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Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it.
NEW YORK (JTA) — Sidney Brustein, Jewish Hamlet?
Anne Kauffman thinks so. She made the comparison in a phone interview about the play she’s directing — a buzzy production of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window” that opened on Monday at the Brooklyn Academy of Music starring Oscar Isaac and Rachel Brosnahan.
“One artistic director who was thinking of doing this [play] was like, ‘You know, it’s not like he’s Hamlet, but…’ And I thought, well, no, actually I think he is like Hamlet!” she said.
She added another take: “I feel like he’s Cary Grant meets Zero Mostel.”
Hansberry saw just two of her works produced on Broadway before her death from cancer at 34 in January 1965. Her first, “A Raisin in the Sun,” which follows a Black family dealing with housing discrimination in Chicago, is widely considered one of the most significant plays of the 20th century. The other, “The Sign in Sidney Brustein’s Window,” ran for a few months in the fall of 1964 until Hansberry’s death and has only been revived a handful of times since, all outside of New York.
Now, the star power of Isaac and Brosnahan is driving renewed interest in the play, which deals with weighty questions about political activism, self-fulfillment in a capitalist world, and racial and ethnic identity — including mid-century Jewish American identity.
The Brustein character, as Kauffman alluded to, is many things. A resident of Greenwich Village deeply embedded in that historic neighborhood’s 1960s activist and artistic circles, he is somewhat of a creative renaissance man. At the start of the play, his club of sorts (“it was not a nightclub” is a running joke) called “Walden Pond” has just shuttered and he has taken over an alternative newspaper. As the script reads, Brustein is an intellectual “in the truest sense of the word” but “does not wear glasses” — the latter description being a possible jab at his macho tendencies. Formerly an ardent leftist activist, he is now weary of the worth of activism and a bit of a nihilist. He’s in his late 30s and is a musician who often picks up a banjo.
Brustein is also a secular Jew, a fact that he telegraphs at certain key emotional and comedic moments. Others, from friends to his casually antisemitic sister-in-law, frequently reference his identity, too.
At the end of the play’s first half, for example, Brustein brings up the heroes of the Hanukkah story in talking about his existential angst — and his stomach ulcer. He has become belligerent to his wife Iris and to a local politician who wants Brustein’s paper’s endorsement.
“How does one confront the thousand nameless faceless vapors that are the evil of our time? Can a sword pierce it?” Sidney says. “One does not smite evil anymore: one holds one’s gut, thus — and takes a pill. Oh, but to take up the sword of the Maccabees again!”
Hansberry’s decision to center a white Jewish character surprised critics and fans alike in 1964 because many of them expected her to follow “A Raisin in the Sun” with further exploration of issues facing Black Americans, said Joi Gresham, the director of the Lorraine Hansberry Literary Trust.
“The major attack, both critically and on a popular basis, in regards to the play and to its central character was that Lorraine was out of her lane,” Gresham said. “That not only did she not know what she’s talking about, but that she had the nerve to even examine that subject matter.”
Hansberry’s closest collaborator was her former husband Robert Nemiroff, a Jewish New Yorker whom she had divorced in 1962 but maintained an artistic partnership with. Nemiroff was a bit Brustein-like in his pursuits: he edited books, produced and promoted Hansberry’s work, and even wrote songs (one of which made the couple enough money to allow Hansberry to focus on writing “A Raisin in the Sun”). But Gresham — who is Nemiroff’s stepdaughter through his second marriage, to professor Jewell Handy Gresham-Nemiroff — emphasized that his personality was nothing like Brustein’s. While Brustein is brash and mean to Iris, Nemiroff was undyingly supportive of Hansberry and her work, said Gresham, who lived with him and her mother at Nemiroff’s Croton-on-Hudson home — the one he had formerly shared for a time with Hansberry — from age 10 onward.
Instead, Gresham argued, the Brustein character was the result of Hansberry’s deep engagement with Jewish intellectual thought, in part influenced by her relationship with Nemiroff. The pair met at a protest and would bond over their passion for fighting for social justice, which included combating antisemitism. The night before their wedding, they protested the execution of Julius and Ethel Rosenberg, and they would remain highly involved in the wave of activism that blossomed into the Black-Jewish civil rights alliance.
“Bob and Lorraine met and built a life together at a place where there was a very strong Black-Jewish nexus. There was a very strong interplay and interaction,” Gresham said. “I think Lorraine was very influenced by Bob’s family, the Nemiroffs, who were very radical in their politics. And so there was a way in which she was introduced to the base of Jewish intellectualism and Jewish progressive politics, that she took to heart and she was very passionate about.”
Robert Nemiroff and Lorraine Hansberry were married from 1953-62. They are shown here in 1959. (Ben Martin/Getty Images)
Hansberry didn’t hesitate to criticize Jewish writers who said controversial things about Black Americans, either. When Norman Podhoretz wrote “My Negro Problem — And Ours,” an explosive 1963 article in Commentary magazine now widely seen as racist, Hansberry responded with a scathing rebuke. She also sparred with Norman Mailer, who once wrote an essay titled “The White Negro: Superficial Reflections on the Hipster.”
Gresham said Brustein’s nihilism represents what Hansberry saw in a range of Jewish and non-Jewish white writers, whom she hoped could be kickstarted back into activism. But Hansberry also nodded to the reasons why someone like Brustein could feel defeated in the early 1960s, a decade and a half after World War II.
“You mean diddle around with the little things since we can’t do anything about the big ones? Forget about the Holocaust and worry about — reforms in the traffic court or something?” Brustein says at one point in the play to a local politician running as a reformer.
Daniel Pollack-Pelzner, a Jewish scholar of literature who has written on Hansberry, said the resulting Brustein character is a very accurate depiction of a secular Jew at the time — both keenly attuned to prejudice in society and also lacking some understanding of the experience of being Black.
“I was just intoxicated that Hansberry could conjure that world, both so affectionately, but also so clear-sidedly that it seems like she can see the limitations of all of the characters’ perspectives,” he said. “But she also represents them with sympathy and humor.”
Kauffman, who also helmed a revival of the play in Chicago in 2016, is impressed with how “fully fledged” the Brustein character is.
“Who are the cultural icons who have sort of articulated the Jew in our culture in the last 50 years or 60 years, you know?” she said. “Brustein is not a caricature of a Woody Allen character, he’s not even ‘Curb your Enthusiasm’ or a Jerry Seinfeld character. He’s a fully drawn character.”
Isaac, who is of mainly Guatemalan and Cuban heritage, has played Jewish characters before, including a formerly Orthodox man in an Israeli director’s remake of the classic film “Scenes From a Marriage.” In the lead-up to this play, he has largely avoided getting caught in headlines focused on the “Jewface” debate, over whether non-Jewish actors should be allowed to play Jewish characters on stage and screen.
But when asked about the responsibility of playing a Jewish character in a New York Times interview, Isaac referenced the fact that he has some Jewish heritage on his father’s side.
“We could play that game: How Jewish are you?” he said to interviewer Alexis Soloski, who is Jewish. “It is part of my family, part of my life. I feel the responsibility to not feel like a phony. That’s the responsibility, to feel like I can say these things, do these things and feel like I’m doing it honestly and truthfully.”
When Kauffman directed a version of the play at the Goodman Theater in Chicago in 2016, her lead actor had “not a single drop of Jewish heritage…in his blood,” and she said she had to convey “what anger looks like” coming from a Jewish perspective. Working with Isaac has been different — instead of starting at a base of no knowledge, she has been pushing for more of an Ashkenazi sensibility than a Sephardic one.
“I believe that his heritage leans, I’m guessing, more towards Sephardic. And mine is pure Ashkenazi,” she said. “We sort of joke: ‘[The part] is a little bit more Ashkenazi than that, you know what I mean?’ Like, ‘the violence is actually turned towards yourself!’”
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The post Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it. appeared first on Jewish Telegraphic Agency.
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Everyone can be a war profiteer in Gaza or Iran, thanks to online betting markets
At any moment, an alert might pop up about a catastrophic world event. Maybe Israel has bombed Iran, or Iran has bombed Israel. Maybe the U.S. has bombed Iran’s nuclear programs, or its capital of Tehran. That’s the world we live in.
And, as long as things are so bad, you might as well profit on the start of World War III.
You may have noticed a sky-high number of ads for gambling sites. DraftKings, an online sports betting site, advertises during pretty much every game for every kind of sport. But the real game is on unregulated betting sites like Polymarket and Kalshi, where users can, from the comfort of their couches on their phones, bet on pretty much anything — what phrases Trump will use in his next social media post, or when the next snow will hit New York City.
Many of the bets are frivolous, but there’s a darker world. Betting on Middle Eastern geopolitics has become hot on the platform; the likelihood of the U.S. striking Iran is currently the top trending market on Polymarket, with $313 million wagered. Bets on Israel’s geopolitical moves are also hot.
Polymarket says its intent, “in gut-wrenching times like today,” is “to harness the wisdom of the crowd to create accurate, unbiased forecasts for the most important events to society.” (Kalshi has fewer Middle Eastern betting markets — though not none.)
But it all seems rather ghoulish. Sure, war always leads to some profiteering, but the prediction markets have made profiting on death pretty literal. Over $3 million has been placed on dates Israel might strike Gaza in the month of February, with Polymarket users hotly debating what, exactly, counts as a strike and celebrating drone hits with the hope of a payout. One commenter posted that they’d heard a Palestinian man was killed on Feb. 16; “Let’s hope,” another excitedly replied.
People who wagered on Israel striking Gaza have already won on nine different days in February. Rates depend on the bet’s odds when placed; shares are priced between 1 cent and $1 based on the going odds, with a payout of $1 a share for a win. Based on February’s odds, most people doubled or tripled their money.
There’s a lot of fine print, however. Artillery fire does not qualify as a “strike,” according to the rules of the market. Neither does a ground or naval invasion. The rules are extensive and include the types of sources that can count as confirmation — government confirmation or “a consensus of credible reporting” is required. Reporting exclusively from Palestinian outlets seems not to count, making the resolution to each wager a fraught issue.
And the markets are easy to manipulate or game with insider information. Two Israelis — a civilian and a reservist — were charged by the IDF for betting on a geopolitical market based on classified information. And Israel is investigating this as a wider problem after one user on Polymarket cashed out on numerous correct bets related to Israel’s June 2025 strike on Iran.
Shayne Coplan, the founder of Polymarket, has called the site a “truth machine,” framing it as a source of knowledge on world events. And, in some ways, the markets do have access to a certain type of truth: public opinion. One market on Kalshi, worryingly, is betting on whether Nick Fuentes will become president in the next 20 years. His chances are currently sitting at 16%.
Yet the wisdom of public opinion is fallible. People can only make their best guesses based on public information, which can lead to big losses; users lost hundreds of thousands of dollars on the Romanian presidential election. Some traders, who make a living on Polymarket and Kalshi, rely on short delays in confirmation, managing to sneak in on a bet after news has happened but before it is officially confirmed. The best way to win, however, is insider information — without regulation, there’s nothing to prevent, say, Trump’s speechwriter from wagering on what topics the president will cover in his State of the Union.
Still, there are some zealots who will always bet on their favorite, though, no matter how bad the odds. The devout have put Jesus at a 4% chance of returning before the end of the year.
Everyone else is happy to bet against it. Sure, it’s a safe bet, but the “no” bettors still made a tidy 5.5% return last year.
The post Everyone can be a war profiteer in Gaza or Iran, thanks to online betting markets appeared first on The Forward.
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Why the Jews Survived When so Many Civilizations Collapsed
Pro-Israel demonstrators gathered at Bebelplatz in central Berlin on Nov. 30, 2025, before marching toward the Brandenburg Gate. Participants held Israeli flags and signs condemning rising antisemitism in Germany. Photo: Michael Kuenne/PRESSCOV/Sipa USA via Reuters Connect
Arnold Toynbee, the great 20th century historian, devoted his life to studying civilizations — how they rise, how they flourish, and then, inevitably, how they fall.
His conclusion was disarmingly simple: Civilizations rarely collapse because they are conquered from the outside. They collapse because they fail to adapt. They mistake their moment in the spotlight — even if it lasts for centuries — for permanence.
And almost always, that confidence attaches itself to a particular place — a city, a capital, a sacred center that seems to radiate eternity.
For the Aztecs, that center was Tenochtitlan — an island city rising out of Lake Texcoco. Majestic white temples gleamed in the sun, with the great central shrine, the Templo Mayor, dominating the skyline.
Priests in feathered headdresses moved through the sacred area with ritual precision. This was an empire utterly convinced that heaven and earth met right there — in the middle of its city.
Then, in 1519, a few hundred Spaniards appeared on the horizon. At their head was Hernán Cortés, a young, ambitious, calculating adventurer who had no interest in the Aztecs’ view of themselves as an eternal people. Within two years, Tenochtitlan was rubble. The sacred precinct was stripped — its stones repurposed to build churches.
Today, if you stand in Mexico City, you can see excavated fragments of the Templo Mayor beside traffic lights and fast-food stands. The empire that believed it stood at the center of the world survives only in stone, in memory, and in the scattered descendants of a civilization that long ago lost its sacred center.
It’s a similar story with the Incas — a civilization of perhaps 12 million people stretching down the western spine of South America. They, too, had their version of eternity. Their bustling center, brimming with wealth, was Cusco, in the Peruvian Andes. Their vast empire stretched across mountains, deserts, and jungles — all radiating outward from Cusco, which they called the “navel of the world.”
Then, in the 1530s, another small Spanish expedition arrived, this one led by Francisco Pizarro. The timing could not have been worse. A brutal civil war was already tearing the Inca empire apart. Smallpox — a disease carried unknowingly by Europeans — had spread ahead of them, weakening the Inca population and destabilizing their leadership.
But even that did not prepare the Incas for the ruthless rampage of the conquistadores. Pizarro seized the emperor, Atahualpa, holding him hostage until an enormous ransom room was filled with gold and silver. The ransom was delivered as promised, but Atahualpa was executed anyway, and by 1533, Cusco was in ruins.
As in Mexico, temples were stripped of their treasures, and the gold was melted down and dispatched to Spain. Churches rose where sun temples once stood. The imperial order that seemed as solid as Andean granite unraveled with astonishing speed.
And this is not just a story about the New World. It is the rhythm of history. Mesopotamia believed itself to be eternal. Assyria did. Egypt did. Greece did. Carthage did. Rome certainly did.
Each, in its moment, assumed it stood at the gravitational center of human civilization. And then it didn’t. Monuments rise. Architecture declares permanence. Believers insist: “We are not going anywhere.” And then the center of gravity moves. It always moves.
The Jewish story should have followed the same pattern. In fact, by any reasonable civilizational metric, we were the least likely people to survive.
We began in Egypt as slaves. We wandered through the desert. We settled in the Land of Israel. We split into two kingdoms. We were exiled by the Assyrians. Conquered by the Babylonians. Rebuilt. Destroyed again by the Romans. Scattered across continents. Ruled by ruthless powers we did not control, living under laws we did not write.
No nation in history has experienced so many shifts in its center of gravity. And yet — we are still here. The question is not only why – it is how. The answer, I think, begins in Parshat Terumah. Before there was even a single stone laid on the Temple Mount, we were given something else — a sacred center that was real, but not fixed.
At the beginning of Terumah, God commands the construction of a sanctuary — not a monumental edifice carved into mountains or anchored to bedrock, but something built of curtains and poles, rings and sockets, designed to be dismantled and rebuilt wherever the people found themselves.
You might imagine the Mishkan as a temporary solution — a stopgap until the “real” thing in Jerusalem could be constructed. But that is to misunderstand it entirely. The Mishkan was not a placeholder. It was a principle. Long before we had a permanent Temple, we were taught something far more revolutionary: Wherever you are, build Me a center there — and I will be among you. As the Torah puts it (Ex. 25:8): “Let them make Me a sanctuary, and I will dwell among them.” Not in it — but among them.
The Temple in Jerusalem would later become the focal point of Jewish life. It was magnificent. It was the beating heart of the nation. Pilgrims streamed toward it three times a year. The Divine Presence rested there in revealed intensity.
And yet here is the astonishing fact: When the First Temple was destroyed, and the nation was exiled across the Persian Empire, we survived. When the Second Temple was destroyed by Titus in 70 CE, and the nation was scattered across the Roman world, we survived again.
Civilizations do not usually survive the destruction of their sacred center. The Aztec temples fell — and their world collapsed. Cusco fell — and the Inca nation unraveled. When Jerusalem fell, the Jewish people did not disappear. We regrouped. In Yavneh. In Sura. In Pumbedita. In Toledo. In Aleppo. In Frankfurt. In Warsaw. In Vilna. In New York. Even in Los Angeles!
The Temple may have been our center of gravity, but it was never the source of our gravity. That source had been implanted much earlier — in the wilderness — in the Mishkan.
The Mishkan precedes permanence. Long before we possessed a fixed center, we were taught how to create one that moves with us. Portable holiness was written into Jewish DNA. While other civilizations anchored holiness to geography, Judaism anchored holiness to covenant.
This does not diminish our longing for the Temple in Jerusalem. We pray daily for its rebuilding, and we turn toward Jerusalem in every Amidah. The Temple matters profoundly. But our survival without it proves something radical: God’s presence — and our identity as God’s people — was never confined to masonry.
The prophet Ezekiel, speaking in exile, refers to the synagogue as a מִקְדָּשׁ מְעַט — a miniature sanctuary (Ez. 11:16). In other words, a Mishkan. Wherever Jews gathered — in Babylon or Spain, in Poland or America — the portable sanctuary reappeared. In a synagogue. In a study hall. Around a Shabbat table. And God dwelt in our midst.
Which is why it is no accident that our first national sanctuary was made of curtains and poles, dismantled and reconstructed again and again over 40 years of wandering. Exile was written into the Jewish story from the beginning — but so was the architecture of survival.
And so today, as the global center of gravity threatens to shift yet again, the Jewish people remain what we have always been: a nation capable of carrying its center with it.
Wherever Jews gather — in Los Angeles, New York, London, Sydney, in a grand synagogue or a makeshift minyan in a dorm room, a hospital ward, or even a military base — if there is prayer, if there is Torah, if there is yearning for God — then God dwells among us.
The author is a rabbi in Beverly Hills, California.
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Qatar’s Olympic Ambitions: Soft Power Meets Hard Questions
Qatari Prime Minister and Foreign Minister Sheikh Mohammed bin Abdulrahman Al Thani speaks after a meeting with the Lebanese president at the presidential palace in Baabda, Lebanon, Feb. 4, 2025. Photo: REUTERS/Emilie Madi
As athletes gather in Italy for the 2026 Winter Olympics, an unusual presence should be sparking concern. Over 100 Qatari public security officers, along with 20 camouflage SUVs and three snowmobiles, arrived in Italy this month to help safeguard the Winter Games, though the country has no athletes competing.
The presence of US Immigration and Customers Enforcement (ICE) officials in Italy has drawn much of the flack around the Olympic security forces. But on a global level, it’s the chasm between Qatar’s carefully cultivated image and its actual conduct that deserves greater scrutiny.
The Qatar contingent’s arrival in Milan – marked by the Qatari military cargo plane hitting a lighting tower upon landing – is the latest example of Doha’s expanding role in global sports event security. That role reflects a calculated strategy to position the small energy-rich Gulf state as securing global cultural events while obscuring a troubling record of supporting Islamic fundamentalism.
Qatar has put in a lot of effort – and cash – to look like a solid Western ally, a respectable citizen of the world. But a closer look at the protection Doha has provided for terrorists over decades indicates that the respectability goes no deeper than a chicken costume worn by a fox – and is likely to prove at least as dangerous.
Qatar has made clear its interest in the soft power of global sporting events. In January, Sheikh Joaan bin Hamad Al Thani became president of the Olympic Council of Asia, and Qatar is bidding for the 2036 summer Olympics after hosting the men’s FIFA World Cup in 2022.
Those upstanding roles on the global scene run in parallel to blatant support of antisemitism. As Italy prepared for the Games, Qatar hosted the Web Summit tech conference, which showcased the creator of a new social media platform who told the audience he doesn’t need to rely on “Zionist money” and deployed the classic antisemitic trope that Jews control the media.
Corruption scandals abound, with Qatar standing accused of buying its way into hosting the World Cup. Former FIFA vice president Reynald Temarii was banned by soccer’s world governing body for eight years for accepting hundreds of thousands of euros from a Qatari billionaire, and was indicted by France in 2023 on charges of entering into a 2010 pact to support Qatar’s bid to host the 2022 World Cup. Qatari media also plays a part, with France investigating the role that a $400 million deal between FIFA and Al Jazeera, the flagship network of Qatar’s powerful media arm, may have played in the country’s selection as host.
Qatar’s support for terrorism goes back at least to the pre-9/11 era. Qatar has regularly been in the business of moving money to terror organizations, and was an early supporter of Al Qaeda founder Osama bin Laden, broadcasting his exhortations on Al Jazeera. Top Qatari government officials are thought to have tipped off 9/11 mastermind Khalid Sheikh Mohammed, allowing him to escape an FBI manhunt years before, when he was being investigated for his role in the 1993 bombing of the World Trade Center and plots to blow up international flights.
He was not the only terrorist the country accommodated. In 2013, Doha also became a safe haven for leaders of the Taliban, where they stayed as honored guests living in luxury even after exploratory peace talks with the US broke down, and of course for top Hamas leaders, including Khaled Meshaal, Khalil al-Hayya, and Hamas political chief Ismail Haniyeh.
Qatari officials have expressed support for Hamas, with the mother of the emir eulogizing the architect of the Oct. 7, 2023, massacre in southern Israel. Members of Qatar’s Shura Council declared that the events of Oct. 7 were merely a “preview.”
In another bid for an international leadership role, Qatar recently became a member of US President Donald Trump’s Gaza Executive Board, in one of the Gulf state’s latest attempts to build its reputation as a global keeper of the peace. But Qatar is not a neutral mediator. Giving Qatar a role in the future of Gaza means giving a role to a group that will likely support Hamas’s continued influence over Gaza. This is antithetical to Middle Eastern stability, which requires Hamas to be disarmed and removed from power. Giving Qatar a role perpetuates terrorism and corruption, and puts the security of the Middle East, the US, and the world at risk.
Qatar – which exports more liquefied natural gas than any other country and is one of the richest nations on earth – has managed to maintain good ties with the West, however, in part through the purchase of influence. For example, the US recently announced it will allow Qatar to build an Air Force facility in Idaho, and Doha is a major backer of US think tanks, universities, and politi
Soccer fields and ski slopes may seem like innocent enough playgrounds in which to let Doha romp. But such involvement only allows Qatar to polish its image and extend its influence, letting it build more empty legitimacy of the sort that allows it to be included in the Gaza peacekeeping force. Let’s also not forget that enabling Qatar to bill itself as a safeguard of international sporting events means that a committed sponsor of global terror is actively working to develop a reputation as a protector of some of the world’s most prominent terror targets. Before accepting the next offer of cash from Qatar or inviting the country to participate in peacekeeping activities, it’s well worth considering whether it’s really such a good idea to keep letting the fox guard the henhouse.
Dr. Ariel Admoni is a researcher specializing in Qatari policy at the Jerusalem Institute for Strategy and Security.