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Inconvenient Alliances: How Hamas Killed Progressivism
Pro-Hamas activists gather in Washington Square Park for a rally following a protest march held in response to an NYPD sweep of an anti-Israel encampment at New York University in Manhattan, May 3, 2024. Photo: Matthew Rodier/Sipa USA via Reuters Connect
I once considered myself a progressive, but the word has lost its meaning. From college students to United Nations officials, “progressives” are compromising their values to support Hamas, a terror group that murdered over 1,200 Israelis and took approximately 240 hostages on October 7th.
The “progressive” movement, which began in the late 19th century, has long defended the rights of women and minorities. It is a movement that I aligned with during my college years, while also connecting with my Jewish and Israeli identity. I never thought, however, that I would be forced to choose between the two. Disillusionment set in as progressive friends and colleagues spoke negatively about Jews and Israel. Mentioning my national origin often barred me from conversations, and I was ostracized in classes, particularly in political science courses. Being proud of my identity caused me to face slurs, constant demonization, and a number of illogical accusations.
I was accused of doxxing students, being responsible for civilian deaths in Gaza, and committing a number of crimes simply for being an Israeli Jew. I was told I couldn’t be a proud Israeli and a progressive simultaneously. Why should I have to compromise my identity to maintain friendships in progressive and academic spaces? How could antisemitism exist so pervasively on the left when it claims to oppose all discrimination? These are questions I still continue to ask myself.
The final blow to my trust in my peers came on October 7th. Hamas’ genocidal rampage in southern Israel included sexual violence, with numerous eyewitness accounts describing women with broken pelvises from repetitive rapes and autopsies finding considerable evidence of brutal sexual assaults of Israeli victims. A Position Paper published by Physicians For Human Rights Israel describes these horrific sexual crimes against innocent Israelis in agonizing detail.
Even The New York Times reported on the sexual brutality committed by Hamas terrorists, despite being accused of holding an anti-Israel bias. Yet, progressives’ responses were disturbingly inadequate.
In Canada, an open letter by city councilor Susan Kim and provincial parliament member Sarah Jama dismissed accusations of rape by Hamas as misinformation. This letter was endorsed by the head of the University of Alberta Sexual Assault Center. After facing significant backlash, Jama doubled down, blaming the “Zionist lobby” for pressuring the Canadian government into reprimanding her.
At the United Nations, it took eight weeks for an official condemnation of Hamas’ rapes to be released by UN Women. Sarah Douglas, Deputy Chief of Peace and Security at UN Women, has endorsed 153 tweets attacking Israel and Zionists, and attended UN meetings with pro-Palestine posters, violating UN neutrality guidelines. Suffice it to say that a key leader in the UN’s initiative to uplift women is actively working against the very women she is charged with uplifting.
The traditionally progressive Black Lives Matter (BLM) movement, particularly its Chicago chapter, has also faced criticism for endorsing terrorism. Mere hours after the release of the first October 7th footage, BLM Chicago posted a tweet with a hang-glider image, referencing Hamas terrorists who used hang-gliders to attack and kill hundreds of partygoers at the Nova Music Festival. This blatant support for a violent attack on innocent civilians by an organization that has committed itself to the fight for equality is shocking, especially considering the fact that Hamas has held Avera Mengistu, a mentally ill Ethiopian-Israeli man, in captivity since 2014.
On college campuses, the situation is dire. Students for Justice in Palestine (SJP) at UC Davis, the university I attend, justified the October 7th attack and glorified the attackers. Their rallies have featured slogans like “We don’t want no Jewish state” — which is a call for the eradication of Israel — and “Globalize the Intifada,” which calls for the violence of the intifadas to be repeated against Jewish communities worldwide. Professors also joined in; Jemma Decristo, a university faculty member, tweeted threatening messages against “Zionist journalists.” Another professor stated that “all Israeli residents are legitimate targets,” actively calling for violence against his own Israeli students and colleagues. After UC Davis students began an encampment mimicking those already established on other campuses, several professors reportedly required classes to attend the space, or have given extra credit for doing so, despite the fact that many Jewish and Israeli students are extremely uncomfortable with its messaging.
The aftermath of October 7th revealed that the hatred I experienced at my university is not unique. Higher education, while more radical, mirrors the outside world. The antisemitism and disregard for basic principles of human rights when it comes to Israelis might start on college campuses but can spread throughout society. I see this hate everywhere. Unless progressives worldwide undergo a fundamental shift that includes Jewish and Israeli voices, I will never call myself a progressive again.
Gabriel Gaysinsky is a student at the University of California, Davis, majoring in International Relations and Middle Eastern/South Asian Studies. He is a 2023-2024 CAMERA Fellow, executive board member of Aggies For Israel, and is an active student leader within his university’s Jewish community. Originally from Haifa, Israel, Gabriel hopes to utilize his experience and knowledge to pursue interfaith dialogue and peaceful solutions in Israel/Palestine.
The post Inconvenient Alliances: How Hamas Killed Progressivism first appeared on Algemeiner.com.
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Radio-Canada Suspends Journalist After Antisemitic Comments Spark Outrage
Radio-Canada reporter Élisa Serret. Photo: Screenshot
A journalist at Canada’s national public broadcaster, Radio-Canada, has been suspended after using antisemitic language during a Monday television broadcast, prompting an official apology from the network.
On the news program “Sur le terrain,” correspondent Élisa Serret, reporting from Washington on US Secretary of State Marco Rubio’s visit to Israel, was asked why the US continues to support Jerusalem despite its recent military offensive in Gaza.
Serret responded, saying in French, “The Israelis, in fact the Jews, finance a lot of American politics” and control a “big machine.”
The journalist then went on to claim that the largest US cities and Hollywood are “run by Jews,” echoing long-standing antisemitic stereotypes and hateful rhetoric about supposedly outsized and nefarious Jewish power.
After Serret’s comments went viral, sparking outrage from political leaders and the local Jewish community, Radio-Canada issued an apology, describing her remarks as “”stereotypical, antisemitic, erroneous, and prejudicial allegations against Jewish communities.”
“These unacceptable comments violate Radio-Canada’s Journalistic Standards and Practices and do not reflect the views of the public broadcaster,” the statement read.
“As a result, the news department has decided to relieve the journalist of her duties until further notice,” it continued. “We are aware that these comments have offended many viewers. We sincerely apologize and regret this.”
The Center for Israel and Jewish Affairs (CIJA), a Canadian Jewish advocacy group, strongly condemned Serret’s comments, accusing Radio-Canada of spreading “antisemitic lies.”
Eta Yudin, CIJA’s vice-president for Quebec, called on the public broadcaster to take concrete measures to keep antisemitic content out of Canadian homes.
“This incident cannot be allowed to pass without serious internal reflection on the damage such hateful rhetoric inflicts on our democratic values,” Yudin said in a statement. “Antisemitism is corroding the fabric of our society.”
Canadian Identity and Culture Minister Steven Guilbeault, who is responsible for overseeing the public broadcaster, also condemned the incident, saying that “antisemitism has no place in Canada” and describing Serret’s remarks as “pernicious antisemitic tropes.”
“When antisemitic language is used by journalists, or anyone in a position of trust, it risks normalizing hatred in deeply dangerous ways,” Guilbeault said.
Anthony Housefather, the government’s special adviser on Jewish community relations and antisemitism, denounced the incident, saying Serret’s remarks echoed “textbook tropes that are antisemitic under the IHRA definition,” referring to the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism, which was adopted by the government in 2020.
Melissa Lantsman, a member of the opposition Conservative Party, criticized the public broadcaster for failing to “uphold the values of this country” by airing what she described as an “antisemitic rant.”
“Overt antisemitism on TV is part of the deep systemic rot corroding our society, and it flourishes when tax-funded institutions provide it with a platform,” Lantsman said in a statement.
“Canadians deserve better than excuses and carefully worded apologies,” she continued.
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Israeli Culture Minister Cuts Funding for Film Awards After Palestinian Drama Wins Top Prize, Chosen for Oscars Submission
A scene from “The Sea.” Photo: The Israeli Academy of Film and Television
Israeli Minister of Culture and Sports Miki Zohar said his ministry will pull state funding for Israel’s Ophir Awards, which is the Israeli equivalent to the Oscars, after it awarded a top honor to a film that “defames” Israel’s “heroic soldiers,” he announced on Wednesday.
At this year’s Ophir Awards ceremony on Tuesday night, “The Sea” won best picture, which automatically makes the film Israel’s submission for the 2026 Oscars in the category of best international feature film. The drama, directed and written by Shai Carmeli-Pollak and produced by Baher Agbariya, also won best screenplay, best actor for the 13-year-old Palestinian Muhammad Gazawi, best supporting actor for Khalifa Natour, and best original score. The movie, filmed in Arabic and Hebrew, marks Gazawi’s first acting role.
The Ophir Awards are voted on by the Israeli Academy of Film and Television, a nonprofit organization that is the Israeli version of the US-based Academy of Television Arts & Sciences. It has more than 1,000 members, including filmmakers, producers, content creators, and actors.
“The Sea” follows a 12-year-old Palestinian boy named Khaled, from a village near Ramallah, who gets the opportunity to go the beach for the first time in his life on a class trip to Tel Aviv. When he is forced to return home at a military checkpoint, while his classmates continue on to the beach, Khaled decides to risk his life and dodge Israeli authorities on his solo journey to reach the ocean. “The Sea” premiered at the Jerusalem Film Festival this summer and received support from the Israeli Film Fund.
In a statement on X, Zohar said that after the “pro-Palestinian” film, “which defames our heroic soldiers while they fight to protect us,” won the award for best film at the “shameful” Ophir Awards on Tuesday night, he decided to discontinue funding for the ceremony.
“During my tenure – the citizens of Israel will not pay out of their pockets for a disgraceful ceremony that spits on the heroic IDF soldiers,” he added. “This great absurdity, that Israeli citizens are still paying out of their pockets for the disgraceful Ophir Awards ceremony, which represents less than one percent of the Israeli people – is over. Starting from the 2026 budget, this pathetic ceremony will no longer be funded by taxpayers’ money. The citizens of Israel deserve for their tax money to go to more important and valuable places.”
Several winners on stage at the Ophir Awards ceremony, including Carmeli-Pollak and Agbariya, sported a black T-shirt with a message that called for an end to the Israel-Hamas war and said in Hebrew and Arabic “a child is a child.” Others wore shirts that called for the return of the hostages abducted by Hamas-led terrorists from Israel on Oct. 7, 2023, and talked about the devastation taking place in Gaza during the ongoing war. Acclaimed Israeli director Uri Barbash received a lifetime achievement award at the ceremony, and in his acceptance speech, he condemned actions of the Israeli government and Zohar, pleaded for an end to the war, and called for solidarity between Jews and Arabs.
“It is our sacred duty to bring all the hostages back to their families immediately,” he said. “To end the accursed war and replace the ‘divide and rule’ regime that has declared war on Israeli society!”
Other movies that competed alongside “The Sea” for best film at this year’s Ophir Awards included Nadav Lapid’s “Yes,” “Dead Language – which made its world premiere at the 2025 Tribeca Film Festival and is an expanded version of the Oscar-nominated short film “Aya” – and Natali Braun’s “Oxygen,” which is about a single mother fighting to pull her son out of military service and his deployment to Lebanon.
Israel has had 10 nominations in the category of best international feature film at the Oscars but has yet to win. The Academy of Television Arts & Sciences will announce on Dec. 16 a shortlist of 15 contenders for the 2026 Oscar for best international feature film. The final list of nominations will be announced on Jan. 22, 2026, and the 98th Academy Awards will take place on March 15, 2026.
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HBO Max Acquires US Rights to Scripted Series ‘One Day in October’ About Hamas Attack
Bartender and survivor of the Nova Festival, May Hayat, takes cover as rocket sirens sound, during her first visit to the scene of the attack, on the one-month anniversary of the attack by the Palestinian terrorist group Hamas on Oct. 7, near Re’im, Israel, Nov. 6, 2023. Photo: REUTERS/Evelyn Hockstein
HBO Max has acquired exclusive rights in the United States to “One Day in October,” a scripted series based on real-life, first-hand accounts from the deadly Hamas-led terrorist attack in Israel on Oct. 7, 2023.
“One Day in October” is the first real-time scripted portrayal of personal stories from the massacre in southern Israel, where Palestinians terrorists murdered 1,200 people and kidnapped 251 hostages. The attack was the deadliest single-day slaughter of Jews since the Holocaust.
“One Day in October” will debut on HBO Max in the US on Oct. 7, the two-year anniversary of the attack, FOX Entertainment announced on Monday. Filmed on location in Israel, the four-episode series is co-produced by FOX Entertainment Studios in partnership with Israel’s yes TV, the New York-based production company Sparks Go, and Israel’s ZOA Films, in association with Moriah Media.
The series “presents seven emotionally gripping and artistically interwoven narratives of love, courage, sacrifice and survival,” according to a description provided by HBO Max. “From families torn apart to moments of hope emerging in the face of unspeakable tragedy to incredible bravery against the odds, each episode reveals the human cost and resilience born out of chaos. The series portrays the victims’ and survivors’ experiences of that day and is brought to life by a distinguished cast and acclaimed creative team.”
“One Day in October” is created by Daniel Finkelman, founder of the New York-based production company Sparks Go, and Oded Davidoff, who is also the director and writer on the series. Sparks Go helped co-produce the series.
“The tragic events on Oct. 7 had a profound impact on all of us,” said Fernando Szew, president of FOX Entertainment Studios. “From the very beginning, we approached this series with the utmost care, sensitivity, and urgency to ensure that the stories were told with authenticity and respect and paying homage to the victims and the heroic survivors. Oded and the incredible cast, crew and teams at Sparks Go, ZOA, and yes TV have truly created compelling storytelling that we are proud to showcase.”
The cast includes Swell Ariel Or, Noa Kedar, Naomi Levov, Hisham Suliman, Wael Hamdoun, Yuval Semo, Avi Azulay, Naveh Tzur, Yael Abecassis, Moran Rosenblatt, Michael Aloni, Neta Roth, Sean Softi, Lior Ashkenazi, and Uri Perelman. The series features writing by Liron Ben-Shlush, Davidoff, Amir Hasfari, Keren Weissman, Orit Dabush, and Yona Rozenkier. Jim Berk and Sheldon Rabinowitz with Moriah Media are also executive producers on the series.
“For me, film and television have always been more than entertainment, they are a way to bear witness,” said Finkelman. “These are stories of ordinary people facing extraordinary moments. In a time when truth is fragile, the most powerful thing we can do is to appeal to humanity itself. My hope is that these stories will open hearts and spark meaningful conversation.”