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In PBS series ‘Little Bird,’ a Jewish woman uncovers her traumatic Indigenous past

(JTA) — When Jennifer Podemski’s Indigenous mother gave birth at 17, social workers removed Podemski from a Toronto hospital and put her into the foster care system. It was only through the efforts of one social worker, who was retiring, that she was reunited with her mother at three months old.

The social worker had saved Podemski from the infamous “Sixties Scoop,” a policy in Canada between the 1960s and 1980s that tore thousands of Indigenous children from their families and put them into the child welfare system.

Growing up in a Jewish area of Toronto, Podemski learned more about her Israeli father’s side of the family because of the Jewish stories she was surrounded by — including some imparted from her paternal grandfather, a Holocaust survivor.

Now a filmmaker, Podemski has drawn heavily on her experience in co-creating “Little Bird,” a six-part series about the Sixties Scoop that debuted in Canada earlier this year and came to the United States on Oct. 12. Weekly episodes air on PBS through Nov. 16 and are available to stream on all PBS platforms, including PBS Masterpiece Prime Video.

“I wanted to humanize these experiences,” said Podemski, who is Indigenous to Saskatchewan on her mother’s side. “They haven’t yet been humanized because they haven’t been told.”

The show starts with Esther Rosenblum (played by Darla Contois) at her engagement party in 1985, enjoying almost-clichéd Jewish success — law school, a doctor fiancé named David and a large home shared with her tough-love adoptive mother. The mother, Polish-born Golda Rosenblum (Lisa Edelstein), survived the Holocaust and came to Canada as a teenager, having lost her entire family in Auschwitz.

Although Esther’s life looks pleasant, she tiptoes around a constant simmer of discrimination. She is shattered to overhear David’s mother fretting about him marrying “one of them,” referring to an Indigenous person adopted into a Jewish family. The future mother-in-law questions how their family is supposed to believe that Esther is a “regular Jew” who can become “a mother of her own — and that’s just going to go fine?” Another guest points out that David got “one of the good ones,” adding: “I have a cousin who adopted one of them and he’s into the drugs and all that stuff.”

A parallel storyline unfolds in 1968, when Esther was five years old and her name was Bezhig Little Bird. Bezhig was abducted along with her brother and sister by child welfare agents and police, who handcuffed their hysterical mother and beat their father, when he protested, to the brink of death. The series follows Esther/Bezhig on the journey to find her birth family and understand the roots she was torn from.

Like Esther, Podemski was raised in a Jewish community with a tenuous connection to her Indigenous ancestry. Her maternal grandparents were victims of the residential school system in Canada, which forcibly separated children from their families for long periods of time between the 1880s and the 1990s. The schools stripped children of their culture and native language, with the nominal objective of giving them a Euro-Canadian Christian education. The schools became notorious for physical, sexual and psychological abuse and high death rates.

Podemski had to seek out information on Indigenous history as a teenager, when she began studying the atrocities committed against her people. She chafed at discriminatory remarks within her childhood Jewish community, even when they were unintentional, and struggled to feel at home.

“I grew up in a Jewish reality, one that I didn’t really fit into, the way I look,” Podemski told the Jewish Telegraphic Agency. “I never felt really like I belonged in either [Jewish or Indigenous] places.”

Podemski’s 30-year career has spanned both acting and producing, with a break-out role in Bruce McDonald’s 1994 film “Dance Me Outside” and award-winning credits for the 2003-2006 series “Moccasin Flats” and the 2013 film “Empire of Dirt.” Frustrated with the representation of Indigenous people in film and TV, she founded Big Soul Productions and Redcloud Studios Inc. to amplify Indigenous perspectives. Between 2021 and 2023, she appeared opposite her sisters Tamara and Sarah Podemski in the acclaimed FX series “Reservation Dogs.”

Jennifer Podemski, left, with her sister Sarah at the 2023 Canadian Screen Awards at Meridian Hall in Toronto, April 14, 2023. (Jeremy Chan/Getty Images)

“Little Bird” places a premium on representation, with Indigenous Canadian actors playing the Little Bird family and Edelstein, who starred in the popular medical drama “House,” as Esther’s Jewish mother. The creators consulted advisors from Raven Sinclair, a Sixties Scoop survivor and University of Regina professor, to rabbis who approved scenes of Jewish ceremonies.

Edelstein told JTA that she reached into her own family memories to play Golda Rosenblum, conjuring images of her Jewish grandparents who immigrated from Eastern Europe.

“I was really excited to get to play a Jewish woman and to represent that story with dignity,” said Edelstein. “She reminded me a lot of my grandparents, so I definitely was remembering the gestures and feelings that I got from them.” 

At the time of Esther’s fictional adoption, middle-class parents were typically advised to erase the past of their adopted Indigenous children, who were presented as mistreated or abandoned. Golda is at first defensive of her decision to help obscure Esther’s origins, but her love for her daughter eventually makes her a hero of the story.

“When I first met you, you were all dressed up in a nice dress but you didn’t smile,” she tells Esther in the series. “I thought, she has lost everyone, I have lost everyone, this is a good match. But it wasn’t true — you had a family.”

Co-creator Hannah Moskovitch said she felt a heavy sense of responsibility, as a Jew, approaching a story about the near annihilation of a culture. Although the histories are entirely different, some elements of state-executed plans to destroy the Indigenous people in North America and the Jews in Europe looked similar to her — from the meticulous bureaucracy and dutifully law-abiding foot soldiers to the dehumanizing language of “solutions” to Indigenous “problems.” 

Yet despite those parallels, Moskovitch had never heard of the Sixties Scoop before starting work on the series.

“It’s shameful that I didn’t know,” she told JTA. “I grew up with the injunction from my community, ‘Never forget.’ And then there was a genocide that had happened in my country that I didn’t know about.”

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The post In PBS series ‘Little Bird,’ a Jewish woman uncovers her traumatic Indigenous past appeared first on Jewish Telegraphic Agency.

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Rising Antisemitism on European Campuses: Italian Professor Assaulted, French Students Excluded From Online Groups

Youths take part in the occupation of a street in front of the building of the Sciences Po University in support of Palestinians in Gaza, during the ongoing conflict between Israel and Hamas, in Paris, France, April 26, 2024. Photo: REUTERS/Gonzalo Fuentes

Violence and intimidation against Jewish and Israeli students as well as faculty are on the rise across European campuses, as an Italian professor was assaulted at the University of Pisa and students in France were excluded from online groups over their Jewish identities.

On Tuesday, pro-Palestinian protesters stormed a classroom at the University of Pisa in Tuscany, Italy, and assaulted an Italian professor who has opposed cutting ties with Israeli universities.

According to local reports, protesters burst into the classroom waving Palestinian flags and shouting antisemitic slurs, targeting the professor over his opposition to the university’s recent decision to sever ties with two Israeli universities.

A student who tried to intervene was attacked by protesters. When the professor stepped in to protect him, he too was assaulted and later hospitalized with injuries to his head and arms.

On the same day, anti-Israel protesters disrupted a lecture by a visiting Israeli speaker at the Polytechnic University of Turin in northern Italy, shouting antisemitic slogans as they stormed the classroom.

Shortly after the incident, the university announced it was cutting ties with the speaker because he had defended the Israel Defense Forces (IDF) during the confrontation with the protesters.

Since the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023, anti-Israel activity on campuses has intensified, with Jewish and Israeli students facing frequent targeting and isolation in an increasingly hostile environment.

On Monday, a group of first-year economics students at Panthéon-Sorbonne University in Paris created a group chat on Instagram that excluded several students, accusing them of being Zionists based on their Jewish-sounding names or surnames, French media reported.

“If there are any other Zionists in this group besides those I’ve already kicked out, leave now — we don’t want you here,” wrote one of the students who created the group, placing a Palestinian flag in the middle.

This latest antisemitic incident follows a similar episode last month, when a student created a poll in a WhatsApp group chat titled, “For or Against Jews?”

Yossef Murciano, president of the Union of Jewish Students of France (UEJF), denounced the rising wave of anti-Jewish incidents, noting that the group had posted notices across multiple campuses to highlight the latest antisemitic episodes.

“We reported the incident to the university, but so far nothing has been done. We were told that measures would be taken, but we don’t know when or how,” Murciano said.

In a press release, the university strongly condemned such “unacceptable behavior,” expressing its full support for those students affected by the recent antisemitic incidents.

The university also announced that it had submitted “all available evidence to the public prosecutor” regarding these two incidents and plans to initiate “disciplinary proceedings” against each of the perpetrators.

“These two acts, whose antisemitic nature seems clear, deserve a punishment commensurate with their severity,” the statement read.

French Minister of Higher Education and Research Philippe Baptiste strongly condemned the latest incidents, demanding a zero-tolerance approach.

“I stand with these young people, victims of antisemitism that must be opposed everywhere, including, sadly, in our universities. There is only one possible response: zero tolerance!” Baptiste wrote in a post on X.

Yonathan Arfi, president of the Representative Council of Jewish Institutions in France (CRIF), also spoke out against the incident, calling it a disturbing example of rising antisemitism on campuses.

“This is not a pro-Palestinian campaign, it is a campaign of antisemitic intimidation,” Arfi said in a post on X.

The incidents occurred weeks after two international Jewish groups and a German watchdog published a report showing that antisemitism on European university campuses following Hamas’s Oct. 7 invasion of Israel has fostered a “climate of fear” for Jewish students.

Then earlier this week, the Anti-Defamation League (ADL) and the World Union of Jewish Students (WUJS) released their own report which found that the vast majority of Jewish students around the world resort to hiding their Jewishness and support for Israel on campuses to avoid becoming victims of antisemitism.

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Radio-Canada Suspends Journalist After Antisemitic Comments Spark Outrage

Radio-Canada reporter Élisa Serret. Photo: Screenshot

A journalist at Canada’s national public broadcaster, Radio-Canada, has been suspended after using antisemitic language during a Monday television broadcast, prompting an official apology from the network.

On the news program “Sur le terrain,” correspondent Élisa Serret, reporting from Washington on US Secretary of State Marco Rubio’s visit to Israel, was asked why the US continues to support Jerusalem despite its recent military offensive in Gaza.

Serret responded, saying in French, “The Israelis, in fact the Jews, finance a lot of American politics” and control a “big machine.”

The journalist then went on to claim that the largest US cities and Hollywood are “run by Jews,” echoing long-standing antisemitic stereotypes and hateful rhetoric about supposedly outsized and nefarious Jewish power.

After Serret’s comments went viral, sparking outrage from political leaders and the local Jewish community, Radio-Canada issued an apology, describing her remarks as “”stereotypical, antisemitic, erroneous, and prejudicial allegations against Jewish communities.”

“These unacceptable comments violate Radio-Canada’s Journalistic Standards and Practices and do not reflect the views of the public broadcaster,” the statement read.

“As a result, the news department has decided to relieve the journalist of her duties until further notice,” it continued. “We are aware that these comments have offended many viewers. We sincerely apologize and regret this.”

The Center for Israel and Jewish Affairs (CIJA), a Canadian Jewish advocacy group, strongly condemned Serret’s comments, accusing Radio-Canada of spreading “antisemitic lies.”

Eta Yudin, CIJA’s vice-president for Quebec, called on the public broadcaster to take concrete measures to keep antisemitic content out of Canadian homes.

“This incident cannot be allowed to pass without serious internal reflection on the damage such hateful rhetoric inflicts on our democratic values,” Yudin said in a statement. “Antisemitism is corroding the fabric of our society.”

Canadian Identity and Culture Minister Steven Guilbeault, who is responsible for overseeing the public broadcaster, also condemned the incident, saying that “antisemitism has no place in Canada” and describing Serret’s remarks as “pernicious antisemitic tropes.”

“When antisemitic language is used by journalists, or anyone in a position of trust, it risks normalizing hatred in deeply dangerous ways,” Guilbeault said.

Anthony Housefather, the government’s special adviser on Jewish community relations and antisemitism, denounced the incident, saying Serret’s remarks echoed “textbook tropes that are antisemitic under the IHRA definition,” referring to the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism, which was adopted by the government in 2020.

Melissa Lantsman, a member of the opposition Conservative Party, criticized the public broadcaster for failing to “uphold the values of this country” by airing what she described as an “antisemitic rant.”

“Overt antisemitism on TV is part of the deep systemic rot corroding our society, and it flourishes when tax-funded institutions provide it with a platform,” Lantsman said in a statement.

“Canadians deserve better than excuses and carefully worded apologies,” she continued.

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Israeli Culture Minister Cuts Funding for Film Awards After Palestinian Drama Wins Top Prize, Chosen for Oscars Submission

A scene from “The Sea.” Photo: The Israeli Academy of Film and Television

Israeli Minister of Culture and Sports Miki Zohar said his ministry will pull state funding for Israel’s Ophir Awards, which is the Israeli equivalent to the Oscars, after it awarded a top honor to a film that “defames” Israel’s “heroic soldiers,” he announced on Wednesday.

At this year’s Ophir Awards ceremony on Tuesday night, “The Sea” won best picture, which automatically makes the film Israel’s submission for the 2026 Oscars in the category of best international feature film. The drama, directed and written by Shai Carmeli-Pollak and produced by Baher Agbariya, also won best screenplay, best actor for the 13-year-old Palestinian Muhammad Gazawi, best supporting actor for Khalifa Natour, and best original score. The movie, filmed in Arabic and Hebrew, marks Gazawi’s first acting role.

The Ophir Awards are voted on by the Israeli Academy of Film and Television, a nonprofit organization that is the Israeli version of the US-based Academy of Television Arts & Sciences. It has more than 1,000 members, including filmmakers, producers, content creators, and actors.

“The Sea” follows a 12-year-old Palestinian boy named Khaled, from a village near Ramallah, who gets the opportunity to go the beach for the first time in his life on a class trip to Tel Aviv. When he is forced to return home at a military checkpoint, while his classmates continue on to the beach, Khaled decides to risk his life and dodge Israeli authorities on his solo journey to reach the ocean. “The Sea” premiered at the Jerusalem Film Festival this summer and received support from the Israeli Film Fund.

In a statement on X, Zohar said that after the “pro-Palestinian” film, “which defames our heroic soldiers while they fight to protect us,” won the award for best film at the “shameful” Ophir Awards on Tuesday night, he decided to discontinue funding for the ceremony.

“During my tenure – the citizens of Israel will not pay out of their pockets for a disgraceful ceremony that spits on the heroic IDF soldiers,” he added. “This great absurdity, that Israeli citizens are still paying out of their pockets for the disgraceful Ophir Awards ceremony, which represents less than one percent of the Israeli people – is over. Starting from the 2026 budget, this pathetic ceremony will no longer be funded by taxpayers’ money. The citizens of Israel deserve for their tax money to go to more important and valuable places.”

Several winners on stage at the Ophir Awards ceremony, including Carmeli-Pollak and Agbariya, sported a black T-shirt with a message that called for an end to the Israel-Hamas war and said in Hebrew and Arabic “a child is a child.” Others wore shirts that called for the return of the hostages abducted by Hamas-led terrorists from Israel on Oct. 7, 2023, and talked about the devastation taking place in Gaza during the ongoing war. Acclaimed Israeli director Uri Barbash received a lifetime achievement award at the ceremony, and in his acceptance speech, he condemned actions of the Israeli government and Zohar, pleaded for an end to the war, and called for solidarity between Jews and Arabs.

“It is our sacred duty to bring all the hostages back to their families immediately,” he said. “To end the accursed war and replace the ‘divide and rule’ regime that has declared war on Israeli society!”

Other movies that competed alongside “The Sea” for best film at this year’s Ophir Awards included Nadav Lapid’s “Yes,” “Dead Language – which made its world premiere at the 2025 Tribeca Film Festival and is an expanded version of the Oscar-nominated short film “Aya” – and Natali Braun’s “Oxygen,” which is about a single mother fighting to pull her son out of military service and his deployment to Lebanon.

Israel has had 10 nominations in the category of best international feature film at the Oscars but has yet to win. The Academy of Television Arts & Sciences will announce on Dec. 16 a shortlist of 15 contenders for the 2026 Oscar for best international feature film. The final list of nominations will be announced on Jan. 22, 2026, and the 98th Academy Awards will take place on March 15, 2026.

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