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Kneecap Get Kneecapped

Kanye West walking on the red carpet during the 67th Grammy Awards held at Crypto.com Arena in Los Angeles, CA on February 2, 2025. Photo: Elyse Jankowski/Sipa USA via Reuters Connect

JNS.orgThe most successful musicians are those who understand that their art is about spectacle as well as sound. When it comes to popular music, the more controversy there is, the greater the spectacle becomes.

Some of the most well-known artists in modern times have embraced this tactic wholeheartedly. In 1967, the year that The Doors released their magnificent debut album, lead singer Jim Morrison attracted national headlines when police officers dragged him off the stage at a concert in New Haven, Conn., accusing him of inciting a riot. A decade later, as punk emerged, The Sex Pistols achieved international notoriety when they appeared on a primetime show in the United Kingdom and proceeded to swear their way through an interview with the inebriated host, a fellow named Bill Grundy. Much more recently, Kendrick Lamar’s halftime performance at the Super Bowl in New Orleans this past February attracted a record number of viewers for his foray into America’s cultural and racial cauldron, set against the background of his personal quarrels with fellow rappers Lil Wayne and Drake.

The key is to use spectacle as a means of enhancing the appreciation levels of your audience, not something that is easy to do. Kanye West is a good example of an artist who has alienated many fans and admirers with his antisemitic, misogynistic, conspiracy-laden posts on social media, because he manages to be both offensive and yawn-inducing at the same time. In that regard, Kneecap—the Irish rap trio from Belfast whose show at the latest Coachella festival featured a visual display declaring “F*** Israel, Free Palestine”—are more Kanye than Kendrick.

In musical terms, Kneecap do what rappers are supposed to do—sharing stories that shine a light on their lives, their environment, their clothes, their tastes and their attitudes through words that mix Gaelic phrases with English ones. I wouldn’t call them terrible, but neither would I call them exceptional. Anyway, with Kneecap, it’s clear that their sound is less important to them than the spectacle that accompanies it.

To begin with, there’s their name. At the height of the conflict in Northern Ireland from the 1960s to the 1990s, the terrorists of the Irish Republican Army (IRA) turned a noun into a verb. “Kneecapping” was a primitive, nasty form of punishment meted out by the IRA, who sought to exclude the British from any role in the policing of Catholic areas in the six counties, to offenders. If the IRA caught you dealing drugs, engaging in petty theft or any other kind of “anti-social” behavior, they would punish you by firing a bullet into the area around your knee, leaving you alive but disabled.

This method was a component of their broader brutality that manifestly failed to dislodge the Brits, but was used to deadly effect against innocents they deemed as enemies—like the 10 Protestant laborers murdered in cold blood by an IRA squad in January 1976; or the horrible fate of Jean McConville, who in 1972 was kidnapped in the full view of her 10 children and summarily executed on trumped-up accusations of spying for the British.

Kneecap have turned this sordid history into a celebration, directing their bile at other enemies of the IRA as well. They have referred to former British Prime Minister Margaret Thatcher, who passed away 12 years ago, with the obscenity “c***”, even leading their audience in a chant of “Maggie’s in a box” to the tune of KC and the Sunshine Band’s “Baby Give it Up.” They have declared that the only good supporter of the British Conservative Party is a dead one, urging the killing of Conservative members of parliament. They have taken to the stage bellowing “Up Hamas, Up Hezbollah” because in the dunderheaded imaginations of Ireland’s ultranationalists, it’s all one struggle from the Irish Sea to the Mediterranean coast.

Those antics are now biting them in the rear, if not the knees. British police have now opened an investigation into Kneecap’s statements, which violate anti-terror laws, with copious video evidence available to make their case. At least two venues in the United Kingdom, where they continue to play, despite rejoicing in the murder of British citizens, have canceled forthcoming performances by the group.

You have to wonder whether all this is worth it for the group themselves. They may think that their rhetoric is defiant, and they may genuinely believe that the balaclava decked in the colors of the Irish flag worn by band member DJ Provai makes him look edgy (and not like a rapist). But to anyone with some historical perspective, it’s clear that Kneecap are a band living in the past, still fighting a war that ended with the IRA’s disarmament a quarter of a century ago. A bit like Debbie, the frustrated middle-aged woman who is the subject of the song “1985,” Kneecap are buried in references and imagery far older than the band are. When they are not attacking Israel, they attack ghosts. It’s all rather sad.

And yet, this is the game Kneecap decided to play. If they didn’t know that spectacle can be your undoing, as well as your ticket to a golden future, they do now.

Since the birth of popular music in the last century, artists have understood that breaking America is a necessary condition of success. After the disgraceful scenes at Coachella, we should all be echoing music impresario Sharon Osbourne’s call for Kneecap’s US visas to be revoked; otherwise, we risk further glorification of the rapists and murderers of Hamas on our stages and screens.

As of now, Kneecap have two shows scheduled: one for Oct. 1 and the other for Oct. 10 at New York City’s Pier 17. Assuming that their visas are not canceled first, the managers of that venue need to be made aware of the group’s history, along with the fact that U.K. theaters are increasingly reluctant to host them. If an appeal to reason fails, then there is every reason to stage demonstrations outside that are more angry and more raucous than anything Kneecap can exhibit.

Doubtless, they will offer up the same disingenuous, craven apologies as they have done over the past week on the other side of the Atlantic, clearly terrified that no stage will be available to them anymore. We should turn a deaf ear to those. Just as Kneecap’s songs belong in the past, so do they.

The post Kneecap Get Kneecapped first appeared on Algemeiner.com.

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After False Dawns, Gazans Hope Trump Will Force End to Two-Year-Old War

Palestinians walk past a residential building destroyed in previous Israeli strikes, after Hamas agreed to release hostages and accept some other terms in a US plan to end the war, in Nuseirat, central Gaza Strip October 4, 2025. Photo: REUTERS/Mahmoud Issa

Exhausted Palestinians in Gaza clung to hopes on Saturday that US President Donald Trump would keep up pressure on Israel to end a two-year-old war that has killed tens of thousands and displaced the entire population of more than two million.

Hamas’ declaration that it was ready to hand over hostages and accept some terms of Trump’s plan to end the conflict while calling for more talks on several key issues was greeted with relief in the enclave, where most homes are now in ruins.

“It’s happy news, it saves those who are still alive,” said 32-year-old Saoud Qarneyta, reacting to Hamas’ response and Trump’s intervention. “This is enough. Houses have been damaged, everything has been damaged, what is left? Nothing.”

GAZAN RESIDENT HOPES ‘WE WILL BE DONE WITH WARS’

Ismail Zayda, 40, a father of three, displaced from a suburb in northern Gaza City where Israel launched a full-scale ground operation last month, said: “We want President Trump to keep pushing for an end to the war, if this chance is lost, it means that Gaza City will be destroyed by Israel and we might not survive.

“Enough, two years of bombardment, death and starvation. Enough,” he told Reuters on a social media chat.

“God willing this will be the last war. We will hopefully be done with the wars,” said 59-year-old Ali Ahmad, speaking in one of the tented camps where most Palestinians now live.

“We urge all sides not to backtrack. Every day of delay costs lives in Gaza, it is not just time wasted, lives get wasted too,” said Tamer Al-Burai, a Gaza City businessman displaced with members of his family in central Gaza Strip.

After two previous ceasefires — one near the start of the war and another earlier this year — lasted only a few weeks, he said; “I am very optimistic this time, maybe Trump’s seeking to be remembered as a man of peace, will bring us real peace this time.”

RESIDENT WORRIES THAT NETANYAHU WILL ‘SABOTAGE’ DEAL

Some voiced hopes of returning to their homes, but the Israeli military issued a fresh warning to Gazans on Saturday to stay out of Gaza City, describing it as a “dangerous combat zone.”

Gazans have faced previous false dawns during the past two years, when Trump and others declared at several points during on-off negotiations between Hamas, Israel and Arab and US mediators that a deal was close, only for war to rage on.

“Will it happen? Can we trust Trump? Maybe we trust Trump, but will Netanyahu abide this time? He has always sabotaged everything and continued the war. I hope he ends it now,” said Aya, 31, who was displaced with her family to Deir Al-Balah in the central Gaza Strip.

She added: “Maybe there is a chance the war ends at October 7, two years after it began.”

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Mass Rally in Rome on Fourth Day of Italy’s Pro-Palestinian Protests

A Pro-Palestinian demonstrator waves a Palestinian flag during a national protest for Gaza in Rome, Italy, October 4, 2025. Photo: REUTERS/Claudia Greco

Large crowds assembled in central Rome on Saturday for the fourth straight day of protests in Italy since Israel intercepted an international flotilla trying to deliver aid to Gaza, and detained its activists.

People holding banners and Palestinian flags, chanting “Free Palestine” and other slogans, filed past the Colosseum, taking part in a march that organizers hoped would attract at least 1 million people.

“I’m here with a lot of other friends because I think it is important for us all to mobilize individually,” Francesco Galtieri, a 65-year-old musician from Rome, said. “If we don’t all mobilize, then nothing will change.”

Since Israel started blocking the flotilla late on Wednesday, protests have sprung up across Europe and in other parts of the world, but in Italy they have been a daily occurrence, in multiple cities.

On Friday, unions called a general strike in support of the flotilla, with demonstrations across the country that attracted more than 2 million, according to organizers. The interior ministry estimated attendance at around 400,000.

Italy’s right-wing government has been critical of the protests, with Prime Minister Giorgia Meloni suggesting that people would skip work for Gaza just as an excuse for a longer weekend break.

On Saturday, Meloni blamed protesters for insulting graffiti that appeared on a statue of the late Pope John Paul II outside Rome’s main train station, where Pro-Palestinian groups have been holding a protest picket.

“They say they are taking to the streets for peace, but then they insult the memory of a man who was a true defender and builder of peace. A shameful act committed by people blinded by ideology,” she said in a statement.

Israel launched its Gaza offensive after Hamas terrorists staged a cross border attack on October 7, 2023, killing some 1,200 people and taking 251 people hostage.

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Hamas Says It Agrees to Release All Israeli Hostages Under Trump Gaza Plan

Smoke rises during an Israeli military operation in Gaza City, as seen from the central Gaza Strip, October 2, 2025. Photo: REUTERS/Dawoud Abu Alkas

Hamas said on Friday it had agreed to release all Israeli hostages, alive or dead, under the terms of US President Donald Trump’s Gaza proposal, and signaled readiness to immediately enter mediated negotiations to discuss the details.

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