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John Zorn’s avant-garde Jewish music is finally on Spotify. His fans remain locked in debate.

(JTA) — While the entire music industry went online, John Zorn made sure the albums released by his Tzadik Records label remained stubbornly unavailable on streaming platforms.

For fans of the pioneering Jewish musician, the recalcitrance was unsurprising. Long one has been one of the country’s most respected experimental musicians and composers, with much of his work inspired by Jewish themes, Zorn operates the influential label Tzadik Records, which has released dozens of innovative takes on Jewish music and melodies through its Radical Jewish Culture series.

The label, whose name is the Hebrew word for a righteous person, focuses on helping musicians who “find it difficult or impossible to release their music through more conventional channels.” Streaming services such as Spotify, Pandora and YouTube Music have dramatically undercut artists’ ability to be paid through album sales, and the understanding was that Zorn was keeping the albums Tzadik released — everything from  solo sound-art pieces made fully on a computer to contemporary classical compositions to chaotic albums by boundary-pushing rock bands — offline.

That all changed in September. Rumors began spreading about the move to streaming on Facebook groups and Zorn fan pages a week before Tzadik’s catalog started showing up on streaming platforms at the end of the month. Now, most of the catalog is on Spotify.

“This felt like a very seismic shift,” said Yoshie Fruchter, a guitarist and familiar face in the New York Jewish music scene who has released music on Tzadik.

Some fans respected Zorn’s decision and the thoughtfulness they say he showed in the process. Zorn rarely gives interviews — he did not respond to Jewish Telegraphic Agency requests for comment — but his artist page on Spotify urges fans to continue to buy physical versions of his label’s releases: “If you enjoy the music on Tzadik we strongly urge you to further support the artist by purchasing our CDS [sic]. All packaging, artwork, notes, credits, and imagery are essential details to the artist’s vision on Tzadik. The CD medium will sound better, look better, and will give you a more complete artistic experience.”

Those issues have caused some Tzadik fans and contributors to react critically to the steaming move.

Tzadik releases “are all beautifully packaged and some of them have these really elaborate packages and books and things like that,” said Jon Madof, a Tzadik contributor and owner of his own avant-garde label. “You’re really not getting all of that if you hear it on Spotify.”

More pressing, the critics say, are the drawbacks of the contemporary streaming ecosystem, which are unchanged. For over a decade, musicians have complained about how Spotify and similar platforms have eroded artist income by paying well under a penny per listen.

Guitarist, composer and musicians’ rights activist Marc Ribot, himself a Tzadik contributor, trusts Zorn’s decision is what’s best for the label but remains critical of streaming platforms. In 2018, Tzadik’s music was mistakenly placed on streaming platforms against Zorn’s wishes for six months. In a blog post, Ribot wrote that over that time, Tzadik’s hundreds of albums netted a total of $300 in artist payments.

“You don’t need a supercomputer to see what the $300 dollars in 6 months ‘Age Of Streaming’ will do to Tzadik. That’s what ‘not viable’ means,” he wrote.

(Jakub Porzycki/NurPhoto via Getty Images)

But vinyl records and CDs can also be expensive. Self-professed Zorn-obsessive Mark Allender, who runs a Zorn fan site called Masada World, said that while many fellow fans are “on the ‘streaming is evil’ end of the political spectrum,” there are also “lots of fans who just don’t have a lot of money.” (Spotify’s unlimited premium service costs $10.99 per month, well under the price of a single vinyl record.)

And while some fans will be eager to dig into the catalog via streaming, others will remain happy buying the physical CDs and vinyl still on offer. Sarah Grosser, a recent convert to Zorn’s music who wrote and distributed a fanzine, “Days of Zorn,” based on her first impressions of 40 of Zorn’s albums, noted that Zorn’s fanbase is full of obsessive collectors. That’s why she thinks the streaming decision may have a minimal impact on Tzadik’s sales.

“Zorn is always attracting people as obsessive and perfectionist and detail-oriented as he is,” Grosser explained. “With social media, the word gets out on what the album is going to sound like. It’s not like people have to roll the dice anymore [with what a CD purchase might sound like] because there’s just so much communication.”

Zorn — who did not respond to requests for comment — has long been a central figure in New York’s “Downtown” music scene, a community of avant-garde musicians and artistic experimentalists centralized in Manhattan. His work is constantly evolving, from the free improv “game pieces” he helped pioneer in the 70s to his genre-bending style of “file-card composing” in the 80s and 90s. He has written or recorded rock, jazz, classical, world music and even metal.

No matter how idiosyncratic Tzadik has been, for some in the industry, the writing was long on the wall. Avant-garde pianist and Zorn collaborator Anthony Coleman mentioned the label ECM Records, which produces a similar range of eclectic music and finally put its catalog on streaming services in 2017. “It was very public and visible how much ECM held out. Once they gave in, I felt the days were numbered for Tzadik,” Coleman said.

One thing is for sure — online debate among Zorn fans will continue. Some claim that the fidelity of the songs on streaming platforms is inferior, others disagree. Some say Tzadik should start its own streaming platform or, if it must go online, to sell its music on sites that offer a bigger piece of the pie to artists, such as Bandcamp.

Today, Ribot recognizes that streaming is the reality artists live in and said that lawmakers should step up to regulate the system.

“The chief problem with Spotify isn’t Spotify itself, but Congress’ failure to regulate Google, YouTube and other ad and data mining based online mega corporations,” he said. “The National Labor Relations Board doesn’t recognize [musicians] as workers, or Spotify as our employer.”

Jon Madof, a Tzadik contributor and owner of his own avant-garde label, also pointed to Tzadik’s attention to physical details. (Madof worked until TK at 70 Faces Media, the Jewish Telegraphic Agency’s parent company.)

Tzadik releases “are all beautifully packaged and some of them have these really elaborate packages and books and things like that,” he said. “You’re really not getting all of that if you hear it on Spotify.”

Madof, who previously worked at 70 Faces Media, JTA’s parent company, and also helps musicians with marketing their work, said that streaming and physical purchases can have a potential symbiosis: Spotify can be “the introduction that kind of brings you into the world” of Zorn’s music, making one want to then buy physical versions of the music as a devoted fan.

And ultimately, Madof has confidence that Zorn thought through what the best decision could be for the community that has coalesced around him.

“Everything that [Zorn] does is thoughtful, and everything he does always has a community of musicians in mind,” Madof said.


The post John Zorn’s avant-garde Jewish music is finally on Spotify. His fans remain locked in debate. appeared first on Jewish Telegraphic Agency.

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Drexel University Professor Stole Signs From Synagogue, Police Say

Illustrative: People pass a cluster of signs outside a pro-Hamas encampment at Northwestern University in Evanston, Ill. on April 28, 2024. Photo: Max Herman via Reuters Connect

A Drexel University professor allegedly participated in a mass theft of items from a synagogue in a suburb outside Philadelphia, a local NBC affiliate reported on Tuesday.

Mariana Chilton, 56, a professor of health management and policy at Drexel, has been accused of stealing pro-Israel signs from the Main Line Reform Temple in Lower Merion Township, traveling there from her neighborhood of residency, Wynnewood, Pennsylvania. Chilton allegedly drove the getaway car while two other accomplices, Sarah Prickett and Sam Penn — who is from New York — trespassed the synagogue and absconded with the loot.

“We are just taking them because we feel like it is a representative of genocide,” Chilton told law enforcement after being caught in the act, the report stated. She then, after offering to “just put them back,” refused to identify herself and comply with other lawful orders.

Video evidence provided by a local resident placed Chilton and her accomplices at the scene of the crime, and a Main Line Reform Temple official identified the signs recovered from her car as the temple’s property. That was enough for law enforcement to charge her with several offenses, including conspiracy and theft. She is also charged with driving without a license and not registering her vehicle.

Drexel University has not responded to The Algemeiner‘s request for comment for this story.

Experts have told The Algemeiner in the past academic year that while the conduct of anti-Zionist students should be reported on, the role of faculty in fostering and engaging in antisemitic acts should be closely scrutinized. Last semester, anti-Zionist faculty attached themselves to anti-Israel, pro-Hamas demonstrations, sometimes breaking the law by preventing officers from dispersing unauthorized demonstrations and detaining lawbreakers.

At Northeastern University in Boston, professors formed a human barrier around a student encampment to stop its dismantling by officers, and at Columbia University, anti-Zionist faculty at the school, as well its affiliate Barnard College, staged a walkout in support of the demonstrations and demanded the abeyance of disciplinary sanctions against anti-Zionist students — dozens of whom cheered Hamas and threatened more massacres of Jews similar to Oct. 7 — who violated school rules.

Chilton’s case is unlike any other reported in the past year, however. While dozens of professors have been accused of abusing their Jewish students and encouraging their classmates to bully and shame them, none are alleged to have resorted to stealing from a Jewish house of worship to make their point.

Mass participation of faculty in pro-Hamas demonstrations marks an inflection point in American history, Asaf Romirowsky, an expert on the Middle East and executive director of Scholars for Peace in the Middle East, told The Algemeiner in April.

Since the 1960s, he explained, far-left “scholar activists” have gradually seized control of the higher education system, tailoring admissions processes and the curricula to foster ideological radicalism and conformity, which students then carry with them into careers in government, law, corporate America, and education. This system, he concluded, must be challenged.

“The cost of trading scholarship for political propagandizing has been a zeal and pride among faculty who esteem and cheer terrorism, a historical development which is quite telling and indicative of the evolution of the Marxist ideology which has been seeping into the academy since the 1960s,” Romirowsky said. “The message is very clear to all of us who are looking on from the outside at this, and institutions have to begin drawing a red line. The protests are not about free speech. They are about supporting terrorism, about calling for a genocide of Jews.”

Follow Dion J. Pierre @DionJPierre.

The post Drexel University Professor Stole Signs From Synagogue, Police Say first appeared on Algemeiner.com.

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White House Cites Biden Clash With Netanyahu Over Iran as Proof of President’s Mental Fitness

US President Joe Biden hosts the 2023 Teacher of the Year event at the White House in Washington, US, April 24, 2023. Photo: REUTERS/Kevin Lamarque

Amid growing concerns over US President Joe Biden’s mental fitness, key White House officials are suggesting his foreign policy discussions with Israeli Prime Minister Benjamin Netanyahu, including a clash over how to respond to Iran’s unprecedented military attack on the Israeli homeland earlier this year, serve as evidence that he is still capable of leading from the Oval Office. 

Biden and Netanyahu engaged in a heated back-and-forth in the immediate aftermath of Iran launching a massive missile and drone salvo at Israel in April, according to a new report by the New York Times. The US and other allies helped Israel shoot down nearly every drone and missile. The attack caused only one injury.

However, the Times revealed that while Netanyahu initially wanted to respond to Iran in a forceful way, Biden threatened to withhold US support in the event of a major Israeli retaliatory strike, arguing it would risk sparking a regional conflict in the Middle East.

“Aides present in the Situation Room the night that Iran hurled a barrage of missiles and drones at Israel portrayed a president in commanding form, lecturing Prime Minister Benjamin Netanyahu by phone to avoid a retaliatory escalation that would have inflamed the Middle East,” the Times reported. “‘Let me be crystal clear,’ Mr. Biden said. ‘If you launch a big attack on Iran, you’re on your own.’”

“Mr. Netanyahu pushed back hard, citing the need to respond in kind to deter future attacks,” the report continued. “‘You do this,’ Mr. Biden said forcefully, ‘and I’m out.’ Ultimately, the aides noted, Mr. Netanyahu scaled back his response.”

Israel’s military response was small and appeared aimed at minimizing the risk of escalation.

The Times report, headlined “Biden’s Lapses Are Said to Be Increasingly Common and Worrisome,” came on the heels of Biden delivering a widely-panned presidential debate performance last Thursday against former US President Donald Trump. Biden’s performance, which oftentimes appeared incoherent and muddled, set off alarm bells in Democratic circles, sending the president’s allies scrambling to extinguish concerns over his age and mental acuity.

While highlighting rising concerns, the news story also noted instances in which, according to aides, Biden appeared coherent and capable, citing the exchange with Netanyahu and his handling of the Iranian missile attack more broadly as one such example.

However, an anonymous Biden administration official told the Times that they are unsure whether Biden could hold his own against adversarial foreign leaders such as Vladimir Putin of Russia.

On Wednesday, the White House directly attributed quotes to Netanyahu in which the Israeli premier reportedly said he found Biden “very clear and very focused” during his visit to Israel following the Oct. 7 attacks by Hamas. According to a White House spokesperson, Netanyahu also reportedly cited the “more than a dozen phone conversations, extended conversations with President Biden” as evidence of the commander-in-chief’s vitality. 

“Some White House officials adamantly rejected the suggestion of a president not up to handling tough foreign counterparts and told the story of the night Iran attacked Israel in April,” the New York Times reported. “Mr. Biden and his top national security officials were in the Situation Room for hours, bracing for the attack, which came around midnight. Biden was updated in real time as the forces he ordered into the region began shooting down Iranian missiles and drones. He peppered leaders with questions throughout the response.”

During its first direct attack on Israeli territory, Iran in April launched roughly 300 missiles and drones at the Jewish state.

Leading up to the attack, Iranian officials had promised revenge for an airstrike on Iran’s consulate in Damascus, Syria that they attributed to Israel. The strike killed seven members of Iran’s Islamic Revolutionary Guards Corps (IRGC), a widely designated terrorist organization, including two senior commanders. One of the commanders allegedly helped plan the Hamas terrorist group’s Oct. 7 massacre across southern Israel.

Israel has neither confirmed nor denied involvement in the incident.

“After it was over, and almost all of the missiles and drones had been shot down, Mr. Biden called Mr. Netanyahu to persuade him not to escalate. ‘Take the win,’” Mr. Biden told the prime minister, without reading from a script or extensive notes, according to two people in the room. In the end, Mr. Netanyahu opted for a much smaller and proportionate response that effectively ended the hostilities,” the article added.

Days later, Israel responded to the Iranian aggression by launching a modest missile attack on an airbase near Isfahan. The Jewish state sought to show that it could effectively target key strategic locations in Iran while not escalating the conflict any further. Netanyahu insisted on launching a retaliatory attack against Iran, arguing that ignoring the Iranian strikes would incentivize more attacks against the Jewish state. 

IRGC Brigadier General Amir Ali Hajizadeh said that Iran is waiting for “the opportunity” to launch a new round of strikes against Israel, Iranian media reported on Tuesday, potentially boosting Netanyahu’s argument that a smaller response would invite further attacks.

The post White House Cites Biden Clash With Netanyahu Over Iran as Proof of President’s Mental Fitness first appeared on Algemeiner.com.

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Journalist at US-Based Nonprofit Promoted Stabbing Israelis, Depicted Rescued Hostage as Pig Drinking Blood: Report

Palestinian terrorists ride an Israeli military vehicle that was seized by gunmen who infiltrated areas of southern Israel, in the northern Gaza Strip, Oct. 7, 2023. Photo: REUTERS/Ahmed Zakot

A journalist at a US-based nonprofit posted tutorials on how to commit stabbing attacks and depicted a rescued Israeli hostage as a pig drinking blood, according to newly surfaced social media posts.

Eitan Fischberger, a communications analyst and former Israel Defense Forces (IDF) staff sergeant who first broke the story on X/Twitter, alleged that Mahmoud Ajjour, a correspondent for The Palestine Chronicle, posted disturbing images and videos to his Instagram page. 

Fischberger posted screenshots and screen recordings of the posts.

According to The Chronicles website, Ajjour is a photojournalist and correspondent for the outlet, which is a US-based 501c3, or nonprofit organization.

One of the posted images depicted Noa Argamani — an Israeli who was kidnapped from the Nova music festival during Hamas’ Oct. 7 terrorist attacks in southern Israel, and then rescued in an IDF special operation last month — as a pig drinking blood from a Coca-Cola bottle.

Here, for example, Ajjour posted a picture of Israeli hostage Noa Argamani, portrayed as a pig drinking the blood of Palestinians.

Noa, as you recall, was freed by Israeli forces in the same rescue operation in which Ajjour’s terrorist colleague was killed pic.twitter.com/oiLCqekxbl

— Eitan Fischberger (@EFischberger) June 30, 2024

In Oct. 2015, Ajjour posted a picture of a masked Palestinian holding up a knife, with the caption, “I declare it a revolution.”

That time — from approximately Sept. 2015 to June 2016 — was referred to as the “knife intifada,” as there was an uptick in Palestinian terrorist attacks, particularly using knives, against Israelis in Jerusalem, along with other parts of Israel and the West Bank.

Ajjour also seems mighty fine endorsing stabbing attacks pic.twitter.com/xi2MnZVddl

— Eitan Fischberger (@EFischberger) June 30, 2024

During that same month, Ajjour also reportedly posted a two-part tutorial on how to carry out stabbings with the caption, “May Allah protect them,” likely referring to those who were engaging in such attacks.

So much, in fact, that he uploaded a two-part instruction video showing off some best practices for stabbing Israelis pic.twitter.com/Z12rVo4Enx

— Eitan Fischberger (@EFischberger) June 30, 2024

Then, in 2023, after the son of a Hamas preacher was killed when a device he was trying to launch at Israel exploded, Ajjour mourned his death on Instagram. “Your father’s legacy is proud of you,” he wrote alongside a picture that included what appeared to be a Hamas flag.

And here, Ajjour mourns the death of Bara’a al-Zard, son of Hamas preacher Wael al-Zard.

Silly Bara’a died in an explosion caused by a device he was trying to launch at Israeli forces near the Gaza security fencehttps://t.co/vZR6IW0shF pic.twitter.com/ipQw55BYd7

— Eitan Fischberger (@EFischberger) June 30, 2024

This is not the first time a journalist from The Palestine Chronicle was alleged to have either supported or partaken in terrorism.

Abdallah Aljamal, who was a correspondent for The Chronicle, allegedly held three Israeli hostages in his home, according to the Israeli government. He was killed during a raid that rescued four hostages, including Argamani. After the allegations came to light, The Chronicle changed Aljamal’s status on its website from a correspondent to a contributor.

The Palestine Chronicle did not respond to a request for comment for this story.

Fichberger wrote that he wants the US House Ways and Means Committee to investigate The Chronicle for what seems to have become a pattern.

“If The Chronicle is let off the hook for employing an actual terrorist hostage-taker, it would prove that the American counter-terror legal apparatus really is irreparably broken,” he wrote.

The post Journalist at US-Based Nonprofit Promoted Stabbing Israelis, Depicted Rescued Hostage as Pig Drinking Blood: Report first appeared on Algemeiner.com.

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