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Brandeis U reeling after bus accident leaves 1 student dead, dozens injured; Jewish students hold vigils
WALTHAM, Massachusetts (JTA) — The days before Thanksgiving break were supposed to be packed at Brandeis University’s Hillel: There was a talk on Sunday about sexuality in Judaism, a ceremony for students who participated in a study program and a forum for candidates running to help lead the campus Jewish center.
Instead, Hillel canceled everything and instead threw open its doors for students and faculty in need of comfort and support after one of their classmates was killed and dozens more injured in an accident involving a shuttle bus many of them take regularly.
The crash occurred at 10:45 p.m. Saturday only a half mile from campus, sending shockwaves through the Brandeis community.
Rabbi Seth Winberg, the executive director of the school’s Hillel and the university’s senior chaplain, said scores of students have reached out to his organization since the deadly accident, unsettled after learning about it from communications from the college and in text messages from friends. He said he has also heard from parents and alumni, from as far away as Israel.
“We are trying to help students process and grieve,” Winberg told the Jewish Telegraphic Agency.
That was the theme on campus Sunday, as details emerged about the crash and its aftermath. The bus, operated by a contractor who provides transportation services to Brandeis, was returning students to campus from a hockey game at Northeastern University, according to the local district attorney’s office, which is investigating the accident.
BREAKING: Bus crash on South St in Waltham near Brandeis University. #wbz pic.twitter.com/A3DFnqwc6o
— AndreaWBZ (@AndreaWBZ) November 20, 2022
Images and video posted to social media showed that the bus was heavily damaged, its front end virtually disintegrated, its roof shredded after a rollover and all windows broken. Debris was still piled at the South Street crash site Sunday afternoon.
One student died at the scene. Vanessa Mark was “an active and cherished member of the Brandeis community” who was on leave but living in Waltham, according to an announcement by the school’s president, Ron Liebowitz, on Sunday.
By early Sunday afternoon, five of the 26 people who had been hospitalized immediately following the crash remained in the hospital, Julie Jette, Brandeis’s assistant vice president for communications wrote in an email. Jette cautioned that the information was fluid because of the severity of the crash and the complexity of the situation.
“Given the number of injured people and the different hospitals to which they were transported, it is taking time to determine the status of everyone involved,” she said.
Liebowitz announced in a message to the community Sunday that classes would be canceled on Monday and Tuesday and counseling services would be made widely available.
“This will enable some students to return to family and friends sooner than the normal holiday schedule would have allowed,” he wrote. “For students who will remain on campus, we will have additional opportunities to gather and receive support.”
Liebowitz outlined the resources available to students at a community meeting Sunday morning, where hundreds of students crowded into the campus center for a community-wide gathering about the accident, Winberg told JTA.
Students remained after the gathering for up to an hour, according to Samantha Brody, a junior from Deerfield, Illinois, who is the president of Hillel’s student board.
Students “want to reach out and see each other,” Brody said. “There were lots of hugs.”
She added that both conversation and quiet contemplation were called for: “Everyone needs something different.”
Brandeis, a nonsectarian college, has its roots in the American Jewish community, which founded the liberal arts institution in 1948 at a time when Jews were often restricted in student admissions and in faculty appointments to competitive colleges. Today, just over a third of undergraduates self-identify as Jewish, according to various published reports.
Students active in Hillel and its leaders quickly came together to organize gatherings to offer support. The Brandeis Orthodox student group scheduled an afternoon prayer service, while the Brandeis Reform Chavurah and Masorti (Conservative) student groups jointly organized a service of their own. On Sunday evening, the community planned to come together to sing niggunim, or wordless melodies, as a quiet way to offer comfort.
“These are examples that show how everyone wants to be together, in person,” Brody told JTA.
Brody said on Sunday afternoon that she did not know anyone who was on the bus but knows people whose friends were. She said she has taken the shuttle bus before.
“Most people on campus have. It’s the easiest way to get to Boston. Everyone is thinking, ‘it could have been me,’” she added.
That was true for Draken Garfinkel, a Jewish senior from the Washington, D.C., area who was not on the bus. “I use it every week to see my brother,” a student at another college in Boston, he said.
When he learned about the crash early Sunday morning, from the university’s communication and from text messages from friends, Garfinkel immediately wanted to do something to help others — especially those on the bus who were hospitalized, he told JTA in a phone conversation.
One of those students is a friend, a foreign exchange student, he said.
He and others who are part of an activist student group helped organize sending text messages to students they knew were in the hospital as a way to express concern for their well being.
It’s important for all students to be aware of counseling services that are available, he emphasized, adding, “One of the worst things is when people don’t know don’t how to deal with grief.”
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The post Brandeis U reeling after bus accident leaves 1 student dead, dozens injured; Jewish students hold vigils appeared first on Jewish Telegraphic Agency.
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‘Growing Pogrom-Like Atmosphere’: German Antisemitism Commissioner Issues Warning After Synagogue Arson Attack
Anti-Israel protesters march in Germany, March 26, 2025. Photo: Sebastian Willnow/dpa via Reuters Connect
The commissioner to combat antisemitism in the German state of Hesse has sounded the alarm after an arson attack on a local synagogue in the town of Giessen, warning that it reflects a “growing pogrom-like atmosphere” threatening Jewish life across Germany as Jews and Israelis continue to face an increasingly hostile climate.
In an interview with the German newspaper Tagesspiegel, Uwe Becker — who has served in his role since 2019 — condemned the latest attack, saying it occurred “in a poisoned antisemitic climate that is steadily worsening.”
The horrific act occurred in a “growing pogrom-like atmosphere that, as a society in Germany and Europe, we are currently not doing enough to counter,” the German official said.
On Tuesday, a 32-year-old man was arrested after allegedly setting fire to a trash can outside a local synagogue in Giessen, west-central Germany, in an attack that damaged a roller shutter and entrance gate, though no one was harmed.
According to local reports, a Giessen district judge has ordered the suspect to be placed in a psychiatric hospital, citing signs that he may be suffering from a mental illness.
However, the suspect remains in police custody as local authorities investigate the circumstances and motive of the attack, including whether it was politically motivated.
This latest attack came just a week after Andreas Büttner, the commissioner for antisemitism in Brandenburg, northeastern Germany, was targeted for the second time in less than a week after receiving a death threat.
According to the German newspaper Potsdamer Neueste Nachrichten (PNN), the Brandenburg state parliament received a letter earlier this month threatening Büttner’s life, with the words “We will kill you” and an inverted red triangle, the symbol of support for the Islamist terrorist group Hamas.
Authorities are now probing the incident as part of an ongoing investigation into threats against the German official, after his private property in Templin — about 43 miles north of Berlin — was also targeted in an arson attack and a red Hamas triangle was spray-painted on his house.
A former police officer and member of the Left Party, Büttner took office as commissioner for antisemitism in 2024 and has faced repeated attacks since.
“The symbol sends a clear message. The red Hamas triangle is widely recognized as a sign of jihadist violence and antisemitic incitement,” Büttner said in a statement after the incident.
“Anyone who uses such a thing wants to intimidate and glorify terror. This is not a protest, it is a threat,” he continued.
Hamas uses inverted red triangles in its propaganda videos to indicate Israeli targets about to be attacked. The symbol, a common staple at pro-Hamas rallies, has come to represent the Palestinian terrorist group and glorify its use of violence.
In August 2024, swastikas and other antisemitic symbols and threats were also spray-painted on Büttner’s personal car.
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How Alvin Ailey’s ‘Revelations’ evokes Yom Kippur for me
My last semester of college, I had an Alvin Ailey phase.
My time in Philadelphia was rapidly coming to a close and I felt an urge to make it to as many of the performing arts venues in the city as I could (not an easy feat). With a close family friend, I attended my first Alvin Ailey performance at the Forrest Theatre. Soon after, I went to a talk at the African American Museum in Philadelphia about Ailey and the piece The River. That weekend, I also watched the 2021 documentary Ailey. Then I found myself doing a sociolinguistical analysis of Ailey’s most famous work, Revelations, for a class.
To call my interest in Ailey a phase is actually a misnomer since, two years later, I am still an Ailey fan — and now the owner of an actual Alvin Ailey-branded hand fan. Last June, I attended a performance during their run at the Brooklyn Academy of Music and fell in love with Grace, choreographed by Ronald K. Brown. I bought a ticket to see it again, along with Revelations and two shorter works, during their winter season at New York City Center.
While the end of Grace — in which a dozen dancers take a nearly 30-minute-long journey to a promised land — made me tear up, it wasn’t until Revelations that I actually began to cry. It happened during the duet “Fix Me, Jesus,” in which a female dancer searches for spiritual guidance and a male figure depicts divine support.
I was aware of the irony. As a lifelong Jew, I have never wanted Jesus to “fix” me. But the piece moved me to tears nonetheless. Within the gospel music, New Testament themes and African American cultural imagery of Revelations — composed of multiple smaller pieces — is a universal story of desire for redemption and turning to faith in times of great suffering.
The choir that accompanies the dance sings “fix me for my long white robe,” a reference to Revelation 6:11, where those that have lived their life without sin are told they will be given white robes for their ascension to Heaven. I was reminded of the kittel, a plain white robe some in the Ashkenazi tradition wear on Yom Kippur. Some rabbis have interpreted the robe to symbolize the blank slate we are creating for ourselves in the new year. Dressing plainly can also be another way of resisting earthly pleasures on the Day of Atonement. Since some people are also buried in their kittel, another interpretation is that wearing it helps one consider their death and what legacy they want to leave behind, thinking of how they may “fix” themselves to be ready for when they will be brought before G-d.
These echoes of Yom Kippur make another appearance in Ailey’s Revelations in the solo “I Wanna Be Ready.” The single dancer dressed in white alternates between contracting and expanding their body, kneeling and prostrating on the ground, as if they are repenting for something. The choir chants that they want to be ready to put on their long white robes and the lead singer explains he has avoided the temptation to sin so his soul will be ready for death.
This deviates slightly from how I think of preparing for the Day of Judgment. For me, Yom Kippur has always been about acknowledging that we will sin, that we are human, flawed, prone to jealousy and gossip and all those other things we list as we beat our chests during the confessional. In the Reconstructionist Press version of the Prayerbook for the Days of Awe, Rabbi Rami M. Shapiro writes that “we freely admit our failings” in order to “create our atonements.” In the confessional, we are instructed not to tell G-d that “we are righteous, and we have not sinned,” for “indeed we have sinned.”
I have always experienced Yom Kippur as an intense emotional journey to find within myself the ability to do better, be better, perhaps with some divine guidance. This is what I recognized in “Fix Me, Jesus,” this burning desire to exceed our own expectations.
But the yearning of Revelations is not just about individual spiritual reckoning. Throughout the work, you can feel Black Americans pushing toward freedom as they emerge from the degradation of slavery and Jim Crow.
I connect with this existential cultural aspiration to escape systemic degradation both as a Black American and as a Jewish American, descended from enslaved people on one side and pogrom survivors on the other. Although Revelations originated in a specific cultural context — born from Ailey’s experiences growing up in the Black church in 1930s Texas — its broader message about redemption feels unifying across cultural divides. I have imagined seeing Revelations with my paternal grandmother, an active and dedicated member of the Black Presbyterian church. Even if we were to appreciate the dance’s spirituality for different reasons — her for the work’s reflection of her faith in Jesus, me for its raw portrayal of an intense desire to improve — it’s something that would move both of us.
Probably my tears were triggered by the intensity of the piece and the beauty of its dancers and not by some spiritual awakening. Still, despite — or really, because of — the emotional unrest Alvin Ailey put me through, they will probably be seeing me again soon.
The post How Alvin Ailey’s ‘Revelations’ evokes Yom Kippur for me appeared first on The Forward.
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Police Chief in UK Retires After Facing Scrutiny for Banning Israeli Maccabi Tel Aviv Fans From Soccer Match
WMP Chief Constable Craig Guildford speaking before the Home Affairs Committee on Jan. 6, 2026. Photo: Screenshot
West Midlands Police (WMP) Chief Constable Craig Guildford retired on Friday effective immediately after increasing public scrutiny and revelations over his use of “exaggerated or simply untrue” intelligence to justify a ban prohibiting Maccabi Tel Aviv soccer fans from attending a match late last year.
Simon Foster, the police and crime commissioner of WMP, announced Guildford’s retirement in a formal statement delivered outside Birmingham’s Lloyd House, which is the headquarters of the West Midlands police force. Guildford will collect his full pension after three decades of service. Foster thanked Guildford for his service and said he welcomes the chief constable’s decision to retire. He added that Guildford’s stepping down is in the “best interest” of the police force and the local community.
Guildford’s retirement follows the decision of the Birmingham City Council Safety Advisory Group, based on the recommendation of West Midlands Police, to ban traveling Maccabi Tel Aviv soccer fans from attending the Europa League soccer match between Aston Villa and the Israeli team on Nov. 6, 2025, at Villa Park in Birmingham due to “public safety concerns.”
The announcement also comes just two days after British Home Secretary Shabana Mahmood told the British Parliament that she has lost confidence in Guildford. The minister said she came to the conclusion after receiving a “damning” and “devastating” report by Sir Andy Cooke, his Majesty’s chief inspector of constabulary, on Wednesday that revealed several failings by the WMP force in relation to its recommendation to ban Maccabi soccer fans, including “misleading” public statements and “misinformation” promoted by the police.
Foster acknowledged on Thursday that the police forced faced “understandable intense and significant oversight and scrutiny.”
“The findings of the chief inspector were damning. They set out a catalogue of failings that have harmed trust in West Midlands Police,” Mahmood said in a statement following Thursday’s announcement. “By stepping down, Craig Guildford has done the right thing today … Today marks a crucial first step to rebuilding trust and confidence in the force amongst all the communities they serve.”