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Lily Henley, 31, Ladino singer/songwriter

Lily Henley, 31, is a Brooklyn-based folk singer, songwriter and multi-instrumentalist whose most recent release, an album of new Ladino songs, “Oras Dezaoradas” (“Hours Without Hours”), was named the album of the year by our partners at Hey Alma. “I grew up playing fiddle and singing often at home with my family in English, Hebrew and Ladino, and listening to a wide palette of music from all over the world,” Henley tells us. Influenced by traditional Sephardic songs and culture, along with Celtic, folk and pop music, the album, which was recorded in Brooklyn during the pandemic, “is an exploration of transience, heartbreak, autonomy and change, and includes both completely original songs and also new melodies which I wrote to cradle traditional lyrics as Sephardi singers have done throughout our history,” she says. 

For the full list of this year’s 36 to Watch — which honors leaders, entrepreneurs and changemakers who are making a difference in New York’s Jewish community — click here.

Who is your New York Jewish hero?

There are so many, but I’m going to say my father, Eric Henley. It will surprise him, because he’s one of those rare people who never really looks for any sort of congratulations from anyone. He loves to be part of a team, and what he cares most about is having a meaningful effect in what he does every day. He’s an MD and MPH who has worked in public health for his entire career. He’s someone who is always educating themselves and who almost never gives advice without being asked. When he finally retired from full-time work a little while ago there were so many people I had never met who cried and said he had been their most important mentor. There’s almost nothing he enjoys more than music, and he’s always been supportive of the winding and uncertain path I’ve been on as an artist.

What’s a fun/surprising fact about you?

I am the proud owner of pet snails (not kosher, but very beautiful).

How does your Jewish identity or experience influence your work?

As a singer working in both English and an endangered Jewish language, Jewish identity is both a source of continued inspiration at the heart of everything I do artistically, and something which has caused a great deal of complicated self-examining. It is important to me to shine a light on underrepresented Jewish culture, history and experience, to connect to the wider Jewish world, and at the same time to continue to use my music and my voice to bridge the divide between Jewish and non-Jewish culture in a way that rejects assimilation and monolithic expressions of identity and creativity. I see pathways and parallels between my own complex Jewish experience and the experiences of people from a myriad of identities and backgrounds, and I see my music as an expression of my desire to connect to people regardless of our differences.

Was there a formative Jewish experience that influenced your life path?

When I was 8 my mother helped organize a community Pesach seder in Crestone, Colorado. It was attended by nuns from a local Carmelite monastery, the caretakers and attendees of the Hindu ashram, monks from the neighboring Buddhist temple, members of a nearby Protestant church and a myriad of community members. The seder was lead by a 70-year-old Holocaust survivor from Germany, and in preparation, our Hebrew-speaking neighbor taught my sister and me the four questions along with a handful of beautiful Hebrew songs, many with Sephardi melodies. My sister and I still sing these on Shabbat with our family.

What is your favorite place to eat Jewish food in New York?

Historically, all the best Jewish food has been found on my grandmother’s table!

How can people follow you online?

@lilyhenley on Instagram or at lilyhenley.com

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The post Lily Henley, 31, Ladino singer/songwriter appeared first on Jewish Telegraphic Agency.

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‘Nobody Wants This’ star Adam Brody on Gaza: ‘Put me down as thinking it’s a genocide’

Adam Brody, the Jewish actor who plays a “hot rabbi” on the hit Netflix rom-com Nobody Wants This, called the war in Gaza a genocide in a new interview, making him one of just a few Jewish celebrities to speak out publicly against the Israeli campaign.

The comments came in an interview with GQ about Brody’s efforts canvassing for Democratic candidates in the upcoming midterms.

“Put me down as thinking it’s a genocide. Put me down as wanting a free Palestine,” he said. “It’s awful that it’s taken so much death and misery, but it does feel like it’s reaching a breaking point that it should have a while ago. I’m hopeful that another administration can really do some good and correct some of these policies that are helping that situation be as awful as it is.”

The claim of genocide in Gaza is heavily disputed. Several international bodies, human rights organizations and academic institutions have concluded Israel’s actions in Gaza since Oct. 7 fit the description, including a United Nations Commission of Inquiry. Other similar groups, like the International Court of Justice, have not applied the term.

Brody’s comments were surprising in part because he had previously kept his feelings about the war private, even as other leading Hollywood figures openly criticized it. He does not maintain a public social media presence, and he did not participate in pin-wearing campaigns or sign various petitions related to the war — an approach he indicated he might change going forward.

“I’m not wearing a pin, so I’m not inviting a certain question, and perhaps I should,” he said. “I really admire people who do. But 99% of what I’m asked about is about the show. I’m not trying to plead ignorance—here we are doing a political interview, so it makes sense that we wade into this territory—but I’ve never ducked a question, really, not a political question anyway.”

Brody — who came to fame in the 2000s as the teenager Seth Cohen on The O.C. — joins Hacks star Hannah Einbinder and Wallace Shawn (The Princess Bride) as perhaps the most high-profile Jewish actors to publicly call the war a genocide. Other Jewish entertainment figures, like Mandy Patinkin and The Zone of Interest director Jonathan Glazer, have criticized the war but stopped short of calling it a genocide.

Yet Brody’s comments are perhaps especially notable because of the character he plays on TV. In Nobody Wants This, Brody plays a rabbi dating a non-Jewish woman — introducing her to the beauty and foibles of Jewish faith and culture. Israel has been conspicuously absent from the show, with its creator, Erin Foster, saying she deliberately avoided geopolitics.

Season 3 of Nobody Wants This releases to Netflix October 22.

The post ‘Nobody Wants This’ star Adam Brody on Gaza: ‘Put me down as thinking it’s a genocide’ appeared first on The Forward.

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Why Mamdani remains focused on Israel as NYC mayor

When Israeli Prime Minister Benjamin Netanyahu spoke at the UN this week, New York City Mayor Zohran Mamdani was there — not in body, but in spirit, having condemned the Israeli prime minister and previously encouraged protests against him.

As a leader in the Jewish community, I know that many American Jews oppose Netanyahu’s government. But many also believe strongly that Israel’s survival as a Jewish homeland is critically important. They, therefore, feel boxed in by the mayor: compelled by conscience to oppose Israel’s leader and to condemn Mamdani’s repeated attacks on Israel’s existence, many of which they find offensive and dangerous.

Because of my previous work for Mayor Bloomberg, I am often asked by Jewish community members why this mayor so frequently puts them in this painful bind. The answer, I believe, lies in motivations worth understanding more clearly.

Of course, Mamdani’s focus on Israel seems partially motivated by principle. He clearly thinks Israel is illegitimate and opposes how it defends itself. I take him at his word that these convictions are sincere. But sincerity still does not explain his single-mindedness. A mayor willing to absorb this much political friction must see some benefit. But what?

To understand, let’s reexamine the 2025 election, often described as a “political tsunami.” The facts, however, are more complicated. Mamdani did defeat his closest opponent by nearly 10%, but in so doing he secured under 51% of the total vote – against a flawed and divided opposition. Viewed this way, his impressive margin seems less sweeping and much narrower.

More important than his electoral margin, though, is the coalition that produced it. His victory rested heavily on three blocs: self-identified very liberal voters; and Muslim and South Asian voters, who turned out in historic numbers. South Asian and Indo-Caribbean turnout, for example, rose 350% between 2021 and 2025, with 87% of South Asian votes going to Mamdani. Analyzing available data, I believe that, taken together, these three blocs accounted for well over 50% of all Mamdani votes.

What makes this coalition intriguing is that it consists of such strange bedfellows. The blocs differ sharply on many key local issues. On same-sex marriage, PRRI’s American Values Atlas found 33% support among Muslim-Americans in 2024, with support among very liberal Americans substantially higher. The divergence is similarly stark on policing, education, and many other policies.

In fact, it is hard to identify many things uniting these blocs besides this candidate: a skilled politician speaking the language of the left, while activating Muslim and South Asian voters just as Mayors Bloomberg and Koch activated Jewish voters and Mayors Adams and Dinkins activated Black voters.

Which brings us back to Israel.

When one barely ekes out a majority against flawed opponents, and one’s coalition is fundamentally misaligned, one must find ways to hold it together. To this end, Mamdani seems to be taking a page from Donald Trump. When Trump’s coalition buckles, he reaches for a “shiny distraction” — attacks on the press; trade wars; threatened invasions of Greenland. For Trump, the specifics are almost irrelevant; what matters is the theater of conflict and the distraction it produces.

For Mamdani, his Greenland is Israel.

Yes, it is a subject on which he holds sincere convictions. But, more importantly, it is one of few issues on which his coalition agrees. His relentless focus on Israel — to the exclusion of other worthy targets, including grave human rights offenders across South Asia and the Muslim world — is no accident. It is a political calculation allowing him to don the mantle of moral crusader while keeping his coalition on-side and united.

For those who believe Mamdani’s politics pose a danger to the Jewish community and want to slow his political momentum, this analysis yields two insights.

First, trying to persuade the mayor to soften his Israel attacks is unlikely to succeed. Doing so is not his inclination or in his political interests.

Second, and maybe more interestingly, Mamdani has a vulnerability that he seems to recognize – a fragile coalition. Allowing Mamdani to
make Israel his “shiny distraction” and engaging him on it plays his game. A different approach would be to defend Israel as-needed, but focusing efforts on pressing Mamdani to do his job – for example, elevating important issues, such as specialized high school admissions practices, on which his coalition happens to be divided.

The upshot? When smart politicians do things that seem politically risky, they usually see something others do not. Mamdani’s Israel focus offers a case-in-point. Those looking to respond should consider resisting the temptation to take the bait when possible. The wiser strategy is to engage under different rules: defending Israel when necessary, then pivoting to the difficult local issues from which Israel is meant to distract.

The post Why Mamdani remains focused on Israel as NYC mayor appeared first on The Forward.

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New voices in Yiddish: A prose and poetry contest

לכּבֿוד דעם 85סטן יאָר זינט מע האָט פֿאַרלייגט דעם ייִדישן זשורנאַל „אױפֿן שװעל“, וועט די אָרגאַניזאַציע וואָס שטיצט דעם זשורנאַל, די „ייִדיש־ליגע“, דורכפֿירן אַ קאָנקורס פֿון נײַע ייִדיש־שפּראַכיקע לידער און פּראָזע.

אַ זש‮ורי פֿון אָפּגעקליבענע מומחים וועט אָפּשאַצן די אַרבעטן, און די דרײַ בעסטע פֿון ביידע קאַטעגאָריעס וועלן באַלוינט ווערן מיט געלטפּרעמיעס.‮

די פּראָזע־שאַפֿונגען קענען זײַן ביז 2,500 װערטער, און אַלע אַרײַנגעשיקטע מאַטעריאַלן מוזן זײַן נאָך נישט קיין געדרוקטע. דער טערמין אַרײַנצושיקן די שריפֿטן איז דער 31סטער אָקטאָבער 2026.

די געוו‮‮ינ‮ער-ווערק, און בכלל אַן אָפּקלײַב פֿון די אַרײַנגעשיקטע שאַפֿונגען, וועט מען אויך דרוקן אין דעם יובֿל-נומער. „זאָלן אונדזערע לייענערס געניסן פֿון ‮נײַע ליטעראַרישע שאַפֿונגען אויף מאַמע-לשון!“ האָט די שעף־רעדאַקטאָרין פֿון „אויפֿן שוועל“, מרים טרין, געזאָגט.

די שריפֿטן שיקן מען דורך בליצפּאָסט צו info@leagueforyiddish.org.

The post New voices in Yiddish: A prose and poetry contest appeared first on The Forward.

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