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‘Fabelmans’ flops at the Oscars, but Hollywood’s Jewish history gets a nod

(JTA) – With seven nominations for his most personal film ever, this could have been Steven Spielberg’s biggest year at the Academy Awards. But the hot-dog fingers had other plans.

“The Fabelmans,” the director’s highly personal dramatization of his Jewish upbringing, didn’t win a single one of the Oscars it was nominated for Sunday night. Spielberg’s film lost out on the biggest categories, including best picture, director, actress, and original screenplay, all to the same movie: chaos-theory multiverse comedy “Everything Everywhere All At Once,” where the aforementioned hot-dog fingers play a starring role.

But while the most Jewish movie came up empty-handed, other Jewish stories played out on the movies’ biggest night. Here’s what you need to know.

‘Fabelmans’ follies

Spielberg’s autobiographical opus may have come up empty-handed Sunday, but it got a booby prize: “The Fabelmans” was host Jimmy Kimmel’s favorite punchline. Kimmel used his monologue to drop a series of jokes about the film, including dubbing Spielberg and star Seth Rogen “the Joe and Hunter Biden of Hollywood”; speculating that nominated co-star Judd Hirsch was actually absentee Tom Cruise in a mask; and warning anyone plotting to slap him Will Smith-style, “You’re gonna have to go through the Fabelman to get to me.”

Later, Kimmel kept up the bit, introducing Paul Dano and Julia Louis-Dreyfus to present an award. Kimmel billed them as “Steven Spielberg’s dad and Jonah Hill’s mom,” referencing not only Dano’s role in “The Fabelmans,” but also Louis-Dreyfus’ part as a clueless white Jewish mother in the much-maligned Netflix film “You People.”

Getting loud for ‘All Quiet’

“All Quiet on the Western Front,” Netflix’s grueling drama about German soldiers on the frontlines of World War I, ended the night with four Oscars: international feature film, original score, cinematography and production design. In addition to having a Jewish producer, the movie was also adapted from a novel and 1930 film that both met the ire of the Nazi party and were tarred as Jewish plots to destroy the German state.

Another anti-dictator winner on Sunday was “Guillermo Del Toro’s Pinocchio,” which won the animated feature Oscar. Set in Fascist Italy, the Netflix film features a scene of Pinocchio mocking Il Duce himself, Benito Mussolini.

A Jewish ‘Goonies brother for life’

One of the most heartwarming moments of the evening was the best supporting actor win for Ke Huy Quan for “Everything Everywhere All At Once.” Quan, a former child actor, had abandoned his onscreen career for decades before his big comeback role last year. In his emotional acceptance speech, Quan gave a special shout-out to “my ‘Goonies’ brother for life,” Jeff Cohen — a Jewish former child star turned entertainment lawyer. Cohen and Quan appeared in “The Goonies” together in 1985, and when Quan landed his big “Everything Everywhere” role, Cohen negotiated the terms of his deal.

Jamie Lee Curtis and Sarah Polley

There were a couple big-name Oscar winners with Jewish parents. Immediately after Quan’s big moment, veteran actress Jamie Lee Curtis picked up her first-ever Oscar, also for “Everything Everywhere.” It was also a big moment for the “Halloween” star. “My mother and my father were both nominated for Oscars in different categories,” Curtis noted during her speech. Tony Curtis, Jamie Lee’s Jewish father, was one of the biggest stars of Golden Age Hollywood yet received only one Oscar nomination, in 1959 for “The Defiant Ones.”

Another winner with a Jewish father: the writer-director-actor Sarah Polley, who won best adapted screenplay for “Women Talking.” Polley explored the secret of her biological parentage in her 2013 documentary “Stories We Tell.” “Women Talking” is set inside a different religious community: an isolated Mennonite society in which the women have been systematically, sexually abused by the men.

Navalny and the neo-Nazis

The winner for best documentary went to a profile of Russian opposition leader Alexei Navalny, whose 2020 poisoning by KGB agents after he publicly criticized Vladimir Putin was an international scandal. Navalny is currently imprisoned in Russian solitary confinement; the filmmakers dedicated the award to him. The documentary also details an aspect of Navalny’s campaign more controversial to Western observers: his onetime support of the “Russian march,” a gathering of Russian neo-Nazi organizations.

Diane Warren’s no-win situation

Did you know the songwriter Diane Warren is a 14-time Academy Award nominee? Singer Sofia Carson reminded everyone in the middle of the evening’s first performance for best original song. Warren, who is Jewish, joined in the performance of “Applause,” her composition from the feminist documentary “Tell It Like A Woman.” She has never won an Oscar, and unfortunately for her, the streak continued Sunday night as the viral sensation “Naatu Naatu,” from the Indian film “RRR,” took the prize. (As a consolation, Warren received an honorary Oscar at the Governor’s Awards preceding the telecast.)

Another Jew-ish shutout

Also drawing blanks was “Tár,” the cerebral classical-music psychological drama with somewhat inexplicable Jewish themes.

Hollywood’s Jewish history gets a nod

The broadcast included a promotional video for the Academy Museum, which opened last year to celebrate the history of Hollywood. In the video, a curator named Dara Jaffe explains that one of the museum’s roles is to “bring important film histories to light, from the Jewish immigrants who founded the Hollywood studios to the early innovators of African-American cinema.” The inclusion is notable because the museum drew steep criticism when it first opened for giving short shrift to the industry’s robust Jewish history; Jaffe was appointed to put together a permanent exhibition about that history in response. The exhibition has not yet opened.

On this #Oscars night, we celebrate the incredible work of our team at the Academy Museum. This institution advances the understanding, celebration, and preservation of cinema through inclusive and accessible exhibitions, screenings, programs, initiatives, and collections. pic.twitter.com/6DEM9TUXiG

— Academy Museum of Motion Pictures (@AcademyMuseum) March 13, 2023


The post ‘Fabelmans’ flops at the Oscars, but Hollywood’s Jewish history gets a nod appeared first on Jewish Telegraphic Agency.

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Israel’s Bobsled Team Clarifies It Withdrew From Last Day of Winter Olympics After Wanting Lineup Switch

Milano Cortina 2026 Olympics – Bobsleigh – 4-man Heat 1 – Cortina Sliding Centre, Cortina d’Ampezzo, Italy – Feb. 21, 2026. Adam Edelman of Israel, Menachem Chen of Israel, Uri Zisman of Israel, Omer Katz of Israel in action during Heat 1. Photo: REUTERS/Athit Perawongmetha

Israel’s four-man bobsled team withdrew from the last day of the 2026 Milan Cortina Olympics on Sunday after there were issues with how the team wanted to change its lineup mid-competition and allow its alternate to participate.

The team’s captain and pilot AJ Edelman explained in a series of posts on X that since the team knew it had no chance of winning in the third heat on Sunday, it wanted to give their alternative, 25-year-old Druze athlete Ward Fawarseh, an opportunity to compete in the Olympics for the first time ever before the Winter Games concluded. Farwarseh is the first Druze to make it to the Olympics, and this year marks the first time ever that Israel is competing in bobsledding in the Games.

However, changing push athletes midway through a competition is only permitted under special circumstances, including an illness or injury. As a result, the Israeli team – consisting of AJ Edelman, Menachem Chen, Uri Zisman, and Omer Katz – decided together to withdraw from the third heat on Sunday.

“We offered to withdraw before any action was taken,” Edelman told The Algemeiner on Monday, clarifying that his team was not disqualified from the competition, despite reports suggesting the contrary.

“Given that our placement going into the final run was all but predetermined, it was more important to us that our alternate could have the opportunity to compete in the Olympics. The team moved to make the replacement,” Edelman further explained in a post on X. “But the circumstances under which we made the substitution did not meet the bar that allows a team to make a lineup change, and we withdrew from our final run.”

“I will always remain proud that the team looked at their Druze brother, who had earned his place on the team, and unanimously said ‘we want this for you.’ I signed off on it and I take responsibility,” the American-Israeli athlete wrote in a subsequent post. He added that he apologizes “profusely” if fans were disappointed, but in a since-deleted post on X, he added that he does not apologize “at all” for the decision.

“The switch is not only common in our sport, we did it believing it was good for the country and to honor our teammate,” he said. “We thought we were putting country first.”

Team Israel finished the first two runs of the four-man bobsled competition with a combined time of 1:51.16, which placed them in 24th place out of 27 leading into the third heat on Sunday. Edelman and his teammate Menachem Chen also competed in the two-man bobsled race during the Winter Olympics.

In a statement given to The Times of Israel, the Olympic Committee of Israel claimed it did not allow the bobsled team to compete in the third heat on Sunday because they lied about a team member being sick in order to switch push athletes between the first two heats on Saturday and the third heat on Sunday.

“The bobsleigh team asked to include Ward, the substitute, in the competition. According to the rules, this is only permitted if one of the athletes is injured or ill,” the OCI said. “In order to make this possible, one of the team members — encouraged by his teammates — declared that he was unwell. He even went for a medical examination and signed an affidavit so that the Olympic Committee could request approval for a substitution.”

The OCI said that afterward, Zisman “admitted to the head of the delegation that he had acted improperly. This forced the Olympic Committee of Israel to withdraw the request and disqualify the move.” The OCI said that the team’s behavior was “improper” and “goes against fair and sportsmanlike conduct.”

In response to the OCI’s comments, Edelman told The Algemeiner that his team withdrew from the competition before the OCI took any action against them. “The process to change Ward to a primary accreditation is within the OCI control. The team’s withdrawal was within our own,” he said. “The team received a DNS, a ‘did not start,’ not a DSQ [disqualified].”

Bobsled was Israel’s only team sport at the Milan Cortina Winter Games. Edelman is Israel’s first multi-sport Olympian, after competing previously in skeleton, and he is also the first Jewish bobsled pilot to compete in the Olympic Games. He is additionally the most decorated observant Jewish Olympian and is believed to be the first Orthodox Jew to ever compete in the Winter Games.

Over the weekend, Italy’s state broadcaster RAI apologized after viewers heard on air someone tell others to “avoid” filming the Israeli bobsled team before it broadcast coverage of the four-man bobsled race at the Olympics on Saturday. Viewers heard, “Let’s avoid crew number 21, which is the Israeli one.”

RAI condemned the remark as “unacceptable” and RAI CEO Giampaolo Rossi said the incident represented a “serious” breach of the network’s “principles of impartiality, respect, and inclusion.” He added that RAI had opened an internal investigation to determine responsibility for the remarks and disciplinary proceedings.

Before the start of the 2026 Winter Games, an apartment in the Czech Republic where the Israeli bobsled team was staying during their final training was robbed, and passports and personal belongings were stolen. Then, during the team’s two-man bobsled race on Feb. 16, a commentator on the Swiss network RTS claimed on-air that Edelman “supports the genocide in Gaza” and should have been banned from the Olympics. The commentator also described the athlete as a “self-defined ‘Zionist to the core.’”

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Jewish Community Advocates Urge US Civil Rights Commission to Take Campus Antisemitism Seriously

A pro-Hamas demonstrator uses a bullhorn during a protest at the University of California, Los Angeles (UCLA) on March 11, 2025. Photo: Daniel Cole via Reuters Connect.

Jewish community advocates and civil rights lawyers discussed the campus antisemitism crisis in American higher education during two days of briefings and public comment held by the US Commission on Civil Rights last week, urging the agency to fight anti-Jewish hatred as aggressively as with other forms of discrimination.

Titled “Antisemitism on America’s College and University Campuses: Current Conditions and the Federal Response,” the forum served as one component of the commission’s bipartisan investigation of campus antisemitism, an inquiry led by Peter Kirsanow, a Republican, and Mondaire Jones, a Democrat. Drawing from advocates as well as critics of the Jewish community’s response to campus antisemitism, it highlighted work that remains undone while exposing some differences in opinion on Zionism, free expression on campus, and interpretation of Title VI of the Civil Rights Act, which prohibits discrimination based on race, color, or national origin in any program or activity receiving federal funding.

During the proceedings, several students who witnessed the onslaught firsthand described how the administrative bureaucracy, a branch of higher education governance dominated by the American progressive movement, stonewalled discrimination complaints, ignored utterances of classic antisemitic tropes, and refused to acknowledge rising antisemitism on the political left while accusing Jewish community advocates of assaulting academic freedom.

“I raised concerns repeatedly with administrators — but was met with silence or deliberate indifference. My peers faced retaliation in classic DARVO tactic: deny, attack, and reverse victim-offender roles,” said Sabrina Soffer, research fellow for the Jerusalem Center for Security and Foreign Affairs and a George Washington University alumna who sued the institution over alleged antisemitic discrimination. “We must stop this pipeline of hate in its tracks. Administrators must be held accountable for failing to enforce academic integrity and upholding their duty of care. We must scrutinize foreign funding, syllabi review, and the composition of academic departments.”

For several years before and since Hamas’s Oct.7, 2023, massacre across southern Israel, The Algemeiner has reported daily on campus antisemitism incidents which involved identity-based physical assaults, verbal abuse, and others acts of discrimination. These included anti-Zionists spitting on Jewish students at the University of California, Berkeley while calling them “Jew”; gang assaults at Columbia University’s Butler Library; swastika graffiti; the desecration of Jewish religious symbols; and the expulsion of a sexual assault survivor from a victim support group over her support for Zionism.

Other incidents include, a faculty group’s sharing an antisemitic political cartoon which marked Jews and Israel as enemies of people of color; a Cornell University student threatening to murder Jewish men, whom he called pigs, and to rape Jewish women, and perpetrate a mass shooting at the campus’ kosher dining hall; and professors praising Hamas’s Oct. 7 atrocities, which included mass murder, sexual assault, and kidnapping as legitimate modes of “resistance.”

Many such incidents preceded the Oct. 7 massacre by several years and received little to no coverage in the mainstream press.

Lenny Gold, executive producer of the campus antisemitism awareness documentary “The Blind Spot,” said during the hearing that higher education has hidden from the problem in lieu of addressing it transparently and vigorously.

“Schools often invoke academic freedom to justify their indifference to antisemitism while failing to recognize freedom’s inseparable partner: responsibility,” Gold said. “Academic responsibility includes eliminating the blind spot towards Jews and our inextricable connection to our ancient homeland, and having zero tolerance for antisemitism in classrooms, on campus, and in curricula, academic departments, and administrative staffs.”

He continued, “Anti-discrimination programs and policies must treat Jews an antisemitism on an equal footing with other protected groups and forms of prejudice.’

Soffer and Gold’s point of view sustained a slew of opposition during last week’s gathering, with some critic isms being uttered by Jewish students from elite colleges who accused the media and pro-Israel Jewish community of exaggerating the antisemitism crisis in the name of profits, ideology, and bullying the Ivy League. They also accused US President Donald Trump — whose daughter is Jewish and whose administration has mounted a legal campaign against campus antisemitism and the ideological bias that fostered it — of exploiting antisemitism to promote a political agenda.

“Since the Gaza War, I’ve felt more hesitant to tell people I’m Jewish, not because I’m scared of being the victim of a hate crime, but because I’m scared people will assume I’m against Palestinian people and associate me with the Trump administration’s anti-Palestinian rhetoric,” American University student Ellie Sweet told the commission, insisting that what is being described as antisemitism is harmless, anti-Israel rhetoric.

Another student, Sarah Silverman of Harvard University, screamed her entire seven-minute statement, in which she at one point charged that “policy described as protecting Jewish students did not make me feel protected!” She added, “Instead, in a deeply troubling way, I felt blamed. I knew I had done nothing wrong, but when decisions are made in your name without ever speaking to you but are affecting your academic community in extremely negative ways, you begin to worry that others believed you asked for these actions.”

A highlight of the event was testimony delivered by Kenneth Marcus, who served as assistant secretary for civil rights during the first Trump administration and currently leads the Louis D. Brandeis Center for Human Rights Under Law.

“Antisemitism does have various disguises, and anti-Zionism in that sense brings forward to the present all of the same tropes, the same stereotypes, the same defamations that have historically befallen the Jewish people, viewing Israel as the collective Jew or Jew among nations” he told the commission. “That is the form of antisemitism that we see most commonly on colleges campuses and that we need to address.”

Follow Dion J. Pierre @DionJPierre.

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German Minister Walks Out After Berlinale Winner Accuses Germany of Aiding Gaza ‘Genocide’ in Acceptance Speech

Director Abdallah Al-Khatib accepts the GWFF Best Feature Film Debut Award for “Chronicles From the Siege,” during the awards ceremony at the 76th Berlinale International Film Festival in Berlin, Germany, Feb. 21, 2026. Photo: REUTERS/Axel Schmidt

German Minister of Environment Carsten Schneider walked out of the awards ceremony at the 76th Berlin International Film Festival (Berlinale) on Saturday after a Palestinian-Syrian filmmaker accused Germany of being “partners in the genocide in Gaza by Israel” during his acceptance speech.

Schneider left the room following the remarks made by Abdallah Al-Khatib, whose film “Chronicles From the Siege” won the Berlinale’s best first feature award in the Perspectives section. “The Federal Minister considers these statements unacceptable and therefore left the event during the speech,” a spokesperson for Schneider said on Sunday, as cited by several media outlets. The minster was the only representative of the German government to attend the awards ceremony, a spokesman for his ministry told the German Press Agency.

Al-Khatib, who lives in Germany and wrote and directed “Chronicles From the Siege,” delivered his acceptance speech on stage with a keffiyeh draped on his shoulder.

“Some people told me, maybe you have to be careful before you say what I want to say now, because you are a refugee in Germany, and there are so many red lines. But I don’t care. I care about my people, about Palestine,” he said. “So, I will say my final word to the German government. You are partners in the genocide in Gaza by Israel. I believe you are intelligent enough to recognize this truth, but you choose to not care.” The filmmaker also held a Palestinian flag on stage and ended his speech with a call for a “free Palestine from now to the end of the world.”

“We will remember everyone who stood with us, and we will remember everyone who stood against us,” Al-Khatib added. He also claimed Palestinians in the Gaza Strip are living under “siege” and “occupation.”

Other Berlinale award winners also used their acceptance speeches to express solidarity with Palestinians or criticize Israel’s military actions in Gaza, during the country’s war against Hamas terrorists who orchestrated the deadly terrorist attack in southern Israel on Oct. 7, 2023.

While accepting the Golden Bear for best short film for “Someday a Child,” Lebanese filmmaker Marie-Rose Osta condemned Israeli bombings in Gaza and Lebanon, and what she called a “collapse of international law,” while also accusing the Israeli government of “genocide.”

“The people of Palestine, you are not alone,” said Turkish filmmaker Emin Alper, whose film “Salvation” won the Grand Jury Prize. “The people of Iran suffering under tyranny, you are not alone, the people of Kurdistan [you] are not alone. And my people, you are not alone,” he added.

Indian author Arundhati Roy pulled out of the Berlinale this year after jury president Wim Wenders said during the opening press conference that filmmakers should stay out of politics.

Earlier this month, more than 100 artists in the film industry – including Javier Bardem, Mark Ruffalo, and Tilda Swinton – signed an open letter criticizing the Berlinale for its “silence” about the situation in Gaza during the Israel-Hamas war and accused Israel of “ongoing genocide of the Palestinians in the Gaza Strip.”

“We call on the Berlinale to fulfil its moral duty and clearly state its opposition to Israel’s genocide, crimes against humanity and war crimes against Palestinians, and completely end its involvement in shielding Israel from criticism and calls for accountability,” the letter stated.

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