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Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it.
NEW YORK (JTA) — Sidney Brustein, Jewish Hamlet?
Anne Kauffman thinks so. She made the comparison in a phone interview about the play she’s directing — a buzzy production of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window” that opened on Monday at the Brooklyn Academy of Music starring Oscar Isaac and Rachel Brosnahan.
“One artistic director who was thinking of doing this [play] was like, ‘You know, it’s not like he’s Hamlet, but…’ And I thought, well, no, actually I think he is like Hamlet!” she said.
She added another take: “I feel like he’s Cary Grant meets Zero Mostel.”
Hansberry saw just two of her works produced on Broadway before her death from cancer at 34 in January 1965. Her first, “A Raisin in the Sun,” which follows a Black family dealing with housing discrimination in Chicago, is widely considered one of the most significant plays of the 20th century. The other, “The Sign in Sidney Brustein’s Window,” ran for a few months in the fall of 1964 until Hansberry’s death and has only been revived a handful of times since, all outside of New York.
Now, the star power of Isaac and Brosnahan is driving renewed interest in the play, which deals with weighty questions about political activism, self-fulfillment in a capitalist world, and racial and ethnic identity — including mid-century Jewish American identity.
The Brustein character, as Kauffman alluded to, is many things. A resident of Greenwich Village deeply embedded in that historic neighborhood’s 1960s activist and artistic circles, he is somewhat of a creative renaissance man. At the start of the play, his club of sorts (“it was not a nightclub” is a running joke) called “Walden Pond” has just shuttered and he has taken over an alternative newspaper. As the script reads, Brustein is an intellectual “in the truest sense of the word” but “does not wear glasses” — the latter description being a possible jab at his macho tendencies. Formerly an ardent leftist activist, he is now weary of the worth of activism and a bit of a nihilist. He’s in his late 30s and is a musician who often picks up a banjo.
Brustein is also a secular Jew, a fact that he telegraphs at certain key emotional and comedic moments. Others, from friends to his casually antisemitic sister-in-law, frequently reference his identity, too.
At the end of the play’s first half, for example, Brustein brings up the heroes of the Hanukkah story in talking about his existential angst — and his stomach ulcer. He has become belligerent to his wife Iris and to a local politician who wants Brustein’s paper’s endorsement.
“How does one confront the thousand nameless faceless vapors that are the evil of our time? Can a sword pierce it?” Sidney says. “One does not smite evil anymore: one holds one’s gut, thus — and takes a pill. Oh, but to take up the sword of the Maccabees again!”
Hansberry’s decision to center a white Jewish character surprised critics and fans alike in 1964 because many of them expected her to follow “A Raisin in the Sun” with further exploration of issues facing Black Americans, said Joi Gresham, the director of the Lorraine Hansberry Literary Trust.
“The major attack, both critically and on a popular basis, in regards to the play and to its central character was that Lorraine was out of her lane,” Gresham said. “That not only did she not know what she’s talking about, but that she had the nerve to even examine that subject matter.”
Hansberry’s closest collaborator was her former husband Robert Nemiroff, a Jewish New Yorker whom she had divorced in 1962 but maintained an artistic partnership with. Nemiroff was a bit Brustein-like in his pursuits: he edited books, produced and promoted Hansberry’s work, and even wrote songs (one of which made the couple enough money to allow Hansberry to focus on writing “A Raisin in the Sun”). But Gresham — who is Nemiroff’s stepdaughter through his second marriage, to professor Jewell Handy Gresham-Nemiroff — emphasized that his personality was nothing like Brustein’s. While Brustein is brash and mean to Iris, Nemiroff was undyingly supportive of Hansberry and her work, said Gresham, who lived with him and her mother at Nemiroff’s Croton-on-Hudson home — the one he had formerly shared for a time with Hansberry — from age 10 onward.
Instead, Gresham argued, the Brustein character was the result of Hansberry’s deep engagement with Jewish intellectual thought, in part influenced by her relationship with Nemiroff. The pair met at a protest and would bond over their passion for fighting for social justice, which included combating antisemitism. The night before their wedding, they protested the execution of Julius and Ethel Rosenberg, and they would remain highly involved in the wave of activism that blossomed into the Black-Jewish civil rights alliance.
“Bob and Lorraine met and built a life together at a place where there was a very strong Black-Jewish nexus. There was a very strong interplay and interaction,” Gresham said. “I think Lorraine was very influenced by Bob’s family, the Nemiroffs, who were very radical in their politics. And so there was a way in which she was introduced to the base of Jewish intellectualism and Jewish progressive politics, that she took to heart and she was very passionate about.”
Robert Nemiroff and Lorraine Hansberry were married from 1953-62. They are shown here in 1959. (Ben Martin/Getty Images)
Hansberry didn’t hesitate to criticize Jewish writers who said controversial things about Black Americans, either. When Norman Podhoretz wrote “My Negro Problem — And Ours,” an explosive 1963 article in Commentary magazine now widely seen as racist, Hansberry responded with a scathing rebuke. She also sparred with Norman Mailer, who once wrote an essay titled “The White Negro: Superficial Reflections on the Hipster.”
Gresham said Brustein’s nihilism represents what Hansberry saw in a range of Jewish and non-Jewish white writers, whom she hoped could be kickstarted back into activism. But Hansberry also nodded to the reasons why someone like Brustein could feel defeated in the early 1960s, a decade and a half after World War II.
“You mean diddle around with the little things since we can’t do anything about the big ones? Forget about the Holocaust and worry about — reforms in the traffic court or something?” Brustein says at one point in the play to a local politician running as a reformer.
Daniel Pollack-Pelzner, a Jewish scholar of literature who has written on Hansberry, said the resulting Brustein character is a very accurate depiction of a secular Jew at the time — both keenly attuned to prejudice in society and also lacking some understanding of the experience of being Black.
“I was just intoxicated that Hansberry could conjure that world, both so affectionately, but also so clear-sidedly that it seems like she can see the limitations of all of the characters’ perspectives,” he said. “But she also represents them with sympathy and humor.”
Kauffman, who also helmed a revival of the play in Chicago in 2016, is impressed with how “fully fledged” the Brustein character is.
“Who are the cultural icons who have sort of articulated the Jew in our culture in the last 50 years or 60 years, you know?” she said. “Brustein is not a caricature of a Woody Allen character, he’s not even ‘Curb your Enthusiasm’ or a Jerry Seinfeld character. He’s a fully drawn character.”
Isaac, who is of mainly Guatemalan and Cuban heritage, has played Jewish characters before, including a formerly Orthodox man in an Israeli director’s remake of the classic film “Scenes From a Marriage.” In the lead-up to this play, he has largely avoided getting caught in headlines focused on the “Jewface” debate, over whether non-Jewish actors should be allowed to play Jewish characters on stage and screen.
But when asked about the responsibility of playing a Jewish character in a New York Times interview, Isaac referenced the fact that he has some Jewish heritage on his father’s side.
“We could play that game: How Jewish are you?” he said to interviewer Alexis Soloski, who is Jewish. “It is part of my family, part of my life. I feel the responsibility to not feel like a phony. That’s the responsibility, to feel like I can say these things, do these things and feel like I’m doing it honestly and truthfully.”
When Kauffman directed a version of the play at the Goodman Theater in Chicago in 2016, her lead actor had “not a single drop of Jewish heritage…in his blood,” and she said she had to convey “what anger looks like” coming from a Jewish perspective. Working with Isaac has been different — instead of starting at a base of no knowledge, she has been pushing for more of an Ashkenazi sensibility than a Sephardic one.
“I believe that his heritage leans, I’m guessing, more towards Sephardic. And mine is pure Ashkenazi,” she said. “We sort of joke: ‘[The part] is a little bit more Ashkenazi than that, you know what I mean?’ Like, ‘the violence is actually turned towards yourself!’”
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IDF Unveils AI-Powered Robotic Warfare System, Breakthrough Artillery Against Hezbollah
Smoke rises from a village in southern Lebanon as the Israeli army operates in it as seen from the Israeli side of the border, April 23, 2026. Photo: REUTERS/Gil Eliyahu
The Israel Defense Forces (IDF) has introduced cutting-edge battlefield technology while fighting Hezbollah over the past several weeks, deploying fleets of explosive robots and game-changing artillery to accelerate the destruction of the Iran-backed group’s terrorist infrastructure across southern Lebanon.
With the goal of minimizing risks to troops, the IDF plans to deploy robots on high-risk missions to detonate large, strategic infrastructure in areas previously beyond the reach of ground forces, marking a significant expansion in its use of autonomous battlefield systems. Some of this technology has already been in use but will only escalate.
According to Israeli officials, this newly introduced technology is designed to scan vast areas using intelligence data, locate Hezbollah infrastructure both above and below ground, and systematically dismantle networks built over decades within Shiite villages, forests, and dense terrain.
The IDF expects this sustained military engineering effort to drain Hezbollah’s extensive financial investments and push threats farther from Israel’s northern border with Lebanon.
Given Lebanon’s rugged, mountainous terrain in the area, the natural landscape severely limits the movement of heavy engineering equipment, forcing troops to rely on complex field improvisations amid dense vegetation and terrain that conceals militant infrastructure.
The IDF has previously used robotic systems during the war in Gaza, providing ground forces with a strategic edge while reducing exposure to danger, including deploying them to explore Hamas tunnels and enhance the detection and tracking of armed operatives.
Robotic systems not only reduce the danger to troops but also help offset manpower shortages and enable operations in especially challenging environments, including tunnel networks, densely populated urban areas, and other locations that are difficult for ground forces to reach.
The IDF has further expanded its arsenal with the introduction of the “Ro’em” self-propelled howitzer battery developed by Elbit Systems, a platform that leverages advanced technology and artificial intelligence to deliver quicker and more accurate firepower.
Fully automatic, the self-propelled howitzer can fire between six and eight rounds per minute at ranges of up to 40 kilometers.
Hostilities between Hezbollah and Israel reignited on March 2, when the terrorist group opened fire in support of Iran two days after the start of the joint US-Israeli military campaign against the Iranian regime. Since then, Israeli troops have created a “buffer zone” that extends 5 to 10 km (3 to 6 miles) into Lebanon. According to Israeli officials the purpose of the zone is to protect northern Israel from attacks by Hezbollah, which has fired thousands of rockets and drones during the war.
The US mediated a 10-day ceasefire between Israel and Lebanon last week. The deal was separate from Washington’s efforts to de-escalate tensions with Iran, though Tehran had pushed for Lebanon to be included in any broader framework for stopping hostilities.
On Thursday, US President Donald Trump announced a three-week extension of the truce, which was due to expire on Sunday, to allow more time for negotiations and diplomatic efforts.
Even though the US-backed ceasefire has sharply reduced violence, negotiations and prospects for lasting peace remain fragile, with Israeli forces still positioned in southern Lebanon to maintain its buffer zone and dismantle Hezbollah infrastructure.
For its part, Hezbollah, an internationally designated terrorist group that openly seeks Israel’s destruction, maintains it has “the right to resist” what it calls occupying forces, while rejecting any direct negotiations between the two countries.
Even with the truce in place, Israel has warned Lebanese citizens against returning to their homes at this stage, with officials saying that Hezbollah could seek to exploit the situation to reestablish its terrorist infrastructure under civilian cover.
The Lebanese government has now opened direct contacts with Israel despite strong objections from Hezbollah — which was established by Iran’s Islamic Revolutionary Guard Corps (IRGC) in 1982.
With negotiations now underway toward a potential longer-term arrangement, Israel has said its position rests on two core demands: the full disarmament of the Iran-backed terrorist group and a “sustainable” security-based peace framework.
Lebanon has demanded an Israeli withdrawal from the south, the return of Lebanese detainees held in Israel, and the delineation of the land border.
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Antisemitic Incidents Hit Record High in Austria as New Report Warns of Rising Hostility Against Jews
A pro-Hamas demonstration in Vienna. Photo: Reuters/Andreas Stroh
Antisemitism in Austria remained at alarmingly high levels last year, reaching its highest point since records began, according to newly released data that highlighted a persistently hostile environment for Jews and Israelis across Europe, marked by harassment, vandalism, and targeted attacks.
On Thursday, the Antisemitism Reporting Center of the Israelitische Kultusgemeinde Wien (IKG) — the official body tracking antisemitic incidents against Austria’s Jewish community — released its annual report documenting 1,532 cases in 2025, the highest figure on record.
IKG Secretary General Benjamin Nägele warned that these figures signaled a sustained and deeply alarming surge in antisemitic incidents since the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
“The unrestrained antisemitism that has taken hold since Oct. 7, 2023, has become a constant presence in the daily lives of many Jews,” Nägele said in a statement.
Among the reported cases were 19 physical attacks, 27 threats, 205 incidents of property damage, 439 mass mailings, and 842 instances of offensive behavior, averaging 4.2 incidents per day — slightly higher than 4.13 in 2024.
While the data reflected a decline from the immediate aftermath of the Oct. 7 atrocities, with incidents peaking at 8.13 per day in 2023, the figures remained far above pre-war levels, which averaged just 1.55 incidents daily.
IKG President Oskar Deutsch said the findings underscored the ongoing strain on Jewish life in Austria, pointing to the community’s continued dependence on robust security arrangements.
“Jewish life is only possible thanks to extensive security measures. The Jewish community spends more than five million euros annually on security — resources that are urgently needed elsewhere, such as education, youth work, and cultural life,” Deutsch said in a statement.
According to the report, these trends also reflect a growing normalization of inciting rhetoric that trivializes the Holocaust, equates Israel with Nazi Germany, and frames Palestinians as “the new Jews,” further intensifying an already hostile environment for Jewish communities in Austria.
Johannan Edelman, head of the Antisemitism Reporting Center, said that this “atmospheric antisemitism” fosters growing indifference and numbness toward antisemitic agitation, reflected in a declining willingness to report such incidents.
Edelman also warned that such a hostile environment risked gradually pushing Jewish life out of the public sphere, forcing many Jews to conceal their identities.
The newly released report showed that the most prevalent form of antisemitism in Austria was Israel-related antisemitism, accounting for 1,186 cases (77.4 percent), a dramatic rise from 21 percent in 2020.
However, Holocaust relativization and denial rose sharply to 40.8 percent from 28.7 percent in 2024, while antisemitic “othering” increased to 49 percent from 32 percent, both marking significant gains.
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Israel Votes in Favor of Iran Joining International Cheer Union: ‘The Iranian People Are Not Enemies’
Ludmila Yasinska, far right, posing with members of the Israeli Cheer Union competing at the 2026 ICU World Cheerleading Championships in Orlando, Florida. Photo: Provided
Israel’s representative at the International Cheer Union (ICU) General Meeting in Orlando, Florida, this week voted in favor of Iran becoming a member nation of the organization.
Ludmila Yasinska, president of the Israeli Cheer Union, attended the annual meeting in-person and voted for Iran joining the ICU, the official world governing body for cheerleading.
The decision was approved, and a total of five applicant countries have newly joined the organization: Iran, Sint Maarten, Iceland, Ethiopia, and Sierra Leone. The ICU now has 126 national federation members across all continents, and each receives one vote for all General Meeting voting processes.
“The vote in favor of Iran’s participation in international competitions expresses a clear distinction between the Iranian people and the terrorist regime,” Yasinska told The Algemeiner. “It is a values-based position that sees the Iranian people not as enemies, but as human beings who seek to take part in the international arena, to compete, and to be partners in an open and fair world. It is also a statement of hope — that despite the complex reality, there is room to distinguish between citizens and leadership, and to extend a hand toward a different future.”
“May the day come when we can stand side by side and cheer together,” she added.
According to experts, the vast majority of the Iranian people oppose the authoritarian, Islamist regime that has ruled the country since 1979. In January, the regime’s security forces killed and imprisoned tens of thousands of civilians to crush anti-government protests that erupted across Iran.
The ICU General Meeting took place before the start of the 2026 ICU World Cheerleading Championships. This year, Israel competed in the international competition for the first time ever. The championships started on Wednesday and concluded on Friday.
“It was an amazing feeling and a great source of pride to represent Israel on the world stage,” Yasinska told The Algemeiner. “Despite all the difficult times and the situation in Israel before the championship, we never stopped believing or working toward this moment.”
The competition occurred amid a ceasefire pausing the US-Israeli military campaign against Iran, whose leaders regularly call for Israel’s destruction. Before the temporary truce went into effect, Israelis spent weeks running to bomb shelters as the Iranian regime launched barrages of ballistic missiles at the Jewish state. Iran’s chief terrorist proxy, Hezbollah, also fired rockets at northern Israel from Lebanon.
“There were times when we had to train on Zoom because we could not leave our homes. We also had one intensive week where some of our girls from the north stayed in our homes, just so we could have the opportunity to train together as one team,” Yasinska explained. “After all of this hard preparation, sacrifice, and determination, to finally represent our country was incredibly emotional and meaningful. It is a huge honor for us, and it was very important to show the world that Israel is on the international map of this sport — standing strong, competing proudly, and doing the very best we can.”
In 2021, the ICU was granted full recognition by the International Olympic Committee.