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Jewish star guard Abby Meyers leads University of Maryland into top-10 spot in the NCAA tournament
(JTA) — Last July, Abby Meyers helped lead Team USA to a gold medal in women’s basketball at the Maccabiah Games, or the “Jewish Olympics,” in Israel. Starting next week, she hopes to embark on a run towards another championship: a Division I NCAA tournament title.
Meyers, a graduate transfer at the University of Maryland, is the starting shooting guard for a Terrapins team ranked sixth in the nation going into this Sunday, when the March Madness bracket seedings will be revealed. She averaged 14.5 points and 5.4 rebounds per game this season and was named to the All-Big Ten Second Team, an honor that singles her out as one of the best players in the powerhouse conference.
Last week, Maryland lost to Iowa in the Big 10 tournament semifinals. Last March, they lost in the Sweet 16 round to Stanford.
“I think it just gives us more motivation going into the NCAA tournament,” Meyers said. “Especially if you’re a competitor, no one likes losing. But that’s part of the game, right? You live, you learn. And we’re lucky to have another opportunity.”
One particular group could help motivate her during what she hopes will be a deep tournament run: her Jewish fans.
“There’s an amazing following of Jewish students who come to my games, who support me and love the fact that I’m Jewish,” she said. Her school has one of the largest populations of Jewish students in the country, at around 6,000.
Growing up in Maryland’s Montgomery County, she attended synagogue at the Reform Washington Hebrew Congregation in Washington, D.C. and was surrounded by Jewish friends in the DMV area — the colloquial acronym for the District of Columbia, Maryland and Virginia region. She didn’t begin playing basketball competitively until high school.
She played with her two sisters, Emily and Olivia, in high school, then went first to Princeton. There she played with two Jewish teammates, Kira Emsbo and Maddie Plank, who also played with Meyers at the Maccabiah Games last summer.
“I see myself as a female Jewish athlete, and I think it really came to fruition this past summer when I went to the Maccabiah Games in Israel and was able to play alongside so many amazing, talented Jewish athletes from all over the world,” Meyers said. “That was different for me, because I’ve never been around so many Jewish athletes before.”
Meyers had tried out and made the Maccabi USA women’s basketball team in 2017, but decided not to play because she was about to enter college — a decision she now calls naive. The Maccabiah Games is a quadrennial sports competition that convenes thousands of Jewish athletes from around the world for an Olympics-style tournament in Israel.
So when the 21st Maccabiah Games were set to return in 2022, Meyers didn’t want to miss out again. She found out that Plank, who now plays at Davidson College in North Carolina, would be trying out, and that her assistant coach at Princeton, Lauren Battista, was a Maccabiah alum. Maccabi USA women’s basketball coach Sherry Levin also reached out to Meyers, and chose the 6-foot guard as team captain early on.
“I can’t speak more highly of a player that I’ve coached than Abby Meyers. And I’ve coached a lot,” Levin said. She hailed Meyers’ basketball IQ, her selflessness on the court and her leadership. “She checks every box.”
Meyers, who had never been to Israel, said the experience was “by far the most fun I’ve ever had.”
“It’s way more than just basketball. It’s really learning about your history, your ancestry and just appreciating all things Jewish,” Meyers said.
In addition to winning the gold medal, Meyers said her visit to the Yad Vashem Holocaust museum in Jerusalem stood out to her.
“To be there, in Jerusalem in that moment, it was really just a reflective moment,” Meyers said. “It made me just appreciate the opportunity I had to represent my country being a Jewish athlete, and to also have that opportunity to be there, in person, to be safe, to be healthy, and to just appreciate those who came before me.”
Plank echoed Levin’s praise for her teammate.
“Abby is probably the most basketball-loving, passionate, driven character that I’ve ever been around in my life,” Plank said. “She just leads by example. It’s such a pleasure being on the court with her.”
Plank said she and Meyers keep in touch now that they’ve both left Princeton (they played against each other this season — Maryland beat Davidson 70-52). She said she hopes to see Meyers in the WNBA one day.
If that WNBA dream doesn’t come to fruition for Meyers, she said that she is open to the possibility of playing professionally in Israel.
Meyers joined her close-to-hometown school as a graduate transfer last year after three seasons at Princeton, where she was unanimously named the Ivy League Player of the Year and earned First Team All-Ivy honors in her final year. She made the move in part to be closer to her family, including her grandmother, who she said has not been able to see many of her games.
Back at Maryland, Meyers isn’t surrounded by many Jewish players on the court. But she does appreciate the opportunity to explain concepts such as synagogue, Hebrew school and the Holocaust to non-Jewish teammates.
“I’m always happy and proud to be able to not educate, but to inform them on what it’s like to be Jewish,” she said. “There’s plenty of Jewish stereotypes out there, whether it’s looks, or that we’re just hardworking go-getters, which I love, because we are. But it’s special to have that kind of interaction with them where they’re open and willing listeners and learners.”
On campus at both Princeton and now Maryland, Meyers said she has engaged with chapters of the Chabad-Lubavitch Hasidic movement — which performs outreach and holds programming for a wide range of Jewish students on campuses across the country — and other centers of Jewish life.
“I was able to meet so many cool Jewish students who knew me and knew that I play basketball and have been to my games,” Meyers said. “It was just great to tap into that community, because automatically you feel like they’re your immediate friends.”
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Why I’m vibing with the pope’s first big statement
I have long been obsessed with the Vatican and the inner workings of the papacy. (I majored and did my Master’s in religious studies.) But usually other people are not as tickled as I am by analyzing the newest theological statements from the Holy See.
Not this week. Pope Leo XIV just put out his first encyclical — the term used to refer to official statements outlining the church’s stance on a topic — and it has gone viral. “Spitting fire right out the gate,” said one of many similar trending posts, as though the encyclical was a rap song.
The topic is buzzy: AI, which the pope casts as one of the greatest threats to human flourishing and morality. (The encyclical is titled “Magnifica Humanitas,” or “Magnificent Humanity” in English, if that gives you the gist.) “Humanity, created by God in all its grandeur,” it opens, “ is today facing a pivotal choice: either to construct a new Tower of Babel or to build the city in which God and humanity dwell together.”
The document notes many of the concrete risks of AI — sexual abuse, distortion of facts, job loss — and calls for pragmatic solutions. But it is, at its heart, a testament to what makes humans human, written with palpable adoration for the people of the world: our creativity, our empathy, even our weaknesses. It’s a declaration that machines can never have the ineffable qualities of God’s children.
Structuring our world around technology, Leo writes, reduces “creation to an object of exploitation and human beings to mere cogs in a system driven toward ever greater efficiency.”
Later, in a paean to the importance of deep thought over easy answers, he goes on: “The speed and ease with which answers or summaries can be obtained risk extinguishing the desire to ask questions,” he writes, calling on the world “to protect our young people from the promise of the perfect machine” and warning against rendering “human thought seemingly superfluous precisely when it is most needed.”
“Magnificatus Humanitas” is a major statement, both in length — more than 43,000 words — and in symbolism. A pope’s first encyclical indicates the issues they believe are most important to the church, and signals the likely direction of their papacy.
That direction, for Pope Leo, is to be a voice for moral leadership, writ large. He addressed the encyclical not only to Catholics or even Christians, but “to all men and women of goodwill,” and cited thinkers like Hannah Arendt and J.R.R. Tolkien alongside the Bible.
It’s a declaration of a new — or, arguably, very old — relevance for religious leaders. As people rush through our increasingly fast-paced, frantic world, striving to keep up with the newest technology or geopolitical shift affecting markets and jobs, the slow-moving, zoomed-out perspective of religious leaders seems to be more and more important.
The Vatican held massive authority both moral and military for much of Western history. But its sway faded in the modern age. As democracy rose, Christianity broke into factions and religion’s prominence weakened, leaving the Church without the same ability to bestow a divine mandate on nations and rulers.
So many modern popes have kept their sights more narrowly focused on the theological. Even Pope Francis, who was a liberal, modernizing force for the church, and spoke out strongly on topics like the environment and immigration, focused three of his four encyclicals on Christian theological concepts like the Sacred Heart and Christianity as the world’s guiding light.
Pope Leo, however, seems to have found his way to modern, secular relevance by speaking out clearly on major issues of the day. He notes that he drew inspiration for “Magnificatus Humanitas” from Pope Leo XIII, an influential pope in the late 1800s and the inspiration for the modern Leo’s own papal moniker, whose 1891 encyclical “Rerum Novarum,” on the economy and conditions of the working class, was criticized for insufficient focus on the Gospel. The current pope’s own document is remarkably concrete and political.
Making political statements isn’t new for Leo, but the encyclical canonizes his boldness into an official form. In the past few months I’ve written about the ways in which Pope Leo has used sermons and statements to directly counter those made by U.S. leaders. After Pete Hegseth made a speech implying the U.S. military is doing God’s will, the pope gave a homily saying that prayers for war cannot be heard by God. He has made strongly worded comments about the rights of immigrants as Trump announced increased ICE raids, and made a point of appointing foreign bishops in American parishes. He has refused to visit the U.S. despite the fact that he is American and has been invited numerous times, including for the nation’s 250th birthday; he is instead planning to visit an island that serves as a refugee landing point in the Mediterranean.
It’s not all that surprising that Leo is making pronouncements on the justness of wars; popes have always given commentary on the world, albeit often less pointedly. Of course, Catholics have always looked to the pope for moral leadership — though that is increasingly under question, as renegade Catholics doubt the pope. (Even J.D. Vance, a Catholic convert with a book coming out about his conversion, has warned the pope to be “careful” with his theological interpretations — a near heretical statement. That’s how Protestantism came about.) The difference today is that everybody is listening.
I think the reason is that there is a certain ineffable quality that can’t be accounted for in so much of modern-day discourse in our metrics-focused world. Everything needs to be provable with a statistical analysis or some quantifiable indicator, or it needs to be as profitable as possible to extract value. But so much of what is most valuable in the human experience is intuitive — experiences and emotions like love, joy, transcendence. Connection with each other. Religious leaders have been honing the language to talk about these qualities for centuries, and they guard one of the only arenas in which the intangible remains central.
Of course, there are also plenty of issues with religious institutions, and the Vatican in particular is famous as a site where abuses of power were hidden and protected. But “Magnifica Humanitas,” and its virality, points toward a new relationship with religion, and a newly important role for it to play.
Or maybe that’s just wishful thinking, a hope for my own increased importance as a religion reporter.
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How can I live freely as a Jew in a world where strangers rip my mezuzah off my doorframe?
Twice, the mezuzah on my front door was ripped off.
The first time, I was shocked. The second time, I made a decision that still pains me. I did not put it back up.
This was before the Hamas attack of Oct. 7, 2023.
That is the part I keep coming back to. The fear did not begin after the Hamas attacks. It was already there, intruding with the quiet calculation of whether a small Jewish symbol on my home made me less safe.
A mezuzah is not a political statement. It makes no argument about a government or a war. It is a sacred object, a marker of memory, a tiny declaration that says: Jews live here. I thought about that mezuzah again recently when the Anti-Defamation League released its annual audit showing that antisemitic physical assaults in the United States reached record highs in 2025. That increase reflects something many Jews already feel in daily life: the slow erosion of ease, the daily calculation of whether to speak up or stay quiet — things I have felt since the first time my mezuzah was violently torn off my doorframe.
Since then, the realm in which I feel safe as a visibly Jewish person has been shrinking from all directions.
After the Oct. 7 attack, the bulletin boards in my apartment building began filling with calls to boycott Israel. Campaign flyers for a Jewish political candidate who came to speak there were defaced with Hitler mustaches. I learned to scan the walls before I scanned my mail.
This was not happening on a campus quad or in some distant place. It was happening where I live.
Then, among my mother’s things, I found a Star of David necklace from the 1930s — marcasite set against black onyx, delicate and old. A boyfriend had given it to her when they were both 14.
I put it on in Florida, where I spend much of my time caring for my mother. I loved wearing it. It felt like more than jewelry. It felt like inheritance, memory, and a small way of carrying my family with me.
But when my mother knew I was going back to New York, she told me to take it off.
My mother is 102. She is not easily frightened. She has lived long enough to know when the temperature in the room has changed. She was not making a political argument. She was trying to protect her daughter.
I still wear that Star of David. But I admit I am selective. In New York, there are moments when I leave it visible and moments when I tuck it under my shirt. That calculation itself tells me something about the world I am moving through.
Recently, in a private Facebook group for women essayists, I shared a personal piece I had written for the United Kingdom-based Jewish Chronicle about how Oct. 7 changed life for my mother and me. It was not a political manifesto. It was a reflection on fear, Jewish identity, aging and visibility.
And still, I was attacked by other writers.“What about Gaza?” I was asked. The message was clear: even my personal Jewish pain had to pass a political test before it could be acknowledged.
That is the narrowing.
This ugliness is coming from more than one direction now. It stems from old conspiracy theories on the right and newer moral certainties in some of the progressive spaces where I once felt most at home. Different language brings about the same result: Jews become less human, less particular, less entitled to fear.
That collapse is what frightens me most: the definitional collapse between Jew and Israeli; Israeli and Israel’s government; Jewish symbol and political provocation; mezuzah and target.
As Jews like me reckon with that collapse, we must reckon with how much we’ll go along with it.
Right now, too often, Jews are being asked to choose between our own safety and our compassion for others. We should be able to prioritize both. I am a Zionist. I believe in the right of the Jewish people to a homeland. I also believe Palestinians are human beings who deserve freedom, dignity, and protection from suffering.
These beliefs should not cancel each other out. They should make us more careful, more humane, more committed to truth.
Yet now we must choose between speaking about antisemitism and being accused of indifference to other hatreds. That is no way to live.
Since Oct. 7, I have found myself going to synagogue on Shabbat, something I never did before. I was a High Holiday Jew. Now I seek out rooms where I do not have to explain why this moment feels frightening. I have learned where I feel seen. I have learned who can hold my fear without turning it into an argument.
The mezuzah I did not put back up is small. It fits in the palm of my hand.
But what it represents is not small: memory, faith, survival, home, and the right to be visibly Jewish without fear.
When I did not put it back up, I told myself I was being practical. But now — after Oct. 7, the bulletin boards, my mother’s warning, and the explosive allegations I’ve seen travel through respected media without sufficient care or verification — I understand it differently.
I was not just protecting a doorframe. I was learning to shrink.
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Podcast: A lively conversation in Yiddish with actress Lea Koenig
ס׳איז לעצטנס אַרויס אַ פּאָדקאַסט מיט דער באַליבטער אַקטריסע אין ישׂראל, ליאַ קעניג, וועלכע איז הײַנט צום בעסטן באַקאַנט ווי די ייִדיש־רעדנדיקע באָבע פֿונעם פּערסאָנאַזש שלום שטיסל אין דער ישׂראלדיקער טעלעוויזיע־סעריע „שטיסל“.
אינעם שמועס באַטייליקן זיך אויך יניבֿ גאָלדבערג — דער מחבר פֿון אַ נײַער ביאָגראַפֿיע וועגן איר אויף ענגליש; דער איבערזעצער און דראַמאַטורג מיכל יאַשינסקי, און דער ייִדישער זינגער און קולטור־טוער חיים וואָלף. דעם פּאָדקאַסט האָט טראַנסמיטירט די באָסטאָנער ראַדיאָ־פּראָגראַם „דאָס ייִדישע קול“.
ליאַ קעניג גיט איבער אירע זכרונות במשך פֿון איר לאַנגער קאַריערע אין ייִדישן טעאַטער, ווי אויך אינעם העברעיִשן טעאַטער, טעלעוויזיע און קינאָ. כּדי צו הערן דעם פּאָדקאַסט, גיט אַ קוועטש דאָ.
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