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Hundreds of US rabbis pledge to block extremists in Israeli government from speaking in their communities
(JTA) — More than 330 American rabbis, including some who occupy prominent roles in major cities, are pledging to block members of the Religious Zionist bloc in Benjamin Netanyahu’s new government from speaking at their synagogues and will lobby to keep them from speaking in their communities.
An open letter now circulating says they will not invite members of the bloc “to speak at our congregations and organizations. We will speak out against their participation in other fora across our communities. We will encourage the boards of our congregations and organizations to join us in this protest as a demonstration of our commitment to our Jewish and democratic values.”
Netanyahu announced his proposed new government including the Religious Zionists late Wednesday, although its details have yet to be finalized.
Israeli government ministers sometimes speak at American synagogues to drum up support for their initiatives and ideas. It’s not clear if figures who are harshly critical of non-Orthodox Jews, as Religious Zionist leaders have been, would accept invitations from their synagogues even if offered. Nevertheless, the letter’s uncompromising tone and the breadth of the signatories is a signal of a burgeoning crisis in relations between Israel and the U.S. Jewish community triggered by the elevation of the extremists, who won 14 seats in the Nov. 1 election.
Its signatories come from the Reform, Conservative and Reconstructionist movements. There are no Orthodox signatories.
Among the signatories are current and former members of the boards of rabbis in Chicago and Los Angeles; rabbis who lead the largest Conservative and Reform congregations in the Washington, D.C., area; former leaders of major Reform and Conservative movement bodies; the current leader of the Reconstructionist movement; and the rector of the Conservative movement’s Los Angeles-based American Jewish University. The letter was organized by David Teutsch, a leading Reconstructionist rabbi in Philadelphia, and John Rosove, the rabbi emeritus of Temple Israel in Los Angeles.
The letter outlines five Religious Zionist proposals that it says “will cause irreparable harm to the Israel-JewishDiaspora relationship”: changing the Law of Return to keep out non-Orthodox converts and their descendants; eroding LGBTQ rights; allowing the Knesset to override Supreme Court rulings; annexing the West Bank; and expelling Arab citizens who oppose Israel’s government.
How much of that agenda will make its way into governance remains to be seen. Netanyahu has said he is confident that he will be able to constrain some of the figures he plans to name to lead ministries.
Among these are Itamar Ben-Gvir, who has been tapped to control the police and who has been convicted of incitement over his past support of Israeli terrorist groups and inflammatory comments about Israel’s Arab population; Bezalel Smotrich, who has been accused by Israeli security forces in the past of plotting violent attacks against Palestinians, and who will supervise West Bank Jewish settlements; and Avi Maoz, who has described himself as a “proud homophobe” and has called all liberal forms of Judaism a “darkness,” and who will have authority over some aspects of education.
A number of U.S. Jewish groups spoke out against including the extremist faction in the government while Netanyahu was negotiating with the bloc, and more have done so since he announced the government’s formation on Wednesday. They include the Anti-Defamation League, the major non-Orthodox movements, and the liberal Jewish Middle East policy groups Partners for Progressive Israel, J Street and Americans for Peace Now.
Abe Foxman, the retired director of the ADL and a longtime bellwether of establishment Jewish support for Israel, said earlier this month that he is hopeful that Netanyahu can contain the extremists, but that “if Israel ceases to be an open democracy, I won’t be able to support it.”
Some organizations that spoke out in 2019 when Netanyahu considered a coalition with extremists were silent even as others sounded the alarm since the election, including the American Israel Public Affairs Committee and the Conference of Presidents of Major American Jewish Organizations. An AIPAC statement after Netanyahu’s announcement this week said, “Once again, the Jewish state has demonstrated that it is a robust democracy with the freedoms that Americans also cherish,” The Conference of Presidents has not issued a statement.
Orthodox groups have yet to pronounce on the new government. The Zionist Organization of America, which backs settlement building, has indicated it will support the new government.
The American Jewish Committee shifted its tone slightly from before the election, when it declined to speak out. In a statement after Netanyahu’s announcement, it sounded a note similar to Foxman’s, saying it would work with Netanyahu “to help ensure that the inflammatory rhetoric that has been employed by some members of the governing coalition — rhetoric unrepresentative of Israel’s democratic values, its role as a homeland for all Jews, and its unwavering quest for peace — will not define the domestic and foreign policies of the new government.”
The Biden administration has said that it will judge Israel’s government by its policies, not the individuals in Netanyahu’s cabinet.
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Senate rejects effort to rein in Trump’s power to fight Iran alongside Israel
(JTA) — The Senate late Wednesday rejected a measure that would have required President Donald Trump to get congressional approval to continue fighting against Iran.
The measure was initiated by Democrats, who have raised questions about the process by which Trump initiated the war alongside Israel on Saturday. The War Powers Act requires U.S. presidents to seek congressional approval for wars in advance or shortly after their start unless there is an imminent threat to the United States. Trump and his administration officials have given mixed signals about whether a threat was considered direct and imminent.
The vote took place along largely partisan lines, with two exceptions. Rand Paul, the Republican from Kentucky, who tends to oppose international intervention, backed the measure. John Fetterman, the pro-Israel Democrat from Pennsylvania, voted no.
The House is expected to vote on a similar measure today. The House also has a slim Republican majority.
The votes come as multiple polls have shown that a majority of Americans, about 60%, oppose U.S. participation in the war.
The post Senate rejects effort to rein in Trump’s power to fight Iran alongside Israel appeared first on The Forward.
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Erich Wolfgang Korngold’s Broadway opus debuts in the U.S. — nearly 80 years late
In 1954, the Oscar-winning composer Erich Wolfgang Korngold staged a European homecoming with a new operetta. How this came to pass — and how his planned comeback failed to materialize — is even more convoluted than the piece’s farcical plot.
Korngold, a wunderkind and Jewish refugee from Vienna, first came to Hollywood to adapt Felix Mendelssohn’s music for Max Reinhardt’s 1935 film of A Midsummer Night’s Dream. Until then Korngold, a piano prodigy who began writing music at age 7 and had his first hit with a ballet he wrote at 11, had mostly composed for concert halls and opera houses. His ensuing career in Hollywood transformed film music by treating motion pictures as if they were “operas without singing.”
Korngold’s work on the swashbuckler Captain Blood, The Adventures of Robin Hood and later King’s Row (whose fanfare John Williams lifted for Star Wars) created a template for symphonic scores. But by the late 1940s, chafing under the Hollywood system, he set to work writing an original operetta, The Silent Serenade, that he hoped would premiere on Broadway.
The show collapsed. It’s never had a full staging in the United States or even in English.
As chronicled by the Korngold Society, the composer went through a litany of librettists to refine this tale of a love triangle and its improbable political fallout. After passing through a number of hands in English, Korngold returned it to Raoul Auernheimer, Theodor Herzl’s nephew and the original writer of the story on which the operetta was based, to translate it back to German. Korngold disagreed with the excessive demands of the producers, the Schubert Brothers, and left the project, leading the Broadway impresarios to fruitlessly search for a new composer.
Korngold, who with Reinhardt had previous success on Broadway with arrangements of other composers’ work, decided to resume a career in Europe with the piece. After delays owing to his health — a 1947 heart attack — a German version debuted on radio in 1951 and was followed by a staging in Dortmund in 1954. It bombed.
“We’re not exactly sure who it was for,” said Cris Frisco, music director at the Mannes School of Music at the New School, who is conducting the U.S. debut of The Silent Serenade at Mannes Opera. “It seems like it was given to the wrong public.”
That Germans in the post-war weren’t attuned to the piece’s sensibilities speaks poignantly to Korngold’s journey, which began at the center of Austrian high culture, orbiting names like Mahler and Artur Schnabel. “We thought of ourselves as Viennese,”said Korngold, the son of a music critic father. “Hitler made us Jewish.”
His exile in Hollywood realigned his sonic universe. As much as he changed film music, it — and America — left an impression on him.
“It is obviously influenced by Hollywood. It’s obviously coming out of those ’30s and ’40s musicals,” said director Emma Griffin, Mannes Opera’s managing artistic director. “It is a piece that is living between film and theater and opera and musical theater and operetta. It’s so emblematic of Korngold’s life, of how many different pieces of the 20th century he influenced, and this particular show is a crazy quilt of all of those influences.”
The plot of the show is, in Griffin’s words “daffy,” focusing on a Neapolitan actress, her would-be dress designer lover and her fiancé, the prime minister. Singing shopgirls, a tabloid journalist and a media circus round out the cast who perform tuneful numbers imbued with an MGM je ne sais quoi, while remaining rooted in Korngold’s post-romantic, classical mode. While Korngold’s symphonic stylings beefed up adventure films, the orchestration here is sparer, hinting at the Broadway pit for which the piece was devised.
The Mannes staging is part of a resurgence of interest in Korngold in the classical world, following decades of dismissal for his contributions to Hollywood.
It’s ironic that Korngold, who died at the age of 60 in 1957, had in Silent Serenade a profound professional frustration, given how buoyant and frothy the work is.
“It’s heartbreaking to think that he did not fully perceive the massive impact of his artistry,” said Griffin. Though he lived through hard times, Griffin says, his music has been a balm for the performers.
“The students have talked about it several times,” Griffin said, “how happy they are to be working on something where the source is joy.”
Mannes Opera’s production of The Silent Serenade debuts March 13 and 14 with an on-demand recording to follow. Tickets and information can be found here.
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Shower, shelter, swipe: Israel’s ‘startup nation’ meets Iran war with a wave of apps
(JTA) — TEL AVIV — Smartphones have become as essential as shelters for Israelis riding out Iran’s missile attacks, with internet traffic up 25% since the war began on Saturday. From the screaming alerts of the military’s official app that, as one comedian put it, sound like a “baby dragon giving birth,” to bomb-shelter Tinder to multiple apps that tell you when it’s safe to shower, the startup nation is trying to digitize the panic into something more manageable.
At the serious end of the wartime app stack is Home Front Command, the Israeli army’s app available in Hebrew, Arabic, Russian and English. It uses GPS to figure out where you are and only pings you when your area is at risk, with separate alerts for rockets, missiles and terror incidents. In this war, Iran’s long-range fire has come with an extra layer of notice, a warning-before-the-warning that can buy people a few more minutes. The shorter-range threats from Hezbollah, which joined the fray on Tuesday, do not come with that same courtesy.
Bomb Shelter Locator turns shelter-seeking into a map exercise, listing around 20,000 official sites, offering offline city maps and walking routes, and estimating the time it will take to reach the nearest protected space.
For anyone who cannot sprint, Purple Vest tries to close the gap. People with disabilities or older residents can register in advance and request help during alerts, with volunteers using the app to locate them and assist with shelter access or urgent supplies.
For others, shelters are turning into accidental social spaces where people can meet-cute on a mattress. The Hooked app, originally built for speed-dating at events, now doubles as a bomb-shelter icebreaker. Shelter-goers post a QR code at the entrance, and singles who scan it can see who else in the same bunker has the same relationship status. US Ambassador Mike Huckabee — who has not been single since high school — shared it on X alongside the caption: “Someday they will tell their kids ‘we met on a dating app in a shelter while dodging ballastic [sic] missiles.’”
But for some, even showering has become its own risk calculation. Martine Berkowitz was one of many who vented after her attempts to scrub up were interrupted by missiles no less than five times on the second day of the war.
For software developer Ben Greenberg, a father of teenagers, Berkowitz’s complaint was familiar, so he built an app called Best Shower Time that spits out a percentage risk score on whether a shower is likely to be interrupted by an alert.
Posts about it spread on social media and what began as a tool for his family is now drawing about 5,000 visitors a day. Greenberg, a California native who immigrated to Israel from New York in 2018, insists it’s “not a joke app.”
“Sirens are just the ultimate example of lack of control in one’s life,” he said, describing the app as a way to “restore some level of control and predictability … in a time when that feels most vulnerable and most taken away from us.”
The app uses real-time alert data from the Home Front Command, and the score is based on four inputs: how long it has been since the last alert, the average gap between alerts over a six-hour window, whether the frequency is trending up or down, and the total alert count over the past 24 hours. Those are weighted into a single score that appears when you open the app.
Users can then set their own parameters, including how long a shower typically takes and how much buffer time they want afterward to dry off and reach shelter.
And for those who have a penchant for extended bathroom breaks, Greenberg added a separate option that relies on the same logic.
It’s not the only app homing on issues of basic cleanliness to emerge this week. Another app, Can I Shower Now?, has developed a following of its own.
Berkowitz said she was “grateful” for apps to help her navigate the question of whether to jump in the shower. After checking and seeing a 13% chance of a missile alert on Wednesday afternoon, she decided to risk it.
“I took a full 20-minute hot shower and washed my hair. It was lovely. And the next warning only came when I was finished and getting dressed,” she said.
Greenberg is piloting a new app, called Best Walking Time, based on the same principle and prompted by his wife, who regularly walks around the neighborhood during work calls but has been afraid to stray from home lest a missile head their way.
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