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How a 3-hour play about antisemitism in France became Broadway’s must-see show
(New York Jewish Week) — I’ll be honest: At the outset, a three-hour play about antisemitism did not sound like my idea of a good time. After all, as the editor of a Jewish publication, I spend much of my workdays writing about and thinking about the world’s hatred of Jews.
But my trepidation evaporated within minutes of the first scene of “Prayer for the French Republic,” Josh Harmon’s Broadway play about generations of a French Jewish family grappling with their Jewish identity, their French identity and the ways in which these identities invariably clash and overlap with one another.
From the opening scenes — in which we are introduced to the Benhamou family, including a somewhat brittle but loving matriarch, Marcelle Salomon Benhamou (Betsy Aidem); a brilliant but sarcastic daughter Elodie (Francis Benhamou); father Charles (Nael Nacer) and a religiously curious son Daniel (Aria Shahghasemi) — “Prayer for the French Republic” felt like I was looking in a mirror. Or, perhaps a more accurate description would be watching a home movie — a term that has fallen out of favor but uniquely describes that experience of observing a family’s everyday interactions as seen through the lens of someone who is apart of, rather than separate from, the family depicted on screen.
The play opens in Paris in 2016, with the family in turmoil after Daniel, who wears a kippah, gets attacked on the street just before sundown on Shabbat. It’s a time of heightened antisemitism in France, most notably with the 2015 attack by an Islamist on a kosher supermarket, which killed four and terrified Paris’ Jewish community to the core. Amid fears for their safety, over the course of three hour-long acts (punctuated by two 10-minute intermissions), the Benhamous debate joining the record number of French Jews who are moving to Israel.
The nearly present-day family’s story is punctuated by flashbacks to 1944-1946, spotlighting Marcelle’s great-grandparents, Irma and Adolphe Salomon, who miraculously survived World War II by secreting themselves in their Paris apartment — unlike their other family members who had fled to the U.S. or Cuba, or endured or succumbed to the horrors of the Nazi concentration camps.
“Prayer for the French Republic” was first mounted off-Broadway in 2022, garnering awards and rave reviews. And when it moved to Broadway earlier this month, many of its key players, including director David Cromer and stars Aidem and Francis Benahmou, came along for the ride.
I had the chance to speak with Aidem, who most recently played Grandma Emilia in another recent Broadway play about antisemitism, Tom Stoppard’s Tony Award-winning “Leopoldstadt.” The 66-year-old Upper West Sider shared with me her thoughts on the play’s relevance in 2024, her personal experiences with Judaism and why live theater is an “alchemical” experience.
This interview has been condensed and lightly edited.
Molly (Molly Ranson) and Elodie (Francis Benhamou) debate Israel in a scene from “Prayer for the French Republic.” (Jeremy Daniel)
Watching “Prayer for the French Republic,” I felt like I actually knew the Benhamou family, and that I knew your character personally. Did you feel this way when you first “met” Marcelle? What was your reaction when you read the script the first time?
I got the script at the very beginning of 2020. I was set to go to Fort Leavenworth, Kansas to direct a bunch of actors for the Arts in the Armed Forces at the army base and the army prison there. I read the script before I left. They wanted to do a startup workshop — I was like, I’ve got to get out of Kansas. I literally flew back a day early to do the workshop. That’s because when I read the play, and I read the part of Marcelle, I was blown away by how I understood who she was, and I couldn’t believe the breadth of what the writer Josh Harmon was able to give to one character in a story as beautiful as this.
The world is a very different place now than it was when the play premiered off-Broadway in January 2022. After the massacre in Israel on Oct. 7 and the turmoil over the war in Gaza, how do you think the play hits differently with audiences today?
I think the play, because it is a closeup, people see themselves in this circumstance. It becomes incredibly relatable, it’s personal. It’s not a sweeping epic. I think being able to recognize people going through something that you feel you’re going through privately — when you watch it in public it expands your sense of belonging to a greater community.
How does that happen? Because I agree — watching the play was somehow uplifting, despite the difficult subject matter. The audience was laughing and engaged. Is that the magic of theater? What is it about this play that makes it feel comforting in a really fraught time?
I think there’s something that alchemically happens in live performance. [Plus, director] David Cromer is incredibly insistent on true behavior — not doing what he calls “theatrical behavior” but really letting things get uncomfortable, showing their smudges, showing where people lose their footing. When audiences see that, they instantly enter into the center of the character’s anguish, because they’re not perfect. They’re imperfect. I think it helps them relax and go, “Oh, I do that too. I know what that feels like.” I think that’s a tribute to Josh’s writing and tribute to David’s directing, and the actors he’s assembled, who are willing to be foolish and willing to be lost. And I think that’s what makes the experience universal.
You’ve had a couple of heavy years, coming off “Leopoldstadt,” where you play Emilia, another Jewish matriarch, this time in a family epic set before and during the Holocaust. What similarities do you see between these two characters?
Emilia supposedly walked from Kyiv to Lviv on foot, which is something like over 500 miles, during one of the pogroms — she’s a survivor. She was very tough. I mean, the line that I said at the end of the 1899 [scene] was, “They used to hate us for killing Christ, now they hate us for being Jews. God, give my grandchildren the desert.” So Theodor Herzl was, at that moment, coming up with this plan [for a Jewish state in Palestine] that a lot of the Viennese thought, “Oh, who wants to give up high society and the culture that we live in, which is the best of Europe, and go live in some terrible desert?” That has a very similar theme to a family in Paris [in “Prayer for the French Republic”] thinking they live in the best, most cultured city in the world, and thinking the only safe place to go is Israel. That similarity is interesting to me.
The Benhamou family of Paris conducts a Passover seder in a scene from Broadway’s “Prayer for the French Republic.” (Jeremy Daniel)
How would you describe your own Jewish identity?
I was raised in Phoenix, Arizona, which didn’t have a large Jewish community. But I noticed in like fifth or sixth grade that all the boys were going to this thing called Hebrew school. So I asked my mom if I could also go to Hebrew school. I was a year younger than my brother and she’s like, “I’m not doing two carpools a week. You can go to your brother’s class.” So I was the only girl in my Hebrew school class, and I was the first girl at my temple to be bat mitzvahed. This was the ’60s. The only reason I kept at it was because I figured out, early on, I had a good ear and photographic memory. So they [the teachers] thought I was extremely proficient, but it was just that I figured out I had a gift.
Was this the start of your acting career?
It was a skill I didn’t know I had; it just came out at that time. Also my father, who had been raised more religiously than I, I could feel his pride that I would take an interest in this. And then I raised my son — he went to Hebrew school, he was also bar mitzvahed, even though I was a single mom and his father was Catholic. I just was like, “Yeah, we’re gonna carry this on.”
“Prayer for the French Republic” is such a deeply Jewish play. How would you describe its audience? Do you think it resonates with non-Jews?
Oh, absolutely. I have a lot of friends that aren’t Jewish, who said, “I really, really loved the play. I learned a lot.” I think Elodie’s monologue is very helpful, in a certain way, for people to say, “Gee, I didn’t think about the size of Indonesia and Pakistan and Nigeria and India being so vastly larger [than Israel]. But why is our news cycle so fixated on that?” I think people learn a lot; I think they say, “It doesn’t matter that this family is Jewish — the interaction between the siblings and the parents and the children is universal.” The actual crisis of the play has to do with something else, but their internal family dynamic is universal.
“Prayer for the French Republic,” a production of the Manhattan Theatre Club, is at the Samuel J. Friedman Theater (261 West 47th St.) through March 3. Click here for tickets and information.
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The post How a 3-hour play about antisemitism in France became Broadway’s must-see show appeared first on Jewish Telegraphic Agency.
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Minneapolis Mayoral Candidate Omer Fatah Criticized Israel After Oct. 7, Accused Jewish State of ‘Genocide’ in Gaza
State Senator Omar Fateh announces his candidacy for Minneapolis mayor during a press conference at City Hall, surrounded by supporters holding campaign signs.
Minneapolis mayoral candidate and Democratic Socialist Omar Fateh, who recently secured the Democratic–Farmer–Labor (DFL) Party’s endorsement for mayor of Minneapolis, is drawing scrutiny over his statements regarding Israel amid a heated mayoral campaign.
Fateh’s victory at the DFL convention shattered expectations when he amassed a majority of delegate votes, surpassing incumbent Mayor Jacob Frey, who is Jewish. Moreover, Fateh’s unexpected victory has also drawn fresh attention towards his views on Israel-Palestine.
Following the Oct. 7 Hamas-led attacks on Israel, Fateh published a letter that was broadly critical of the Jewish state and called for an “immediate ceasefire.” Fateh drew an equivalency between Israel’s defensive military operations and the Hamas slaughter of 1200 people and abduction of 250 others.
“ I am overwhelmed with sorrow for the victims of this violence as well as anger towards both the Israeli Government and Hamas who have senselessly injured and killed thousands of people in a matter of days,” Fateh wrote.
“In the aftermath of the most deadly Hamas attack in Israeli history, which resulted in the deaths of hundreds of Israeli civilians, we have seen Israel respond with horrifying acts of violence and deprivation against the Palestinians of Gaza as well as an uptick in settler violence in the West Bank. Since the Hamas attacks, Israel has cut off water, power, fuel, food, and medicine to over two million people,” Fateh continued.
Critics also point to a protest vote Fateh cast in the March 2024 Minnesota presidential primary. He chose “uncommitted” rather than supporting President Joe Biden, citing dissatisfaction with the administration’s position on Israel’s conflict with Hamas. He warned the Democratic party that unless policy shifts dramatically on Israel, progressive ballots wouldn’t be guaranteed.
“With deep remorse for the actions of our country’s federal government, which shows no signs of wavering in its commitment to unconditional military and political support for Israel’s genocide in Palestine, announcing that I will be voting uncommitted on Super Tuesday,” Fateh wrote on X/Twitter.
Fateh and his supporters rebut these allegations, arguing his positions stem from advocacy for equitable policy and human rights, rather than animus toward Jewish people or Israel as a state.
Jewish and moderate voters have expressed concern that Fateh’s positions might undermine communal trust or openness to diverse city constituencies. At the same time, progressive activists and Somali-American communities, a key component of his support base, see his positions as principled and grounded in solidarity with marginalized groups.
Fateh’s growing influence in Minneapolis politics comes amidst Democratic mayoral nominee Zohran Mamdani’s political ascent in New York City. Recent polls suggest that the success of the two Democratic Socialists point to a possible generational shift within the Democratic party which is increasingly shaped by left-wing views on economics and Israel.
The Minneapolis general election is set for November 4, 2025.
The post Minneapolis Mayoral Candidate Omer Fatah Criticized Israel After Oct. 7, Accused Jewish State of ‘Genocide’ in Gaza first appeared on Algemeiner.com.
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Cruz Introduces Bill to Counter Violent Antisemitic and Anti-ICE Protest Groups
US Sen. Ted Cruz (R-TX) speaking at a press conference about the United States restricting weapons for Israel, at the US Capitol, Washington, DC. Photo: Michael Brochstein/Sipa USA via Reuters Connect
Legislation introduced in the Senate on Tuesday by Sen. Ted Cruz (R-Texas) would empower Department of Justice prosecutors to use rioting as part of RICO (racketeering) charges to disrupt organizations fueling violence at college protests and demonstrations against President Donald Trump’s mass deportation policies.
Cruz described how the Stop Financial Underwriting of Nefarious Demonstrations and Extremist Riots (Stop FUNDERs) Act intended to target international threats.
“Every American has the right to freedom of speech and peaceful protest, but not to commit violence. Domestic NGOs and foreign adversaries fund and use riots in the United States to undermine the security and prosperity of Americans,” Cruz said. “My legislation will give the Department of Justice the tools it needs to hold them accountable, and I urge colleagues to pass it expeditiously.”
Elevating the organization of violent protest riots to a RICO offense will enable joint liability and group prosecution, conspiracy charges, asset forfeiture, and enhanced criminal penalties, according to its proponents.
Co-sponsors of the bill include Sens. John Cornyn (R-Texas), Tommy Tuberville (R-Ala.), Bill Hagerty (R-Tenn.), Thom Tillis (R-N.C.), Mike Lee (R-Utah) and Josh Hawley (R- Mo.).
“Radical, left-wing groups who fund acts of violence, coordinate attacks against law enforcement, and spearhead the destruction of property must be stopped.” Cornyn said. “This legislation would add rioting to the list of racketeering offenses to crack down on this lawless behavior while ensuring the First Amendment rights of free speech and peaceful protest are protected.”
Last year, schools saw anti-Israel campus protests that in some cases devolved into riots, including at University of Texas at Austin, University of Florida, Stanford University, University of Pennsylvania and California State University, Los Angeles.
On Thursday, Cruz put forward another bill intended to counter domestic subversion by radical organizations. He reintroduced the Muslim Brotherhood Terrorist Designation Act of 2025 which would designate as a terrorist group the Islamist fountainhead founded by Hassan al-Banna in 1928, triggering the ability for the government to freeze assets, ban visas, and make support for the organization illegal.
Domestic groups associated with the Muslim Brotherhood such as the Council on American-Islamic Relations (CAIR) and the Muslim American Society (MAS) may also face increased government investigations. Egypt, Saudi Arabia, the United Arab Emirates (UAE), Bahrain, and Austria have already criminalized the Muslim Brotherhood.
In 2014, the UAE designated CAIR and MAS as terrorist organizations due to their roots in the Muslim Brotherhood.
On Friday, Cruz wrote on X, “The Muslim Brotherhood is a terrorist organization. American allies in the Middle East and Europe have already labeled the Brotherhood a terrorist organization, and the United States should do the same. Let’s get this done.”
The post Cruz Introduces Bill to Counter Violent Antisemitic and Anti-ICE Protest Groups first appeared on Algemeiner.com.
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Europe Sees Sharp Rise in Attacks Targeting Israelis Amid Growing Antisemitism
Anti-Israel protesters march in Germany, March 26, 2025. Photo: Sebastian Willnow/dpa via Reuters Connect
Across Europe, Israelis are facing a disturbing surge of targeted attacks and hostility, as a wave of antisemitic incidents — from violent assaults and vandalism to protests and legal actions — spreads amid rising tensions following recent conflicts in the Middle East.
On Wednesday, a group of Israeli teenagers was physically assaulted by dozens of pro-Palestinian assailants — some reportedly armed with knives — on the Greek island of Rhodes.
This latest antisemitic incident took place after the Israeli teens left a nightclub, when a group of pro-Palestinian individuals followed them to their hotel and violently attacked them, leaving several with minor injuries.
According to police reports, the group of 20 Israeli tourists were seen shouting pro-Israel slogans at a bar, which provoked a response from around 10 pro-Palestinian supporters who began calling them “murderers.”
This latest attack came less than a day after pro-Palestinian protests at the port of another Greek island, Syros, forced an Israeli cruise ship to cancel its stop, leaving around 1,600 Israeli passengers stranded and raising safety concerns.
Around 300 protesters gathered at the dock, waving Palestinian flags and holding banners reading “Stop the Genocide” and “No AC [Air Conditioning] in Hell,” while chanting antisemitic slogans.
Last week in Athens, a group of pro-Palestinian activists vandalized an Israeli restaurant, shouting antisemitic slurs and spray-painting graffiti with slogans such as “No Zionist is safe here.”
The attackers also posted a sign on one of the restaurant’s windows that read, “All IDF soldiers are war criminals — we don’t want you here,” referring to the Israel Defense Forces.
Since the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023, antisemitic incidents have surged to alarming levels across Europe. This recent attack is just one of the latest in a wave of anti-Jewish hate crimes that Greece and other countries have witnessed in recent months.
In Switzerland, a series of antisemitic attacks in Davos, a town located in the eastern Swiss Alps, has caused significant concern and outrage within the local Jewish community.
Jonathan Kreutner, secretary general of the Swiss Federation of Jewish Communities (SIG), informed the newspaper Jüdische Allgemeine of three incidents believed to have been carried out by the same individual.
Local law enforcement is now investigating an unidentified assailant who verbally harassed a Jewish couple at a local store in Davos, spat on them, and physically attacked them in an attempt to force them out.
This same individual is alleged to have later spat on another elderly Jewish couple and insulted a Jewish person on a bus while making threatening hand gestures.
In Germany, four masked individuals vandalized a Jewish restaurant in Freiburg, southwest of the country, on Monday by throwing eggs at its windows and inside the premises.
In Berlin, the planned launch event for a new restaurant by Israeli chef Eyal Shani and entrepreneur Shahar Segal was canceled over the weekend amid an anti-Israel protest.
The restaurant Gila and Nancy, originally set to open this week, will now launch in about three weeks following a surge of online campaigns and boycott calls targeting Israeli-owned businesses.
In Belgium, two IDF soldiers were arrested and interrogated by local authorities following a complaint filed by the Hind Rajab Foundation (HRF), an anti-Israel legal organization dedicated to pursuing legal action against IDF personnel.
According to HRF, the soldiers attending the Tomorrowland music festival were accused of involvement in war crimes.
The organization said they were seen waving the flags of the IDF’s Givati Brigade, which has been “involved in the systematic destruction of civilian infrastructure in Gaza and in carrying out mass atrocities against the Palestinian population.”
In France, airport authorities acknowledged a breach of protocol earlier this month after a staff member was filmed chanting “free Palestine” while inspecting passports, reportedly of passengers from Israel.
The post Europe Sees Sharp Rise in Attacks Targeting Israelis Amid Growing Antisemitism first appeared on Algemeiner.com.