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Florida school board cancels Paula Vogel’s ‘Indecent,’ a ‘queer Jewish love story’ about a censored Yiddish play
(JTA) — In 1923 in New York, a Yiddish play that featured the first lesbian scene on a Broadway stage was censored for being indecent. In 2023 in Florida, a play about the first play has been canceled for the same reason.
For many involved in the new play, including its Pulitzer Prize-winning Jewish playwright and the Florida high schooler cast in a lead role, the déjà vu is alarming.
“The 100-year anniversary of Sholem Asch’s ‘God of Vengeance’ being shut down on Broadway is the same week that our production of ‘Indecent’ would have opened,” said Madeline Scotti, the student who first drew attention on Instagram to the censorship by her local school board of the “queer Jewish love story” in which Scotti had been cast. “One hundred years — 100 years — and we are still fighting the same injustices that Sholem Asch and his company did.”
Scotti is a student at Douglas Anderson School of the Arts in Jacksonville, Florida, where students had been planning to perform Paula Vogel’s “Indecent” this spring — until officials told them on Thursday, the first day of rehearsals, that their show could not go on. Scotti attributed the censorship to Florida’s new law limiting classroom instruction and discussion about sexual orientation and gender identity — what opponents call the “Don’t Say Gay” bill.
Vogel said she, too, was first concerned about homophobia — then added other worries as she heard from people in Jacksonville.
“Parents who live in the community have written to me and said, ‘There is rising antisemitism in our community,’” Vogel told the Jewish Telegraphic Agency on Sunday. “I very much think that what the school board may not be able to express is their concern about presenting a play that shows how censorship is the first step to the Holocaust.”
Vogel’s 2015 play is about the 1923 Broadway debut of “God of Vengeance,” a play written in Yiddish by Sholem Asch that includes perhaps the first romantic kiss between two women on an American stage. In “Indecent,” the actresses who play the lesbian characters in the Asch play are depicted as lovers off stage. The plot picks up after “God of Vengeance” is shuttered and its cast briefly imprisoned over obscenity charges. “Indecent” follows the stage manager who returns to Eastern Europe, disheartened by what happened in America, and is ultimately murdered by the Nazis.
Students at Douglas Anderson all had permission to act in “Indecent,” and they had put on other shows portraying sexuality in the past: “Chicago” last year, and “Rent” before that. But conditions in the state changed last year when Florida’s Republican governor, Ron DeSantis, signed the Parental Rights in Education Law into effect, stoking fear among LGBTQ teachers and students and causing school districts to alter policies.
The board in Duval County has defended the law, drawing a lawsuit from parents and advocates over what they said was its enforcement and arguing in court last fall that the district should be allowed to implement the law while litigation pends.
“Tonight during rehearsal our company was notified that the school board is shutting us down not because of but related to the ideals stated in the ‘Don’t Say Gay’ bill,” Scotti said in the video. “‘Indecent’ is a story about how detrimental censorship is, about how its damaging effects can ruin a nation and a community. I don’t need to point out the irony.”
Duval County Public Schools officials denied that the decision to cancel the production had anything to do with the law.
“‘Indecent’ contains adult sexual dialog that is inappropriate for student cast members and student audiences,” the district said in a statement. “It’s that simple. The decision has no relevance to any legislation but is rather a function of our responsibilities to ensure students engage in educational activities appropriate for their age.”
Vogel said she believes the show’s contents are appropriate for teenage audiences — and that she would have permitted changes to the show’s display of sexuality. She volunteered that a school production of “Indecent” could feature the two women holding hands, rather than kissing, in a tweak she likened to removing profanities from some of her other award-winning works. “The judgment by the board that this is too mature for high school students is absolute nonsense,” she said.
The censorship in Jacksonville is the latest in a string of incidents in which works with Jewish themes or about the Holocaust have been ensnared in efforts to limit schoolchildren’s exposure to ideas that some parents oppose.
School reading materials are under increasing scrutiny amid conservative parent groups’ pressure to remove ideas they define as “critical race theory” and “gender ideology.” Books about Jews have gotten caught in the dragnet, including in a Tennessee district that removed the Holocaust memoir “Maus” from its curriculum, a Texas district that briefly removed an adaptation of Anne Frank’s diary and a Missouri district that briefly removed history books about the Holocaust.
Florida is a front line in this new culture war. In Walton County, in the state’s Panhandle, the children’s book “Purim Superhero” was among dozens of titles removed from shelves last year in response to parents’ protests; its main character has two fathers. And the Duval County district kept a diversity-themed collection of children’s books that included a book about Shabbat from students for more than a year. Two candidates supported by the local chapter of Moms for Liberty, a group leading the censorship push, won spots on Duval County’s seven-member school board in November.
Florida has also recently emerged as a hotbed of white supremacist and neo-Nazi activity. The Anti-Defamation League issued a report last year raising alarms about extremist activity in the state — and that was before the leader of the Goyim Defense League, a prominent antisemitic group, moved there from California. The group played a role in broadcasting “Kanye is right” at a college football game in Jacksonville in October, referring to the artist Kanye West’s antisemitic comments. It is also behind the distribution of antisemitic propaganda, often in plastic bags placed under rocks at private homes, around the country and locally.
Vogel said she saw a clear echo of what happened with Asch’s play in 1923, when the play was censored amid an atmosphere of rising antisemitism in the United States. (The rabbi of Temple Emanu-El in New York City, concerned that the play could cast Jews in a negative light at a time when non-Jews were organizing antisemitic campaigns, reportedly sounded the alarm to authorities; the play was later banned in London, too.)
She said is planning a response beyond the encouraging message she left on Scotti’s Instagram post and the exhortation to Douglas Anderson’s principal that she tweeted. (“Why cancel Indecent rather than structuring post-play discussions?” she wrote. “It is a unique way to look at the Holocaust as well as gender and censorship and antisemitism.”) But the antisemitic activity in Jacksonville, Vogel said, has made her cautious about sharing details of who she is working with locally.
“I don’t want to name anybody because I don’t want anyone having more rocks with [antisemitic] literature in their driveway,” she said. “I want to talk in a group with the students, but I don’t want to jeopardize them. … I don’t want to trigger some wackadoo.”
Vogel said she had spent the weekend Zooming and speaking with members of the original cast of “Indecent,” who worked together for several years as the play made its way from a small stage to Broadway, where it won the Tony Award for best play of 2015. On Monday, she said she hoped to offer the school’s principal “a modest little proposal”: to travel to Jacksonville along with Rebecca Taichman, the play’s original director, to present “Indecent” to the students who were barred from staging it themselves and to a community that could benefit from a hard conversation.
“We know this historically: The first step towards totalitarianism is censorship of the arts. It’s burning books. It’s closing down theaters. … In all societies as we go towards fascism, the arts are labeled as degenerate,” Vogel said. “That’s the conversation we need to be having.”
Vogel said her response was informed by her decades as a teacher; she was a professor for many years at Brown University and then moved to Yale, where she was chair of the playwriting department at the vaunted Yale School of Drama.
“I have one response as a Jewish artist. I have another response as an educator,” Vogel said. “And right now it’s the educator who is coming forward.”
The principal of Douglas Anderson School of the Arts told students last week that “Indecent” would be replaced by a different play, Anton Chekhov’s “The Seagull.” But some of the student actors may have other plans.
“The support from the Broadway theatre community feels like we have found our own mishpoche,” Scotti posted on Instagram on Sunday, using the Yiddish word for “family.”
Scotti added, “I am delighted to say that we have something in the works. The company is meeting and discussing as you’re seeing this. From ashes we rise!”
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The post Florida school board cancels Paula Vogel’s ‘Indecent,’ a ‘queer Jewish love story’ about a censored Yiddish play appeared first on Jewish Telegraphic Agency.
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Hamas Uses Sydney Terror Attack to Reaffirm Its Doctrine of Killing Jews Worldwide
A Palestinian man points a weapon in the air after it was announced that Israel and Hamas agreed on the first phase of a Gaza ceasefire, in the central Gaza Strip, October 9. Photo: REUTERS/Mahmoud Issa
Following Sunday’s terror attack in Sydney where Muslim terrorists murdered at least 15 people and wounded 29 others, Hamas’ official television channel, Al-Aqsa TV, published a post seeking to legitimize the killing of one of the victims, Rabbi Eli Schlanger.
The post emphasized that Rabbi Schlanger had traveled to Israel in October 2023 and met with Israeli soldiers to show support following Hamas’ Oct. 7 massacre. Al-Aqsa TV published photos of the rabbi with Israeli soldiers, portraying this act of solidarity as evidence that he had “assisted” Israel in what Hamas calls a “war of annihilation.”
Posted text:“Pictures published on the pages of settlers of Rabbi Eli Schlanger, an emissary of the Chabad Movement who was killed [on Dec. 14, 2025] in an attack on a Jewish [Hanukkah] celebration in Sydney at a time when he was meeting with soldiers from the occupation [i.e., Israeli] army in order to assist them in the war of annihilation.”
[Al-Aqsa TV (Hamas), Telegram channel, Dec. 14, 2025]
Under this framework, Hamas portrays a Jewish religious leader attending a holiday celebration in Australia as a legitimate target because he once expressed solidarity with Israelis after October 7.
Hamas, however, does not need a military connection, political activity, or personal responsibility to legitimize the killing of Jews by Muslims.
The claim that Rabbi Eli Schlanger met with Israeli soldiers is merely a post-hoc rationalization, designed to disguise Hamas’ core belief that Jews must be killed because they are guilty of the crime of being Jews.
In one of its music videos calling for Palestinians to murder Jews, Hamas published this poster with the words: “Killing Jews is worship that draws us close to Allah:”
This principle is also enshrined explicitly in its charter — and it defines how Hamas views Jewish civilians and acts of terror against Jews everywhere.
Article 7 of the Hamas Charter presents this as a divine command, quoting an Islamic hadith:
The time (of Resurrection) will not come until Muslims will fight the Jews; until the Jews hide behind rocks and trees, which will cry: ‘O Muslim! There is a Jew hiding behind me—come and kill him!’
[Sahih Muslim, Book 041, Number 6985]
This is not a call to fight Israelis. It is not a reference to soldiers. The target is Jews as Jews, wherever they are.
What happened in Sydney was a direct application of Hamas’ ideology.
Ephraim D. Tepler is a contributor to Palestinian Media Watch (PMW). Itamar Marcus is the Founder and Director of PMW, where a version of this article first appeared.
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Australian authorities confirm that Bondi Beach attackers were affiliated with Islamic State terror group
(JTA) — The father-and-son duo who killed 15 people during an attack on a Hanukkah celebration in Sydney on Sunday were motivated by “Islamic State ideology,” Australian authorities have confirmed.
Australian media had reported on Monday that the country’s intelligence service had previously investigated Naveed Akram, the son, over his ties to members of an Islamic State cell in Sydney.
On Tuesday, officials confirmed the account and revealed that both Naveed Akram and his father Sajid spent most of November in a region of the Philippines where the Islamic State maintains a stronghold. Officials believe the pair received military training there, though they would not say whether the trip had alarmed security officials at the time.
“It would appear that there is evidence that this was inspired by a terrorist organization, by ISIS,” Australian Prime Minister Anthony Albanese said at a press conference on Tuesday. He confirmed that Islamic State flags had been found in Naveed Akram’s car, abandoned at the scene of the shooting.
The revelations complicate the narrative that emerged immediately after the attack connecting it to Australia’s recent pro-Palestinian protest movement, which has at times featured antisemitic displays and attacks on Jewish sites.
But the Islamic State and Hamas, the leading Palestinian liberation organization whose attack on Israel on Oct. 7, 2023, triggered the war in Gaza, have historically been at odds, with the Sunni Islamic State openly viewing Hamas as insufficiently Islamic and an avatar of Iran and Shia Islam.
The Islamic State is a decades-old terrorist group that for a time acted as al-Qaeda’s affiliate and promotes Islamic fundamentalism; its enemy, broadly speaking, is the West and its targets have ranged from Christian churches to concerts to public festivities. Last year, an Islamic State-inspired operative killed 14 people at a New Year’s street party in New Orleans, and the group claimed credit for an attack on a Moscow concert hall that killed more than 140.
Hamas, on the other hand, sought to impose some strictures of Islamic law in Gaza, which it has controlled, but allows a far more permissive religious and cultural environment. Its express goal is the elimination of Israel, and attacks staged by its affiliates abroad, typically supported by Iranian cells, have tended to target Jewish and Israeli sites — as has been the case in Australia, which recently expelled the Iranian ambassador over his country’s alleged ties to a string of attacks on synagogues.
In the immediate aftermath of the Oct. 7 attack, the Israeli government promoted an equivalency between the two groups, citing their similarly brutal tactics. But some experts in terror movements balked at the comparison.
“The Islamic State literally views Hamas as apostates and IS supporters have been pillaging Hamas online since Saturday bc they are tools of Shia Iran and also don’t actually implement sharia [Islamic law] according to IS’s interpretations,” Aaron Zelin, a senior fellow Washington Institute for Near East Policy, tweeted at the time.
But two years of war in Gaza that activated pro-Palestinian sentiment in many places around the world may have shifted the distinctions between the movements, according to terrorism experts, who also say the Islamic State has become more decentralized over time.
Rommel Banlaoi, a political scientist focused on terrorism in the Philippines, told the New York Times this week that a December 2023 attack on a Catholic mass there had marked a turning point for the group.
“Before, the focus was on creating an Islamic state,” Banlaoi said. “Now it has transformed to helping Muslims, Palestinians displaced by the Middle East violence.”
In part, the shift may reflect an opportunistic approach to the masses of people activated online in support of the Palestinian cause. A “Worldwide Threat Assessment” prepared by the U.S. Defense Intelligence Agency in May said the Islamic State and al-Qaeda were showing signs of trying to capitalize on a new audience.
“Both groups continue to reference Israeli operations in Gaza to galvanize their global networks, recruit new members, generate revenue, and enable or inspire attacks against U.S., Israeli, Jewish, and European interests worldwide,” the report said.
An unnamed “senior Arab security official” told the Washington Post in the wake of the Bondi Beach attack that online activism tied to the Islamic State had surged during the war in Gaza. “They are exploiting the emotional outrage of Muslims and use reports of [Muslim] women and children being killed or allegedly starved as tools of recruitment,” the security official said.
Counterterrorism experts also believe that an increased focus on threats related directly to the war in Gaza could have undercut those trying to monitor and stop the Islamic State. Brett Holmgren, then a top counterterrorism official in the Biden administration, for example, said at an event hosted by the Center for Strategic and International Studies last year that the Islamic State was regrouping “as governments shifted attention and resources to the conflict in Gaza.”
The Islamic State has not claimed responsibility for the Bondi Beach attack, which was immediately condemned by the governments of Arab states that are supportive of the Palestinian cause. Authorities have not said whether the attackers left any record of their intentions or motivation beyond the Islamic State flags found in their car.
The post Australian authorities confirm that Bondi Beach attackers were affiliated with Islamic State terror group appeared first on The Forward.
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New footage emerges of Jewish man trying to disarm Bondi Beach shooters before massacre
(JTA) — An elderly Jewish man sought to stop the Bondi Beach Hanukkah attackers and was their first victim, according to dramatic dashcam footage that emerged on Tuesday.
Boris Gurman, 69, came upon the attackers as they exited their car and confronted them, according to the footage, which first appeared on Chinese social media after being posted by a Sydney resident and has been verified by Australian media as well as his family.
The grainy footage shows Gurman appearing to have been able to take hold of one gun before the attacker retrieves another weapon and shoots him. The footage shows Gurman, wearing a purple shirt, being thrown to the ground during the confrontation with the attackers, whom authorities have identified as Sajid and Naveed Akram.
Boris Gurman’s wife Sofia, 61, was also murdered at the outset of the attack, which ultimately killed 15 people who had gathered for a Chabad Hanukkah celebration on the beach.
The couple, immigrants to Australia, had been married for nearly 35 years and had retired from their jobs as a mechanic and postal worker.
“In the moments before their passing, Boris — with Sofia courageously beside him — attempted to intervene to protect others,” said a statement accompanying a crowdfunding campaign to benefit their family, including son Alex. “This act of bravery and selflessness reflects exactly who they were: people who instinctively chose to help, even at great personal risk. While nothing can lessen the pain of this loss, we feel immense pride in their courage and humanity.”
The footage adds new details to what is known about the massacre, which unfolded over more than 10 minutes on Sunday evening, the first night of Hanukkah.
A different man who tried and failed to stop the shooting by tackling and disarming one of the shooters, Ahmed al Ahmed, has been hailed for his heroism and had more than $1.3 million raised on his behalf, including from Jewish donors from around the world.
Meanwhile the daughter of Reuven Morrison, a Jewish man killed in the massacre, said he had been the one caught on camera throwing bricks at the shooter after al Ahmed’s intervention.
“If there was one way for him to go on this earth, it would be fighting a terrorist,” Sheina Gutnick told CBS News about her father. “There was no other way he would be taken from us. He went down fighting, protecting the people he loved most.”
The post New footage emerges of Jewish man trying to disarm Bondi Beach shooters before massacre appeared first on The Forward.