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Congressman-elect George Santos campaigned as a Jewish Republican. Was he lying?
(JTA) — On Sunday night, George Santos joined the Republican Jewish Coalition on Long Island, where he was just elected to Congress, for a menorah-lighting to mark the first night of Hanukkah. He’d been invited as one of just two freshmen Republican Jews elected to Congress in November.
On Monday morning, The New York Times published a blockbuster expose alleging that much of what Santos, 34, had said about his education, his wealth, his business experience, and even where he lives is false or at least questionable.
Not addressed in the article: Was he lying about his Jewish background? As with so much else in his personal narrative, there’s little to suggest truth beyond his own past comments.
The Times noted that Santos, 34, has identified to Jewish Insider as Jewish through his mother and Catholic through his father. Both parents were born in Brazil. Santos has said on Twitter that he is a practicing Catholic — and it is not unusual for some Americans to identify as ethnically Jewish and religiously Christian.
“Whether my mother’s Jewish background beliefs, which are mine or my father’s Roman Catholic beliefs, which are also mine, are represented or not,” he told Jewish Insider after his election, “I want to represent everyone else that practices every other religion to make sure everybody feels like they have a partner in me.”
His campaign biography begins, “George’s grandparents fled Jewish persecution in Ukraine, settled in Belgium, and again fled persecution during WWII. They were able to settle in Brazil, where his mother was born.”
That story could well be true. Many European Jews fled to South America during the leadup to the Holocaust. But Santos’ mother, Fatima Devolder (Santos sometimes goes by the name George Devolder), died in 2016 in New York. Nothing in her online obituary, which often is posted by family, indicates any Jewish background. Fatima is one of a number of Roman Catholic appellations for the Virgin Mary, derived from what the church claims are apparitions of Jesus’s mother in 1917 in the Portuguese city of the same name. Devolder is a Flemish/Dutch name, which at least validates Santos’s claim that his mother has Belgian ancestry, but the Flemish people are overwhelmingly Catholic.
Matt Brooks, the RJC CEO, told the Jewish Telegraphic Agency in a text, “I asked him about this. He identifies as Jewish.”
Santos was a featured speaker last month at the RJC’s annual Las Vegas event, billed as one of two freshmen Jewish Republicans in Congress. (The other is Ohio’s Max Miller.) He campaigned heavily among Orthodox Jews living in New York’s 3rd District, encompassing parts of northern Long Island and a part of Queens. “It was an honor to address fellow members of the Jewish community in #NY03,” he tweeted Nov. 3 after attending a Chabad event also attended by Israeli Ashkenazi Chief Rabbi David Lau.
At Sunday’s Hanukkah event, Santos joined Lee Zeldin, the outgoing New York Jewish congressman who gained traction among New York’s politically conservative Orthodox Jewish voters.
Santos did not return emails sent by JTA to multiple addresses or messages sent through a number of social media platforms. His sister, Tiffany, also did not reply to an email, nor did his lawyer, Joe Murray.
Santos’ claims about his religious and ethnic origins are minor compared to the revelations in the Times expose, which offered new details as well as ones published previously elsewhere and uncovered by Democratic Party opposition research. There are no records of Santos attending the institutes of higher learning he claims to have attended, or of working at some of the financial brokerages he claims have employed him. A charitable institution he started has no evidence of being charitable. He has repeatedly identified with the far right, and then attempted to scrub such expressions from his social media.
Santos faces outstanding charges in Brazil for allegedly stealing a checkbook from a man in the care of his mother, a nurse, and then cashing checks, according to the New York Times’ report. He has twice been evicted. His financial reporting as a candidate is missing required information, omissions that could bring legal jeopardy. The Times sought Santos out at the address where he is registered to vote; the person there said she did not know him.
It’s not the first time a politician has campaigned as identifying as having a Jewish background that evaporates under scrutiny. In 2018, Julia Salazar, a progressive Democrat who won a seat in the New York state legislature, said she identified as Jewish in part because of her father’s Jewish roots; her brother said their father was not Jewish.
Salazar and her defenders said that she identified as Jewish and it was untoward to demand proof. The RJC’s Brooks sounded a similar note regarding Santos. “He considers himself a Jew. That’s good enough for me,” he texted.
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The post Congressman-elect George Santos campaigned as a Jewish Republican. Was he lying? appeared first on Jewish Telegraphic Agency.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
