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March comes in with a roar of new Yiddish music
(New York Jewish Week) — As they say in the mameloshn (mother tongue), “Dos Yidish lid iz umetum.” In other words, “Yiddish song is in the air.”
This month a collection of new Yiddish songs will be performed for the first time in America at a Manhattan museum; two Brooklyn blues musicians will release their recordings of old Yiddish folk songs and a new web site preserving the work of a couple who played a pivotal role in promoting Yiddish song is set to debut.
If all that weren’t enough, the stars of the Yiddish stage will also appear at an event celebrating the woman who was dubbed “the Sherlock Holmes of Yiddish song.”
“Because we all have this weird relationship with Yiddish, every project that people do takes it to a different place,” Alex Weiser, director of public programs at YIVO, told the New York Jewish Week. “Interesting, weird things are currently happening with Yiddish song.”
Read on for ways to get your Yiddish on.
Sister act
As part of Carnegie Hall’s multi-venue celebration of women in music, on Sunday, March 5, the Paul Shapiro Quartet takes the stage at the Museum of Jewish Heritage in Battery Park to perform “Di Shvester: The Sisters.” The sisters (by another mother, anyway) in this concert of Jewish and Yiddish music are Eleanor Reissa, the singer/director/actress who is fluent in Yiddish, and Cilla Owens, the superb jazz vocalist who teaches at Hunter College and can sing in Yiddish as well.
Reissa and Owens will perform some songs by the Barry Sisters, the Bronx-born trio of the mid-20th century who brought Yiddish songs into the mainstream. One of the songs they will perform is based on a poem by the Yiddish poet Aliza Greenblatt, aka Woody Guthrie’s mother-in-law. In a cross-genre segue, Reissa and Owens will follow “Zumer Bay Nakht Oyf Dekher” (“Summer At Night On The Roof”) with “Up On the Roof,” the Carole King/Gerry Goffin sung memorably by Laura Nyro.
Shapiro, whose albums for John Zorn’s Radical Jewish Culture series were critically acclaimed, has worked with Owens, who has spent most of her life in Crown Heights, since 1990. Shapiro first started collaborating with Reissa, who grew up in Brownsville, at Yiddish New York in 2017.
“To me they’re both Brooklyn royalty,” said Shapiro, who hangs his fedora in the Lower East Side’s Grand Street Co-ops.
“When I sing with Cilla, I feel like I’m home,” Reissa said
The two vocalists have appeared together several times in Shapiro’s Ribs and Brisket Revue, which began at the now-shuttered Cornelia Street Café.
Percussionist Ricky Gordon, right, and Jeremiah Lockwood, the front man for The Sway Machinery, form the duet Gordon Lockwood. (Courtesy)
A right to sing the blues
For the entire month of March a free five-song EP titled “Once Upon a Time the Fire Burned Brighter: Ballads from the Yiddish Gothic” is available for download. Created by the Brooklyn-based blues performers Gordon Lockwood, these are re-interpretations of Yiddish folk songs, three of them by Lifshe Schaecter Widman, a Yiddish folksinger who begot the Yiddish poet Beyle Schaechter-Gottesman, who begot the Yiddish scholar and former newspaper editor Itzik Gottesman, now a senior lecturer in Yiddish language and culture at the University of Texas at Austin whose Yiddish Song of the Week blog is an important source for lovers of Yiddish song.
The EP will be accompanied by videos of the five songs, plus additional multimedia that will be viewable online. Gordon Lockwood may sound like a Canadian folk singer, but it is actually a duo comprised of percussionist Ricky Gordon, who performs with Wynton Marsalis and has collaborated with Spike Lee, and Jeremiah Lockwood, the front man for The Sway Machinery, a brass-heavy world music band. Lockwood, a card-carrying ethnomusicologist with a PhD from Stanford, recently produced an album of music that features several Hasidic cantors from Brooklyn. In April, Gordon Lockwood will perform their “Once Upon A Time” repertoire in New Haven and New York.
Yiddish royalty
On March 23, the life of Chana Mlotek — the late, great musicologist, folklorist and archivist, who curated the Yiddish music collection at the vaunted YIVO archives — will be celebrated at YIVO’s West 16th St. headquarters. Nine descendants of the Mlotek clan will participate, along with actors Reissa and Steven Skybell, who played Tevye in the Yiddish production of “Fiddler On The Roof.”
Singers will include Lorin Sklamberg of The Klezmatics and Sarah Gordon of the Brooklyn Yiddish rock band Yiddish Princess. Gordon is the daughter of the late Adrienne Cooper, often referred to as the “mother of the Yiddish revival.” The evening’s musical director will be Zalmen Mlotek, Chana and Yosl’s son and artistic director of the National Yiddish Theatre Folksbiene.
On March 20, the Workers Circle is expected to launch The Yosl and Chana Mlotek Collection of Yiddish Song, a website that turns the Mloteks’ three-volume “Pearls of Yiddish Song” anthology into a searchable multimedia resource. Consisting of more than 400 Yiddish songs, the web site will include content curated from YouTube and TikTok, according to an email from the publicist.
The Mlotek collection adds another important resource to a field that includes YIVO’s collection of 4,000-plus Yiddish songs, a project directed by Barbara Kirshenblatt-Gimblett and featuring the field recordings of the late musicologist Ruth Rubin, and many in the Yiddish song scene are looking forward to it.
“We’ve been waiting for this for many, many years,” said Linda Gritz, a retired molecular biologist active in the monthly sing at the Workers Circle in Brookline, Massachusetts. The group has been meeting online during the pandemic and unable to use the couple dozen copies of each Mlotek book, so it has had to create PDFs of 30 songs for its monthly virtual gatherings.
“When it’s online, people could request any song from any book and we could put the URL in the chat and go to it,” said Gritz. “That’ll be an amazing resource.”
Songs for and about refugees
On March 26, “Pleytem Tsuzamen” (“Refugees Together”) will be performed at the Museum of Jewish Heritage-A Living Memorial to the Holocaust. Two performances of Josh Waletzky’s Yiddish song cycle will mark the American debut of the work, which was first performed in 2019 at the Weimar Republic of Yiddishland gathering in Germany. Performers will come from Latvia, Germany, England and Canada, and Brooklyn violinists Jake Shulman-Ment and Deborah Strauss are part of the cast.
“It’s fitting that we’re doing it a couple of weeks before Pesach [Passover] because there’s a Pesach theme that goes through a lot of the songs,” said singer Daniel Kahn, who lives on a houseboat in Hamburg and plays accordion in the production. “It’s incredible how prescient and universal Josh’s song cycle has proven to be…. Those songs and their themes of displacement and upheaval resonate with the liberational traditions within Yiddishkayt [secular Yiddish culture] and Jewish practice.”
English and Ukrainian supertitles will make the two-hour concert, co-sponsored by National Yiddish Theatre Folksbiene, accessible to non-Yiddish speakers.
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Child Pregnancies Surge in Gaza Amid Reports of Hamas Fighters Demanding Sex From ‘Wives of Martyrs’ for Food
Hamas gunmen stand guard on the day that hostages held in Gaza since the deadly Oct. 7, 2023, attack, are handed over to the International Committee of the Red Cross (ICRC), as part of a ceasefire and hostages-prisoners swap deal between Hamas and Israel, in Khan Younis, southern Gaza Strip, Oct. 13, 2025. Photo: REUTERS/Ramadan Abed
The sexual depravity that Hamas proudly broadcast to the world during its Oct. 7, 2023, rampage across southern Israel has now show up in Gaza, with video testimonies emerging of pervasive abuse, coercion for food, and an increase in both child marriages and child pregnancies.
In a new bombshell report, the Daily Mail presented findings from both the United Nations Population Fund (UNFPA) into rising child marriages and an anonymous journalist at Jusoor News who filmed Gaza residents reporting on the exploitation of women.
According to the UNFPA, while pre-war numbers of child brides fell to 11 percent in 2022, a decrease from 26 percent in 2009, marriage records from 2025 showed that at least 400 girls between 14 and 16 had become wives. This number likely only counts a fraction of the total as many such religious ceremonies to theologically justify child abuse go unreported.
Nestor Owomuhangi, whose official title is “UNFPA Representative to Palestine,” explained that war and collapsing humanitarian conditions had exacerbated this regression.
“We are witnessing the dismantling of a generation’s future,” Owomuhangi said.
Multiple men told Jusoor News they had seen or heard of Hamas members abusing women, with one reporting that a Hamas charity organization had blackmailed his neighbor and sought to become her pimp. “They wanted her to whore herself in exchange for a food parcel, or an aid voucher, or 100 shekels,” he said.
Exchange rates on Monday placed 100 shekels as equal to $33.48.
A fighter in Hamas’s military wing, the Qassam Brigades, confirmed the sex crimes, saying that Hamas members took advantage of the “wives of martyrs” in a tent in the Gharabli area in Deir al-Balah. He was told to say nothing but chose to tear down the tent, declaring, “We told them it was an insult to our honor and dignity.”
Another anonymous man in Gaza said “we were contacted by the wife of a friend. She had asked a Qassam Brigades commander to help her, but he took advantage of her. His behavior is disgraceful. We investigated the matter and found her in a tent in the Gharabli area where a bunch of Qassam members were taking advantage of her.”
He also reported that “we informed the leadership, but we were told we had to keep silent about it.”
An unnamed woman said she had experienced sexual harassment from a man at a Hamas charity who appeared religious when she sought help. “I asked him how he could talk to me like that. And he should be ashamed,” she said. “I told him I would expose him. He said, ‘You cannot expose me; I am the government here.’”
One anonymous elderly woman said that “one charity in Gaza is unfortunately the biggest perpetrator. From its chairman all the way down to its doorman, it’s being done by all their employees and members, as though it’s an organization set up for sexual harassment, psychological abuse, and harassing young women.”
Reports of rising sexual abuse against girls and widows come as Hamas continues to resist pressure to disarm in accordance with the US-backed ceasefire and peace plan for Gaza.
On Sunday, the New York Times reported that two Hamas officials had said the Palestinian terrorist group planned to surrender thousands of automatic rifles and small weapons which belonged to Gaza police and other internal security organizations. However, this would not entail full disarmament, which according to the peace plan is a key prerequisite for beginning major reconstruction of Gaza and for Israel, whose military currently controls 53 percent of the enclave, to further withdraw its force.
According to several reports, Hamas recently rejected the Board of Peace’s eight-month phased plan for the terrorist group to disarm. US President Donald Trump proposed the Board of Peace in September to oversee his plan to end the Israel-Hamas war in Gaza, subsequently saying it would address other conflicts.
Meanwhile, Hamas is further tightening its grip on the nearly half of Gazan territory it still controls, where the vast majority of the population lives.
Since the initial ceasefire took effect in October, Hamas has imposed a brutal crackdown, sparking clashes with rival militias as it seeks to eliminate any opposition.
The Meir Amit Intelligence and Terrorism Information Center (ITIC) — an Israel-based research institute — released a report last month explaining how the US-Israeli war against the Islamic regime in Iran had disrupted the second phase of the ceasefire agreement in Gaza, which required Hamas to disarm in order for Israeli troops to withdraw.
Earlier this month, Hamas demanded that the Israel Defense Forces exit first before giving up weapons.
ITIC’s analysts warned that this delay could enable Hamas — which still controls approximately 47 percent of Gaza — to rearm. The Islamist terrorists are reportedly smuggling in guns from Egypt and creating weapons internally.
In late March, Turkey reaffirmed its longstanding support for Hamas when the terrorist group’s senior negotiator Khalil Al-Khaya and its political bureau delegation met with Turkish intelligence chief Ibrahim Kalın. Kalın had also met with senior Hamas leaders in Istanbul the previous week.
According to the Middle East Monitor, the Hamas delegation “expressed its appreciation to President Recep Tayyip Erdogan for Turkey’s efforts to achieve peace in Gaza.”
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Boy George Defends Eurovision Appearance Despite Israel Controversy, Expresses Solidarity With ‘Jewish Friends’
Boy George singing at The SSE Arena Wembley, Dec. 14, 2016. Photo: Wikimedia Commons.
British music legend Boy George said he will not turn his back on his Jewish friends in response to those criticizing his scheduled appearance at this year’s Eurovision Song Contest, amid controversy surrounding Israel’s participation in the annual competition.
“I played in Israel. I got a letter from [Pink Floyd co-founder] Roger Waters telling me not to go to Israel and I went, because I’ve got a lot of fans in Israel,” the 1980s music icon told Sky News. “Plus, in the UK, I have a lot of Jewish friends — and I know them to be beautiful, good, kind, smart, loving people. So expecting me to turn against my friends is a lunacy, and it’s not going to happen.”
He also told the Daily Mail on Sunday, outside the annual London Eurovision Party: “I have many, many Jewish friends that I’ve had since I was 15 or 16 years old. Are people asking me as a principled human being to turn my back on my Jewish friends? It’s not going to happen; it’s never going to happen.”
Boy George explained that from the start of his career, he has been wearing a Star of David. “Go back and look at pictures of Culture Club,” he added, referring to his band. “I am so affiliated with Jewish people. I am not necessarily affiliated with Israel. I don’t really have an opinion on that. But the job of music is to unite people.”
Boy George and Italian artist Senhit will represent San Marino in the Eurovision this year with their song “Superstar.” The competition will start next month and take place in Vienna, Austria. Boy George and more than 1,000 other members of the entertainment industry signed an open letter recently that expressed support for Israel’s participation in the 2026 Eurovision Song Contest.
Late last year, Ireland, Spain, the Netherlands, Iceland, and Slovenia announced they were pulling out of the 2026 Eurovision after its organizer, the European Broadcasting Union, approved Israel’s participation in the contest.
Boy George’s late mother was from Ireland. When asked how he feels participating in the Eurovision this year after Ireland withdrew from the competition, he replied: “Ireland is my mother’s home country. I hope they’re not too angry. But if they are, that’s out of my control.”
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Congress thinks my college is failing on antisemitism. My Jewish students disagree
When the House Education and Workforce Committee released its report on campus antisemitism last month, I learned about it from a news alert on my phone. That surprised me. The college at which I teach Jewish studies — Sarah Lawrence, a small liberal arts school in Bronxville, New York — is named in the report as one of five schools the committee investigated for failures to address antisemitism. Yet I never encountered anyone involved with this investigation.
I teach Jewish and non-Jewish students — bright, inquisitive young people eager to learn about Jewish history, Jewish thought and Jewish identity. I have worked with Jewish student groups. I am, professionally and personally, someone whose entire working life is oriented around Jewish life on this campus.
If this investigation was as thorough as Congress would have us believe, I probably should have heard about it at some point before it was released — or even, just possibly, been asked some questions as part of it.
That silence is not incidental. It is the heart of everything that is wrong with this report, which insists that Jewish students on campuses like mine are living under siege. The committee’s account of my institution was assembled without consulting, as far as I can tell, the faculty members best positioned to speak to Jewish life on campus or the range of Jewish students whose experiences directly contradict the report’s conclusions. What was assembled instead appears to be a file of curated incidents, selected to support a predetermined conclusion.
To be clear, antisemitism on campus is a serious problem. It takes forms both crude and subtle — casual conflations of Jewish identity with Israel, occasional slurs and social pressure on Jewish students to renounce affiliations or loyalties with Jewish groups seen as friendly to Israel. My own students have come to me with these issues, which are deeply troubling, and which campuses have yet to come up with clearly effective strategies for combatting.
But what the Education and Workforce Committee has produced is not a serious accounting of antisemitism. It is a political document dressed in the language of civil rights enforcement. It is yet more evidence that, when it comes to the federal government’s efforts against antisemitism, Jews are being spoken over, not spoken for.
Overlooked Jewish diversity
At Sarah Lawrence, I teach Jewish students who are passionate Zionists. I also teach Jewish students who are members of Jewish Voice for Peace, participate in pro-Palestinian organizing, and have complicated, evolving relationships to Israel shaped by family history, religious tradition and their own moral reasoning.
I teach students who grew up in Orthodox communities, students who grew up entirely secular, students for whom Jewishness is a daily religious practice and students for whom it is primarily an ancestral identity activated by encounters with bigotry. I teach Israeli students who came to Sarah Lawrence specifically because American higher education offered them an open intellectual environment that they value.
What these students seem to agree on — despite their many political differences — is that they do not recognize the picture of campus life being painted by this committee.
They broadly do not experience their Jewish identity as something requiring constant protection from their classmates. What many of them do experience, and what they have told me plainly, is profound discomfort at having their identity conscripted into political arguments they did not choose.
The committee’s report is such a conscription. It tells Jewish students what they are supposed to feel. It tells them who their enemies are. And it erases, wholesale, the significant portion of the Jewish campus community whose views on Israel, Palestinian rights, and the politics of campus speech do not fit the narrative the committee has advanced.
This is not how you protect Jewish students. This is how you exploit them.
The IHRA problem
The report specifically criticizes Sarah Lawrence for not adopting the IHRA definition of antisemitism, in a case study of this kind of overreach. As the single faculty member at Sarah Lawrence wholly committed to Jewish studies — making my scholarly expertise the most directly relevant to this question of anyone on my campus — I want to be unequivocal. The Jerusalem Declaration, which we have adopted instead of the IHRA definition, is the better tool.
The Jerusalem Declaration’s core definition of antisemitism — developed by an international group of scholars working in Holocaust history, Jewish studies, and Middle East studies — explains that antisemitism is discrimination, prejudice, hostility, or violence that targets Jews as Jews. It is accompanied by 15 detailed guidelines for understanding antisemitism, drawn up because the field recognized that context and nuance are not optional when identifying and addressing hatred.
This is how scholars in my discipline are trained to think, and it is the approach our students deserve.
The IHRA definition, by contrast, was drafted primarily as a data-collection instrument for European monitoring organizations. Kenneth Stern, the definition’s lead drafter, has said repeatedly that it was never intended to become part of disciplinary codes. He has even testified before Congress against legislation that would enshrine the IHRA definition as enforceable policy on campuses. Stern writes that the definition “was never intended to be weaponized to muzzle campus free speech.”
When the person who wrote the definition is sounding the alarm about how it is being used, perhaps Congress should listen.
The specific problem with the IHRA definition, as scholars in my field have documented extensively, is that seven of its 11 illustrative examples involve the state of Israel with language broad enough to characterize legitimate forms of political speech and academic inquiry about Israel as antisemitic.
I know from my own work that the chilling effect of IHRA on academic freedom is not theoretical.
One of the definition’s most contested illustrative examples declares that it may be antisemitic to draw comparisons between Israeli policy and the Nazis. I regularly teach the Israeli Orthodox scientist and philosopher Yeshayahu Leibowitz, one of the most important Jewish and Israeli thinkers of the 20th century, who warned persistently after the 1967 Six-Day War that the logic of military rule over another people would corrupt Israeli institutions and dehumanize both the occupied and the occupiers. He used the term “Judeo-Nazis” to describe what he feared that Israel risked becoming.
If Sarah Lawrence operated under the IHRA definition, my students would not have the opportunity to debate Leibowitz’s findings. Nevermind that he was eulogized by Israeli President Ezer Weizman as one of the greatest figures in the intellectual life of the Jewish people; his concern about his own country’s direction would make teaching him taboo, in turn making my students’ education in the full landscape of Jewish thought less complete.
I also couldn’t teach them about former Israeli Defense Minister Moshe Ya’alon’s 2026 claim that the ideology of Jewish supremacy now dominant in the Israeli government resembles Nazi racial theory. Or how Yair Golan, the former IDF deputy chief of staff and current leader of the Democrats party in the Knesset, has drawn parallels between trends in Israeli society and the processes that preceded the Holocaust in Europe.
These are Israeli patriots, soldiers, and statesmen engaging in exactly the kind of morally serious, historically grounded reckoning that higher education is supposed to teach students to undertake. Under the IHRA definition, my students would never have the chance to learn from them — or decide, for themselves, what they think about these arguments.
The committee’s report does not reckon with this kind of potential cost. Instead, it flatly recommends that every college across the United States adopt the IHRA definition. Conspicuously, it does not point to a single incident at any institution in its report that the IHRA definition would identify as antisemitic but the Jerusalem Declaration would not. If the committee believes IHRA is necessary rather than merely ideologically preferred, it should be able to demonstrate a gap — a real case in which alternate definitions of antisemitism failed.
The risks of chilling free speech
The absence of any such example is not a minor oversight. It speaks to the report’s failure to contend with the actual lived experience of students on campus.
In talking with students who have experienced antisemitism on my campus — American and Israeli alike — I have found they are not concerned by whether the school will adopt the IHRA definition.
They are not asking for less protection. They are asking for the right kind. What some of them have told me — and I take this seriously — is that they would find it chilling if political speech and classroom debate about Israel and Palestine were suddenly rendered even more risky.
The broader agenda behind this report is not difficult to see. Campus antisemitism is a genuine problem that has, since the Hamas attack of Oct. 7, 2023, been manipulated by the American right as part of a sustained effort to delegitimize universities.
Jewish students are not the constituency this campaign is designed to serve. They have been made instruments of a broader ideological battle against the liberal values that gain purchase when people are educated in environments that reward independent thought.
Honest intellectual engagement with Jewish experience means studying the history of persecution and survival; the philosophy of identity and belonging; the ethics of memory; and the complexity of diaspora and national identity. These are not safe or comfortable subjects. They require exactly the kind of open, contested, sometimes painful intellectual environment that the House Committee professes to be protecting while actually working to undermine.
Sarah Lawrence is not a perfect institution. No college or university is. But it is one where Jewish life is visible, valued and genuinely diverse. My Jewish students learn by arguing with each other, challenging each other, and engaging across lines of political disagreement. The truth about Jewish life is almost always more complicated than people with clear-cut political aims would have us believe. That complexity is not a problem to be managed or a weakness to be exploited. It is at the very center of what a liberal arts education is supposed to be about.
The post Congress thinks my college is failing on antisemitism. My Jewish students disagree appeared first on The Forward.
