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How a 3-hour play about antisemitism in France became Broadway’s must-see show

(New York Jewish Week) — I’ll be honest: At the outset, a three-hour play about antisemitism did not sound like my idea of a good time. After all, as the editor of a Jewish publication, I spend much of my workdays writing about and thinking about the world’s hatred of Jews.

But my trepidation evaporated within minutes of the first scene of “Prayer for the French Republic,” Josh Harmon’s Broadway play about generations of a French Jewish family grappling with their Jewish identity, their French identity and the ways in which these identities invariably clash and overlap with one another. 

From the opening scenes — in which we are introduced to the Benhamou family, including a somewhat brittle but loving matriarch, Marcelle Salomon Benhamou (Betsy Aidem); a brilliant but sarcastic daughter Elodie (Francis Benhamou); father Charles (Nael Nacer) and a religiously curious son Daniel (Aria Shahghasemi) — “Prayer for the French Republic” felt like I was looking in a mirror. Or, perhaps a more accurate description would be watching a home movie — a term that has fallen out of favor but uniquely describes that experience of observing a family’s everyday interactions as seen through the lens of someone who is apart of, rather than separate from, the family depicted on screen. 

The play opens in Paris in 2016, with the family in turmoil after Daniel, who wears a kippah, gets attacked on the street just before sundown on Shabbat. It’s a time of heightened antisemitism in France, most notably with the 2015 attack by an Islamist on a kosher supermarket, which killed four and terrified Paris’ Jewish community to the core. Amid fears for their safety, over the course of three hour-long acts (punctuated by two 10-minute intermissions), the Benhamous debate joining the record number of French Jews who are moving to Israel.

The nearly present-day family’s story is punctuated by flashbacks to 1944-1946, spotlighting Marcelle’s great-grandparents, Irma and Adolphe Salomon, who miraculously survived World War II by secreting themselves in their Paris apartment — unlike their other family members who had fled to the U.S. or Cuba, or endured or succumbed to the horrors of the Nazi concentration camps.

“Prayer for the French Republic” was first mounted off-Broadway in 2022, garnering awards and rave reviews. And when it moved to Broadway earlier this month, many of its key players, including director David Cromer and stars Aidem and Francis Benahmou, came along for the ride.

I had the chance to speak with Aidem, who most recently played Grandma Emilia in another recent Broadway play about antisemitism, Tom Stoppard’s Tony Award-winning “Leopoldstadt.” The 66-year-old Upper West Sider shared with me her thoughts on the play’s relevance in 2024, her personal experiences with Judaism and why live theater is an “alchemical” experience.

This interview has been condensed and lightly edited. 

Molly (Molly Ranson) and Elodie (Francis Benhamou) debate Israel in a scene from “Prayer for the French Republic.” (Jeremy Daniel)

Watching “Prayer for the French Republic,” I felt like I actually knew the Benhamou family, and that I knew your character personally. Did you feel this way when you first “met” Marcelle? What was your reaction when you read the script the first time?

I got the script at the very beginning of 2020. I was set to go to Fort Leavenworth, Kansas to direct a bunch of actors for the Arts in the Armed Forces at the army base and the army prison there. I read the script before I left. They wanted to do a startup workshop — I was like, I’ve got to get out of Kansas. I literally flew back a day early to do the workshop. That’s because when I read the play, and I read the part of Marcelle, I was blown away by how I understood who she was, and I couldn’t believe the breadth of what the writer Josh Harmon was able to give to one character in a story as beautiful as this. 

The world is a very different place now than it was when the play premiered off-Broadway in January 2022. After the massacre in Israel on Oct. 7 and the turmoil over the war in Gaza, how do you think the play hits differently with audiences today? 

I think the play, because it is a closeup, people see themselves in this circumstance. It becomes incredibly relatable, it’s personal. It’s not a sweeping epic. I think being able to recognize people going through something that you feel you’re going through privately — when you watch it in public it expands your sense of belonging to a greater community.

How does that happen? Because I agree — watching the play was somehow uplifting, despite the difficult subject matter. The audience was laughing and engaged. Is that the magic of theater? What is it about this play that makes it feel comforting in a really fraught time?

I think there’s something that alchemically happens in live performance. [Plus, director] David Cromer is incredibly insistent on true behavior — not doing what he calls “theatrical behavior” but really letting things get uncomfortable, showing their smudges, showing where people lose their footing. When audiences see that, they instantly enter into the center of the character’s anguish, because they’re not perfect. They’re imperfect. I think it helps them relax and go, “Oh, I do that too. I know what that feels like.” I think that’s a tribute to Josh’s writing and tribute to David’s directing, and the actors he’s assembled, who are willing to be foolish and willing to be lost. And I think that’s what makes the experience universal. 

You’ve had a couple of heavy years, coming off “Leopoldstadt,” where you play Emilia, another Jewish matriarch, this time in a family epic set before and during the Holocaust. What similarities do you see between these two characters?

Emilia supposedly walked from Kyiv to Lviv on foot, which is something like over 500 miles, during one of the pogroms — she’s a survivor. She was very tough. I mean, the line that I said at the end of the 1899 [scene] was, “They used to hate us for killing Christ, now they hate us for being Jews. God, give my grandchildren the desert.” So Theodor Herzl was, at that moment, coming up with this plan [for a Jewish state in Palestine] that a lot of the Viennese thought, “Oh, who wants to give up high society and the culture that we live in, which is the best of Europe, and go live in some terrible desert?” That has a very similar theme to a family in Paris [in “Prayer for the French Republic”] thinking they live in the best, most cultured city in the world, and thinking the only safe place to go is Israel. That similarity is interesting to me.

The Benhamou family of Paris conducts a Passover seder in a scene from Broadway’s “Prayer for the French Republic.” (Jeremy Daniel)

How would you describe your own Jewish identity? 

I was raised in Phoenix, Arizona, which didn’t have a large Jewish community. But I noticed in like fifth or sixth grade that all the boys were going to this thing called Hebrew school. So I asked my mom if I could also go to Hebrew school. I was a year younger than my brother and she’s like, “I’m not doing two carpools a week. You can go to your brother’s class.” So I was the only girl in my Hebrew school class, and I was the first girl at my temple to be bat mitzvahed. This was the ’60s. The only reason I kept at it was because I figured out, early on, I had a good ear and photographic memory. So they [the teachers] thought I was extremely proficient, but it was just that I figured out I had a gift.

Was this the start of your acting career? 

It was a skill I didn’t know I had; it just came out at that time. Also my father, who had been raised more religiously than I, I could feel his pride that I would take an interest in this. And then I raised my son — he went to Hebrew school, he was also bar mitzvahed, even though I was a single mom and his father was Catholic. I just was like, “Yeah, we’re gonna carry this on.”

“Prayer for the French Republic” is such a deeply Jewish play. How would you describe its audience? Do you think it resonates with non-Jews?

Oh, absolutely. I have a lot of friends that aren’t Jewish, who said, “I really, really loved the play. I learned a lot.” I think Elodie’s monologue is very helpful, in a certain way, for people to say, “Gee, I didn’t think about the size of Indonesia and Pakistan and Nigeria and India being so vastly larger [than Israel]. But why is our news cycle so fixated on that?” I think people learn a lot; I think they say, “It doesn’t matter that this family is Jewish — the interaction between the siblings and the parents and the children is universal.” The actual crisis of the play has to do with something else, but their internal family dynamic is universal.

“Prayer for the French Republic,” a production of the Manhattan Theatre Club, is at the Samuel J. Friedman Theater (261 West 47th St.) through March 3. Click here for tickets and information.  

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The post How a 3-hour play about antisemitism in France became Broadway’s must-see show appeared first on Jewish Telegraphic Agency.

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Israel Strikes Hamas Leadership in Qatar Amid Gaza War

A damaged building, following an Israeli attack on Hamas leaders, according to an Israeli official, in Doha, Qatar, Sept. 9, 2025. Photo: REUTERS/Ibraheem Abu Mustafa

Israel has carried out a strike targeting Hamas leadership in Qatar, marking an expansion of Jerusalem’s efforts to dismantle the Palestinian terrorist group as the war in Gaza continues.

The Israel Defense Forces (IDF) and Shin Bet security agency confirmed a “precise strike” in Doha targeting Hamas’s senior leadership, who orchestrated the Oct. 7, 2023, invasion of and massacre across southern Israel and directed the Islamist group’s operations for years.

“The IDF and ISA [Israel Security Agency, or Shin Bet] will continue to operate with determination in order to defeat the Hamas terrorist organization responsible for the Oct. 7 massacre,” the two organizations said in a statement.

According to circulating media reports, senior Hamas officials — including leader Khalil al-Hayya — were targeted in the strike in Doha, though their deaths have not been confirmed.

A Hamas spokesperson said the group’s negotiating team was also targeted in the attack.

In its statement, the IDF assured that precautions were taken to limit civilian harm ahead of the strike, “including the use of precise munitions and additional intelligence.”

Qatar’s Interior Ministry said a member of the country’s Internal Security Force was killed and that other security personnel were injured.

Shortly after Israel claimed responsibility for the attack, Qatar denounced the operation, warning that “it will not tolerate this reckless Israeli behavior and the ongoing disruption of regional security, nor any act that targets its security and sovereignty.”

“The State of Qatar strongly condemns the cowardly Israeli attack that targeted residential buildings housing several members of the Political Bureau of Hamas in the Qatari capital, Doha,” Majed al-Ansari, a Qatari Foreign Ministry spokesperson, said in a statement.

“This criminal assault constitutes a blatant violation of all international laws and norms, and poses a serious threat to the security and safety of Qataris and residents in Qatar,” he continued.

Alongside the United States and other regional powers, Qatar has served as a ceasefire mediator during the nearly two-year Gaza conflict, facilitating indirect negotiations between the Jewish state and Hamas.

However, Doha has also backed the Palestinian terrorist group for years, providing Hamas with money and diplomatic support while hosting and sheltering its top leadership.

According to media reports, Washington, which officially classifies Qatar as a “major non-NATO ally,” knew about the strike beforehand and gave it the green light, though the US did not participate in carrying it out.

The US Embassy in Doha issued a shelter-in-place order for all American citizens.

Earlier this year, the Institute for the Study of Global Antisemitism Policy released a report exposing the extent of Qatar’s far-reaching financial entanglements within American institutions, shedding light on what experts described as a coordinated effort to influence US policy making and public opinion in Doha’s favor. The findings showed that Qatar has attempted to expand its soft power in the US by spending $33.4 billion on business and real estate projects, over $6 billion on universities, and $72 million on American lobbyists since 2012.

In a joint statement, Israeli Prime Minister Benjamin Netanyahu and Defense Minister Israel Katz confirmed they had ordered security agencies to target Hamas leadership following attacks in Jerusalem and Gaza.

They said the strike targeted Hamas in retaliation for the Oct. 7 atrocities, Monday’s terrorist attack in Jerusalem, which left six Israelis dead and several more injured, and a separate attack on an Israeli tank in northern Gaza that killed four soldiers

This latest strike came just two days after the Trump administration unveiled its newest proposals for a ceasefire to end the war in Gaza.

On Monday, Israeli Foreign Minister Gideon Saar said that Israel accepted the new deal, which calls for the release of all remaining hostages and the disarmament of Hamas.

Meanwhile, US President Donald Trump gave Hamas what he called a “last warning” to agree to this latest proposal.

The terrorist group said it was ready to negotiate the release of all remaining Israeli hostages still held in the war-torn enclave in exchange for “a clear declaration to end the war, a full withdrawal from Gaza, and the formation of a committee of Palestinian independents to manage Gaza.”

However, senior Hamas official Bassem Naim said on Monday that the group will not accept disarmament — one of Israel’s core demands for ending the war, thus seemingly rejecting Trump’s ceasefire plan for Gaza.

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‘No Basis in Truth’: Authorities Reject Claim by Gaza-Bound Flotilla That Boat Struck by Drone at Tunisian Port

A Global Sumud flotilla vessel floats in the waters as Tunisian Maritime National Guard boats conduct an inspection in Sidi Bou Said, Tunisia, Sept. 9, 2025. Photo: REUTERS/Jihed Abidellaoui

Tunisian authorities have rejected as false a claim by the Global Sumud Flotilla (GSF) for Gaza that one of its main boats was struck on Tuesday by a drone at a port in Tunisia.

Tunisia’s interior ministry said that reports of a drone hitting a boat at its Sidi Bou Said port “have no basis in truth,” and that a fire broke out on the vessel itself. The flotilla had said that all six passengers and crew were safe despite the alleged strike.

The Portuguese-flagged boat, carrying the flotilla‘s steering committee, sustained fire damage to its main deck and below-deck storage, the GSF said in a statement.

In tandem with the denial from Tunisian authorities, video circulated on social media apparently showing that the fire was caused by a crew member misfiring a flare that landed back on the boat, not by a drone.

The flotilla is an international initiative seeking to break Israel’s naval blockade and deliver humanitarian aid to Gaza using civilian boats supported by delegations from 44 countries, including Swedish activist Greta Thunberg and Portuguese left-wing politician Mariana Mortagua.

A video posted by the GSF on X purportedly showed the moment “the Family Boat was struck from above,” capturing a luminous flying object hitting the vessel with smoke rising soon after.

After the incident, dozens of people gathered outside the Sidi Bou Said port, where the flotilla‘s boats were located at the time, waving Palestinian flags and chanting “Free Palestine,” a Reuters witness said.

Israel has imposed a naval blockade on the coastal enclave since Hamas took control of Gaza in 2007, saying it aims to stop weapons from reaching the internationally desgnated terrorist group.

The blockade has remained in place through the current war, which began when Hamas attacked southern Israel in October 2023, killing 1,200 and taking about 250 hostages.

In June, Israeli naval forces boarded and seized a British-flagged yacht carrying Thunberg, among others. Israel dismissed the aid ship as a propaganda stunt in support of Hamas.

The GSF also said an investigation into the drone attack was underway and its results would be released once available.

“Acts of aggression aimed at intimidating and derailing our mission will not deter us. Our peaceful mission to break the siege on Gaza and stand in solidarity with its people continues with determination and resolve,” the GSF said.

The United Nations’ Special Rapporteur on the occupied Palestinian territories, Francesca Albanese, who was at the port, told Reuters: “We do not know who carried out the attack, but we would not be surprised if it was Israel. If confirmed, it is an attack against Tunisian sovereignty.”

Albanese has been widely accused by critics of using her position to denigrate Israel and justify Hamas’s use of terrorism against Israelis.

There was no immediate comment from the Israeli side.

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Britain Concludes Israel Not Committing Genocide in Gaza

A picture released by the Israeli Army says to show Israeli soldiers conducting operations in a location given as Tel Al-Sultan area, Rafah Governorate, Gaza, in this handout image released April 2, 2025. Photo: Israeli Army/Handout via REUTERS

Britain has concluded that Israel is not committing genocide against Palestinians in Gaza but criticized “utterly appalling” civilian suffering there, in a government letter, ahead of a meeting between Prime Minister Keir Starmer and the Israeli president.

Israel has been accused of perpetrating genocide in Gaza despite its military campaign there targeting the ruling terrorist group Hamas, which openly seeks the Jewish state’s destruction and started the current war with its Oct. 7, 2023, invasion of and massacre across southern Israeli communities.

Jerusalem rejects the accusation, citing its right to self-defense following the Oct. 7 attack, in which Hamas-led Palestinian terrorists killed 1,200 people and kidnapped 251 hostages.

Israel also says it has gone to unprecedented lengths to try and avoid civilian casualties, noting its efforts to evacuate areas before it targets them and to warn residents of impending military operations with leaflets, text messages, and other forms of communication.

Another challenge for Israel is Hamas’s widely recognized military strategy of embedding its terrorists within Gaza’s civilian population and commandeering civilian facilities like hospitals, schools, and mosques to run operations and direct attacks.

Starmer is due to meet Israeli President Isaac Herzog, a leader who has a largely ceremonial role, at Downing Street on Wednesday, his spokesperson said.

The Gaza war has strained Britain-Israel relations. The Israeli government is enraged by Britain‘s plan to recognize a Palestinian state and block Israeli officials from attending its biggest defense trade show this week.

Starmer is facing criticism from some of his Labour lawmakers for agreeing to meet Herzog.

Asked whether the government’s legal duty to prevent genocide had been triggered, David Lammy, Britain‘s foreign minister until Friday, wrote in a Sept. 1 letter to a parliamentary committee that the government had carefully considered the risk of genocide.

“As per the Genocide Convention, the crime of genocide occurs only where there is specific ‘intent to destroy, in whole or in part, a national, ethnic, racial or religious group,’” he said in the letter seen by Reuters.

“The government has not concluded that Israel is acting with that intent.”

Lammy was foreign secretary from mid-2024 until Friday when he was replaced by Yvette Cooper and appointed deputy prime minister as part of a reshuffle.

His letter added: “The high civilian casualties, including women and children, and the extensive destruction in Gaza, are utterly appalling. Israel must do much more to prevent and alleviate the suffering that this conflict is causing.”

The long-held British government position has been that genocide should be determined by courts.

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