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John Zorn’s avant-garde Jewish music is finally on Spotify. His fans remain locked in debate.

(JTA) — While the entire music industry went online, John Zorn made sure the albums released by his Tzadik Records label remained stubbornly unavailable on streaming platforms.

For fans of the pioneering Jewish musician, the recalcitrance was unsurprising. Long one has been one of the country’s most respected experimental musicians and composers, with much of his work inspired by Jewish themes, Zorn operates the influential label Tzadik Records, which has released dozens of innovative takes on Jewish music and melodies through its Radical Jewish Culture series.

The label, whose name is the Hebrew word for a righteous person, focuses on helping musicians who “find it difficult or impossible to release their music through more conventional channels.” Streaming services such as Spotify, Pandora and YouTube Music have dramatically undercut artists’ ability to be paid through album sales, and the understanding was that Zorn was keeping the albums Tzadik released — everything from  solo sound-art pieces made fully on a computer to contemporary classical compositions to chaotic albums by boundary-pushing rock bands — offline.

That all changed in September. Rumors began spreading about the move to streaming on Facebook groups and Zorn fan pages a week before Tzadik’s catalog started showing up on streaming platforms at the end of the month. Now, most of the catalog is on Spotify.

“This felt like a very seismic shift,” said Yoshie Fruchter, a guitarist and familiar face in the New York Jewish music scene who has released music on Tzadik.

Some fans respected Zorn’s decision and the thoughtfulness they say he showed in the process. Zorn rarely gives interviews — he did not respond to Jewish Telegraphic Agency requests for comment — but his artist page on Spotify urges fans to continue to buy physical versions of his label’s releases: “If you enjoy the music on Tzadik we strongly urge you to further support the artist by purchasing our CDS [sic]. All packaging, artwork, notes, credits, and imagery are essential details to the artist’s vision on Tzadik. The CD medium will sound better, look better, and will give you a more complete artistic experience.”

Those issues have caused some Tzadik fans and contributors to react critically to the steaming move.

Tzadik releases “are all beautifully packaged and some of them have these really elaborate packages and books and things like that,” said Jon Madof, a Tzadik contributor and owner of his own avant-garde label. “You’re really not getting all of that if you hear it on Spotify.”

More pressing, the critics say, are the drawbacks of the contemporary streaming ecosystem, which are unchanged. For over a decade, musicians have complained about how Spotify and similar platforms have eroded artist income by paying well under a penny per listen.

Guitarist, composer and musicians’ rights activist Marc Ribot, himself a Tzadik contributor, trusts Zorn’s decision is what’s best for the label but remains critical of streaming platforms. In 2018, Tzadik’s music was mistakenly placed on streaming platforms against Zorn’s wishes for six months. In a blog post, Ribot wrote that over that time, Tzadik’s hundreds of albums netted a total of $300 in artist payments.

“You don’t need a supercomputer to see what the $300 dollars in 6 months ‘Age Of Streaming’ will do to Tzadik. That’s what ‘not viable’ means,” he wrote.

(Jakub Porzycki/NurPhoto via Getty Images)

But vinyl records and CDs can also be expensive. Self-professed Zorn-obsessive Mark Allender, who runs a Zorn fan site called Masada World, said that while many fellow fans are “on the ‘streaming is evil’ end of the political spectrum,” there are also “lots of fans who just don’t have a lot of money.” (Spotify’s unlimited premium service costs $10.99 per month, well under the price of a single vinyl record.)

And while some fans will be eager to dig into the catalog via streaming, others will remain happy buying the physical CDs and vinyl still on offer. Sarah Grosser, a recent convert to Zorn’s music who wrote and distributed a fanzine, “Days of Zorn,” based on her first impressions of 40 of Zorn’s albums, noted that Zorn’s fanbase is full of obsessive collectors. That’s why she thinks the streaming decision may have a minimal impact on Tzadik’s sales.

“Zorn is always attracting people as obsessive and perfectionist and detail-oriented as he is,” Grosser explained. “With social media, the word gets out on what the album is going to sound like. It’s not like people have to roll the dice anymore [with what a CD purchase might sound like] because there’s just so much communication.”

Zorn — who did not respond to requests for comment — has long been a central figure in New York’s “Downtown” music scene, a community of avant-garde musicians and artistic experimentalists centralized in Manhattan. His work is constantly evolving, from the free improv “game pieces” he helped pioneer in the 70s to his genre-bending style of “file-card composing” in the 80s and 90s. He has written or recorded rock, jazz, classical, world music and even metal.

No matter how idiosyncratic Tzadik has been, for some in the industry, the writing was long on the wall. Avant-garde pianist and Zorn collaborator Anthony Coleman mentioned the label ECM Records, which produces a similar range of eclectic music and finally put its catalog on streaming services in 2017. “It was very public and visible how much ECM held out. Once they gave in, I felt the days were numbered for Tzadik,” Coleman said.

One thing is for sure — online debate among Zorn fans will continue. Some claim that the fidelity of the songs on streaming platforms is inferior, others disagree. Some say Tzadik should start its own streaming platform or, if it must go online, to sell its music on sites that offer a bigger piece of the pie to artists, such as Bandcamp.

Today, Ribot recognizes that streaming is the reality artists live in and said that lawmakers should step up to regulate the system.

“The chief problem with Spotify isn’t Spotify itself, but Congress’ failure to regulate Google, YouTube and other ad and data mining based online mega corporations,” he said. “The National Labor Relations Board doesn’t recognize [musicians] as workers, or Spotify as our employer.”

Jon Madof, a Tzadik contributor and owner of his own avant-garde label, also pointed to Tzadik’s attention to physical details. (Madof worked until TK at 70 Faces Media, the Jewish Telegraphic Agency’s parent company.)

Tzadik releases “are all beautifully packaged and some of them have these really elaborate packages and books and things like that,” he said. “You’re really not getting all of that if you hear it on Spotify.”

Madof, who previously worked at 70 Faces Media, JTA’s parent company, and also helps musicians with marketing their work, said that streaming and physical purchases can have a potential symbiosis: Spotify can be “the introduction that kind of brings you into the world” of Zorn’s music, making one want to then buy physical versions of the music as a devoted fan.

And ultimately, Madof has confidence that Zorn thought through what the best decision could be for the community that has coalesced around him.

“Everything that [Zorn] does is thoughtful, and everything he does always has a community of musicians in mind,” Madof said.


The post John Zorn’s avant-garde Jewish music is finally on Spotify. His fans remain locked in debate. appeared first on Jewish Telegraphic Agency.

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Brooklyn Nets Select Israeli Basketball Players Ben Saraf, Danny Wolf in NBA Draft

The opening tip between the Brooklyn Nets and Washington Wizards, at Barclays Center, in Brooklyn, New York, Dec. 13, 2020. Photo: Wendell Cruz-USA TODAY Sports via Reuters Connect

In a landmark night for Israeli basketball, Ben Saraf and Danny Wolf were selected in the first round of the 2025 NBA Draft by the Brooklyn Nets, marking the first time two Israeli players have been drafted in the same year.

Saraf, a 19-year-old guard known for his explosive athleticism and creative playmaking, was taken with the 26th pick. A standout with Maccabi Rishon LeZion and a rising star on Israel’s youth national teams, Saraf gained international attention with his electrifying scoring and commanding court presence.

With the 27th pick, the Nets selected 7-foot center Danny Wolf out of the University of Michigan. Wolf, who holds dual US-Israeli citizenship and represented Israel at the U-20 level, brings a versatile skill set, including sharp passing, perimeter shooting, and a strong feel for the game. After his name was called, Wolf grew emotional in an on-air interview, crediting his family for helping him reach the moment.

“I have the two greatest brothers in the world; I have an unbelievable sister who I love,” Wolf said. “They all helped me get to where I am today, and they’re going to help me get to where I am going to go in this league.”

The historic double-pick adds to the growing wave of Israeli presence on the NBA stage, led by Portland Trail Blazers forward Deni Avdija, who just completed a breakout 2024–25 season. After being traded to Portland last summer, Avdija thrived as a starter, averaging 16.9 points, 7.2 rebounds, and 3.8 assists. In March alone, he posted 23.4 points, 9.8 rebounds, and 5.2 assists per game, including two triple-doubles.

“I don’t think I’ve played like this before … I knew I had it in me. But I’m not really thinking about it. I’m just playing. I’m just free,” Avdija told reporters in March

With Saraf and Wolf joining Avdija, Israel’s basketball pipeline has reached unprecedented visibility. Israeli President Isaac Herzog called the moment “a national celebration for sports and youth,” and Israeli sports commentators widely hailed the night as “historic.”

Both Saraf and Wolf are expected to suit up for the Nets’ Summer League team in July. As the two rookies begin their NBA journey, they join a growing generation of Israeli athletes proving that their game belongs on basketball’s biggest stage.

The post Brooklyn Nets Select Israeli Basketball Players Ben Saraf, Danny Wolf in NBA Draft first appeared on Algemeiner.com.

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Iran Denies Any Meeting With US Next Week, Foreign Minister Says

Iran’s Foreign Minister Abbas Araqchi attends a press conference following a meeting with Russia’s Foreign Minister Sergei Lavrov in Moscow, Russia, April 18, 2025. Photo: Tatyana Makeyeva/Pool via REUTERS

Iran currently has no plan to meet with the United States, Foreign Minister Abbas Araqchi said on Thursday in an interview on state TV, contradicting US President Donald Trump’s statement that Washington planned to have talks with Iran next week.

The Iranian foreign minister said Tehran was assessing whether talks with the US were in its interest, following five previous rounds of negotiations that were cut short by Israel and the US attacking Iran’s nuclear facilities.

The US and Israel said the strikes were meant to curb Iran’s ability to create nuclear weapons, while Iran says its nuclear program is solely geared toward civilian use.

Araqchi said the damages to nuclear sites “were not little” and that relevant authorities were figuring out the new realities of Iran’s nuclear program, which he said would inform Iran’s future diplomatic stance.

The post Iran Denies Any Meeting With US Next Week, Foreign Minister Says first appeared on Algemeiner.com.

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Ireland Becomes First European Nation to Advance Ban on Trade With Israeli Settlements

A pro-Hamas demonstration in Ireland led by nationalist party Sinn Fein. Photo: Reuters/Clodagh Kilcoyne

Ireland has become the first European nation to push forward legislation banning trade with Israeli communities in the West Bank and East Jerusalem — an effort officials say is meant “to address the horrifying situation” in the Gaza Strip.

On Wednesday, Irish Foreign Affairs and Trade Minister Simon Harris announced that the legislation has already been approved by the government and will now move to the parliamentary Committee on Foreign Affairs and Trade for pre-legislative scrutiny.

“Ireland is speaking up and speaking out against the genocidal activity in Gaza,” Harris said during a press conference.

The Irish diplomat also told reporters he hopes the “real benefit” of the legislation will be to encourage other countries to follow suit, “because it is important that every country uses every lever at its disposal.”

Joining a growing number of EU member states aiming to curb Israel’s defensive campaign against the Palestinian terrorist group Hamas, Ireland’s decision comes after a 2024 advisory opinion by the International Court of Justice (ICJ) declared Israel’s presence in the West Bank and East Jerusalem illegal.

The ICJ ruled that third countries must avoid trade or investment that supports “the illegal situation in the Occupied Palestinian Territory.”

Once implemented, the law will criminalize the importation of goods from Israeli settlements into Ireland, empowering customs officials to inspect, seize, and confiscate any such shipments.

“The situation in Palestine remains a matter of deep public concern,” Harris said. “I have made it consistently clear that this government will use all levers at its disposal to address the horrifying situation on the ground and to contribute to long-term efforts to achieve a sustainable peace on the basis of the two-state solution.”

“Israeli settlements in the Occupied Palestinian Territory are illegal and threaten the viability of the two-state solution,” the Irish diplomat continued. “This is the longstanding position of the European Union and our international partners. Furthermore, this is the clear position under international law.”

Harris also urged the EU to comply with the ICJ’s ruling by taking a more decisive and “adequate response” regarding imports from Israeli settlements.

“This is an issue that I will continue to press at EU level, and I reiterated my call for concrete proposals from the European Commission at the Foreign Affairs Council this week,” he said.

Last week, Ireland and eight other EU member states — Finland, Belgium, Luxembourg, Poland, Portugal, Slovenia, Spain, and Sweden — called on the European Commission to draft proposals for how EU countries can halt trade and imports with Israeli settlements, in line with obligations set out by the ICJ.

Israeli Foreign Minister Gideon Saar condemned the latest move by European countries, calling it “shameful” and a misguided attempt to undermine Israel while it faces “existential” threats from Iran and its proxies, including Hamas.

“It is regrettable that even when Israel is fighting an existential threat which is in Europe’s vital interest — there are those who can’t resist their anti-Israeli obsession,” the top Israeli diplomat said in a post on X.

The post Ireland Becomes First European Nation to Advance Ban on Trade With Israeli Settlements first appeared on Algemeiner.com.

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