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In ‘The Offering,’ the latest Yiddish-inflected horror movie, a Jewish spirit haunts Hasidic Brooklyn
(JTA) — British filmmaker Oliver Park isn’t Jewish, but he does have a deep appreciation for the Jewish roots of the horror genre that informed his work on “The Offering,” his feature debut as director about an ancient demon set in a Hasidic enclave in Brooklyn.
“Jewish horror stories have been around for thousands of years,” Park told the Jewish Telegraphic Agency. “All of these fantastic and rich stories come from this Jewish space.”
The first horror movie franchise, he points out, centered on the Jewish Golem monster and was produced in the 1910s, years before “Nosferatu,” the well-known silent vampire film from 1922.
The legend of the Golem, said to have originated in 16th-century Prague, has been credited with inspiring “Frankenstein.”
“Having been a lifelong fan, obsessed horror nut that I am, I’ve always wanted to get into the Jewish space,” Park said.
The demon in “The Offering” is known as Abyzou. “She is this very, very old ancient demon. For all we know, she could be Lilith herself,” Park said, referring to a spirit of darkness and sexuality found in biblical and Talmudic texts.
In the film, which hits theaters and on-demand platforms on Friday (the 13th), a young man (Nick Blood) brings his pregnant, non-Jewish fiancé (Emily Weisman) to meet his long-estranged father (Allan Corduner), a Hasidic man who works at a funeral home and morgue in Brooklyn. Long-buried tensions are revealed and revisited, and there are several lines of Yiddish dialogue.
The screenwriter and producer, Hank Hoffman, is the son of a rabbi and has a background in Kabbalah, the Jewish mystical tradition. The main producer, Jonathan “Yoni” Yunger, comes from a Jewish background as well. Hoffman worked in a morgue for a time in his youth.
“Both of them immediately, their brains just exploded with ideas,” Park said. The film was in the making for about six years. He called it “a passion project, and very much their baby.”
“The Offering” was shot in early 2021, with Bulgaria standing in for Brooklyn, and the production was able to continue during a particularly nasty stage of the pandemic. Park called the script “so rich with characters, and so rich with horror, and mythology and rituals, and the occult and esotericism, and all within this beautiful Jewish community.”
Theres has been a boom in the Jewish-themed horror realm in recent years. “The Vigil,” from 2020, took as its subject matter shemira, or the Jewish ritual of watching over a dead body. “The Unborn” was a dybbuk-themed horror movie that came out in 2009 — featuring Gary Oldman as a rabbi — and in 2021, a movie called “Dybbuk” was made in India, in Hindi. That was itself a remake of a 2017 film called “Ezra,” which was made in Malayalam, an Indian language, and involved an Indian Jewish protagonist.
“I’m so excited that in the last 30 or so years, they’ve slowly trickled back through and we’re seeing more and more of them now,” Park said of Jewish-themed horror movies. “So I’m really hoping that there are many more terrifying and disturbing tales that are inspired richly in Jewish folklore.”
Lead actor Nick Blood may have a perfect name for horror — “I think I’m destined to play Dracula one day,” he said — but he described himself as not particularly an enthusiast of the genre. However, he told JTA that the director and writers’ “passion for it convinced me straight away” to star in the film.
Blood said he had some Zoom sessions with a Yiddish teacher in New York, who helped him get words and pronunciations right. Some of the spells and incantations used in the film were in Aramaic, a language with which Hoffman, the screenwriter, is familiar.
“The Offering,” which premiered at festivals last year, comes from Millennium Films, founded by the Israeli-American producer Avi Lerner. Corduner, who plays the father, was raised Jewish, as was actor Paul Kaye (who played Thoros of Myr on “Game of Thrones”), actor Daniel Ben-Zenou and several background actors in the film.
Park and Blood both said that the Coen brothers’ “A Serious Man” was frequently cited in the production of “The Offering,” and not only because of a scene in which a Kabbalah passage appears inside a dead body — much like the Hebrew passage engraved on a dental patient’s teeth in the Coens’ very Jewish movie. In the opening scene of “A Serious Man,” a possible dybbuk appears in a 19th-century shtetl.
“There was an enormous amount of inspiration taken from that film,” Park said.
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The post In ‘The Offering,’ the latest Yiddish-inflected horror movie, a Jewish spirit haunts Hasidic Brooklyn appeared first on Jewish Telegraphic Agency.
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Israelis pause for a different kind of siren: the one marking Holocaust memorial day
(JTA) — For the last six weeks, whenever Israelis have heard a siren, they were instructed to run to their nearest bomb shelter. On Tuesday, a siren instead brought them to a halt.
The two-minute siren was the one sounded annually on Yom HaShoah, Holocaust memorial day. In keeping with a national tradition, Israelis stopped whatever they were doing for a moment of silence to remember the 6 million Jews murdered in the Holocaust. Drivers exited their cars on the streets; shoppers froze in grocery store aisles; and people strolling the streets paused where they were.
Even for seasoned Israelis, the dissonance was strong this year. Hillel Fuld, an Israeli influencer, wrote that he was initially unnerved to see so many people failing to follow the guidance about what to do when a missile is incoming.
“I exited my car and was about to lie down when I realized, that’s not a siren warning of a missile. That’s a siren remembering the six million!” he wrote.
“I felt that emotional confusion that every Israeli knows too well. Sadness. Devastation. Hopelessness,” Fuld continued. “And at the same time, tremendous pride, optimism, and unity.”
This year’s Yom HaShoah is the first since all Israeli hostages taken on Oct. 7, 2023, were freed from Gaza. Some of the freed hostages, including Eli Sharabi, participated in small remembrance gatherings known as Zikaron Basalon. Others posted symbols of Jewish survival, including Sagui Dekel-Chen, whose wife posted pictures of him alongside his grandfather, a Holocaust survivor, and Elkana Bohbot, who with his wife announced that he is expecting a child.
This article originally appeared on JTA.org.
The post Israelis pause for a different kind of siren: the one marking Holocaust memorial day appeared first on The Forward.
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Many children killed in the Holocaust had no one to say Kaddish for them. These Jews have stepped up.
(JTA) — As each week’s Shabbat morning service comes to a close at Temple Beth El in West Palm Beach, Florida, an unusual tradition unfolds as the congregation prepares to recite the Mourner’s Kaddish.
Rabbi Alan Bell asks to stand all those reciting the prayer on the anniversary of the death of a loved one. He also asks other congregants to stand, too: those who have taken it upon themselves to recite Kaddish for a child up to the age of 17 who was murdered in the Holocaust and for whom there are no living relatives to recite it.
The Conservative synagogue calls the program Remember a Child, and at least a third of members in the 150-family congregation participate. Most recite the mourner’s prayer on the date of the child’s burial as well as on Yizkor, the special memorial prayer for the departed recited in the synagogue four times a year.
But some recite the Mourner’s Kaddish far more often.
Bell and his wife Susan have “adopted” a girl named Renee Albersheim who was born in 1930 in Berlin. They do not know when she died, only that it was in the Kovno Ghetto in German-occupied Lithuania. As a result, Susan Bell said, they recite Kaddish for her each time Kaddish is recited — multiple times a day and sometimes multiple times in a single service.
It’s become a family tradition. “When each of our granddaughters became bat mitzvah we got each a child to show them that children their age were dying [in the Holocaust],” Susan Bell said.
“They were girls from different places in the world — one was from Greece and the other from Romania — and they had the same first name as my granddaughters,” she continued. “I wanted to show the girls how widespread the Holocaust was; it was a learning experience for them.”
The Nazis murdered an estimated 1.5 million Jewish children during the Holocaust, many of whom died alongside everyone else in their family. That left no one traditionally assumed by Jewish law to recite the Mourner’s Kaddish on their behalf — siblings, parents or, for adults, children and spouses.

Rabbi Alan Bell and his wife Susan Bell lead a Holocaust remembrance initiative at Temple Beth El in West Palm Beach, Florida. (Courtesy)
At Beth El, those who participate in Remember a Child think of themselves as having “adopted” a child who was murdered more than eight decades ago. Cheryl Finkelstein, who helmed the project for many years since it launched as a Men’s Club initiative about 40 years ago, said she found those who opted in tended to “take this very seriously” and grow deeply connected to the child they have committed to remembering.
“When I sent one woman a photo of the child she had ‘adopted,’ she wrapped her arms around it and waited until the paper was warm,” Finkelstein recalled. “It breaks your heart.”
The project has gained attention far beyond the synagogue’s walls, and elicited a range of mourning practices that go beyond reciting the traditional prayer.
“We had a number of people who are not Jewish who felt strongly that they wanted to be engaged in this,” Finkelstein added. “One of those women wrote a poem about her ‘child,’ imagining her as a little girl who chased butterflies, living in a world of innocence. And another woman purchased aging software and used it on a photo of the child she had adopted to see what the child would have looked like as an adult.”
Having taken over the initiative from Finkelstein, Susan Bell has sought to gather as much information as she can about roughly 15 of the children whom congregants have “adopted,” starting with a page of testimony assembled by Yad Vashem, the World Holocaust Remembrance Center in Israel.
Ari Rabinovitch, head of Yad Vashem’s international media section, said the names of the children murdered in the Holocaust and for whom there is no one to say Kaddish are kept in the organization’s online names database, which has 587,226 names of children up to and including age 17.
Rabinovitch noted that Yad Vashem has prepared a list of names — both children and adults — with details about them for use in Holocaust name reading ceremonies. “It is not uncommon for groups to access lists of names on their own for memorial services,” he said. But the memorial does not track how they are used, or how many synagogues may have adopted a practice like Beth El’s.
Bell believes at least some have. A Beth El member promoted the project on business trips, she said.
“Several of those synagogues picked it up but I don’t know if any have continued it,” she said. “It takes a toll on you when you do the research and learn what happened to each of these children.”
Menachem Rosensaft, general counsel emeritus to the World Jewish Congress who was born in 1948 to survivors of Auschwitz and Bergen-Belsen, is an outspoken advocate for such a commemoration. He believes every synagogue should incorporate some mention of the Holocaust during Shabbat services, to ensure that its legacy is woven into the ongoing fabric of Jewish life — and he sees the Kaddish for child victims at Beth El as one powerful way to do that.
“It’s important in whatever way to bring into our consciousness that we are not letting it become just another event in Jewish history, just another occurrence, just another tragedy, just another pogrom,” Rosensaft added. “Because if that happens, in another generation the Holocaust will be a statistic and basically a catchphrase for people to throw around.”
As Holocaust memory is increasingly contested in the public sphere and the trauma of the Holocaust is joined by other tragedies for the Jews, Rosensaft’s vision has grown uncertain. But Finkelstein said she knew of at least one case where Remember a Child is likely to have impact into the next generation.
One Beth El congregant who “adopted” a child murdered by the Nazis “put in his will that his son was to say Kaddish for the child after he dies,” she said. “He put the instructions in his safe deposit box so that his son would take them out along with the keys to his house.”
This article originally appeared on JTA.org.
The post Many children killed in the Holocaust had no one to say Kaddish for them. These Jews have stepped up. appeared first on The Forward.
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VIDEO: ’Love was there too:’ A Yom Hashoah commemoration in Yiddish
די פֿאַרגאַנגענע וואָך האָט דער „ייִדישפּיל“־טעאַטער אין תּל־אָבֿיבֿ אַרויסגעשטעלט אַ ווידעאָ פֿון אַ „יום־השואה“־אַקאַדעמיע וואָס די טרופּע האָט דורכגעפֿירט אין 2022. די טעמע פֿון דער פּראָגראַם איז געווען מאָמענטן פֿון ליבע בײַ ייִדן אין די געטאָס און קאָנצענטראַציע־לאַגערן.
אינעם ווידעאָ לייענען די אַקטיאָרן פֿאָר זכרונות פֿון לעבן געבליבענע ווי אויך ייִדישע לידער אָנגעשריבן בשעת דעם חורבן. זיי באַשרײַבן ווי אַזוי געליבטע פּאָרלעך האָבן זיך געטראָפֿן בשתּיקה; רירנדיקע מאָמענטן פֿון געזעגענען זיך און ווי די לעבן געבליבענע האָבן זיך באַמיט מיט אַלע כּוחות צו געפֿינען די געליבטע נאָך דער באַפֿרײַונג.
דער ווידעאָ הייבט זיך אָן מיט אַ באַגריסונג פֿונעם תּל־אָבֿיבֿער בירגערמײַסטער, רון חולדאי, אויף העברעיִש, אָבער די פּראָגראַם גופֿא איז אין גאַנצן אויף ייִדיש.
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