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Campus Antisemitism Documentary Seeks to Show Jewish Students as ‘Inspirational’ Heroes, Not Merely Victims

George Washington University student Sabrina Soffer talking on stage with Noa Tishby at a GWU event highlighted in “Blind Spot.” Photo: Screenshot

A film streaming online that focuses on American campus antisemitism is told from the viewpoint of Jewish college students who had firsthand experiences with antisemitic abuse and, instead of staying silent about their trauma, are at the forefront pushing for a better, more welcoming environment at their schools.

“Blind Spot” says it is the first and only film to exclusively spotlight the existence of campus antisemitism in the United States both before and after the Oct. 7, 2023, Hamas-led terrorist attack in southern Israel and the subsequent explosion of rabid, sometimes violent campus antisemitism following the massacre. It reveals how antisemitism on college and university campuses is a longstanding problem that started well before the Oct. 7 attack and explains what can be done to help students feel safer at their schools.

The movie is available for viewing on the YouTube pages of StandWithUs and the Jewish Broadcasting Service. It has surpassed 100,000 views on both channels since premiering less than a month ago. It was directed and co-produced by Seth Kramer, Daniel A. Miller, and Jeremy Newberger of Ironbound Films.

“Blind Spot” aims to show viewers that, while antisemitism has been on college campuses for years, people “didn’t realize it, didn’t see it, and they didn’t want to see it” before Oct. 7, said executive producer Lenny Gold, whose own son experienced antisemitism in school.

The film references the “blind spot” in the context of people and universities in favor of protecting every other minority group, except Jews. The film tries to highlight the “double standard” and “injustice” that Jews and pro-Israel supporters face on college campuses, Gold said.

“Why are other groups protected and not Jews?” Gold asked. “Jews are a protected group under [Title VI of] the Civil Rights Act. So why is the law not enforced? Why is society so out of step with what the law says and what American values it should be upholding.”

“On many college campuses, even people who are committed to the civil rights of every other group in this country, often have a blind spot when it comes to Jews,” Kenneth Marcus, founder and chairman of the Louis D. Brandeis Center for Human Rights, said in the film. “While the problems have gotten worse and worse, young people are taking the initiative more and more, fighting antisemitism, taking charge themselves.”

Interviews with college students began in 2021, but “Blind Spot” does include footage from incidents dating back to 2019. Filming continued until well past the Oct. 7 attack in 2023. Gold said after the Hamas invasion, “we had to pivot from making a film to educate people about a problem that most people didn’t know about before, to basically making a film that says, ‘Well, we told you so. Now we’re gonna show you how we got here.’ When we looked back at the footage we shot before Oct. 7, we thought it was even greater now post-Oct. 7 because it was more impactful and relevant and familiar to people seeing it because they would now know on their own, that we have a serious problem on American campuses.”

More than two dozen students speak in the film about their personal experiences with antisemitism at their schools, including the University of Notre Dame; University of California, Berkeley, University of Vermont, George Washington University, Tulane University, University of Chicago, Tufts University, and Baruch College of the City University of New York (CUNY). The students discuss incidents that include verbal antisemitic abuse and threats – from both teachers and fellow students – physical violence, and being targeted in boycotts by anti-Israel students.

They also experienced emotional and mental trauma. A student at CUNY’s John Jay College of Criminal Justice talked in “Blind Spot” about being harassed by fellow students in stairwells at the school and in the gym, breaking down crying in the library from the torment and taking time off from class to cope with her trauma. Another student, from the University of Vermont, ultimately decided to transfer to the University of Florida because of the vast number of antisemitic incidents at his first school, Gold revealed to The Algemeiner. The filmmakers had to persuade the student to push through his trauma and return to UVM to film a segment about the abuse he experienced at the college, Gold added. In 2023, the US Department of Education’s Office of Civil Rights ruled that UVM administrators failed to respond to several complaints of antisemitism, as well as anti-Zionist harassment and discrimination, at the school.

“I’ve stayed in touch with a number of the students, and my sense is that many of them were significantly affected. There is a definite sadness that I sense,” Gold said.

“Blind Spot” highlights the heartbreaking experiences these Jewish students endured. But it also draws attention to their bravery and courage in standing up against antisemitism, pushing for a change at their schools to make them more inclusive and safer environments, if not for themselves then for future students on campus.

The featured students are not portrayed as victims but as the heroes in their own stories. They are seen taking action to make their schools more welcoming and safer for Jewish students in areas where too many school administrators allegedly failed to act. “Blind Spot” says such students “are on the front lines of a modern-day civil rights movement,” and they include Yasmeen Ohebsion from Tulane University.

When she first appeared in the film, the Israeli-Persian student admitted that she “couldn’t muster up the courage” to speak out against a professor who required students to read a writing by an antisemitic author, who promoted the narrative that Israel is a white supremacist and apartheid state. By the end of “Blind Spot,” Ohebsion is seen testifying in Washington, DC, in March 2024 in front of the US House Committee on Education and the Workforce, urging policymakers to pressure school administrators to take action against anti-Israel hostility and violence on her campus and others. Ohebsion concluded her testimony by proclaiming “Am Israel Chai” (“Long Live Israel”).

“The first word that comes to my mind is: inspirational,” Gold said of Ohebsion and other students featured in “Blind Spot” during an interview with The Algemeiner. “I don’t know that I would’ve had what it took to do what they have done. I was just blown away by each and every one of them. Their pose, courage, brilliance, articulateness, and their decision to stand up rather than just keep their heads down and do nothing and say nothing. And without them, none of the other non-students in the film would be able to help them.”

As noted by Gold, “Blind Spot” also features interviews with many non-Jewish pro-Israel supporters who are allies of these students, including Forham University President Tania Tetlow, Tulane University student Raymell Green, US Rep. Ritchie Torres (D-NY), and Carly Gammill, director of legal policy at StandWithUs.

“Attorneys need clients. Without these students as clients, the attorneys would not be able to use the law as a tool to help the students,” Gold explained to The Algemeiner. “The students had to come forward first, and they had to do so knowing that their cases would likely not be resolved before they left school. These students knew they were doing it at best for students to come and not for themselves. And to have that kind of selflessness, at that age or any age, is just so inspirational to me and so notable. It just confirmed the wisdom of the conscious decision that we made from the beginning to tell this story through the eyes and voices of the students who were impacted by it.”

Others in the film who speak in support of the Jewish college students experiencing antisemitism is New York City Councilwoman Inna Vernikov; llya Bratman, executive director at the Hillel at Baruch College; Alyza Lewin, president of the Louis D. Brandeis Center for Human Rights; Dr. Naya Lekht, a research fellow at the Institute for the Study of Global Antisemitism and Policy; and Susan Tuchman, director of the Center for Law and Justice at the Zionist Organization of America.

“We went out of our way to show scenes of adults talking to students, to show the mentorship and the attention to address their feelings and comfort them, encourage them and support them,” Gold said. “We tried to show that these students do have some support. It’s not necessarily coming from the people it should, like school administrators, but other people are stepping in.”

Gold said he and the co-producers of the “Blind Spot” have been discussing making a film focused solely on campus antisemitism for four years, starting at a time when it was “not well-known in America, among Jews and non-Jews, but we knew it was a serious problem.”

“So, we decided to look for a way of telling the story to educate, re-educate, and inspire as many people as possible,” he added. He said throughout the making of “Blind Spot,” he and his team were determined to make a film “that was beholden to nothing but the truth and nobody but the students … the focus was on the students – first, last and always.”

“Blind Spot” not only highlights the struggles Jewish students face on college and university campuses but also calls attention to some achievements that schools have made, such as Fordham University becoming the first school in late 2016 to refuse to recognize the anti-Zionist group Students for Justice in Palestine, a move that was then later mimicked by several other schools. “Blind Spot” also features interviews with CUNY Chancellor Felix Matos Rodríguez and CUNY Chairman of the Board of Trustees Bill Thompson in which they are boldly confronted about the rise of antisemitism on CUNY campuses and the lack of action taken to combat it. The facility among the CUNY schools includes two prominent anti-Zionist and anti-Israel professors who have made what critics have described as antisemitic remarks in the past – Peter Beinart and Marc Lamont Hill.

“The evil of indifference that seems to permeate this problem, is perhaps the most shocking,” Gold said, when talking about how he felt making “Blind Spot.”

“There’s hostility, but that’s been going on for ages. There’s ignorance, but that can fixed,” he added. “But in the 21st century America, after all we’ve been through – and I’m old enough to remember the civil rights movement and Jim Crow – here we are back in the Middle Ages when it comes to Jews. How can you be in favor of civil rights and social justice for all these other groups and not for one? When you explore that question, what we heard a lot from the students is about the evil of indifference … And when you consider that school officials, people who lead large and great universities committed to the ideals of open discussion and civil discourse, cannot recognize that one group is being subjected to a hostile learning environment and discrimination in and out of the classroom, it is shocking.”

Gold concluded by saying that “Blind Spot” is in part a call to action that hopefully will inspire other college students not to remain silent in the face of antisemitism at their schools.

“This film can show all the students, who can serve as role models for future generations of students, that you’re not alone if you’re facing this problem, and you can stand up to it,” ” Gold said. “Your Jewish identity is on the line. And if that’s important to you, these are the steps that you can take, this is what you might experience and there are resources available to you.”

Watch the trailer for “Blind Spot” below.

Note: The Algemeiner‘s campus correspondent, Dion J. Pierre, is featured in “Blind Spot.”



The post Campus Antisemitism Documentary Seeks to Show Jewish Students as ‘Inspirational’ Heroes, Not Merely Victims first appeared on Algemeiner.com.

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The BBC Documentary That Paints Every Israeli as an Extremist

The Jewish community of Beit El in Judea and Samaria. Photo: Yaakov via Wikimedia Commons.

Louis Theroux first visited the West Bank in 2011 to film a documentary titled Louis and the Ultra-Zionists, part of his long-running series for the BBC. Back then, he at least seemed to possess a trace of journalistic curiosity. Even the title signaled a degree of editorial caution — framing his subjects as a small, ideological fringe rather than representative of Israeli society as a whole.

At the time, Theroux made an effort to clarify that he was profiling a narrow segment of Israelis. He showed legally purchased Jewish homes (sold by Arab landowners, no less) and acknowledged the regular — and at times deadly — terror attacks faced by Israeli civilians living in the area, often requiring military protection. There was condescension, certainly. But there was also context.

Fast-forward to 2024, and the curiosity is gone — though the bemused, slightly smug expression remains. His new BBC documentary, Louis and the Settlers, drops even the soft qualifiers. No “ultra.” No nuance. Just “settlers.” And with that, Theroux makes it clear: half a million Israelis living in the West Bank are one and the same — extremists who, we’re told, want every last Palestinian removed from the land.

This time, the documentary doesn’t begin with questions. It begins with conclusions. And Theroux uses a brief, unrepresentative snapshot of life in the West Bank to draw sweeping indictments of the entire Israeli state.

The message is unmistakable: Israel is the problem. Settlers are the villains. And Palestinians are passive, blameless victims of a colonial project.

Within the opening minutes, Theroux plants his ideological flag. He refers to the West Bank as “Palestinian territory” and describes every Israeli community within it as illegal under international law — a sharp departure from his more qualified approach 14 years earlier.

And while his personal views seep in throughout the film, they become crystal clear during one exchange at a checkpoint, where an Israeli soldier casually refers to their location as “Israel.” Theroux shoots back: “We’re not in Israel, are we?”

And just like that, the BBC and Louis Theroux have redrawn Israel’s borders. No Knesset debate needed.

Erasing History to Blame the Massacre

The timing of this return trip is no accident. The film comes in the shadow of the October 7 Hamas massacres — the day 1,200 Israelis were slaughtered, families were burned alive in their homes, and children were dragged into Gaza. And yet, Theroux barely mentions it.

The few passing references to October 7 serve not to inform the audience — but to imply that Israel may be exploiting its own dead to justify further expansion. It’s not an investigation. It’s an accusation. And it allows him to skip over thousands of years of Jewish history in order to frame the current war in Gaza as a convenient cover story for Israeli “aggression.”

Take Hebron, for example. Theroux tells viewers that “in 1968, the year after [the West Bank] was occupied by Israel, a community of Jewish settlers moved in illegally. They now number some 700.” He fails to mention that in 1895 — decades before the modern state of Israel existed — Hebron had a Jewish population of 1,429.

Jews have lived in Hebron since antiquity — it’s where, according to Jewish tradition, Abraham purchased the Cave of the Patriarchs. Modern records date the community back centuries, despite discrimination under Ottoman rule and bans on Jewish prayer at holy sites. In 1929, Arab rioters carried out a massacre, wiping out Hebron’s Jewish population. Dozens were murdered; the rest were expelled. Under Jordanian rule from 1948 to 1967, Jews were banned from the city entirely. When they returned after the Six-Day War — not as colonists, but as a displaced community coming home — Theroux picks up the story there and calls it “illegal.”

On the Six-Day War itself, Theroux offers no context. No mention of the Arab armies preparing to destroy Israel. No mention of Israel’s preemptive strike against an existential threat.

According to The Settlers, Israel simply “occupied” — full stop.

Palestinian Terrorism? Not Even a Footnote.

Theroux visits Evyatar, a small Jewish community near the Palestinian town of Beita, and uses it as a stand-in for the entire West Bank. Beita is depicted as a symbol of peaceful resistance: a proud, ancient Palestinian village standing firm against violent settlers backed by IDF soldiers.

It’s a neat story. Too neat. Because missing from the story are years of organized, violent riots from Beita — complete with Molotov cocktails, burning Stars of David, and Nazi swastikas. All carefully omitted to preserve the narrative: Palestinians peaceful, settlers aggressive. Facts that don’t fit? Left on the cutting room floor.

Meanwhile, Israeli nationalism is treated as something sinister and unsettling — a moral aberration to be examined. The notion that Jews might want sovereignty or security is met with thinly veiled suspicion. Yet Hamas’ goal of a Jew-free Palestine, explicitly laid out in its charter, is never mentioned. Nor is the Palestinian Authority’s “pay-for-slay” policy, which literally incentivizes terrorism by rewarding those who murder Israelis — including women and children.

These aren’t fringe details. They’re central to understanding the region. And Theroux knows it. He just doesn’t care.

The BBC’s Complicity

That The Settlers aired on the BBC — a publicly funded broadcaster once seen as a gold standard of global journalism — says plenty. Not just about Louis Theroux’s agenda, but about the institutional direction of the BBC itself. This wasn’t a rogue filmmaker sneaking bias past the editors. This was bias built into the foundation — signed off, packaged, and broadcast under the banner of credibility.

There is, of course, no problem with scrutinizing Israeli policy, and no issue with questioning the settlement enterprise or highlighting the tensions in the West Bank. But journalism — real journalism — demands context. It demands precision. It demands at least a passing familiarity with the full scope of the story.

Theroux offers none of that. He arrives with a predetermined script and casts his roles accordingly: Hero. Villain. Victim. Oppressor. And when reality refuses to cooperate? It’s left out.

Louis Theroux didn’t return to Israel to understand it. He returned to flatten it. To reduce its complexity to a morality play — and to ensure everyone knows the antagonist is.

The Settlers isn’t a documentary. It’s a hit piece. And the BBC handed him the camera — then applauded the performance.

The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

The post The BBC Documentary That Paints Every Israeli as an Extremist first appeared on Algemeiner.com.

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Indian Army Kills Islamist Terrorist Linked to 2002 Murder of Jewish-American Journalist Daniel Pearl

Jewish-American Wall Street Journal journalist Daniel Pearl was kidnapped and murdered by Islamist terrorists in Pakistan in 2002. Photo: Screenshot

The Indian government announced on Thursday that its military forces had killed “Pakistan’s most wanted terrorist,” who was connected to the 2002 murder of Jewish-American Wall Street Journal journalist Daniel Pearl.

On Wednesday, India launched “Operation Sindoor,” which the ruling Bharatiya Janata Party (BJP) claims is targeted at dismantling “terrorist infrastructure” in Pakistan and Pakistan-administered Kashmir.

The operation came after Pakistani terrorists killed 26 Hindu tourists in Kashmir last month amid escalating tensions between the two countries.

In a post on X, the BJP confirmed that during this week’s operation, the Indian army killed Islamist terrorist Abdul Rauf Azhar, who was involved in numerous terrorism plots, including the 1999 hijacking of an Indian Airlines flight, the 2001 terror attack on the Indian Parliament, and the 2016 Pathankot Air Force base attack.

Azhar’s involvement in the 1999 hijacking led to the release of Ahmed Omar Saeed Sheikh, a British-born al-Qaeda member with close ties to Pakistan’s intelligence services, who later was involved in the kidnapping and subsequent murder of 38-year-old Pearl, who was covering the war on terror as a journalist when he was abducted.

In a statement on X, Pearl’s father, Judea, addressed initial reports regarding Azhar’s death and his connection to his son’s murder.

“I want to clarify: Azhar was a Pakistani extremist and leader of the terrorist organization Jaish-e-Mohammed. While his group was not directly involved in the plot to abduct Danny, it was indirectly responsible. Azhar orchestrated the hijacking that led to the release of Omar Sheikh — the man who lured Danny into captivity,” he said.

In 2002, the Jewish-American journalist was abducted and killed by a group of Islamist terrorists connected to Azhar’s militant network, which had ties to al-Qaeda and Jaish-e-Mohammed, a terror group aiming to separate Kashmir from India and incorporate it into Pakistan.

On Jan. 27, 2002, an email was sent to several Pakistani and US media organizations, which included several photos, stating that Pearl was being held in “inhumane” conditions to protest the US treatment of Taliban and al Qaeda prisoners in Cuba. Photo: Screenshot

Originally stationed in New Delhi as the South Asia bureau chief for The Wall Street Journal, Pearl later moved to Pakistan to investigate terrorism following the Sept. 11, 2001, terrorist attacks in New York City.

After kidnapping Pearl at a restaurant in Karachi, southern Pakistan, the Islamist terrorists, who identified themselves as the National Movement for the Restoration of Pakistani Sovereignty, accused him of being an Israeli spy and sent the United States a list of demands for his release.

However, Washington did not meet their demands, and Pearl was ultimately executed after being held captive for five weeks.

His wife, Mariane Pearl, gave birth to a baby boy, Adam D. Pearl, in Paris later that year. On the Daniel Pearl Foundation website, she said, “Adam’s birth rekindles the joy, love, and humanity that Danny radiated wherever he went.”

The post Indian Army Kills Islamist Terrorist Linked to 2002 Murder of Jewish-American Journalist Daniel Pearl first appeared on Algemeiner.com.

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Jewish Jewelry Shop Owners Brutally Assaulted in Tunisia Days Before Annual Pilgrimage

A Jewish jewelry shop owner in Djerba, Tunisia, was brutally attacked by a man wielding a machete. Photo: Screenshot

A Jewish jewelry shop owner in Djerba, Tunisia, was brutally attacked by a man wielding a machete just days before the Tunisian island was set to host its annual Jewish pilgrimage, which is expected to draw thousands of visitors.

On Wednesday morning, two Jewish men — owners of a jewelry shop in the center of the island, located off Tunisia’s southeast coast — were physically assaulted by a man carrying a large knife.

Although the attack was halted when one of them screamed — alerting members of the local Jewish community who subdued the assailant — one of them was left severely injured.

According to local media reports, the attacker had surveyed the island the day before, visiting several stores to identify those owned by Jews. Local police arrested him shortly following the assault.

After the attack, one of the owners was admitted to the hospital with severe injuries. The 50-year-old Jewish man had his fingers severed during the assault and underwent surgery to reattach them.

Israeli Foreign Minister Gideon Saar condemned the attack and expressed his wishes for a swift recovery to the victims.

“This attack comes two years after the previous deadly assault that claimed Jewish lives and the lives of security personnel during the Lag BaOmer celebration,” the top Israeli diplomat wrote in a post on X.

“I call on the Tunisian authorities to take all necessary measures to protect the Jewish community,” Saar continued.

Djerba is home to the majority of Tunisia’s Jewish community, numbering about 2,000 people, and is also where the renowned El Ghriba Synagogue, one of North Africa’s oldest synagogues, is located.

The attack comes just a week before Jewish pilgrims are expected to arrive on the island for the Lag B’Omer holiday, when thousands gather annually for three days of festivities. The annual pilgrimage to El Ghriba Synagogue, scheduled for May 15 and 16 this year, draws visitors from around the world.

The synagogue has been targeted in multiple terrorist attacks over the years, including in 1985, 2002, and 2023.

Two years ago, a shooting at the synagogue claimed the lives of two Jewish cousins and three police officers. Aviel Hadad, a 30-year-old Israeli goldsmith, and Ben Hadad, a 42-year-old Frenchman who had traveled to join the festivities, were among the victims.

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