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How New Yorker writer Ariel Levy adapted Philip Roth’s filthiest book for the stage
(JTA) — A scruffy, bearded Jewish man in his mid-60s — distressed, disheveled but wickedly self-satisfied — is invited to spend the night at the Manhattan apartment of an old friend and benefactor. Put up in the bedroom of the man’s college-age daughter, he slips a pair of her panties over his head and searches her drawers in hopes of finding nude Polaroids.
That’s a scene from Philip Roth’s 1995 novel “Sabbath’s Theater” and now a stage adaptation by the actor John Turturro and the New Yorker writer Ariel Levy. Turturro also stars as Sabbath, a washed-up artist best known for his transgressive puppet theater in the ’60s — and best known to readers, perhaps, as Roth’s most repellant character. Drenched, sometimes literally, in sex, the play begins with a riotous bout of intercourse and climaxes, as it were, with two old lovers remembering their kinks.
But if the book were only about sex it might not have earned its National Book Award. It is also a tender meditation on mourning: Sabbath’s Croatian mistress, Drenka Balich, is dead, as are his mother, his brother and his career. “And there are other kinds of love and loss: about mourning his family and his health and his youth and his virility,” Levy told me when we spoke earlier this week.
As a journalist, Levy often delves into the way sex and gender shape the lives of both celebrities and people on the margins. Her 2017 memoir, “The Rules Do Not Apply,” began life as an award-winning essay on her miscarriage in a hotel room while on assignment in Mongolia, when she was 19 weeks pregnant, and expanded into a rumination on her dissolving marriage and roads not taken.
The New Group’s adaptation of “Sabbath’s Theater” opened Wednesday night and runs through Dec. 17 at the Pershing Square Signature Center in Manhattan. Turturro (who played another Roth character, the craven Rabbi Lionel Bengelsdorf, in the HBO adaptation of “The Plot Against America”) inhabits Mickey’s filthy, seductive charm. Elizabeth Marvel plays Drenka and other women in his life, and Jason Kravits plays the men. The play is as dirty as Mickey’s torn carpenter’s pants, but also poignant: When Sabbath cradles the belongings of his dead brother, lost in battle during World War II, it’s an echo of the violence and loss that have become overwhelming in recent weeks.
Levy and I spoke about adapting a quintessentially Jewish writer like Roth, the appeal of flawed protagonists and how an Italian actor like Turturro captures the Jewish soul of yet another Roth alter ego.
This interview was edited for length and clarity.
With very few exceptions, adaptations of Roth’s work haven’t been all that successful. Do you agree and were thinking about how you might approach the material differently?
Well, I mean, I’d never adapted anything. Adapting Roth properly was like only one of many potentials for crises. Roth is my literary God. I like the way he uses language the most. He might not have liked me saying this because he was obviously very insistent on being an American writer, not a Jewish writer, but nobody captures the rhythm of the language of people whose first language is Yiddish and then move over to English. The way he uses those rhythms, that humor. The cultural familiarity is a powerful addition to my appreciation for his mastery of language and plot, irony and the level of his imagination, the level of his sense of play and his appreciation for what he calls, in ”Sabbath’s Theater,” the “nasty side of existence.”
John Turturro came to you through a recommendation by Hilton Als, a fellow writer at The New Yorker. Tell me about your writing process. What did you both agree on and disagree on — if you disagreed?
Oh, for the first couple of years, we kind of agreed on everything. It was the pandemic so we were going back and forth on Zoom. We had a very, very aligned vision of what the crucial stuff was. You could just tell that certain parts were going to work theatrically and certain parts were not, and then once we started rehearsing, after working on this together for two years and then going on this workshop at the National Theatre in London in January 2023 — once we got through that, we started to have a better sense of what will work theatrically. The unbelievable challenge for John was to be working on his performance and contemplating the script, because every change means a new thing you have to learn [as an actor].
Ariel Levy and John Turturro at the opening night party for The New Group Theater’s new play “Sabbath’s Theater,” at Green Fig Urban Eatery in New York City, Nov. 1, 2023. (Bruce Glikas/Getty Images)
How does a journalist learn to be a playwright? Was there anyone you were taking clues from about how to do this?
I was extremely worried and insecure about it. John knew I’d never written a play. He could have found plenty of playwrights who would have done this, but the way I’ve heard him explain it is that he didn’t want someone who’s gonna come in and say, “I know how to write a play. I’m going to rewrite this.” He wanted to use Roth’s language. We’re barely going to write stage directions, the stage directions are largely lifted from Roth’s writing. The most important thing to John was finding somebody who was Roth-reverent, and then also we just hit it off, we just liked each other. We liked the same parts of the book, and we both felt the book was a love story.
So, how did I learn to do it? I figured out that storytelling is storytelling. And also, I had John guiding me, John knows what a play is, and I had [the director] Jo Bonney guiding me through the process once we were in rehearsal.
You talked about your affinity for Roth. Was there something about “Sabbath’s Theater” that particularly connected to the things you’ve always been writing about and thinking about?
I’ve written a fair amount about the fundamental human drives for domesticity and comfort and kinship and security on the one hand, and adventure and novelty and stimulation on the other — those conflicting poles that human beings stretch between. And that’s very much in there in the realm of Sabbath. And John and I both cared a lot about the depiction of grief and the way the dead can become more real for you than the living sometimes and how, as you age, the accretion of missing people in your life just starts to pile up.
And then there is thinking about — not just sex, but the body. “Sabbath’s Theater” has so many amazing meditations on what it is to live inside a human body. I think we’re both really interested in all of that and the kind of animal reality of being a human who’s alive versus dead.
Were you worried at any point that some of Mickey’s transgressions — he has been tossed from a teaching job at a university after a phone-sex scandal with a student, he visits an old friend and rifles the dresser drawers of his host’s teenage daughter — would make him unredeemable in a post-#Me-Too era? And on the flip side, do you feel the play is pushing back against the #MeToo orthodoxy in some way?
I think that, you know, we didn’t put in every transgression from the book, but we put a lot. There’s a beautiful Garth Greenwell essay in The Yale Review about the book where he talks about how he teaches “Sabbath’s Theater” to undergraduates, and it bothers him when the question becomes whether a protagonist should be an example of moral rectitude. That’s not what art is for. This isn’t meant to be propaganda. This is raw. This is art. In some of my favorite literature of the 20th century, the moral compass, the moral core of the whole thing is reminding us that a human being is more than their worst or most repellent urges and behaviors. A human being contains multitudes. This is Mickey in all his humanity, and we certainly didn’t want to sanitize him. I mean, I think the play is still plenty, plenty dirty.
I’m going to quote your own words to you. I was rereading a profile you wrote about the film director Nicole Holofcener, and you say something about her that made me think, “Oh, this is why Levy wrote ‘Sabbath’s Theater.’” You wrote: “This is the kind of creature Nicole Holofcener is drawn to: weirdly alluring, mangled by life, and unable to resist lashing out against her own best interests.”
That’s so funny. Yeah, that’s it, isn’t it? That’s Mickey Sabbath. That’s eerie. That is Mickey Sabbath.
I have to ask you to weigh in on what I think is the world’s most boring debate, which is whether a non-Jewish actor like John Turturro should be playing a Jewish character like Mickey Sabbath written by a Jewish author like Philip Roth. Do you have any qualms about that?
I feel so culturally connected to John Turturro. I wouldn’t be a bit surprised if we had genetic overlap. I mean, it’s like the food’s different, and the accents are different, but it’s the same shit, you know? John in particular to me is very culturally recognizable. And, you know, he’s married to a Jewish person. He’s raising children with a Jewish person. He’s steeped in it. We are not an exotic.
Also, he’s an actor. It’s like a novelist, which I’m not: They can inhabit other realities. That’s what their job is.
I sometimes feel that the readership for Roth is a men’s club. I’ve rarely come across women who idolized him the way I did. Do you feel that?
I mean, until his mature period, [his] women weren’t as interesting. They didn’t come off the page the way the men did. So I can understand, you know, it’s a drag reading a novel where the women aren’t coming off the page. It doesn’t feel great. But then everything changes: When he grows up he becomes this incredibly sophisticated, nuanced writer who realizes that women are half the human race. “Sabbath’s Theater” is the work that preceded the American trilogy [“American Pastoral,” “I Married a Communist” and “The Human Stain”]. That’s when everything starts to become like a masterpiece, and that’s when the women get really interesting. I defy anyone to find a richer, more complicated and fascinating and alluring female lead than Drenka. I mean, she’s unbeatable.
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Iran Holds Trilateral Talks With China, Russia Amid Ongoing Nuclear Negotiations With US
Illustrative: Chinese Foreign Minister Wag Yi stands with Russian Deputy Foreign Minister Sergey Ryabkov and Iranian Deputy Foreign Minister Kazeem Gharibabadi before a meeting regarding the Iranian nuclear issue at Diaoyutai State Guest House on March 14, 2025 in Beijing, China. Photo: Pool via REUTERS
Iran held trilateral consultations with China and Russia on Thursday to discuss ongoing nuclear negotiations with the United States, as a fifth round of talks between Tehran and Washington ended with no deal yet in sight.
Iranian, Chinese, and Russian officials met to “coordinate their positions ahead” of the upcoming International Atomic Energy Agency (IAEA) hearing on Iran’s nuclear program, set to begin on June 9.
The UN’s nuclear watchdog, which has long sought to maintain access to the Islamic Republic to monitor and inspect the country’s nuclear program, is preparing to release its quarterly report on Tehran’s activities ahead of the upcoming board meeting.
In a post on X, Iran’s Deputy Foreign Minister for Legal and International Affairs, Kazem Gharibabadi, confirmed that the three countries held high-level consultations to discuss Tehran’s nuclear program and the country’s ongoing negotiations with Washington, as well as broader regional developments.
“Given the upcoming BRICS summit as well as the Shanghai Cooperation Organization (SCO) in the coming months, in separate meetings with the ambassadors of Russia and China, we reviewed the development and strengthening of cooperation within the framework of these two important groups of countries,” the Iranian diplomat said.
Tehran became a member of the Shanghai Cooperation Organization (SCO), a Eurasian security and political group, in 2023 and also joined the BRICS group in 2024 — a bloc of Brazil, Russia, India, China, and South Africa that positions itself as an alternative to economic institutions like the World Bank and the International Monetary Fund.
Following Thursday’s discussions, Russian Permanent Representative to the International Organizations in Vienna, Mikhail Ulyanov, described the talks as highly productive, noting that they helped the three countries closely coordinate their positions.
“Met today with my dear colleagues – Permanent Representatives of China and Iran – to compare notes on the eve of the forthcoming IAEA Board of Governors session. This trilateral format proves to be very useful. It helps coordinate closely our positions,” the Russian diplomat wrote in a post on X.
In an interview with Russian media on Friday, Ulyanov reiterated Moscow’s offer to mediate the indirect talks between Tehran and Washington.
“The Russian Federation has repeatedly stated its readiness to assist Iran and the United States in reaching an agreement on nuclear issues,” the Russian diplomat said. “But for this to happen, both Tehran and Washington need to make such a request. So far, there has been no such request.”
Both Moscow and Beijing, permanent members of the UN Security Council, are also parties to a now-defunct 2015 nuclear deal that had imposed temporary limits on Iran’s nuclear program in exchange for sanction relief.
On Wednesday, ahead of the trilateral meeting, Tehran reaffirmed its stance that it will not give up its right to enrich uranium under any nuclear agreement.
“Continuing enrichment in Iran is an uncompromising principle,” Iran’s Foreign Ministry spokesperson, Esmaeil Baghaei, said in a statement.
However, Reuters reported that Tehran may pause uranium enrichment if Washington releases frozen Iranian funds and recognizes the country’s right to enrich uranium for civilian purposes under a “political deal” that could pave the way for a broader nuclear agreement.
The two adversaries concluded their fifth round of nuclear talks in Rome last week, with the Omani mediator describing the negotiations as having made limited progress toward resolving the decades-long dispute over Tehran’s nuclear program.
So far, diplomatic efforts have stalled over Iran’s demand to maintain its domestic uranium enrichment program — a condition the White House has firmly rejected.
“We have one very, very clear red line, and that is enrichment. We cannot allow even 1 percent of an enrichment capability,” US Special Envoy to the Middle East, Steve Witkoff, said last week.
Since taking office, US President Donald Trump has sought to curtail Tehran’s potential to develop a nuclear weapon that could spark a regional arms race and pose a threat to Israel.
Meanwhile, Iran seeks to have Western sanctions on its oil-dependent economy lifted, while maintaining its nuclear enrichment program — which the country insists is solely for civilian purposes.
As part of the Trump administration’s “”maximum pressure” campaign against Iran — which aims to cut the country’s crude exports to zero and prevent it from obtaining a nuclear weapon — Washington has been targeting Tehran’s oil industry with mounting sanctions.
During Thursday’s meeting, Iran and Russia also agreed to substantially deepen their military and economic cooperation in response to ongoing US sanctions targeting both nations.
Last month, Russian President Vladimir Putin pledged to fund the construction of a new nuclear power plant in Iran as part of a broader energy agreement that also includes a major gas deal between the two countries.
Earlier this year, Moscow and Tehran signed a 20-year strategic partnership to strengthen cooperation in various fields, including security services, military exercises, warship port visits, and joint officer training.
The post Iran Holds Trilateral Talks With China, Russia Amid Ongoing Nuclear Negotiations With US first appeared on Algemeiner.com.
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‘Only One Solution’: Pro-Hamas Dartmouth College Group Occupies Building, Injures Staff
Pro-Hamas activists at Dartmouth College strike a pose inside the anteroom of the Parkhurst Hall administrative building. They had just commandeered the area. Photo: New Deal Coalition via Instagram, Inc.
A pro-Hamas group at Dartmouth College in Hanover, New Hampshire which calls itself the “New Deal Coalition” (NDC) commandeered the anteroom of the Parkhurst Hall administrative building on Wednesday but limited the demonstration to business hours, as its members went home when it was shuttered at 6pm.
Before leaving the building, however, the group contributed to injuries sustained by a member of President Sian Beilock’s staff and an officer of the school’s Department of Safety and Security officer, according to The Dartmouth, the college’s official campus newspaper.
College deans Anne Hudak and Eric Ramsey have since vowed to hold the group, which included non-students, accountable.
“While Dartmouth remains committed to dialogue, we want to be absolutely clear: there cannot and will not be any tolerance for the type of escalation we saw on our campus today,” the officials said in a statement quoted by The Dartmouth.
During the unauthorized demonstration, the agitators shouted “free, free Palestine,” words shouted only recently by another anti-Israel activist who allegedly murdered two Israeli diplomats outside the Capital Jewish Museum in Washington DC.
The following day, the group at Dartmouth defended the behavior, arguing that it is a legitimate response to the college’s rejection of a proposal — inspired by the boycott, divestment, and sanctions (BDS) movement — to divest from armaments and aerospace manufacturers which sell to Israel and its recent announcement of a new think tank, the Davidson Institute for Global Security, which it claims is linked to the Jewish state.
“We took this escalated action — one deployed several times in Dartmouth’s history to protest against apartheid — because Dartmouth funded, US-backed Israel has been escalating its genocidal assault on Palestine,” the group wrote. “In an effort to ‘dialogue,’ a group of students, staff, and faculty, and alumni spent months drafting extensively researched 55-page divestment proposal … How did the college respond? They rejected divestment on every single criteria and, the day after, announced that they are reinvesting in colonial genocide with the launch of the Davidson Institute for Global Security.”
The statement concluded with an ambiguous threat and an evocation of the memory of the Holocaust.
“So long as you fund actively imperialistic violence, we will continue to hold you accountable,” it said. “There is only one solution! Intifada! Revolution!”
Last week, Dartmouth College’s Advisory Committee on Investor Responsibility (ACIR) unanimously rejected a proposal urging the school to adopt the BDS movement against Israel.
“By a vote of nine to zero, the [ACIR] at Dartmouth College finds that the divestment proposal submitted by Dartmouth Divest for Palestine and dated Feb. 18, 2025, does not meet criteria, laid out in the Dartmouth Board of Trustees’ Statement on Investment and Social Responsibility and in ACIR’s charge, that must be satisfied for the proposal to undergo further review,” the committee said in a report explaining its decision. “ACIR recommends not to advance the proposal.”
A copy of the document reviewed by The Algemeiner shows that the committee evaluated the BDS proposal, submitted by the Dartmouth Divest for Palestine (DDP) group, based on five criteria regarding the college’s divestment history, capacity to address controversial issues through discourse and learning, and campus unity. It concluded that DDP “partially” met one of them by demonstrating that Dartmouth has divested from a country or industry in the past to establish its moral credibility on pressing cultural and geopolitical issues but noted that its analysis of the Israeli-Palestinian conflict lacks nuance, betraying the group’s “lack of engagement with counter arguments.”
ACIR added that DDP also does not account for the sheer divisiveness of BDS — which seeks to isolate Israel from the international community as a step toward its eventual elimination — and its potential to “degrade” rather than facilitate “additional dialogue on campus.”
It continued, “The proposal includes no compelling evidence on the level of support for divestment among students, among faculty, among staff, and among alumni. Moreover, the proposal is silent on the matter of how divestment can be treated as a consensus position in the face of what is almost certainly deep opposition to it among some members of the Dartmouth community.”
NDC is one of many campus groups which staged an end of year action aimed at coercing college officials into adopting anti-Israel policies.
At Yale University, a pro-Hamas group moved to cap off the year with a hunger strike, choosing to starve themselves inside an administrative building in lieu of establishing an illegal encampment.
Yale administrators refused to meet with the students for a discussion of their demands that the university’s endowment be divested of any ties to Israel, as well as companies that do business with it, according to the Yale Daily News. On the fourth day of the demonstration, Yale student affairs dean Melanie Boyd briefly approached the students at the site of their demonstration, Sheffield-Sterling-Strathcona Hall, advising them to leave the space because “the administration does not intend to hold any additional meetings.”
The group ended the hunger strike after just ten days, citing “deteriorating health conditions.”
In New York City, pro-Hamas students clashed with police during an unauthorized demonstration at City University of New York, Brooklyn College, continuing a series of days in which law enforcement has been deployed to quell extremist disturbances.
As seen in footage captured by “FreedomNews.TV,” students rocked officers with blow after blow to obstruct their being arrested for trespassing, prompting as many as six others to rush in to help with detaining one person at a time. The melees were unlike any seen on a US college campus this semester.
Reportedly, the aim of the group was to establish a pro-Hamas encampment on the East Quad section of campus, which they called a “Liberated Zone,” and several reports said that it attempted to block the entrance to the Tanger Hillel House after being prevented from doing so. FreedomNews captured several more fights between protesters and officers which were filmed in front of the Hillel building, where Jewish students socialize and seek support from their community.
“Tanger Hillel at Brooklyn College is appalled by the anti-Israel protest and encampment that took place on May 8, 2025 and violated campus policies and feared deeply troubling antisemitic rhetoric, including chants of ‘Say it loud, say it clear, we don’t want no Zionists here,’ and banners with inverted red triangles, a symbol widely recognized as a call for violence,” Tanger Hillel told The Algemeiner in a statement following the incident. “Targeting Hillel, the Jewish student center, is not a peaceful protest. It is harassment, intimidation, and an antisemitic act of aggression.”
Follow Dion J. Pierre @DionJPierre.
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Democratic Socialists of America Distances Itself From Caucus Group That Applauded DC Jewish Museum Shooting
Elias Rodriguez, 30, from Chicago, taken into custody by police for allegedly shooting two Israeli Embassy staffers outside the Capital Jewish Museum in Washington, DC, on May 21, 2025. Photo: Screenshot
The Democratic Socialists of America (DSA) national organization has distanced itself from remarks made by one of its caucus groups which celebrated the murder of two Israeli embassy staffers in Washington, DC last week.
“Democratic Socialists of America seek to democratically transform our society and reject vigilante violence. We condemn the murder of Israeli embassy workers. Any statement otherwise is not the stance of DSA,” DSA posted on X/Twitter on Wednesday.
The post came one day after the DSA’s Liberation Caucus publicly praised Elias Rodriguez, a 31-year-old far-left and anti-Israel activist who has been charged with gunning down two Israeli embassy officials as they were leaving an event at the Capital Jewish Museum in the US capital.
The caucus announced that it signed onto a statement by left-wing activist group Unity of Fields which defended Rodriguez’s actions as a “legitimate act of resistance against the Zionist state and its genocidal campaign in Gaza” and called for the alleged murderer’s immediate release.
Rodriguez was charged last Thursday in US federal court with two counts of first-degree murder. He is accused of fatally shooting Yaron Lischinsky, 30, and Sarah Milgrim, 26, a young couple about to become engaged to be married, as they left an event for young professionals and diplomatic staff hosted by the American Jewish Committee (AJC). According to video of the attack and an affidavit filed by US federal authorities supporting the criminal charges, Rodriguez yelled “Free Palestine” while being arrested by police and told law enforcement he “did it for Gaza.”
“Excellent statement that we are proud to add our name to. Free Elias Rodriguez and all political prisoners,” the DSA liberation caucus said on social media of Unity of Fields’ note.
The liberation caucus’s comments sparked immediate backlash, with critics accusing the group of both supporting antisemitic violence and further marginalizing the Palestinian cause.
“DSA types literally think murderers, if they kill *the right people*, deserve no consequences. Socialism is a pro-killing ideology on so many levels, and they seem almost proud of it,” Reason reporter Liz Wolfe wrote.
Following the main DSA organization’s statement condemning the DC murders, the liberation caucus posted, “Liberation is not all of DSA. DSA is comprised of many different ideological tendencies, we are just one. Right wing news outlets and individuals have chosen to take the statement we signed to portray the entire organization as holding our views – this is wrong.”
DSA, one of the country’s premier leftist political advocacy organizations, has mobilized in recent years to elect anti-Israel members to the US Congress. Influential lawmakers such as US Reps. Alexandria Ocasio-Cortez (D-NY), Rashida Tlaib (D-MI), Greg Casar (D-TX), and Cori Bush (D-MO) are all current members of the socialist organization. Others such as Reps. Jamaal Bowman (D-NY) and Summer Lee (D-PA) are former members.
The organization also counts rising star and aspiring New York City mayoral candidate Zohran Mamdani among its ranks. Mamdani has made his anti-Israel activism a centerpiece of his mayoral campaign, accusing the Jewish state of committing “genocide” in Gaza and arguing that it does not offer “equal rights” to all of its citizens.
DSA has ramped up its anti-Israel rhetoric during the Gaza war. On Oct. 7, 2023, the organization issued a statement saying that Hamas’s massacre across southern Israel that day was “a direct result of Israel’s apartheid regime.” The organization also encouraged its followers to attend an Oct. 8 “All Out for Palestine” event in Manhattan.
In January 2024, DSA issued a statement calling for an “end to diplomatic and military support of Israel.” Then in April, the organization’s international committee, DSA IC, issued a missive defending Iran’s right to “self-defense” against Israel. Iranian leaders regularly call for the Jewish state’s destruction, and Tehran has long provided Hamas with weapons and funding.
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