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Kyiv Jews celebrate their 2nd wartime Purim with renewed resolve and optimism
KYIV (JTA) — In a historic building in the most industrial part of Podil, the hipster district of Kyiv that once was the heart of the Jewish trading community, a senior and passionate Esther seduces a much younger Ahasuerus. She flirts with the handsome king to the raucous giggling of the audience, which breaks into applause when the Purim shpiel comes to an end.
A year and a few days into Russia’s full-scale invasion of Ukraine, Jews in Kyiv and the rest of the country have celebrated Purim in precarious economic and emotional circumstances, under the continued threat of Russian attacks. Still, many of them are in much better spirits than in 2022, when the Jewish holiday of joy found Ukrainian Jews in a frantic state of worry and uncertainty about their immediate future.
“A year ago you could see the fear in people’s eyes; now they are very proud because Ukraine has resisted, and Jews are fully involved in the cause,” Rabbi Irina Gritsevskaya told the Jewish Telegraphic Agency during the movement’s Purim celebration in Podil. She is an Israeli rabbi who is the executive director of the Masorti movement-affiliated Schechter Institutes and periodically travels to Ukraine to serve the country’s Masorti communities. Masorti Judaism is similar to the Conservative movement in the United States.
“Last year it was very, very hard, because people were in shock, afraid, and they didn’t know what to do,” said Ariel Markowitz, Kyiv’s most senior rabbi from the Chabad-Lubavitch Orthodox movement, which held its own Purim celebration Monday night. “But now we know that we have a strong army, that we have a chance, and many people have actually returned to Kyiv.”
Rabbi Ariel Markowitz of Chabad Kyiv reads from the Megillah during his community’s Purim celebration, March 6, 2023. (Courtesy Markowitz)
The year-old war has shaken up Ukraine’s Jewish community, with members leaving the country or moving within it to avoid Russian shelling and its effects.
“Everyone has pretty much made a decision on whether to stay or to leave and we are reorganizing our community,” said Gritsevskaya.
Although at least 14,000 Ukrainians have moved to Israel since Russia’s all-out invasion started, and many more thousands have found refuge in Germany and other European countries, Gritsevskaya wants to focus on those who stayed. Estimates of the Jewish population in Ukraine ranged before the war from just under 50,000 to up to 400,000, depending on who counted.
One of the people who left the country was the former Masorti rabbi in Ukraine, Reuven Stamov, who moved with his family to Israel. Currently, the Masorti movement — whose Ukrainian following Grivtseskaya estimates in the thousands — does not have a rabbi permanently in the country. But the community keeps active in Kyiv and other cities, such as Kharkiv in the east, Odessa in the south and Chernivtsi in the southwest, thanks to activists, volunteers and rabbinical students, plus the visits by Gritsevskaya, who first returned for Purim last year.
“Community life has never been so important,” she said.
Gritsevskaya pointed to the difference that having access to material help, connections and emotional and spiritual support makes for those who arrive in new cities from places in the south or the east occupied by Russia or close to the front.
She acknowledged that some Jewish organizations have ceased their operations in Ukraine and stressed the need of strengthening the work of those who are committed to remain, so Jewish life in Ukraine could be as “diverse” as before and people “have options” to choose the way they practice their Judaism.
Among the Ukrainian Jews that decided to stay is the director of the MILI Foundation, the entity that organizes the Masorti community in Ukraine. Maksym Melnikov moved to Kyiv from his native Donetsk in 2014 after Russian-backed separatist militias declared the independence of part of the region and war broke out in Eastern Ukraine.
Rabbi Irina Gritsevskaya poses with community members of the Masorti community in Kyiv, March 6, 2023. (Marcel Gascón Barberá)
“I came when they started to occupy our land in Ukraine,” Melnikov told the Jewish Telegraphic Agency at the Masorti Purim celebration in Kyiv, just before taking the stage to help Gritsevskaya read the Purim Megillah. “Almost a decade later, war came after me to Kyiv, and I don’t want to move this time, I’m staying.”
Since 2014, many of Melnikov’s friends and acquaintances from Donetsk have moved to Kyiv. While Russia’s full-scale invasion has pushed many Jews from Kyiv to move westwards or leave the country, the western city’s communities have received a new infusion of people from the eastern cities more affected by the war.
“Communities are changing constantly countrywide, and we are trying to reach out to those who arrive, both to help them start a new life and to build our community stronger,” said Grivtsevskaya.
She said the Masorti community in Chernivtsi has experienced a notable revival. Situated near the border with Romania, Chernivtsi is one of the few Ukrainian provincial capitals that has not been bombed by Russia, and thousands have moved there. “They have received another family and are very strong right now,” she said about the once-dwindling community in this historical Jewish center, where she hosted a Purim celebration after making her way into Ukraine in March 2022.
The massive uprooting of entire Jewish communities has been experienced keenly by Chabad, which has the largest Jewish presence in the country, with hundreds of emissaries serving Jewish communities in dozens of cities.
“We’ve seen a huge increase in those who come looking for help,” Markowitz told JTA hours before the start of Purim at Chabad’s community center in Kyiv. Many of them, he said, had come from Mariupol, a city bombed into submission by Russia at the beginning of the war.
Scenes of the Purim shpiel at the Masorti community in Kyiv, March 6, 2023. (Marcel Gascón Barberá)
Chabad is one of several organizations providing aid to Ukrainian Jews, including support in obtaining food, medical care and generators that keep power flowing amid widespread outages.
The rise of the demand for these services is not only driven by refugees, but by families and individuals who have lost their source of income due to the economic disruptions caused by the invasion.
“There is inflation, there are less jobs, a lot of companies closed and people lost their jobs or are unable to help their family members,” Markowitz said.
Besides the demographic and economic shake-ups, the war has brought changes in the way Jews relate to their Ukrainian identity. Perhaps the most striking has been a rapid shift away from speaking Russian, the first language of many Ukrainian Jews until recently.
“Even I started learning and speaking Ukrainian and you can definitely see how a new sense of national identity is being born,” Maria Karadin, a Russia-born Israeli who moved to Ukraine with her husband in 2005, said at the Masorti Purim event.
Maiia Malkova is 15 years old and one of the most active young members of the Masorti community in Kyiv.
“Last year I didn’t even think about Purim so much because I was so frightened,” she said while wearing a necklace with a tryzub, the trident that symbolizes Ukrainian statehood and independence. “But we kind of got accustomed to this situation. And it is great to be able to celebrate Purim again.”
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‘Growing Pogrom-Like Atmosphere’: German Antisemitism Commissioner Issues Warning After Synagogue Arson Attack
Anti-Israel protesters march in Germany, March 26, 2025. Photo: Sebastian Willnow/dpa via Reuters Connect
The commissioner to combat antisemitism in the German state of Hesse has sounded the alarm after an arson attack on a local synagogue in the town of Giessen, warning that it reflects a “growing pogrom-like atmosphere” threatening Jewish life across Germany as Jews and Israelis continue to face an increasingly hostile climate.
In an interview with the German newspaper Tagesspiegel, Uwe Becker — who has served in his role since 2019 — condemned the latest attack, saying it occurred “in a poisoned antisemitic climate that is steadily worsening.”
The horrific act occurred in a “growing pogrom-like atmosphere that, as a society in Germany and Europe, we are currently not doing enough to counter,” the German official said.
On Tuesday, a 32-year-old man was arrested after allegedly setting fire to a trash can outside a local synagogue in Giessen, west-central Germany, in an attack that damaged a roller shutter and entrance gate, though no one was harmed.
According to local reports, a Giessen district judge has ordered the suspect to be placed in a psychiatric hospital, citing signs that he may be suffering from a mental illness.
However, the suspect remains in police custody as local authorities investigate the circumstances and motive of the attack, including whether it was politically motivated.
This latest attack came just a week after Andreas Büttner, the commissioner for antisemitism in Brandenburg, northeastern Germany, was targeted for the second time in less than a week after receiving a death threat.
According to the German newspaper Potsdamer Neueste Nachrichten (PNN), the Brandenburg state parliament received a letter earlier this month threatening Büttner’s life, with the words “We will kill you” and an inverted red triangle, the symbol of support for the Islamist terrorist group Hamas.
Authorities are now probing the incident as part of an ongoing investigation into threats against the German official, after his private property in Templin — about 43 miles north of Berlin — was also targeted in an arson attack and a red Hamas triangle was spray-painted on his house.
A former police officer and member of the Left Party, Büttner took office as commissioner for antisemitism in 2024 and has faced repeated attacks since.
“The symbol sends a clear message. The red Hamas triangle is widely recognized as a sign of jihadist violence and antisemitic incitement,” Büttner said in a statement after the incident.
“Anyone who uses such a thing wants to intimidate and glorify terror. This is not a protest, it is a threat,” he continued.
Hamas uses inverted red triangles in its propaganda videos to indicate Israeli targets about to be attacked. The symbol, a common staple at pro-Hamas rallies, has come to represent the Palestinian terrorist group and glorify its use of violence.
In August 2024, swastikas and other antisemitic symbols and threats were also spray-painted on Büttner’s personal car.
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How Alvin Ailey’s ‘Revelations’ evokes Yom Kippur for me
My last semester of college, I had an Alvin Ailey phase.
My time in Philadelphia was rapidly coming to a close and I felt an urge to make it to as many of the performing arts venues in the city as I could (not an easy feat). With a close family friend, I attended my first Alvin Ailey performance at the Forrest Theatre. Soon after, I went to a talk at the African American Museum in Philadelphia about Ailey and the piece The River. That weekend, I also watched the 2021 documentary Ailey. Then I found myself doing a sociolinguistical analysis of Ailey’s most famous work, Revelations, for a class.
To call my interest in Ailey a phase is actually a misnomer since, two years later, I am still an Ailey fan — and now the owner of an actual Alvin Ailey-branded hand fan. Last June, I attended a performance during their run at the Brooklyn Academy of Music and fell in love with Grace, choreographed by Ronald K. Brown. I bought a ticket to see it again, along with Revelations and two shorter works, during their winter season at New York City Center.
While the end of Grace — in which a dozen dancers take a nearly 30-minute-long journey to a promised land — made me tear up, it wasn’t until Revelations that I actually began to cry. It happened during the duet “Fix Me, Jesus,” in which a female dancer searches for spiritual guidance and a male figure depicts divine support.
I was aware of the irony. As a lifelong Jew, I have never wanted Jesus to “fix” me. But the piece moved me to tears nonetheless. Within the gospel music, New Testament themes and African American cultural imagery of Revelations — composed of multiple smaller pieces — is a universal story of desire for redemption and turning to faith in times of great suffering.
The choir that accompanies the dance sings “fix me for my long white robe,” a reference to Revelation 6:11, where those that have lived their life without sin are told they will be given white robes for their ascension to Heaven. I was reminded of the kittel, a plain white robe some in the Ashkenazi tradition wear on Yom Kippur. Some rabbis have interpreted the robe to symbolize the blank slate we are creating for ourselves in the new year. Dressing plainly can also be another way of resisting earthly pleasures on the Day of Atonement. Since some people are also buried in their kittel, another interpretation is that wearing it helps one consider their death and what legacy they want to leave behind, thinking of how they may “fix” themselves to be ready for when they will be brought before G-d.
These echoes of Yom Kippur make another appearance in Ailey’s Revelations in the solo “I Wanna Be Ready.” The single dancer dressed in white alternates between contracting and expanding their body, kneeling and prostrating on the ground, as if they are repenting for something. The choir chants that they want to be ready to put on their long white robes and the lead singer explains he has avoided the temptation to sin so his soul will be ready for death.
This deviates slightly from how I think of preparing for the Day of Judgment. For me, Yom Kippur has always been about acknowledging that we will sin, that we are human, flawed, prone to jealousy and gossip and all those other things we list as we beat our chests during the confessional. In the Reconstructionist Press version of the Prayerbook for the Days of Awe, Rabbi Rami M. Shapiro writes that “we freely admit our failings” in order to “create our atonements.” In the confessional, we are instructed not to tell G-d that “we are righteous, and we have not sinned,” for “indeed we have sinned.”
I have always experienced Yom Kippur as an intense emotional journey to find within myself the ability to do better, be better, perhaps with some divine guidance. This is what I recognized in “Fix Me, Jesus,” this burning desire to exceed our own expectations.
But the yearning of Revelations is not just about individual spiritual reckoning. Throughout the work, you can feel Black Americans pushing toward freedom as they emerge from the degradation of slavery and Jim Crow.
I connect with this existential cultural aspiration to escape systemic degradation both as a Black American and as a Jewish American, descended from enslaved people on one side and pogrom survivors on the other. Although Revelations originated in a specific cultural context — born from Ailey’s experiences growing up in the Black church in 1930s Texas — its broader message about redemption feels unifying across cultural divides. I have imagined seeing Revelations with my paternal grandmother, an active and dedicated member of the Black Presbyterian church. Even if we were to appreciate the dance’s spirituality for different reasons — her for the work’s reflection of her faith in Jesus, me for its raw portrayal of an intense desire to improve — it’s something that would move both of us.
Probably my tears were triggered by the intensity of the piece and the beauty of its dancers and not by some spiritual awakening. Still, despite — or really, because of — the emotional unrest Alvin Ailey put me through, they will probably be seeing me again soon.
The post How Alvin Ailey’s ‘Revelations’ evokes Yom Kippur for me appeared first on The Forward.
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Police Chief in UK Retires After Facing Scrutiny for Banning Israeli Maccabi Tel Aviv Fans From Soccer Match
WMP Chief Constable Craig Guildford speaking before the Home Affairs Committee on Jan. 6, 2026. Photo: Screenshot
West Midlands Police (WMP) Chief Constable Craig Guildford retired on Friday effective immediately after increasing public scrutiny and revelations over his use of “exaggerated or simply untrue” intelligence to justify a ban prohibiting Maccabi Tel Aviv soccer fans from attending a match late last year.
Simon Foster, the police and crime commissioner of WMP, announced Guildford’s retirement in a formal statement delivered outside Birmingham’s Lloyd House, which is the headquarters of the West Midlands police force. Guildford will collect his full pension after three decades of service. Foster thanked Guildford for his service and said he welcomes the chief constable’s decision to retire. He added that Guildford’s stepping down is in the “best interest” of the police force and the local community.
Guildford’s retirement follows the decision of the Birmingham City Council Safety Advisory Group, based on the recommendation of West Midlands Police, to ban traveling Maccabi Tel Aviv soccer fans from attending the Europa League soccer match between Aston Villa and the Israeli team on Nov. 6, 2025, at Villa Park in Birmingham due to “public safety concerns.”
The announcement also comes just two days after British Home Secretary Shabana Mahmood told the British Parliament that she has lost confidence in Guildford. The minister said she came to the conclusion after receiving a “damning” and “devastating” report by Sir Andy Cooke, his Majesty’s chief inspector of constabulary, on Wednesday that revealed several failings by the WMP force in relation to its recommendation to ban Maccabi soccer fans, including “misleading” public statements and “misinformation” promoted by the police.
Foster acknowledged on Thursday that the police forced faced “understandable intense and significant oversight and scrutiny.”
“The findings of the chief inspector were damning. They set out a catalogue of failings that have harmed trust in West Midlands Police,” Mahmood said in a statement following Thursday’s announcement. “By stepping down, Craig Guildford has done the right thing today … Today marks a crucial first step to rebuilding trust and confidence in the force amongst all the communities they serve.”