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Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it.
NEW YORK (JTA) — Sidney Brustein, Jewish Hamlet?
Anne Kauffman thinks so. She made the comparison in a phone interview about the play she’s directing — a buzzy production of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window” that opened on Monday at the Brooklyn Academy of Music starring Oscar Isaac and Rachel Brosnahan.
“One artistic director who was thinking of doing this [play] was like, ‘You know, it’s not like he’s Hamlet, but…’ And I thought, well, no, actually I think he is like Hamlet!” she said.
She added another take: “I feel like he’s Cary Grant meets Zero Mostel.”
Hansberry saw just two of her works produced on Broadway before her death from cancer at 34 in January 1965. Her first, “A Raisin in the Sun,” which follows a Black family dealing with housing discrimination in Chicago, is widely considered one of the most significant plays of the 20th century. The other, “The Sign in Sidney Brustein’s Window,” ran for a few months in the fall of 1964 until Hansberry’s death and has only been revived a handful of times since, all outside of New York.
Now, the star power of Isaac and Brosnahan is driving renewed interest in the play, which deals with weighty questions about political activism, self-fulfillment in a capitalist world, and racial and ethnic identity — including mid-century Jewish American identity.
The Brustein character, as Kauffman alluded to, is many things. A resident of Greenwich Village deeply embedded in that historic neighborhood’s 1960s activist and artistic circles, he is somewhat of a creative renaissance man. At the start of the play, his club of sorts (“it was not a nightclub” is a running joke) called “Walden Pond” has just shuttered and he has taken over an alternative newspaper. As the script reads, Brustein is an intellectual “in the truest sense of the word” but “does not wear glasses” — the latter description being a possible jab at his macho tendencies. Formerly an ardent leftist activist, he is now weary of the worth of activism and a bit of a nihilist. He’s in his late 30s and is a musician who often picks up a banjo.
Brustein is also a secular Jew, a fact that he telegraphs at certain key emotional and comedic moments. Others, from friends to his casually antisemitic sister-in-law, frequently reference his identity, too.
At the end of the play’s first half, for example, Brustein brings up the heroes of the Hanukkah story in talking about his existential angst — and his stomach ulcer. He has become belligerent to his wife Iris and to a local politician who wants Brustein’s paper’s endorsement.
“How does one confront the thousand nameless faceless vapors that are the evil of our time? Can a sword pierce it?” Sidney says. “One does not smite evil anymore: one holds one’s gut, thus — and takes a pill. Oh, but to take up the sword of the Maccabees again!”
Hansberry’s decision to center a white Jewish character surprised critics and fans alike in 1964 because many of them expected her to follow “A Raisin in the Sun” with further exploration of issues facing Black Americans, said Joi Gresham, the director of the Lorraine Hansberry Literary Trust.
“The major attack, both critically and on a popular basis, in regards to the play and to its central character was that Lorraine was out of her lane,” Gresham said. “That not only did she not know what she’s talking about, but that she had the nerve to even examine that subject matter.”
Hansberry’s closest collaborator was her former husband Robert Nemiroff, a Jewish New Yorker whom she had divorced in 1962 but maintained an artistic partnership with. Nemiroff was a bit Brustein-like in his pursuits: he edited books, produced and promoted Hansberry’s work, and even wrote songs (one of which made the couple enough money to allow Hansberry to focus on writing “A Raisin in the Sun”). But Gresham — who is Nemiroff’s stepdaughter through his second marriage, to professor Jewell Handy Gresham-Nemiroff — emphasized that his personality was nothing like Brustein’s. While Brustein is brash and mean to Iris, Nemiroff was undyingly supportive of Hansberry and her work, said Gresham, who lived with him and her mother at Nemiroff’s Croton-on-Hudson home — the one he had formerly shared for a time with Hansberry — from age 10 onward.
Instead, Gresham argued, the Brustein character was the result of Hansberry’s deep engagement with Jewish intellectual thought, in part influenced by her relationship with Nemiroff. The pair met at a protest and would bond over their passion for fighting for social justice, which included combating antisemitism. The night before their wedding, they protested the execution of Julius and Ethel Rosenberg, and they would remain highly involved in the wave of activism that blossomed into the Black-Jewish civil rights alliance.
“Bob and Lorraine met and built a life together at a place where there was a very strong Black-Jewish nexus. There was a very strong interplay and interaction,” Gresham said. “I think Lorraine was very influenced by Bob’s family, the Nemiroffs, who were very radical in their politics. And so there was a way in which she was introduced to the base of Jewish intellectualism and Jewish progressive politics, that she took to heart and she was very passionate about.”
Robert Nemiroff and Lorraine Hansberry were married from 1953-62. They are shown here in 1959. (Ben Martin/Getty Images)
Hansberry didn’t hesitate to criticize Jewish writers who said controversial things about Black Americans, either. When Norman Podhoretz wrote “My Negro Problem — And Ours,” an explosive 1963 article in Commentary magazine now widely seen as racist, Hansberry responded with a scathing rebuke. She also sparred with Norman Mailer, who once wrote an essay titled “The White Negro: Superficial Reflections on the Hipster.”
Gresham said Brustein’s nihilism represents what Hansberry saw in a range of Jewish and non-Jewish white writers, whom she hoped could be kickstarted back into activism. But Hansberry also nodded to the reasons why someone like Brustein could feel defeated in the early 1960s, a decade and a half after World War II.
“You mean diddle around with the little things since we can’t do anything about the big ones? Forget about the Holocaust and worry about — reforms in the traffic court or something?” Brustein says at one point in the play to a local politician running as a reformer.
Daniel Pollack-Pelzner, a Jewish scholar of literature who has written on Hansberry, said the resulting Brustein character is a very accurate depiction of a secular Jew at the time — both keenly attuned to prejudice in society and also lacking some understanding of the experience of being Black.
“I was just intoxicated that Hansberry could conjure that world, both so affectionately, but also so clear-sidedly that it seems like she can see the limitations of all of the characters’ perspectives,” he said. “But she also represents them with sympathy and humor.”
Kauffman, who also helmed a revival of the play in Chicago in 2016, is impressed with how “fully fledged” the Brustein character is.
“Who are the cultural icons who have sort of articulated the Jew in our culture in the last 50 years or 60 years, you know?” she said. “Brustein is not a caricature of a Woody Allen character, he’s not even ‘Curb your Enthusiasm’ or a Jerry Seinfeld character. He’s a fully drawn character.”
Isaac, who is of mainly Guatemalan and Cuban heritage, has played Jewish characters before, including a formerly Orthodox man in an Israeli director’s remake of the classic film “Scenes From a Marriage.” In the lead-up to this play, he has largely avoided getting caught in headlines focused on the “Jewface” debate, over whether non-Jewish actors should be allowed to play Jewish characters on stage and screen.
But when asked about the responsibility of playing a Jewish character in a New York Times interview, Isaac referenced the fact that he has some Jewish heritage on his father’s side.
“We could play that game: How Jewish are you?” he said to interviewer Alexis Soloski, who is Jewish. “It is part of my family, part of my life. I feel the responsibility to not feel like a phony. That’s the responsibility, to feel like I can say these things, do these things and feel like I’m doing it honestly and truthfully.”
When Kauffman directed a version of the play at the Goodman Theater in Chicago in 2016, her lead actor had “not a single drop of Jewish heritage…in his blood,” and she said she had to convey “what anger looks like” coming from a Jewish perspective. Working with Isaac has been different — instead of starting at a base of no knowledge, she has been pushing for more of an Ashkenazi sensibility than a Sephardic one.
“I believe that his heritage leans, I’m guessing, more towards Sephardic. And mine is pure Ashkenazi,” she said. “We sort of joke: ‘[The part] is a little bit more Ashkenazi than that, you know what I mean?’ Like, ‘the violence is actually turned towards yourself!’”
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The post Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it. appeared first on Jewish Telegraphic Agency.
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A Message From the Torah for 2026: Live Now in a Way You’ll Be Proud of Later
A Torah scroll. Photo: RabbiSacks.org.
I have always cherished Ludwig van Beethoven’s last words, spoken on his deathbed: “Plaudite, amici, comedia finita est.” “Applaud, my friends, the comedy is over.”
This kind of blunt honesty only comes from people facing their final moments. The masks drop, the posturing stops, and what’s left is pure truth.
Steve Jobs was diagnosed with terminal cancer in October 2003. Remarkably, he lived for another eight years, during which he became deeply reflective, increasingly conscious of his legacy and of life’s meaning in ways he had never been before.
In the address he gave at the Stanford commencement in 2005, he told the graduating class and their families, “You can’t connect the dots looking forward — you can only connect them looking backward.”
He didn’t say it explicitly, but his words came from a deep awareness of his own mortality. The message was clear. He was looking back on his life, taking stock, and seeing patterns that only become clear near the end. When death feels real, clarity follows.
Jobs also talked to the Stanford students about his failure, about being fired from the company he started, and about death itself. Looking back, his speech feels less like a graduation talk and more like a final message. It wasn’t about money or material things, but about meaning. Some things in life matter. Others don’t. Some things are just noise. Others have real substance.
History is full of moments like this, when great figures, as their lives are coming to a close, suddenly see what really matters. Near the end of his life, Thomas Jefferson wrote to his beloved daughter, Martha Jefferson Randolph, “The last pang of life is in parting from you!”
What worried him most about death wasn’t losing power or fame, but the pain of being without those he loved. When all is said and done, relationships with our loved ones are what really matter, and our career or achievements pale into insignificance by comparison.
Sir Isaac Newton expressed something similar, though in a different way, as he looked back on his incredible life. Newton, whose discoveries changed how we see the universe, spoke with great humility: “I do not know what I may seem to the world — but as to myself, I seem to have been only like a boy playing on the seashore, and diverting myself now and then in finding a smoother pebble or a prettier shell than ordinary, whilst the great ocean of truth lay all undiscovered before me.”
Even after a lifetime of achievement, he didn’t focus on his success. Instead, he saw clearly how much was still unknown, and how even greatness can feel small when you look at life’s bigger picture.
This is the emotional and moral setting at the start of Parshat Vayechi, which holds the Torah’s great final conversation. Jacob is dying, and he knows it. In his last moments, he gathers his children and speaks to them — not as a nostalgic father looking back, but as someone who truly understands who they are and what each one needs to hear.
If we expect deathbed speeches to be warm and fuzzy, Jacob’s version of one will come as a surprise. Some of his words are blessings, but others are more like rebukes. Reuven is reminded he didn’t reach his potential. Shimon and Levi are called out for their violence. Yehuda is elevated to family leadership, but is also reminded that this role comes with responsibility, not privilege.
This isn’t a “feel good” speech. It’s a speech that values truth over comfort. And that’s exactly the lesson of Jacob’s last words: legacy isn’t about saying nice things, but about saying what’s needed. Jacob isn’t focused on how his sons feel right now. He cares about who they will become after he’s gone, and how his words will echo through their lives and future generations.
Which brings us to today’s world, where we tend to focus more on our image while we’re alive and often don’t think about how we’ll be remembered. Social media in particular has taught us to always project an image that’s curated and perfect in the here and now, with no thought about the long term impact.
Everything is about appearances and how things are seen in the moment. We tell our own stories as they happen, believing that if we control how things look, we can control the outcome.
Vayechi breaks that illusion. Jacob reveals something uncomfortable: you can’t write your own legacy. He is brutally honest with his sons, and in doing so, he also faces his own role as a father. He doesn’t hide the truth. He points out their patterns, their tendencies, their choices — not to shame them, but to help them see both their strengths and weaknesses, take responsibility, and grow into the best version of themselves.
Vayechi is honest, but it is not hopeless. Yaakov doesn’t say, “This is who you are, and you can’t change.” He says, “This is who you have been — now choose what to do with it.” Steve Jobs ended his Stanford speech with the famous line, “Stay hungry. Stay foolish.”
But the line before is even more telling. He called death “life’s change agent,” the force that clears away what doesn’t matter to make room for what does. The message is clear: it’s better to let that kind of clarity shape our lives now, instead of waiting until the end.
Vayechi teaches this lesson. When we reflect honestly, death doesn’t make life smaller — it makes it sharper. It removes pretense and leaves us with what really matters. Seeing our lives from a distance can be cleansing. The key is to live that way now, so we won’t need to revise it later.
It’s an idea that finds a moving expression in Viktor Frankl’s Man’s Search for Meaning. Frankl describes a woman who was his patient reflecting on her life, a life that was shaped by suffering and sacrifice as she cared for a severely disabled son.
Viewing her life as if from its end, she concludes — through tears — that it was not a failure. On the contrary, it was filled with meaning. The pain had turned her life into one of love and responsibility.
Frankl’s point is devastatingly simple: when life is seen through the lens of its conclusion, meaning often emerges where none had been visible before.
Steve Jobs was right: you can only connect the dots of a life by looking back. But Parshat Vayechi shows us we don’t have to wait until the end to start that process. Jacob connects the dots for his sons while he’s still alive — but more importantly, while they all still have many years to live.
The challenge he gives us is simple: live now in a way that will make sense later, when we look back. Because when the full story is told, the dots will connect, whether we like the picture or not. The only thing we really control is how we choose to draw them from the start.
The author is a rabbi in Beverly Hills, California.
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Israel Cannot Outsource Its Survival
Israel’s Iron Dome anti-missile system intercepts rockets launched from the Gaza Strip, as seen from Sderot, Israel May 13, 2023 Photo: REUTERS/Ammar Awad
Israel’s security doctrine has been shaped by a harsh but undeniable reality: hesitation invites criticism, but delay can invite catastrophe.
This is not a posture of arrogance or defiance; it is an expression of responsibility toward all of Israel’s citizens. For Israel, the cost of miscalculation is not theoretical, it is measured in lives. From its founding, Israel has faced existential threats that no other modern democracy has had to confront so consistently or so closely.
Surrounded by hostile actors, terrorist organizations, and regimes that openly question its right to exist, Israel has learned that survival depends on clarity, preparedness, and the willingness to act when necessary, even when such actions are unpopular internationally. Waiting for consensus or permission has historically proven to be something that could endanger Israel’s very existence.
This does not mean Israel rejects peace. On the contrary, Israel has repeatedly demonstrated a willingness to pursue peace where peace is genuinely possible, and cooperation where cooperation enhances security. Peace treaties with former adversaries, regional partnerships, and humanitarian initiatives all testify to Israel’s desire for stability and coexistence. But peace cannot be built on unenforceable promises or blind faith in actors who have repeatedly violated agreements and norms.
Israel will not gamble its existence on assurances that cannot be guaranteed or enforced. Sovereignty, in this context, is not a symbolic concept or a political slogan. It is the concrete ability to defend oneself when no one else will, or when others cannot act in time. Sovereignty means maintaining independent judgment, operational freedom, and the resolve to protect one’s population under all circumstances.
History has taught the Jewish people an enduring and painful lesson: ultimate responsibility for Jewish survival rests with the Jewish State itself. Centuries of persecution, abandonment, and broken promises culminated in a clear understanding that security outsourced is security endangered. Israel’s independence is not only political; it is moral and existential.
Alliances matter. International partnerships, shared values, and moral clarity play an important role in strengthening Israel’s position and legitimacy. Israel values its allies and understands the importance of cooperation in a complex global environment. But when survival is at stake, alliances cannot replace independent decision-making.
No ally can assume responsibility for Israel’s existence, and none should be expected to.
When Israel acts to protect itself, it often ends up protecting others as well. By confronting extremist ideologies, disrupting terrorist networks, and standing as a frontline defender against radicalization, Israel contributes to global security, even when this reality is uncomfortable or inconvenient for the international community to acknowledge.
In the end, Israel’s guiding principle remains clear: peace where possible, strength where necessary, and sovereignty as the final shield.
History has shown that when Israel defends itself decisively, it not only safeguards its own people but helps prevent greater instability beyond its borders. Whether the world is ready to admit it or not, Israel’s self-defense has often served as a defense of shared values and global security itself.
Sabine Sterk is the CEO of Time To Stand Up For Israel.
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Selective Reporting: How Gaza Aid Vetting Became a Media Narrative
Trucks carrying humanitarian aid and fuel line up at the crossing into the Gaza Strip at the Rafah border on the Egypt side, amid a ceasefire between Israel and Hamas in Gaza, in Rafah, Egypt, October 17, 2025. Photo: REUTERS/Stringer
Embedding operatives in civilian and humanitarian organizations in Gaza to evade detection by Israeli authorities has been a key strategy of Hamas and other terrorist organizations. Israel has consistently worked to prevent well-intentioned humanitarian organizations from being exploited for these purposes.
This past week, Israel demonstrated yet again its persistence in combating terrorism wherever it may exist by suspending the Gaza operations of 37 humanitarian organizations that refused to cooperate with the rules laid out by Israel.
In March 2025, Israel notified every aid organization in the Gaza Strip that they had to complete a re-registration process to be able to continue their operations in January 2026.
The main requirement asked of the organizations was to submit a list of all employees as part of a security screening process. Those who did not complete the process would be unable to continue their operations.
Protecting Aid – Preventing Exploitation
As of January 1, 2026, international NGOs that did not renew their registration will no longer be allowed to operate.
Organizations were notified in March 2025, given nearly ten months to comply, and granted a good-faith extension… pic.twitter.com/U0JqfR8OKF
— Oren Marmorstein (@OrenMarmorstein) December 30, 2025
Many outlets, such as CNN, have framed this as potentially leading to a “humanitarian crisis.” This is despite the total amount of aid from these 37 organizations accounting for only 1% of the total aid entering the Gaza Strip.
Alex Crawford of Sky News claimed that Israel was blocking these organizations “without evidence” that there have been connections to terrorist organizations, calling the groups “respected.”
Israel is blocking some of the world’s most respected aid groups from Gaza, The groups say Israel’s rules to operate are arbitrary and cd endanger lives. Israel insists – without evidence – that they’ve been infiltrated by militants. https://t.co/gMb3i7XUz4
— Alex Crawford (@AlexCrawfordSky) December 30, 2025
But there’s nothing respectable about terrorists infiltrating organizations meant to help civilians in need. More than that, this effort is meant to ensure terrorist organizations do not take control of or subvert humanitarian operations.
Throughout the war, humanitarian organizations have been abused by terrorist organizations.
Doctors Without Borders (MSF), for instance, is one of the organizations whose operations are being suspended in the coming months, after it failed to provide a list of its Gaza employees. But MSF has previous form. In 2024, it was revealed that an employee of MSF was active in Islamic Jihad and another was a sniper in a Hamas unit.
This is your employee, @MSF. A physical therapist by day and terrorist by night.
Fadi Al-Wadiya, who was eliminated by the @IDF 2 days ago, worked both as a physical therapist for Doctors Without Borders and as a prominent terrorist in the PIJ terrorist organization.
Fadi… pic.twitter.com/N1FiO6QgLz
— COGAT (@cogatonline) June 27, 2024
Mosab Abu Toha, a Pulitzer Prize winner exposed by HonestReporting for excusing the abduction of Israeli hostages on October 7, likewise joined the choir online to complain about MSF being suspended in Gaza.
He faces a knowledge gap in understanding that Hamas and other terrorist organizations have embedded themselves in civilian infrastructure, including hospitals. And MSF only operates five out of 220 primary care clinics and medical points in Gaza, as per COGAT.
What country is barring more than 30 humanitarian organizations, including Doctors Without Borders, from operating in Gaza?
As if these aid groups were ever allowed to function freely in the first place. For months, humanitarian organizations have faced blocked access, extreme…— Mosab Abu Toha (@MosabAbuToha) December 31, 2025
Naturally, this context is omitted from international reports on the NGO suspensions, as it does not fit the narrative. It is thus also telling that the media’s focus has been on the 15 percent of organizations not complying with Israel, rather than the 85 percent who are. This would, however, require the media to question why 37 so-called aid organizations are refusing the simple task of providing a list of their employees.
This is not the first time Gaza’s aid system has been highlighted as being vulnerable to — if not outright compromised by — terrorist infiltration. Hamas has systematically embedded members in civilian infrastructure as a way to control resources. As a result, international aid organizations have repeated claims published by Hamas without any scrutiny. These claims have then been uncritically amplified by the media, creating a self-reinforcing cycle in which Hamas’ aid narratives turned into accepted facts.
While terrorist organizations seek to spread false information about the lack of humanitarian aid in the Gaza Strip, the truth remains that 4,200 trucks filled with aid enter Gaza every week, coordinated between Israel and aid organizations that have complied with the rules. Organizations unwilling to comply and provide a list of employees must explain their persistent refusal to meet this basic requirement of transparency.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.