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How New Yorker writer Ariel Levy adapted Philip Roth’s filthiest book for the stage
(JTA) — A scruffy, bearded Jewish man in his mid-60s — distressed, disheveled but wickedly self-satisfied — is invited to spend the night at the Manhattan apartment of an old friend and benefactor. Put up in the bedroom of the man’s college-age daughter, he slips a pair of her panties over his head and searches her drawers in hopes of finding nude Polaroids.
That’s a scene from Philip Roth’s 1995 novel “Sabbath’s Theater” and now a stage adaptation by the actor John Turturro and the New Yorker writer Ariel Levy. Turturro also stars as Sabbath, a washed-up artist best known for his transgressive puppet theater in the ’60s — and best known to readers, perhaps, as Roth’s most repellant character. Drenched, sometimes literally, in sex, the play begins with a riotous bout of intercourse and climaxes, as it were, with two old lovers remembering their kinks.
But if the book were only about sex it might not have earned its National Book Award. It is also a tender meditation on mourning: Sabbath’s Croatian mistress, Drenka Balich, is dead, as are his mother, his brother and his career. “And there are other kinds of love and loss: about mourning his family and his health and his youth and his virility,” Levy told me when we spoke earlier this week.
As a journalist, Levy often delves into the way sex and gender shape the lives of both celebrities and people on the margins. Her 2017 memoir, “The Rules Do Not Apply,” began life as an award-winning essay on her miscarriage in a hotel room while on assignment in Mongolia, when she was 19 weeks pregnant, and expanded into a rumination on her dissolving marriage and roads not taken.
The New Group’s adaptation of “Sabbath’s Theater” opened Wednesday night and runs through Dec. 17 at the Pershing Square Signature Center in Manhattan. Turturro (who played another Roth character, the craven Rabbi Lionel Bengelsdorf, in the HBO adaptation of “The Plot Against America”) inhabits Mickey’s filthy, seductive charm. Elizabeth Marvel plays Drenka and other women in his life, and Jason Kravits plays the men. The play is as dirty as Mickey’s torn carpenter’s pants, but also poignant: When Sabbath cradles the belongings of his dead brother, lost in battle during World War II, it’s an echo of the violence and loss that have become overwhelming in recent weeks.
Levy and I spoke about adapting a quintessentially Jewish writer like Roth, the appeal of flawed protagonists and how an Italian actor like Turturro captures the Jewish soul of yet another Roth alter ego.
This interview was edited for length and clarity.
With very few exceptions, adaptations of Roth’s work haven’t been all that successful. Do you agree and were thinking about how you might approach the material differently?
Well, I mean, I’d never adapted anything. Adapting Roth properly was like only one of many potentials for crises. Roth is my literary God. I like the way he uses language the most. He might not have liked me saying this because he was obviously very insistent on being an American writer, not a Jewish writer, but nobody captures the rhythm of the language of people whose first language is Yiddish and then move over to English. The way he uses those rhythms, that humor. The cultural familiarity is a powerful addition to my appreciation for his mastery of language and plot, irony and the level of his imagination, the level of his sense of play and his appreciation for what he calls, in ”Sabbath’s Theater,” the “nasty side of existence.”
John Turturro came to you through a recommendation by Hilton Als, a fellow writer at The New Yorker. Tell me about your writing process. What did you both agree on and disagree on — if you disagreed?
Oh, for the first couple of years, we kind of agreed on everything. It was the pandemic so we were going back and forth on Zoom. We had a very, very aligned vision of what the crucial stuff was. You could just tell that certain parts were going to work theatrically and certain parts were not, and then once we started rehearsing, after working on this together for two years and then going on this workshop at the National Theatre in London in January 2023 — once we got through that, we started to have a better sense of what will work theatrically. The unbelievable challenge for John was to be working on his performance and contemplating the script, because every change means a new thing you have to learn [as an actor].
Ariel Levy and John Turturro at the opening night party for The New Group Theater’s new play “Sabbath’s Theater,” at Green Fig Urban Eatery in New York City, Nov. 1, 2023. (Bruce Glikas/Getty Images)
How does a journalist learn to be a playwright? Was there anyone you were taking clues from about how to do this?
I was extremely worried and insecure about it. John knew I’d never written a play. He could have found plenty of playwrights who would have done this, but the way I’ve heard him explain it is that he didn’t want someone who’s gonna come in and say, “I know how to write a play. I’m going to rewrite this.” He wanted to use Roth’s language. We’re barely going to write stage directions, the stage directions are largely lifted from Roth’s writing. The most important thing to John was finding somebody who was Roth-reverent, and then also we just hit it off, we just liked each other. We liked the same parts of the book, and we both felt the book was a love story.
So, how did I learn to do it? I figured out that storytelling is storytelling. And also, I had John guiding me, John knows what a play is, and I had [the director] Jo Bonney guiding me through the process once we were in rehearsal.
You talked about your affinity for Roth. Was there something about “Sabbath’s Theater” that particularly connected to the things you’ve always been writing about and thinking about?
I’ve written a fair amount about the fundamental human drives for domesticity and comfort and kinship and security on the one hand, and adventure and novelty and stimulation on the other — those conflicting poles that human beings stretch between. And that’s very much in there in the realm of Sabbath. And John and I both cared a lot about the depiction of grief and the way the dead can become more real for you than the living sometimes and how, as you age, the accretion of missing people in your life just starts to pile up.
And then there is thinking about — not just sex, but the body. “Sabbath’s Theater” has so many amazing meditations on what it is to live inside a human body. I think we’re both really interested in all of that and the kind of animal reality of being a human who’s alive versus dead.
Were you worried at any point that some of Mickey’s transgressions — he has been tossed from a teaching job at a university after a phone-sex scandal with a student, he visits an old friend and rifles the dresser drawers of his host’s teenage daughter — would make him unredeemable in a post-#Me-Too era? And on the flip side, do you feel the play is pushing back against the #MeToo orthodoxy in some way?
I think that, you know, we didn’t put in every transgression from the book, but we put a lot. There’s a beautiful Garth Greenwell essay in The Yale Review about the book where he talks about how he teaches “Sabbath’s Theater” to undergraduates, and it bothers him when the question becomes whether a protagonist should be an example of moral rectitude. That’s not what art is for. This isn’t meant to be propaganda. This is raw. This is art. In some of my favorite literature of the 20th century, the moral compass, the moral core of the whole thing is reminding us that a human being is more than their worst or most repellent urges and behaviors. A human being contains multitudes. This is Mickey in all his humanity, and we certainly didn’t want to sanitize him. I mean, I think the play is still plenty, plenty dirty.
I’m going to quote your own words to you. I was rereading a profile you wrote about the film director Nicole Holofcener, and you say something about her that made me think, “Oh, this is why Levy wrote ‘Sabbath’s Theater.’” You wrote: “This is the kind of creature Nicole Holofcener is drawn to: weirdly alluring, mangled by life, and unable to resist lashing out against her own best interests.”
That’s so funny. Yeah, that’s it, isn’t it? That’s Mickey Sabbath. That’s eerie. That is Mickey Sabbath.
I have to ask you to weigh in on what I think is the world’s most boring debate, which is whether a non-Jewish actor like John Turturro should be playing a Jewish character like Mickey Sabbath written by a Jewish author like Philip Roth. Do you have any qualms about that?
I feel so culturally connected to John Turturro. I wouldn’t be a bit surprised if we had genetic overlap. I mean, it’s like the food’s different, and the accents are different, but it’s the same shit, you know? John in particular to me is very culturally recognizable. And, you know, he’s married to a Jewish person. He’s raising children with a Jewish person. He’s steeped in it. We are not an exotic.
Also, he’s an actor. It’s like a novelist, which I’m not: They can inhabit other realities. That’s what their job is.
I sometimes feel that the readership for Roth is a men’s club. I’ve rarely come across women who idolized him the way I did. Do you feel that?
I mean, until his mature period, [his] women weren’t as interesting. They didn’t come off the page the way the men did. So I can understand, you know, it’s a drag reading a novel where the women aren’t coming off the page. It doesn’t feel great. But then everything changes: When he grows up he becomes this incredibly sophisticated, nuanced writer who realizes that women are half the human race. “Sabbath’s Theater” is the work that preceded the American trilogy [“American Pastoral,” “I Married a Communist” and “The Human Stain”]. That’s when everything starts to become like a masterpiece, and that’s when the women get really interesting. I defy anyone to find a richer, more complicated and fascinating and alluring female lead than Drenka. I mean, she’s unbeatable.
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Switzerland Moves to Close Gaza Humanitarian Foundation’s Geneva Office Over Legal Irregularities
Palestinians carry aid supplies received from the US-backed Gaza Humanitarian Foundation in the central Gaza Strip, May 29, 2025. Photo: REUTERS/Ramadan Abed/File Photo
Switzerland has moved to shut down the Geneva office of the Gaza Humanitarian Foundation (GHF), a US- and Israeli-backed aid group, citing legal irregularities in its establishment.
The GHF began distributing food packages in Gaza in late May, implementing a new aid delivery model aimed at preventing the diversion of supplies by Hamas, as Israel continues its defensive military campaign against the Palestinian terrorist group.
The initiative has drawn criticism from the UN and international organizations, some of which have claimed that Jerusalem is causing starvation in the war-torn enclave.
Israel has vehemently denied such accusations, noting that, until its recently imposed blockade, it had provided significant humanitarian aid in the enclave throughout the war.
Israeli officials have also said much of the aid that flows into Gaza is stolen by Hamas, which uses it for terrorist operations and sells the rest at high prices to Gazan civilians.
With a subsidiary registered in Geneva, the GHF — headquartered in Delaware — reports having delivered over 56 million meals to Palestinians in just one month.
According to a regulatory announcement published Wednesday in the Swiss Official Gazette of Commerce, the Federal Supervisory Authority for Foundations (ESA) may order the dissolution of the GHF if no creditors come forward within the legal 30-day period.
The Trump administration did not immediately respond to requests for comment on the Swiss decision to shut down its Geneva office.
“The GHF confirmed to the ESA that it had never carried out activities in Switzerland … and that it intends to dissolve the Geneva-registered branch,” the ESA said in a statement.
Last week, Geneva authorities gave the GHF a 30-day deadline to address legal shortcomings or risk facing enforcement measures.
Under local laws and regulations, the foundation failed to meet several requirements: it did not appoint a board member authorized to sign documents domiciled in Switzerland, did not have the minimum three board members, lacked a Swiss bank account and valid address, and operated without an auditing body.
The GHF operates independently from UN-backed mechanisms, which Hamas has sought to reinstate, arguing that these vehicles are more neutral.
Israeli and American officials have rejected those calls, saying Hamas previously exploited UN-run systems to siphon aid for its war effort.
The UN has denied those allegations while expressing concerns that the GHF’s approach forces civilians to risk their safety by traveling long distances across active conflict zones to reach food distribution points.
The post Switzerland Moves to Close Gaza Humanitarian Foundation’s Geneva Office Over Legal Irregularities first appeared on Algemeiner.com.
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Key US Lawmaker Warns Ireland of Potential Economic Consequences for ‘Antisemitic Path’ Against Israel
US Sen. James Risch (R-ID) speaks during a Senate Foreign Relations Committee hearing, Washington, DC, May 21, 2024. Photo: Graeme Sloan/Sipa USA via Reuters Connect
Senate Foreign Relations Committee Chairman James Risch (R-ID) issued a sharp warning Tuesday, accusing Ireland of embracing antisemitism and threatening potential economic consequences if the Irish government proceeds with new legislation targeting Israeli trade.
“Ireland, while often a valuable U.S. partner, is on a hateful, antisemitic path that will only lead to self-inflicted economic suffering,” Risch wrote in a post on X. “If this legislation is implemented, America will have to seriously reconsider its deep and ongoing economic ties. We will always stand up to blatant antisemitism.”
Marking a striking escalation in rhetoric from a senior US lawmaker, Risch’s comments came amid growing tensions between Ireland and Israel, which have intensified dramatically since the Hamas-led attacks on southern Israel on October 7, 2023. Those attacks, in which roughly 1,200 Israelis were killed and more than 200 taken hostage, prompted a months-long Israeli military campaign in Gaza that has drawn widespread international scrutiny. Ireland has positioned itself as one of the most vocal critics of Israel’s response, accusing the Israeli government of disproportionate use of force and calling for immediate humanitarian relief and accountability for the elevated number of Palestinian civilian casualties.
Dublin’s stance has included tangible policy shifts. In May 2024, Ireland formally recognized a Palestinian state, becoming one of the first European Union members to do so following the outbreak of the war in Gaza. The move was condemned by Israeli officials, who recalled their ambassador to Ireland and accused the Irish government of legitimizing terrorism. Since then, Irish lawmakers have proposed further measures, including legislation aimed at restricting imports from Israeli settlements in the West Bank, policies viewed in Israel and among many American lawmakers as aligning with the controversial Boycott, Divestment, and Sanctions (BDS) movement.
While Irish leaders have defended their approach as grounded in international law and human rights, critics in Washington, including Risch, have portrayed it as part of a broader pattern of hostility toward Israel. Some US lawmakers have begun raising the possibility of reevaluating trade and diplomatic ties with Ireland in response.
Risch’s warning is one of the clearest indications yet that Ireland’s policies toward Israel could carry economic consequences. The United States is one of Ireland’s largest trading partners, and American companies such as Apple, Google, Meta and Pfizer maintain substantial operations in the country, drawn by Ireland’s favorable tax regime and access to the EU market.
Though the Trump administration has not echoed Risch’s warning, the remarks reflect growing unease in Washington about the trajectory of Ireland’s foreign policy. The State Department has maintained a careful balancing act, expressing strong support for Israel’s security while calling for increased humanitarian access in Gaza. Officials have stopped short of condemning Ireland’s actions directly but have expressed concern about efforts they see as isolating Israel on the international stage.
Ireland’s stance is emblematic of a growing international divide over the war. While the US continues to provide military and diplomatic backing to Israel, many European countries have called for an immediate ceasefire and investigations into alleged war crimes.
Irish public opinion has long leaned pro-Palestinian, and Irish lawmakers have repeatedly voiced concern over the scale of destruction in Gaza and the dire humanitarian situation.
Irish officials have not yet responded to The Algemeiner’s request for comment.
The post Key US Lawmaker Warns Ireland of Potential Economic Consequences for ‘Antisemitic Path’ Against Israel first appeared on Algemeiner.com.
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Israel Condemns Iran’s Suspension of IAEA Cooperation, Urges Europe to Reinstate UN Sanctions
Israeli Foreign Minister Gideon Saar at a press conference in Berlin, Germany, June 5, 2025. REUTERS/Christian Mang/File Photo
Israeli Foreign Minister Gideon Saar on Wednesday condemned Iran’s decision to halt cooperation with the UN’s nuclear watchdog and called on the international community to reinstate sanctions to curb Tehran’s nuclear ambitions.
“Iran has just issued a scandalous announcement about suspending its cooperation with the IAEA (International Atomic Energy Agency),” Saar wrote in a post on X. “This is a complete renunciation of all its international nuclear obligations and commitments.”
Last week, the Iranian parliament voted to suspend cooperation with the IAEA “until the safety and security of [the country’s] nuclear activities can be guaranteed.”
“The IAEA and its Director-General are fully responsible for this sordid state of affairs,” Iranian Foreign Minister Abbas Araghchi wrote in a post on X.
The top Iranian diplomat said this latest decision was “a direct result of [IAEA Director-General Rafael Grossi’s] regrettable role in obfuscating the fact that the Agency — a full decade ago — already closed all past issues.
“Through this malign action,” Araghchi continued, “he directly facilitated the adoption of a politically-motivated resolution against Iran by the IAEA [Board of Governors] as well as the unlawful Israeli and US bombings of Iranian nuclear sites.”
The Parliament of Iran has voted for a halt to collaboration with the IAEA until the safety and security of our nuclear activities can be guaranteed.
This is a direct result of @rafaelmgrossi‘s regrettable role in obfuscating the fact that the Agency—a full decade ago—already…
— Seyed Abbas Araghchi (@araghchi) June 27, 2025
On Wednesday, Iranian President Masoud Pezeshkian approved a bill banning UN nuclear inspectors from entering the country until the Supreme National Security Council decides that there is no longer a threat to the safety of its nuclear sites.
In response, Saar urged European countries that were part of the now-defunct 2015 nuclear deal to activate its “snapback” clause and reinstate all UN sanctions lifted under the agreement.
Officially known as the Joint Comprehensive Plan of Action (JCPOA), this accord between Iran and several world powers imposed temporary restrictions on Tehran’s nuclear program in exchange for sanctions relief.
During his first term, US President Donald Trump withdrew from the deal and reinstated unilateral sanctions on Iran.
“The time to activate the Snapback mechanism is now! I call upon the E3 countries — Germany, France and the UK to reinstate all sanctions against Iran!” Saar wrote in a post on X.
“The international community must act decisively now and utilize all means at its disposal to stop Iranian nuclear ambitions,” he continued.
The time to activate the Snapback mechanism is now!
I call upon the E3 countries- Germany, France and the UK to reinstate all sanctions against Iran!
Iran has just issued a scandalous announcement about suspending its cooperation with the IAEA (International Atomic Energy…— Gideon Sa’ar | גדעון סער (@gidonsaar) July 2, 2025
Saar’s latest remarks come after Araghchi met last week in Geneva with his counterparts from Britain, France, Germany and the European Union’s Foreign Policy Chief Kaja Kallas — their first meeting since the Iran-Israel war began.
Europe is actively urging Iran to reengage in talks with the White House to prevent further escalation of tensions, but has yet to address the issue of reinstating sanctions.
Speaking during an official visit to Latvia on Tuesday, Saar said that “Operation Rising Lion” — Israel’s sweeping military campaign aimed at dismantling Iran’s nuclear capabilities — has “revealed the full extent of the Iranian regime’s threat to Israel, Europe, and the global order.”
“Iran deliberately targeted civilian population centers with its ballistic missiles,” Saar said at a press conference. “The same missile threat can reach Europe, including Latvia and the Baltic states.”
“Israel’s actions against the head of the snake in Iran contributed directly to the safety of Europe,” the Israeli top diplomat continued, adding that Israeli strikes have set back the Iranian nuclear program by many years.
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