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Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it.
NEW YORK (JTA) — Sidney Brustein, Jewish Hamlet?
Anne Kauffman thinks so. She made the comparison in a phone interview about the play she’s directing — a buzzy production of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window” that opened on Monday at the Brooklyn Academy of Music starring Oscar Isaac and Rachel Brosnahan.
“One artistic director who was thinking of doing this [play] was like, ‘You know, it’s not like he’s Hamlet, but…’ And I thought, well, no, actually I think he is like Hamlet!” she said.
She added another take: “I feel like he’s Cary Grant meets Zero Mostel.”
Hansberry saw just two of her works produced on Broadway before her death from cancer at 34 in January 1965. Her first, “A Raisin in the Sun,” which follows a Black family dealing with housing discrimination in Chicago, is widely considered one of the most significant plays of the 20th century. The other, “The Sign in Sidney Brustein’s Window,” ran for a few months in the fall of 1964 until Hansberry’s death and has only been revived a handful of times since, all outside of New York.
Now, the star power of Isaac and Brosnahan is driving renewed interest in the play, which deals with weighty questions about political activism, self-fulfillment in a capitalist world, and racial and ethnic identity — including mid-century Jewish American identity.
The Brustein character, as Kauffman alluded to, is many things. A resident of Greenwich Village deeply embedded in that historic neighborhood’s 1960s activist and artistic circles, he is somewhat of a creative renaissance man. At the start of the play, his club of sorts (“it was not a nightclub” is a running joke) called “Walden Pond” has just shuttered and he has taken over an alternative newspaper. As the script reads, Brustein is an intellectual “in the truest sense of the word” but “does not wear glasses” — the latter description being a possible jab at his macho tendencies. Formerly an ardent leftist activist, he is now weary of the worth of activism and a bit of a nihilist. He’s in his late 30s and is a musician who often picks up a banjo.
Brustein is also a secular Jew, a fact that he telegraphs at certain key emotional and comedic moments. Others, from friends to his casually antisemitic sister-in-law, frequently reference his identity, too.
At the end of the play’s first half, for example, Brustein brings up the heroes of the Hanukkah story in talking about his existential angst — and his stomach ulcer. He has become belligerent to his wife Iris and to a local politician who wants Brustein’s paper’s endorsement.
“How does one confront the thousand nameless faceless vapors that are the evil of our time? Can a sword pierce it?” Sidney says. “One does not smite evil anymore: one holds one’s gut, thus — and takes a pill. Oh, but to take up the sword of the Maccabees again!”
Hansberry’s decision to center a white Jewish character surprised critics and fans alike in 1964 because many of them expected her to follow “A Raisin in the Sun” with further exploration of issues facing Black Americans, said Joi Gresham, the director of the Lorraine Hansberry Literary Trust.
“The major attack, both critically and on a popular basis, in regards to the play and to its central character was that Lorraine was out of her lane,” Gresham said. “That not only did she not know what she’s talking about, but that she had the nerve to even examine that subject matter.”
Hansberry’s closest collaborator was her former husband Robert Nemiroff, a Jewish New Yorker whom she had divorced in 1962 but maintained an artistic partnership with. Nemiroff was a bit Brustein-like in his pursuits: he edited books, produced and promoted Hansberry’s work, and even wrote songs (one of which made the couple enough money to allow Hansberry to focus on writing “A Raisin in the Sun”). But Gresham — who is Nemiroff’s stepdaughter through his second marriage, to professor Jewell Handy Gresham-Nemiroff — emphasized that his personality was nothing like Brustein’s. While Brustein is brash and mean to Iris, Nemiroff was undyingly supportive of Hansberry and her work, said Gresham, who lived with him and her mother at Nemiroff’s Croton-on-Hudson home — the one he had formerly shared for a time with Hansberry — from age 10 onward.
Instead, Gresham argued, the Brustein character was the result of Hansberry’s deep engagement with Jewish intellectual thought, in part influenced by her relationship with Nemiroff. The pair met at a protest and would bond over their passion for fighting for social justice, which included combating antisemitism. The night before their wedding, they protested the execution of Julius and Ethel Rosenberg, and they would remain highly involved in the wave of activism that blossomed into the Black-Jewish civil rights alliance.
“Bob and Lorraine met and built a life together at a place where there was a very strong Black-Jewish nexus. There was a very strong interplay and interaction,” Gresham said. “I think Lorraine was very influenced by Bob’s family, the Nemiroffs, who were very radical in their politics. And so there was a way in which she was introduced to the base of Jewish intellectualism and Jewish progressive politics, that she took to heart and she was very passionate about.”
Robert Nemiroff and Lorraine Hansberry were married from 1953-62. They are shown here in 1959. (Ben Martin/Getty Images)
Hansberry didn’t hesitate to criticize Jewish writers who said controversial things about Black Americans, either. When Norman Podhoretz wrote “My Negro Problem — And Ours,” an explosive 1963 article in Commentary magazine now widely seen as racist, Hansberry responded with a scathing rebuke. She also sparred with Norman Mailer, who once wrote an essay titled “The White Negro: Superficial Reflections on the Hipster.”
Gresham said Brustein’s nihilism represents what Hansberry saw in a range of Jewish and non-Jewish white writers, whom she hoped could be kickstarted back into activism. But Hansberry also nodded to the reasons why someone like Brustein could feel defeated in the early 1960s, a decade and a half after World War II.
“You mean diddle around with the little things since we can’t do anything about the big ones? Forget about the Holocaust and worry about — reforms in the traffic court or something?” Brustein says at one point in the play to a local politician running as a reformer.
Daniel Pollack-Pelzner, a Jewish scholar of literature who has written on Hansberry, said the resulting Brustein character is a very accurate depiction of a secular Jew at the time — both keenly attuned to prejudice in society and also lacking some understanding of the experience of being Black.
“I was just intoxicated that Hansberry could conjure that world, both so affectionately, but also so clear-sidedly that it seems like she can see the limitations of all of the characters’ perspectives,” he said. “But she also represents them with sympathy and humor.”
Kauffman, who also helmed a revival of the play in Chicago in 2016, is impressed with how “fully fledged” the Brustein character is.
“Who are the cultural icons who have sort of articulated the Jew in our culture in the last 50 years or 60 years, you know?” she said. “Brustein is not a caricature of a Woody Allen character, he’s not even ‘Curb your Enthusiasm’ or a Jerry Seinfeld character. He’s a fully drawn character.”
Isaac, who is of mainly Guatemalan and Cuban heritage, has played Jewish characters before, including a formerly Orthodox man in an Israeli director’s remake of the classic film “Scenes From a Marriage.” In the lead-up to this play, he has largely avoided getting caught in headlines focused on the “Jewface” debate, over whether non-Jewish actors should be allowed to play Jewish characters on stage and screen.
But when asked about the responsibility of playing a Jewish character in a New York Times interview, Isaac referenced the fact that he has some Jewish heritage on his father’s side.
“We could play that game: How Jewish are you?” he said to interviewer Alexis Soloski, who is Jewish. “It is part of my family, part of my life. I feel the responsibility to not feel like a phony. That’s the responsibility, to feel like I can say these things, do these things and feel like I’m doing it honestly and truthfully.”
When Kauffman directed a version of the play at the Goodman Theater in Chicago in 2016, her lead actor had “not a single drop of Jewish heritage…in his blood,” and she said she had to convey “what anger looks like” coming from a Jewish perspective. Working with Isaac has been different — instead of starting at a base of no knowledge, she has been pushing for more of an Ashkenazi sensibility than a Sephardic one.
“I believe that his heritage leans, I’m guessing, more towards Sephardic. And mine is pure Ashkenazi,” she said. “We sort of joke: ‘[The part] is a little bit more Ashkenazi than that, you know what I mean?’ Like, ‘the violence is actually turned towards yourself!’”
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The post Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it. appeared first on Jewish Telegraphic Agency.
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Israeli Report Sounds Alarm Over ‘America Only’ Faction Influencing US Right
Tucker Carlson speaks at Indiana University in Bloomington, Indiana, Oct. 21, 2025. Photo: Gage Skidmore/ZUMA Press Wire via Reuters Connect
Israel’s Ministry for Diaspora Affairs and Combating Antisemitism has published a new report warning of a high-stakes schism among US President Donald Trump’s so-called “Make America Great Again” (MAGA) movement propelled by an “America Only” alliance known for advancing antisemitic invective.
“The picture emerging from the report is concerning: Alongside significant American support for the war against the Iranian terror regime, a discourse is expanding in the US that attempts to present Israel as acting manipulatively, as if it dragged the US into war,” Amichai Chikli, minister for diaspora affairs and combating antisemitism, said in a statement announcing the research.
“This is a dangerous discourse that often devolves from political and diplomatic criticism into conspiratorial rhetoric with a sharp antisemitic aroma,” he continued. “Our role is to identify these trends in time, alert people to them, and act together with our partners to understand deep-seated trends and know how to prepare and respond to them.”
Avi Cohen-Scali, the government ministry’s director general, added that “we identify an increasingly tightening connection between internal political debate in the US and the dissemination of anti-Israel and antisemitic messages online.”
The report, released on Thursday, analyzes the public sentiment of Republicans and conservatives regarding the US-Israeli military campaign against the Islamic regime in Iran. It defines two alliances on the American political right which have voiced opposition to the joint strikes: so-called “America First” and “America Only.” The Israeli researchers characterize the former faction as “restraint-oriented,” noting that adherents argue “”the strikes contradict anti-war campaign rhetoric, risk drawing the United States into another prolonged Middle East conflict, and impose economic costs that undermine domestic priorities.”
Advocates of this approach have also advanced narratives around the term “Israel First,” which the report describes as “including antisemitic claims alleging disproportionate Israeli or Jewish influence over US foreign policy, as well as slogans such as ‘dying for Israel’ that frame the war as serving foreign rather than American interests.”
The report names and profiles three prominent podcasters it identifies with this mentality: Tucker Carlson, Candace Owens, and Joe Rogan, as well as streamer Sneako (Nicolas Kenn De Balinthazy).
In contrast, the Israeli researchers name “a more radical fringe, sometimes referred to as ‘America Only,’ which promotes extreme isolationism combined with conspiratorial, white nationalist, and antisemitic narratives.”
In this category, the report offers six profiles, leading with former US Rep. Marjorie Taylor Greene (R-GA), who features “America Only” in her descriptor and banner on her X social media account where she routinely shares her views with 1.6 million followers. The report notes five others and includes data about their followings on billionaire Elon Musk’s X website: white nationalist podcaster Nick Fuentes (1.3 million), former mixed martial arts fighter Jake Shields (over 900,000), British-American influencer Sam Parker (over 300,000), neo-Nazi Lucas Gage (over 286,000 but now blocked), and radio host Stew Peters (over 900,000).
According to the report, “the core distinction between right-wing populists (America First) and white nationalists (America Only) lies in how they define the in-group.”
While America First advocates “emphasize culture, nativism, and hostility toward elites,” those in America Only “place race and ancestry at the center of their worldview and openly support either the maintenance or restoration of white dominance. Their ideology prioritizes the preservation of ‘ethnic purity’ and often rests on explicit racial doctrines that can also shape their positions on foreign and international policy.”
Researchers describe how these voices “play a central role in shaping discourse, particularly among younger audiences, amplifying anti-war messaging and framing the conflict as misaligned with American interests.”
Noting that polls show Republican support for the war with Iran is limited with voters expressing caution about sending soldiers back to the Middle East, the report says that “divisions within conservative media and among some Republican figures, particularly within ‘America First’ and ‘America Only’ circles, indicate that support could weaken if the conflict becomes prolonged, expands operationally, or imposes sustained economic costs.”
These divisions do not remain in the domestic sphere. The ministry describes how pro-Iran networks “amplify narratives of American opposition to the conflict to deepen perceived divisions. These trends may have implications for Jewish and Israeli communities in the United States, particularly in relation to the risk of increased antisemitic discourse and incidents.”
The report cites polling showing a collapse of the American public’s sympathy for Israel (down to 36 percent, according to a recent Gallup survey) in the Israeli-Palestinian conflict, with – for the first time ever – more Americans now aligning with the Palestinians (41 percent). This has flipped from February 2025 when 46 percent stood with the Jewish state and 33 percent supported the Palestinians.
While most of this rising anti-Israel sentiment has grown among Democrats, the report notes that “among Republicans, the same tendencies are evident to some degree, but the changes are significantly smaller. Among Republicans, sympathy for Israel decreased from 80 percent in 2021 to 70 percent in 2026, while sympathy for Palestinians edged up from 10 percent to 13 percent.”
A survey of 1092 people conducted from March 26-30, released on Thursday by YouGov and the Center for Public Opinion at UMass Lowell, offers further illumination about the potential levels of American enthusiasm for these ideologies.
Asked whether the close US-Israel alliance does more to help or harm the American national interest, 42 percent said more to hurt, 29 percent said more to help, and 29 percent said neither. Among Republicans those figures were 23 percent more to hurt, 52 percent more to help, and 24 percent neither.
Analyzing the survey results, CNN senior political reporter Aaron Blake shared data and noted that “Tucker Carlson isn’t that popular among Republican-leaners anymore,” with 31 percent having a favorable opinion compared to 24 percent unfavorable. Overall, 38 percent of respondents said they have an unfavorable view of him, compared to 17 percent favorable.
Even among Carlson’s heaviest bloc of backers – self-identified conservatives — the former Fox host showed limited support. While 34 percent of conservatives expressed a favorable opinion, 26 percent affirmed “unfavorable,” 31 percent offered no opinion at all, and 10 percent had never heard of him. Meanwhile, the poll showed that 7 percent of Democrats and self-described liberals expressed favorable views.
The pollsters also researched how Carlson would potentially fare against California Gov. Gavin Newsom and Rep. Alexandria Ocasio-Cortez (D-N.Y.), two widely floated potential Democratic presidential candidates, in the 2028 contest.
Head-to-head with the California leader, 25 percent of voters would support Carlson, while 33 percent would vote for Newsom and 20 percent would refuse to vote. Two percent of Democrats said they would back Carlson while six percent of Republicans said they would vote for Newsom, as did 7 percent of conservatives.
Up against Ocasio-Cortez, the numbers remained similar with 25 percent saying they would support Carlson and 32 percent backing the leader behind the so-called “squad” of left-wing congressional representatives.
Many observers in the media have speculated that Carlson could run for president in 2028.
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Antisemitic Social Media Personality Dan Bilzerian Launches Longshot US Congressional Bid Against Randy Fine
Dan Bilzerian arrives at the Fashion Nova x Cardi B Collection Launch Party held at the Hollywood Palladium on May 8, 2019, in Hollywood, Los Angeles, California, United States. Photo: Xavier Collin/Image Press Agency/NurPhoto via Reuters Connect
Antisemitic social media personality Dan Bilzerian launched a bid for the US Congress this week, setting off a firestorm of controversy as he seeks to unseat incumbent Republican Rep. Randy Fine in Florida’s 6th Congressional District, a race already defined by personal attacks and inflammatory rhetoric.
Bilzerian, who grew a massive social media presence by showcasing his hedonistic lifestyle, formally filed paperwork on Tuesday to run as a Republican, challenging Fine in what is shaping up to be one of the most unconventional GOP primaries of the 2026 election cycle.
During an interview with TMZ this week, Bilzerian was confronted over his previous comments referring to Fine as a “fat Jew.” He responded by condemning Fine as a “Jewish supremacist and he puts Israel ahead of America, and I think that, you know, he should be tried for treason.” Bilzerian also dismissed antisemitism as a “made-up term.”
“I think we just have a big Jewish supremacy problem in the country, and everyone’s talking about it, and nobody’s doing anything about it,” he told the Daytona Beach News-Journal in a separate interview, echoing a message he has previously posted on social media.
The remarks drew swift backlash online and placed Bilzerian’s candidacy under intense scrutiny, raising questions about the viability of the campaign.
Fine responded forcefully, arguing that Bilzerian’s comments were not accidental but reflective of deeper hostility. He said the rhetoric demonstrated that his challenger is unfit for public office and outside the bounds of acceptable political discourse.
“This isn’t about disagreement,” Fine said in a media appearance. “It’s about whether someone who speaks this way about an entire group of people belongs anywhere near Congress.”
Fine responded directly to Bilzerian’s condemnations, suggesting to TMZ that the social media provocateur views the Jewish religion “as some sort of negative thing.”
During the TMZ discussion, Bilzerian also used the n-word, comments which drew sharp criticism from Fine.
“It’s my view that anyone who can use that word so easily, probably uses it in their everyday language and that’s not a word that I believe has any place in the Republican party and I’m not interested in platforming it,” Fine said.
The congressman has pledged not to back down and also touted his close ties to US President Donald Trump.
“Congressman Randy Fine is the only person in America that President Trump has endorsed three times in the past two years, including in his current reelection,” a spokesperson for the lawmaker told The Hill, describing the Florida Republican is one of Trump’s “greatest allies.”
“Randy Fine will never back down in the face of any effort to impeach President Trump and obstruct the will of the American people,” the spokesperson added.
The clash has highlighted the unusually combative tone of the race. While Fine has positioned himself as a mainstream conservative with strong ties to Trump, he is no stranger to controversy himself. Critics have previously pointed to his own inflammatory statements about Muslims and Palestinians, which resurfaced in recent interviews as the campaign feud intensified.
Fine has repeatedly justified Islamophobia as “rational” rather than a form of bigotry.
“We need more Islamophobia, not less. Fear of Islam is rational,” Fine wrote on X.
He has warned about the “Islamification of America” and cautioned that the growing influence of Islam could lead to the banning of pet dogs.
“If they force us to choose, the choice between dogs and Muslims is not a difficult one,” Fine posted on X.
Despite weathering a bevy of controversies, Fine has sought to reinforce his standing with conservative voters. He announced this week that he is joining the House Freedom Caucus, a move that underscores his alignment with the GOP’s most conservative faction and signals an effort to consolidate support ahead of the primary.
Despite the backlash, Bilzerian has not backed down. He has insisted that his remarks are being mischaracterized and has continued to attack Fine on social media.
In the immediate aftermath of Hamas’s Oct. 7, 2023, massacre across southern Israel, Bilzerian transformed his public image from a social media provocateur to a prominent critic of Israel and Judaism writ large.
Bilzerian has engaged in Holocaust denial, saying during an interview with British journalist Piers Morgan that casualty figures of the genocide have been “revised” and he “would bet [his] entire net worth that it was under 6 million.” He has also declared that “Jewish supremacy is the greatest threat to the world today” and denied that Jews experience antisemitism in any meaningful way, asserting that Palestinians are “the real semites.” Bilzerian has also parroted the unsubstantiated conspiracy theory that Israel orchestrated the assassination of US President John F. Kennedy and claimed that the Israeli government also killed Libyan President Muammar Gaddafi in 2011.
“I wasn’t there, but everything I’ve seen, evidence-wise, points to Israel,” Bilzerian said.
For now, the race remains heavily tilted in Fine’s favor, given his incumbency, established political track-record, and close relationship with Trump.
Bilzerian, a Florida native, currently resides in Las Vegas, Nevada and possesses no political experience. His repeated antisemitic and anti-Israel commentary is likely to serve as a liability in a conservative district with a significant Jewish population.
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42 Jewish authors slam Jewish Book Council for ‘bias toward centering Israeli and Zionist voices’
(JTA) — Dozens of anti-Zionist and non-Zionist Jewish authors are criticizing the Jewish Book Council, a historic literary group, for what they said was a “bias toward centering Israeli and Zionist voices” and “narrowing its vision to a Zionist approach to Jewish culture.”
A new open letter signed by 42 authors argues that the council, which was founded in 1925, should commit itself more to spotlighting Jewish voices who disagree with traditional Zionism and should not have showcased Israeli and Zionist voices after Hamas’ Oct. 7, 2023, attack on Israel.
“Because the JBC is our most visible and longstanding Jewish literary institution, its focus on Zionist authors and books gives both Jewish and non-Jewish readers the false impression that Jewish books are inherently Zionist,” the open letter, published Thursday by “a Concerned Group of Jewish Writers,” argues.
Notable signatories include Israeli-Dutch novelist Yael van der Wouden, whose 2024 debut “The Safekeep,” a Jewish LGBTQ romance set in postwar Amsterdam, was shortlisted for a Booker Prize and won an award from the Jewish Book Council; memoirist Qian Julie Wang, whose book “Beautiful Country” was a New York Times bestseller, recommended by former President Barack Obama and winner of an award given by the council; novelist Adelle Waldman, author of “Help Wanted”; and Michael David Lukas, a professor at San Francisco State University and past winner of both the National Jewish Book Award and Jewish literature’s prestigious Sami Rohr prize for his 2018 novel “The Last Watchman of Old Cairo.”
Yael van der Wouden, winner of the 2025 Women’s Prize for Fiction, during The Women’s Prize Trust Summer Party & Awards Ceremony 2025 at Bedford Square Gardens on June 12, 2025 in London, England. (David Levenson/Getty Images)
The Jewish Book Council was founded to support and award Jewish authors and topics. In addition to handing out the annual National Jewish Book Awards, the council also connects authors with Jewish speaking engagements, publishes reviews of Jewish books, and provides other forms of support. In 2024, after a list purporting to expose “Zionist” authors circulated online, the council launched a hotline to report antisemitism in the books world.
The council’s CEO, Naomi Firestone-Teeter, told the Jewish Telegraphic Agency the letter represented a “difference in expectations” about what the institution can stand for.
The authors said they initially contacted the council’s leadership in private last year, engaging in a dialogue over a list of specific concerns. Those included the council’s failure to define antisemitism in its reporting tool, as well as its stated support of Israel and Israeli authors in recent awards ceremonies.
The authors also urged the council to state that criticism of Israel “is not inherently antisemitic,” and to “create programs and content in the coming year that reflect a more genuine diversity of Jewish views on Israel/Palestine and create spaces for Jews and cultural workers engaged with Judaism to have these difficult conversations.”
When the council didn’t follow up on their requests, the authors claimed, they decided to take their letter public. “We were—and remain—concerned that the institution’s apparent bias toward centering Israeli and Zionist voices is not only exclusionary but harmful, contributing to the dehumanization of Palestinians and advancing a system of cultural apartheid,” they wrote.
The open letter was the latest salvo in a series of dust-ups about Jews and Israel throughout the book world. Literary free-speech organization PEN America, after months of protest over its perceived Zionist tilt, this year replaced its leadership and retracted a statement standing in solidarity with an Israeli comedian whose performances had been cancelled. Bestselling authors have called to boycott Israeli literary institutions, and Guernica magazine experienced an internal upheaval after publishing an essay about the Gaza war by an Israeli writer arguing for coexistence.
The Jewish Book Council, however, had not experienced much public pushback from within its ranks of authors, until now.
“What the open letter is reflecting is a difference in expectations about our role as an institution, not a lack of engagement,” Firestone-Teeter told JTA. “Our role is to be a platform for literary exchange. We’re not a political advocacy group.”
Firestone-Teeter said that, contrary to the authors’ claims that the council had failed to follow up on their requests, she had “engaged in good faith” and made the council’s position clear to them. She said she disagreed with their assessment that the council deprioritizes Jews who are critical of Israel.
“You will see the diversity of the Jewish community represented, including some of these voices,” she said. “Jews are not a monolith. Our writers write with a lot of nuance, a lot of complexity.”
She also defended the council’s decision not to narrowly define antisemitism for its hotline, noting that they received hundreds of antisemitism reports and that different authors have different ideas of what constitutes antisemitism. The council intends to analyze the data it received. “We have not used the tool to take punitive action,” Firestone-Teeter said.
In addition, she said, it was appropriate for the council to spotlight Israeli authors after Oct. 7. “We are an organization that supports Jewish authors in America, Israel and beyond. Israel is a key part of our efforts to support the Jewish community,” she said. “Our Israeli authors represent a very wide range of views, politically and otherwise.”
Despite the authors’ objections, Firestone-Teeter told JTA, the council still considered them part of its constituency: “These are Jewish authors.”
This article originally appeared on JTA.org.
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