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March comes in with a roar of new Yiddish music
(New York Jewish Week) — As they say in the mameloshn (mother tongue), “Dos Yidish lid iz umetum.” In other words, “Yiddish song is in the air.”
This month a collection of new Yiddish songs will be performed for the first time in America at a Manhattan museum; two Brooklyn blues musicians will release their recordings of old Yiddish folk songs and a new web site preserving the work of a couple who played a pivotal role in promoting Yiddish song is set to debut.
If all that weren’t enough, the stars of the Yiddish stage will also appear at an event celebrating the woman who was dubbed “the Sherlock Holmes of Yiddish song.”
“Because we all have this weird relationship with Yiddish, every project that people do takes it to a different place,” Alex Weiser, director of public programs at YIVO, told the New York Jewish Week. “Interesting, weird things are currently happening with Yiddish song.”
Read on for ways to get your Yiddish on.
Sister act
As part of Carnegie Hall’s multi-venue celebration of women in music, on Sunday, March 5, the Paul Shapiro Quartet takes the stage at the Museum of Jewish Heritage in Battery Park to perform “Di Shvester: The Sisters.” The sisters (by another mother, anyway) in this concert of Jewish and Yiddish music are Eleanor Reissa, the singer/director/actress who is fluent in Yiddish, and Cilla Owens, the superb jazz vocalist who teaches at Hunter College and can sing in Yiddish as well.
Reissa and Owens will perform some songs by the Barry Sisters, the Bronx-born trio of the mid-20th century who brought Yiddish songs into the mainstream. One of the songs they will perform is based on a poem by the Yiddish poet Aliza Greenblatt, aka Woody Guthrie’s mother-in-law. In a cross-genre segue, Reissa and Owens will follow “Zumer Bay Nakht Oyf Dekher” (“Summer At Night On The Roof”) with “Up On the Roof,” the Carole King/Gerry Goffin sung memorably by Laura Nyro.
Shapiro, whose albums for John Zorn’s Radical Jewish Culture series were critically acclaimed, has worked with Owens, who has spent most of her life in Crown Heights, since 1990. Shapiro first started collaborating with Reissa, who grew up in Brownsville, at Yiddish New York in 2017.
“To me they’re both Brooklyn royalty,” said Shapiro, who hangs his fedora in the Lower East Side’s Grand Street Co-ops.
“When I sing with Cilla, I feel like I’m home,” Reissa said
The two vocalists have appeared together several times in Shapiro’s Ribs and Brisket Revue, which began at the now-shuttered Cornelia Street Café.
Percussionist Ricky Gordon, right, and Jeremiah Lockwood, the front man for The Sway Machinery, form the duet Gordon Lockwood. (Courtesy)
A right to sing the blues
For the entire month of March a free five-song EP titled “Once Upon a Time the Fire Burned Brighter: Ballads from the Yiddish Gothic” is available for download. Created by the Brooklyn-based blues performers Gordon Lockwood, these are re-interpretations of Yiddish folk songs, three of them by Lifshe Schaecter Widman, a Yiddish folksinger who begot the Yiddish poet Beyle Schaechter-Gottesman, who begot the Yiddish scholar and former newspaper editor Itzik Gottesman, now a senior lecturer in Yiddish language and culture at the University of Texas at Austin whose Yiddish Song of the Week blog is an important source for lovers of Yiddish song.
The EP will be accompanied by videos of the five songs, plus additional multimedia that will be viewable online. Gordon Lockwood may sound like a Canadian folk singer, but it is actually a duo comprised of percussionist Ricky Gordon, who performs with Wynton Marsalis and has collaborated with Spike Lee, and Jeremiah Lockwood, the front man for The Sway Machinery, a brass-heavy world music band. Lockwood, a card-carrying ethnomusicologist with a PhD from Stanford, recently produced an album of music that features several Hasidic cantors from Brooklyn. In April, Gordon Lockwood will perform their “Once Upon A Time” repertoire in New Haven and New York.
Yiddish royalty
On March 23, the life of Chana Mlotek — the late, great musicologist, folklorist and archivist, who curated the Yiddish music collection at the vaunted YIVO archives — will be celebrated at YIVO’s West 16th St. headquarters. Nine descendants of the Mlotek clan will participate, along with actors Reissa and Steven Skybell, who played Tevye in the Yiddish production of “Fiddler On The Roof.”
Singers will include Lorin Sklamberg of The Klezmatics and Sarah Gordon of the Brooklyn Yiddish rock band Yiddish Princess. Gordon is the daughter of the late Adrienne Cooper, often referred to as the “mother of the Yiddish revival.” The evening’s musical director will be Zalmen Mlotek, Chana and Yosl’s son and artistic director of the National Yiddish Theatre Folksbiene.
On March 20, the Workers Circle is expected to launch The Yosl and Chana Mlotek Collection of Yiddish Song, a website that turns the Mloteks’ three-volume “Pearls of Yiddish Song” anthology into a searchable multimedia resource. Consisting of more than 400 Yiddish songs, the web site will include content curated from YouTube and TikTok, according to an email from the publicist.
The Mlotek collection adds another important resource to a field that includes YIVO’s collection of 4,000-plus Yiddish songs, a project directed by Barbara Kirshenblatt-Gimblett and featuring the field recordings of the late musicologist Ruth Rubin, and many in the Yiddish song scene are looking forward to it.
“We’ve been waiting for this for many, many years,” said Linda Gritz, a retired molecular biologist active in the monthly sing at the Workers Circle in Brookline, Massachusetts. The group has been meeting online during the pandemic and unable to use the couple dozen copies of each Mlotek book, so it has had to create PDFs of 30 songs for its monthly virtual gatherings.
“When it’s online, people could request any song from any book and we could put the URL in the chat and go to it,” said Gritz. “That’ll be an amazing resource.”
Songs for and about refugees
On March 26, “Pleytem Tsuzamen” (“Refugees Together”) will be performed at the Museum of Jewish Heritage-A Living Memorial to the Holocaust. Two performances of Josh Waletzky’s Yiddish song cycle will mark the American debut of the work, which was first performed in 2019 at the Weimar Republic of Yiddishland gathering in Germany. Performers will come from Latvia, Germany, England and Canada, and Brooklyn violinists Jake Shulman-Ment and Deborah Strauss are part of the cast.
“It’s fitting that we’re doing it a couple of weeks before Pesach [Passover] because there’s a Pesach theme that goes through a lot of the songs,” said singer Daniel Kahn, who lives on a houseboat in Hamburg and plays accordion in the production. “It’s incredible how prescient and universal Josh’s song cycle has proven to be…. Those songs and their themes of displacement and upheaval resonate with the liberational traditions within Yiddishkayt [secular Yiddish culture] and Jewish practice.”
English and Ukrainian supertitles will make the two-hour concert, co-sponsored by National Yiddish Theatre Folksbiene, accessible to non-Yiddish speakers.
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The post March comes in with a roar of new Yiddish music appeared first on Jewish Telegraphic Agency.
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At the Vatican, two elderly men — one Jewish, one Catholic — exchange gifts and mutual admiration
On Wednesday, two senior citizens, Robert Zimmerman, 85, a Jew originally from Minnesota, and Robert Prevost, 71, a Catholic of Chicago, had a brief meeting at the younger man’s office in central Italy.
Sources on the scene report that Zimmerman was in town for business and Prevost, who goes professionally by Leo, had recently cited Zimmerman’s work in the preface to a book about nuclear disarmament.
Both men dressed in uniform, looking a bit Spy Vs. Spy, with Zimmerman in a black hoodie and Prevost in white with a small white skull cap. The confab was brief, a bulletin from Prevost’s workplace reported, consisting of “greetings and a few lighthearted exchanges.”
Prevost gifted Zimmerman with prayer beads, and Zimmerman presented Prevost with a copy of his memoir, published under his pen name, Bob Dylan.
While Zimmerman was raised in a Jewish home, he had, for a time in the late 1970s to early 1980s, converted to born-again Christianity, confounding many.
The post At the Vatican, two elderly men — one Jewish, one Catholic — exchange gifts and mutual admiration appeared first on The Forward.
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The Michigan Senate race showed the exact wrong ways to fight antisemitism
The campaign against Abdul El-Sayed was example after example of how not to fight antisemitism—a display of conflation, double standards, and bigotry that we need to learn from and reject if we hope to ensure Jewish safety and security in a pluralistic society.
El-Sayed won his election Tuesday with 52.5% of the vote. He won despite an ugly campaign that alleged that he was not only critical of Israel but antisemitic, and that he does not care about or consider Jewish safety, and in which he was repeatedly asked to prove his sincerity on Jewish safety while also being attacked for running for office while being Muslim.
El-Sayed is not above criticism and questions from Jews just because he is a Democrat and most Jews vote for Democrats. It is right and appropriate that Senate candidates have to answer questions about antisemitism. El-Sayed did campaign with Twitch streamer Hasan Piker in the primary, and Piker did liken Zionists to Nazis, and many Jews in Michigan and elsewhere are Zionists; it is appropriate for El-Sayed to be asked about that.
It is also fair for a candidate who is vocal in his criticism of Israel to be asked how he’ll work to ensure the safety of his Jewish constituents, since we know that there is at least a correlation between anger at Israel and violence directed toward Jews. After West Bloomfield, Michigan’s own Temple Israel was attacked, El-Sayed did say, “hurt people hurt people,” and though he was referring to a specific event—the perpetrator’s family was reportedly killed in an airstrike in Lebanon—it is understandable that he was called upon to explain his own remarks to upset Jewish families in his state, whom he is also charged with representing in Congress.
From this point, however, the campaign against El-Sayed developed in several ways.
For one thing, when critics make demands of politicians, they need to actually allow those politicians to meet them. Yet despite distancing himself from Hasan Piker (“a Twitch streamer,” as he repeated to reporters), speaking repeatedly about how and why he took the safety of Jewish Michiganders seriously, and apologizing at length for his “hurt people hurt people” comment, El-Sayed was treated in the media and by his political opponents (and by some Democrats) as suspect and insincere.
These same questions were not asked of his opponent, Republican Mike Rogers, whose student outreach team included someone who defended a Young Republicans group chat praising Hitler.
If El-Sayed had to speak repeatedly about Piker, why did Rogers not have to answer whether he accepted the view of the U.S. president—who like Piker, joined his preferred candidate on the campaign trail—that any Jew who voted for El-Sayed was crazy and should be ashamed of themselves? (This was not a one-off missive, but the latest in the long line of Trump comments insisting on American Jewish responsibility to be loyal to Israel by voting for him, Donald Trump.)
Why wasn’t Rogers grilled on what he made of comments by Ohio’s U.S. Senator Bernie Moreno implying that senators should have to believe in Jesus, a remark that if rendered policy would impact El-Sayed and also, say, every Jew in public office?
The discrepancy suggests that reporters, pundits, politicians, and Jewish leaders do not take antisemitism seriously from all corners, and in fact that they consider it worse and more suspect from a Muslim American who criticizes Israel than a Republican who doesn’t.
Worse, still, is that that Republicans trafficked in vile anti-Muslim hate throughout the campaign. Rozina Ali, author of Seasons of Fury: Four Families and the Rise of Islamophobia in America, wrote on X on Tuesday, “Islamophobia appears to be on the ballot in Michigan, in an unprecedented way.” These tropes weren’t new, Ali explained, but they were at a fever pitch this election, with El-Sayed dubbed a “jihadist leprechaun” by a sitting Senator. The vice president of the United States said El-Sayed has “zero attachment to this land.”
Too often, Jewish leaders and institutions met this rhetoric with silence, or even encouragement. As I argued last week, dual loyalty narratives against one population just make the voting public more comfortable with the trope being used against other groups, including Jews. Moreover: Silence is not going to build solidarity from non-Jews, and Jews — just 1.4% of voters in Michigan and two percent of this country — are not going to fight antisemitism on our own.
Finally and troublingly was the willingness of El-Sayed’s primary opponent, Haley Stevens, to claim that it was Jewish safety that motivated her public questioning of El-Sayed (notably over an ad that his campaign did not put out) and her eventual flip to campaigning and voting for Rogers. Stevens is a staunch supporter of Israel and was backed by AIPAC. However, she is not Jewish (though she said she is considering converting), and yet spoke repeatedly as if she had authority on what Jewish voters in Michigan wanted to hear from El-Sayed. But she was not an emissary from Jewish voters, who are not a monolith — and 60 percent of whom, per one exit poll, voted for El-Sayed.
What can we learn from this race? First, conflating criticism of Israel and calls for more challenging policies toward Israel with attitudes toward Jewish voters needs to stop, even or especially while understanding that anger toward the country can be channeled against the people here.
Candidates of both parties, regardless of their positions on Israel, need to be held accountable with demands for real answers on what they will do for the well-being of all of their constituents, including Jews, and including when those stumping for them challenge the idea of full Jewish participation in civic life.
Jewish voters need to reject the idea that Islamophobia and antisemitism are somehow at odds with each other, and that it costs us something to call out hatred of Muslim Americans when in fact, so often, we are on the same side of racist hatred. (On Tuesday night, X was filled with posts blaming Jews for El-Sayed’s victory and bemoaning what it meant for American culture.)
And reporters, pundits, politicians, Jewish leaders, and for that matter Jewish voters need to stop speaking about Jewish voters on antisemitism and Israel as though all of us understand the intersection of these issues in the same way or want to hear the same things about them from politicians.
Since Abdul El-Sayed will be in the Senate starting in January, we will soon have ample opportunity to put these lessons into practice.
The post The Michigan Senate race showed the exact wrong ways to fight antisemitism appeared first on The Forward.
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Trump’s midterm defeat changes the equation for Netanyahu and Israel
The Republican rout in the U.S. midterm elections may have consequences far beyond America’s shores. The most immediate impact could be in Israel, where the struggle to translate Benjamin Netanyahu’s electoral defeat into a change of government is entering its decisive stage.
In the week that has passed since the Israeli election, there was much anticipation that Trump might intervene to rescue his longtime ally. He endorsed Netanyahu, suggested that Israel’s security depended on his continued leadership, and hinted that renewed war with Iran depended on his victory (seeming to believe, perhaps falsely, that Israelis yearn for this). There was speculation that he might pressure opposition leaders into joining a unity government headed by Netanyahu, reversing the political meaning of Israel’s election.
Now the American electorate may have changed the equation.
The Democrats’ sweeping gains, which enabled them to seize decisive control of both houses of Congress, represent a substantial repudiation of Trump’s administration. The president retains enormous authority over foreign policy and national security – but in January he faces a hostile Congress, increased scrutiny of his decisions and a political environment even less hospitable to another Middle Eastern military adventure.
There is a counterintuitive possibility, of course: Trump might conclude that the period before the new Congress takes office offers a final opportunity to strike Iran. A weakened president is not necessarily a restrained president, and yet another unpopular war, especially one suspected of serving Netanyahu’s political interests, could deepen the backlash against Trump at home as Republicans are already looking fearfully at 2028.
It’s reasonable to think that many of them would not want to be associated with a strong-arming of Israel’s opposition in order to rescue Netanyahu, who is, fairly or unfairly, scarcely less toxic in the United States these days than Vladimir Putin.
The larger point: Trump’s political leverage has diminished. His presidency has an expiration date, and the American political system is already beginning to look beyond him. This will offer headwinds to those Israeli politicians who argue that a government that could serve for years should be cautious about treating the preferences of a politically weakened American president as decisive.
That is an especially potent thought on Wednesday, as Israeli President Isaac Herzog begins consultations with Israel’s newly elected parliamentary factions.
Israel’s election produced a clear numerical result: Netanyahu’s bloc won 53 seats in the 120-member Knesset, while parties opposed to his continued rule secured 67. The opposition has a parliamentary majority, although it is struggling to form a governing coalition.
Under Israel’s system, the president consults representatives of the elected parties, who recommend a candidate to form the government. Herzog must then decide which lawmaker has the best prospect of assembling one. The recommendations are politically important but not legally binding, and the president is not required to select whoever receives the most endorsements, though this is the tradition.
If former IDF chief Gadi Eisenkot receives recommendations representing 67 seats, that would establish the breadth of parliamentary opposition to Netanyahu. Eisenkot would likely be tapped, and then he would face the central difficulty: what to do about Israel’s Arab parties.
Of the 67 seats held by Netanyahu’s opponents, 19 belong to Arab parties, whose electoral success reflected a remarkable increase in Arab turnout – which at around 85 percent exceeded that of Israel’s Jews. Several Jewish opposition leaders promised during the campaign not to rely on those parties to establish a government.
Eisenkot himself has said that he would demand any coalition partners agree that Hamas should be removed as a military and governing body in Gaza, which the Arab parties have not yet done. Polls show that a majority of opposition voters favor finding a way to form a government, even if it’s dependent on the Arab parties.
Indeed, many are arguing that this is a test of Israel’s democracy, and that for the opposition to stick to its refusal to rely on the Arab parties would strengthen enemies of Israel who argue that it is not a true democracy.
Here, too, the American midterms offer an intriguing counterpoint.
According to a voting breakdown in The New York Times, Republicans received 51 percent of the white vote, compared with 48 percent for Democrats. Would anyone seriously argue that the Democratic congressional victory is illegitimate because it depended partly on Black, Hispanic and Asian voters? Should Republicans retain the House speakership because they performed better among white Americans?
Of course not. Yet Israel faces an argument with a disturbingly similar implication.
If a parliamentary majority cannot govern because some of its members are considered unacceptable on ethnic or national grounds, the damage to Israel’s democratic reputation could be immense.
Under Israeli parliamentary rules, a government can win confidence through a majority of those participating in the vote. Abstentions or outside support from Arab lawmakers could therefore make a minority government possible.
With 48 seats for the non-Arab opposition parties, all Eisenkot would need would be the more moderate of the Arab parties, Ra’am, which has eight seats, to show support. The new coalition’s 56 seats could outvote Netanyahu’s 53 to win Knesset confirmation, even with the 11-seat Joint Arab List abstaining. That means Eisenkot does not necessarily require 61 affirmative votes to take office.
The obstacle is Avigdor Lieberman, head of the seven-seat Yisrael Beitenu party. A nationalist West Bank settler, he has fallen out with both Netanyahu and his ultra-Orthodox allies, and has been counted as part of the opposition. This week he reiterated his vow not to support a government dependent on Arab parties. But he also ruled out rejoining with Netanyahu, and described a repeat election as the worst option.
So while the outcome is clear now in the United States, in Israel the guessing game continues.
The post Trump’s midterm defeat changes the equation for Netanyahu and Israel appeared first on The Forward.

