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How Israel Lost a Battle to Al Jazeera — and How It Must Do Better Next Time

The Al Jazeera Media Network logo is seen on its headquarters building in Doha, Qatar, June 8, 2017. Photo: REUTERS/Naseem Zeitoon

If you are going to kill someone famous, be prepared to justify your actions.

On July 31, an Israeli airstrike killed Al Jazeera reporter Ismail al-Ghoul along with his cameraman and a 17-year-old bystander. The strike came in broad daylight, and footage of al-Ghoul’s decapitated body began to circulate on social media. A wave of stories reported the death of another journalist in Gaza. The Israeli military had no comment.

The next day, the IDF released a statement on social media asserting that Ghoul was a Hamas military operative and part of the Nukhba force that carried out the October 7 massacre.

Surging global media coverage took note of the Israeli statement, but its emphasis remained on the tragic death of a young reporter who left behind a widow and one-year-old daughter. After two additional days, the IDF returned to social media, posting an image of a captured Hamas spreadsheet from 2021 that identified Ghoul as an operative, along with his rank, specialty, and official ID numbers. But the news cycle had moved on.

If the story ended there, the lesson would be straightforward: The IDF should have a dossier of declassified intelligence ready to publicize the moment it strikes a Hamas terrorist with a high-profile civilian day job.

Yet in the case of Ismail al-Ghoul, it is not classified documents, but his own social media posts that provide much of the relevant information about his attachment to Hamas.

The journalists who covered Ghoul’s demise clearly did not conduct basic due diligence. Yet the IDF shares responsibility; Israeli intelligence should pay close attention to its targets’ social media activity.

The first clue that Ghoul’s social media deserved closer scrutiny was his decision to open a series of new accounts — and delete or suspend the old ones — shortly after he began working for Al Jazeera during the first weeks of the fighting in Gaza. He created a new Instagram account in November, as well as a new Telegram channel. Next came a new Facebook page in December, and a second new page in January. That same month, he launched two new X accounts and one on TikTok. In February, he launched another Telegram channel.

The names of these new accounts incorporated some version of Ghoul’s name along with the number two, suggesting they were successors to an earlier account.

For example, he chose “ismail_gh2” as the handle for both his Instagram account and one of the two on X. The former now has more than 650,000 followers, while the latter has more than 100,000. One of the two Facebook pages has another half million followers while more than 45,000 users follow him on Telegram. If nothing else, this should have made it clear to the IDF that they were dealing with a target whose death could have a major political impact.

Although Ghoul disabled his original account on X, most of its contents remain available thanks to the Internet Archive.

Eitan Fischberger, an Israel army veteran turned media analyst, examined Ghoul’s posts in March. In a post from April 2020, the second month of the Covid-19 pandemic, Ghoul opined that the real disease is “the Israeli entity and every Arab trying to normalize it,” adding the hashtag #COVID48, a reference to the year of Israel’s founding.

In July of that year, Ghoul tweeted a graphic celebrating young Palestinians’ use of “alternative tools” against Israelis: knives, axes, rocks, and Molotov cocktails.

Yet the most important piece of information to glean from Ghoul’s old X account is the fact that he previously worked for two other media outlets — Felesteen and al-Resalah — both aligned with Hamas.

Felesteen debuted in May 2007, becoming Palestinians’ fifth daily newspaper. Ismail Haniyeh, the Hamas leader recently assassinated in Iran, spoke at a pre-launch reception for Felesteen. An interview with Haniyeh was the centerpiece of its first edition. The Associated Press, which covered the publication’s debut, described it as “a 24-page newspaper catering largely to Hamas supporters and seen as an attempt by the Islamic militant group to increase its influence.”

The precise nature of Ghoul’s work at Felesteen and al-Resalah is not clear; his name does not appear on old bylines. Yet both publications lionize Hamas.

In a brief article on August 7, 2024, al-Resalah reported the selection of Yahya Sinwar as Hamas’ new leader while noting the “brave, wise, and open-minded leadership” of Ismail Haniyeh, Sinwar’s late predecessor. During his time at al-Resalah, Ghoul said an Israeli soldier shot him, injuring his hand with shrapnel, while he was covering protests at the Gaza-Israel border in 2018.

Despite Ghoul’s reinvention of his social media presence during the current war, he chose to leave intact his personal Facebook profile, which remains public. The clearest indication of his disposition toward Hamas is a photo he posted in 2021, showing Yahya Sinwar sitting defiantly in the ruins of his Gaza home.

Ghoul said of Sinwar, “May Allah protect you.” Ghoul also left no doubt that he celebrated violence. In September 2023, he reposted another well-known image, this one of Palestinian teenager Basel al-Shawamrah, who stabbed two Israelis outside the Jerusalem Central Bus station. A photographer captured Shawamra grinning contentedly while lying on a stretcher after he was shot. Ghoul captioned the photo “The Smile of Victory.” On numerous occasions, Ghoul shared photos of rocket fire from Gaza, calling the rockets “the pride of local industry.”

According to the IDF, two of Ghoul’s cousins were also Hamas operatives. In February, the IDF announced the death of Ahmed al-Ghoul, commander of the Shati Battalion, “who participated in the massacre on October 7” and later held one of the Israeli hostages, Cpl. Noa Marciano, whose remains were later found near al-Shifa hospital.

In May, a second announcement reported the death of Naim al-Ghoul, a fighter in the Shati Battalion, who also held Marciano before her death. Ismail al-Ghoul posted photos of himself at his cousin’s funeral, shovel in hand, wearing a blue flak jacket displaying the English word “PRESS” in large capital letters. Ghoul described his cousin as “a man of humanity who continued to perform his humanitarian duty sincerely.”

One source of support Ghoul could rely on was his wife, who posted many verses in honor of Hamas’ military wing, the Qassam Brigades.

During the clash the IDF calls Operation Protective Edge, she wrote to the Qassam fighters, “May God protect you, make you steadfast and be with you.” Above a photo of a Palestinian fighter she posted, “Fire your guns, don’t be merciful.” Her timeline also includes commemorations of fighters such as Yahya Ayyash, the bombmaker who equipped many suicide operatives in the 1990s.

She also denounced Palestinians who reject Hamas as agents of the Jews. Above a photo of Jews dancing in Jerusalem on the anniversary of the IDF’s reclaiming the city in 1967, Ghoul’s wife lamented, “Is there a more hideous sight than this?”

None of this material on Facebook amounts to evidence that Ghoul was a Hamas military operative. Nor do expressions of support for Hamas, nor even justifications of its violence, render Ghoul a legitimate military target. Yet they show he was an extremist and belie the post-mortem claims by Al Jazeera that Ghoul was a model journalist. The network’s managing editor, Mohamed Moawad, wrote, “Ismail was renowned for his professionalism and dedication, bringing the world’s attention to the suffering and atrocities committed in Gaza.”

Did the network know of Ghoul’s support for Hamas when it hired him? His previous work on behalf of Felesteen and al-Resalah would have made his affinity obvious. A review of Ghoul’s social media would not have required much effort. Had the IDF prepared a suitable dossier with selections from Ghoul’s postings, it might have turned the tables on Al Jazeera, pushing Western journalists to press the network for answers. Instead, Western media uncritically reprinted testimonials to Ghoul from admiring colleagues.

While the news cycle has passed, the IDF should nevertheless commit the manpower necessary to produce a full dossier on Ghoul, including both declassified intelligence and publicly available material. There is a tendency for past incidents to become the subject of intense re-litigation. In January, an Israeli airstrike killed two of Ghoul’s colleagues at Al Jazeera, Hamza Dahdouh and Mustafa Thuraya. Three days later, the IDF released a screenshot of what it said was a personnel roster from Palestinian Islamic Jihad, a Hamas partner, showing that Dahdouh belonged to an electronic engineering unit. Two months later, The Washington Post published a detailed investigation asserting the innocence of Dahdouh and Thuraya, while casting doubt on the document shared by the IDF. In response to inquiries from the Post, the IDF simply responded, “We have nothing to add.”

While the IDF may question the fairness of the Post’s coverage, its non-response amounts to unilateral disarmament. When the re-litigation of Ghoul’s death begins, the IDF should be better prepared. For instance, it should be able to demonstrate the authenticity of the spreadsheet listing Ghoul as a Hamas operative. On its own, the document has shortcomings. For example, there is a column that lists the “Date of military rank” for each of the individuals listed. Yet in the case of Ghoul and many others, this date precedes the “Date of recruitment” by several years.

Other parts of the document hold up better under scrutiny. One column provides a nine-digit ID for each individual. All of these have the correct format for the numbers that the Israeli Ministry of the Interior assigns to Palestinians. Five of the 33 names in the document also appear on the Gaza Health Ministry’s list of the dead. Of those, two reportedly died on October 7, according to a Palestinian NGO that tracks fatalities.

Four of the names on the spreadsheet belong to individuals that Ghoul’s Facebook account lists as friends. One is Samer Balawi, who has not posted on Facebook since May, yet his final post shows him standing side by side with Ghoul, both smiling. It reveals little about their relationship, but underscores the importance of synthesizing information from open source and classified materials.

While the IDF may have lost the battle with Al Jazeera that followed Ghoul’s death, the battle is not the war. The question is whether the IDF will learn from this setback and be better prepared for the next round.

David Adesnik is a senior fellow and director of research at the Foundation for Defense of Democracies

The post How Israel Lost a Battle to Al Jazeera — and How It Must Do Better Next Time first appeared on Algemeiner.com.

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Brad Pitt, Joaquin Phoenix, Rooney Mara, and Others Join Gaza Film as Executive Producers Before Venice Premiere

Brad Pitt attends the “F1: The Movie” European premiere in London, Britain, June 23, 2025. Photo: REUTERS/Maja Smiejkowska

Brad Pitt, Joaquin Phoenix, Rooney Mara, and other high-profile figures in the Hollywood film industry have joined the Gaza-based drama “The Voice of Hind Rajab” as executive producers ahead of its world premiere at the 82nd Venice International Film Festival, Deadline reported.

“The Zone of Interest” director Jonathan Glazer is also joining the film as an executive producer as well as “Roma” director Alfonso Cuaron. Meanwhile, Dede Garner and Jeremy Kleiner from Pitt’s production company Plan B. Britain’s Film4 and the Saudi Arabian state-owned MBC Studio are also supporting the film, according to Deadline.

Written and directed by Tunisian filmmaker Kaouther Ben Hania, “The Voice of Hind Rajab” focuses on the real-life death of six-year-old Palestinian girl Hind Rajab, who was trapped in a car that had allegedly come under fire by Israeli military forces in the Gaza Strip in January 2024 and later found dead. Israel claimed its military troops were not in the area at the time. The movie is based on real audio recordings of Rajab’s calls to Red Cresent volunteers, who tried to keep her on the line and get an ambulance to help her. Her death sparked global outrage including at Columbia University, where anti-Israel students broke into the academic building Hamilton Hall and symbolically renamed it as Hind’s Hall in April 2024.

“The Voice of Hind Rajab” will premiere at the Venice Film Festival on Sept. 3 before making its North American premiere at the Toronto International Film Festival.

“I cannot accept a world where a child calls for help and no one comes,” Ben Hania said in a released statement. “That pain, that failure, belongs to all of us. This story is not just about Gaza. It speaks to a universal grief. And I believe that fiction (especially when it draws from verified, painful, real events) is cinema’s most powerful tool. More powerful than the noise of breaking news or the forgetfulness of scrolling. Cinema can preserve a memory … May Hind Rajab’s voice be heard.”

Ben Hania’s film “Four Daughters” was nominated for an Oscar last year and her previous project, “The Man Who Sold His Skin,” was selected as the Tunisian entry for best international feature film at the Academy Awards in 2021.

The 82nd Venice Film Festival opened on Wednesday, almost six weeks to the second anniversary of the Hamas-led terrorist attacks in southern Israel on Oct. 7 2023, that resulted in the murder of 1,200 people while 251 were taken as hostages back to Gaza. The festival ends Sept. 6.

Hundreds of Italian and international artists signed an open letter calling on the Venice Film Festival to condemn what they claim is Israel’s genocide and ethnic cleansing in Gaza. Israel has adamantly denied the charge, noting it’s targeting a terrorist group in Gaza that tries to embed itself among the civilian population to create more casualties.

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New Play About Establishment of Israel During Truman’s Presidency to Make World Premiere Off-Broadway in October

US President Harry Truman receives a menorah gifted by visiting Israeli Prime Minister David Ben Gurion and Abba Eban, Israel’s envoy to Washington. Photo: National Photo Collection of Israel / Government Press Office

A play about the creation of the Jewish state during the administration of US President Harry Truman is set to make its world premiere Off-Broadway in New York City in October.

From playwright Willian Spatz and director Randy White, “Truman vs. Israel: Abzug and the Undressing of Truman” will play at the Theatre at St. Clements with a preview on Oct. 9 before officially opening on Oct. 16. Its limited run will end on Jan. 4, 2026. The play is produced by Greenhouse Theater Center

“President Harry S. Truman’s unlikely rise to power led to one of history’s most pivotal moments: the founding of Israel. In [the play] he faces the sharp mind and relentless questioning of trailblazing lawyer Bella Abzug, as the truth behind one of his most consequential decisions comes to light,” reads a synopsis of the play provided by Playbill. “This gripping new play strips away the layers of legacy, power, and politics to reveal the man behind the presidency. Smart and provocative — this is history in the hot seat.”

The cast includes Willy Falk, who will play Truman, Sasha Eden, as Bella Abzug, Matt Caplan and Mark Lotito. Falk created the role of Chris in the original Broadway production of “Miss Saigon.” He has also appeared in the plays “Les Misérables” and “Marilyn,” and recently in the HBO series “And Just Like That….”

“Truman is just a compelling character,” White said in a statement cited by Playbill. “A man at the center of so many consequential decisions, and getting it from all sides. But claiming to have no regrets. So, when a young Bella Abzug shows up – eager to make her mark as a young lawyer – the interrogation begins. ‘Truman vs. Israel’ is like a fabulous (in all senses) and riveting first draft of history.”

In 1947, Truman supported the idea of partitioning what was then known as the Palestine Mandate under British administration into Jewish and Arab territories. On May 14, 1948, Truman was the first world leader to officially recognize Israel as a legitimate Jewish state, only eleven minutes after David Ben-Gurion proclaimed the establishment of the State of Israel.

Abzug was a Jewish lawyer from the Bronx, New York, and a Columbia Law School graduate who served three terms in the US Congress, where she introduced and supported legislation about economic and military aid to Israel. She was the first Jewish woman to be elected to the House of Representatives and fought heavily to reverse the 1975 UN resolution that defined Zionism as a form of racism. The resolution was eventually revoked in December 1991.

When she was younger, as part of the Zionist youth group Hashomer Hatzir, Abzug helped raised money to build a Jewish state in the land of Israel. One of her fundraising tactics was to lecture about Zionism at New York City subway stops, according to the Center for Israel Education.

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Shawn Mendes Calls Out Antisemitism Amid Israel-Hamas War During Concert in Portugal

Shawn Mendes poses on the red carpet for the 2024 MTV Europe Music Awards at Manchester Co-op Live in Manchester, Britain, Nov. 10, 2024. Photo: REUTERS/Mina Kim

Canadian singer Shawn Mendes said during his concert on Thursday night at the MEO Arena in Lisbon, Portugal, that the suffering Palestinians are facing in the Gaza Strip during the Israel-Hamas war is not an excuse for targeting Jews with hatred.

“What’s been happening in Gaza has been absolutely breaking my heart, and turning pain and suffering into hatred towards Jewish people as a whole is wrong,” the Grammy-nominated artist told the audience at his show. “Turning pain and suffering into hatred, period, is wrong and it’s not the way.”

“I really believe in our generation,” added Mendes, who is Portuguese. “I feel like it’s our generation’s job to learn from the wisdom of our parents and grandparents but also learn from the mistakes of those generations. The future is truly in our hands and I feel like it’s our responsibility to stop these cycles of pain and to choose love.”

 

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Mendes is not Jewish and this is seemingly the singer’s first time speaking out about antisemitism and the Israel-Hamas war.

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