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Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it.
NEW YORK (JTA) — Sidney Brustein, Jewish Hamlet?
Anne Kauffman thinks so. She made the comparison in a phone interview about the play she’s directing — a buzzy production of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window” that opened on Monday at the Brooklyn Academy of Music starring Oscar Isaac and Rachel Brosnahan.
“One artistic director who was thinking of doing this [play] was like, ‘You know, it’s not like he’s Hamlet, but…’ And I thought, well, no, actually I think he is like Hamlet!” she said.
She added another take: “I feel like he’s Cary Grant meets Zero Mostel.”
Hansberry saw just two of her works produced on Broadway before her death from cancer at 34 in January 1965. Her first, “A Raisin in the Sun,” which follows a Black family dealing with housing discrimination in Chicago, is widely considered one of the most significant plays of the 20th century. The other, “The Sign in Sidney Brustein’s Window,” ran for a few months in the fall of 1964 until Hansberry’s death and has only been revived a handful of times since, all outside of New York.
Now, the star power of Isaac and Brosnahan is driving renewed interest in the play, which deals with weighty questions about political activism, self-fulfillment in a capitalist world, and racial and ethnic identity — including mid-century Jewish American identity.
The Brustein character, as Kauffman alluded to, is many things. A resident of Greenwich Village deeply embedded in that historic neighborhood’s 1960s activist and artistic circles, he is somewhat of a creative renaissance man. At the start of the play, his club of sorts (“it was not a nightclub” is a running joke) called “Walden Pond” has just shuttered and he has taken over an alternative newspaper. As the script reads, Brustein is an intellectual “in the truest sense of the word” but “does not wear glasses” — the latter description being a possible jab at his macho tendencies. Formerly an ardent leftist activist, he is now weary of the worth of activism and a bit of a nihilist. He’s in his late 30s and is a musician who often picks up a banjo.
Brustein is also a secular Jew, a fact that he telegraphs at certain key emotional and comedic moments. Others, from friends to his casually antisemitic sister-in-law, frequently reference his identity, too.
At the end of the play’s first half, for example, Brustein brings up the heroes of the Hanukkah story in talking about his existential angst — and his stomach ulcer. He has become belligerent to his wife Iris and to a local politician who wants Brustein’s paper’s endorsement.
“How does one confront the thousand nameless faceless vapors that are the evil of our time? Can a sword pierce it?” Sidney says. “One does not smite evil anymore: one holds one’s gut, thus — and takes a pill. Oh, but to take up the sword of the Maccabees again!”
Hansberry’s decision to center a white Jewish character surprised critics and fans alike in 1964 because many of them expected her to follow “A Raisin in the Sun” with further exploration of issues facing Black Americans, said Joi Gresham, the director of the Lorraine Hansberry Literary Trust.
“The major attack, both critically and on a popular basis, in regards to the play and to its central character was that Lorraine was out of her lane,” Gresham said. “That not only did she not know what she’s talking about, but that she had the nerve to even examine that subject matter.”
Hansberry’s closest collaborator was her former husband Robert Nemiroff, a Jewish New Yorker whom she had divorced in 1962 but maintained an artistic partnership with. Nemiroff was a bit Brustein-like in his pursuits: he edited books, produced and promoted Hansberry’s work, and even wrote songs (one of which made the couple enough money to allow Hansberry to focus on writing “A Raisin in the Sun”). But Gresham — who is Nemiroff’s stepdaughter through his second marriage, to professor Jewell Handy Gresham-Nemiroff — emphasized that his personality was nothing like Brustein’s. While Brustein is brash and mean to Iris, Nemiroff was undyingly supportive of Hansberry and her work, said Gresham, who lived with him and her mother at Nemiroff’s Croton-on-Hudson home — the one he had formerly shared for a time with Hansberry — from age 10 onward.
Instead, Gresham argued, the Brustein character was the result of Hansberry’s deep engagement with Jewish intellectual thought, in part influenced by her relationship with Nemiroff. The pair met at a protest and would bond over their passion for fighting for social justice, which included combating antisemitism. The night before their wedding, they protested the execution of Julius and Ethel Rosenberg, and they would remain highly involved in the wave of activism that blossomed into the Black-Jewish civil rights alliance.
“Bob and Lorraine met and built a life together at a place where there was a very strong Black-Jewish nexus. There was a very strong interplay and interaction,” Gresham said. “I think Lorraine was very influenced by Bob’s family, the Nemiroffs, who were very radical in their politics. And so there was a way in which she was introduced to the base of Jewish intellectualism and Jewish progressive politics, that she took to heart and she was very passionate about.”
Robert Nemiroff and Lorraine Hansberry were married from 1953-62. They are shown here in 1959. (Ben Martin/Getty Images)
Hansberry didn’t hesitate to criticize Jewish writers who said controversial things about Black Americans, either. When Norman Podhoretz wrote “My Negro Problem — And Ours,” an explosive 1963 article in Commentary magazine now widely seen as racist, Hansberry responded with a scathing rebuke. She also sparred with Norman Mailer, who once wrote an essay titled “The White Negro: Superficial Reflections on the Hipster.”
Gresham said Brustein’s nihilism represents what Hansberry saw in a range of Jewish and non-Jewish white writers, whom she hoped could be kickstarted back into activism. But Hansberry also nodded to the reasons why someone like Brustein could feel defeated in the early 1960s, a decade and a half after World War II.
“You mean diddle around with the little things since we can’t do anything about the big ones? Forget about the Holocaust and worry about — reforms in the traffic court or something?” Brustein says at one point in the play to a local politician running as a reformer.
Daniel Pollack-Pelzner, a Jewish scholar of literature who has written on Hansberry, said the resulting Brustein character is a very accurate depiction of a secular Jew at the time — both keenly attuned to prejudice in society and also lacking some understanding of the experience of being Black.
“I was just intoxicated that Hansberry could conjure that world, both so affectionately, but also so clear-sidedly that it seems like she can see the limitations of all of the characters’ perspectives,” he said. “But she also represents them with sympathy and humor.”
Kauffman, who also helmed a revival of the play in Chicago in 2016, is impressed with how “fully fledged” the Brustein character is.
“Who are the cultural icons who have sort of articulated the Jew in our culture in the last 50 years or 60 years, you know?” she said. “Brustein is not a caricature of a Woody Allen character, he’s not even ‘Curb your Enthusiasm’ or a Jerry Seinfeld character. He’s a fully drawn character.”
Isaac, who is of mainly Guatemalan and Cuban heritage, has played Jewish characters before, including a formerly Orthodox man in an Israeli director’s remake of the classic film “Scenes From a Marriage.” In the lead-up to this play, he has largely avoided getting caught in headlines focused on the “Jewface” debate, over whether non-Jewish actors should be allowed to play Jewish characters on stage and screen.
But when asked about the responsibility of playing a Jewish character in a New York Times interview, Isaac referenced the fact that he has some Jewish heritage on his father’s side.
“We could play that game: How Jewish are you?” he said to interviewer Alexis Soloski, who is Jewish. “It is part of my family, part of my life. I feel the responsibility to not feel like a phony. That’s the responsibility, to feel like I can say these things, do these things and feel like I’m doing it honestly and truthfully.”
When Kauffman directed a version of the play at the Goodman Theater in Chicago in 2016, her lead actor had “not a single drop of Jewish heritage…in his blood,” and she said she had to convey “what anger looks like” coming from a Jewish perspective. Working with Isaac has been different — instead of starting at a base of no knowledge, she has been pushing for more of an Ashkenazi sensibility than a Sephardic one.
“I believe that his heritage leans, I’m guessing, more towards Sephardic. And mine is pure Ashkenazi,” she said. “We sort of joke: ‘[The part] is a little bit more Ashkenazi than that, you know what I mean?’ Like, ‘the violence is actually turned towards yourself!’”
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Hormuz Standoff Continues as US-Iran Ceasefire Teeters
People walk past a mural depicting the late leader of the Islamic Revolution, Ayatollah Ruhollah Khomeini, and the late Iran’s Supreme Leader Ayatollah Ali Khamenei, in Tehran, Iran. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
Prospects of a peace deal with Iran dwindled on Tuesday after Donald Trump said a ceasefire was “on life support” as Tehran rejected a US proposal to end the conflict and stuck to a list of demands the US president described as “garbage.”
Iran has called for an end to the war on all fronts, including Lebanon, where US ally Israel is fighting Iran-backed Hezbollah terrorists. Tehran also emphasized its sovereignty over the Strait of Hormuz, demanded compensation for war damage, and an end to the US naval blockade, among other conditions.
Trump, who will discuss the war with Chinese President Xi Jinping during his trip to Beijing this week, said Iran‘s response threatened the status of a ceasefire announced on April 7.
“I would call it the weakest right now, after reading that piece of garbage they sent us. I didn’t even finish reading it,” Trump, who has repeatedly threatened to end the ceasefire, told reporters on Monday. “It’s on life support.”
OIL EXTENDS GAINS
The US had proposed an end to fighting before starting talks on more contentious issues, including Iran‘s nuclear program.
Brent crude oil futures extended gains, climbing to around $108 a barrel, as the deadlock left the Strait of Hormuz largely closed. Before the war began on Feb. 28, the narrow waterway carried a fifth of the world’s oil and liquefied natural gas shipments, and has since become a central pressure point in the conflict.
US Central Command said the aircraft carrier Abraham Lincoln was in the Arabian Sea continuing to enforce the US blockade against Iran, having redirected 65 commercial vessels and disabled four.
The Pentagon put the cost of the war at $29 billion so far, an increase of $4 billion from an estimate provided late last month. An official told lawmakers the new cost included updated repair and replacement of equipment and operational costs.
The war also has driven a roughly 50% increase in gasoline prices across the US, where consumer prices rose at a brisk clip for a second straight month in April, resulting in the largest annual increase in inflation in nearly three years.
TRUMP’S TRIP TO CHINA
Surveys show the war is unpopular with US voters less than six months before nationwide elections that will determine whether Trump’s Republican Party retains control of Congress.
Two out of three Americans, including one in three Republicans and almost all Democrats, think Trump has not clearly explained why the country has gone to war, according to a Reuters/Ipsos poll completed on Monday.
Trump is expected to arrive in Beijing on Wednesday.
Trump wants China to convince Tehran to make a deal with Washington to end the conflict. China maintains ties with Iran and remains a major consumer of its oil exports. China’s foreign ministry has said the US blockade of the strait does not serve the common interest of the international community.
The US on Monday imposed new sanctions on individuals and companies it said were helping Iran ship oil to China, part of efforts to cut off funding for Tehran’s military and nuclear programs, while also warning banks about attempts to evade existing curbs.
IRANIAN OFFICIALS USE TOUGH RHETORIC
Iranian officials, meanwhile, issued statements attempting to show continued resolve in the face of US pressure.
A Fars news agency report cited Mohammad Akbarzadeh, deputy political director of the Islamic Revolutionary Guard Corps Navy, as saying Iran had expanded its definition of the Strait of Hormuz into a “vast operational area” under a new plan.
There was no immediate reply from Iranian authorities to a request for comment on Akbarzadeh’s remarks, which defined the waterway as a zone stretching from the coast of the city of Jask in the east to Siri Island in the west.
In a post on X, parliamentary national security and foreign policy commission spokesperson Ebrahim Rezaei said Iran could enrich uranium up to 90% purity, a level considered weapons-grade, if the country is attacked once more.
Iran’s defense ministry spokesperson said any new attack by an enemy would be met with an immediate response, according to state media. In Tehran, the Guards held drills “centered on preparation to confront the enemy,” state TV reported.
TRICKLE OF SHIPPING THROUGH HORMUZ
Traffic through the Strait of Hormuz remains at a trickle. Shipping data on Kpler and LSEG showed that three tankers laden with crude exited the waterway last week, with trackers switched off to avoid any Iranian attack.
In the Qatari capital Doha, Turkish Foreign Minister Hakan Fidan said the strait should not be used as a “weapon.”
Lithuania said it could contribute minesweeping capabilities and resources for a potential mission to protect shipping in the strait. Britain said on Saturday it was deploying a warship to the Middle East in preparation for a potential multinational effort in the strait once conditions allow.
Kuwait summoned Iran’s ambassador and handed him a protest note over what it said was the infiltration of Bubiyan Island by armed members of Iran’s Revolutionary Guards and clashes with Kuwaiti armed forces, the foreign ministry said. There was no immediate reaction from Iran.
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New Israeli Law Sets Military Tribunal for Hamas Oct. 7 Terrorists
Hand prints and other markings made in the soot on a wall are seen, nearly a year since the deadly Oct. 7 attack by Hamas, in Kibbutz Beeri, southern Israel, Sept. 15, 2024. Photo: REUTERS/Amir Cohen
Israel’s parliament passed a law late on Monday establishing a military tribunal to try hundreds of Palestinian terrorists who took part in the Oct. 7, 2023, attack on Israel, a step lawmakers said would help heal national trauma.
The surprise attack, led by elite “Nukhba” force fighters from the Palestinian terrorist group Hamas, was Israel’s deadliest single day and the worst attack on Jews since the Holocaust. At least 1,200 people were killed, most of them civilians.
Israel responded with a military campaign aimed at dismantling Hamas’s military capabilities and political rule in neighboring Gaza.
Israel has been holding an estimated 200-300 fighters – the precise number is classified – captured in Israel during the attack, who have not yet been charged.
The special military court established by the law, to be presided over by a three-judge panel in Jerusalem, could also try others captured later in Gaza and suspected of participating in the attack, or of having held or abused Israeli hostages.
The new law was backed by a wide majority 93 of the Knesset’s 120 lawmakers, in a rare show of Israeli political unity.
The terrorists burst through the Gaza border and rampaged through southern Israeli villages, army bases, roads, and a music festival. Besides the killings, the fighters also took 251 hostages back to Gaza.
NO TRIAL DATE
Lawmakers from both the governing coalition and the opposition authored the bill, meant to ensure all assailants are brought to justice under existing Israeli criminal statutes for what it describes as crimes against the Jewish people, crimes against humanity, and war crimes.
Proceedings will be public, with major hearings broadcast live. While defendants will attend only key hearings in person and all others by video, surviving victims will be allowed in-person access, according to the new law.
Ya’ara Mordecai, an international law expert at Yale Law School, said the new law raised some concerns about due process, given the military court setting, as well as a risk of atrocity proceedings turning into politicized or symbolic “show trials.”
Knesset member Yulia Malinovsky, one of the bill’s authors, said that the legislation ensures a fair and lawful trial.
“They will be sentenced by Israel’s judges, not by the street or by what we all feel,” Malinovsky said before the vote. “At the end of the day, what makes us great is our spirit, our resilience, ability to cope and withstand this immense pain.”
OPTION OF CAPITAL PUNISHMENT
Israel’s penal code includes capital punishment for some of the charges which the terrorists are likely to face. If handed down, a death sentence would trigger an automatic appeal on behalf of the defendant, according to the new law.
The last person executed in Israel was Adolf Eichmann, an architect of the Nazi Holocaust, hanged in 1962 after being captured in Argentina by Israeli agents. Military courts in the West Bank can sentence Palestinian convicts to death but have never done so.
A separate law passed by Israel in March making death by hanging a default sentence for Palestinians convicted in military courts of deadly attacks drew criticism at home and abroad and is expected to be struck down by the Supreme Court.
HAMAS CONDEMNS NEW LAW
Hamas Gaza spokesperson Hazem Qassem said the new law “serves as a cover for the war crimes committed by Israel in Gaza.”
The International Criminal Court is probing Israel’s conduct of the Gaza war and has issued arrest warrants for Prime Minister Benjamin Netanyahu and former Defense Minister Yoav Gallant, as well as three Hamas leaders who have all since been killed by Israel.
Israel is also fighting a genocide case at the International Court of Justice. It rejects the allegations as politically motivated and has argued that its war is against Hamas, not the Palestinian people.
Israeli officials say the military has gone to unprecedented lengths to try and avoid civilian casualties, noting its efforts to evacuate areas before it targets them and to warn residents of impending military operations with leaflets, text messages, and other forms of communication.
Another challenge for Israel has been Hamas’s widely recognized military strategy of embedding its terrorists within Gaza’s civilian population and commandeering civilian facilities like hospitals, schools, and mosques to run operations and direct attacks.
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Man Suspected of Plotting Violent Attack Had Sought to Target Louvre, Jewish Community, Officials Say
A man talks on the phone at the renovated Gallery of Five Continents (Galerie des Cinq Continents) in the Denon wing (Aile Denon) during a press preview at the Louvre Museum in Paris, France, Dec. 2, 2025. Photo: REUTERS/Gonzalo Fuentes
A 27-year-old man suspected of plotting a violent attack and of planning to join Islamic State in Syria or Mozambique had sought to target a Parisian museum and the Jewish community, though no specific target was identified, a source close to the investigation said on Monday.
French newspaper Le Monde reported that the man, who was arrested on Thursday, had attempted to target the Louvre and the Jewish community in Paris’ 16th arrondissement.
Security gaps at the Louvre, the world’s most-visited museum, were spotlighted last October, when burglars made off with $102 million worth of jewels.
In France, as throughout Europe, antisemitic acts surged to record highs after the Palestinian terrorist group Hamas’s Oct. 7, 2023, massacre across southern Israel, amid the ensuing war in Gaza.