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‘Fabelmans’ flops at the Oscars, but Hollywood’s Jewish history gets a nod

(JTA) – With seven nominations for his most personal film ever, this could have been Steven Spielberg’s biggest year at the Academy Awards. But the hot-dog fingers had other plans.

“The Fabelmans,” the director’s highly personal dramatization of his Jewish upbringing, didn’t win a single one of the Oscars it was nominated for Sunday night. Spielberg’s film lost out on the biggest categories, including best picture, director, actress, and original screenplay, all to the same movie: chaos-theory multiverse comedy “Everything Everywhere All At Once,” where the aforementioned hot-dog fingers play a starring role.

But while the most Jewish movie came up empty-handed, other Jewish stories played out on the movies’ biggest night. Here’s what you need to know.

‘Fabelmans’ follies

Spielberg’s autobiographical opus may have come up empty-handed Sunday, but it got a booby prize: “The Fabelmans” was host Jimmy Kimmel’s favorite punchline. Kimmel used his monologue to drop a series of jokes about the film, including dubbing Spielberg and star Seth Rogen “the Joe and Hunter Biden of Hollywood”; speculating that nominated co-star Judd Hirsch was actually absentee Tom Cruise in a mask; and warning anyone plotting to slap him Will Smith-style, “You’re gonna have to go through the Fabelman to get to me.”

Later, Kimmel kept up the bit, introducing Paul Dano and Julia Louis-Dreyfus to present an award. Kimmel billed them as “Steven Spielberg’s dad and Jonah Hill’s mom,” referencing not only Dano’s role in “The Fabelmans,” but also Louis-Dreyfus’ part as a clueless white Jewish mother in the much-maligned Netflix film “You People.”

Getting loud for ‘All Quiet’

“All Quiet on the Western Front,” Netflix’s grueling drama about German soldiers on the frontlines of World War I, ended the night with four Oscars: international feature film, original score, cinematography and production design. In addition to having a Jewish producer, the movie was also adapted from a novel and 1930 film that both met the ire of the Nazi party and were tarred as Jewish plots to destroy the German state.

Another anti-dictator winner on Sunday was “Guillermo Del Toro’s Pinocchio,” which won the animated feature Oscar. Set in Fascist Italy, the Netflix film features a scene of Pinocchio mocking Il Duce himself, Benito Mussolini.

A Jewish ‘Goonies brother for life’

One of the most heartwarming moments of the evening was the best supporting actor win for Ke Huy Quan for “Everything Everywhere All At Once.” Quan, a former child actor, had abandoned his onscreen career for decades before his big comeback role last year. In his emotional acceptance speech, Quan gave a special shout-out to “my ‘Goonies’ brother for life,” Jeff Cohen — a Jewish former child star turned entertainment lawyer. Cohen and Quan appeared in “The Goonies” together in 1985, and when Quan landed his big “Everything Everywhere” role, Cohen negotiated the terms of his deal.

Jamie Lee Curtis and Sarah Polley

There were a couple big-name Oscar winners with Jewish parents. Immediately after Quan’s big moment, veteran actress Jamie Lee Curtis picked up her first-ever Oscar, also for “Everything Everywhere.” It was also a big moment for the “Halloween” star. “My mother and my father were both nominated for Oscars in different categories,” Curtis noted during her speech. Tony Curtis, Jamie Lee’s Jewish father, was one of the biggest stars of Golden Age Hollywood yet received only one Oscar nomination, in 1959 for “The Defiant Ones.”

Another winner with a Jewish father: the writer-director-actor Sarah Polley, who won best adapted screenplay for “Women Talking.” Polley explored the secret of her biological parentage in her 2013 documentary “Stories We Tell.” “Women Talking” is set inside a different religious community: an isolated Mennonite society in which the women have been systematically, sexually abused by the men.

Navalny and the neo-Nazis

The winner for best documentary went to a profile of Russian opposition leader Alexei Navalny, whose 2020 poisoning by KGB agents after he publicly criticized Vladimir Putin was an international scandal. Navalny is currently imprisoned in Russian solitary confinement; the filmmakers dedicated the award to him. The documentary also details an aspect of Navalny’s campaign more controversial to Western observers: his onetime support of the “Russian march,” a gathering of Russian neo-Nazi organizations.

Diane Warren’s no-win situation

Did you know the songwriter Diane Warren is a 14-time Academy Award nominee? Singer Sofia Carson reminded everyone in the middle of the evening’s first performance for best original song. Warren, who is Jewish, joined in the performance of “Applause,” her composition from the feminist documentary “Tell It Like A Woman.” She has never won an Oscar, and unfortunately for her, the streak continued Sunday night as the viral sensation “Naatu Naatu,” from the Indian film “RRR,” took the prize. (As a consolation, Warren received an honorary Oscar at the Governor’s Awards preceding the telecast.)

Another Jew-ish shutout

Also drawing blanks was “Tár,” the cerebral classical-music psychological drama with somewhat inexplicable Jewish themes.

Hollywood’s Jewish history gets a nod

The broadcast included a promotional video for the Academy Museum, which opened last year to celebrate the history of Hollywood. In the video, a curator named Dara Jaffe explains that one of the museum’s roles is to “bring important film histories to light, from the Jewish immigrants who founded the Hollywood studios to the early innovators of African-American cinema.” The inclusion is notable because the museum drew steep criticism when it first opened for giving short shrift to the industry’s robust Jewish history; Jaffe was appointed to put together a permanent exhibition about that history in response. The exhibition has not yet opened.

On this #Oscars night, we celebrate the incredible work of our team at the Academy Museum. This institution advances the understanding, celebration, and preservation of cinema through inclusive and accessible exhibitions, screenings, programs, initiatives, and collections. pic.twitter.com/6DEM9TUXiG

— Academy Museum of Motion Pictures (@AcademyMuseum) March 13, 2023


The post ‘Fabelmans’ flops at the Oscars, but Hollywood’s Jewish history gets a nod appeared first on Jewish Telegraphic Agency.

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The BBC Tried to Blame Israel — but Exposed Hezbollah Instead

Men carry Hezbollah flags while riding on two wheelers, at the entrance of Beirut’s southern suburbs, in Lebanon, Nov. 27, 2024. Photo: REUTERS/Thaier Al-Sudani

It is well established that Hezbollah has not only turned southern Lebanon into a base for terrorism targeting Israel but also embedded itself deep within Beirut’s civilian suburbs.

Yet when the BBC reports from those same areas, it appears determined to obscure that reality.

That may not be surprising. As HonestReporting previously documented, Hezbollah tightly controls access and information available to foreign journalists. What reporters see — and therefore what international audiences are shown — is often filtered through Hezbollah’s interests.

When a Sky News crew reported from Lebanon earlier this year, journalists openly acknowledged the restrictions imposed on them. Hezbollah limited where they could go and what they could film following Israeli airstrikes, likely to conceal evidence of terrorist activity.

So, when BBC reporters arrive in Lebanon two months later and somehow fail to find evidence of Hezbollah’s presence, it is hardly coincidental.

The “BBC traces how 10 minutes of Israeli bombing brought devastation to Lebanon” investigation attempts to portray Israel as deliberately targeting Lebanese civilians. But the report itself repeatedly undermines that narrative.

The very case study the BBC highlights gives the game away.

In Beirut’s Hay el Sellom suburb, a BBC journalist interviews Mohammed, whose son Abbas was killed in an Israeli airstrike on an apartment building in April 2026.

Mohammed claims that, had he known Hezbollah operatives were nearby, he would have left. But that admission directly undermines the BBC’s broader framing. It reinforces the reality that Israel’s operations are linked to Hezbollah’s presence, not random or indiscriminate attacks against civilians.

Another interviewee claims Israel is bombing Lebanon in an attempt to “take over” the country. Yet the report’s own details point to something else entirely: a campaign directed at Hezbollah infrastructure and operatives in an effort to restore security along Israel’s northern border.

According to the IDF, the April 8 strikes that reportedly killed Abbas also targeted more than 250 Hezbollah terrorists.

Ironically, while touring the suburb, the BBC journalist also filmed martyr posters of Ali Mohammed Ghulam Dahini, reportedly killed in the same strikes — corroborating Israeli media reports identifying him as a Hezbollah operative.

Yet the BBC still avoids acknowledging the obvious implication: these strikes were targeting Hezbollah personnel embedded within civilian areas.

Civilian deaths in war are tragic. But tragedy alone does not determine intent.

Under the laws of armed conflict, counterterrorism operations require assessing proportionality — weighing anticipated military advantage against potential civilian harm. In each example highlighted by the BBC, evidence of Hezbollah’s presence at the strike locations is difficult to ignore.

The report itself notes that Mohammed expressed support for Hezbollah in Arabic-language interviews, praising the group for “defending Lebanon.” But Lebanon would not require “defending” from repeated wars had Hezbollah not transformed civilian neighborhoods into military infrastructure.

The BBC acknowledges that Mohammed gave pro-Hezbollah views when speaking to local media. Yet Mohammed presents himself differently to international English-speaking audiences. That discrepancy raises an obvious question: why?

The answer may lie even closer to home.

Investigative journalist David Collier revealed that Mohammed’s son, Abbas Khair al-Din, was himself affiliated with Hezbollah, citing martyr posters and Hezbollah imagery at his grave.

Had the BBC acknowledged these Hezbollah ties, its central framing — that Israel was recklessly targeting civilians — would have become far more difficult to sustain.

This is not the first time the BBC has minimized or erased Hezbollah’s presence in Lebanon.

By omitting Hezbollah’s systematic use of civilian infrastructure, the outlet constructs a narrative in which responsibility falls almost exclusively on Israel while Hezbollah’s role fades into the background.

Most remarkably, despite the evidence presented throughout the report, the BBC still repeats Hezbollah’s denial that it embeds itself among civilians.

The contradiction is striking: the BBC’s own reporting repeatedly points to Hezbollah activity within civilian areas, yet the outlet still amplifies Hezbollah’s denials with minimal scrutiny.

Not all Lebanese civilians support Hezbollah. But the BBC’s inability — or unwillingness — to feature meaningful Lebanese criticism of the terrorist organization reveals how selective the report truly is.

Hezbollah has effectively held Lebanon hostage, exploiting civilians while dragging the country into repeated cycles of conflict.

There is genuine dissent within Lebanon. Many Lebanese are exhausted by Hezbollah’s dominance and want a future free from perpetual war. Yet those voices are almost entirely absent from the BBC’s report.

The BBC intended its report to portray Israel as conducting a campaign against Lebanese civilians.

Instead, it inadvertently documented something else entirely: Hezbollah’s deep entrenchment within civilian infrastructure.

The report repeatedly presents evidence of Hezbollah activity, Hezbollah support, and Hezbollah-linked individuals in the very locations Israel targeted — while simultaneously attempting to deny or downplay the implications.

When media outlets obscure Hezbollah’s use of civilian areas, they do more than distort the story. They sanitize the conditions Hezbollah itself created.

And in this case, the BBC’s own reporting ultimately undermines the narrative it set out to build.

The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

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Miss Israel Melanie Shiraz Says Mamdani’s Wife Snubbed Her Because She’s From Jewish State

Melanie Shiraz being crowned Miss Israel 2025. Photo: Simon Soong | Edgar Entertainment

Melanie Shiraz, who represented Israel in the 2025 Miss Universe pageant, said on Wednesday that the wife of New York City Mayor Zohran Mamdani refused to take a photograph with her because the beauty queen is from the Jewish state.

Shiraz posted on Instagram a video that features a short clip of herself with Rama Duwaji, the first lady of New York City. The Israel native said in the video’s voice-over that she met Mamdani’s wife by chance in a coffee shop in New York City and the two sat next to each other. Duwaji was willing to take a photo with the beauty queen “until she found out that I was Miss Israel; until I told her that as an Israeli, I was disappointed in seeing the kind of rhetoric she was promoting online,” Shiraz said.

“I told her as part of my ideology as an Israeli is to have productive dialogue in which not one side is constantly dehumanized. But despite that, despite the setting being calm, the moment she found out I was Israeli, she refused to have a conversation with me,” continued the graduate of the University of California, Berkeley.

“If you can publicly apologize for dehumanizing Israelis, but you can’t get yourself to humanize one when you come face-to-face with them in real life, what does that say about you and what does that say about the state of our politics considering that is the wife of the mayor of New York City?” Shiraz added.

A Texas-born illustrator with Syrian roots, Duwaji has previously uploaded or “liked” numerous anti-Israel posts on social media. She has also “liked” several online posts that celebrated the deadly Hamas-led terrorist attack against Israelis on Oct. 7, 2023, and even defended the largest single-day massacre of Jews since the Holocaust, describing it as Palestinian “resistance.”

It was discovered that Duwaji shared social media posts praising female Palestinian terrorists who participated in plane hijackings and bombings in the 1960s and early 1970s. In 2015, she shared a post in which someone else wrote that Tel Aviv was occupying Palestinian land and “shouldn’t exist.” Duwaji also illustrated an essay co-edited by a Palestinian-American activist author who described the Oct. 7 attack as “spectacular” and called Jewish Israelis “rootless soulless ghouls.”

In April, Duwaji apologized for “harmful” social media posts she made as a teenager, which included anti-gay and anti-Black language, but did not directly address her more recent anti-Israel social media activity.

Mamdani, who has faced his own share of criticism for anti-Israel comments and actions, has previously defended his wife by saying she is a “private person.”

In the caption of her Instagram video, Shiraz said she was “not particularly” surprised by her interaction with Duwaji at the coffee shop in New York City.

“It is easy to apologize without meaningfully changing one’s behavior,” Shiraz explained. “It is easy to claim opposition to dehumanization in principle, but far more difficult to embody that in practice. She was polite throughout. But the shift in demeanor was evident, and the lack of willingness to engage even more so.”

“I approached the interaction with openness to a genuine, respectful conversation. That openness was not reciprocated,” Shiraz added. “And that, perhaps, is the more telling point: how often this disconnect appears, and how normalized it has become.”

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Rubio Questions Allies’ Support on Iran Following Italy Talks

US Secretary of State Marco Rubio speaks to the press at the US Embassy in Rome, Italy on May 8, 2026. Photo: STEFANO RELLANDINI/Pool via REUTERS

US Secretary of State Marco Rubio met Prime Minister Giorgia Meloni on Friday and afterwards questioned why allies including Italy were not backing Washington’s efforts to confront Iran and re-open the Strait of Hormuz.

“I don’t understand why anybody would not be supportive,” Rubio told reporters, adding that countries needed “something more than just strongly worded statements” if they opposed Iran‘s actions.

Rubio was wrapping up a two-day trip aimed at easing ties with Pope Leo after attacks on the pontiff by President Donald Trump, while also addressing Washington’s frustration over Italy‘s refusal to support the US-Israeli war on Iran.

Meloni had been one of Trump’s firmest allies in Europe, cultivating close ties with him and presenting herself as a natural bridge between Washington and other EU states that had no natural political affinity with the Republican US leader.

But that alignment has come under increasing strain in recent months, as the Iran war has forced her to balance loyalty to the United States against Italian public animosity to the war and the growing economic cost of the conflict.

Meloni and Rubio met for 1-1/2 hours, in what she described in a post on social media platform X as “an extensive and constructive discussion,” saying the talks included the Middle East, Libya, and the peace processes in Lebanon and Ukraine.

“It was a frank dialogue between allies who defend their own national interests while fully recognizing the value of western unity,” Meloni said.

Rubio declined to give full details. However, he warned that Tehran’s claim to control access to Hormuz risked setting a dangerous precedent.

“The fundamental question every country, not just Italy … needs to ask themselves is, are you going to normalize a country claiming to control an international waterway? Because if you normalize that, you’ve set a precedent that’s going to get repeated in a dozen other places,” he said.

‘THE UNITED STATES NEEDS EUROPE AND ITALY

Italy and other European allies have said they would be willing to help keep the strait open once there was a lasting ceasefire or the conflict ends, but have refused to be drawn into direct confrontation with Iran.

Before seeing Meloni, Rubio met Italy‘s Foreign Minister Antonio Tajani, who said he hoped the visit had helped calm tensions with the United States.

“I am convinced Europe needs America, Italy needs America, but also that the United States needs Europe and Italy,” Tajani told reporters.

Besides the war in the Gulf, Meloni and Rubio had also been expected to discuss Russia’s war on Ukraine, US tariffs on European goods, and the outlook for Cuba, which Washington is seeking to isolate both diplomatically and economically.

The Italians were also keen for a readout on Rubio‘s meetings at the Vatican. Trump’s recent attacks on Pope Leo crossed a sensitive line in overwhelmingly Catholic Italy and prompted Meloni to call them “unacceptable.”

Her criticism in turn drew a sharp rebuke from Trump, who said she lacked courage. He subsequently threatened to withdraw US troops from Italy.

Rubio said he didn’t get into specifics about US bases, saying it was a decision for Trump to make.

Italy last month refused to allow US aircraft to use the Sigonella air base in Sicily for combat operations linked to the Iran conflict. Italian officials said Washington had not sought prior authorization from Rome for the use of the site.

Rubio did not mention this incident, but pointed to Spain’s decision not to allow its bases or airspace to be used to attack Iran. He said one of the main attractions of NATO for the US was to have forces in Europe that could be swiftly deployed elsewhere.

“Now that’s no longer the case, at least when it comes to some NATO members, that’s a problem and has to be examined,” he said.

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