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In ‘The Offering,’ the latest Yiddish-inflected horror movie, a Jewish spirit haunts Hasidic Brooklyn
(JTA) — British filmmaker Oliver Park isn’t Jewish, but he does have a deep appreciation for the Jewish roots of the horror genre that informed his work on “The Offering,” his feature debut as director about an ancient demon set in a Hasidic enclave in Brooklyn.
“Jewish horror stories have been around for thousands of years,” Park told the Jewish Telegraphic Agency. “All of these fantastic and rich stories come from this Jewish space.”
The first horror movie franchise, he points out, centered on the Jewish Golem monster and was produced in the 1910s, years before “Nosferatu,” the well-known silent vampire film from 1922.
The legend of the Golem, said to have originated in 16th-century Prague, has been credited with inspiring “Frankenstein.”
“Having been a lifelong fan, obsessed horror nut that I am, I’ve always wanted to get into the Jewish space,” Park said.
The demon in “The Offering” is known as Abyzou. “She is this very, very old ancient demon. For all we know, she could be Lilith herself,” Park said, referring to a spirit of darkness and sexuality found in biblical and Talmudic texts.
In the film, which hits theaters and on-demand platforms on Friday (the 13th), a young man (Nick Blood) brings his pregnant, non-Jewish fiancé (Emily Weisman) to meet his long-estranged father (Allan Corduner), a Hasidic man who works at a funeral home and morgue in Brooklyn. Long-buried tensions are revealed and revisited, and there are several lines of Yiddish dialogue.
The screenwriter and producer, Hank Hoffman, is the son of a rabbi and has a background in Kabbalah, the Jewish mystical tradition. The main producer, Jonathan “Yoni” Yunger, comes from a Jewish background as well. Hoffman worked in a morgue for a time in his youth.
“Both of them immediately, their brains just exploded with ideas,” Park said. The film was in the making for about six years. He called it “a passion project, and very much their baby.”
“The Offering” was shot in early 2021, with Bulgaria standing in for Brooklyn, and the production was able to continue during a particularly nasty stage of the pandemic. Park called the script “so rich with characters, and so rich with horror, and mythology and rituals, and the occult and esotericism, and all within this beautiful Jewish community.”
Theres has been a boom in the Jewish-themed horror realm in recent years. “The Vigil,” from 2020, took as its subject matter shemira, or the Jewish ritual of watching over a dead body. “The Unborn” was a dybbuk-themed horror movie that came out in 2009 — featuring Gary Oldman as a rabbi — and in 2021, a movie called “Dybbuk” was made in India, in Hindi. That was itself a remake of a 2017 film called “Ezra,” which was made in Malayalam, an Indian language, and involved an Indian Jewish protagonist.
“I’m so excited that in the last 30 or so years, they’ve slowly trickled back through and we’re seeing more and more of them now,” Park said of Jewish-themed horror movies. “So I’m really hoping that there are many more terrifying and disturbing tales that are inspired richly in Jewish folklore.”
Lead actor Nick Blood may have a perfect name for horror — “I think I’m destined to play Dracula one day,” he said — but he described himself as not particularly an enthusiast of the genre. However, he told JTA that the director and writers’ “passion for it convinced me straight away” to star in the film.
Blood said he had some Zoom sessions with a Yiddish teacher in New York, who helped him get words and pronunciations right. Some of the spells and incantations used in the film were in Aramaic, a language with which Hoffman, the screenwriter, is familiar.
“The Offering,” which premiered at festivals last year, comes from Millennium Films, founded by the Israeli-American producer Avi Lerner. Corduner, who plays the father, was raised Jewish, as was actor Paul Kaye (who played Thoros of Myr on “Game of Thrones”), actor Daniel Ben-Zenou and several background actors in the film.
Park and Blood both said that the Coen brothers’ “A Serious Man” was frequently cited in the production of “The Offering,” and not only because of a scene in which a Kabbalah passage appears inside a dead body — much like the Hebrew passage engraved on a dental patient’s teeth in the Coens’ very Jewish movie. In the opening scene of “A Serious Man,” a possible dybbuk appears in a 19th-century shtetl.
“There was an enormous amount of inspiration taken from that film,” Park said.
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The post In ‘The Offering,’ the latest Yiddish-inflected horror movie, a Jewish spirit haunts Hasidic Brooklyn appeared first on Jewish Telegraphic Agency.
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New record label boasts young (and female) singers of cantorial music
Khazonim, or cantors, like Yossele Rosenblatt and Gershon Sirota — once household names that commanded massive respect and even bigger paychecks — have lost their luster since their heyday in the “Golden Age” of the early 20th century.
To the dismay of fans of khazones — the unique blend of traditional prayer and classical opera that once dominated the Ashkenazi synagogue and stage — few people today have the specialized cultural knowledge required in passing the musical tradition down from teacher to student.
Another traditional Jewish musical genre once found itself in a similar situation: klezmer music. Then, in the 1970s, the Balkan Arts Center of New York City, which later became the Center for Traditional Music and Dance, became the focal point for a remarkable klezmer revival. They recorded legends like Dave Tarras who taught new generations of musicians, and became a supportive ecosystem for a genre that had been nearly discarded.
Following this example, Jeremiah Lockwood and Judith Berkson, founders of the new Brooklyn-based record label Khazones Underground, are using a combination of recordings, concerts and community organizing to achieve a revival for this genre as well. They are well-qualified for this massive undertaking: Lockwood is the grandson of khazn Jacob Konigsberg, and a scholar. He is also the long-time frontman of the khazones-infused–rock group The Sway Machinery. Berkson is a cantor, composer and teacher.
Aside from a symposium and concert at the upcoming Yiddish New York festival, they have been teaching and writing about khazones, cultivating a new generation of dedicated performers from diverse backgrounds.
As part of their efforts, Lockwood and Berkson are officially releasing three albums on Dec. 1 that includes a reissue of an album of contemporary Hasidic cantors; an album from The Sway Machinery which uses surreptitiously-taken “bootleg” recordings of Golden Age cantors as jumping-off points, and perhaps most excitingly — an album of all-female cantors, or khazntes.
The album, The Return of the Immortal Khazntes featuring Judith Berkson, Riki Rose, Rachel Weston and Shahanna McKinney-Baldon, draws on the history of female cantors who used to perform on the theater stage. Berkson noted in an interview that what made this album special was that their inspiration is the sound of the old khazntes.
“A lot of women cantors now are trained to sing quite high, in a soprano range,” Berkson said. But these four khazntes sang in a wider range, including alto, imitating the often baritone ranges of their male counterparts.
Berkson opens the album with “V’hu Yashmiyeynu,” accompanied by San Francisco’s renowned Kronos Quartet. The piece, originally performed by the cantor and Yiddish actor Moishe Oysher, is, as Lockwood describes it, “an amazing kind of knock-’em where it hurts, showstopper piece.”
Riki Rose, originally from the Satmar Hasidic community, expressed a similar kind of revelatory feeling. Even though she didn’t hear women singing this kind of music earlier in her life, it seemed very natural to her to sing in a lower register.
The other two featured cantors have equally interesting backgrounds: McKinney-Baldon is researching Madame Goldie Steiner, the only known African American woman performer of khazones in the Golden Age; and Weston is a British cantor trained extensively in Yiddish music.
The album, The Dream Past, is, on the face of it, aggressively different from “The Return.” Lockwood, reviving The Sway Machinery, which once toured the world inserting khazones themes under the guitar and drums, is now more revealing about the Jewish background of its pieces. Each song begins with an introduction from a “bootleg” recording of live prayer as a jumping-off point.
Golden Ages: Brooklyn Chassidic Cantorial Revival Today is a reissue from 2022, but it’s every bit as notable for bringing in modern Hasidic cantors. Interestingly, even the deeply traditional Hasidic community had abandoned khazones, leaving the few remaining Hasidic fans of the genre feeling marginalized by their own community.
Singer Yanky Lemmer, whom Lockwood met while observing Brooklyn’s Hasidic khazones singing circles, will be part of the performance at Yiddish New York — a truly remarkable occurrence due to the well-known chasm between the Hasidic and Yiddishist worlds.
Lockwood says that this current trio of records is just the beginning. Archival recordings are coming next, as well as various events and gatherings. He definitely sees positive signs that Khazones Underground could uplift this kind of music. “I wouldn’t say that’s an institution yet, but we have aspirations that it can support this kind of work,” he said.
The post New record label boasts young (and female) singers of cantorial music appeared first on The Forward.
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Syrian Security Forces Use Gunfire to Disperse Rival Protests in Alawite Heartland
Alawites gather during a protest to demand federalism and the release of detained members of their community, in Latakia, Syria, Nov. 25, 2025. Photo: REUTERS/Stringer
Syrian security forces used gunfire on Tuesday to break up two rival groups of demonstrators in the coastal town of Latakia, heartland of the country’s Alawite minority, witnesses and officials said.
Syria has been rocked by several episodes of sectarian violence since longtime leader Bashar al-Assad, who hails from the Muslim Alawite minority, was ousted by a rebel offensive last year and replaced by a Sunni-led government.
Witnesses said hundreds of Alawite protesters had gathered to demand a decentralized political system in Syria and the release of men they say were unjustly detained by the country’s new authorities. Supporters of the government then gathered and began shouting insults at the Alawites.
About an hour into the Alawites’ rally, gunshots were heard in Agriculture Square, one of two town squares where the protesters had gathered, according to two witnesses and videos verified by Reuters. One of the verified videos showed a man lying motionless on the ground with a wound to the head.
There was no immediate official word on casualties.
Noureddine el-Brimo, the head of media relations in Latakia province, told Reuters security forces had fired into the air to disperse the rival protesters, and added that unknown assailants had also fired on civilians and on the security forces.
He gave no further details but witnesses said both protests had broken up by the afternoon.
‘THERE’S NO MORE SECURITY’
The rally had been called for by the head of the Supreme Alawite Islamic Council, Ghazal Ghazal, on Monday. He urged Alawites to protest peacefully.
“We demand to live in security, to go to school safely without kidnapping. This was the only place we used to feel security. Now there’s no more security and we’re exposed to kidnapping and fear,” said Leen, who attended the protest but declined to give her last name out of security concerns.
Nearly 1,500 Alawites were killed by government-linked forces in March after Assad loyalists ambushed state security. Reuters reported that dozens of Alawite women were later kidnapped, though authorities deny they were abducted.
Syria‘s President Ahmed al-Sharaa, a former militant Islamist, has vowed to rule for all Syrians but the country’s nearly 14-year civil war and the bouts of violence over the last year have prompted fears of further instability.
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Zelenskiy Says Ukraine Ready to Move Forward With US-Backed Peace Plan
A rescuer walks next to a body of a resident killed by a Russian missile strike at a compound of the supermarket warehouse, amid Russia’s attack on Ukraine, in Kyiv, Nov. 25, 2025. Photo: Press service of the State Emergency Service of Ukraine/Handout via REUTERS
Ukrainian President Volodymyr Zelenskiy said on Tuesday that Kyiv was ready to move forward with a US-backed peace deal, and that he was prepared to discuss its sensitive points with US President Donald Trump in talks he said should include European allies.
In a speech to the so-called coalition of the willing, a copy of which was seen by Reuters, Zelenskiy urged European leaders to hash out a framework for deploying a “reassurance force” to Ukraine and to continue supporting Kyiv for as long as Moscow shows no willingness to end its war.
Ukraine had signaled earlier in the day support for the framework of a peace deal with Russia but stressed that sensitive issues needed to be fixed at a meeting between Zelenskiy and Trump.
Kyiv’s message hinted that an intense diplomatic push by the Trump administration could be yielding some fruit but any optimism could be short-lived, especially as Russia stressed it would not let any deal stray too far from its own objectives.
US and Ukrainian negotiators held talks on the latest US-backed peace plan in Geneva on Sunday. US Army Secretary Dan Driscoll then met on Monday and Tuesday with Russian officials in Abu Dhabi, a spokesperson for Driscoll said.
US and Ukrainian officials have been trying to narrow the gaps between them over the plan to end Europe’s deadliest and most devastating conflict since World War II, with Ukraine wary of being strong-armed into accepting a deal largely on the Kremlin’s terms, including territorial concessions.
“Ukraine – after Geneva – supports the framework’s essence, and some of the most sensitive issues remain as points for the discussion between presidents,” a Ukrainian official said.
Zelenskiy could visit the United States in the next few days to finalize a deal with Trump, Kyiv’s national security chief Rustem Umerov said, though no such trip was confirmed from the US side.
White House press secretary Karoline Leavitt said on X that over the past week the US had made “tremendous progress towards a peace deal by bringing both Ukraine and Russia to the table.” She added: “There are a few delicate, but not insurmountable, details that must be sorted out and will require further talks between Ukraine, Russia, and the United States.”
Oil prices extended an earlier decline after reports of Ukraine potentially agreeing to a war-ending deal.
Underlining the high stakes for Ukraine, its capital Kyiv was hit by a barrage of missiles and hundreds of drones overnight in a Russian strike that killed at least seven people and again disrupted power and heating systems. Residents were sheltering underground wearing winter jackets, some in tents.
ZELENSKIY: WILL DISCUSS SENSITIVE ISSUES WITH TRUMP
US policy towards the war has zigzagged in recent months.
A hastily arranged summit between Trump and Russian President Vladimir Putin in Alaska in August raised worries in Kyiv and European capitals that the Trump administration might accept many Russian demands, though the meeting ultimately resulted in more US pressure on Russia.
The 28-point plan that emerged last week caught many in the US government, Kyiv, and Europe alike off-guard and prompted fresh concerns that the Trump administration might be willing to push Ukraine to sign a peace deal heavily tilted toward Moscow.
The plan would require Kyiv to cede territory beyond the almost 20% of Ukraine that Russia has captured since its February 2022 full-scale invasion, as well as accept curbs on its military and bar it from ever joining NATO – conditions Kyiv has long rejected as tantamount to surrender.
The sudden push has raised the pressure on Ukraine and Zelenskiy, who is now at his most vulnerable since the start of the war after a corruption scandal saw two of his ministers dismissed, and as Russia makes battlefield gains.
Zelenskiy could struggle to get Ukrainians to swallow a deal viewed as selling out their interests.
He said on Monday the latest peace plan incorporated “correct” points after talks in Geneva. “The sensitive issues, the most delicate points, I will discuss with President Trump,” Zelenskiy said in his nightly video address.
Zelenskiy said the process of producing a final document would be difficult. Russia‘s unrelenting attacks on Ukraine have left many skeptical about how peace can be achieved soon.
“There was a very loud explosion, our windows were falling apart, we got dressed and ran out,” said Nadiia Horodko, a 39-year-old accountant, after a residential building was struck in Kyiv overnight.
“There was horror, everything was already burning here, and a woman was screaming from the eighth floor, ‘Save the child, the child is on fire!’”
MACRON WARNS AGAINST EUROPEAN CAPITULATION
Russian Foreign Minister Sergei Lavrov said an amended peace plan must reflect the “spirit and letter” of an understanding reached between Putin and Trump at their Alaska summit.
“If the spirit and letter of Anchorage is erased in terms of the key understandings we have established then, of course, it will be a fundamentally different situation [for Russia],” Lavrov warned.
A group of countries supporting Ukraine, which is known as the coalition of the willing and includes Britain and France, was also set to hold a virtual meeting on Tuesday.
“It’s an initiative that goes in the right direction: peace. However, there are aspects of that plan that deserve to be discussed, negotiated, improved,” French President Emmanuel Macron told RTL radio regarding the US-proposed plan. “We want peace, but we don’t want a peace that would be a capitulation.”
In a separate development, Romania scrambled fighter jets to track drones that breached its territory near the border with Ukraine early on Tuesday, and one was still advancing deeper into the NATO-member country, the defense ministry said.
