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How a 3-hour play about antisemitism in France became Broadway’s must-see show
(New York Jewish Week) — I’ll be honest: At the outset, a three-hour play about antisemitism did not sound like my idea of a good time. After all, as the editor of a Jewish publication, I spend much of my workdays writing about and thinking about the world’s hatred of Jews.
But my trepidation evaporated within minutes of the first scene of “Prayer for the French Republic,” Josh Harmon’s Broadway play about generations of a French Jewish family grappling with their Jewish identity, their French identity and the ways in which these identities invariably clash and overlap with one another.
From the opening scenes — in which we are introduced to the Benhamou family, including a somewhat brittle but loving matriarch, Marcelle Salomon Benhamou (Betsy Aidem); a brilliant but sarcastic daughter Elodie (Francis Benhamou); father Charles (Nael Nacer) and a religiously curious son Daniel (Aria Shahghasemi) — “Prayer for the French Republic” felt like I was looking in a mirror. Or, perhaps a more accurate description would be watching a home movie — a term that has fallen out of favor but uniquely describes that experience of observing a family’s everyday interactions as seen through the lens of someone who is apart of, rather than separate from, the family depicted on screen.
The play opens in Paris in 2016, with the family in turmoil after Daniel, who wears a kippah, gets attacked on the street just before sundown on Shabbat. It’s a time of heightened antisemitism in France, most notably with the 2015 attack by an Islamist on a kosher supermarket, which killed four and terrified Paris’ Jewish community to the core. Amid fears for their safety, over the course of three hour-long acts (punctuated by two 10-minute intermissions), the Benhamous debate joining the record number of French Jews who are moving to Israel.
The nearly present-day family’s story is punctuated by flashbacks to 1944-1946, spotlighting Marcelle’s great-grandparents, Irma and Adolphe Salomon, who miraculously survived World War II by secreting themselves in their Paris apartment — unlike their other family members who had fled to the U.S. or Cuba, or endured or succumbed to the horrors of the Nazi concentration camps.
“Prayer for the French Republic” was first mounted off-Broadway in 2022, garnering awards and rave reviews. And when it moved to Broadway earlier this month, many of its key players, including director David Cromer and stars Aidem and Francis Benahmou, came along for the ride.
I had the chance to speak with Aidem, who most recently played Grandma Emilia in another recent Broadway play about antisemitism, Tom Stoppard’s Tony Award-winning “Leopoldstadt.” The 66-year-old Upper West Sider shared with me her thoughts on the play’s relevance in 2024, her personal experiences with Judaism and why live theater is an “alchemical” experience.
This interview has been condensed and lightly edited.
Molly (Molly Ranson) and Elodie (Francis Benhamou) debate Israel in a scene from “Prayer for the French Republic.” (Jeremy Daniel)
Watching “Prayer for the French Republic,” I felt like I actually knew the Benhamou family, and that I knew your character personally. Did you feel this way when you first “met” Marcelle? What was your reaction when you read the script the first time?
I got the script at the very beginning of 2020. I was set to go to Fort Leavenworth, Kansas to direct a bunch of actors for the Arts in the Armed Forces at the army base and the army prison there. I read the script before I left. They wanted to do a startup workshop — I was like, I’ve got to get out of Kansas. I literally flew back a day early to do the workshop. That’s because when I read the play, and I read the part of Marcelle, I was blown away by how I understood who she was, and I couldn’t believe the breadth of what the writer Josh Harmon was able to give to one character in a story as beautiful as this.
The world is a very different place now than it was when the play premiered off-Broadway in January 2022. After the massacre in Israel on Oct. 7 and the turmoil over the war in Gaza, how do you think the play hits differently with audiences today?
I think the play, because it is a closeup, people see themselves in this circumstance. It becomes incredibly relatable, it’s personal. It’s not a sweeping epic. I think being able to recognize people going through something that you feel you’re going through privately — when you watch it in public it expands your sense of belonging to a greater community.
How does that happen? Because I agree — watching the play was somehow uplifting, despite the difficult subject matter. The audience was laughing and engaged. Is that the magic of theater? What is it about this play that makes it feel comforting in a really fraught time?
I think there’s something that alchemically happens in live performance. [Plus, director] David Cromer is incredibly insistent on true behavior — not doing what he calls “theatrical behavior” but really letting things get uncomfortable, showing their smudges, showing where people lose their footing. When audiences see that, they instantly enter into the center of the character’s anguish, because they’re not perfect. They’re imperfect. I think it helps them relax and go, “Oh, I do that too. I know what that feels like.” I think that’s a tribute to Josh’s writing and tribute to David’s directing, and the actors he’s assembled, who are willing to be foolish and willing to be lost. And I think that’s what makes the experience universal.
You’ve had a couple of heavy years, coming off “Leopoldstadt,” where you play Emilia, another Jewish matriarch, this time in a family epic set before and during the Holocaust. What similarities do you see between these two characters?
Emilia supposedly walked from Kyiv to Lviv on foot, which is something like over 500 miles, during one of the pogroms — she’s a survivor. She was very tough. I mean, the line that I said at the end of the 1899 [scene] was, “They used to hate us for killing Christ, now they hate us for being Jews. God, give my grandchildren the desert.” So Theodor Herzl was, at that moment, coming up with this plan [for a Jewish state in Palestine] that a lot of the Viennese thought, “Oh, who wants to give up high society and the culture that we live in, which is the best of Europe, and go live in some terrible desert?” That has a very similar theme to a family in Paris [in “Prayer for the French Republic”] thinking they live in the best, most cultured city in the world, and thinking the only safe place to go is Israel. That similarity is interesting to me.
The Benhamou family of Paris conducts a Passover seder in a scene from Broadway’s “Prayer for the French Republic.” (Jeremy Daniel)
How would you describe your own Jewish identity?
I was raised in Phoenix, Arizona, which didn’t have a large Jewish community. But I noticed in like fifth or sixth grade that all the boys were going to this thing called Hebrew school. So I asked my mom if I could also go to Hebrew school. I was a year younger than my brother and she’s like, “I’m not doing two carpools a week. You can go to your brother’s class.” So I was the only girl in my Hebrew school class, and I was the first girl at my temple to be bat mitzvahed. This was the ’60s. The only reason I kept at it was because I figured out, early on, I had a good ear and photographic memory. So they [the teachers] thought I was extremely proficient, but it was just that I figured out I had a gift.
Was this the start of your acting career?
It was a skill I didn’t know I had; it just came out at that time. Also my father, who had been raised more religiously than I, I could feel his pride that I would take an interest in this. And then I raised my son — he went to Hebrew school, he was also bar mitzvahed, even though I was a single mom and his father was Catholic. I just was like, “Yeah, we’re gonna carry this on.”
“Prayer for the French Republic” is such a deeply Jewish play. How would you describe its audience? Do you think it resonates with non-Jews?
Oh, absolutely. I have a lot of friends that aren’t Jewish, who said, “I really, really loved the play. I learned a lot.” I think Elodie’s monologue is very helpful, in a certain way, for people to say, “Gee, I didn’t think about the size of Indonesia and Pakistan and Nigeria and India being so vastly larger [than Israel]. But why is our news cycle so fixated on that?” I think people learn a lot; I think they say, “It doesn’t matter that this family is Jewish — the interaction between the siblings and the parents and the children is universal.” The actual crisis of the play has to do with something else, but their internal family dynamic is universal.
“Prayer for the French Republic,” a production of the Manhattan Theatre Club, is at the Samuel J. Friedman Theater (261 West 47th St.) through March 3. Click here for tickets and information.
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Syria’s Sharaa Says Talks With Israel Could Yield Results ‘In Coming Days’
Syrian President Ahmed al-Sharaa speaks at the opening ceremony of the 62nd Damascus International Fair, the first edition held since the fall of Bashar al-Assad’s regime, in Damascus, Syria, Aug. 27, 2025. Photo: REUTERS/Khalil Ashawi
Syria’s President Ahmed al-Sharaa said on Wednesday that ongoing negotiations with Israel to reach a security pact could lead to results “in the coming days.”
He told reporters in Damascus the security pact was a “necessity” and that it would need to respect Syria’s airspace and territorial unity and be monitored by the United Nations.
Syria and Israel are in talks to reach an agreement that Damascus hopes will secure a halt to Israeli airstrikes and the withdrawal of Israeli troops who have pushed into southern Syria.
Reuters reported this week that Washington was pressuring Syria to reach a deal before world leaders gather next week for the UN General Assembly in New York.
But Sharaa, in a briefing with journalists including Reuters ahead of his expected trip to New York to attend the meeting, denied the US was putting any pressure on Syria and said instead that it was playing a mediating role.
He said Israel had carried out more than 1,000 strikes on Syria and conducted more than 400 ground incursions since Dec. 8, when the rebel offensive he led toppled former Syrian leader Bashar al-Assad.
Sharaa said Israel’s actions were contradicting the stated American policy of a stable and unified Syria, which he said was “very dangerous.”
He said Damascus was seeking a deal similar to a 1974 disengagement agreement between Israel and Syria that created a demilitarized zone between the two countries.
He said Syria sought the withdrawal of Israeli troops but that Israel wanted to remain at strategic locations it seized after Dec. 8, including Mount Hermon. Israeli ministers have publicly said Israel intends to keep control of the sites.
He said if the security pact succeeds, other agreements could be reached. He did not provide details, but said a peace agreement or normalization deal like the US-mediated Abraham Accords, under which several Muslim-majority countries agreed to normalize diplomatic ties with Israel, was not currently on the table.
He also said it was too early to discuss the fate of the Golan Heights because it was “a big deal.”
Reuters reported this week that Israel had ruled out handing back the zone, which Donald Trump unilaterally recognized as Israeli during his first term as US president.
“It’s a difficult case – you have negotiations between a Damascene and a Jew,” Sharaa told reporters, smiling.
SECURITY PACT DERAILED IN JULY
Sharaa also said Syria and Israel had been just “four to five days” away from reaching the basis of a security pact in July, but that developments in the southern province of Sweida had derailed those discussions.
Syrian troops were deployed to Sweida in July to quell fighting between Druze armed factions and Bedouin fighters. But the violence worsened, with Syrian forces accused of execution-style killings and Israel striking southern Syria, the defense ministry in Damascus and near the presidential palace.
Sharaa on Wednesday described the strikes near the presidential palace as “not a message, but a declaration of war,” and said Syria had still refrained from responding militarily to preserve the negotiations.
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Anti-Israel Activists Gear Up to ‘Flood’ UN General Assembly
US Capitol Police and NYPD officers clash with anti-Israel demonstrators, on the day Israeli Prime Minister Benjamin Netanyahu addresses a joint meeting of Congress, on Capitol Hill, in Washington, DC, July 24, 2024. Photo: REUTERS/Umit Bektas
Anti-Israel groups are planning a wave of raucous protests in New York City during the United Nations General Assembly (UNGA) over the next several days, prompting concerns that the demonstrations could descend into antisemitic rhetoric and intimidation.
A coalition of anti-Israel activists is organizing the protests in and around UN headquarters to coincide with speeches from Middle Eastern leaders and appearances by US President Donald Trump and Israeli Prime Minister Benjamin Netanyahu. The demonstrations are expected to draw large crowds and feature prominent pro-Palestinian voices, some of whom have been criticized for trafficking in antisemitic tropes, in addition to calling for the destruction of Israe.
Organizers of the demonstrations have promoted the coordinated events on social media as an opportunity to pressure world leaders to hold Israel accountable for its military campaign against Hamas in Gaza, with some messaging framed in sharply hostile terms.
On Sunday, for example, activists shouted at Israel’s Ambassador to the UN Danny Danon.
“Zionism is terrorism. All you guys are terrorists committing ethnic cleansing and genocide in Gaza and Palestine. Shame on you, Zionist animals,” they shouted.
BREAKING: PRO-PALESTINE PROTESTORS CONFRONT “ISRAELI” AMBASSADOR DANNY DANON AT THE UNITED NATIONS
1/5 pic.twitter.com/4G1VYEMGzV
— Within Our Lifetime (@WOLPalestine) September 14, 2025
The Combat Antisemitism Movement (CAM), warned on its website that the scale and tone of the planned demonstrations risk crossing the line from political protest into hate speech, arguing that anti-Israel activists are attempting to hijack the UN gathering to spread antisemitism and delegitimize the Jewish state’s right to exist.
Outside the UN last week, masked protesters belonging to the activist group INDECLINE kicked a realistic replica of Netanyahu’s decapitated head as though it were a soccer ball.
US activist group plays soccer with Bibi’s mock decapitated HEAD right outside NYC UN HQ
Peep shot at 00:40
Footage posted by INDECLINE collective just as UN General Assembly about to kick off
‘Following the game, ball was donated to Palestinian Genocide Museum’ pic.twitter.com/TQ84sgZhKr
— RT (@RT_com) September 9, 2025
Within Our Lifetime (WOL), a radical anti-Israel activist group, has vowed to “flood” the UNGA on behalf of the pro-Palestine movement.
WOL, one of the most prolific anti-Israel activist groups, came under immense fire after it organized a protest against an exhibition to honor the victims of the Oct. 7 massacre at the Nova Music Festival in southern Israel. During the event, the group chanted “resistance is justified when people are occupied!” and “Israel, go to hell!”
“We will be there to confront them with the truth: Their silence and inaction enable genocide. The world cannot continue as if Gaza does not exist,” WOL said of its planned demonstrations in New York. “This is the time to make our voices impossible to ignore. Come to New York by any means necessary, to stand, to march, to demand the UN act and end the siege.”
Jewish Voice for Peace (JVP) and Palestinian Youth Movement (PYM), two other anti-Israel organizations that have helped organize widespread demonstrations against the Jewish state during the war in Gaza, also announced they are planning a march from Times Square to the UN headquarters on Friday.
“The time is now for each and every UN member state to uphold their duty under international law: sanction Israel and end the genocide,” the groups said in a statement.
JVP, an organization that purports to fight for “Palestinian liberation,” has positioned itself as a staunch adversary of the Jewish state. The group argued in a 2021 booklet that Jews should not write Hebrew liturgy because hearing the language would be “deeply traumatizing” to Palestinians. JVP has repeatedly defended the Oct. 7 massacre of roughly 1,200 people in southern Israel by Hamas as a justified “resistance.” Chapters of the organization have urged other self-described “progressives” to throw their support behind Hamas and other terrorist groups against Israel
Similarly, PYM, another radical anti-Israel group, has repeatedly defended terrorism and violence against the Jewish state. PYM has organized many anti-Israel protests in the two years following the Oct. 7 attacks in the Jewish state. Recently, Sen. Tom Cotton (R-AK) called for a federal investigation into the organization after Aisha Nizar, one of the group’s leaders, urged supporters to sabotage the US supply chain for the F-35 fighter jet, one of the most advanced US military assets and a critical component of Israel’s defense.
The UN General Assembly has historically been a flashpoint for heated debate over the Israeli-Palestinian conflict. Previous gatherings have seen dueling demonstrations outside the Manhattan venue, with pro-Israel and pro-Palestinian groups both seeking to influence the international spotlight.
While warning about the demonstrations, CAM noted it recently launched a new mobile app, Report It, that allows users worldwide to quickly and securely report antisemitic incidents in real time.
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Nina Davidson Presses Universities to Back Words With Action as Jewish Students Return to Campus Amid Antisemitism Crisis
Nina Davidson on The Algemeiner’s ‘J100’ podcast. Photo: Screenshot
Philanthropist Nina Davidson, who served on the board of Barnard College, has called on universities to pair tough rhetoric on combatting antisemitism with enforcement as Jewish students returned to campuses for the new academic year.
“Years ago, The Algemeiner had published a list ranking the most antisemitic colleges in the country. And number one was Columbia,” Davidson recalled on a recent episode of The Algemeiner‘s “J100” podcast. “As a board member and as someone who was representing the institution, it really upset me … At the board meeting, I brought it up and I said, ‘What are we going to do about this?’”
Host David Cohen, chief executive officer of The Algemeiner, explained he had revisited Davidson’s remarks while she was being honored for her work at The Algemeiner‘s 8th annual J100 gala, held in October 2021, noting their continued relevance.
“It could have been the same speech in 2025,” he said, underscoring how longstanding concerns about campus antisemitism, while having intensified in the aftermath of Hamas’s Oct. 7, 2023, massacre across southern Israel, are not new.
Davidson argued that universities already possess the tools to protect students – codes of conduct, time-place-manner rules, and consequences for threats or targeted harassment – but too often fail to apply them evenly. “Statements are not enough,” she said, arguing that institutions need to enforce their rules and set a precedent that there will be consequences for individuals who refuse to follow them.
She also said that stakeholders – alumni, parents, and donors – are reassessing their relationships with schools that, in their view, have not safeguarded Jewish students. While supportive of open debate, Davidson distinguished between protest and intimidation, calling for leadership that protects expression while ensuring campus safety.
The episode surveyed specific pressure points that administrators will face this fall: repeat anti-Israel encampments, disruptions of Jewish programming, and the challenge of distinguishing political speech from conduct that violates university rules. “Unless schools draw those lines now,” Davidson warned, “they’ll be scrambling once the next crisis hits.”
Cohen closed by framing the discussion as a test of institutional credibility, asking whether universities will “turn policy into protection” in real time. Davidson agreed, pointing to students who “need to know the rules aren’t just on paper.”
The full conversation is available on The Algemeiner’s “J100” podcast.