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Diaspora alarm over Israel: Your guide to what the critics are saying
(JTA) — I started reporting on North American Jews and Israel in the last century, and for years covered the debate over whether Jews in the Diaspora had a right to criticize the Israeli government in public. The debate sort of petered out in the early-1990s, when Israel itself began talking about a Palestinian state, and when right-wing groups then decided criticizing Israel was a mitzvah.
Nevertheless, while left-wing groups like J Street and T’ruah have long been comfortable criticizing the Israeli government or defending Palestinian rights, many in the centrist “mainstream” — pulpit clergy, leaders of federations and Hillels, average Jews nervous about spoiling a family get-together — have preferred to keep their concerns to themselves. Partly this is tactical: Few rabbis want to alienate any of their members over so divisive a topic, and in the face of an aggressive left, organizational leaders did not want to give fuel to Israel’s ideological enemies. (The glaring exception has been about Israeli policy toward non-Orthodox Judaism, which is seen as very much the Disapora’s business.)
In recent weeks, there has been an emerging literature of what I have come to think of as “reluctant dissent.” What these essays and sermons have in common, despite the different political persuasions of the authors, is a deep concern over Israel’s “democratic character.” They cite judicial reforms that would weaken checks and balances at the top, expansion of Jewish settlements that would make it impossible to separate from the Palestinians, and the Orthodox parties that want to strengthen their hold on religious affairs. As Abe Foxman, who as former director of the Anti-Defamation League rarely criticized Israel, told an interviewer, “If Israel ceases to be an open democracy, I won’t be able to support it.”
I read through the various ways Jewish leaders and writers here and in Israel are not just justifying Diaspora Jews who are protesting what is happening in Israel, but providing public permission for others to do the same. Here is what a few of them are saying (with a word from a defender of the government):
‘I didn’t sleep much last night’
Yehuda Kurtzer: Facebook, Feb. 8
Kurtzer is the president of the Shalom Hartman Institute of North America, the New York-based branch of the Israeli think tank that promotes a diverse, engaged relationship with Israel. In a recent blog post, he neatly describes the dilemma of Diaspora Zionists who aren’t sure what to do with their deep concerns about the direction of the Israel government, especially the concentration of power in a far-right legislative branch.
Centrist American Jews who care about Israel are caught between “those to our right who would see any expression of even uncertainty about Israel’s democratic character as disloyalty, [and] those on the other side who think that a conversation about Israeli democracy is already past its prime,” he writes. He is also concerned about the “widespread disengagement that we can expect among American Jews, what I fear will become the absent majority — those who decide that however the current crisis is resolved, all of this is just ‘not for them.’”
Kurtzer likens Israel to a palace, and Diaspora Jews as “passersby” who live beyond its walls. Nonetheless, he feels responsible for what happens there. “The palace is burning and the best we can do is to tell you,” he writes. “It is also how we will show you we love you, and how much we cherish the palace.”
An open letter to Israel’s friends in North America
Matti Friedman, Yossi Klein Halevi and Daniel Gordis: Times of Israel, Feb. 7
Three high-profile writers who moved to Israel from North America and who often defend Israel against its critics in the United States — Gordis, for one, has written a book arguing that American Jewish liberalism is incompatible with Israel’s “ethnic democracy” — now urge Diaspora Jews to speak out against the current Israeli government. They don’t mention the territories or religious pluralism. Instead, their trigger is the proposed effort to reform the Supreme Court, which they say will “eviscerate the independence of our judiciary and remake the country’s democratic identity.” Such a move will “threaten Israeli-American relations, and it will do grave damage to our relations with you, our sisters and brothers in the Diaspora,” concluding, “We need your voice to help us preserve Israel as a state both Jewish and democratic.”
All Israel Is Responsible for Each Other
Rabbi Angela Buchdahl: Sermon, Jan. 27
Buchdahl, the senior rabbi of New York City’s Reform Central Synagogue, isn’t looking to Israeli writers for permission to weigh in on Israel’s political scene. In a sermon that takes its name from a rabbinic statement of Jewish interdependence, she asserts without question that Jews everywhere have a stake in the future of Israel and have a right to speak up for “civil society and democracy and religious pluralism and human rights” there. She focuses on the religious parties who are convinced that “Reform Jews are ruining Israel,” as you might expect, but ends the sermon with a call to recognize the rights of all Israeli citizens, Jewish and non-Jewish, “and also those living under Israel’s military control.” Of those Palestinians, she says, “We can’t feel comfortable sitting in the light of sovereignty next to a community living in darkness and expect to have peace.”
And like Kurtzer, she worries that concerned American Jews will simply turn away from Israel in despair or embarrassment, and urges congregants to support the Israeli and American organizations that share their pluralistic vision for Israel.
On That Distant Day
Hillel Halkin: Jewish Review of Books, Winter 2023
In his 1977 book “Letters to an American Jewish Friend: A Zionist Polemic,” the translator and author Hillel Halkin made a distinction similar to Kurtzer’s image of Israel as a palace and the Diaspora as passersby: Jews who don’t emigrate to Israel are dooming themselves to irrelevance, while immigrants like him are living on the stage where the Jewish future would play out. His mournful essay doesn’t address the Diaspora, per se, although it creates a permission structure for Zionists abroad to criticize the government. Halkin sees the new government as a coalition of two types of religious zealots: the haredi Orthodox who want to consolidate their control of religious life (and funding) in Israel, and a “knit-skullcap electorate [that] is hypernationalist and Jewish supremacist in its attitude toward Arabs.” (A knit skullcap is a symbol for what an American might call the “Modern Orthodox.”) Together, these growing and powerful constituents represent “the end of an Israeli consensus about what is and is not permissible in a democracy — and once the rules are no longer agreed on, political chaos is not far away. Israel has never been in such a place before.”
Halkin does talk about Israeli expansion in the West Bank, saying he long favored Jewish settlement in the territories, while believing that the “only feasible solution” would be a two-state solution with Arabs living in the Jewish state and Jews living in the Arab one. Instead, Israel has reached a point where there is “too much recrimination, too much distrust, too much hatred, too much blind conviction, too much disdain for the notion of a shared humanity, for such a solution to be possible… We’re over the cliff and falling, and no one knows how far down the ground is.”
Method to Our Madness: A Response to Hillel Halkin
Ze’ev Maghen: Jewish Review of Books, Jan. 10, 2023
Ze’ev Maghen, chair of the department of Middle East studies at Bar-Ilan University, is hardly a dissenter; instead, his response to Halkin helpfully represents the views of those who voted for the current government. Maghen says the new coalition represents a more honest expression of Zionism than those who support a “liberal, democratic, egalitarian, inclusive, individualist, environmentally conscious, economically prosperous, globally connected, etc., etc., society.” The new government he writes, will defend Israel’s “Jewish nationalist raison d’être, and keep at bay those universalist, Western-based notions that are geared by definition to undermine nationalism in all its forms.” As for the Palestinian issue, he writes, “I’d rather have a fierce, hawkish Zionist in the cockpit than a progressive, Westernized wimp for whom this land, and the people who have returned to it after two millennia of incomparable suffering, don’t mean all that much.”
The Tears of Zion
Rabbi Sharon Brous: Sermon, Feb. 4, 2023
Brous, rabbi of the liberal Ikar community in Los Angeles, doesn’t just defend the right of Diaspora Jews to speak out in defense of Israeli democracy and Palestinian rights, but castigates Jewish leaders and communities who have been reluctant to criticize Israel in the past. “No, this government is not an electoral accident, and it is not an anomaly,” she says. “This moment of extremism has been a long time in the making and our silence has made us complicit.”
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He may have been the world’s most famous mime, but in this play, he won’t shut up
There is a kind of sublime poetry in Marcel Marceau’s first act.
As a young man in occupied France, Marceau (then Mangel) forged identity papers and shepherded dozens of Jewish children across the Alps to Switzerland. In scenarios where staying quiet was essential for survival, Marceau soothed his charges into silence with his own.
In Marcel on the Train, Ethan Slater and Marshall Pailet’s play of Marceau’s pre-Bip life, the world’s most famous mime is anything but silent.
The action of the play, which bounces through time back to Marcel’s father’s butcher shop and forward to a P.O.W. camp in Vietnam (don’t ask), unfolds over the course of a train ride. Slater’s Marceau is chaperoning four 12-year-old orphans, posing as boy scouts going on a hike.
The kids — played by adults — are a rambunctious lot. Marceau tries to put them at ease juggling invisible swords, performing Buster Keaton-esque pratfalls and exhausting his arsenal of Jewish jokes that circle stereotypes of Jewish mothers or, in one case, a certain mercenary business sense.
Pailet and Slater’s script toggles uncomfortably between poignancy and one-liners with a trickle of bathroom humor (the phrase “pee bucket” recurs more often than you would think.)
The terror of Marceau’s most melancholy escortee, Berthe (Tedra Millan) is undercut somewhat by her early, anachronistic-feeling declaration, “Wow, we’re so fucked.” The bumptious Henri (Alex Wyse) would seem to be probing a troubled relationship with Jewishness and passing, but does that discussion a disservice when he mentions how it wouldn’t be the biggest deal if he “sieged a little heil.” Adolphe (Max Gordon Moore) is described as “an exercise in righteousness” in the script’s character breakdown. Sure, let’s go with that.
The presence of a mute child, Etiennette (Maddie Corman), is tropey and obvious. It doesn’t suggest that she inspired him to abandon speaking in his performances, but it doesn’t dismiss that possibility either.
But the chattiness and contrived functions of the fictive children are made more disappointing by the imaginative staging maneuvering around the shtick. Slater, best known for his role in the Wicked films and as Spongebob in the titular Broadway musical, is a gifted physical performer.
When things quiet down, Pailet’s direction, and the spare set by scenic designer Scott Davis, create meadows of butterflies. Chalk allows Marceau to achieve a kind of practical magic when he writes on the fourth wall. One of the greatest tricks up the show’s sleeve is Aaron Serotsky who plays everyone from Marceau’s father and his cousin Georges to that familiar form of Nazi who takes his torturous time in sniffing out Jews.
Surely the play means to contrast silence and sound (sound design is by Jill BC Du Boff), but I couldn’t help but wonder what this might have looked like as a pantomime.
While the story has been told before, perhaps most notably in the 2020 film Resistance with Jesse Eisenberg, Slater and Pailet were right to realize its inherent stage potential. It’s realized to a point, though their approach at times leans into broad comedy that misunderstands the sensibilities of its subject.
Like Slater, who learned of the mime’s story just a few years ago, Marceau was an early acolyte of Keaton and Chaplin. But by most accounts he cut a more controlled figure — that of a budding artist, not a kid workshopping Borscht Belt bits on preteens.
The show ends with a bittersweet montage of Bip capturing butterflies (not jellyfish — you will probably not be reminded of Mr. Squarepants). It means to frame Marceau’s established style as a maturation that nonetheless retains a kind of innocence, stamped by the kids he rescued.
“You’ll live,” Berthe tells him in a moment of uncertainty. “But I don’t think you’ll grow up.”
In Marceau there was, of course, a kind of Peter Pan. But there’s a difference between being childlike and being sophomoric.
Marcel on the Train is playing through March 26 at Classic Stage Company in New York. Tickets and more information can be found here.
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US soldier who protected Jews in POW camp during WWII to be awarded Medal of Honor
(JTA) — An American soldier who is credited with saving the lives of 200 Jewish comrades in a prisoner of war camp in Germany during World War II will receive the U.S. military’s highest decoration, the Medal of Honor.
The award to Roddie Edmonds, who died in 1985, was announced last week. It comes more than a decade after Israel’s Holocaust memorial, Yad Vashem, recognized him as a “Righteous Among the Nations” for his bravery and six years after President Donald Trump recounted his heroism during a Veterans Day parade.
Edmonds, a sergeant from Knoxville, Tennessee, was the highest-ranking soldier among a group taken prisoner during the Battle of the Bulge in January 2045 when the Nazis asked him to identify the Jews in the group. Understanding that anyone he identified would likely be killed, Edmonds made the decision to have all of the soldiers present themselves as Jews.
When a Nazi challenged him, he famously proclaimed: “We are all Jews here!”
The show of solidarity came to light only after Edmonds’ death, when a Jewish man who had been among the soldiers at the camp shared his recollection with the New York Times as part of an unrelated 2008 story about his decision to sell a New York City townhouse to Richard Nixon when Nixon was having trouble buying an apartment following his resignation as president.
When they found the article several years later, it was the first that Edmonds’ family, including his pastor son Christ Edmonds and his granddaughters, had heard about the incident. Soon they were traveling to Washington, D.C., and Israel for ceremonies honoring Edmonds, one of only five Americans to be credited as Righteous Among the Nations, an honor bestowed by Israel on non-Jews who aided Jews during the Holocaust.
As the family campaigned for a Medal of Honor, Edmonds was also the recipient of bipartisan praise from two American presidents.
“I cannot imagine a greater expression of Christianity than to say, I, too, am a Jew,” President Barack Obama said during remarks at the Israeli embassy in Washington, D.C., on International Holocaust Remembrance Day in 2016.
Three years later, President Donald Trump recounted the story at the New York City Veterans Day Parade. “That’s something,” he said. “Master Sergeant Edmonds saved 200 Jewish-Americans — soldiers that day.”
Last week, Trump called Chris Edmonds to invite him to the White House to receive the Medal of Honor on his father’s behalf, Chris Edmonds told local news outlets. The Medal of Honor ceremony is scheduled for March 2.
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Jewish hockey star Jack Hughes’ overtime goal propels US to historic gold medal in Olympic hockey
(JTA) — Jewish hockey star Jack Hughes scored the game-winning goal Sunday to clinch a gold medal for the U.S. men’s hockey team, its first since 1980.
The New Jersey Devils star center, who had scored twice in Team USA’s semifinal win, sent the puck between the legs of Canadian goaltender Jordan Binnington 1:41 into overtime to give the American team a 2-1 win.
“This is all about our country right now. I love the USA,” Hughes told NBC. “I love my teammates.”
The win broke a 46-year Olympic drought for Team USA, which had not taken gold since the famous “Miracle on Ice” team that upset the Soviet Union on its way to gold in 1980. The United States also won in 1960.
“He’s a freaking gamer,” Quinn Hughes, Jack’s older brother and U.S. teammate said, according to The Athletic. “He’s always been a gamer. Just mentally tough, been through a lot, loves the game. American hero.”
Quinn Hughes is a defender for the Minnesota Wild and a former captain of the Vancouver Canucks who won the NHL’s top defenseman award in 2024. He was also named the best defender in the Olympic tournament by the International Ice Hockey Federation after scoring an overtime goal to send the U.S. team to the semifinals.
The third Jewish member of the U.S. team, Boston Bruins goaltender Jeremy Swayman, won the one game he played, a Feb. 14 preliminary-round victory over Denmark.
The Hughes family — rounded out by youngest brother Luke, who also plays for the Devils — has long been lauded as a Jewish hockey dynasty. They are the first American family to have three siblings picked in the first round of the NHL draft, and Jack was the first Jewish player to go No. 1 overall. They are also the first trio of Jewish brothers to play in the same NHL game and the first brothers to earn cover honors for EA Sports’ popular hockey video game.
Jack, who had a bar mitzvah, has said his family celebrated Passover when he was growing up. Their mother, Ellen Weinberg-Hughes, who is Jewish, represented the U.S. women’s hockey team at the 1992 Women’s World Championships and was on the coaching staff of the gold-medal-winning women’s team in Milan. Weinberg-Hughes is also a member of the International Jewish Sports Hall of Fame.
Hughes’ golden goal ushered in a burst of Jewish pride on social media, with one user calling it “the greatest Jewish sports moment of all time.” The Hockey News tweeted that Hughes was “the first player in hockey history to have a Bar Mitzvah and a Golden Goal! Pretty cool!”
Jewish groups and leaders also jumped on the praise train. “Special shout out to @jhugh86 on scoring the game-winning goal!” tweeted Jonathan Greenblatt, CEO of the Anti-Defamation League. “Beyond his incredible skill on the ice, Jack makes history as a proud representative of the American Jewish community, reminding us that the Jewish people are interwoven into America in her 250th year! Mazel Tov, Jack!”
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