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Diaspora alarm over Israel: Your guide to what the critics are saying
(JTA) — I started reporting on North American Jews and Israel in the last century, and for years covered the debate over whether Jews in the Diaspora had a right to criticize the Israeli government in public. The debate sort of petered out in the early-1990s, when Israel itself began talking about a Palestinian state, and when right-wing groups then decided criticizing Israel was a mitzvah.
Nevertheless, while left-wing groups like J Street and T’ruah have long been comfortable criticizing the Israeli government or defending Palestinian rights, many in the centrist “mainstream” — pulpit clergy, leaders of federations and Hillels, average Jews nervous about spoiling a family get-together — have preferred to keep their concerns to themselves. Partly this is tactical: Few rabbis want to alienate any of their members over so divisive a topic, and in the face of an aggressive left, organizational leaders did not want to give fuel to Israel’s ideological enemies. (The glaring exception has been about Israeli policy toward non-Orthodox Judaism, which is seen as very much the Disapora’s business.)
In recent weeks, there has been an emerging literature of what I have come to think of as “reluctant dissent.” What these essays and sermons have in common, despite the different political persuasions of the authors, is a deep concern over Israel’s “democratic character.” They cite judicial reforms that would weaken checks and balances at the top, expansion of Jewish settlements that would make it impossible to separate from the Palestinians, and the Orthodox parties that want to strengthen their hold on religious affairs. As Abe Foxman, who as former director of the Anti-Defamation League rarely criticized Israel, told an interviewer, “If Israel ceases to be an open democracy, I won’t be able to support it.”
I read through the various ways Jewish leaders and writers here and in Israel are not just justifying Diaspora Jews who are protesting what is happening in Israel, but providing public permission for others to do the same. Here is what a few of them are saying (with a word from a defender of the government):
‘I didn’t sleep much last night’
Yehuda Kurtzer: Facebook, Feb. 8
Kurtzer is the president of the Shalom Hartman Institute of North America, the New York-based branch of the Israeli think tank that promotes a diverse, engaged relationship with Israel. In a recent blog post, he neatly describes the dilemma of Diaspora Zionists who aren’t sure what to do with their deep concerns about the direction of the Israel government, especially the concentration of power in a far-right legislative branch.
Centrist American Jews who care about Israel are caught between “those to our right who would see any expression of even uncertainty about Israel’s democratic character as disloyalty, [and] those on the other side who think that a conversation about Israeli democracy is already past its prime,” he writes. He is also concerned about the “widespread disengagement that we can expect among American Jews, what I fear will become the absent majority — those who decide that however the current crisis is resolved, all of this is just ‘not for them.’”
Kurtzer likens Israel to a palace, and Diaspora Jews as “passersby” who live beyond its walls. Nonetheless, he feels responsible for what happens there. “The palace is burning and the best we can do is to tell you,” he writes. “It is also how we will show you we love you, and how much we cherish the palace.”
An open letter to Israel’s friends in North America
Matti Friedman, Yossi Klein Halevi and Daniel Gordis: Times of Israel, Feb. 7
Three high-profile writers who moved to Israel from North America and who often defend Israel against its critics in the United States — Gordis, for one, has written a book arguing that American Jewish liberalism is incompatible with Israel’s “ethnic democracy” — now urge Diaspora Jews to speak out against the current Israeli government. They don’t mention the territories or religious pluralism. Instead, their trigger is the proposed effort to reform the Supreme Court, which they say will “eviscerate the independence of our judiciary and remake the country’s democratic identity.” Such a move will “threaten Israeli-American relations, and it will do grave damage to our relations with you, our sisters and brothers in the Diaspora,” concluding, “We need your voice to help us preserve Israel as a state both Jewish and democratic.”
All Israel Is Responsible for Each Other
Rabbi Angela Buchdahl: Sermon, Jan. 27
Buchdahl, the senior rabbi of New York City’s Reform Central Synagogue, isn’t looking to Israeli writers for permission to weigh in on Israel’s political scene. In a sermon that takes its name from a rabbinic statement of Jewish interdependence, she asserts without question that Jews everywhere have a stake in the future of Israel and have a right to speak up for “civil society and democracy and religious pluralism and human rights” there. She focuses on the religious parties who are convinced that “Reform Jews are ruining Israel,” as you might expect, but ends the sermon with a call to recognize the rights of all Israeli citizens, Jewish and non-Jewish, “and also those living under Israel’s military control.” Of those Palestinians, she says, “We can’t feel comfortable sitting in the light of sovereignty next to a community living in darkness and expect to have peace.”
And like Kurtzer, she worries that concerned American Jews will simply turn away from Israel in despair or embarrassment, and urges congregants to support the Israeli and American organizations that share their pluralistic vision for Israel.
On That Distant Day
Hillel Halkin: Jewish Review of Books, Winter 2023
In his 1977 book “Letters to an American Jewish Friend: A Zionist Polemic,” the translator and author Hillel Halkin made a distinction similar to Kurtzer’s image of Israel as a palace and the Diaspora as passersby: Jews who don’t emigrate to Israel are dooming themselves to irrelevance, while immigrants like him are living on the stage where the Jewish future would play out. His mournful essay doesn’t address the Diaspora, per se, although it creates a permission structure for Zionists abroad to criticize the government. Halkin sees the new government as a coalition of two types of religious zealots: the haredi Orthodox who want to consolidate their control of religious life (and funding) in Israel, and a “knit-skullcap electorate [that] is hypernationalist and Jewish supremacist in its attitude toward Arabs.” (A knit skullcap is a symbol for what an American might call the “Modern Orthodox.”) Together, these growing and powerful constituents represent “the end of an Israeli consensus about what is and is not permissible in a democracy — and once the rules are no longer agreed on, political chaos is not far away. Israel has never been in such a place before.”
Halkin does talk about Israeli expansion in the West Bank, saying he long favored Jewish settlement in the territories, while believing that the “only feasible solution” would be a two-state solution with Arabs living in the Jewish state and Jews living in the Arab one. Instead, Israel has reached a point where there is “too much recrimination, too much distrust, too much hatred, too much blind conviction, too much disdain for the notion of a shared humanity, for such a solution to be possible… We’re over the cliff and falling, and no one knows how far down the ground is.”
Method to Our Madness: A Response to Hillel Halkin
Ze’ev Maghen: Jewish Review of Books, Jan. 10, 2023
Ze’ev Maghen, chair of the department of Middle East studies at Bar-Ilan University, is hardly a dissenter; instead, his response to Halkin helpfully represents the views of those who voted for the current government. Maghen says the new coalition represents a more honest expression of Zionism than those who support a “liberal, democratic, egalitarian, inclusive, individualist, environmentally conscious, economically prosperous, globally connected, etc., etc., society.” The new government he writes, will defend Israel’s “Jewish nationalist raison d’être, and keep at bay those universalist, Western-based notions that are geared by definition to undermine nationalism in all its forms.” As for the Palestinian issue, he writes, “I’d rather have a fierce, hawkish Zionist in the cockpit than a progressive, Westernized wimp for whom this land, and the people who have returned to it after two millennia of incomparable suffering, don’t mean all that much.”
The Tears of Zion
Rabbi Sharon Brous: Sermon, Feb. 4, 2023
Brous, rabbi of the liberal Ikar community in Los Angeles, doesn’t just defend the right of Diaspora Jews to speak out in defense of Israeli democracy and Palestinian rights, but castigates Jewish leaders and communities who have been reluctant to criticize Israel in the past. “No, this government is not an electoral accident, and it is not an anomaly,” she says. “This moment of extremism has been a long time in the making and our silence has made us complicit.”
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How hundreds of forgotten klezmer tunes have been rescued from oblivion
More than one thousand klezmer tunes, some dating back to the late 19th Century, are being performed and recorded after sitting in a library in Kiev for years, thanks to the nonprofit Klezmer Institute.
“This increases European klezmer music by fourfold over what was accessible before,” Christina Crowder, the New Haven-based accordion player who heads the institute, told me, adding that the collection ranges from virtuosic solo pieces to “workaday, regular old tunes.”
Digital photos of hundreds of pages of sheet music arrived on a memory stick at the Yiddish New York gathering in 2017, but the crowd-sourced effort to turn them into PDF files and share them on the web didn’t get going in earnest until late 2020. In the last couple of years, several albums featuring the resurrected klezmer tunes have been recorded. Crowder estimates that at least 72 musicians have digitized at least one tune for what has been dubbed the Kiselgof-Makonovetsky Digital Manuscript Project (KMDMP).
The project is working with a total of close to 1,400 tunes from two different sources: 26 notebooks of melodies collected by Zusman Kiselgof, a Russian folklorist who participated in the seminal An-ski ethnographic expeditions, and a 236-page manuscript by Avraham Yehoshua Makonovetsky, a Russian klezmer violinist who played at Jewish weddings. Both Kiselgof and Makonovetsky were Jews. The notebooks and the manuscript had been sitting in the Vernadsky National Library of Ukraine.
“This is of incredible value,” Lyudmila Sholokhova, curator of the Dorot Jewish Collection at the New York Public Library, told me. She inventoried the Edison wax cylinder recordings of the Kiselgof collection when she worked at the Vernadsky and wrote her doctoral dissertation on early efforts to collect Jewish music in the Russian Pale of Settlement.
“This is a lot of unknown music and it also gives you a good idea how this music was actually played,” she said of the Kiselgof-Makonovetsky collection. A small number of the tunes has been circulating in recent years before the KMDMP began.
The mixed blessing of COVID
The COVID lockdown turned out to be a blessing for the KMDMP because klezmer musicians were unable to play gigs or rehearse with their bandmates. So, they went to work digitizing the klezmer treasure trove.
“In the beginning during lockdown, you couldn’t go out to a gym, you couldn’t go play music with people. In the evening you can’t practice at home because there are neighbors. So, you digitize tunes,” Hannah Ochner told me.
The German klezmer clarinetist now lives in England and fronts a klezmer ensemble called Hop Skotshne. Ochner, 33, has a PhD. in physics and her main gig is researching electron microscopy in Cambridge. But she still found time to digitize an estimated 600 tunes over the course of a year and a half.
“It became addictive,” she said.
One of the untitled tunes Ochner worked on was a skotshne, a lively klezmer dance melody. The digital photo she worked from depicted a crumpled page, necessitating quite a bit of reconstruction.
“The length of the notes I left was longer than the music score,” she said.
The tune, Hannah’s Skotshne, was named in her honor.
Crowder said some of the hand-written scores were “a real mess.”
“You have to be a special kind of nerd to want to dive into this stuff,” she told me. “You’ve got four tunes crammed on the page and there’s mistakes and there’s all kinds of random old school notation.”
Crowder estimates that in addition to klezmer nerds like Ochner, a pool of more than 200 volunteers has helped by translating Russian or Yiddish text on sheet music or joined bi-weekly Zoom sessions where musicians play along with Crowder as she goes through tunes on her accordion.
The KMDMP now has at least a thousand klezmer melodies available for download as PDF’s, and Crowder said there are plans to publish a scholarly edition of some Kiselgof-Makonovetsky tunes as bound volumes. The Klezmer Institute is also planning to commission piano accompaniments for the many virtuosic solo violin pieces in the collection.
“They would be a lot of fun for a classically trained violinist to approach and to put into their own repertoire,” said Crowder. “Violin players don’t want to play clarinet pieces because they’re clarinet pieces.”
Music with global appeal
The KMDMP repertoire has been spreading at klezmer festivals in Europe and North America. The New York-based trumpeter Jordan Hirsch has passed them on to students at KlezKanada and Yiddish New York. Susi Evans and Szilvia Csaranko, a klezmer duo based in the UK and Germany, have taught the tunes at Shtetl Berlin jam sessions and Yiddish Summer Weimar, Europe’s major klezmer and Yiddish culture gathering.
Csaranko, an accordion player, is the musical director of Klezmerorchester Erfurt, an 80-piece amateur ensemble in Germany that performed a concert of the Kiselgof-Makonovetsky repertoire in 2022 before an outdoor audience of 3,000.
Evans, a clarinetist who has performed as a soloist with the BBC Scottish Symphony Orchestra, told me: “If you’re teaching klezmer music regularly, you’re always looking for tunes that someone who’s come into the workshop and knows a lot of tunes, won’t know.”
Their double CD, Fun an Altn Klezmer Heft, features 44 Kiselgof-Makonovetsky tunes, including “Hannah’s Skotshne.”
“Wherever we go, we like to spread these melodies,” Csaranko told me. “People do play these melodies they heard from us in jam sessions, in different countries. People in Australia are playing them now because they were in our workshop.”
The classically-trained clarinetist Angelo Baselli in Bologna, Italy teamed up with the accordionist Gianluca Casadei to record Fun a Velt Vos iz Nishto Mer, Of a World That Is No More. The album features Kiselgof-Makonovetsky tunes.
In a telephone interview Baselli, 47, said he caught the klezmer bug nearly 30 years ago after listening to Don Byron Plays the Music of Mickey Katz.
“I don’t have a Jewish family but instantly I fall in love with that music,” Baselli told me. “I started to search for recordings but at that time it was a little bit hard because there wasn’t a klezmer movement in Italy.”
A musical heirloom
Two klezmer trios in the Bay Area of Northern California have Kiselgof-Makonovetsky tracks on their most recent albums, both on the Borscht Beat label. Baymele’s album is Sapling. The new Veretski Pass album, The Peacock and the Sunflower, has eight Kiselgof-Makonovetsky numbers.
The Veretski Pass accordion player, Josh Horowitz, actually went to Ukraine before the KMDMP began and brought back some of the klezmer tunes from the collection.
“They were passed around like contraband at festivals,” the band’s violinist, Cookie Segelstein, said.
Their trio is named for a mountain pass in Ukraine where Segelstein’s father was born. Her mother grew up 45 miles away in the town Munkacs, where the Munkacher Hasidic sect began. So, for Segelstein, the archive of Kiselgof-Makonovetsky tunes is like a family heirloom.
“I have no way of going back to Veretski or where my mom is from and seeing her home because it was either destroyed or other people lived there,” she told me.
Describing the process of going through the unearthed klezmer tunes, Segelstein said: “We were digging through ashes. We would never have had this kind of access to this many historical tunes. To have this trove in one place has been like winning the lottery.”
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An activist Jewish artist who used his work to fight fascism
The heroic image of George Washington standing in a boat as it cuts through the icy Delaware River on Christmas Eve in 1776 is etched into the collective American consciousness. But when Polish-born political artist Arthur Szyk painted the scene in 1942, he recast it for a nation at war.
In his Washington Crossing the Delaware, the soldiers are not uniform. Instead, they reflect a diverse America, where freedom and protection belong to everyone. Intricately detailed, the richly pigmented painting is one of more than 100 works by Szyk on view in Art of Freedom: The Life and Work of Arthur Szyk at New York City’s Museum of Jewish Heritage. The exhibition pulls together rarely seen material into public view as the United States approaches the 250th anniversary of its founding.
“What makes this exhibition and celebration of Arthur Szyk important for 2026 — 250 years on from the American Revolution and subsequent Declaration of Independence — is how he framed freedom as something to fight for. He loved America and was granted citizenship in 1948,” said Sara Softness, the museum’s director of curatorial affairs. “The title ‘Art of Freedom’ has a double meaning: not only that the artist made pictures about or featuring themes of democratic ideals, anti-Fascism, and pro-pluralism, but that freedom itself is a practice, a metier, a life’s work.”
Born in Łódź, Poland in 1894, Szyk experienced major upheavals of the 20th century: two world wars, the rise of totalitarianism, and Nazism, the founding of the State of Israel, McCarthyism, as well as deeply entrenched American racism and antisemitism.
After Germany invaded Poland in 1939, he, his wife and two children fled to London, ultimately immigrating to the United States in 1940.
While Szyk was an established artist when he arrived in the U.S., most Americans first encountered him through the lavishly illuminated Szyk Haggadah. Completed in Poland in the 1930s and published in London in 1940, The Times of London praised the work as “worthy to be placed among the most beautiful of books that the hand of man has ever produced.”
Running through July 26, 2026, the show includes 18 never-before-seen pieces and 38 original works, the majority of which are on loan from Irvin Ungar, a rabbi-turned-antiquarian.
The show includes commercial cartoons Szyk produced for Collier’s Magazine and illuminated manuscripts, as well as his 1928–1929 sketchbook for the Washington and His Times series. Visitors get an up close look at the painstaking labor required to accurately show pivotal battle scenes from the American Revolution as well as Szyk’s efforts to draft the highly specific weaponry and military dress of the Revolution’s fighters.
A fierce anti-fascist, themes of military might pervaded Szyk’s works throughout World War II.
This is never more evident than in his 1942 suite illustrating the Four Freedoms that hung in President Franklin D. Roosevelt’s White House. Each miniature, on display for the first time in 80 years, portrays a medieval knight on a quest to secure Roosevelt’s four essential freedoms — Speech, Religion, Want and Fear.
Freedom of Speech shows the knight wearing a red and blue cape pounding a lectern as he speaks freely; a shield embossed in the colors of the American flag rests nearby. In Freedom from Want, abundant food surrounds the knight, in Freedom of Religion he kneels in prayer and in Freedom of Fear he charges into battle.
Many of Szyk’s works meld American ideals with his firm belief that the government must do all it can to rescue Jews. During this period, many of his miniatures were sold as stamps and posters to generate much needed wartime funds. In this way, Szyk not only highlighted the fight against the Nazis, he cemented the defense of these freedoms as a moral obligation for all Americans.
“The exhibition is a portrait of a person who, with his pen, inks and gouaches, never put down the fight — whether for Allied victory or Jewish salvation or, what his career embodied so thoroughly, for freedom of expression,” Softness said.
The latter eventually drew the glare of the House Un-American Activities Committee. Szyk was primarily investigated for his works that challenged racism, whether it was highlighting the experience of Black veterans during World War II or the segregationist policies of the South, as well as his outspoken support for Jewish refugees.
Like the medieval knight he depicted in Freedom from Fear, Szyk charged ahead. Indeed he threw down the gauntlet in his 1951 piece, Thomas Jefferson’s Oath.
The jewel-toned work illuminates Jefferson’s famous quote: “I have sworn upon the altar of God eternal hostility against every form of tyranny over the mind of man.”
74 years after he died in his home in New Canaan, Szyk’s legacy endures.
“He refused to dilute identity or politics. He worked loudly, explicitly, and without apology — a proud American, a committed Jew, and a relentless defender of civil rights,” Softness said.
The post An activist Jewish artist who used his work to fight fascism appeared first on The Forward.
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Israel’s Top Diplomat Calls on Jews to Make Aliyah Amid Global Surge in Antisemitic Violence
Israel’s Foreign Minister Gideon Saar attends a press conference with the Danish Foreign Minister (not pictured) in Jerusalem, Sept. 7, 2025. Photo: Ritzau Scanpix/Ida Marie Odgaard/via REUTERS
Amid a global surge in antisemitic violence, Israeli Foreign Minister Gideon Saar has urged Jews living abroad to make aliyah to Israel, warning that diaspora communities are increasingly vulnerable to hatred and hostility as foreign governments fail to protect them.
“Over the past year, we have concentrated efforts in the fight against the rising antisemitism around the world,” Saar said Sunday during a Hanukkah candle-lighting event in Rishon LeZion, a city in central Israel.
“We demanded that foreign governments take real steps against the new antisemitism. Few did so. Most allowed an unrestrained surge of overt antisemitism in the public sphere,” the top Israeli diplomat continued.
Saar’s latest remarks come in the wake of a deadly attack on a Hanukkah celebration at Sydney’s Bondi Beach last Sunday, which left 15 dead and at least 40 injured.
Earlier this year, a string of deadly terrorist attacks also targeted Jewish communities, including the Yom Kippur assault in Manchester that killed two Jewish men, the firebombing of a march for Israeli hostages in Boulder, Colorado – which killed one and injured 13 – and the murder of two Israeli Embassy staffers in Washington, DC.
“Jews have the right to live in safety everywhere. Today, Jews are being hunted across the world. Today I call on Jews in England, Jews in France, Jews in Australia, Jews in Canada, Jews in Belgium: come to the Land of Israel! Come home!” Saar said during his speech.
“We are waiting for you here with open arms. With love. In the true home of the Jewish people. Why raise your children in this atmosphere?” the Israeli diplomat continued. “Come with your families to the land of our forefathers, to the State of Israel, where the Jews taught the entire world what Jewish self-defense means. The time has come.”
Jewish communities around the world, especially in Europe, have faced a troubling surge in antisemitic incidents and anti-Israel sentiment since the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
Jewish leaders have consistently called on authorities to take swift action against the rising wave of targeted attacks and anti-Jewish hate crimes, ranging from the vandalism of murals and businesses to violent physical assaults, that their communities continue to face.
In the United Kingdom, more than half of British Jews — 51 percent — believe they have no long-term future in the country or elsewhere in Europe, according to a survey conducted by the Campaign Against Antisemitism, released Monday.
Amid this climate of rising hostility, almost half of British Jews (45 percent) report feeling unwelcome in the UK, while a majority (61 percent) have considered leaving the country in the past two years, citing the recent surge in antisemitism as the main reason.
The newly released report also found that 59 percent of British Jews try to avoid displaying visible signs of their Jewish identity out of fear of antisemitic attacks, while 96 percent believe that Jews in Britain are less safe now than they were before the Oct. 7 atrocities.
Fewer than one in ten British Jews believe authorities are doing enough to tackle antisemitism, with only 14 percent feeling that the police are adequately protecting them.
In France, the local Jewish community has also faced a growing climate of hostility and antisemitic violence, which has even extended into politics, sparking national debates and drawing condemnation from leaders and civil society groups.
In one of the latest controversies, Bernard Bazinet, the mayor of Augignac in the southwestern Dordogne region, was expelled from the French Socialist Party earlier this month after posting antisemitic comments online about Israel’s participation in the Eurovision Song Contest.
“France is too Jewish to boycott [Eurovision]!” Bazinet wrote in a post on Facebook.
French Interior Minister Laurent Nuñez strongly condemned Bazinet’s comments, warning that he could face sanctions ranging from suspension to outright dismissal.
However, the rising wave of antisemitic attacks and hatred has spread beyond Western countries, reaching nations across the Eastern Mediterranean and other regions worldwide.
On Sunday, a group of Jews in Istanbul were attacked by pro-Palestinian protesters while on their way to light the eighth and final Hanukkah candle at the Neve Shalom synagogue.
According to widely circulated social media videos, the attackers approached the group while shouting, “These Zionists should leave this country,” waving Palestinian flags as they tried to get closer.
In a separate incident over the weekend, an Israeli man was attacked outside the hotel where he was staying in Limassol, Cyprus, after assailants reportedly heard him speaking Hebrew on the phone.
According to the victim’s father, his son was talking on the phone when a man approached him, asked for a cigarette, and then brutally assaulted him.
The victim was rushed to a local hospital and then flown to Israel on Sunday for emergency eye surgery after the attack, but doctors were unable to save his vision.
“My son, a young Israeli, was violently attacked at the entrance to the hotel where he was staying in Cyprus. Not on the street, not in a bar. At the entrance to the hotel — a place that is supposed to be safe and secure,” the victim’s father wrote in a post on Facebook. “He was brutally beaten, injured in the head and face, and evacuated for medical treatment.”