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How the late actor Topol turned Tevye into a Zionist

(JTA) — ​​If you were born anytime before, say, 1975, you might remember Israel not as a source of angst and tension among American Jews but as a cause for celebration. In the 1960s and ’70s, most Jews embraced as gospel the heroic version of Israel’s founding depicted in Leon Uris’ 1958 novel “Exodus” and the 1960 movie version. The1961 Broadway musical “Milk and Honey,” about American tourists set loose in Israel, ran for over 500 performances. And that was before Israel’s lightning victory in the Six-Day War turned even fence-sitting suburban Jews into passionate Zionists. 

That was the mood when the film version of “Fiddler on the Roof” came out in 1971. The musical had already been a smash hit on Broadway, riding a wave of nostalgia by Jewish audiences and an embrace of ethnic particularism by the mainstream. The part of Tevye, the put-upon patriarch of a Jewish family in a “small village in Russia,” was originated on Broadway by Zero Mostel, a Brooklyn-born actor who grew up in a Yiddish-speaking home. Ashkenazi American Jews tended to think of “Fiddler” as family history — what Alisa Solomon, author of the 2013 book “Wonder of Wonders: A Cultural History of Fiddler on the Roof,” describes as the “Jewish American origin story.” 

But Mostel didn’t star in the film, which landed in theaters while the afterglow of Israel’s victory in its second major war of survival had yet to fade. Famously – or notoriously – the part went to Chaim Topol, a young Israeli actor unknown outside of Israel except for his turns in the London productions of “Fiddler.” With an Israeli in the lead, a musical about the perils and dilemmas of Diaspora became a film about Zionism. When Topol played Tevye in London, Solomon writes,“‘Fiddler’ became a site for celebration, drawing Jews as well as gentiles to the theater — some for repeat viewings — to bask in Jewish perseverance and to pay homage to Jewish survival. The show didn’t change, but the atmosphere around it did.”

Topol died this week at 87, still best known as Tevye, and his death reminded me of the ways “Fiddler” is — and isn’t — Zionist. When Tevye and his fellow villagers are forced out of Anatevke by the czarist police, they head for New York, Chicago and Krakow. Only Yente, the matchmaker, declares that she is going to the “Holy Land.” Perchik, the presumably socialist revolutionary who marries one of Tevye’s daughters, wants to transform Russian society and doesn’t say a word about the political Zionists who sought to create a workers’ utopia in Palestine.

“There is nothing explicitly or even to my mind implicitly Zionist about it,” Solomon told me a few years back. And yet, she said, “any story of Jewish persecution becomes from a Zionist perspective a Zionist story.”

When the Israeli Mission to the United Nations hosted a performance of the Broadway revival of “Fiddler” in 2016, that was certainly the perspective of then-Ambassador Dani Danon. Watching the musical, he said, he couldn’t help thinking, “What if they had a place to go [and the Jews of Anatevke could] live as a free people in their own land? The whole play could have been quite different.” 

Israelis always had a complicated relationship with “Fiddler,” Solomon told me. The first Hebrew production was brought to Israel in 1965 by impresario Giora Godik. American Jews were enthralled by its resurrection of Yiddishkeit, the Ashkenazi folk culture that their parents and grandparents had left behind and the Holocaust had all but erased. Israelis were less inclined to celebrate the “Old Country.” 

“Israelis were — what? — not exactly ashamed or hostile, but the Zionist enterprise was about moving away from that to become ‘muscle Jews,’ and even denouncing the stereotype of the pasty, weakling Eastern European Jews,” said Solomon, warning that she was generalizing.

That notion of the “muscle Jew” is echoed in a review of Topol’s performance by New Yorker critic Pauline Kael, who wrote that he is “a rough presence, masculine, with burly, raw strength, but also sensual and warm. He’s a poor man but he’s not a little man, he’s a big man brought low — a man of Old Testament size brought down by the circumstances of oppression.” 

From left: Maria Karnilova, Tanya Everett, Zero Mostel, Julia Migenes and Joanna Merlin backstage at opening night of “Fiddler on the Roof” at the Imperial Theater in New York City, Sept. 22, 1964. (AP/Courtesy of Roadside Attractions and Samuel Goldwyn Films)

Mostel, by contrast, was plump, sweaty and vaudevillian — a very different kind of masculinity. The congrast between the two Tevyes shows up in, of all places, a parody of “Fiddler” in Mad magazine. In that 1976 comic, Mostel’s Tevye is reimagined as a neurotic, nouveau riche suburban American Jew with a comb-over, spoiled hippy children and a “spendthrift” wife; Topol’s Tevye arrives in a dream to blame his descendants for turning their backs on tradition and turning America into a shallow, consumerist wasteland. A kibbutznik couldn’t have said (or sung) it better.

Composer Jerry Bock, lyricist Sheldon Harnick and book writer Joseph Stein set out to write a hit musical, not a political statement. But others have always shaped “Fiddler” to their needs.

In the original script, Yente tells Tevye’s wife Golde, “I’m going to the Holy Land to help our people increase and multiply. It’s my mission.” In a 2004 Broadway revival, staged in the middle of the second intifada, the “increase and multiply” line was excised. In a review of Solomon’s “Wonder of Wonders,” Edward Shapiro conjectured that the producers of the revival didn’t want Yente to be seen as “a soldier in the demographic war between Jews and Arabs.” 

Topol himself connected “Fiddler” to Israel as part of one long thread that led from Masada — the Judean fortress where rebellious Jewish forces fell to the Romans in the first century CE — through Russia and eventually to Tel Aviv. “My grandfather was a sort of Tevye, and my father was a son of Tevye,” Topol told The New York Times in 1971. “My grandfather was a Russian Jew and my father was born in Russia, south of Kiev. So I knew of the big disappointment with the [Russian] Revolution, and the Dreyfus trial in France, and the man with the little mustache on his upper lip, the creation of the state of Israel and ‘Masada will never fall again.’ It’s the grandchildren now who say that. It’s all one line — it comes from Masada 2,000 years ago, and this Tevye of mine already carries in him the chromosomes of those grandchildren.” 

The recent all-Yiddish version of “Fiddler on the Roof” — a Yiddish translation of an English-language musical based on English translations of Yiddish short stories — readjusted that valence, returning “Fiddler” solidly to the Old Country. It arrived at a time when surveys suggested that Jews 50 and older are much more emotionally attached to Israel than are younger Jews. For decades, “Exodus”-style devotion to Israel and its close corollary — Holocaust remembrance — were the essence of American Jewish identity. Among younger generations with no first-hand memories of its founding or victory in the 1967 war, that automatic connection faded. 

Meanwhile, as Israeli politics have shifted well to the right, engaged liberal Jews have rediscovered the allure of pre-Holocaust, pre-1948, decidedly leftist Eastern European Jewish culture. A left-wing magazine like Jewish Currents looks to the socialist politics and anti-Zionism of the Jewish Labor Bund; symposiums on Yiddish-speaking anarchists and Yiddish-language classes draw surprisingly young audiences. A Yiddish “Fiddler” fits this nostalgia for the shtetl (as does the “Fiddler” homage in the brand-new “History of the World, Part II,” which celebrates the real-life radical Fanny Kaplan, a Ukrainian Jew who tried to assassinate Lenin).

Topol’s Tevye was an Israeli Tevye: young, manly, with a Hebrew accent. Mostel’s Tevye was an American Tevye: heimish, New York-y, steeped in Yiddishkeit. It’s a testament to the show’s enduring appeal — and the multitudes contained within Jewish identity — that both performances are beloved.


The post How the late actor Topol turned Tevye into a Zionist appeared first on Jewish Telegraphic Agency.

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As Political Lines Blur, Republican Jewish Coalition’s Matt Brooks Warns of a Deeper Shift Facing American Jews

Matt Brooks, CEO of the Republican Jewish Coalition, holds a kippah in support of former US President and Republican presidential candidate Donald Trump as he speaks on Day 2 of the Republican National Convention, at the Fiserv Forum in Milwaukee, Wisconsin, US, July 16, 2024. Photo: REUTERS/Mike Segar

At some point, the question stops being which political party you belong to — and becomes what, exactly, you believe that party stands for.

That was the underlying tension in a recent conversation with Republican Jewish Coalition CEO Matt Brooks, who offered a stark assessment of the changing political landscape for American Jews: the erosion of bipartisan support for Israel, the reemergence of antisemitism across ideological lines, and a growing sense that long-held assumptions about political alignment no longer cleanly apply.

For decades, support for Israel functioned as one of the few durable points of agreement in American public life. It transcended party, survived shifts in leadership, and provided a kind of baseline continuity in an otherwise volatile political system. That consensus, Brooks suggested, has now meaningfully weakened.

“There is only one pro-Israel party today,” he said on The Algemeiner‘s “J100” podcast. “And that’s the Republican Party.”

It is, in his telling, less a triumph than a warning — a sign that what was once shared ground has become contested terrain.

The shift did not happen overnight. Brooks, who has spent nearly four decades at the intersection of Jewish communal life and Republican politics, described a long internal effort to strengthen pro-Israel sentiment within the GOP — one that has, by his account, succeeded.

What concerns him now is not where the Republican Party has landed, but where parts of the Democratic Party have moved.

Yet the more unsettling dynamic, he argued, is not confined to partisan drift. It is structural.

Invoking the “horseshoe theory,” Brooks pointed to a phenomenon that has become increasingly difficult to ignore: the convergence of the political extremes. While the far left and far right often present themselves as opposites, he argued, their rhetoric — particularly when it comes to Jews — can begin to mirror itself in striking ways.

“The language may be different,” Brooks said, “but the themes are familiar.”

On one end, Jews are cast as agents of capitalism, landlords, or power brokers within systems of inequality. On the other, they are portrayed as shadowy manipulators of media, finance, or political institutions. The ideological framing shifts. The underlying instinct does not.

That convergence, he warned, creates a more diffuse and unpredictable threat environment — one in which antisemitism is no longer easily located or dismissed as belonging to a single fringe.

The implications of these changes, Brooks suggested, extend into the political behavior of American Jews more broadly.

For much of the modern era, Jewish voting patterns have been closely tied to identity, history, and inherited political affiliation. But Brooks indicated that those patterns may be undergoing a quiet but significant recalibration — one driven less by ideology than by a more immediate question: security.

“It’s not about who you like,” he said. “It’s about who you trust to keep you safe.”

That framing, he noted, has proven especially resonant in recent election cycles, where data-driven outreach efforts have shown that concerns about personal safety, antisemitism, and the security of Israel can outweigh longstanding partisan loyalties — particularly among undecided voters.

It is, in many ways, a shift from expressive politics to consequential politics — from signaling identity to assessing risk.

And yet, for all the instability he described, Brooks did not frame the moment as one of inevitable decline.

On the contrary, he returned repeatedly to the idea of resilience — not as a slogan, but as a historical pattern.

“We’ve faced adversity before,” he said. “We’re a resilient people.”

That resilience, in his view, is what underwrites his long-term optimism about American Jewry.

Still, optimism, as Brooks articulated it, is not the same as comfort. It is contingent. It requires recognition — of shifting alliances, of emerging threats, and of the limits of assumptions that may no longer hold.

The deeper question raised by his analysis is not simply which party is more aligned with Jewish interests at a given moment. It is whether the framework through which those interests have historically been understood — bipartisan consensus, stable coalitions, predictable boundaries — is itself in the process of being rewritten.

If so, then the challenge facing American Jews is not only political, but conceptual. It is to understand where they stand in a landscape that is less fixed than it once was — and to decide, with greater clarity and less nostalgia, what matters most when the ground begins to shift.

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Federal Complaint Alleges Antisemitic Housing Discrimination at Williams College

Williams College in Massachusetts. Photo: Wikipedia commons.

A federal complaint filed with the US Department of Housing and Urban Development accuses Williams College in Massachusetts of practicing housing discrimination against an Orthodox Jewish student whom it allegedly denied kosher foods and other religious accommodations that would have promoted his integration into the mainstream campus culture.

Filed on Thursday by the Louis D. Brandeis Center for Human Rights Under Law, the complaint presents a harrowing portrayal of an observant Jewish student forced to eat vegan cuisine which falls far below the culinary standards of meals prepared for other students, to stand in the cold for hours when observance of the Sabbath prevents his using an electronic keycard to enter residence halls, and to “confine” himself to his room on Saturdays to avoid being locked out.

So indifferent is the college to the student’s situation, the Brandeis Center alleges, that it once discouraged him from moving to campus at the same time as it promised other incoming students a “learning community you live in.” The Brandeis Center adds that the school’s alleged violation of its own values is underscored by the fact that it mandates on-campus residency for most students due to its belief that living at the college is an integral part of the undergraduate experience.

“It saddens me as a proud Williams College alumnus to see my alma mater treat a Jewish student as a lesser member of the community because of his religion, turning him away as he was freezing and hungry,” Brandeis Center chairman and chief executive Kenneth Marcus said in a statement announcing the legal action. “Religious discrimination is discrimination. Jews, as well as other students and people of faith, should be able to practice their religion freely, without prejudice or discrimination. That is what religious freedom in America is all about, and we must continue to stand up when this freedom is denied.”

On Wednesday, the college told The Algemeiner that it has “no tolerance for antisemitism or discrimination” and would “welcome” a “dialogue with the student and Brandeis Center to ensure a welcoming and inclusive educational environment.”

“We are devoted to ensuring that all students have success to appropriate living spaces, dining options, and our full range of learning opportunities,” the college’s media relations director said. “The college’s leaders and chaplains are strongly committed to working with students and their families to address student concerns.”

The complaint trails years of reports that American higher education institutions fail to protect the civil rights of Jewish students even as their leaders proclaim a commitment to promoting equity and inclusion. While many institutions have pledged to combat antisemitism in recent months with new initiatives and policies, surveys of Jewish students continue to suggest that those reforms have not yet produced a meaningful reduction in antisemitic bigotry.

A striking 42 percent of Jewish students report having experienced antisemitism at college, according to a survey released by the American Jewish Committee and Hillel International in February. Of that group, 55 percent said they felt that being Jewish at a campus event threatened their safety. The survey also found that 32 percent of Jewish students believe that campus groups promote antisemitism or a learning environment that is hostile to Jews, while 25 percent said that antisemitism was the basis of being “excluded from a group or an event on campus.”

On Thursday, the Brandeis Center said the specifics of the William College case prompted a “first of its kind” approach to representing a campus antisemitism victim. The group has filed scores of federal complaints alleging antisemitic discrimination in higher education, but the agency petitioned in those cases was the Department of Education’s Office for Civil Rights (OCR). Additionally, the suits demanded redress for violations of Title VI of the Civil Rights Act of 1964. Now, the Brandeis Center contends that Williams College ran afoul of the Fair Housing Act (FHA) and is contesting the matter in the Department of Housing and Urban Development.

“The filing reflects the expansion and strengthening of the Brandeis Center’s legal advocacy efforts to push back against discrimination targeting Jewish Americans wherever their civil rights are threatened,” the group said.

Follow Dion J. Pierre @DionJPierre.

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Democratic Nominee for University of Michigan Regent Refuses to Condemn Hezbollah

Attorney Amir Makled accepts the Michigan Democratic Party’s endorsement for the University of Michigan Board of Regents in Detroit, Michigan on April 19, 2026. Photo: Andrew Roth/Sipa USA via Reuters Connect

A political controversy is intensifying in the race for a spot on the University of Michigan’s top governing body, as Democratic nominee Amir Makled faces mounting criticism for failing to explicitly condemn Hezbollah, the Iran-backed Lebanese terrorist group responsible for attacks against not only Israel but also Western targets — including US soldiers.

Makled, an attorney who last Sunday secured the Democratic Party’s nomination for a seat on the university’s Board of Regents, has come under scrutiny following the resurfacing of social media activity in which he appeared to engage with or amplify content viewed as sympathetic to Hezbollah and hostile toward Israel.

When asked last week by MLive, a local news outlet, to clarify his views on Hezbollah, a US-designated terrorist organization, Makled deflected and refused to criticize the Islamist group. However, Makled stated that he would continue condemning the Israel Defense Force (IDF).

“I will continue to talk critically of the policies of the Israeli Defense Forces and of the state of Israel,” Makled said. “But I’m not playing a condemnation game of Hezbollah, because I believe that’s a trap designed to put Arab Americans on the defense simply for existing.”

Makled also dismissed the notion that his Jewish opponent in the Democratic primary, incumbent Jordan Acker, lost his reelection bid due to antisemitism.

“Hatred against Jewish people is wrong, period,” Makled said. “Acker didn’t lose because of antisemitism. People are tired of Islamophobia. They’re tired of being told that standing up for Arab lives is somehow disqualified.”

In the two years following the Hamas-led massacre across southern Israel on Oct. 7, 2023, Acker has been targeted by anti-Israel activists with a relentless barrage of protests. In December 2024, for example, pro-Hamas activists targeted Acker’s home with violent demonstrations, breaking his windows and spray-painting his car with the message “Divest Free Palestine.” The vandals also spray-painted on Acker’s car an inverted red triangle, a symbol used to indicate support for the Hamas terrorist group.

The contest has drawn national attention because of the unusually broad authority held by University of Michigan regents, who are elected statewide and oversee the university’s finances, investments, executive leadership, and major institutional policy decisions. The eight-member board plays a central role in decisions ranging from presidential oversight to responses to campus protest movements and demands for divestment.

Makled, a Dearborn-based civil rights attorney who has been outspoken in support of divestment from Israel, won the party’s nomination for one of two regent seats up for election this year, defeating Acker, who had become a frequent target of pro-Palestinian activists over his opposition to the boycott, divestment, and sanctions (BDS) movement against Israel on campus.

Makled initially came under immense scrutiny after an investigation by The Detroit News revealed that he was found to have deleted social media posts praising leaders of Hezbollah. One of the posts referred to slain Hezbollah leader Hasan Nasrallah as a “martyr.” He also reposted antisemitic messages from far-right commentator Candace Owens which referred to Israelis as “demons” who “lie, cheat, murder, and blackmail.”

While Makled has issued statements broadly disavowing antisemitism, his refusal to emphatically denounce Hezbollah has raised eyebrows among moderate Democrats and Jewish voters in Michigan. Jewish organizations and community leaders have expressed alarm over what they describe as a troubling pattern of ambiguity.

The controversy has already had political consequences. A major labor union withdrew its endorsement of Makled, citing concerns over his past rhetoric and associations. Within the Democratic Party, the episode has exposed widening divisions over how to address extremism linked to anti-Israel activism.

The dispute comes amid heightened sensitivities surrounding the ongoing conflict between Israel and Hamas, as well as increased scrutiny of campus climates across the United States. Further, the controversy remains especially sensitive in Michigan, as a Hezbollah-sympathizing terrorist targeted a major synagogue, Temple Israel, in suburban Detroit last month.

Further, higher education institutions like the University of Michigan have faced criticism over their handling of anti-Israel protests, some of which have drawn accusations of crossing into antisemitic territory. Against this backdrop, Makled’s candidacy has become a flashpoint in a broader debate over whether anti-Israel activism is being sufficiently challenged when it veers into support for extremist groups.

Critics note that as a regent, Makled would help oversee university policy, including responses to campus discrimination and student safety concerns. His reluctance to explicitly condemn Hezbollah could raises serious questions among voters about his judgment and fitness for the role.

Makled’s willingness to frame violent anti-Israel protests as a legitimate expression of grievances and expression further casts doubt over whether he would be willing to dispatch law enforcement to control raucous demonstrations on campus.

The controversy underscores a growing tension within Democratic politics, where progressive activism related to the Palestinian cause has, in some cases, blurred lines that critics say should remain clear—particularly regarding terrorist organizations and incitement against Israel. This issue has become more salient in recent months, as Democrats have increasingly cozied up to individuals that espouse extremist beliefs, such as anti-Israel streamer Hasan Piker.

Supporters of Acker have argued the outcome reflects a broader deterioration in support for Israel and tolerance of antisemitism within Democratic politics, particularly among younger and more progressive voters. Some also noted that Paul Brown, Acker’s non-Jewish running mate who had similarly opposed divestment efforts, was renominated while Acker was not, making the result especially symbolic for many Jewish Democrats.

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