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In ‘The Offering,’ the latest Yiddish-inflected horror movie, a Jewish spirit haunts Hasidic Brooklyn
(JTA) — British filmmaker Oliver Park isn’t Jewish, but he does have a deep appreciation for the Jewish roots of the horror genre that informed his work on “The Offering,” his feature debut as director about an ancient demon set in a Hasidic enclave in Brooklyn.
“Jewish horror stories have been around for thousands of years,” Park told the Jewish Telegraphic Agency. “All of these fantastic and rich stories come from this Jewish space.”
The first horror movie franchise, he points out, centered on the Jewish Golem monster and was produced in the 1910s, years before “Nosferatu,” the well-known silent vampire film from 1922.
The legend of the Golem, said to have originated in 16th-century Prague, has been credited with inspiring “Frankenstein.”
“Having been a lifelong fan, obsessed horror nut that I am, I’ve always wanted to get into the Jewish space,” Park said.
The demon in “The Offering” is known as Abyzou. “She is this very, very old ancient demon. For all we know, she could be Lilith herself,” Park said, referring to a spirit of darkness and sexuality found in biblical and Talmudic texts.
In the film, which hits theaters and on-demand platforms on Friday (the 13th), a young man (Nick Blood) brings his pregnant, non-Jewish fiancé (Emily Weisman) to meet his long-estranged father (Allan Corduner), a Hasidic man who works at a funeral home and morgue in Brooklyn. Long-buried tensions are revealed and revisited, and there are several lines of Yiddish dialogue.
The screenwriter and producer, Hank Hoffman, is the son of a rabbi and has a background in Kabbalah, the Jewish mystical tradition. The main producer, Jonathan “Yoni” Yunger, comes from a Jewish background as well. Hoffman worked in a morgue for a time in his youth.
“Both of them immediately, their brains just exploded with ideas,” Park said. The film was in the making for about six years. He called it “a passion project, and very much their baby.”
“The Offering” was shot in early 2021, with Bulgaria standing in for Brooklyn, and the production was able to continue during a particularly nasty stage of the pandemic. Park called the script “so rich with characters, and so rich with horror, and mythology and rituals, and the occult and esotericism, and all within this beautiful Jewish community.”
Theres has been a boom in the Jewish-themed horror realm in recent years. “The Vigil,” from 2020, took as its subject matter shemira, or the Jewish ritual of watching over a dead body. “The Unborn” was a dybbuk-themed horror movie that came out in 2009 — featuring Gary Oldman as a rabbi — and in 2021, a movie called “Dybbuk” was made in India, in Hindi. That was itself a remake of a 2017 film called “Ezra,” which was made in Malayalam, an Indian language, and involved an Indian Jewish protagonist.
“I’m so excited that in the last 30 or so years, they’ve slowly trickled back through and we’re seeing more and more of them now,” Park said of Jewish-themed horror movies. “So I’m really hoping that there are many more terrifying and disturbing tales that are inspired richly in Jewish folklore.”
Lead actor Nick Blood may have a perfect name for horror — “I think I’m destined to play Dracula one day,” he said — but he described himself as not particularly an enthusiast of the genre. However, he told JTA that the director and writers’ “passion for it convinced me straight away” to star in the film.
Blood said he had some Zoom sessions with a Yiddish teacher in New York, who helped him get words and pronunciations right. Some of the spells and incantations used in the film were in Aramaic, a language with which Hoffman, the screenwriter, is familiar.
“The Offering,” which premiered at festivals last year, comes from Millennium Films, founded by the Israeli-American producer Avi Lerner. Corduner, who plays the father, was raised Jewish, as was actor Paul Kaye (who played Thoros of Myr on “Game of Thrones”), actor Daniel Ben-Zenou and several background actors in the film.
Park and Blood both said that the Coen brothers’ “A Serious Man” was frequently cited in the production of “The Offering,” and not only because of a scene in which a Kabbalah passage appears inside a dead body — much like the Hebrew passage engraved on a dental patient’s teeth in the Coens’ very Jewish movie. In the opening scene of “A Serious Man,” a possible dybbuk appears in a 19th-century shtetl.
“There was an enormous amount of inspiration taken from that film,” Park said.
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The post In ‘The Offering,’ the latest Yiddish-inflected horror movie, a Jewish spirit haunts Hasidic Brooklyn appeared first on Jewish Telegraphic Agency.
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The Jewish Bund Was Popular — But It Couldn’t Save Lives Like a Jewish State Could
Participants with Israeli flags look at the landmark Birkenau extermination camp gate in Auschwitz Museum – former Nazi German Concentration Camp during the International March of the Living (MOTL) in Oswiencim, Poland on April 14, 2026. Photo by Dominika Zarzycka/Sipa USA via Reuters Connect
If you are a fan of klezmer music, you may be familiar with a catchy up-tempo Yiddish song “Barikadn” (barricades), recorded by the popular band The Klezmatics. The song is about a strike by workers in the Polish city of Łόdź, in which men, women, and children join together to erect barricades in the streets of the city.
Barikadn was popular with the Bund (General Jewish Labour Bund), a secular Marxist Jewish political movement established in 1897 in Vilna (then in the Russian Empire), just two months after the First Zionist Congress was held in Basel, Switzerland.
The Bund was one of the first socialist political movements in Russia. It played an important role during the lead up to the Russian revolution, but disbanded in the early 1920s, in response to pressure from the Communist Party. However, it continued to be an influential Jewish voice in Poland and Lithuania until the outbreak of World War II.
The Bund promoted the use of Yiddish, rather than Hebrew as a Jewish national language. The concept of “doikayt” (Yiddish for “hereness”) was a central feature of Bundist ideology. It discouraged Jewish nationhood (Zionism), advocating instead for Jewish communities to remain dispersed but culturally autonomous and politically engaged within their host countries.
Before the outbreak of World War II, the Bund was the most popular Jewish political force in Poland, with a party membership of close to 100,000. Its members were central to the vibrant secular Yiddish cultural life of pre-war Poland. However, as recorded by Yad Vashem, the Bund suffered the same fate as all the Jews of Poland. Only 1,000 members survived the war.
Today, in the aftermath of October 7, and now the Iran war, the Bund is enjoying something of a revival, as exemplified by Molly Crabapple’s new book Here Where We Live Is Our Country: The Story of the Jewish Bund. The book highlights the universalist hope of Bund ideology, versus the perils associated with following the Zionist plan, including eternal war with Israel’s Arab neighbors and an increasingly chauvinist agenda.
Crabapple’s book has received a number of positive reviews, including one in The Forward and another in The Guardian (“For Leftist Jews the Bund is a Model”). However, one reviewer in Commentary Magazine has pointed out the fatal flaw in the Bundist program. He writes “We’ll never know if the Holocaust would have happened as it happened had there been a State of Israel at the time. Instead, the Holocaust happened during the time of the Bundists. That isn’t to blame them, obviously, for what happened. It is merely to say that Bundism wasn’t a plan for Jewish survival.”
As noted earlier, very few of the Bundists survived the Holocaust, so we don’t really know their views in the aftermath. However, Isaac Deutscher was a prominent Polish-Jewish socialist, writer, and journalist, a biographer of Trotsky.
Before World War II, Deutscher opposed Zionism as economically retrograde and harmful to the cause of international socialism. But after the Holocaust he regretted his pre-war views, saying, “If, instead of arguing against Zionism in the 1920s and 1930s, I had urged European Jews to go to Palestine, I might have helped to save some of the lives that were to be extinguished in Hitler’s gas chambers.”
The Bund wasn’t a plan for Jewish survival. Zionism was, and still is. Unlike other nationalisms, modern Zionism is a survivalist imperative, a rescue mission. In this, it has been remarkably successful; a refuge for Jews from the DP camps of Europe, from the Arab/Muslim world, and from the Former Soviet Union.
Jacob Sivak, a Fellow of the Royal Society of Canada, is a retired professor, University of Waterloo.
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Tidbits: Traces of a ghetto bunker uncovered in Będzin, Poland
Tidbits is a Forverts feature of easy news briefs in Yiddish that you can listen to or read, or both! If you read the article and don’t know a word, just click on it and the translation appears. Listen to the report here:
אַ גרופּע אַרכעאָלאָגן, וואָס האָט געהאַלטן אין מיטן אויסגראָבן אַ בונקער פֿון דער צווייטער וועלט־מלחמה אינעם פּוילישן שטעטל בענדין, האָט אַנטדעקט שפּורן פֿון אַן אונטערערדישן באַהעלטעניש און טונעל, וואָס ייִדן האָבן געניצט קעמפֿנדיק קעגן די דײַטשן אין 1943.
„מיר האָבן אַנטדעקט שטיינערנע טרעפּ, וואָס פֿירן אַרײַן אין אַ באַהעלטעניש אונטער אַן אַמאָליקער געבײַדע,“ האָט די אַרכעאָלאָגישע פֿירמע „וויקאָפּ נאַ פּאָזיאָמיע“ געמאָלדן אויף פֿייסבוק. זיי האָבן אויך אַנטדעקט אַ טונעל, וואָס האָט געדינט ווי אַ זיכער אָרט אונטער ד׳רערד.
די אַרכעאָלאָגן האָבן געזאָגט, אַז זיי האָבן זיך געריכט צו געפֿינען „אַרכעאָלאָגישע עלעמענטן“ אָבער זענען געווען דערשטוינט, וואָס אַלץ האָט זיך אַזוי גוט פֿאַרהיט. אינעם טונעל קען מען נאָך זען די פֿריִערדיקע הילצערנע פּאָדליגע און שפּורן פֿון די ווענט.
דער בונקער איז גלײַך לעבן דעם „הויז פֿון די געטאָ־קעמפֿער“, וואָס געפֿינט זיך הײַנט אויף 24 רוטקאַ־לאַסקיער גאַס. בשעת דער צווייטער וועלט־מלחמה, ווען די נאַציס האָבן פֿאַרטריבן די ייִדן אין געטאָ, איז דער בנין געוואָרן דאָס געהיימע פֿאַרזאַמלונג־אָרט פֿון די ציוניסטישע יוגנט־גרופּעס און דער „ייִדישער קאַמף־אָרגאַניזאַציע“. די מיטגלידער פֿון דער אָרגאַניזאַציע, מיט פֿרומקע פּלאָטניצקאַ בראש, האָבן דורכגעפֿירט אַ ווידערשטאַנד אין אויגוסט 1943, בעת די דײַטשן האָבן אָנגעפֿירט מיט די לעצטע דעפּאָרטאַציעס און מיט דער פֿאַרטיליקונג פֿונעם געטאָ. דרײַ טעג האָבן די ייִדן געקעמפֿט, ביז די דײַטשן האָבן דעם ווידערשטאַנד אײַנגעבראָכן.
אין 2024 האָט די צוקערמאַן גייט פֿונדאַציע געקויפֿט דאָס אייגנס, כּדי דאָרט צו בויען אַן אָנדענק־מוזיי. די פֿונדאַציע איז שוין יאָרן לאַנג אַקטיוו אין בענדין און האַלט דאָרט אויף אַ פּריוואַטע שיל אין אַ טעמעמענט־בנין.
לייענט דעם אַרטיקל אויף ענגליש.
The post Tidbits: Traces of a ghetto bunker uncovered in Będzin, Poland appeared first on The Forward.
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Netanyahu, IDF condemn Israeli soldier’s bludgeoning of Jesus statue in Lebanon
(JTA) — Israeli Prime Minister Benjamin Netanyahu is denouncing an incident in which a soldier bludgeoned a statue of Jesus in southern Lebanon, igniting criticism at a time when some Christians believe Israel discriminates against them.
A photograph of the incident spread widely on Sunday after being shared by a prominent Palestinian journalist, Younis Tirawi. The photograph shows a soldier in an Israel Defense Forces uniform smashing a statue of Jesus, which has fallen from its cross and is lying partially on the ground.
The IDF said it had examined the photograph and determined that it was real. “The IDF views the incident with great severity and emphasizes that the soldier’s conduct is wholly inconsistent with the values expected of its troops,” it said in a statement.
Netanyahu said the photograph had shocked him.
“Yesterday, like the overwhelming majority of Israelis, I was stunned and saddened to learn that an IDF soldier damaged a Catholic religious icon in southern Lebanon. I condemn the act in the strongest terms,” he said in a statement on Monday. “Military authorities are conducting a criminal probe of the matter and will take appropriately harsh disciplinary action against the offender.”
The incident took place in Debel, a Christian village in the region of Bint Jbeil, where Israel said it killed 150 Hezbollah operatives, including a commander, on the day before a ceasefire was imposed last week. A church in Debel posted a picture of the statue when it was intact, along with the line, spoken by Jesus in the New Testament during his crucifixion, “Father, forgive them, for they know not what they do.”
The incident comes comes as Israel fends off criticism from even its allies that it is discriminating against Christians. Tensions flared last month when the Israel Police, citing wartime safety regulations, blocked top Catholic clergy from holding a Palm Sunday service in the Church of the Holy Sepulchre in the Old City of Jerusalem, eliciting oblique criticism from the pope. Netanyahu said in response that he had ordered that the clergy be given full access to the church.
In his statement about the statue incident, Netanyahu emphasized that Christians in the Middle East face danger from Islamic fundamentalists, including in Lebanon.
“Israel is the only country in the region that the Christian population and standard of living is growing. Israel is the only place in the Middle East that adheres to freedom of worship for all,” he said. “We express regret for the incident and for any hurt this has caused to believers in Lebanon and around the world.”
The Lebanon incident adds to a number of incidents in which Israeli soldiers have been photographed or filmed desecrating religious objects or sites in areas where they have been fighting, including in Gaza. (The IDF has urged soldiers not to take or share photographs of their activities.) The Israeli army has denounced the incidents, but even those who have resisted the most strident criticisms of Israel say a pattern is adding up.
“The lack of discipline, professional conduct, and antagonizing of Christians in Lebanon and elsewhere is an entirely unnecessary and deeply harmful behavior that will further erode support for Israel and fuel those who believe this is a religious war of conquest,” tweeted Ahmed Fouad Alkhatib, a Palestinian writer and advocate in the United States who has criticized both Hamas and Israel.
The Lebanon incident also comes amid a number of incidents suggesting growing influence by religious Jewish leadership in the IDF. In recent days, soldiers were jailed for barbecuing on their base on Shabbat, when traditional Jewish law prohibits cooking; women soldiers were penalized for wearing immodest clothing to their discharge ceremonies; and the army was accused of barring women from wearing shorts while running in a race associated with the Jerusalem Marathon.
This article originally appeared on JTA.org.
The post Netanyahu, IDF condemn Israeli soldier’s bludgeoning of Jesus statue in Lebanon appeared first on The Forward.