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David Strathairn plays historic Holocaust witness Jan Karski in PBS’s ‘Remember This’
(JTA) — As a Roman Catholic in Warsaw during World War II, Jan Karski could easily have ignored the horrors unfolding behind the walls of the Jewish ghetto. Instead, as a member of the Polish Resistance, he donned a yellow Star of David and infiltrated the Warsaw Ghetto to report on what was happening to the Jews there.
Karski’s reconnaissance in the ghetto and elsewhere provided the West with some of the first eyewitness accounts of the Holocaust. He even met with U.S. President Franklin D. Roosevelt in 1943 to share what he saw — though the information he provided did not cause Roosevelt to intervene more strongly.
Karski died in 2000 at 86 and posthumously received the Presidential Medal of Freedom, the United States’ top honor. But he is hardly a household name in the country he adopted as a home, despite his singular role in history.
The producers of a one-man show about Karski hope that will change starting Monday night, when a staging of “Remember This: The Lesson of Jan Karski” airs on PBS as part of the broadcaster’s “Great Performances” series. Karski is played by David Straitharn, an award-winning actor who specializes in portraying historical figures.
“Remember This: The Lesson of Jan Karski,” by Clark Young and Derek Goldman, first premiered in 2019 at Georgetown University, where Karski was a professor until he retired in 1984. During the height of the pandemic in 2020, the play was turned into a black-and-white film, directed by Goldman and Jeff Hutchens, shot over six days on a soundstage in Brooklyn.
The PBS pickup will give the play its biggest audience yet, and its premiere on Monday night is followed by a companion documentary, “Remembering Jan Karski.” The documentary is produced by WNET Group’s “Exploring Hate,” a multi-platform reporting initiative about the roots and rise of hate in America and around the world.
“We have the artists’ hope that with more visibility and more impact, that at least some kind of awareness can happen, but it’s daunting and the dangers of just preaching to the converted are real,” Goldman told the Jewish Telegraphic Agency. “That’s why I’m hoping that PBS and this ‘Exploring Hate’ series can widen the awareness of Karski.”
Strathairn has portrayed Karski since the play’s first staged reading in 2014 as part of Karski’s centennial celebration.
Straithairn is known for his portrayals of historical figures, including of Edward R. Murrow, the American newsman who broadcast from Europe during World War II, in 2005’s “Good Night, and Good Luck” and as the voice of Roosevelt in 2017’s “Darkest Hour,” about England’s handling of the lead-up to the war.
“The reception far exceeded our expectation, in terms of many people who knew and were close to Karski, feeling that David had tapped something very profound and very deep about Karski,” Goldman told JTA. “People said it was like he had risen from the grave.”
Goldman, who teaches at Georgetown, never met Karski. But the play was informed by hundreds of former colleagues and students, in addition to Karski’s own memoir and interviews.
“Part of why I think the Karski story has been such a gift to explore is that it’s a story about allyship. It’s about bearing witness across difference. It’s about individual responsibility for the world. It’s about our human tendency to deny,” said Goldman.
That relevance is why Goldman considers “Remember This” a current events piece, even though most of it took place 80 years ago. This April is the 80th anniversary of the Warsaw Ghetto Uprising, the longest sustained battle of resistance against the Nazis that took place in the same location Karski had infiltrated just months earlier.
Even all these years after Karski first sounded the alarm, people still deny the Holocaust happened. Goldman knows those people aren’t likely to tune into Great Performances, but he’s determined to try and reach those who need to hear Karski’s message.
“My interest is always in the immediacy and the present,” Goldman said. “I think one of the things theater does well, and has for thousands of years, is bring us into a communal space to notice and bear witness to things that are happening in the world, but that we might be complacent about or just in denial about, which of course is a major theme of this work.”
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
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