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Crop tops, kippahs and klezmer: A ‘Jewish rave’ scene takes hold in NYC
(New York Jewish Week) — On a recent Thursday in Ridgewood, the Queens neighborhood that straddles the border of uber-hip Bushwick, Brooklyn, a crowd of music fans filled the room at Trans-Pecos, an all-ages music and events venue.
It’s a scene that’s pretty familiar to anyone who’s been to an outer-borough club in recent years: A homey, DIY kind of space with creaky wood floors and plants as decoration; a limited menu of pricey drinks; a young, casual and queer-leaning crowd, albeit with a smattering of “elders” along the sidelines.
But on this particular July evening, the event was celebrating the unique intersection of klezmer music and rave culture. The room was packed with Jewish ravers, for the third New York installment of “Kleztronica,” a burgeoning Jewish music scene that’s becoming a “movement,” according to its 22-year-old creator, Upper West Side native Kaia Berman-Peters.
A singer and a musician, Berman-Peters performs original Jewish songs over the electronic beats of house music and snippets of klezmer, resulting in something akin to Yiddish hip-hop or Jewish techno. With these mashups, she’s building upon a decades-old crossover tradition pioneered in the 1990s and early 2000s by rapper-producer Josh Dolgin, aka Socalled, who created hip-hop songs from samples of Jewish records.
Berman-Peters, who also goes by Chaia, is aiming for something bigger than a danceable tune or a fun night out. “I see Kleztronica as a movement,” she told the New York Jewish Week ahead of the show. “It represents a certain type of diasporism; of recentering Judaism in the Diaspora. I do see it as a movement, a community, but primarily a set of ideas and ways of practicing those ideas.”
The first of these ideas, she said, is a deeply rooted respect for Yiddish tradition and Jewish ancestry. The second honors “the Black and radical lineage of electronic music: Chicago house music, dub in Jamaica, house in Detroit.”
The third is a commitment to “rave space as safe space,” she said, referring to a welcoming, queer-friendly, non-judgmental environment. And the fourth, she said, is Diaspora, specifically “Diaspora without a desire to return” — reflecting the function that Yiddish can play for Jews who do not want to root their identity or engagement in Israel.
“These little raves are just one part of living an exuberant Jewish life centered in the Diaspora,” Berman-Peters said, “centered in learning and in ancestral respect.”
UWS native Kaia Berman-Peters, the founder of Kleztronica, performs a set at Trans-Pecos on July 20, 2023. (Julian Voloj)
At the Trans-Pecos event last month, the scene was a respectful, haimish one that Berman-Peters lovingly described as “super weird” and “so cool.” The enthusiastic, intimate crowd — some wearing kippahs, others crop tops — seemed up for anything, including Slavic squat dancing, which happened later in the evening.
Berman-Peters — who also sings with with Boston-based klezmer group Mama Liga, and is a vocalist and accordionist for the klezmer-folk trio Levyosn — played a set of original songs over Jewish-inflected electronic beats. Sam Slate and Abbie Goldberg, who as drag performers Diva Nigun and Chava GoodTime, had the crowd roaring during a musical skit that had the former dressed as the captain of a cardboard ship and the latter as a shark. (“There are some things I just don’t understand,” a puzzled onlooker quipped to me.)
A highlight was a set from Eleanore Weill, a France-born Brooklyn musician who plays a hand-cranked string instrument called the hurdy-gurdy. “It’s very raw and intense,” Weill recently told the Forward about her instrument, which was wired for the Kleztronica performance. “It’s like a stringed bagpipe. A lot of people can’t handle it.”
Berman-Peters had organized the evening in partnership with Clear the Floor, a rave collective from Boston that centers Black and Indigenous people and other people of color. “The idea is that electronic dance music and techno and house is Black music,” she said of the collaboration. “And it’s music that was created by people of color and continues to be traditional music of people of color. And that we’re part of that lineage standing in solidarity with them.”
Unfortunately, a series of travel snafus meant that only one Clear the Floor rep made it to Ridgewood that evening. It didn’t seem to matter: Most of the tight-knit crowd were entwined in New York’s klezmer scene and were there to see Berman-Peters and company. The audience included klezmer luminaries like Lorin Sklamberg and Frank London — who, as founders of the Klezmatics, kicked off the klezmer revival in the 1980s — as well as representatives of the next generation, like clarinetist Michael Winograd and his Yiddish Princess cofounder, vocalist Sarah Gordon.
Performers at the Kleztronica event included a P1no, left, a DJ from Clear the Floor, a Boston-based BIPOC rave collective, and a drag performance from Diva Nigun. (Jess O’Donoghue)
But don’t mistake Kleztronica as Yiddish Revival 3.0. “I wouldn’t go so far as to say this is what klezmer is becoming, or that this is the new mainstream of klezmer, because of the diversity of genre expression within the scene,” said Aaron Bendich, the founder of Jewish music label Borscht Beat. “I think it would be misconstruing what’s going on there.”
Bendich, who has attended every New York Kleztronica event thus far, noted that past Kleztronica performers included more traditional klezmer musicians who have used their sets to experiment with new forms.
“Kaia is definitely of the new generation of klezmer performers, there’s no doubt in my mind about that,” said Bendich, who released Levyosn’s album in May. “But Kleztronica is its own thing. I don’t think it’s the son of what Michael Winograd is doing, or the grandchild of the Klezmatics.”
“It’s really exciting,” said musician Slate about this new shoot on the klezmer family tree, who was cooling off in Trans-Pecos’ expansive backyard ahead of his set. (Slate uses he/they pronouns in day-to-day life and she/her as Diva Nigun.) “There’s such a cultural shift among young Jews to explore, to reinvigorate, for Ashkenazi Jews, Yiddish culture and yiddishkeit.”
Slate and Berman-Peters met about a year ago at an anarchist havdalah in Prospect Par. Incredibly, it turned out that they both lived in Boston and made electronic Jewish music but had never crossed paths before.
Since then, Slate has collaborated with Berman-Peters on Kleztronica events in both cities. “It was only a matter of time because the music is so rich, and has so much to offer,” Slate said. “I grew up secular but it’s so deep in my bones still.”
“We wanted to make electronic music that wasn’t just kitschy — it wasn’t just a joke or a punchline,” he said of Kleztronica’s evolution. “There are very few artists who have been able to balance that, and it felt really exciting that there were a bunch of us [doing this] at the same time.”
Revelers get down to the sounds of Kleztronica at Trans-Pecos on July 20, 2023. (Jessica O’Donoghue)
Berman-Peters grew up in an academic, Jewish and musical home in Manhattan. Her mother, Julie Stone Peters, is a professor of literature and theater at Columbia University; her father, Nathaniel Berman, is a professor at Brown University specializing in Kabbalah and Jewish mysticism. Not only did she “grow up on campus” at Columbia, “I grew up sort of with a stream of rabbis, cantors and Jewish musicians sort of coming in and out of our house to hear my dad teach,” she said. “And that was really cool.”
One of her father’s students was Basya Schecter, founder of the Jewish world music/folk band Pharaoh’s Daughter, who became a close family friend and “a mentor to me, musically,” Berman-Peters said. Her interest in klezmer began in high school when she took up the accordion and joined the Columbia Klezmer Ensemble — which was open to anyone, not just Columbia students — led by renowned klezmer musician, cantor and educator Jeff Warschauer.
At Warschauer’s urging, as she was set to graduate from the Heschel School, Berman-Peters applied to the New England Conservatory of Music, which is nicknamed the “Klezmer Conservatory” because it is home to the Klezmer Conservatory Band, led by Hankus Netsky.
“I didn’t have that rigorous of a musical background; I didn’t really think I could get in,” she said. But “get in” she did, and Berman-Peters began a joint bachelor’s and master’s degree program in partnership with Harvard University in 2019.
In college, while studying accordion and klezmer music, Berman-Peters began to get serious about DJing and electronic music. “I started feeling really inspired by a lot of different artists who make electronic music that expresses their cultural roots,” she said, pointing to artists like Sofia Kourtesis, whose music draws upon Peruvian culture and protest tradition. “And I thought I could do that, too.”
At the moment, Berman-Peters is taking time off from completing her degree to pursue Kleztronica full-time. She just completed recording her first Kleztronica album — her dream, she said, is to release it on London-based indie label Ninja Tune — and the next Kleztronica events in New York are slated for October and December.
Currently living with her parents on the Upper West Side, she expresses wonder at how rapidly her burgeoning vision is catching on, considering that the first-ever Kleztronica event happened just this past December, when she proposed the idea to Pete Rushefsky, a founder of the Yiddish New York festival, who was enthusiastically all-in.
“I expected it to just be people from the klezmer scene that I knew, and maybe people interested in music, but it’s all people from all walks of Jewish life that I totally didn’t expect,” she said of her fans, pointing specifically to Jewish hippies and ex-haredi party people.
She said that while attendees have mostly been Jews so far, she doesn’t think the audience ends there.
“I hope that more non-Jews start coming because I really think being culturally rooted and making dance music is what dance music was all about in the first place,” she said. “So I really hope that more people who are not Jewish come to this, and see our version of it, and our version of what Judaism looks like, too.”
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The post Crop tops, kippahs and klezmer: A ‘Jewish rave’ scene takes hold in NYC appeared first on Jewish Telegraphic Agency.
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Trump Administration Says George Washington University Ignored Campus Antisemitism
US President Donald Trump holds a press briefing on Aug. 11, 2025. Photo: Andrew Thomas via Reuters Connect
The Civil Rights Division of the US Department of Justice (DOJ) said on Tuesday that it has amassed sufficient evidence to prove that George Washington University violated Title VI of the Civil Rights Act, alleging that the institution responded to campus antisemitism “by acting deliberately indifferent” to the harm it posed to Jewish students and faculty.
“The division finds that GWU took no meaningful action and was instead deliberately indifferent to the complaints it received, the misconduct that occurred, and the harms that were suffered by its Jewish and Israeli students and faculty,” the agency said while sharing a document containing its findings. “The Justice Department will seek immediate remediation with GWU for its civil rights violations.”
George Washington University, speaking through spokesperson Shannon McClendon, responded to the Justice Department in a statement which summarized the institution’s actions and policies while stopping short of offering a contentious refutation of the government’s case.
“We have taken appropriate action under university policy and the law to hold individuals or organizations accountable, including during the encampment, and we do not tolerate behavior that threatens our community or undermines meaningful dialogue,” McClendon said. “We have worked diligently with members of GW’s Jewish community, as well as Jewish community organizations, city, and federal authorities to protect the GW community from antisemitism and we remain committed to working with them to ensure every student has the right to equal educational opportunities without fear of harassment and abuse.”
As previously reported, George Washington University in Washington, DC has been a hub of extreme anti-Zionist activity that school officials have struggled to quell. A major source of such conduct has been the campus group Students for Justice in Palestine (SJP), which, among other things, has threatened a Jewish professor and intimidated Jews on campus.
Recently, a student used her commencement speech to lodge accusations of apartheid and genocide against Israel, a notion trafficked by neo-Nazi groups and jihadist terror organizations.
The student, Cecilia Culver, accused Israel of targeting Palestinians “simply for [their] remaining in the country of their ancestors” and said that GW students are passive contributors to the “imperialist system.” An economics and statistics major, Culver deceived administrators who selected her to address the Columbian College of the Arts and Sciences ceremony, the university said in a statement, claiming she strayed from her prepared remarks.
GW faculty have also allegedly contributed to the promotion of antisemitism on campus. In 2023, former psychology professor Lara Sheehi was accused of verbally abusing and discriminating against her Jewish graduate students.
As recounted in a 2023 civil rights complaint filed by StandWithUs, Sheehi was accused of expressing contempt for Jews when, on the first day of term in August 2022, she asked every student to share information about their backgrounds and cultures. Replying to a student who revealed that she was Israeli, Sheehi allegedly said, “It’s not your fault you were born in Israel.” Jewish students said they made several attempts to persuade the university to correct Sheehi’s behavior or arrange an alternative option for fulfilling the requirements of her course. Each time, StandWithUs alleged, administrators said nothing could be done.
Later, the complaint added, Sheehi spread rumors that her Jewish students were “combative” racists and filed misconduct charges against them. One student told The Algemeiner at the time that she never learned what university policies Sheehi accused her and her classmates of violating.
In May, a civil lawsuit recounted dozens of antisemitic incidents which occurred at the university following the Hamas-led Oct. 7, 2023, massacre across southern Israel. It alleged that school officials failed to respond to adequately to them because of anti-Jewish, as well as anti-Zionist, bias. Among the incidents detailed, the campus Hillel Center was vandalized; someone threw a rock through the window of a truck owned by a Jewish advocacy group; and a Jewish student was told to “kill yourself” and “watch your back” in a hate message which also called her a “filthy k—ke.”
That and more transpired, court documents charge.
“Protesters at GWU raised repulsive, antisemitic signs and shouted slogans like ‘final solution,’ ‘the irony of being what you once hatred,’ a message that equated the swastika to the Star of David; and ‘Globalize the Intifada,’ an express call for violence against Jews,” the complaint adds. “Protesters vandalized university property in what amounted to rioting and blocked Jewish students from traversing campus freely, attending class, and otherwise engaging in educational opportunities.”
The plaintiffs, Sabrina Soffer and Ari Shapiro, said in court documents that the university’s anemic response to campus antisemitism constituted a violation of Title VI. They are seeking damages and injunctive relief.
On Tuesday, assistant attorney general Harmeet Dhillon of the Justice Department’s civil rights division said the Trump administration will continue identifying universities which allegedly miscarried justice, saying, “Every student has the right to educational opportunities without fear of harassment or abuse. No one is above the law, and universities that promulgate antisemitic discrimination will face legal consequences.”
Follow Dion J. Pierre @DionJPierre.
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Iran, South Africa Deepen Military, Strategic Partnership to Counter ‘Global Arrogance’
Iranian Maj. Gen. Amir Hatami and South African Gen. Rudzani Maphwanya meet in Tehran on Aug. 12, 2025, to discuss strengthening military cooperation and strategic ties. Photo: Screenshot
Iran and South Africa held high-level military talks this week as both nations seek to deepen cooperation and strengthen their partnership against what they called “global arrogance and aggressive colonial approaches.”
On Tuesday, Iranian Maj. Gen. Amir Hatami, chief of staff of Iran’s army, met with Gen. Rudzani Maphwanya, the visiting chief of the South African National Defense Force, in Tehran.
During a joint press conference, Hatami said that both countries share a strong commitment to opposing “colonialism and global arrogance,” with South Africa playing a significant role in Iran’s foreign policy priorities.
“The Islamic Republic and South Africa have always supported each other and oppressed nations,” the Iranian commander said, according to Iran’s state-run media, emphasizing that their shared mission must continue “until restoration of an international order based on justice and human dignity.”
Hatami also emphasized the strong political alignment between Tehran and Pretoria, saying it has granted South Africa “a special position” in Iran’s broader strategy toward Africa.
He expressed hope that this partnership, particularly their shared military capabilities, would soon lead to tangible joint projects.
For his part, Maphwanya called for deeper ties between the two nations, especially in defense cooperation, affirming that “the Republic of South Africa and the Islamic Republic of Iran have common goals.”
“We always stand alongside the oppressed and defenseless people of the world,” the South African general said.
The meeting came after the Middle East Africa Research Institute (MEARI) released a recent report detailing how South Africa’s deepening ties with Tehran have led the country to compromise its democratic foundations and constitutional principles by aligning itself with a regime internationally condemned for terrorism, repression, and human rights abuses.
For example, the report noted that while Iran supports South Africa’s coalition government partly because of their shared revolutionary and liberation ideologies, Pretoria has often defended Tehran at the United Nations and the International Atomic Energy Agency (IAEA) by voting against sanctions or abstaining.
In doing so, the study claimed that the South African government has both undermined its democratic values and bolstered Iran’s regional ambitions by defending its nuclear program and downplaying its human rights abuses.
During the press conference in Tehran, Hatami praised South Africa’s “firm stance” in condemning what he called “the joint atrocities committed by the Israeli regime and the United States against Palestinians,” describing it as both “courageous and commendable.”
He also commended Pretoria’s decision to “challenge the Zionist regime at the International Court of Justice [ICJ] over its ongoing genocide in the Gaza Strip,” calling the move one that “would go down in history.”
Since December 2023, South Africa has been pursuing its case at the ICJ, the UN’s top court, accusing Israel of committing “state-led genocide” in its defensive war against the Palestinian terrorist group Hamas in Gaza.
Israeli leaders have lambasted the case as an “obscene exploitation” of the Genocide Convention, noting that the Jewish state is targeting terrorists who use civilians as human shields in its military campaign.
MEARI’s report questioned whether South Africa’s case against Israel was genuinely rooted in constitutional principles — or driven by outside political pressure.
According to the study, South Africa’s open hostility toward Israel and its biased approach in filing the case — failing to acknowledge Hamas’s role in launching the war with its Oct. 7, 2023, invasion of and massacre across southern Israel — undermines the government’s credibility.
The study also explained that, shortly after filing the ICJ case, South Africa’s ruling African National Congress (ANC), struggling with financial difficulties, unexpectedly paid off a multi-million-rand debt, fueling speculation about possible covert support from Iran.
During Tuesday’s press conference, Hatami also emphasized that Gaza’s population requires immediate and concrete support from governments and international organizations, rather than mere symbolic gestures.
“Unfortunately, due to the influence of the United States and some Western powers, such support is more verbal than practical. As a result, the crimes of this regime continue with intensity,” he said.
Since the start of the war in Gaza, the South African government has been one of the fiercest critics of Israel’s military campaign, which seeks to free the hostages kidnapped by Hamas on Oct. 7, 2023, and dismantle the terrorist group’s military and administrative control in the enclave.
Beyond its open hostility toward Israel, South Africa has actively supported Iran’s terrorist proxy by hosting two Hamas officials at a state-backed conference expressing solidarity with the Palestinians in December 2023.
Iranian leaders routinely declare their intention to destroy the state of Israel.
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Zohran Mamdani Overwhelmingly Unpopular With New York City Jews, New Poll Finds
Zohran Mamdani. Photo: Ron Adar / SOPA Images via Reuters Connect
A new Siena College poll shows Democratic mayoral nominee Zohran Mamdani facing an overwhelming backlash from Jewish voters in New York City, with a staggering 75 percent holding an unfavorable opinion of the Queens Democrat and just 15 percent viewing him favorably.
The numbers mark Mamdani as one of the least popular figures among Jewish New Yorkers, undermining narratives that the progressive lawmaker enjoys substantial support from the Jewish community. His unfavorable rating among Jewish voters is more than 38 points higher than his standing with the general electorate, where 37 percent view him negatively compared to 28 percent favorably. (The remainder responded they either don’t know or have no opinion.)
The steep disapproval comes as Mamdani continues to face criticism for adopting explicitly anti-Israel rhetoric during his campaign. He has repeatedly accused Israel of “apartheid,” called for a US arms embargo on the country, and championed pro-Palestinian causes. He has also accused Israel of committing a so-called “genocide” in Gaza and refused to affirm its right to exist as a Jewish state.
Many local Jewish leaders have condemned these positions as dangerously one-sided amid rising global antisemitism. Critics within the Jewish community have said Mamdani’s rhetoric ignores Israel’s right to defend itself and alienates Jewish New Yorkers who see anti-Israel animus leading to increased antisemitism in the US.
Only 20 percent of Jews stated in the new poll that they plan on voting for Mamdani, undercutting previous polling which indicated the firebrand progressive winning a plurality of New York City Jewish support. According to the poll, 44 percent and 23 percent of Jews in the city plan on voting for former New York Gov. Andrew Cuomo and conservative activist Curtis Sliwa, respectively. Only 4 percent plan on voting for incumbent Mayor Eric Adams.
Mamdani, the 33‑year‑old state assemblymember and self-proclaimed democratic socialist, defeated Cuomo and other candidates in a lopsided first‑round win in the city’s Democratic primary for mayor, notching approximately 43.5 percent of first‑choice votes compared to Cuomo’s 36.4 percent.
A little-known politician before this year’s primary campaign, Mamdani is an outspoken supporter of the boycott, divestment, and sanctions (BDS) movement, which seeks to isolate Israel from the international community as a step toward its eventual elimination. Mamdani also defended the phrase “globalize the intifada”— which references previous periods of sustained Palestinian terrorism against Jews and Israels and has been widely interpreted as a call to expand political violence — by invoking the Warsaw Ghetto Uprising during World War II. In response, the US Holocaust Memorial Museum repudiated the mayoral candidate, calling his comments “outrageous and especially offensive to [Holocaust] survivors.”