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How a 3-hour play about antisemitism in France became Broadway’s must-see show
(New York Jewish Week) — I’ll be honest: At the outset, a three-hour play about antisemitism did not sound like my idea of a good time. After all, as the editor of a Jewish publication, I spend much of my workdays writing about and thinking about the world’s hatred of Jews.
But my trepidation evaporated within minutes of the first scene of “Prayer for the French Republic,” Josh Harmon’s Broadway play about generations of a French Jewish family grappling with their Jewish identity, their French identity and the ways in which these identities invariably clash and overlap with one another.
From the opening scenes — in which we are introduced to the Benhamou family, including a somewhat brittle but loving matriarch, Marcelle Salomon Benhamou (Betsy Aidem); a brilliant but sarcastic daughter Elodie (Francis Benhamou); father Charles (Nael Nacer) and a religiously curious son Daniel (Aria Shahghasemi) — “Prayer for the French Republic” felt like I was looking in a mirror. Or, perhaps a more accurate description would be watching a home movie — a term that has fallen out of favor but uniquely describes that experience of observing a family’s everyday interactions as seen through the lens of someone who is apart of, rather than separate from, the family depicted on screen.
The play opens in Paris in 2016, with the family in turmoil after Daniel, who wears a kippah, gets attacked on the street just before sundown on Shabbat. It’s a time of heightened antisemitism in France, most notably with the 2015 attack by an Islamist on a kosher supermarket, which killed four and terrified Paris’ Jewish community to the core. Amid fears for their safety, over the course of three hour-long acts (punctuated by two 10-minute intermissions), the Benhamous debate joining the record number of French Jews who are moving to Israel.
The nearly present-day family’s story is punctuated by flashbacks to 1944-1946, spotlighting Marcelle’s great-grandparents, Irma and Adolphe Salomon, who miraculously survived World War II by secreting themselves in their Paris apartment — unlike their other family members who had fled to the U.S. or Cuba, or endured or succumbed to the horrors of the Nazi concentration camps.
“Prayer for the French Republic” was first mounted off-Broadway in 2022, garnering awards and rave reviews. And when it moved to Broadway earlier this month, many of its key players, including director David Cromer and stars Aidem and Francis Benahmou, came along for the ride.
I had the chance to speak with Aidem, who most recently played Grandma Emilia in another recent Broadway play about antisemitism, Tom Stoppard’s Tony Award-winning “Leopoldstadt.” The 66-year-old Upper West Sider shared with me her thoughts on the play’s relevance in 2024, her personal experiences with Judaism and why live theater is an “alchemical” experience.
This interview has been condensed and lightly edited.
Molly (Molly Ranson) and Elodie (Francis Benhamou) debate Israel in a scene from “Prayer for the French Republic.” (Jeremy Daniel)
Watching “Prayer for the French Republic,” I felt like I actually knew the Benhamou family, and that I knew your character personally. Did you feel this way when you first “met” Marcelle? What was your reaction when you read the script the first time?
I got the script at the very beginning of 2020. I was set to go to Fort Leavenworth, Kansas to direct a bunch of actors for the Arts in the Armed Forces at the army base and the army prison there. I read the script before I left. They wanted to do a startup workshop — I was like, I’ve got to get out of Kansas. I literally flew back a day early to do the workshop. That’s because when I read the play, and I read the part of Marcelle, I was blown away by how I understood who she was, and I couldn’t believe the breadth of what the writer Josh Harmon was able to give to one character in a story as beautiful as this.
The world is a very different place now than it was when the play premiered off-Broadway in January 2022. After the massacre in Israel on Oct. 7 and the turmoil over the war in Gaza, how do you think the play hits differently with audiences today?
I think the play, because it is a closeup, people see themselves in this circumstance. It becomes incredibly relatable, it’s personal. It’s not a sweeping epic. I think being able to recognize people going through something that you feel you’re going through privately — when you watch it in public it expands your sense of belonging to a greater community.
How does that happen? Because I agree — watching the play was somehow uplifting, despite the difficult subject matter. The audience was laughing and engaged. Is that the magic of theater? What is it about this play that makes it feel comforting in a really fraught time?
I think there’s something that alchemically happens in live performance. [Plus, director] David Cromer is incredibly insistent on true behavior — not doing what he calls “theatrical behavior” but really letting things get uncomfortable, showing their smudges, showing where people lose their footing. When audiences see that, they instantly enter into the center of the character’s anguish, because they’re not perfect. They’re imperfect. I think it helps them relax and go, “Oh, I do that too. I know what that feels like.” I think that’s a tribute to Josh’s writing and tribute to David’s directing, and the actors he’s assembled, who are willing to be foolish and willing to be lost. And I think that’s what makes the experience universal.
You’ve had a couple of heavy years, coming off “Leopoldstadt,” where you play Emilia, another Jewish matriarch, this time in a family epic set before and during the Holocaust. What similarities do you see between these two characters?
Emilia supposedly walked from Kyiv to Lviv on foot, which is something like over 500 miles, during one of the pogroms — she’s a survivor. She was very tough. I mean, the line that I said at the end of the 1899 [scene] was, “They used to hate us for killing Christ, now they hate us for being Jews. God, give my grandchildren the desert.” So Theodor Herzl was, at that moment, coming up with this plan [for a Jewish state in Palestine] that a lot of the Viennese thought, “Oh, who wants to give up high society and the culture that we live in, which is the best of Europe, and go live in some terrible desert?” That has a very similar theme to a family in Paris [in “Prayer for the French Republic”] thinking they live in the best, most cultured city in the world, and thinking the only safe place to go is Israel. That similarity is interesting to me.
The Benhamou family of Paris conducts a Passover seder in a scene from Broadway’s “Prayer for the French Republic.” (Jeremy Daniel)
How would you describe your own Jewish identity?
I was raised in Phoenix, Arizona, which didn’t have a large Jewish community. But I noticed in like fifth or sixth grade that all the boys were going to this thing called Hebrew school. So I asked my mom if I could also go to Hebrew school. I was a year younger than my brother and she’s like, “I’m not doing two carpools a week. You can go to your brother’s class.” So I was the only girl in my Hebrew school class, and I was the first girl at my temple to be bat mitzvahed. This was the ’60s. The only reason I kept at it was because I figured out, early on, I had a good ear and photographic memory. So they [the teachers] thought I was extremely proficient, but it was just that I figured out I had a gift.
Was this the start of your acting career?
It was a skill I didn’t know I had; it just came out at that time. Also my father, who had been raised more religiously than I, I could feel his pride that I would take an interest in this. And then I raised my son — he went to Hebrew school, he was also bar mitzvahed, even though I was a single mom and his father was Catholic. I just was like, “Yeah, we’re gonna carry this on.”
“Prayer for the French Republic” is such a deeply Jewish play. How would you describe its audience? Do you think it resonates with non-Jews?
Oh, absolutely. I have a lot of friends that aren’t Jewish, who said, “I really, really loved the play. I learned a lot.” I think Elodie’s monologue is very helpful, in a certain way, for people to say, “Gee, I didn’t think about the size of Indonesia and Pakistan and Nigeria and India being so vastly larger [than Israel]. But why is our news cycle so fixated on that?” I think people learn a lot; I think they say, “It doesn’t matter that this family is Jewish — the interaction between the siblings and the parents and the children is universal.” The actual crisis of the play has to do with something else, but their internal family dynamic is universal.
“Prayer for the French Republic,” a production of the Manhattan Theatre Club, is at the Samuel J. Friedman Theater (261 West 47th St.) through March 3. Click here for tickets and information.
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The post How a 3-hour play about antisemitism in France became Broadway’s must-see show appeared first on Jewish Telegraphic Agency.
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Maccabi Tel Aviv Plays Soccer Game in Empty Hungarian Stadium Amid Security Concerns After Amsterdam Violence
Soccer Football – Europa League – Besiktas v Maccabi Tel Aviv – Nagyerdei Stadion, Debrecen, Hungary – November 28, 2024 General view before the match as the teams and match officials line up. Photo: Reuters/Bernadett Szabo
The Israeli soccer team Maccabi Tel Aviv played a UEFA Europa League match on Thursday against their Turkish rivals Besiktas in an empty stadium in Hungary, which was closed to supporters likely due to security concerns following the recent attack on Israeli soccer fans in Amsterdam.
Maccabi won the match 3-1 in the Nagyerdei Stadium in Debrecen, Hungary, during the fifth week of the UEFA Europa League. Gavriel Kanichowsky secured Israel’s lead in the 23rd minute with a goal, but Besiktas struck back in the 38th minute with a goal by Rafa Silva to tie the score. Maccabi Tel Aviv took the lead again right before halftime by scoring another goal in added time. The Israeli club finished 3-1 with Weslley Patati’s goal in the 81st minute.
Groups of police patrolled outside the venue and the game concluded with no incident, according to the Associated Press.
On Nov. 11, days after the attack against Maccabi Tel Aviv fans in Amsterdam, the European soccer body UEFA announced that this week’s match between Maccabi Tel Aviv and Besiktas, which was originally scheduled to take place in Istanbul, would be moved to Hungary “following a decision by the Turkish authorities not to stage it in Turkey.” Hungary, which has hosted several home games for Israel’s national soccer team since the start of the Israel-Hamas war last year, agreed to host the match and UEFA said it “will be played behind closed doors following a decision of the local Hungarian authorities.”
Maccabi Tel Aviv coach Zarko Lazetic said after Thursday’s match that playing in front of an empty stadium was hard for the team. “We play football because of the fans, to give them some pleasure, some excite(ment) and to be together,” he explained, as reported by the AP.
The match on Thursday was Maccabi Tel Aviv’s first game in Europe since its fans were violently attacked in The Netherlands during the late hours of Nov. 7 and into the early hours of the following morning. After the team competed against the Dutch club Ajax in a UEFA Europa League game in Amsterdam, anti-Israel gangs chased Israeli fans of Maccabi Tel Aviv through the streets of Amsterdam, ran them over with cars, physically assaulted them, and taunted Israeli soccer fans with anti-Israel and pro-Palestinian slogans such as “Free Palestine.” Five people were reportedly hospitalized for injuries.
Leaders in Israel and Europe condemned the premeditated and coordinated attack as antisemitic. Amsterdam’s mayor called the attackers “antisemitic hit-and-run squads” and said the assailants were going “Jew hunting.” Police in Amsterdam said they have already identified, investigated, and even arrested 45 suspects in connection to the incident.
The post Maccabi Tel Aviv Plays Soccer Game in Empty Hungarian Stadium Amid Security Concerns After Amsterdam Violence first appeared on Algemeiner.com.
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Preacher Slammed for ‘Appalling’ Remarks at Irish Memorial, Accusing Israel of Viewing Itself as a ‘Master Race’
A man walks past graffiti reading ‘Victory to Palestine’ after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Hannah McKay
An Irish cleric has come under fire for delivering an antisemitic memorial sermon in which he suggested that Israelis and Jews see themselves as a “master race” that justifies “eliminating” other groups “because they don’t count.”
Reverend Canon David Oxley delivered the sermon last week at St. Patrick’s Cathedral in Dublin during a Remembrance Sunday service attended by Irish President Michael Higgins and other high-ranking dignitaries.
Ironically, Oxley had previously revealed familial ties to the Nazis in a sermon delivered at the same event five years ago.
In last week’s remarks, Oxley contended that Israel’s war against the Hamas terrorist group in Gaza represented “the horrible blasphemy of the master race in action.”
“This takes different forms in different times and places, but it is the same horrible idea, that one group of people is intrinsically more valuable than any other. Once that is accepted, then the elimination of others follows as a matter of course — because they don’t count,” he said.
Oxley’s comments sparked strong condemnation from both Israeli officials and Jewish leaders in Ireland.
Israel’s embassy in Ireland said Oxley had “hijacked” the memorial service in favor of an “outrageous and dangerous … libel on the State of Israel.”
The statement published on X also said the diatribe was “divorced from reality” and “willfully ignored the complexities of the Middle East.”
Ireland’s Chief Rabbi Yoni Wieder condemned the Anglican establishment for allowing such remarks, saying it was “an abrogation of moral and religious leadership that such a speech could be delivered by a representative of the Church of Ireland.”
“This type of inflammatory, hateful rhetoric has been used by politicians here countless times over the past year, and we’ve seen it constantly across mainstream Irish media. Now it’s gone beyond politics and journalism and is coming from a senior religious figure, a minister in a Christian Church,” Wieder told The Algemeiner.
“The anti-Israel narrative in Ireland now regularly spills over into overt antisemitism,” he added.
In an open letter addressed to Oxley, Wieder condemned the preacher’s “appalling” accusations.
“You fail to grasp the depth of offense invoked by suggesting that Jewish people have adopted the same murderous outlook that was perpetuated against them by the Nazis,” Wieder wrote.
He also slammed the Anglican cleric’s failure to make any mention of the threats posed by the Hamas and Hezbollah terrorist groups, which “are explicitly committed to destroying Israel and murdering Jews.”
“You claim Israel has a policy of targeting schools, hospitals, and mosques, yet you fail to mention that Hamas purposefully positions itself within and beneath such civilian infrastructure — and they do so precisely because they know it will deter attacks against them. Hamas have openly stated that it is their strategy to place civilians in harm’s way,” the chief rabbi continued.
Wieder called the destruction in Gaza as well as the loss of life “an unbearable humanitarian catastrophe.”
“You and I are united by a desire to see an end to this heartbreaking tragedy. But the situation is also fraught with complexities, which cannot be ignored. Would it not be more honest to acknowledge this, rather than to proffer an simplistic and partisan perspective?” he wrote.
During a 2019 address at the same event, Oxley reportedly disclosed his wife’s ties to the Nazis, according to a report published this week by the British Jewish Chronicle, which cited an article published at the time in the Irish Independent.
In that sermon, also delivered in the presence of the Irish president, Oxley shared that his wife, Amalia, was German and that her family included members who fought for the Third Reich.
“It’s not everyone who can boast that their mother-in-law had Adolf Hitler as a godfather. It’s not everyone who would want to,” he quipped, before going on to praise the Irish citizens who opposed Nazism.
Oxley told the Jewish Chronicle that his comments, which did not represent the Church of Ireland, contained “no hatred” and he stood by them.
“In delivering my sermon, I speak only for myself. I do not speak on behalf of the Church of Ireland, or of St Patrick’s Cathedral. As our church does not believe in infallibility, it is quite conceivable that I am mistaken. No one is obliged to agree with me. However, I am prepared to stand over my remarks,” he said.
“There was no hatred in my sermon, except a hatred of all theories that make one group of people more valuable than another, so that some become expendable,” Oxley added.
A 2021 report by antisemitism researcher David Collier found that traditional Christian attitudes play a significant role in shaping antisemitism in Ireland, with Christian NGOs often playing a role in perpetuating and spreading these sentiments.
“[M]uch of the antisemitism in Ireland appears to be driven from the top down. Regrettably, this certainly seems to be the state of affairs at the moment. Words carry weight, and political and religious leaders in particular ought to remember this,” Wieder said.
He also condemned the Church of Ireland for not distancing itself from Oxley’s comments.
A spokesperson from St Patrick’s Cathedral told the Jewish Chronicle: “In St Patrick’s Cathedral we continue to pray daily for peace in all the countries of the Middle East. We pray fervently for an end to all wars and the human suffering that they bring. Everybody, of all faiths, is welcomed in St Patrick’s Cathedral.”
In Europe, Ireland has been among the fiercest critics of Israel since Oct. 7 of last year, when Hamas-led Palestinian terrorists invaded the Jewish state from neighboring Gaza. The terrorists murdered 1,200 people, wounded thousands more, and abducted over 250 hostages in their rampage, the deadliest single-day massacre of Jews since the Holocaust. Israel responded with an ongoing military campaign in Hamas-ruled Gaza aimed at freeing the hostages and dismantling the terrorist group’s military and governing capabilities.
Earlier this month, the Irish parliament passed a non-binding motion saying that “genocide is being perpetrated before our eyes by Israel in Gaza.” As the measure passed, Irish Foreign Minister Micheal Martin said that the government intended to join South Africa’s genocide case against Israel at the International Court of Justice (ICJ) before the end of the year.
Around the same time, Ireland accepted the appointment of a full Palestinian ambassador for the first time, confirming that Jilan Wahba Abdalmajid would step up from her current position as Palestinian head of mission to Ireland.
In May, Ireland officially recognized a Palestinian state, prompting outrage in Israel, which described the move as a “reward for terrorism.” According to The Irish Times, Ireland is due to have its presence in Ramallah in the West Bank upgraded from a representative office to a full embassy.
Israel’s Ambassador in Dublin Dana Erlich said at the time of Ireland’s recognition of “Palestine” that Ireland was “not an honest broker” in the Israeli-Palestinian conflict.
More recently, Irish Prime Minister Simon Harris last month called on the European Union to “review its trade relations” with Israel after the Israeli parliament passed legislation banning the activities in the country of UNRWA, the United Nations agency responsible for Palestinian refugees, because of its ties to Hamas.
Recent anti-Israel actions in Ireland came shortly after the Institute for Monitoring Peace and Cultural Tolerance in School Education (Impact-se), an Israeli education watchdog group, released a new report revealing Irish school textbooks have been filled with negative stereotypes and distortions of Israel, Judaism, and Jewish history.
Antisemitism in Ireland has become “blatant and obvious” in the wake of Hamas’s Oct. 7 onslaught, according to Alan Shatter, a former member of parliament who served in the Irish cabinet between 2011 and 2014 as Minister for Justice, Equality and Defense.
Shatter told The Algemeiner in an interview earlier this year that Ireland has “evolved into the most hostile state towards Israel in the entire EU.”
Just last month, an Irish official, Dublin City Councilor Punam Rane, claimed during a council meeting that Jews and Israel control the US economy, arguing that is why Washington, DC does not oppose Israel’s war against Hamas.
The post Preacher Slammed for ‘Appalling’ Remarks at Irish Memorial, Accusing Israel of Viewing Itself as a ‘Master Race’ first appeared on Algemeiner.com.
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Candace Owens Barred From New Zealand After Facing Similar Ban From Australia for Comments on Jews, Holocaust
Right-wing political commentator Candace Owens speaks during an event held by national conservative political movement ‘Turning Point’, in Detroit, Michigan, US, June, 14, 2024. Photo: REUTERS/Rebecca Cook
Right-wing American political commentator and YouTube content creator Candace Owens has been denied a visa to enter New Zealand because she was banned from the nearby country Australia, immigration officials reportedly said on Thursday.
Owens was scheduled to embark on her first speaking tour across Australia and New Zealand in February and March of next year. The tour includes a stop in Auckland, New Zealand, on Feb. 28 and tickets remain on sale online.
Australia rejected her request for a visa last month. Australian Immigration Minister Tony Burke said the decision was made because of Owens’s past remarks, including her apparent denial that Nazis forcibly did medical experiments on Jews in concentration camps during World War II.
“From downplaying the impact of the Holocaust with comments about [Nazi doctor and war criminal Josef] Mengele through to claims that Muslims started slavery, Candace Owens has the capacity to incite discord in almost every direction,” Burke said at the time. “Australia’s national interest is best served when Candace Owens is somewhere else.
Jock Gilray, a spokesperson for New Zealand’s immigration agency, said on Thursday that Owens was refused an entertainer’s work permit for New Zealand because visas legally cannot be granted to someone who have been banned from another country, The Associated Press reported on Thursday. New Zealand officials did not refer to Owens’s past comments when announcing the denial of her visa.
Owens and the Australia-based promoter behind her speaking tour, Rocksman, have yet to comment on news regarding the ban from New Zealand but said in October that they will file a legal appeal to a federal judge in response to the ban from Australia. Owens commented on Burke’s decision to deny her a visa for Australia and blamed it partially on the alleged influence of the global “Zionist media empire.”
Owens, who has over 3 million subscribers on YouTube and hosts the podcast titled “Candace,” has promoted conspiracy theories and made numerous antisemitic comments about Israel, Jews, Zionists, and the Holocaust. She has also made controversial comments against Black Lives Matter, feminism, vaccines, and immigration.
The post Candace Owens Barred From New Zealand After Facing Similar Ban From Australia for Comments on Jews, Holocaust first appeared on Algemeiner.com.
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