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Crop tops, kippahs and klezmer: A ‘Jewish rave’ scene takes hold in NYC
(New York Jewish Week) — On a recent Thursday in Ridgewood, the Queens neighborhood that straddles the border of uber-hip Bushwick, Brooklyn, a crowd of music fans filled the room at Trans-Pecos, an all-ages music and events venue.
It’s a scene that’s pretty familiar to anyone who’s been to an outer-borough club in recent years: A homey, DIY kind of space with creaky wood floors and plants as decoration; a limited menu of pricey drinks; a young, casual and queer-leaning crowd, albeit with a smattering of “elders” along the sidelines.
But on this particular July evening, the event was celebrating the unique intersection of klezmer music and rave culture. The room was packed with Jewish ravers, for the third New York installment of “Kleztronica,” a burgeoning Jewish music scene that’s becoming a “movement,” according to its 22-year-old creator, Upper West Side native Kaia Berman-Peters.
A singer and a musician, Berman-Peters performs original Jewish songs over the electronic beats of house music and snippets of klezmer, resulting in something akin to Yiddish hip-hop or Jewish techno. With these mashups, she’s building upon a decades-old crossover tradition pioneered in the 1990s and early 2000s by rapper-producer Josh Dolgin, aka Socalled, who created hip-hop songs from samples of Jewish records.
Berman-Peters, who also goes by Chaia, is aiming for something bigger than a danceable tune or a fun night out. “I see Kleztronica as a movement,” she told the New York Jewish Week ahead of the show. “It represents a certain type of diasporism; of recentering Judaism in the Diaspora. I do see it as a movement, a community, but primarily a set of ideas and ways of practicing those ideas.”
The first of these ideas, she said, is a deeply rooted respect for Yiddish tradition and Jewish ancestry. The second honors “the Black and radical lineage of electronic music: Chicago house music, dub in Jamaica, house in Detroit.”
The third is a commitment to “rave space as safe space,” she said, referring to a welcoming, queer-friendly, non-judgmental environment. And the fourth, she said, is Diaspora, specifically “Diaspora without a desire to return” — reflecting the function that Yiddish can play for Jews who do not want to root their identity or engagement in Israel.
“These little raves are just one part of living an exuberant Jewish life centered in the Diaspora,” Berman-Peters said, “centered in learning and in ancestral respect.”
UWS native Kaia Berman-Peters, the founder of Kleztronica, performs a set at Trans-Pecos on July 20, 2023. (Julian Voloj)
At the Trans-Pecos event last month, the scene was a respectful, haimish one that Berman-Peters lovingly described as “super weird” and “so cool.” The enthusiastic, intimate crowd — some wearing kippahs, others crop tops — seemed up for anything, including Slavic squat dancing, which happened later in the evening.
Berman-Peters — who also sings with with Boston-based klezmer group Mama Liga, and is a vocalist and accordionist for the klezmer-folk trio Levyosn — played a set of original songs over Jewish-inflected electronic beats. Sam Slate and Abbie Goldberg, who as drag performers Diva Nigun and Chava GoodTime, had the crowd roaring during a musical skit that had the former dressed as the captain of a cardboard ship and the latter as a shark. (“There are some things I just don’t understand,” a puzzled onlooker quipped to me.)
A highlight was a set from Eleanore Weill, a France-born Brooklyn musician who plays a hand-cranked string instrument called the hurdy-gurdy. “It’s very raw and intense,” Weill recently told the Forward about her instrument, which was wired for the Kleztronica performance. “It’s like a stringed bagpipe. A lot of people can’t handle it.”
Berman-Peters had organized the evening in partnership with Clear the Floor, a rave collective from Boston that centers Black and Indigenous people and other people of color. “The idea is that electronic dance music and techno and house is Black music,” she said of the collaboration. “And it’s music that was created by people of color and continues to be traditional music of people of color. And that we’re part of that lineage standing in solidarity with them.”
Unfortunately, a series of travel snafus meant that only one Clear the Floor rep made it to Ridgewood that evening. It didn’t seem to matter: Most of the tight-knit crowd were entwined in New York’s klezmer scene and were there to see Berman-Peters and company. The audience included klezmer luminaries like Lorin Sklamberg and Frank London — who, as founders of the Klezmatics, kicked off the klezmer revival in the 1980s — as well as representatives of the next generation, like clarinetist Michael Winograd and his Yiddish Princess cofounder, vocalist Sarah Gordon.
Performers at the Kleztronica event included a P1no, left, a DJ from Clear the Floor, a Boston-based BIPOC rave collective, and a drag performance from Diva Nigun. (Jess O’Donoghue)
But don’t mistake Kleztronica as Yiddish Revival 3.0. “I wouldn’t go so far as to say this is what klezmer is becoming, or that this is the new mainstream of klezmer, because of the diversity of genre expression within the scene,” said Aaron Bendich, the founder of Jewish music label Borscht Beat. “I think it would be misconstruing what’s going on there.”
Bendich, who has attended every New York Kleztronica event thus far, noted that past Kleztronica performers included more traditional klezmer musicians who have used their sets to experiment with new forms.
“Kaia is definitely of the new generation of klezmer performers, there’s no doubt in my mind about that,” said Bendich, who released Levyosn’s album in May. “But Kleztronica is its own thing. I don’t think it’s the son of what Michael Winograd is doing, or the grandchild of the Klezmatics.”
“It’s really exciting,” said musician Slate about this new shoot on the klezmer family tree, who was cooling off in Trans-Pecos’ expansive backyard ahead of his set. (Slate uses he/they pronouns in day-to-day life and she/her as Diva Nigun.) “There’s such a cultural shift among young Jews to explore, to reinvigorate, for Ashkenazi Jews, Yiddish culture and yiddishkeit.”
Slate and Berman-Peters met about a year ago at an anarchist havdalah in Prospect Par. Incredibly, it turned out that they both lived in Boston and made electronic Jewish music but had never crossed paths before.
Since then, Slate has collaborated with Berman-Peters on Kleztronica events in both cities. “It was only a matter of time because the music is so rich, and has so much to offer,” Slate said. “I grew up secular but it’s so deep in my bones still.”
“We wanted to make electronic music that wasn’t just kitschy — it wasn’t just a joke or a punchline,” he said of Kleztronica’s evolution. “There are very few artists who have been able to balance that, and it felt really exciting that there were a bunch of us [doing this] at the same time.”
Revelers get down to the sounds of Kleztronica at Trans-Pecos on July 20, 2023. (Jessica O’Donoghue)
Berman-Peters grew up in an academic, Jewish and musical home in Manhattan. Her mother, Julie Stone Peters, is a professor of literature and theater at Columbia University; her father, Nathaniel Berman, is a professor at Brown University specializing in Kabbalah and Jewish mysticism. Not only did she “grow up on campus” at Columbia, “I grew up sort of with a stream of rabbis, cantors and Jewish musicians sort of coming in and out of our house to hear my dad teach,” she said. “And that was really cool.”
One of her father’s students was Basya Schecter, founder of the Jewish world music/folk band Pharaoh’s Daughter, who became a close family friend and “a mentor to me, musically,” Berman-Peters said. Her interest in klezmer began in high school when she took up the accordion and joined the Columbia Klezmer Ensemble — which was open to anyone, not just Columbia students — led by renowned klezmer musician, cantor and educator Jeff Warschauer.
At Warschauer’s urging, as she was set to graduate from the Heschel School, Berman-Peters applied to the New England Conservatory of Music, which is nicknamed the “Klezmer Conservatory” because it is home to the Klezmer Conservatory Band, led by Hankus Netsky.
“I didn’t have that rigorous of a musical background; I didn’t really think I could get in,” she said. But “get in” she did, and Berman-Peters began a joint bachelor’s and master’s degree program in partnership with Harvard University in 2019.
In college, while studying accordion and klezmer music, Berman-Peters began to get serious about DJing and electronic music. “I started feeling really inspired by a lot of different artists who make electronic music that expresses their cultural roots,” she said, pointing to artists like Sofia Kourtesis, whose music draws upon Peruvian culture and protest tradition. “And I thought I could do that, too.”
At the moment, Berman-Peters is taking time off from completing her degree to pursue Kleztronica full-time. She just completed recording her first Kleztronica album — her dream, she said, is to release it on London-based indie label Ninja Tune — and the next Kleztronica events in New York are slated for October and December.
Currently living with her parents on the Upper West Side, she expresses wonder at how rapidly her burgeoning vision is catching on, considering that the first-ever Kleztronica event happened just this past December, when she proposed the idea to Pete Rushefsky, a founder of the Yiddish New York festival, who was enthusiastically all-in.
“I expected it to just be people from the klezmer scene that I knew, and maybe people interested in music, but it’s all people from all walks of Jewish life that I totally didn’t expect,” she said of her fans, pointing specifically to Jewish hippies and ex-haredi party people.
She said that while attendees have mostly been Jews so far, she doesn’t think the audience ends there.
“I hope that more non-Jews start coming because I really think being culturally rooted and making dance music is what dance music was all about in the first place,” she said. “So I really hope that more people who are not Jewish come to this, and see our version of it, and our version of what Judaism looks like, too.”
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Australia Cracks Down on Antisemitism Amid Unrelenting Surge in Hate Crimes Targeting Jewish Community
Car in New South Wales, Australia graffitied with antisemitic message. Photo: Screenshot
The government of the Australian state of New South Wales (NSW) has introduced a proposal to criminalize specific protests outside places of worship in response to a recent wave of hate crimes targeting Jews in Australia.
“We have seen disgusting acts of racial hatred and antisemitism,” the NSW premier Chris Minns said in a statement outlining the proposed laws. “These are strong new laws, and they need to be because these attacks have to stop.”
Part of a broader set of measures, the reforms aim to address a recent wave of arson attacks and antisemitic vandalism across Australia over the past two months.
“These laws have been drafted in response to the horrifying antisemitic violence in our community, but it’s important to note that they will apply to anyone, preying on any person, of any religion,” Minns said.
The legislation also followed Israel’s call for the Australian government to take stronger measures against the “epidemic of antisemitism” that has swept across the country. Prime Minister Anthony Albanese has maintained that his government is doing everything possible to combat attacks, including acts of domestic terrorism.
The attempted antisemitic terror attack at a synagogue in Sydney is intolerable. This joins a long list of antisemitic attacks in Australia, including setting fire to a childcare center in Sydney, firebombing a synagogue in Melbourne, and many other antisemitic attacks.
The…— Gideon Sa’ar | גדעון סער (@gidonsaar) January 29, 2025
On Sunday, the NSW Jewish Board said that in three weeks they had seen 10 publicly reported antisemitic incidents, primarily in the Sydney area, which included arson and vandalism — including property defaced with messages reading “f—k Jews.” The group said that number “doesn’t include the graffiti appearing in our streets on a daily basis or the abuse and harassment that goes unreported.”
Last month, Australian police said they foiled a potential mass-casualty antisemitic terrorist attack after discovering a caravan in a suburb of Sydney filled with explosives and material containing details about Jewish targets.
Under the new proposed laws, it would be an offense to block access to places of worship or harass, intimidate, or threaten people there, with a maximum penalty of two years in prison. The legislation gives the police heightened powers to enforce he law.
It would also become a crime to display a Nazi symbol near a synagogue, with a maximum two-year prison sentence, and the Graffiti Control Act would be amended to make graffiti on places of worship an aggravated offence.
These potential changes would come after two synagogues in Sydney were vandalized last month with swastikas, and an attempt was made to set one on fire.
Under the new legislation, sentencing could take into account whether an offense was “wholly” or “partially” driven by hatred or prejudice.
“The entire community will be safer as a direct result of these changes. The proposed changes will mean that divisive and hateful behaviors will not succeed in dividing our community,” said Michael Daley, the attorney general.
As authorities work to counter the alarming surge in anti-Jewish incidents, law enforcement has made several arrests across Australia.
On Wednesday, two 27-year-old men were arrested and charged for spray-painting antisemitic symbols and words on walls, bus stops, and signs in several Perth neighborhoods in western Australia.
“The Western Australia Police Force will not allow vile acts of hatred and racism to go unchecked,” a WA Police spokesperson said in a statement. “This swift outcome should send a clear message to anyone engaging in this kind of behavior. We will find you and you will be put before the courts to face the consequences of your actions.”
In Melbourne, a 68-year-old man has been charged with criminal damage, unlawful assault, and offensive graffiti after allegedly vandalizing a family home in a Jewish community and throwing bacon at a passerby who tried to intervene.
In Sydney, a woman was found guilty of sending a threatening message to a Jewish school just 11 days after Hamas’s invasion of and massacre across southern Israel on Oct. 7, 2023. However, she has escaped conviction.
In the letter, the 21-year-old wrote: “You are the children of Satan … get cancer and die a slow, painful death.”
“Praise Hitler. If only he was here to continue the mass destruction of your bloodline,” the message continued.
Many observers have expressed outrage over the woman escaping conviction. The verdict came as Jewish students were reported to be hiding their school uniform logos and avoiding public transport, in the wake of rising antisemitic attacks on Jewish schools, daycare centers, and synagogues.
AUSTRALIA’S SHAME – ANTISEMITISM EMERGENCY
This pic is the front cover of the Wentworth Courier, the local paper for much of Sydney’s eastern suburbs which is home to much of the Jewish community in NSW.
“Jewish children under police watch” in order to attend school.… pic.twitter.com/L6Itct35L9
— Australian Jewish Association (@AustralianJA) February 4, 2025
Last month, the NSW government also proposed a new law making it a criminal offense to intentionally incite racial hatred, with a maximum two-year prison sentence.
In their efforts to combat hate speech, this change would make inciting racial hatred a criminal offense, rather than just a civil one under the Anti-Discrimination Act.
The state government also announced an increase of $525,000 in funding for the NSW police engagement and hate crime unit, along with a $500,000 boost to a grants program for social cohesion.
The post Australia Cracks Down on Antisemitism Amid Unrelenting Surge in Hate Crimes Targeting Jewish Community first appeared on Algemeiner.com.
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Pro-Trump Arab American Group Changes Name After US President Floats Controversial Gaza Plan
Then-US President-elect Donald Trump speaks during a meeting with House Republicans at the Hyatt Regency hotel in Washington, DC, US on Nov. 13, 2024. Photo: ALLISON ROBBERT/Pool via REUTERS
A prominent organization that sought to forge strong ties between US President Donald Trump and the Arab American community has changed its name in opposition to Trump’s proposal for the US to “take over” over Gaza.
On Wednesday, “Arab Americans for Trump” announced a rebrand to “Arab Americans for Peace,” criticizing the president for his failure to hold meetings with “key Arab leaders” and his support for removing “Palestinian inhabitants to other parts of the Arab world.”
“We strongly appreciate the president’s offer to clean and rebuild Gaza. However, the purpose should be to make Gaza habitable for Palestinians and no one else,” the group said in a press release explaining the name change.
The group explained that it supports a separate independent state for Palestinians encompassing Gaza, the West Bank, and East Jerusalem, expressing disappointment that Trump has not attempted to carve out a “path to a permanent peace process.”
Bishara Bahbah, chairman of the group, told the Associated Press that the organization is “completely opposed” to Trump’s suggestion to transfer Gaza’s civilians out of the coastal enclave.
“The talk about what the president wants to do with Gaza, obviously we’re completely opposed to the idea of the transfer of Palestinians from anywhere in historic Palestine,” Bahbah said. “And so we did not want to be behind the curve in terms of pushing for peace, because that has been our objective from the very beginning.”
On Tuesday night, Trump and Israeli Prime Minister Benjamin Netanyahu, who was visiting the White House, held a press conference following their private meeting in the Oval Office. Trump asserted that the US would assume control of Gaza and develop it economically into “the Riviera of the Middle East” after Palestinians are resettled elsewhere.
“The US will take over the Gaza Strip, and we will do a job with it too,” Trump told reporters. “We’ll own it and be responsible for dismantling all of the dangerous unexploded bombs and other weapons on the site.”
Earlier in the day, Trump referred to Gaza as a “demolition site” and said its residents have “no alternative” but to leave, suggesting Egypt, Jordan, and other Arab states as possible relocation sites.
Trump performed remarkably well with Arab American voters in the 2024 presidential election. In the majority-Arab American city of Dearborn, Michigan, 42 percent of voters backed Trump, compared to 36 percent who supported Democratic nominee Kamala Harris.
Other Arab American leaders and organizations slammed Trump’s proposal to vacate Palestinians from Gaza.
Layla Elabed, the co-chair of the Uncommitted National Movement, said she was “sad, angry, and scared for our communities.”
James Zogby, president of the Arab American Institute, called Trump’s comments “dangerous, provocative, illegal, and callously insensitive to Palestinian needs.”
Wa’el Alzayat, leader of EmgageUSA, an organization that advocates on behalf of Muslim Americans, rebuffed Trump’s proposal as a “violation of international law.”
The post Pro-Trump Arab American Group Changes Name After US President Floats Controversial Gaza Plan first appeared on Algemeiner.com.
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Liri Albag Celebrates 20th Birthday at Hospital With Other Hostages Released From Gaza
Liri Albag, center, standing from a balcony inside Israel’s Rabin Medical Center and watching an orchestra performance for her birthday alongside Agam Berger, Daniella Gilboa, Karina Ariev, and Naama Levy. Photo:
American Friends of Rabin Medical Center
Liri Albag, who was recently released from captivity in Gaza as part of the Israel-Hamas ceasefire, celebrated her 20th birthday on Tuesday with other former hostages at Rabin Medical Center’s Beilinson Hospital in Petach Tikvah, Israel, where she is recovering after returning home 10 days earlier.
An orchestra came to the hospital to perform a small concert for Albag, who celebrated her previous birthday in Hamas captivity. The songs included Leonard Cohen’s “Hallelujah” and “Happy Birthday.” She watched from a balcony on one of the upper floors of the hospital alongside other freed hostages Agam Berger, Daniella Gilboa, Karina Ariev, and Naama Levy. All five women were serving as surveillance soldiers in the Israel Defense Forces when they were kidnapped from an IDF base in Nahal Oz by Hamas-led terrorists during their deadly rampage in southern Israel on Oct. 7, 2023.
Albag, Gilboa, Ariev, and Levy returned together after 15 months in Hamas captivity as part of the ceasefire agreement between Israel and Hamas. Five days later, Berger was also released as part of the ceasefire deal.
Albag uploaded a post on Instagram about her birthday and wrote: “Today I get to celebrate my 20th birthday with my loved ones. The only wish I asked for — is for all the hostages to return.”
Her older sister, Roni Albag, shared a photo from the birthday celebrations on Instagram and wrote in the caption: “Our Lirosh, our number 1. I dreamed of this moment countless times and here you are. Today you celebrate your 20th birthday at home!!! Today you celebrate the life that was given to you again. You are our victory, our heart and the light of our home. I love you and am here for you forever and ever.”
Liri posted on social media on Friday for the first time since returning from captivity. In an Instagram post, she thanked the people of Israel for their “support, love, and help.” She said, “Together, we are strength.” She also thanked the IDF and members of Israel’s security forces “who sacrificed their souls and fought for us and our country! There isn’t a morning that I don’t pray for their safety.”
“Finally got to reunite with my family! But our fight isn’t over and I won’t stop fighting until everyone is home!” she added. “I want us to continue to stay united, because together nothing can break us. The unity and hope we have in us scares all our enemies, amazes all our lovers, and comforts the people among us. A sentence that used to accompany me was ‘at the end of every night, darkness disappears.’ And I wish that everyone can see the light.”
Seven surveillance soldiers were abducted from the Nahal Oz base on Oct. 7, 2023, including Noa Marciano, who was killed in Hamas captivity, and Ori Megidish, who was rescued by the IDF in October 2023.
The post Liri Albag Celebrates 20th Birthday at Hospital With Other Hostages Released From Gaza first appeared on Algemeiner.com.