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March comes in with a roar of new Yiddish music
(New York Jewish Week) — As they say in the mameloshn (mother tongue), “Dos Yidish lid iz umetum.” In other words, “Yiddish song is in the air.”
This month a collection of new Yiddish songs will be performed for the first time in America at a Manhattan museum; two Brooklyn blues musicians will release their recordings of old Yiddish folk songs and a new web site preserving the work of a couple who played a pivotal role in promoting Yiddish song is set to debut.
If all that weren’t enough, the stars of the Yiddish stage will also appear at an event celebrating the woman who was dubbed “the Sherlock Holmes of Yiddish song.”
“Because we all have this weird relationship with Yiddish, every project that people do takes it to a different place,” Alex Weiser, director of public programs at YIVO, told the New York Jewish Week. “Interesting, weird things are currently happening with Yiddish song.”
Read on for ways to get your Yiddish on.
Sister act
As part of Carnegie Hall’s multi-venue celebration of women in music, on Sunday, March 5, the Paul Shapiro Quartet takes the stage at the Museum of Jewish Heritage in Battery Park to perform “Di Shvester: The Sisters.” The sisters (by another mother, anyway) in this concert of Jewish and Yiddish music are Eleanor Reissa, the singer/director/actress who is fluent in Yiddish, and Cilla Owens, the superb jazz vocalist who teaches at Hunter College and can sing in Yiddish as well.
Reissa and Owens will perform some songs by the Barry Sisters, the Bronx-born trio of the mid-20th century who brought Yiddish songs into the mainstream. One of the songs they will perform is based on a poem by the Yiddish poet Aliza Greenblatt, aka Woody Guthrie’s mother-in-law. In a cross-genre segue, Reissa and Owens will follow “Zumer Bay Nakht Oyf Dekher” (“Summer At Night On The Roof”) with “Up On the Roof,” the Carole King/Gerry Goffin sung memorably by Laura Nyro.
Shapiro, whose albums for John Zorn’s Radical Jewish Culture series were critically acclaimed, has worked with Owens, who has spent most of her life in Crown Heights, since 1990. Shapiro first started collaborating with Reissa, who grew up in Brownsville, at Yiddish New York in 2017.
“To me they’re both Brooklyn royalty,” said Shapiro, who hangs his fedora in the Lower East Side’s Grand Street Co-ops.
“When I sing with Cilla, I feel like I’m home,” Reissa said
The two vocalists have appeared together several times in Shapiro’s Ribs and Brisket Revue, which began at the now-shuttered Cornelia Street Café.
Percussionist Ricky Gordon, right, and Jeremiah Lockwood, the front man for The Sway Machinery, form the duet Gordon Lockwood. (Courtesy)
A right to sing the blues
For the entire month of March a free five-song EP titled “Once Upon a Time the Fire Burned Brighter: Ballads from the Yiddish Gothic” is available for download. Created by the Brooklyn-based blues performers Gordon Lockwood, these are re-interpretations of Yiddish folk songs, three of them by Lifshe Schaecter Widman, a Yiddish folksinger who begot the Yiddish poet Beyle Schaechter-Gottesman, who begot the Yiddish scholar and former newspaper editor Itzik Gottesman, now a senior lecturer in Yiddish language and culture at the University of Texas at Austin whose Yiddish Song of the Week blog is an important source for lovers of Yiddish song.
The EP will be accompanied by videos of the five songs, plus additional multimedia that will be viewable online. Gordon Lockwood may sound like a Canadian folk singer, but it is actually a duo comprised of percussionist Ricky Gordon, who performs with Wynton Marsalis and has collaborated with Spike Lee, and Jeremiah Lockwood, the front man for The Sway Machinery, a brass-heavy world music band. Lockwood, a card-carrying ethnomusicologist with a PhD from Stanford, recently produced an album of music that features several Hasidic cantors from Brooklyn. In April, Gordon Lockwood will perform their “Once Upon A Time” repertoire in New Haven and New York.
Yiddish royalty
On March 23, the life of Chana Mlotek — the late, great musicologist, folklorist and archivist, who curated the Yiddish music collection at the vaunted YIVO archives — will be celebrated at YIVO’s West 16th St. headquarters. Nine descendants of the Mlotek clan will participate, along with actors Reissa and Steven Skybell, who played Tevye in the Yiddish production of “Fiddler On The Roof.”
Singers will include Lorin Sklamberg of The Klezmatics and Sarah Gordon of the Brooklyn Yiddish rock band Yiddish Princess. Gordon is the daughter of the late Adrienne Cooper, often referred to as the “mother of the Yiddish revival.” The evening’s musical director will be Zalmen Mlotek, Chana and Yosl’s son and artistic director of the National Yiddish Theatre Folksbiene.
On March 20, the Workers Circle is expected to launch The Yosl and Chana Mlotek Collection of Yiddish Song, a website that turns the Mloteks’ three-volume “Pearls of Yiddish Song” anthology into a searchable multimedia resource. Consisting of more than 400 Yiddish songs, the web site will include content curated from YouTube and TikTok, according to an email from the publicist.
The Mlotek collection adds another important resource to a field that includes YIVO’s collection of 4,000-plus Yiddish songs, a project directed by Barbara Kirshenblatt-Gimblett and featuring the field recordings of the late musicologist Ruth Rubin, and many in the Yiddish song scene are looking forward to it.
“We’ve been waiting for this for many, many years,” said Linda Gritz, a retired molecular biologist active in the monthly sing at the Workers Circle in Brookline, Massachusetts. The group has been meeting online during the pandemic and unable to use the couple dozen copies of each Mlotek book, so it has had to create PDFs of 30 songs for its monthly virtual gatherings.
“When it’s online, people could request any song from any book and we could put the URL in the chat and go to it,” said Gritz. “That’ll be an amazing resource.”
Songs for and about refugees
On March 26, “Pleytem Tsuzamen” (“Refugees Together”) will be performed at the Museum of Jewish Heritage-A Living Memorial to the Holocaust. Two performances of Josh Waletzky’s Yiddish song cycle will mark the American debut of the work, which was first performed in 2019 at the Weimar Republic of Yiddishland gathering in Germany. Performers will come from Latvia, Germany, England and Canada, and Brooklyn violinists Jake Shulman-Ment and Deborah Strauss are part of the cast.
“It’s fitting that we’re doing it a couple of weeks before Pesach [Passover] because there’s a Pesach theme that goes through a lot of the songs,” said singer Daniel Kahn, who lives on a houseboat in Hamburg and plays accordion in the production. “It’s incredible how prescient and universal Josh’s song cycle has proven to be…. Those songs and their themes of displacement and upheaval resonate with the liberational traditions within Yiddishkayt [secular Yiddish culture] and Jewish practice.”
English and Ukrainian supertitles will make the two-hour concert, co-sponsored by National Yiddish Theatre Folksbiene, accessible to non-Yiddish speakers.
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The post March comes in with a roar of new Yiddish music appeared first on Jewish Telegraphic Agency.
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Israeli Christian Leader: Tucker Carlson ‘Doesn’t Want the Truth,’ Endangers Christians Elsewhere by Lying About Israel
Tucker Carlson speaks on first day of AmericaFest 2025 at the Phoenix Convention Center in Phoenix, Arizona, Dec. 18, 2025. Photo: Charles-McClintock Wilson/ZUMA Press Wire via Reuters Connect
Firebrand podcaster Tucker Carlson drew a barrage of heat from Israelis after claiming he was “detained and interrogated” during a brief stop at Ben Gurion Airport on Wednesday, with former Prime Minister Naftali Bennett calling him “a chickens**t” and “a phony” and an Israeli Christian leader describing him as “an enemy of Israel” for lying about the country’s treatment of Christians.
Shadi Khalloul, founder of the Israeli Christian Aramaic Association and a former Knesset candidate, accused the former Fox News host-turned-far-right conspiracy theorist of “destroying Christian-Jewish relations” all over the world and “endangering the persecuted Christian community in the Middle East” by portraying Israel as hostile to Christianity.
“The truth is exactly the opposite,” he said, describing Christians in Israel as enjoying freedom and equal opportunity.
In Khalloul’s telling, Carlson is choosing scenes and storylines that travel well online, then skipping the reporting that might complicate them.
“Tucker Carlson doesn’t want the truth. The truth doesn’t exist in his lexicon,” Khalloul told The Algemeiner.
Earlier this month, Khalloul invited Carlson to a tour of Christian communities and holy sites in Israel, including a meeting with his brother-in-law, the head of the Maronite Church of Israel, but received no response.
I invited @TuckerCarlson to take advantage of his upcoming visit to Israel and meet our thriving Christian community – to see with his own eyes the people and realities he speaks about so confidently and so often on his platform.
This letter was sent a week ago to every email… pic.twitter.com/lcBiecCtUx
— Shadi khalloul שאדי ח’לול (@shadikhalloul) February 17, 2026
“If he [Carlson] was really willing to help, he would come interview us, hear our views, our narrative,” Khalloul said, adding the podcaster would then be able to “expose the oppression of Christians in Lebanon, in Iraq, in Syria, and under the Palestinian Authority by a radical Islamic propaganda agenda,” rather than “talking about me and my community as being persecuted by Israel.”
He pointed to anti-Christian violence in Syria, including a recent church bombing in Damascus, and to the arrest of Maronite official Moussa el-Hajj in Lebanon after he was arrested by Hezbollah operatives at the Lebanese border carrying money and medicine sent from Israel’s Christian community.
Christian communities all over the region are continuing “to shrink while we here are thriving and increasing in numbers and happily living in Israel,” Khalloul said.
Khalloul’s comments came after Carlson spent only a few hours in Israel on Wednesday for an interview with US Ambassador Mike Huckabee and chose not to leave the Ben Gurion Airport facility before flying out of the country.
Bennett described the polemical commentator’s visit as a staged drive-by meant to give him a basis for future anti-Israel commentary.
“Tucker Carlson is a chickens**t,” Bennett posted on the social media platform X.
Tucker Carlson is a chickenshit.
The guy who’s been spouting lies about Israel for the past two years,
landed today at Ben Gurion airport,
took a quick picture in the logistics zone,
tweeted it to pretend he’s actually IN Israel (so he can later claim that he’s a serious… https://t.co/ZWZ8aY7BAG— Naftali Bennett נפתלי בנט (@naftalibennett) February 18, 2026
Carlson, who has been “spouting lies about Israel for the past two years,” didn’t even step foot in the country, Bennett wrote, and instead posted a photo taken in the airport logistics zone to “pretend he’s actually IN Israel (so he can later claim that he’s a serious reporter who toured Israel).”
He “whined” and “made up a story that he’s being supposedly harassed by our security (didn’t happen),” he continued.
“Next time he talks about Israel as if he’s some expert, just remember this guy is a phony!” Bennett concluded.
Carlson’s version, carried by outlets including the New York Post and the Daily Mail, said airport security took passports and “hauled” his executive producer into a room and interrogated him about the interview Carlson had just recorded with Huckabee.
Huckabee pushed back publicly, writing on X: “EVERYONE who comes in/out of Israel (every country for that matter) has passports checked & routinely asked security questions.”
Israel’s Airports Authority also rejected Carlson’s account, saying he and his team were not “detained, delayed, or interrogated” and were only asked “a few routine questions” in a side room inside the VIP lounge “solely to protect their privacy.”
“No unusual incident occurred,” the authority said, adding that it “firmly rejects any other claims.”
Carlson’s airport detention story was “another lie” by “someone who is always inventing stories,” according to Khalloul.
Carlson’s own platform promoted the trip as a fact-finding mission. In a monologue titled “We’re headed to Israel. Here’s why,” his site said he was traveling to “get answers to questions that no one will answer.”
His show page also carried an episode billed as “Israel’s Purging of Christians From the Holy Land and the Plot to Keep Americans From Noticing,” part of a series focused on Christian treatment by the “US-funded Israeli government.”
Commentators on social media pointed out that Carlson’s posting “Greetings from Israel” from an airport logistics zone, then flying out, does not amount to visiting the country in any ordinary sense.
Carlson’s brief trip to Israel contrasts with his interview of Russian President Vladimir Putin in 2024, when he spent multiple days in Russia praising the country on video and infamously marveling at the use of locks on shopping carts — a common feature in Europe.
The podcaster’s visit to Israel also differed from his trip to Doha in December, when he interviewed Qatari Prime Minister Mohammed bin Abdulrahman bin Jassim Al Thani and revealed his plans to purchase a home in the country. Qatar has been a long-time backer of the Muslim Brotherhood, including its Palestinian offshoot Hamas, an internationally designated terrorist group.
Carlson has ramped up his anti-Israel content over the last year, according to a study released in December by the Jewish People Policy Institute (JPPI), which tracked the prominent far-right podcaster’s disproportionate emphasis on attacking the Jewish state in 2025.
In September, for example, the podcaster appeared to blame the Jewish people for the crucifixion of Jesus and suggest Israel was behind the assassination of American conservative activist Charlie Kirk.
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Israel’s High Court sides with egalitarian prayer advocates in long-running Western Wall dispute
(JTA) — Israel’s highest court has delivered a unanimous rebuke to state and municipal authorities over long-stalled plans to upgrade the Western Wall’s egalitarian prayer section, intensifying a dispute that has come to symbolize broader tensions over religious pluralism in Israel.
In a decision issued Thursday, an expanded seven-justice panel of the High Court of Justice ordered the national government and the Jerusalem Municipality to move forward with building permits needed for repairs and infrastructure improvements at the Ezrat Israel prayer platform, the area designated for mixed-gender and non-Orthodox worship south of the main Western Wall plaza.
The ruling imposes strict procedural deadlines aimed at ending what the justices described as years of exceptional delay following a 2016 deal to permit egalitarian prayer at the holy site. Acceding to pressure from haredi Orthodox politicians, Prime Minister Benjamin Netanyahu froze the deal the following year, triggering a legal petition by Judaism’s Reform and Masorti/Conservative movements, Women of the Wall and Israeli religious pluralism advocacy groups.
Today, the groups say, area remains difficult to access, lacks adequate facilities, and does not provide meaningful proximity to the Wall’s stones — conditions they view as discriminatory toward non-Orthodox worshippers.
“For nine years, the state and the municipality have been dragging their feet and refusing to promote an egalitarian, respectful, and accessible alternative in the Ezrat Israel,” Attorneys Ori Narov and Orly Erez-Likhovski, who represent the Reform Movement in Israel, one of the petitioners, said in a statement to Times of Israel. “Now, the court is ordering an end to the foot-dragging.”
The court did not revisit legal questions surrounding prayer rights at the site, emphasizing that the decision focused on the “practical implementation” of matters already litigated. Instead, the justices targeted bureaucratic obstacles that have repeatedly slowed or blocked construction, particularly disputes involving planning approvals and the Israel Antiquities Authority.
The court ruled that existing government approvals are still valid and that any remaining sign-off from the Antiquities Authority must be decided within 14 days, removing key grounds for further delays. After that, the state must file new building permit requests within 14 days. If officials don’t respond within 45 days, it will count as a rejection and the state must appeal. The state and city must also update the court within 90 days.
The decision arrives amid renewed friction at the Western Wall, Judaism’s holiest site and a focal point of Israel’s long-running struggle over religious authority. It also comes just one day after Israeli police detained two leaders of Women of the Wall during the group’s monthly Rosh Chodesh prayer service marking a new Jewish month.
The activists were briefly held after conducting a Torah reading near the site. Women of the Wall, which campaigns for expanded women’s prayer rights, has clashed for years with authorities over practices permitted under non-Orthodox traditions but restricted in the gender-segregated main plaza.
Pluralism advocates hailed the court’s intervention as a significant victory, noting both the unanimity of the decision and the ideological diversity of the judicial panel.
“An expanded panel of the Supreme Court, including conservative jurists, has unanimously ruled that the Government of Israel and the Jerusalem Municipality must put an end to their foot dragging and get to work,” said World Zionist Organization Vice Chairman Yizhar Hess, a senior representative of the Masorti/Conservative movement, in a statement.
Hess accused authorities of maintaining an “endless, creative litany of excuses” to block repairs necessary to ensure direct access to the Wall’s stones at the egalitarian platform. “This is a victory for those who believe in Jewish pluralism in Israel and that every Jew from every stream should have the equal opportunity to pray according to their custom at our holiest site,” he said.
The post Israel’s High Court sides with egalitarian prayer advocates in long-running Western Wall dispute appeared first on The Forward.
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Australian Bar Shut Down for Displaying Posters of Netanyahu, Putin, Trump in Nazi-Like Uniforms
Adolf Hitler in Nuremberg in 1938. Photo: Imperial War Museums.
A live music bar and cafe in Australia was shut down by local police on Wednesday for displaying posters that depict world leaders and others, including Israeli Prime Minister Benjamin Netanyahu and US President Donald Trump, wearing Nazi-like uniforms.
The Dissent Cafe and Bar in Canberra Central said in a Facebook post that ACT Policing, the community policing arm of the Australian Federal Police, shut down the venue for two and a half hours on Wednesday night. Police said they were investigating a complaint about possible hate imagery relating to five posters in the venue’s window display. A scheduled performance at the bar and cafe was also canceled because of the shutdown.
ACT Policing said in a statement on Thursday that it declared the cafe a crime scene and officers would investigate whether there was a breach of new Commonwealth law about hate symbols. Police noted that they asked the venue’s owner to remove the posters and he refused.
“Officers attended the premises and had a discussion with the owner, with officers seeking to remove the posters as part of their investigation into the matter. The owner declined this request and so a crime scene was established,” read the police statement. “Five posters were subsequently seized and will be considered under recently enacted Commonwealth legislation regarding hate symbols.”
The Dissent Cafe and Bar had displayed in its front windows posters depicting Netanyahu, Trump, Russia’s President Vladimir Putin, US Vice President JD Vance and Tesla co-founder Elon Musk in Nazi-like uniforms. The posters were created by the artist group Grow Up Art and underneath them were signs in the window that said “Sanction Israel” and “Stop Genocide.” Grow Up Art displayed the same images as part of a billboard poster campaign last summer and they are also sold on t-shirts. The artist group nicknamed the men in the posters collectively as “The Turd Reich,” a play on the Third Reich, the name for the Nazi dictatorship in Germany under Adolf Hitler’s rule.
Dissent Cafe and Bar has defended the artwork, saying it is “clearly and obviously parody art with a distinct anti fascist [sic] message.”
“In what is obviously harassment the ACT police have declared a crime scene at Dissent and tonight’s gig is unfortunately canceled,” Dissent Cafe and Bar wrote on Facebook when the closure happened on Wednesday.
The posters have since been placed back in the windows of the live music bar, but the images are now covered with the word “CENSORED” in red. ACT Policing said on Thursday they are still investigating the posters and are also “seeking legal advice on their legality.”
“ACT Policing remains committed to ensuring that alleged antisemitic, racist, and hate incidents are addressed promptly and thoroughly, and when possible criminality is identified, ACT Policing will not hesitate to take appropriate action,” police added.