide the community to say that the majority of Muslims who aren’t black are supporting third party, but the majority of Muslims who are black are somehow divided from the rest of the community, and that’s not true.”

In the final stretch of the 2024 presidential election cycle, the Harris campaign has scrambled to coalesce support among Muslim voters. Despite aggressive overtures toward the Muslim American community, recent polls indicate that the vice president could experience a collapse of support among the demographic. Some polling data has shown Green Party nominee Jill Stein leading Harris among Muslim voters in the critical swing state of Michigan, while other polls show Harris and Trump tied with Muslim voters across battleground states. 

Moreover, many Arab American leaders have continued to urge their community to withhold their votes from Harris, arguing that the Democratic party deserves “punishment” for supporting Israel. Groups such as “Abandon Harris” have encouraged Arab American voters to only throw their support behind anti-Israel candidates. Other groups such as the “Uncommitted Movement” have also pushed voters, especially in the Arab and Muslim communities, to refuse to cast a ballot in favor of Harris.

The post Black Muslim Leaders Call on Supporters Not to Vote for Kamala Harris Due to Gaza, Israel Policy first appeared on Algemeiner.com.

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On Simchat Torah, We Mourn — But Also Hope

A Torah scroll. Photo: RabbiSacks.org.

In his 2016 book Essays on Ethics, Rabbi Jonathan Sacks wrote, “A people that can know insecurity and still feel joy is one that can never be defeated, for its spirit can never be broken nor its hope destroyed.”

This year, as Simchat Torah draws near, we are painfully reminded that joy and suffering often coexist. While it is a staple of the human condition for Jews, this paradox echoes relentlessly throughout our history.

In the Diaspora, we will feel this contrast differently. Shmini Atzeret — a day marked by solemnity with Yizkor and the prayer for rain — falls on the anniversary of October 7th. Only the second evening transitions into the joy of Simchat Torah.

In Israel, however, the two days merge into one, with the solemnity of Shmini Atzeret intertwined with the joy of Simchat Torah. This year, embracing the usual high spirits will be incredibly challenging for Israelis. The weight of national grief hangs heavy; indeed, no Simchat Torah will ever be the same again.

When we danced with the Torahs last year, despite knowing that a terrible attack was unfolding, the full extent of the horror was not yet clear. It was only after Simchat Torah ended that the devastating truth began to emerge: 1,200 people tortured, murdered, and mutilated; families torn apart; and hostages dragged into Gaza.

In the months since, every painful detail has come to light, making it nearly impossible to embrace the unrestrained joy that typically defines Simchat Torah. How can we celebrate when every smile is shadowed by memory, and every song tinged with sorrow?

And yet, my late mother’s story comes to mind — her first Simchat Torah after the Holocaust, celebrated in the city of her birth: Rotterdam, Holland. It offers a profound lesson for us today.

My mother was born in 1941, a year after my grandparents married during the Nazi occupation. The Nazis invaded Holland in May 1940, and began deporting Jews to concentration camps in 1942​.

Fearing for their lives, my grandparents went into hiding, spending more than two years in a cramped space behind a closet in the home of a gentile friend. My grandfather, active in the Dutch resistance, emerged only at night to carry out covert missions against the Nazis — knowing the risks but refusing to submit to despair.

Meanwhile, my mother was taken in by a Christian couple who raised her as their own, shielding her from the terrors outside. After the war, they returned her to her parents.

When the Nazis were defeated by the Allies in May 1945, Jewish life in Rotterdam began to re-emerge, although only a fraction of the community remained — 75% of Dutch Jewry, more than 100,000 people, had perished in Auschwitz, Sobibor, and other camps​.

That fall, the synagogue reopened, and Simchat Torah was celebrated once more. The Torah scrolls my grandfather had hidden with gentile friends were retrieved. Miraculously, Rabbi Levie “Lou” Vorst, who had survived Bergen-Belsen and the infamous “Lost Train,” stood at the helm of the diminished community.

But the celebration was bittersweet. Almost everyone in the synagogue had lost parents, siblings, spouses, or children. My grandparents had lost their parents, siblings, and their second child, my uncle Yitzchak, who had died of malnutrition during the war.

And yet, they danced. Survivors — many without homes or families — clung to the Torah scrolls as if their lives depended on it. My mother, only four years old, stood quietly in the synagogue, receiving candy from weeping survivors. With each piece placed in her open mouth, the message was clear: the future must be sweet, even when the past has been unbearably bitter.

When she was born in 1941, during the Nazi occupation, her parents named my mother Miriam Chana, but they also added a third name: Tikva — hope. Naming her Tikva was a bold act of defiance and a statement of faith that they would live to see better days.

Many Dutch Jews from Rotterdam later made their way to Israel, realizing the ultimate Tikva—the dream of building a new life in the Jewish homeland.

Today, some of my mother’s friends from Rotterdam reside at Beth Juliana, a residential retirement complex in Herzliya for Dutch immigrants. But even there, the echoes of violence persist. Just two weeks ago, during Yom Kippur, a Hezbollah drone from Lebanon struck the building.

Though no one was injured, the drone destroyed an apartment filled with precious heirlooms and decades of memories. Miraculously, the resident had sought shelter moments before the impact — a stark reminder that even now, nearly 80 years after the Holocaust, the shadow of antisemitic hatred still looms over Israel​.

As we mark the first anniversary of October 7th, I find myself returning to the image of those weeping survivors dancing with the Torahs in Rotterdam. If they could dance, surely we can too.

But just like them, our dancing this year will be different. Maybe it will be slower, or perhaps more enthusiastic — but whatever it is, it will be infused with memory, sorrow, and, most importantly, defiance. Our celebrations will not deny the pain but embrace it, just as my mother’s community did all those years ago.

The joy of Simchat Torah is not naïve happiness; it is the joy that comes from standing together, united in faith, knowing that despite everything, we are still here. Just as my grandparents emerged from hiding to rebuild, and just as the Torahs were salvaged from the ruins of Rotterdam, we too will lift the Torahs this Simchat Torah and say to our enemies: We are still here.

And we will hope. For without hope, there is no future. My grandparents named their daughter Tikva, believing in a day when evil would be defeated. We, too, must carry the torch of hope into the future. We will dance, and we will cry.

But above all, we will hope. Because even after the darkest of nights, the sun will rise again. And when it does, we will be ready to rebuild — one dance step at a time.

The author is a rabbi in Beverly Hills, California.

The post On Simchat Torah, We Mourn — But Also Hope first appeared on Algemeiner.com.

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Germany’s Eurovision Contestant Calls Out ‘So Much Hate’ Against Israeli Singer Eden Golan During Competition

The representative of Germany Isaak at the Eurovision Song Cotest entering the main stage on May 11, 2024 in Malmo, Sweden. Photo: Sanjin Strukic/PIXSELL/Sipa USA via Reuters Connect

Germany’s representative in the 2024 Eurovision Song Contest shared his thoughts in a recent interview about the hatred and booing that Israeli singer Eden Golan received while competing on behalf of Israel in the international competition earlier this year.

“I can definitely understand why everyone was booing, but I think the Eurovision Song Contest says we are all ‘united by music’ and I didn’t see no unity,” German singer Isaak, 29, said in an interview with Irish blogger allthingsadam.ie, referring to the official slogan of the Eurovision competition. He further said of Golan: “It’s a young musician performing quite well and everyone f—ked her off. There was so much hate in this room, and hate shouldn’t be a place in the Eurovision Song Contest.”

Isaak finished in 12th place in the Eurovision finals this year in Malmo, Sweden, while Golan finished in fifth. The Israeli singer competed with a song called “Hurricane,” a reworded version of her original song “October Rain,” which was disqualified for being too political since it referenced the Hamas massacre in Israel that took place on Oct. 7, 2023.

Golan made it to the top five of the Eurovision contest despite being booed on stage by anti-Israel audience members, facing death threats, and having a Eurovision jury member refuse to give her points because of his personal feelings against Israel’s military actions during the ongoing Israel-Hamas war. Golan also said she had to conceal her identity outside her hotel room in Malmo because of the threats she received from anti-Israel activists angry about the Jewish state’s participation in the contest.

Isaak told Irish blogger allthingsadam.ie that he believes Golan was bullied during the competition. He then criticized people for wrongfully targeting Golan with hatred when they have issues with the state of Israel but not the singer herself. The German singer then said the animosity was misguided and it was wrong for Golan to face such abuse just for her affiliation with Israel. He said a personal experience like what Golan faced can deeply scar a musician

“Do you know how young she is?” Isaak asked about the 21-year-old Israeli singer. “This is your life goal and you wanna be part of Eurovision Song Contest and you’re going on that stage … just image Germany f—ks up in some point. And I’m German and I wanna be part of the Eurovision. And I’m just a random musician, I just wanna show them my music. I’m not the f—k president. I’m just a random musician, I just wanna make a small kid’s dream come true. And then I go on that stage and no matter how good I am, no matter how f—k amazing I can sing, the people just see my country and they just boo me out. I think that would be the most terrible thing that could maybe ever happen to me. I think that can definitely leave scars.”

Isaak also talked in the interview about his experience backstage with the other singers at the Eurovision competition. “You didn’t really have that feeling [that] we are all ‘united by music.’ It was a little bit sad behind the stage, that’s what I think. There could have been more love, more connectivity, and more passion,” he said.

The 2025 Eurovision Song Contest will take place in Basel, Switzerland, in May. Bakel Walden, chairman of the Eurovision Song Contest Reference Group, discussed in a recent interview with Swiss media some changes to next year’s competition. He said the European Broadcasting Union (EBU), which organizes the competition, “will pay more attention” to the well-being of artists in the future and stated that it is vital for the competition to maintain political neutrality. He insisted that “antisemitism has no place at the ESC.”

“The ESC stands for freedom of expression. The artists can comment on anything and also demonstrate in front of the hall. But on stage you need certain rules,” he said. “We want an ESC in which everyone puts their heart and soul into it. We cannot solve the many wars and conflicts in the world during the ESC. But it is a strong statement if we treat each other fairly, peacefully, and respectfully.”‘

Walden added that for next year’s competition the EBU will also have a crisis management team and “retreat rooms” for artists to relax where there will be no filming allowed.

The post Germany’s Eurovision Contestant Calls Out ‘So Much Hate’ Against Israeli Singer Eden Golan During Competition first appeared on Algemeiner.com.

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