Connect with us

Uncategorized

David Strathairn plays historic Holocaust witness Jan Karski in PBS’s ‘Remember This’

(JTA) — As a Roman Catholic in Warsaw during World War II, Jan Karski could easily have ignored the horrors unfolding behind the walls of the Jewish ghetto. Instead, as a member of the Polish Resistance, he donned a yellow Star of David and infiltrated the Warsaw Ghetto to report on what was happening to the Jews there.

Karski’s reconnaissance in the ghetto and elsewhere provided the West with some of the first eyewitness accounts of the Holocaust. He even met with U.S. President Franklin D. Roosevelt in 1943 to share what he saw — though the information he provided did not cause Roosevelt to intervene more strongly.

Karski died in 2000 at 86 and posthumously received the Presidential Medal of Freedom, the United States’ top honor. But he is hardly a household name in the country he adopted as a home, despite his singular role in history.

The producers of a one-man show about Karski hope that will change starting Monday night, when a staging of “Remember This: The Lesson of Jan Karski” airs on PBS as part of the broadcaster’s “Great Performances” series. Karski is played by David Straitharn, an award-winning actor who specializes in portraying historical figures.

“Remember This: The Lesson of Jan Karski,” by Clark Young and Derek Goldman, first premiered in 2019 at Georgetown University, where Karski was a professor until he retired in 1984. During the height of the pandemic in 2020, the play was turned into a black-and-white film, directed by Goldman and Jeff Hutchens, shot over six days on a soundstage in Brooklyn.

The PBS pickup will give the play its biggest audience yet, and its premiere on Monday night is followed by a companion documentary, “Remembering Jan Karski.” The documentary is produced by WNET Group’s “Exploring Hate,” a multi-platform reporting initiative about the roots and rise of hate in America and around the world.

“We have the artists’ hope that with more visibility and more impact, that at least some kind of awareness can happen, but it’s daunting and the dangers of just preaching to the converted are real,” Goldman told the Jewish Telegraphic Agency. “That’s why I’m hoping that PBS and this ‘Exploring Hate’ series can widen the awareness of Karski.”

Strathairn has portrayed Karski since the play’s first staged reading in 2014 as part of Karski’s centennial celebration.

Straithairn is known for his portrayals of historical figures, including of Edward R. Murrow, the American newsman who broadcast from Europe during World War II, in 2005’s “Good Night, and Good Luck” and as the voice of Roosevelt in 2017’s “Darkest Hour,” about England’s handling of the lead-up to the war.

“The reception far exceeded our expectation, in terms of many people who knew and were close to Karski, feeling that David had tapped something very profound and very deep about Karski,” Goldman told JTA. “People said it was like he had risen from the grave.”

Goldman, who teaches at Georgetown, never met Karski. But the play was informed by hundreds of former colleagues and students, in addition to Karski’s own memoir and interviews.

“Part of why I think the Karski story has been such a gift to explore is that it’s a story about allyship. It’s about bearing witness across difference. It’s about individual responsibility for the world. It’s about our human tendency to deny,” said Goldman.

That relevance is why Goldman considers “Remember This” a current events piece, even though most of it took place 80 years ago. This April is the 80th anniversary of the Warsaw Ghetto Uprising, the longest sustained battle of resistance against the Nazis that took place in the same location Karski had infiltrated just months earlier.

Even all these years after Karski first sounded the alarm, people still deny the Holocaust happened. Goldman knows those people aren’t likely to tune into Great Performances, but he’s determined to try and reach those who need to hear Karski’s message.

“My interest is always in the immediacy and the present,” Goldman said. “I think one of the things theater does well, and has for thousands of years, is bring us into a communal space to notice and bear witness to things that are happening in the world, but that we might be complacent about or just in denial about, which of course is a major theme of this work.”


The post David Strathairn plays historic Holocaust witness Jan Karski in PBS’s ‘Remember This’ appeared first on Jewish Telegraphic Agency.

Continue Reading

Uncategorized

Marx Brothers fans rejoice: There’s a recording of Harpo speaking

Harpo Marx’s wife, Susan Fleming, once remarked that, when you got him talking, you couldn’t shut him up.

The proof was there for those who chanced to see him in the 1930s and ‘40s, screening clips of the films he made with his brothers. If a crowd was good, he’d deliver what was known as “Red’s Speech,” a reference to the red wig he wore on stage.

The speech grew more verbose with each recitation, with input by Harpo’s friend, the critic Alexander Woollcott, a fount of $5 dollar words. It got so long, in fact, that Harpo would take it out in the form of a long script that spilled off the stage down the aisle.

“There’s always been this fallacy that Harpo never spoke on stage,” said Marx historian Robert S. Bader, author of Four of the Three Musketeers: The Marx Brothers on Stage and Zeppo: The Reluctant Marx Brother. When he did, he would often make a joke about the mute persona he adopted in 1914, opening his remarks with “as I was about to say in 1915.”

In 1964, Harpo was hitting the speaking circuit. He spoke at events for the United Jewish Appeal, having grown more connected to his Jewishness after a 1963 trip to Israel. On these occasions, Bader said, Harpo “might have looked like a local councilman, just wearing a business suit,” and would sneak in a line from his bar mitzvah speech: “For 13 long years, I have toiled and labored for your happiness.”

Advised to retire from performing after a number of heart attacks, Harpo reasoned that, so long as it was for charity and he didn’t get paid, it couldn’t count as work.

That rationale led to Harpo’s appearance at benefits for a number of symphony orchestras. On March 20, 1964, he gave his final performance at a concert for the Riverside Symphony Orchestra in California, playing a suite of songs about the moon, an original composition and conducting a particularly manic take on Haydn’s “Toy Symphony.”

This time, Harpo not only spoke, giving a lively recitation of Prokofiev’s Peter and the Wolf, he did something unprecedented by allowing himself to be recorded with the understanding the public might someday hear it.

On June 5, 2026 a record of the evening will be released as Harpo Speaks! The Riverside Symphony Concert. It was announced on April 1, but it was no April Fools joke. It’s an outstanding artifact, and it was discovered quite by accident.

John Tefteller, the foremost collector of rare, Marx-related records, was looking for a copy of a 1963 concert with Harpo and comedian-musician Allan Sherman, recorded by Sherman’s son Robert. Looking in the tape box for Pasadena, Sherman instead found the Riverside tape. Oddly enough, Robert Sherman had no memory of recording — or even attending — the Riverside concert.

Bill Marx, Harpo’s son and the arranger of much of his music, says the man on the recording, telling the tale of “Peeduh,” the “boid” and the “huntahs,” is the one he grew up with.

“It was very, very low key,” said Bill Marx, now a celebrated pianist and Juilliard-trained composer, recalling his father’s voice. “I think I would have to say that he was about five or six notes lower than Groucho’s. It was easy to hear him speak. I suppose you could call him soft-spoken. He rarely if ever raised his voice in our house with my two brothers and sisters.”

Instead, he would do something like wake his daughter in the middle of the night to play jacks.

Peter and the Wolf, written for young audiences, was a natural fit for Harpo, and it was his idea to do it. The version of the libretto, co-written by Harpo and Groucho, also features a topical joke for that election year of 1964: “Imagine the triumphant procession. Peeduh at the head, after him the huntahs leading the wolf, then Goldwatuh, Rockefelluh and Nixon.”

That Harpo was a patron of the symphony is no great surprise. He practiced the harp three hours a day and Bill Marx remembers his father’s love of French impressionist composers like Debussy and Ravel and Fauré. When Bill played records in his bedroom, without fail his father would knock on the door, ask what he was listening to, and commit to learning it — which he did.

“He just had a great learning thirst, and I had the privilege of watching this man appear in everybody’s life by doing things that he was compelled to do,” Bill Marx said.

As the narrator of Peter and the Wolf, Harpo is wonderfully expressive, evoking the storytelling of an old-time New York-born Zayde (dressed in his traditional costume at the concert, he donned a new accessory: reading glasses). He sounds quite a lot like Chico, his closest brother in age.

Restoring the tape took major work from audio restorer Joel Tefteller (John’s son) and audio engineer Nick Bergh. At one point, in his closing speech, Harpo walked away from the mic, making the original tape almost inaudible.

“He wasn’t used to looking for a microphone,” said Bader. “He didn’t have a lot of time in front of microphones. I don’t think anybody ever had to say ‘Harpo get closer to the microphone’ ever.”

The post Marx Brothers fans rejoice: There’s a recording of Harpo speaking appeared first on The Forward.

Continue Reading

Uncategorized

UCLA student government condemns campus Hillel for hosting former hostage

A campus event featuring freed Israeli hostage Omer Shem Tov drew the condemnation of UCLA’s student government on Tuesday. In an open letter, the UCLA Students Associated Council said that bringing Tov to speak to students “served to legitimize and normalize” atrocities in Gaza and Lebanon.

Shem Tov, 23, was kidnapped from the Nova music festival in Southern Israel on Oct. 7, 2023, and held hostage in Gaza until his release in a prisoner exchange in February 2025. UCLA hosted him on April 14 for a Yom HaShoah event.

“While we affirm the humanity of all people impacted by violence, we reject the selective platforming of narratives that obscure the broader reality of ongoing state violence,” the student government letter wrote in the letter, which was addressed to the UCLA administration and UCLA Hillel among others. “Israel is currently continuing to carry out what has been widely identified by human rights advocates as a genocide in Gaza, while also expanding its illegal military campaign into Lebanon.

“In this context, elevating a single narrative, absent of critical political and humanitarian framing, serves to legitimize and normalize these ongoing atrocities.”

Rabbi Chaim Seidler-Feller, UCLA Hillel’s director emeritus, called the statement “completely ridiculous.”

“You can’t present the narrative of your experience without it being called ‘one sided,’” Seidler-Feller said. “There has to be a counter-story to persecution. Is there a counter-story to killing people?”

UCLA Hillel executive director Daniel Gold dismissed the criticism in Tuesday’s letter as antisemitic.

“Hillel at UCLA and Students Supporting Israel UCLA would like to apologize…for absolutely nothing,” he wrote in a statement. “Members of UCLA student government have once again shown they are anti-dialogue, anti-learning, anti-truth, anti-student and antisemitic.”

The USAC did not respond to a request for comment.

As college campuses across the country became a hotspot for pro-Palestinian activism following the Oct. 7 attack, UCLA, with an activist history and a large Jewish population, stood out as a major flashpoint. Its student encampment was the site of a riot in April 2024 and eventually cleared by police in riot gear.

The USAC has sided with pro-Palestinian protesters throughout. In a Feb. 2025 letter titled “We Are All SJP,” the USAC, which is democratically elected by the roughly 30,000-member UCLA student body, condemned Chancellor Julio Frenk’s suspension of Students for Justice in Palestine. The letter referred to Israel only as “the Zionist state” or put the country’s name inside quotation marks.

The University of California has since been sued by the Department of Justice, which said that UCLA created a hostile work environment against Jewish and Israeli faculty in violation of Title VII of the Civil Rights Act.

The post UCLA student government condemns campus Hillel for hosting former hostage appeared first on The Forward.

Continue Reading

Uncategorized

Trump extends ceasefire with Iran, even after Iran balks at new round of negotiations

(JTA) — President Donald Trump announced on Tuesday that he would unilaterally extend the U.S.-Israeli ceasefire with Iran, even though Iran had not agreed to his conditions or even to return to the negotiating table.

Trump announced the decision on Truth Social just hours before the two-week-old deal was set to expire. Citing Iran’s “fractured” leadership, Trump wrote that he had been asked by Pakistani Prime Minister Shehbaz Sharif to “hold our Attack on the Country of Iran until such time as their leaders and representatives can come up with a unified proposal.”

Vice President JD Vance’s planned trip to Islamabad, where talks were set to take place, was postponed indefinitely after Iran failed to confirm its participation in negotiations.

Trump added that the United States would maintain its naval blockade of Iranian ports in the Strait of Hormuz, despite Iran’s repeated calls for the restrictions to be lifted.

The announcement marked a sharp departure from the president’s statements earlier in the day, telling CNBC that, if a deal was not made before the deadline, “I expect to be bombing.”

In a statement Tuesday, Sharif thanked Trump for his “gracious acceptance” of Pakistan’s request to extend the ceasefire, adding that the country would “continue its earnest efforts for a negotiated settlement of the conflict.”

The announcement adds to uncertain about the war’s future, including for Israelis who lived through six weeks of Iranian bombing, and renews questions about Trump’s commitment to achieving his war goals, which have varied and included blunting Iran’s nuclear ambitions, achieving regime change, and destroying Iran’s stockpile of ballistic missiles. He said earlier this week that he was asking Iran to limit its nuclear program for 20 years, five years longer than was required by the deal struck by Barack Obama in 2015. Trump exited that deal in 2018.

Last week, Trump announced a different ceasefire, between Israel and Lebanon, on Truth Social, contradicting Israel’s claim that the Iran ceasefire would not apply to its fighting with Hezbollah, an Iran-backed proxy in Lebanon.

Trump’s announcement of the ceasefire extension came during the night in Israel, after Israelis began their celebration of Independence Day. It drew criticism from one of his staunchest pro-Israel supporters, the Zionist Organization of America, whose national president Morton Klein said in a statement that “interminable delay is the standard Islamic Iranian regime negotiating tactic” and that acceding to it represented a victory for Iran. The statement did not mention Trump.

The post Trump extends ceasefire with Iran, even after Iran balks at new round of negotiations appeared first on The Forward.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News