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March comes in with a roar of new Yiddish music
(New York Jewish Week) — As they say in the mameloshn (mother tongue), “Dos Yidish lid iz umetum.” In other words, “Yiddish song is in the air.”
This month a collection of new Yiddish songs will be performed for the first time in America at a Manhattan museum; two Brooklyn blues musicians will release their recordings of old Yiddish folk songs and a new web site preserving the work of a couple who played a pivotal role in promoting Yiddish song is set to debut.
If all that weren’t enough, the stars of the Yiddish stage will also appear at an event celebrating the woman who was dubbed “the Sherlock Holmes of Yiddish song.”
“Because we all have this weird relationship with Yiddish, every project that people do takes it to a different place,” Alex Weiser, director of public programs at YIVO, told the New York Jewish Week. “Interesting, weird things are currently happening with Yiddish song.”
Read on for ways to get your Yiddish on.
Sister act
As part of Carnegie Hall’s multi-venue celebration of women in music, on Sunday, March 5, the Paul Shapiro Quartet takes the stage at the Museum of Jewish Heritage in Battery Park to perform “Di Shvester: The Sisters.” The sisters (by another mother, anyway) in this concert of Jewish and Yiddish music are Eleanor Reissa, the singer/director/actress who is fluent in Yiddish, and Cilla Owens, the superb jazz vocalist who teaches at Hunter College and can sing in Yiddish as well.
Reissa and Owens will perform some songs by the Barry Sisters, the Bronx-born trio of the mid-20th century who brought Yiddish songs into the mainstream. One of the songs they will perform is based on a poem by the Yiddish poet Aliza Greenblatt, aka Woody Guthrie’s mother-in-law. In a cross-genre segue, Reissa and Owens will follow “Zumer Bay Nakht Oyf Dekher” (“Summer At Night On The Roof”) with “Up On the Roof,” the Carole King/Gerry Goffin sung memorably by Laura Nyro.
Shapiro, whose albums for John Zorn’s Radical Jewish Culture series were critically acclaimed, has worked with Owens, who has spent most of her life in Crown Heights, since 1990. Shapiro first started collaborating with Reissa, who grew up in Brownsville, at Yiddish New York in 2017.
“To me they’re both Brooklyn royalty,” said Shapiro, who hangs his fedora in the Lower East Side’s Grand Street Co-ops.
“When I sing with Cilla, I feel like I’m home,” Reissa said
The two vocalists have appeared together several times in Shapiro’s Ribs and Brisket Revue, which began at the now-shuttered Cornelia Street Café.
Percussionist Ricky Gordon, right, and Jeremiah Lockwood, the front man for The Sway Machinery, form the duet Gordon Lockwood. (Courtesy)
A right to sing the blues
For the entire month of March a free five-song EP titled “Once Upon a Time the Fire Burned Brighter: Ballads from the Yiddish Gothic” is available for download. Created by the Brooklyn-based blues performers Gordon Lockwood, these are re-interpretations of Yiddish folk songs, three of them by Lifshe Schaecter Widman, a Yiddish folksinger who begot the Yiddish poet Beyle Schaechter-Gottesman, who begot the Yiddish scholar and former newspaper editor Itzik Gottesman, now a senior lecturer in Yiddish language and culture at the University of Texas at Austin whose Yiddish Song of the Week blog is an important source for lovers of Yiddish song.
The EP will be accompanied by videos of the five songs, plus additional multimedia that will be viewable online. Gordon Lockwood may sound like a Canadian folk singer, but it is actually a duo comprised of percussionist Ricky Gordon, who performs with Wynton Marsalis and has collaborated with Spike Lee, and Jeremiah Lockwood, the front man for The Sway Machinery, a brass-heavy world music band. Lockwood, a card-carrying ethnomusicologist with a PhD from Stanford, recently produced an album of music that features several Hasidic cantors from Brooklyn. In April, Gordon Lockwood will perform their “Once Upon A Time” repertoire in New Haven and New York.
Yiddish royalty
On March 23, the life of Chana Mlotek — the late, great musicologist, folklorist and archivist, who curated the Yiddish music collection at the vaunted YIVO archives — will be celebrated at YIVO’s West 16th St. headquarters. Nine descendants of the Mlotek clan will participate, along with actors Reissa and Steven Skybell, who played Tevye in the Yiddish production of “Fiddler On The Roof.”
Singers will include Lorin Sklamberg of The Klezmatics and Sarah Gordon of the Brooklyn Yiddish rock band Yiddish Princess. Gordon is the daughter of the late Adrienne Cooper, often referred to as the “mother of the Yiddish revival.” The evening’s musical director will be Zalmen Mlotek, Chana and Yosl’s son and artistic director of the National Yiddish Theatre Folksbiene.
On March 20, the Workers Circle is expected to launch The Yosl and Chana Mlotek Collection of Yiddish Song, a website that turns the Mloteks’ three-volume “Pearls of Yiddish Song” anthology into a searchable multimedia resource. Consisting of more than 400 Yiddish songs, the web site will include content curated from YouTube and TikTok, according to an email from the publicist.
The Mlotek collection adds another important resource to a field that includes YIVO’s collection of 4,000-plus Yiddish songs, a project directed by Barbara Kirshenblatt-Gimblett and featuring the field recordings of the late musicologist Ruth Rubin, and many in the Yiddish song scene are looking forward to it.
“We’ve been waiting for this for many, many years,” said Linda Gritz, a retired molecular biologist active in the monthly sing at the Workers Circle in Brookline, Massachusetts. The group has been meeting online during the pandemic and unable to use the couple dozen copies of each Mlotek book, so it has had to create PDFs of 30 songs for its monthly virtual gatherings.
“When it’s online, people could request any song from any book and we could put the URL in the chat and go to it,” said Gritz. “That’ll be an amazing resource.”
Songs for and about refugees
On March 26, “Pleytem Tsuzamen” (“Refugees Together”) will be performed at the Museum of Jewish Heritage-A Living Memorial to the Holocaust. Two performances of Josh Waletzky’s Yiddish song cycle will mark the American debut of the work, which was first performed in 2019 at the Weimar Republic of Yiddishland gathering in Germany. Performers will come from Latvia, Germany, England and Canada, and Brooklyn violinists Jake Shulman-Ment and Deborah Strauss are part of the cast.
“It’s fitting that we’re doing it a couple of weeks before Pesach [Passover] because there’s a Pesach theme that goes through a lot of the songs,” said singer Daniel Kahn, who lives on a houseboat in Hamburg and plays accordion in the production. “It’s incredible how prescient and universal Josh’s song cycle has proven to be…. Those songs and their themes of displacement and upheaval resonate with the liberational traditions within Yiddishkayt [secular Yiddish culture] and Jewish practice.”
English and Ukrainian supertitles will make the two-hour concert, co-sponsored by National Yiddish Theatre Folksbiene, accessible to non-Yiddish speakers.
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The post March comes in with a roar of new Yiddish music appeared first on Jewish Telegraphic Agency.
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Boulder hostage-march firebombing suspect to plead guilty to state charges
(JTA) — The man charged with firebombing a Boulder, Colorado, march for Israeli hostages in 2025 will plead guilty to killing one person and attempting to kill others in the incident, according to documents filed in the case over the weekend.
Mohamed Sabry Soliman, who was arrested at the scene of the June 1, 2025, attack, is asking for his ex-wife and children to be able to remain in the United States as a condition of his guilty plea, according to the documents.
His ex-wife and five children, like him all Egyptian nationals who came to the United States in 2022 via Kuwait, were arrested by immigration authorities shortly after the attack. They were detained until Thursday, when they were released from a detention center in Texas, then briefly detained again on Saturday in Boulder and, their attorneys say, put onto a plane bound for Egypt before being freed once again. His ex-wife, whom he divorced in April, has not been charged with a crime and said she did not know about Soliman’s planned attack.
Soliman is reportedly pleading guilty to all state charges but still faces federal charges in relation to the attack, which he allegedly said he staged to “wanted to kill all Zionist people and wished they were all dead,” according to an earlier court filing. He has previously pleaded not guilty to the federal charges, for which prosecutors could seek the death penalty.
Thirteen people were physically injured in the attack, which took place on a pedestrian mall in downtown Boulder where supporters of the Israelis then held hostage in Gaza marched weekly. One, 82-year-old Karen Diamond, died weeks later of her injuries.
The post Boulder hostage-march firebombing suspect to plead guilty to state charges appeared first on The Forward.
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Her body has been unidentified for decades. Her Ashkenazi DNA may explain why
Murder investigators in Arizona are encountering a stubborn obstacle to solving a decades-old cold case involving an unidentified dead body: The woman’s Ashkenazi Jewish DNA.
In 1989, an unclothed dead body was found on the side of a highway in northwest Arizona. The woman was never identified, though small details offered clues about her life: red nail polish on her fingers and toes, faux diamond stud earrings, and a handmade floral blouse found under a nearby tree.
The woman appeared to have been beaten, found with a broken nose and possible hematoma on the left side of her skull, though the medical examiner did not determine a cause of death. An autopsy determined the woman was between 25 and 30 years old.
In 2021, authorities reopened the case and uploaded the woman’s DNA profile to genetic databases available to law enforcement, hoping for a breakthrough. Instead, they hit a wall.
“Investigators learned that the victim was 96% Ashkenazi Jew, which made it extremely difficult to trace her ancestry and locate family members,” the Mohave County Sheriff’s Office said in a statement.
Ashkenazi Jews who try to track down relatives through genetic testing are familiar with the problem that the sheriff encountered: DNA testing, usually a powerful tool for finding relatives, often does not yield usable results for them.
Adina Newman, a professional genealogist and co-founder of the Holocaust Reunion Project, which uses DNA testing to help connect Holocaust survivors and their relatives to lost family, says two factors explain why genetic testing has limited use for many Jews. One is what’s known as the founder effect, when a population can be traced back to a small number of ancestors — as few as 350 people in Ashkenazi Jews’ case. The other is endogamy, the practice of marrying within a community over many generations.
As a result, a person with 100% Ashkenazi DNA can have more than 200,000 DNA matches in popular genetic databases, according to Newman. From such a large pool, it can be difficult to pinpoint close relatives.
“Ashkenazi Jews are all DNA cousins. But am I going to find it meaningful in a [family] tree?” Newman said. “Mostly no. We’ve just kind of accepted that it convolutes things.”
Investigators, however, aren’t giving up. The Mohave County Sheriff’s Office enlisted the help of the Investigative Genetic Genealogy Center at Ramapo College in New Jersey, which last week released an artistic rendering of what the woman may have looked like based on her remains.
“This doesn’t mean that cases of Ashkenazi Jews are impossible to solve,” David Gurney, director of the Investigative Genetic Genealogy Center, told the Forward. “It just is going to take a lot more effort.”
Jewish Jane Does
The 1989 case in Arizona is not the only time Ashkenazi DNA has posed a challenge in identifying remains. Another active case, an Ashkenazi Jewish woman whose dead body was found in 1981 in Olympia, Washington, remains unsolved.
Other cases have taken years to crack. In 2024, investigators working with the DNA Doe Project finally identified the body of a Jewish woman found murdered in a California vineyard in 2011 as Ada Beth Kaplan. It also took more than a decade to identify Mitchell Mendelson, a Jewish man whose body was found in a wooded area near his home in Lancaster, Pennsylvania in 2012.
In both cases, the deceased’s Ashkenazi DNA made the process more laborious for investigators, though DNA also eventually led investigators to be able to make the identifications.
To be sure, Ashkenazi Jews are not the only population that exhibits endogamy, which is also common among Pennsylvania Dutch communities, Icelanders, French Canadians and other tight-knit societies.
But the combination of Ashkenazi Jews’ genetic overlap and a complex historical record can make Jewish identification especially difficult cases to crack, Newman said.
For instance, in Newman’s own family, records changed from listing Vilna as being located in Russia, then Poland, then Belarus over a short period of time. But her family members hadn’t moved; the borders were changing around them. Last names in her family were also altered to sound more anglicized.
“You have to know these things. And it’s hard because a lot of genetic genealogists, even the best ones, are not familiar with that,” Newman said, “They need people who understand the Jewish genealogy aspect.”
Even when genealogists have such expertise, limited data can slow progress. Lingering trauma from the Holocaust has made some Jews hesitant to upload their DNA to public databases, Newman said.
Others have privacy concerns: In 2024, 23andMe settled a class-action lawsuit for $30 million in which customers accused the company of failing to notify customers with Ashkenazi Jewish heritage that they appeared to have been specifically targeted by hackers, who sold their information on the dark web.
Yet unless they have a search warrant, law enforcement agencies are constrained to cross-referencing DNA profiles with just two databases: GEDmatch and FamilyTreeDNA, which collectively host about 3 million profiles. By contrast, Ancestry.com has more than 29 million DNA profiles, according to its website, and 23andMe has roughly 15 million.
Ancestry.com and 23andMe users who wish to make their profile visible to researchers can upload their information to GEDMatch or FamilyTreeDNA for free.
“We always depend on members of the public taking consumer genetic genealogy tests to solve any case,” Gurney said. “That’s even more important in cases of endogamy here.”
Those challenges compelled Rabbi Mendel Super, who leads Chabad of Lake Havasu City in Mojave County, Arizona — about an hour’s drive away from where the woman’s body was found in 1989 — to spread the word about the case in the Jewish community. After Super learned of the woman’s Jewish ancestry, he contacted the local sheriff’s department to offer his help.
He’s since connected authorities with experts in Jewish genealogy and is publicizing the case on social media, hoping his Jewish network can help identify a relative.
“There’s millions of people who it could be, but there’s only a few million Jews in the world, and fewer in this country,” Super told the Forward. “So I think there’s got to be someone who knows something.”
Newman, too, sees broader participation as key. She encourages Jews to share their DNA profiles, noting that researchers view far less information than many expect — just the amount of shared DNA needed to construct family trees, not a complete genetic profile. People can even upload DNA profiles anonymously, she said, giving researchers the option to contact them only if there’s a notable match.
“These people deserve dignity, to have their names,” Newman said. “It could really be you, especially in the Jewish community. You could be the one that helps solve the case and gives us her name back.”
The post Her body has been unidentified for decades. Her Ashkenazi DNA may explain why appeared first on The Forward.
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Israeli Restaurant Owned by Syrian Repeatedly Attacked in Germany
Illustrative: Graffiti reading “Kill All Jews” was discovered on a residential building in Berlin-Pankow on April 26, 2026, part of a wave of antisemitic vandalism reported across the German capital over the past week, including swastikas and other hate-filled slogans scrawled on multiple sites. Photo: Screenshot
An Israeli restaurant in Germany has been repeatedly attacked while its Syrian Kurdish owner has been subjected to relentless harassment, underscoring a broader climate of hostility faced by Jews and Israelis across the country.
Restaurant owner Billal Aloge, a Muslim from Syria, has been subjected to escalating hatred and violence after publicly expressing support for Jewish life in his city by opening restaurants aimed at fostering dialogue and coexistence.
Shortly after opening his Israeli restaurant “Jaffa” in Freiburg, a city in western Germany, Aloge faced immediate hostility and a wave of online abuse.
Even after filing multiple police reports, the harassment did not stop, with unknown individuals continuing to target the restaurant. This included incidents of vandalism such as throwing rotten eggs at the premises, prompting the owner to repeatedly seek police intervention.
Then last Tuesday, the restaurant’s newly deployed food truck was vandalized after being parked for just a single day in Colombipark in the heart of the university town, according to German media.
The food truck was extensively damagd, with paint thrown across its exterior, Israeli symbols defaced with Palestinian flag stickers and antisemitic slogans, and its door kicked so forcefully that it was left visibly dented.
Three days later, Aloge and his wife were preparing to open the food truck for Labor Day, when they discovered a broken side mirror.
“The food truck was brand new. I bought it for the new season and had it lovingly refurbished,” Aloge told the German newspaper Bild.
“Once again, I had to file a police report and now I estimate the total damage from the two attacks at approximately 30,000 euros,” he continued.
Freiburg Mayor Martin Horn strongly condemned the attacks, stressing that the city would not tolerate such acts of hatred and would take them seriously, with full efforts to ensure accountability and protection for those targeted.
“There is no place in Freiburg for antisemitism, anti-Muslim racism, or any other form of hatred and incitement,” the German official said in a statement.
Like most countries across Europe and the broader Western world, Germany has seen a shocking rise in antisemitic incidents over the last two years, in the wake of the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
According to recently released figures, the number of antisemitic offenses in the capital city Berlin reached a record high in 2025, totaling 2,267 incidents, including violence, incitement, property damage, and propaganda offenses.
By comparison, officially recorded antisemitic crimes were significantly lower at 1,825 in 2024, 900 in 2023, and fewer than 500 in 2022, prior to the Oct. 7 atrocities.
Officials warn that the real number of antisemitic crimes is likely much higher, as many incidents go unreported.
In one of the latest antisemitic incidents in the country, a synagogue in Cottbus, a city in eastern Germany, was defaced with a swastika painted on its facade, marking the second time in just four days that the Jewish house of worship had been vandalized.
Separately, authorities also discovered antisemitic graffiti across several apartment buildings in Berlin-Pankow, including messages reading “Kill all Jews,” a swastika, and the statement “Only a dead Jew is a good Jew,” in a series of disturbing incidents over the week.