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Feeling haunted by tariff talk? Take comfort in how Great Britian was once soothed by a bubbe’s ghost
These are strange times, but that much weirder if you happen to be a dual citizen of Canada and the United States. In one sense, it ought to mean being blasé about such questions as whether Canada becomes the 51st state, something President Trump keeps threatening to make happen. It would just mean easier taxes for people like me and better flavours of Häagen-Dazs, right?
But somehow, I care. I really am dually loyal here. I want the best for the United States, which includes it not imploding just because one president is particularly deranged. And I want the best for Canada—the place where I live and am raising a family—and that starts with its continued independent existence, but extends to it not being cowed in trade war by a tech-bro-helmed puppet regime.
It seems unlikely that we’re about to see the U.S. do to Canada what Russia has to Ukraine—and unclear if the tariffs themselves are even going to happen—but I’m not sure the alleged grownups in charge know what their plans are. I feel no sense of smug for having initially (as in, in 2016) been one of those people saying, yeah right, Donald Trump becoming president, and am not particularly interested, this time around, in cultivated a jaded, this-isn’t-going-to-be-anything stance.
And no, I’m not convinced that by dismantling DEI and deporting campus antisemites, the new administration has Jews’ back. (Insofar as such developments are unambiguously beneficial to Jews. I’d say ambiguously at best, at best.) Jews need to buy eggs too, right? And that’s not even getting into the implications for kosher food prices if tariffs proceed.
Or if you’re more into kosher-style, I highly recommend the Ukrainian potato-onion pierogies from the new Multicook on Roncesvalles. Unmistakably made in Canada as there are women in the window literally making them before your eyes.
But it’s easy to doomscroll, which is why I suggest that you offset some of your own jaw-drops at the state of intra-North American relations with a sitcom from a time when none of this nonsense was going on. (Other nonsense, but not this nonsense.)
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Did you ever find yourself wondering, what if Midsomer Murders, but Jewish and a sitcom?
From 1992 to 1994, a British sitcom aired by the name of So Haunt Me. It’s about the Rokeby family, who’ve moved on down to a less-nice house on account of the father having lost his advertising job. Things are looking a bit grim, but also a bit… spooky. Why was that mug moving like that? It’s clear something is afoot, and that it can’t be burglars because they’ve nothing to burgle.
The supernatural force turns out to be Yetta Feldman, a Jewish mother who once lived in the house, and as far as she’s concerned it’s still hers. She freaked out and drove away more than a dozen families but has decided that the Rokebies are honorary Jews and is fine with them staying. She sits in the kitchen, visible only to some of the newly-arrived family members, and complains about her own adult daughter—Carole with an e she specifies—having taken up with an unsuccessful musician. She grimaces when she overhears her this-life counterparts saying they’re going to make bacon. Bacon! But hers is a Jewish house. This she insists upon.
It’s all done very theatrically, where it’s acting rather than wild special effects conveying that one of the people on the set is a ghost. It seems like it might not work, but it does.
So Haunt Me stars George Costigan and Tessa Peake-Jones, both of whom have had Midsomer roles, but do you know who plays their sullen teenage daughter? Cully! Yes, Laura Howard, who plays Inspector Tom Barnaby’s aspiring-actress daughter on Midsomer, apparently got her big break on So Haunt Me. Same actress but a very different character, which I understand is what actual television critics refer to as range.
And then there’s Yetta herself, played by Miriam Karlin, a prolific British-Jewish actress. Like Grandma Yetta on The Nanny, this Yetta plays a specific Jewish mother, stereotypical but not just. Like The Nanny, it’s a show unafraid of Othering non-Jews, of showing the world from the perspective
I am but one episode in—with 18 more to go—and already thinking about the dissertation that someone could write (won’t, but could) about what the show means about the idea of Jews as settlers. Yetta views herself as the original and only authentic inhabitant! That’s why she’s not budging.
Yes, as has been pointed out to me, the haunted-by-Jewish-mother thing is a bit like Oedipus Wrecks, Woody Allen’s contribution to the 1989 anthology film New York Stories. In it, an Allen alter-ego character’s mother hovers in the sky, as a kind of visible spectre, telling him—before an audience of ordinary New Yorkers—how to live his life. Did Mendelson get the idea from Allen?
Not necessarily!
I heard a podcast interview with show creator Paul Mendelson where he was explaining that he had pitched So Haunt Me first, but been told it was too ethnic, and that you couldn’t have a show with kids and a dog. This—the casual antisemitism, ageism, and dog-o-phobia of the television world of 1980s Britain—is why he instead made sitcom May to December, which first aired in… 1989. Once that show was a success, he was given license to do So Haunt Me.
Because this is how I spend my limited time on the planet, I had been wondering whether there was anything Jewish about May to December. Does Scottishness serve as a proxy for Jewishness? (Mendelson himself grew up partly in Glasgow so it might be that Scottishness is serving as a proxy for… Scottishness.) Is the sarcastic humour different from that of other Britcoms? (No, they’re all like that.)
Effectively, no, there is nothing obviously Jewish about May to December, unless you take law offices as inherently Jewish environments. There are the jokes about middle aged soliciter Alec’s adult daughter Simone being a Nazi, but this is meant as, she’s uptight and conservative, not that she is rounding up Jews. Mendelson has said that every episode includes people having cake and coffee, and that this is a Jewish quality, but there is also the thing where Alec pours himself (or is poured) a Scotch when he gets home, which seems gentile-coded.
The only thing I can think of is that the age-gap relationship at the core of the show is played a bit like an intermarriage plot. It’s all about whether others approve or disapprove. The couple’s always surrounded by some mix of disapproving killjoy women and approving, would-if-I-could-saying men. Is Alec’s wife Zoë’s youth a stand-in for non-Jewishness? Is it, deep down, a shiksa plot?
These are all questions I would like nothing more than to ask Paul Mendelson, should he wish to discuss his earlier works on a podcast produced by The Canadian Jewish News. Just putting this out there into the universe. If you will Britcom legends as podcast guests it’s no fairytale.
The CJN’s opinion editor Phoebe Maltz Bovy can be reached at pbovy@thecjn.ca, not to mention @phoebebovy on Bluesky, and @bovymaltz on X. She is also on The CJN’s weekly podcast Bonjour Chai. For more opinions about Jewish culture wars, subscribe to the free Bonjour Chai newsletter on Substack.
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Anti-Israel Singer Kehlani’s NYC Concert Gets Cancelled After Mayor Faces Pressure
Kehlani walking on the red carpet during the 67th Grammy Awards held at Crypto.com Arena in Los Angeles, CA on Feb. 2, 2025. Photo: Elyse Jankowski/Sipa USA via Reuters Connect
An upcoming New York City concert featuring Israel-hating, American singer Kehlani was canceled late Monday after organizers faced mounting pressure from New York City Mayor Eric Adams.
The webpage for the “Pride With Kehlani” benefit concert has also removed from the website of the City Parks Foundation. The privately-funded non-profit organization was hosting the performance, set for June 26 in Central Park, as part of its SummerStage festival series and in celebration of June being Pride Month. The concert was being produced and presented by Live Nation, which reportedly selected Kehlani for the performance.
SummerStage released a statement on Monday explaining its decision to call off Kehlani’s performance. According to the statement, the mayor’s office contacted concert organizers and expressed concerns about “safety and security issues” at the event, especially in light of Cornell University’s recent decision to cancel a performance by Kehlani, “as well as security demands in Central Park and throughout the City for other Pride events during that same time period.”
“We strongly and emphatically believe in artistic expression of all kinds. However, the safety and security of our guests and artists is the utmost importance and in light of these concerns, the concert has been cancelled,” SummerStage said. “SummerStage is proud to be a platform for artists from around the world to perform and make arts accessible for all New Yorkers in their neighborhood parks. While artists may choose to express their own opinions, their views may not necessarily be representative of the festival. SummerStage events are intended to bring together all sectors of the New York City community and we look forward to welcoming more guests throughout the summer.”
Mayor Adams’ administration also threatened to pull the licenses for all SummerStage shows if Kehlani’s concert was not canceled, according to a letter sent to the City Parks Foundation that was obtained by New York Post.
Kehlani released a music video last year that opens with the message “Long live the Intifada,” a phrase that incites violence against Israel and the Jewish community. She has attended pro-Palestinian rallies, accused Israel of genocide, and shared numerous anti-Israel and anti-Zionist posts on social media. In one Instagram post, she wrote: “Dismantle Israel. Eradicate Zionism.” She also shared on social media a post that called for Israel to be removed off the map and replaced with “Palestine.” Kehlani recently claimed that she is not antisemitic.
“I am not antisemitic, nor anti-Jew. I am anti-genocide. I am anti-the-actions-of-the-Israeli-government,” she stated in a video posted on Instagram and TikTok.
Congressman Ritchie Torres, who pushed Mayor Adams to take action and have Kehlani’s Central Park concert canceled, applauded the move by SummerStage to call off the show. “Antisemitism becomes unacceptable only when we, as a society, have the courage to reject it—clearly, consistently, and without compromise,” he wrote on X.
SummerStage is the city’s largest free outdoor performing arts festival. It presents more than 80 free and benefit concerts each summer.
Kehlani has not publicly responded to the cancellation of her New York City concert.
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New Study Exposes Antisemitism in University Medical Centers
Illustrative Pro-Hamas protesters in Washington, DC, USA, on April 5, 2025. Photo: Robyn Stevens Brody/Sipa USA via Reuters Connect.
Antisemitism in academic medical centers located on college campuses is fostering noxious environments which deprive Jewish healthcare professionals of their civil right to work in spaces free from discrimination and hate, according to a new study by the StandWithUs Data & Analytics Department.
“Academia today is increasingly cultivating an environment which is hostile to Jews, as well as members of other religious and ethnic groups,” StandWithUs director of data and analytics and study co-author, Alexandra Fishman said on Monday in a press release. “Academic institutions should be upholding the integrity of scholarship, prioritizing civil discourse, rather than allowing bias or personal agendas to guide academic culture.”
Titled “Antisemitism in American Healthcare: The Role of Workplace Environment,” the study includes survey data showing that 62.8 percent of Jewish healthcare professionals employed by campus-based medical center reported experiencing antisemitism, a far higher rate than those working in private practice and community hospitals. Fueling the rise in hate, it added, were repeated failures of DEI (diversity, equity, and inclusion) initiatives to educate workers about antisemitism, increasing, the report said, the likelihood of antisemitic activity.
“When administrators and colleagues understand what antisemitism looks like, it clearly correlates with less antisemitism in the workplace,” co-author and Yeshiva University professor Dr. Charles Auerbach said. “Recognition is a powerful tool — institutions that foster awareness create safer, more inclusive environments for everyone.”
Monday’s study is not StandWithUs first contribution to the study of antisemitism in medicine. In December, its Data & Analytics Department published a study which found that nearly 40 percent of Jewish American health-care professionals have encountered antisemitism in the workplace, either as witnesses or victims.
The study included a survey of 645 Jewish health workers, a substantial number of whom said they were subject to “social and professional isolation.” The problem left over one quarter of the survey cohort, 26.4 percent, “feeling unsafe or threatened.”
In some schools, Jewish faculty are speaking out.
In February, the Jewish Faculty Resilience Group (JFrg) at University of California, Los Angeles (UCLA) accused the institution in an open letter of “ignoring” antisemitism at UCLA’s David Geffen School of Medicine (DGSOM),” charing that its indifference to the matter “continues to encourage more antisemitism.” JFrg added that discrimination at the Geffen medical school has caused demonstrable harm to Jewish students and faculty. Student clubs, it said, are denied recognition for arbitrary reasons; Jewish faculty whose ethnic backgrounds were previously unknown are purged from the payrolls upon being identified as Jews; and anyone who refuses to participate in anti-Zionist events is “intimidated” and pressured.
“DGSOM’s continued silence in the face of a sustained and deeply troubling rise in antisemitism within its own institution is not just complicity — it is a failure of responsibility,” the group said. “Without strong and principled leadership, this dangerous pattern will persist.”
Follow Dion J. Pierre @DionJPierre.
The post New Study Exposes Antisemitism in University Medical Centers first appeared on Algemeiner.com.
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Dozens of Former Eurovision Contestants Pressure Organizers to Ban Israel From 2025 Song Contest
Israel’s representative to the 2025 Eurovision Song Contest, Yuval Raphael, holds an Israeli flag in this handout photo obtained by Reuters on Jan. 23, 2025. Photo: “The Rising Star,” Channel Keshet 12/Handout via REUTERS
More than 70 previous contestants of the Eurovision Song Contest on Monday demanded that Israel’s public broadcaster Kan should be banned from the international competition this year because of what they falsely claim is Israel’s “genocide” of Palestinians in the Gaza Strip.
Singers, songwriters, musicians, lyricists and others from across Europe signed an open letter, published by Artists for Palestine UK, that was addressed to the European Broadcasting Union (EBU), which organizes the Eurovision Song Contest. In their letter, the anti-Israel creatives urged the EBU to ban Kan, claiming that it is “complicit in Israel’s genocide against the Palestinians in Gaza and the decades-long regime of apartheid and military occupation against the entire Palestinian people.”
“We believe in the unifying power of music, which is why we refuse to allow music to be used as a tool to whitewash crimes against humanity,” the open letter stated. The signatories urged EBU to “act now and prevent further discredit and disruption to the festival.”
“Silence is not an option,” they added. “We therefore join together to state that the EBU’s complicity with Israel’s genocide must stop. By continuing to platform the representation of the Israeli state, the EBU is normalizing and whitewashing its crimes … Israel must be excluded from Eurovision.”
The former Eurovision contestants also said that they were “appalled” by the EBU’s decision last year to include Kan in the competition during the Israel-Hamas war.
“The result was disastrous,” they said about the 2024 Eurovision Song Contest. “Rather than acknowledging the widespread criticism and reflecting on its own failures, the EBU responded by doubling down — granting total impunity to the Israeli delegation while repressing other artists and delegations, making the 2024 edition the most politicized, chaotic and unpleasant in the competition’s history.”
During last year’s competition, Israeli singer Eden Golan was booed on stage by anti-Israel audience members, faced death threats, had a anti-Israel Eurovision jury member refuse to give her points, and was forced to conceal her identity outside of the competition for her own safety.
Those who signed Monday’s open letter also accused the EBU of a “double standard” in regards to Israel. They criticized the EBU for expelling Russia’s public broadcaster from the competition in 2022, because of Russia’s full-scale invasion of Ukraine that year, but still allowing Israel to participate in the song contest amid the Israel-Hamas war that started after the deadly Hamas terrorist attack on Oct. 7, 2023.
“[It] can’t be one rule for Russia and a completely different rule for Israel. You bomb, you’re out,” said former Eurovision contestant Thea Garrett, who represented Malta in 2010.
“I believe that the Israeli government has been and is inflicting genocide on the people of Palestine and for that reason Israel should be barred from competing in this year’s Eurovision Song Contest,” added Charlie McGettigan, who won the 1994 Eurovision Song Contest for Ireland.
The open letter was signed by creatives from Albania, Bosnia and Herzegovina, Finland, France, Iceland, Malta, Norway, Portugal, Slovenia, Switzerland, the United Kingdom and Turkey. The national broadcasters in Iceland, Slovenia and Spain have previously expressed opposition to Israel’s participation in the 2025 Eurovision Song Contest.
The open letter was published the same day that Israel’s Eurovision representative this year, singer Yuval Raphael, traveled to Basel, Switzerland, to compete in the song contest. Raphael, who is a survivor of the Nova Music Festival massacre on Oct. 7, 2023, will compete in the 2025 Eurovision Song Contest with the song “New Day Will Rise,” a ballad written by singer and songwriter Keren Peles. She will perform in the second semi-final on May 15 and, if she advances, will compete in the Eurovision Song Contest grand final on May 17.
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