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Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it.
NEW YORK (JTA) — Sidney Brustein, Jewish Hamlet?
Anne Kauffman thinks so. She made the comparison in a phone interview about the play she’s directing — a buzzy production of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window” that opened on Monday at the Brooklyn Academy of Music starring Oscar Isaac and Rachel Brosnahan.
“One artistic director who was thinking of doing this [play] was like, ‘You know, it’s not like he’s Hamlet, but…’ And I thought, well, no, actually I think he is like Hamlet!” she said.
She added another take: “I feel like he’s Cary Grant meets Zero Mostel.”
Hansberry saw just two of her works produced on Broadway before her death from cancer at 34 in January 1965. Her first, “A Raisin in the Sun,” which follows a Black family dealing with housing discrimination in Chicago, is widely considered one of the most significant plays of the 20th century. The other, “The Sign in Sidney Brustein’s Window,” ran for a few months in the fall of 1964 until Hansberry’s death and has only been revived a handful of times since, all outside of New York.
Now, the star power of Isaac and Brosnahan is driving renewed interest in the play, which deals with weighty questions about political activism, self-fulfillment in a capitalist world, and racial and ethnic identity — including mid-century Jewish American identity.
The Brustein character, as Kauffman alluded to, is many things. A resident of Greenwich Village deeply embedded in that historic neighborhood’s 1960s activist and artistic circles, he is somewhat of a creative renaissance man. At the start of the play, his club of sorts (“it was not a nightclub” is a running joke) called “Walden Pond” has just shuttered and he has taken over an alternative newspaper. As the script reads, Brustein is an intellectual “in the truest sense of the word” but “does not wear glasses” — the latter description being a possible jab at his macho tendencies. Formerly an ardent leftist activist, he is now weary of the worth of activism and a bit of a nihilist. He’s in his late 30s and is a musician who often picks up a banjo.
Brustein is also a secular Jew, a fact that he telegraphs at certain key emotional and comedic moments. Others, from friends to his casually antisemitic sister-in-law, frequently reference his identity, too.
At the end of the play’s first half, for example, Brustein brings up the heroes of the Hanukkah story in talking about his existential angst — and his stomach ulcer. He has become belligerent to his wife Iris and to a local politician who wants Brustein’s paper’s endorsement.
“How does one confront the thousand nameless faceless vapors that are the evil of our time? Can a sword pierce it?” Sidney says. “One does not smite evil anymore: one holds one’s gut, thus — and takes a pill. Oh, but to take up the sword of the Maccabees again!”
Hansberry’s decision to center a white Jewish character surprised critics and fans alike in 1964 because many of them expected her to follow “A Raisin in the Sun” with further exploration of issues facing Black Americans, said Joi Gresham, the director of the Lorraine Hansberry Literary Trust.
“The major attack, both critically and on a popular basis, in regards to the play and to its central character was that Lorraine was out of her lane,” Gresham said. “That not only did she not know what she’s talking about, but that she had the nerve to even examine that subject matter.”
Hansberry’s closest collaborator was her former husband Robert Nemiroff, a Jewish New Yorker whom she had divorced in 1962 but maintained an artistic partnership with. Nemiroff was a bit Brustein-like in his pursuits: he edited books, produced and promoted Hansberry’s work, and even wrote songs (one of which made the couple enough money to allow Hansberry to focus on writing “A Raisin in the Sun”). But Gresham — who is Nemiroff’s stepdaughter through his second marriage, to professor Jewell Handy Gresham-Nemiroff — emphasized that his personality was nothing like Brustein’s. While Brustein is brash and mean to Iris, Nemiroff was undyingly supportive of Hansberry and her work, said Gresham, who lived with him and her mother at Nemiroff’s Croton-on-Hudson home — the one he had formerly shared for a time with Hansberry — from age 10 onward.
Instead, Gresham argued, the Brustein character was the result of Hansberry’s deep engagement with Jewish intellectual thought, in part influenced by her relationship with Nemiroff. The pair met at a protest and would bond over their passion for fighting for social justice, which included combating antisemitism. The night before their wedding, they protested the execution of Julius and Ethel Rosenberg, and they would remain highly involved in the wave of activism that blossomed into the Black-Jewish civil rights alliance.
“Bob and Lorraine met and built a life together at a place where there was a very strong Black-Jewish nexus. There was a very strong interplay and interaction,” Gresham said. “I think Lorraine was very influenced by Bob’s family, the Nemiroffs, who were very radical in their politics. And so there was a way in which she was introduced to the base of Jewish intellectualism and Jewish progressive politics, that she took to heart and she was very passionate about.”
Robert Nemiroff and Lorraine Hansberry were married from 1953-62. They are shown here in 1959. (Ben Martin/Getty Images)
Hansberry didn’t hesitate to criticize Jewish writers who said controversial things about Black Americans, either. When Norman Podhoretz wrote “My Negro Problem — And Ours,” an explosive 1963 article in Commentary magazine now widely seen as racist, Hansberry responded with a scathing rebuke. She also sparred with Norman Mailer, who once wrote an essay titled “The White Negro: Superficial Reflections on the Hipster.”
Gresham said Brustein’s nihilism represents what Hansberry saw in a range of Jewish and non-Jewish white writers, whom she hoped could be kickstarted back into activism. But Hansberry also nodded to the reasons why someone like Brustein could feel defeated in the early 1960s, a decade and a half after World War II.
“You mean diddle around with the little things since we can’t do anything about the big ones? Forget about the Holocaust and worry about — reforms in the traffic court or something?” Brustein says at one point in the play to a local politician running as a reformer.
Daniel Pollack-Pelzner, a Jewish scholar of literature who has written on Hansberry, said the resulting Brustein character is a very accurate depiction of a secular Jew at the time — both keenly attuned to prejudice in society and also lacking some understanding of the experience of being Black.
“I was just intoxicated that Hansberry could conjure that world, both so affectionately, but also so clear-sidedly that it seems like she can see the limitations of all of the characters’ perspectives,” he said. “But she also represents them with sympathy and humor.”
Kauffman, who also helmed a revival of the play in Chicago in 2016, is impressed with how “fully fledged” the Brustein character is.
“Who are the cultural icons who have sort of articulated the Jew in our culture in the last 50 years or 60 years, you know?” she said. “Brustein is not a caricature of a Woody Allen character, he’s not even ‘Curb your Enthusiasm’ or a Jerry Seinfeld character. He’s a fully drawn character.”
Isaac, who is of mainly Guatemalan and Cuban heritage, has played Jewish characters before, including a formerly Orthodox man in an Israeli director’s remake of the classic film “Scenes From a Marriage.” In the lead-up to this play, he has largely avoided getting caught in headlines focused on the “Jewface” debate, over whether non-Jewish actors should be allowed to play Jewish characters on stage and screen.
But when asked about the responsibility of playing a Jewish character in a New York Times interview, Isaac referenced the fact that he has some Jewish heritage on his father’s side.
“We could play that game: How Jewish are you?” he said to interviewer Alexis Soloski, who is Jewish. “It is part of my family, part of my life. I feel the responsibility to not feel like a phony. That’s the responsibility, to feel like I can say these things, do these things and feel like I’m doing it honestly and truthfully.”
When Kauffman directed a version of the play at the Goodman Theater in Chicago in 2016, her lead actor had “not a single drop of Jewish heritage…in his blood,” and she said she had to convey “what anger looks like” coming from a Jewish perspective. Working with Isaac has been different — instead of starting at a base of no knowledge, she has been pushing for more of an Ashkenazi sensibility than a Sephardic one.
“I believe that his heritage leans, I’m guessing, more towards Sephardic. And mine is pure Ashkenazi,” she said. “We sort of joke: ‘[The part] is a little bit more Ashkenazi than that, you know what I mean?’ Like, ‘the violence is actually turned towards yourself!’”
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For the Sake of the US-Crafted Ceasefire in Gaza, Israel Should Fortify the Yellow Line Immediately
A Red Cross vehicle, escorted by a van driven by a Hamas terrorist, moves in an area within the so-called “yellow line” to which Israeli troops withdrew under the ceasefire, as Hamas says it continues to search for the bodies of deceased hostages seized during the Oct. 7, 2023, attack on Israel, in Gaza City, Nov. 12, 2025. Photo: REUTERS/Dawoud Abu Alk
The Gaza ceasefire buckled last weekend. A Palestinian terrorist crossed the “Yellow Line” — which demarcates Israeli-held Gaza from territory held by Hamas — and fired at Israel Defense Forces (IDF) troops from a humanitarian access road.
Israel eliminated five senior Hamas figures in response, and the strikes were fully backed by the United States. The violence highlighted a key vulnerability for Israel: its exposed positions along Gaza’s Yellow Line.
To minimize the violence — and the chance of the ceasefire blowing up at the hands of Hamas terrorists — Israel needs to provide its soldiers with protection in the form of a strong barrier along that line.
The line was designed to serve as a temporary withdrawal point for the IDF, while Hamas released all remaining living and deceased hostages, according to President Donald Trump’s 20-point peace plan. The terrorist group still holds the remains of one hostage, weeks after the 72-hour deadline set in the ceasefire terms.
On November 22, Qatar urged the “full Israeli withdrawal from Gaza” — but Israel is not required to do so until Hamas has taken further steps toward peace, including disarming. An International Stabilization Force (ISF) is also supposed to be ready to take Israel’s place in Gaza, operating under a temporary Board of Peace, which would govern the Strip.
Instead, Hamas rejected the UN-endorsed plan.
In a statement on November 17, the terrorist group claimed that “assigning the international force with tasks and roles inside the Gaza Strip … strips it of its neutrality, and turns it into a party to the conflict in favor of [Israel].”
Hamas has also made it clear that the group likely will not agree to full disarmament, as stipulated by the Trump administration’s plan.
Instances of Palestinian terrorists firing across the Yellow Line at IDF troops have become a near-daily occurrence since the ceasefire’s inception on October 10. Palestinians have violated Phase One of the truce at least 32 times, according to IDF data, with a majority of those violations occurring when militants cross into Israeli-controlled areas east of the Yellow Line.
Despite some concerns about the potential for a permanent IDF presence in Gaza, Israeli Prime Minister Benjamin Netanyahu has said that Israel wants to “pass [Gaza] to a civilian governance that is not Hamas,” and doesn’t seek to “keep” Gaza long term.
For now, the situation leaves the IDF encamped in elevated positions along the Yellow Line. The border between those positions and the hornet’s nest of Hamas’ remaining forces in Gaza is marked with yellow cement blocks, while the IDF sits several hundred yards back from the line in positions dotted with large sand berms, supported by tanks and some electrical and water infrastructure. This is not like the high-tech border “Iron Wall” that separated Israel and Gaza before the October 7, 2023, attacks. Of course, even that was easily breached. But without something similar, the region is just one successful Hamas assault away from a return to war.
For the sake of the ceasefire, especially since Hamas continues to violate its terms, Israel should strengthen the Yellow Line: not to establish a permanent presence, but to provide cover for its troops in the near term, the ISF’s troops in the medium-to-long term, and to avoid the ceasefire’s collapse.
Israel’s reinforced border with Lebanon could serve as an example. The IDF could easily install concrete barriers along the Israeli side of the Yellow Line to reduce terrorist infiltration, while establishing checkpoints to lower troop exposure and allow Gazan residents to return to rebuilt homes in the future, in line with the Trump administration’s reconstruction plan for the areas of the enclave not under Hamas control.
The border could also isolate Hamas, piling diplomatic pressure on the terror group from mediators like Qatar, Egypt, and Turkey, to comply with the ceasefire to get Israel out of Gaza as soon as possible, per Doha’s demands. The border would protect troops from other nations involved in a future ISF, should it materialize. These nations have made it clear that they don’t want to volunteer soldiers to fight in armed engagements with Palestinians, and a fortified border may provide the necessary solution.
Aaron Goren is a research analyst and editor at the Foundation for Defense of Democracies (FDD).
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Hostage’s remains returned to Israel, as Trump says Gaza ceasefire’s next phase is ‘going to happen pretty soon’
(JTA) — Israel has identified the remains handed over Wednesday by Hamas as belonging to Sudthisak Rinthalak, a Thai agricultural worker murdered on Oct. 7, 2023.
Rinthalak had been working in Israel for years, sending money home to his family in Thailand, but had only been at Kibbutz Beeri for a few months on Oct. 7, when it became one of the hardest-hit communities during the Hamas massacre, with about 100 residents killed.
The release means there is just one Israeli hostage remaining in Gaza of the roughly 250 taken on Oct. 7: Ran Gvili, a police officer killed while defending Kibbutz Alumim.
Gvili’s family and the Hostages and Missing Families Forum has announced that the mass Saturday night demonstrations on behalf of the hostages, which began soon after Oct. 7, would shift to smaller gatherings on Friday afternoons.
The changes come as pressure mounts for Israel and Hamas to move into the second phase of the ceasefire plan that U.S. President Donald Trump brokered in October. Under the terms of the ceasefire, all living and dead hostages would be released before a second phase focused on Gaza’s postwar governance would be negotiated.
Trump insisted on Wednesday that the next phase was imminent, even as skirmishes continue in Gaza. Israel recently killed two children who crossed the “yellow line” separating Israel- and Hamas-controlled portions of the enclave, while gunmen emerging from the network of tunnels built by Hamas attacked and severely wounded Israeli soldiers in Rafah on Wednesday.
“Phase two is moving along. It’s going to happen pretty soon,” Trump told reporters on Wednesday, even as he acknowledged that Israel’s bombing response to the attack on the soldiers represented “a problem.”
Still, he said, “We have peace in the Middle East. People don’t realize it.”
Both Israel and Hamas would lose authority in Gaza during the next phase of Trump’s plan, which would establish a “Board of Peace” helmed by Trump to make decisions about Gaza’s future. It is expected that the Palestinian Authority will play a role in the board, which Israeli officials have said they oppose, and Hamas will face renewed pressure to disarm, which it does not want to do.
In a sign of how contentious each development is likely to be, Israel announced on Wednesday that it would reopen the Rafah crossing with Egypt — but only to Gazans leaving the enclave. Egypt, meanwhile, said it would not open the crossing on its side unless Israel accepts Gazans who seek to return.
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NYC synagogue protest leads to a new bill, and a rally by Jewish groups outside Park East shul
(JTA) — A demonstration outside Park East Synagogue two weeks ago, during which protesters shouted chants like “Death to the IDF” and “Globalize the Intifada,” has spurred major Jewish groups and lawmakers into action.
A coalition of Jewish groups are organizing a solidarity gathering on Manhattan’s Upper East Side Thursday night, outside the same synagogue where pro-Palestinian groups protested an event promoting immigration to Israel — a scene that NYPD commissioner Jessica Tisch later referred to as “turmoil.”
The rally “will bring our community together in that same sacred space to celebrate and defend our community’s values and support Israel’s right to exist as a Jewish homeland,” according to a press release from UJA-Federation of New York.
UJA is partnering on the rally with Park East Synagogue itself, as well as the Jewish Community Relations Council, the New York Board of Rabbis, and local branches of the Anti-Defamation League and the American Jewish Committee.
They’ve also listed dozens of Jewish organizations, schools and congregations as partners. Schools and synagogues around the city were sharing information with families about how to commute to the rally.
The gathering will feature live performances, community leaders and elected officials, according to UJA’s release, though it did not specify who would be present.
The rally is set to take place on the heels of newly introduced legislation, brought forward on Wednesday by a pair of Jewish lawmakers — Assembly member Micah Lasher and State Sen. Sam Sutton — that proposes banning protests within 25 feet of houses of worship.
“New York must always be a place where people can both exercise free speech and express their religious identity without fear or intimidation, and that balance broke down outside Park East Synagogue,” said Micah Lasher, who is running for Congress in New York’s 12th district, which includes Park East.
The bill was co-sponsored by fellow Jewish lawmakers Nily Rozic, a Democratic Assembly member, and Sen. Liz Krueger, who endorsed mayor-elect Zohran Mamdani in the general election.
Many Jewish groups were disappointed with the initial response to the incident by Mamdani’s spokesperson, who said that while Mamdani would “discourage the language used” at the protest, “these sacred spaces should not be used to promote activities in violation of international law.” The second clause was a reference to complaints that the synagogue event’s organizers facilitate immigration to the West Bank, which most countries consider illegally occupied by Israel under international law.
Critics said Mamdani’s statement drew an unfair comparison between menacing protesters and a synagogue exercising its commitment to Jewish communities in what the ADL referred to as their “ancestral homeland,” and that the protest made no distinction between immigration to Israel and the West Bank.
Rabbi Marc Schneier, who has been a harsh critic of Mamdani and is the son of Park East’s senior rabbi, said on WABC that he’s had multiple phone calls with the mayor-elect about legislation like the bill proposed by Lasher and Sutton.
Schneier said Mamdani was receptive to the idea during their discussions, and a Mamdani spokesperson told The New York Times that the mayor-elect “expressed his interest in hearing more details about the Schneier pitch.”
Jewish leaders say they are looking to Thursday as an opportunity to counter the rhetoric used outside Park East.
Chaim Steinmetz, a critic of Mamdani and the senior rabbi of a different Orthodox synagogue on the Upper East Side, shared a post about Thursday’s rally, calling it an opportunity to “stand up as proud Jews.”
“And now, with a new city administration about to take office, it is more important than ever that we bring our pride into the streets,” he wrote.
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