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Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it.
NEW YORK (JTA) — Sidney Brustein, Jewish Hamlet?
Anne Kauffman thinks so. She made the comparison in a phone interview about the play she’s directing — a buzzy production of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window” that opened on Monday at the Brooklyn Academy of Music starring Oscar Isaac and Rachel Brosnahan.
“One artistic director who was thinking of doing this [play] was like, ‘You know, it’s not like he’s Hamlet, but…’ And I thought, well, no, actually I think he is like Hamlet!” she said.
She added another take: “I feel like he’s Cary Grant meets Zero Mostel.”
Hansberry saw just two of her works produced on Broadway before her death from cancer at 34 in January 1965. Her first, “A Raisin in the Sun,” which follows a Black family dealing with housing discrimination in Chicago, is widely considered one of the most significant plays of the 20th century. The other, “The Sign in Sidney Brustein’s Window,” ran for a few months in the fall of 1964 until Hansberry’s death and has only been revived a handful of times since, all outside of New York.
Now, the star power of Isaac and Brosnahan is driving renewed interest in the play, which deals with weighty questions about political activism, self-fulfillment in a capitalist world, and racial and ethnic identity — including mid-century Jewish American identity.
The Brustein character, as Kauffman alluded to, is many things. A resident of Greenwich Village deeply embedded in that historic neighborhood’s 1960s activist and artistic circles, he is somewhat of a creative renaissance man. At the start of the play, his club of sorts (“it was not a nightclub” is a running joke) called “Walden Pond” has just shuttered and he has taken over an alternative newspaper. As the script reads, Brustein is an intellectual “in the truest sense of the word” but “does not wear glasses” — the latter description being a possible jab at his macho tendencies. Formerly an ardent leftist activist, he is now weary of the worth of activism and a bit of a nihilist. He’s in his late 30s and is a musician who often picks up a banjo.
Brustein is also a secular Jew, a fact that he telegraphs at certain key emotional and comedic moments. Others, from friends to his casually antisemitic sister-in-law, frequently reference his identity, too.
At the end of the play’s first half, for example, Brustein brings up the heroes of the Hanukkah story in talking about his existential angst — and his stomach ulcer. He has become belligerent to his wife Iris and to a local politician who wants Brustein’s paper’s endorsement.
“How does one confront the thousand nameless faceless vapors that are the evil of our time? Can a sword pierce it?” Sidney says. “One does not smite evil anymore: one holds one’s gut, thus — and takes a pill. Oh, but to take up the sword of the Maccabees again!”
Hansberry’s decision to center a white Jewish character surprised critics and fans alike in 1964 because many of them expected her to follow “A Raisin in the Sun” with further exploration of issues facing Black Americans, said Joi Gresham, the director of the Lorraine Hansberry Literary Trust.
“The major attack, both critically and on a popular basis, in regards to the play and to its central character was that Lorraine was out of her lane,” Gresham said. “That not only did she not know what she’s talking about, but that she had the nerve to even examine that subject matter.”
Hansberry’s closest collaborator was her former husband Robert Nemiroff, a Jewish New Yorker whom she had divorced in 1962 but maintained an artistic partnership with. Nemiroff was a bit Brustein-like in his pursuits: he edited books, produced and promoted Hansberry’s work, and even wrote songs (one of which made the couple enough money to allow Hansberry to focus on writing “A Raisin in the Sun”). But Gresham — who is Nemiroff’s stepdaughter through his second marriage, to professor Jewell Handy Gresham-Nemiroff — emphasized that his personality was nothing like Brustein’s. While Brustein is brash and mean to Iris, Nemiroff was undyingly supportive of Hansberry and her work, said Gresham, who lived with him and her mother at Nemiroff’s Croton-on-Hudson home — the one he had formerly shared for a time with Hansberry — from age 10 onward.
Instead, Gresham argued, the Brustein character was the result of Hansberry’s deep engagement with Jewish intellectual thought, in part influenced by her relationship with Nemiroff. The pair met at a protest and would bond over their passion for fighting for social justice, which included combating antisemitism. The night before their wedding, they protested the execution of Julius and Ethel Rosenberg, and they would remain highly involved in the wave of activism that blossomed into the Black-Jewish civil rights alliance.
“Bob and Lorraine met and built a life together at a place where there was a very strong Black-Jewish nexus. There was a very strong interplay and interaction,” Gresham said. “I think Lorraine was very influenced by Bob’s family, the Nemiroffs, who were very radical in their politics. And so there was a way in which she was introduced to the base of Jewish intellectualism and Jewish progressive politics, that she took to heart and she was very passionate about.”
Robert Nemiroff and Lorraine Hansberry were married from 1953-62. They are shown here in 1959. (Ben Martin/Getty Images)
Hansberry didn’t hesitate to criticize Jewish writers who said controversial things about Black Americans, either. When Norman Podhoretz wrote “My Negro Problem — And Ours,” an explosive 1963 article in Commentary magazine now widely seen as racist, Hansberry responded with a scathing rebuke. She also sparred with Norman Mailer, who once wrote an essay titled “The White Negro: Superficial Reflections on the Hipster.”
Gresham said Brustein’s nihilism represents what Hansberry saw in a range of Jewish and non-Jewish white writers, whom she hoped could be kickstarted back into activism. But Hansberry also nodded to the reasons why someone like Brustein could feel defeated in the early 1960s, a decade and a half after World War II.
“You mean diddle around with the little things since we can’t do anything about the big ones? Forget about the Holocaust and worry about — reforms in the traffic court or something?” Brustein says at one point in the play to a local politician running as a reformer.
Daniel Pollack-Pelzner, a Jewish scholar of literature who has written on Hansberry, said the resulting Brustein character is a very accurate depiction of a secular Jew at the time — both keenly attuned to prejudice in society and also lacking some understanding of the experience of being Black.
“I was just intoxicated that Hansberry could conjure that world, both so affectionately, but also so clear-sidedly that it seems like she can see the limitations of all of the characters’ perspectives,” he said. “But she also represents them with sympathy and humor.”
Kauffman, who also helmed a revival of the play in Chicago in 2016, is impressed with how “fully fledged” the Brustein character is.
“Who are the cultural icons who have sort of articulated the Jew in our culture in the last 50 years or 60 years, you know?” she said. “Brustein is not a caricature of a Woody Allen character, he’s not even ‘Curb your Enthusiasm’ or a Jerry Seinfeld character. He’s a fully drawn character.”
Isaac, who is of mainly Guatemalan and Cuban heritage, has played Jewish characters before, including a formerly Orthodox man in an Israeli director’s remake of the classic film “Scenes From a Marriage.” In the lead-up to this play, he has largely avoided getting caught in headlines focused on the “Jewface” debate, over whether non-Jewish actors should be allowed to play Jewish characters on stage and screen.
But when asked about the responsibility of playing a Jewish character in a New York Times interview, Isaac referenced the fact that he has some Jewish heritage on his father’s side.
“We could play that game: How Jewish are you?” he said to interviewer Alexis Soloski, who is Jewish. “It is part of my family, part of my life. I feel the responsibility to not feel like a phony. That’s the responsibility, to feel like I can say these things, do these things and feel like I’m doing it honestly and truthfully.”
When Kauffman directed a version of the play at the Goodman Theater in Chicago in 2016, her lead actor had “not a single drop of Jewish heritage…in his blood,” and she said she had to convey “what anger looks like” coming from a Jewish perspective. Working with Isaac has been different — instead of starting at a base of no knowledge, she has been pushing for more of an Ashkenazi sensibility than a Sephardic one.
“I believe that his heritage leans, I’m guessing, more towards Sephardic. And mine is pure Ashkenazi,” she said. “We sort of joke: ‘[The part] is a little bit more Ashkenazi than that, you know what I mean?’ Like, ‘the violence is actually turned towards yourself!’”
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The post Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it. appeared first on Jewish Telegraphic Agency.
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At L.A. Jewish community forum, Nithya Raman encounters tough questions on Israel — and a hostile audience
LOS ANGELES — Nithya Raman went into a Jewish community-hosted mayoral candidate forum Tuesday hoping to win over voters concerned about her stance on Israel and her membership in the Democratic Socialists of America.
But Raman’s reiteration that the war in Gaza amounted to genocide produced waves of groans in the Skirball Cultural Center crowd before incumbent Mayor Karen Bass took the stage and rejected that claim.
Tuesday’s forum, in which the candidates took turns fielding questions from Spectrum news anchor Alex Cohen, began when Raman’s campaign in a far more comfortable position than it was when the event was first announced. With five weeks remaining before the election, a poll from the UC Berkeley Institute of Governmental Studies and the Los Angeles Times showed Raman surging ahead of Bass, 39% to 28%, with a third of voters undecided.
Raman, who has broken with DSA on municipal issues and on foreign policy in her two terms on L.A. city council, has not made Israel a focal point in her campaign. And she has made a concerted effort to develop stronger relationships in the Jewish community throughout the campaign.
But on stage, flanked by American and Israeli flags, Raman seemed unable to navigate her way out of the Middle East, as Cohen dove almost immediately into the questions many voters had come to hear Raman answer — about Gaza, socialism and an interview she did in May with Hasan Piker, a socialist streamer whose anti-Israel rhetoric has often drawn accusations of antisemitism.
Raman said Tuesday that while she recognized that genocide is “a deeply painful word,” she used it because she “felt compelled to speak out about issues that we saw, the images that are coming, the targeting of hospitals, the deaths of children.”
When it was Bass’ turn to be interviewed, she said flatly that she did not believe the war was a genocide.
Alex Cohen pushed Nithya Raman to say why she believed it was a genocide.
Raman said she recognized it was a deeply painful word, but felt compelled to speak out about the images she saw—“the targeting of hospitals, the deaths of children.”
The remark drew an audible reaction. https://t.co/JZliCkauvj pic.twitter.com/SGWZIQEgkT
— Louis Keene (@thislouis) September 30, 2026
The forum, hosted by Jewish Federation Los Angeles and co-sponsored by a slew of other community organizations, underscored Israel’s importance to Jewish voters even in elections for positions that do not deal heavily with foreign policy. And it may also have exposed a growing divide about Israel between LA’s Jewish mainstream and the city’s broader electorate.
The federation’s CEO, Rabbi Noah Farkas, said Tuesday that calling the war a genocide crosses a “red line” for elected officials, but that the organization would work with whoever became mayor.
“When a candidate describes what’s happening in Gaza as a genocide, it causes pain,” Farkas said. “Some of that pain is in this room, and some of that pain is on our streets, where Jews are often accused, indicted, and convicted for actions of the Israeli government whether they agree with them or not.”
Raman on Piker
Raman’s primary focus as a candidate has been on local issues like homelessness, housing and street safety. But many of Tuesday’s attendees — including a few hundred VIPs from the event’s sponsors — seemed most interested in Raman’s answers on her DSA membership, her interview with far-left streamer Hasan Piker, and her remarks calling Israel’s war in Gaza a genocide.
Piker has often been accused of antisemitism for equating Zionists with Nazis and suggesting that the Oct. 7 attacks were justified. (Piker has vehemently rejected the accusation.)
Raman defended her appearance on Piker’s stream, saying she had pushed back on some of his positions and that her responsibility as a candidate was to reach as many voters as possible.
“I wish that Kamala Harris had gone on Joe Rogan, for example, when she was running for office,” she said.
When Cohen asked Raman, who is Indian American, if she would have appeared with a streamer notorious for hateful remarks about that or any other minority group, Raman said, “I would hope so,” eliciting murmurs in the crowd. “But my hope is that I would apply the same principles, no matter the streamer or podcaster or platform was, and that I would be able to go and speak in different audiences and present myself honestly in full in those places,” she added.
The ‘g’ word
Cohen then turned to the question of genocide.
Raman said at a Muslim Policy Action Conference forum last month that “our tax dollars should not be going to funding a genocide.”
When Cohen asked her why she felt Israel’s actions rose to that level, Raman said she recognized that it was a painful word for many Jewish Angelenos and that it had important historical context.
She noted that she had been the first city council member to condemn the attacks on Oct. 7, and reiterated that her ambition was to be the mayor of the city and her goal was to make sure all of its residents were safe regardless of their opinions on foreign policy.
“This city has to be a place where you can feel free to express those views, where you can feel free to worship as you wish, or you can be visibly Jewish and not feel unsafe,” she said. “The city must be one that is safe for every single resident in it.
She also acknowledged that some of the recent rise in antisemitism had come from the political left. As a progressive elected official, she said, “I never want progressive politics to be conflated with antisemitism. And so I will work harder to ensure that this city is safe for you.”
As she rejected the genocide term, Bass touted her deep history in the Jewish community, then pivoted to a longer response about the need to increase the size of the police force.
DSA and BDS
After Cohen concluded her interview, Raman continued to face more questions related to Israel from the event’s co-sponsors. A board member of the local American Jewish Committee chapter asked Raman where she stood on the Boycott, Divestment, and Sanctions movement, which is endorsed by DSA.
Like many of the other Israel-related questions, Raman does not have a stated campaign position on BDS. And her response did not diverge from previous answers to the same question.
Massive groans in the Skirball auditorium when Nithya Raman defends BDS as a “legitimate form of protest.”
Question from @AJCGlobal. pic.twitter.com/W2Uml0lPMI
— Louis Keene (@thislouis) September 30, 2026
She prefaced by stating that BDS is a “legitimate form of peaceful protest” — and was immediately drowned out by audience displeasure — but that it was not part of her campaign platform. The answer drew perhaps the largest negative response of the night. (Bass later said she does not support BDS.)
The hostility towards Raman’s responses recalled a forum for California Senate candidates in the same room earlier this year, in which the lone Republican on stage, Steve Hilton, drew the largest cheers.
Outreach efforts
Still, the boos cut against an image Raman has sought to cultivate in recent weeks as a friend of the Jewish community. On Rosh Hashanah, Raman made a cameo at IKAR — a prominent non-denominational synagogue that counts former Los Angeles Mayor Eric Garcetti among its members. She also has dropped into backyard dwellings in Westwood and Beverlywood to engage Jewish voters during Sukkot.
Many of her skeptics may see in the two-term city councilwoman an echo of New York City Mayor Zohran Mamdani, who campaigned on a promise to arrest Israeli Prime Minister Benjamin Netanyahu and drew heavily on local DSA membership to turn out voters. Since defeating a conventionally pro-Israel Democrat in former New York Gov. Andrew Cuomo, Mamdani has continued to criticize Israel from City Hall.
Raman’s defenders are quick to reject those comparisons. Raman, unlike Mamdani, does not mention Israel on her website or harp on it on the campaign trail. She did not volunteer her opinion about genocide — she shared it only after being asked. And her remarks about Israel in the past — including defending its right to exist — have not only shown her willingness to break with DSA, they have come at a real political cost.
Her pursuit of an endorsement from Democrats for Israel-Los Angeles in 2024 earned her the censure of the organization’s LA chapter. With Raman in a close race for the second spot in the top-two primary, DSA chose not to endorse a candidate.
She told Piker she would not seek the DFI-LA endorsement again. But she has not campaigned with Piker like other candidates, including Huang and Michigan Senate candidate Abdul El-Sayed.
Meanwhile, Bass — who entered the race as an unpopular incumbent due to her handling of the city’s 2025 wildfires — has seen her support continue to flag after a warehouse fire that burned for two weeks spewed toxic chemicals on the city’s east side.
Nevertheless, the DSA affiliation and genocide accusation are disqualifying for some Jewish Angelenos — including Democrats.
Farkas declined to say whether Raman could have said anything to reassure those voters. The federation’s job, he said, was to call balls and strikes.
“It’s really up to each candidate to decide how they’re going to respond to those things,” he said, “and make definitive, executive-level statements that show that they’re the leader of this city and not just being reactive to things on the ground.”
The post At L.A. Jewish community forum, Nithya Raman encounters tough questions on Israel — and a hostile audience appeared first on The Forward.
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Mahmoud Khalil’s book reiterates his anti-Zionist stance
From the beginning, Palestinian activist Mahmoud Khalil denied claims that the protests at Columbia University after the Oct. 7, 2023 Hamas attacks on Israel were antisemitic.
In his book, No Land to Stand On, released Tuesday, he stands by that.
Khalil, who became the face of the anti-Israel campus movement after he was detained by Immigration and Customs Enforcement in 2025, reiterates his anti-Zionist stance in the book while detailing “a life of exile, refuge, and resistance.”
Recounting the endless interviews with journalists that made him the face of a campus movement, he writes that the question of whether the protests were antisemitic kept coming up.
“I explained, repeatedly, that the conflation of anti-Zionism with antisemitism was a strategy to stifle righteous criticism of Israel,” writes Khalil, who added that many Jewish students were involved in the protests. “Such weaponization of antisemitism was designed to place a state and its crimes beyond criticism by wrapping them in the protections owed to a faith and its people.”
The memoir weaves Khalil’s beliefs and frustrations through stories from his life, from where he was born in a Palestinian refugee camp in Syria and fled to Lebanon at age 18, to the protests at Columbia, his detention and finally his release. He uses the book as an opportunity to say his detention was unjust, and to critique the government’s case against him.
He notes a memo from U.S. Secretary of State Marco Rubio that states his detention was a result of “antisemitic protests and disruptive activities, which fosters a hostile environment for Jewish students in the United States,” adding those activities were “otherwise lawful.”
“Otherwise lawful,” writes Khalil. “They had written it themselves. My beliefs were lawful, and they wanted to deport me for them.”
Khalil argued that the administration was disingenuous in deporting him for alleged antisemitism, pointing to Trump’s personal visit with the openly antisemitic influencer Nick Fuentes. He also accused the administration of platforming “white supremacist rhetoric and symbolism.”
Further, Khalil claimed pro-Palestinian protesters were peaceful, while “it was the pro-Israel students and Zionist groups that had provoked confrontations, harassed Palestinian students, and in some cases physically attacked them.”
Despite his status as a lawful permanent resident married to a U.S. citizen, the federal government apprehended him on March 8, 2025. Khalil spent 104 days in ICE detention, famously missing the birth of his first child.
His imprisonment sparked a fierce debate over free speech, along with a debate over what his beliefs were to begin with. Khalil clarified his stances in an April interview with the Forward saying he acknowledged “a Jewish connection” to Israel, but that “rejecting the self-determination of the Jewish people on the Palestinian land in itself is not antisemitism.”
He reiterates in the book that he does not “endorse” Hamas, though he told the Forward he was unsure if Hamas targeted civilians on Oct. 7, something that has been widely documented and substantiated.
While he expressed disdain for the way the university handled the protests and its messaging after Oct. 7, Khalil said the university was failing its Palestinian students long before 2023. He pointed to the school’s Tel Aviv Global Center, which opened this past summer despite protest.
“Columbia wanted to open an institutional outpost, funded in part by our tuition, in a place that had a policy of refusing entry to people like me, and call it a center for global learning,” he wrote.
He also took aim at Columbia’s dual degree program with Tel Aviv University.
“The dual-degree stream was largely built around Jewish Israeli students who had served in the Israeli army,” writes Khalil. “I couldn’t stop thinking that if I were in Palestine, some of these students would be stopping me at checkpoints, raiding my university, piloting the drones surveilling my community, killing my neighbors.”
Returning home to New York from the ICE detention center in Louisiana, he wrote that he was met with praise — and harassment.
When people approached him asking if he was the Khalil they’d seen in the news, he was unsure: “Whether they wanted to shake my hand or spit in my face, say ‘Thank you for what you’re doing’ or follow me through Midtown yelling ‘Am Yisrael Chai.’”
He saw all of those reactions and more, he wrote.
The 208-page book is dedicated to Khalil’s wife, to the Columbia students who participated in the protests, to ICE detainees and “Palestine, until you are free.” He will launch a book tour on Tuesday at a shop just two blocks from Columbia’s campus.
The post Mahmoud Khalil’s book reiterates his anti-Zionist stance appeared first on The Forward.
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Sydney Sweeney went to shul. But did she choose the right occasion?
Jewish internet spaces are alight this week with reports that actress, model and political lightning rod Sydney Sweeney was spotted in the pews on Rosh Hashanah.
According to GreenwichTime and The Free Press, Sweeney — who is not Jewish — attended services at Temple Sholom in Greenwich, Connecticut, with her boyfriend, music mogul Scooter Braun (who grew up there). Gossip rag DeuxMoi has since claimed that Sweeney, who has been linked with Braun since at least June 2025, is also contemplating conversion.
One can speculate on whether the most in-demand actress on the planet might be leaning a bit too hard into her Marilyn Monroe character arc. At the Forward, though, we’re wondering whether Sweeney’s Jewish beau picked the right holiday to bring her to shul.
After all, there’s a wide range of experiences when it comes to prayer services, and you want to make a positive first impression. You’d want their day in shul to be accessible, fun and not too long. That’s a Sydney Sweeney movie, though, not Rosh Hashanah services. So without further ado, here’s the official undisputed rankings of Jewish calendar days on which to bring your non-Jewish partner to shul.
Going from least to most desirable:
Erev Tisha B’av
I would have to respect the audacity of someone bringing their partner to synagogue for the first time on Tisha B’av, the day Jewish people grieve the destruction of the Holy Temple in Jerusalem. It’s an intentionally unpleasant time to be in shul — you’re sitting on the floor, reading Lamentations. Also, you’re not supposed to greet people at all, which would almost certainly be awkward for a first-timer, considering how uncomfortable it is for regulars. On the flip side, if you’re Sydney Sweeney, that rule means no one can bother you for a selfie, either.
Shemini Atzeret
We pray for rain, which is an ancient word that means sustenance, but at this point everyone’s running on fumes for the High Holiday season, so you probably won’t get your senior rabbi delivering the sermon. Some years (including this one), your synagogue might be reading Ecclesiastes, which is both melancholy and long. Hard sell.
Passover
Passover isn’t known for its prayer services — the main event is, of course, the seder. If you’re taking a non-Jewish partner to services for the first time on Passover, it usually means one of two things: 1) You don’t want anyone to meet this person, because nobody goes to shul on Passover or 2) You didn’t have enough fun at the seder, because if you did, you’d be sleeping in with the rest of us.
One Passover plus: On the Shabbat that falls during the holiday, services also include the reading of the Song of Songs, the most risqué text in the Jewish canon.
Shavuot
In the height of summer, we read the story of Ruth — Judaism’s great conversion story. (Hint hint.) We also celebrate the receiving of the Ten Commandments, which your partner may already be familiar with from the movies, if not public school.
Shavuot morning is also a good service to go to because — at least in synagogues that observe two days of the holiday — the first day’s early services are led at a breakneck pace so that people who stayed up all night studying Torah the night before can go straight to sleep. No sermon! You’ll be out of there faster than you can say Na’aseh V’nishmah.
Simchat Torah
Like Sukkot, but swap out the lulav and etrog for Torah scrolls, which don’t smell as good or shake as well. Many synagogues (over-)serve alcohol on this holiday, which is a double-edged sword for a day you’d prefer everyone to be on their best behavior.
Yom Kippur
I’m gonna call this one underrated. There are surprisingly some things going for the Jewish day of repentance. The themes of atonement and forgiveness have universal appeal, and Jewish people do them well. You’ll probably get one of the rabbi’s strongest sermons of the calendar cycle. There’s a strange ecstasy that comes from being trapped in a room with hundreds of fasting people; the story of Jonah and the whale is one of our highlights. (This is also the only holiday I can attest to: My parents had their first date — ever! — on Yom Kippur services, and they’re still together.)
At the same time, Yom Kippur tends to have the longest prayer services of the year. It’s a fast day, so there’s no free food at the end of afternoon services (though you might get bagels at the break-fast). You usually have to pay to get in, plus there’s often a fundraising appeal woven into the service. And due to the prohibition on wearing leather shoes, you’d also be surrounding your partner with people wearing Crocs with dress clothes, which may scare them away from Judaism even if you try to explain it.
Sukkot
People like to call this our most pagan holiday, but marching around in circles with a giant asparagus and lemon is objectively fun, and the Four Species can represent basically anything you want. Let’s just hope your partner isn’t a willow.
Rosh Hashanah
Scooter Braun isn’t the first person to drag their partner to shul on Rosh Hashanah, and for good reason. Everyone wears their finest clothing, the shul will be beautifully decorated and the prayers are musically extravagant. The rabbi’s sermon will emphasize renewal and the commitment to doing better. There’s a decent chance apples dipped in honey will be served in the lobby. And above all else, the shofar blowing — done right — is arguably the highlight of the year in shul.
Plus, everyone’s there, so you can introduce your partner to everyone they need to know in one fell swoop. The only downside is you usually have to buy a ticket. (And on behalf of synagogue offices everywhere, if you’re the Jewish partner in the relationship, don’t try to arrange this over email 24 hours before the holiday.)
Purim
This is one thing Nobody Wants This got right: Purim is the ideal holiday for introducing a non-Jewish partner to the community. What better way to show up than in costume? You learn a foundational story of Jewish survival, a tradition that transforms our vulnerability into comedy. It’s also a family-oriented holiday — kids in face-paint, everyone with their graggers — which makes it a perfect picture-this set piece.
But the best thing about Purim? Thanks to the tradition of drinking ‘til you drop — if the relationship doesn’t work out, no one will remember a year later.
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