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Meet Tehran Von Ghasri, a Persian Jewish African-American comic
For an American Jewish comedian, Tehran Von Ghasri has an interesting story to tell, as his name suggests. The son of an Iranian-Jewish immigrant father and an African-American mother, Tehran’s heritage includes a mix of Jewish, Christian, Muslim and Zoroastrian, and any part of that mix is fair game for Von Ghasri’s standup.
Yet despite Von Ghasri’s many identities, he has a strong sense of self. In our interview, he discusses how young Jews can also navigate through their own multiple identities and come out stronger.
You juggle so many identities. You’re African-American, you’re Jewish, you’re Persian. How do you think of yourself on any given day?
I don’t think about it often because it’s just a natural part of who I am. Everyone else thinks about it way more than I do. I don’t realize that I’m black or Persian or Jewish or not. I just think of myself as a human being. My family’s mixed ethnicities and race and religion becomes a Venn diagram and I’m stuck in the middle. People often ask me things like, “What religion are you?” Very rarely do they ever ask me if I’m just a good person. There are times when it’s almost as if some people don’t see you as black enough. Some people don’t see you as Persian enough. Some people don’t see you as Jewish enough. And the only thing I simply remind myself is that I’m always enough because I’m just always me.
One other thing that you are is a comedian. But some comedians have found themselves in trouble recently because they perpetuate tropes or stereotypes. Does comedy really need to deal in stereotypes of Jews or African Americans?
When the comedians that you’re mentioning get in trouble, it’s honestly not because they perpetuate stereotypes but because they reach for the low-hanging fruit. They use the stereotype in a very negative way. There’s a way to do comedy where you have fun with people. You don’t make fun of people. And there’s a big difference there. Maybe because I have such a unique, diverse background, when I say something, it comes from such a good place that people usually tend not to get offended. They understand I’m speaking about me. And I push the absurdity, so you realize how silly they often are. But pushing these stereotypes? That’s not funny anymore. Boxes are meant for things and not people. Let’s expand, let’s grow.
Let’s talk about one of your identities, which is African-American. There was a time when African Americans and Jews worked together in the struggle for civil rights. Are those days gone? Or is it just that some of the more divisive voices are finding a platform?
What we see is this loud minority who speaks up as if they’re speaking on behalf of everyone else. And it happens all the time. It’s usually the good people who just stay silent. We need to speak up; we need to show that the black and Jewish communities still very much work together. In the ’60s, Martin Luther King was standing side by side with a rabbi. That’s how it worked. Somewhere along the line, we were privileged enough to not think that anymore; we became a little bit divisive. I think future generations are going to be much different. I think that there’s a new generation coming up that’s realizing we all have way more in common.
What about the Jewish part of you? Where is that in your life?
It’s part of me in every way simply because it is a part of who I am. It’s a part of how I grew up. And that’s why it’s so hard to define. I didn’t see it as if it was something I was, for example, programmed to do or was being written into my life. It just became a blanket of things that were. But the biggest thing that my family taught me was respect. It was one of the things of being diverse, that they respected all the parts of me. And they didn’t define one as better or worse.
The Z3 conference is focused on creating a positive Jewish identity. In light of the current rise in antisemitism, how do we achieve this?
There are 15 million Jews in the entire world. Most people, when you go past New York or the West Coast, they haven’t even seen a Jewish person. So, it’s easy to point at the unknown boogeyman. I think that goes to education. When you know better, you do better. For example, Americans who have traveled outside of the United States have a tendency to be way less racist, way less antisemitic.
You have a strong sense of identity. But there are a lot of Jews on campus now who are dealing with issues like taking blame for the Israeli-Palestinian conflict or assumptions about wealth. What’s your advice to Jewish kids in college?
My advice to all the kids in college is to be proud of who you are. Being proud and having pride are two different things. Pride is part of the fall. Having pride means I think I’m good, but you’re bad. But being proud means, “I think I’m good and you can be good as well.” Be proud of who you are, never hide that identity. The fact that this is happening in college institutions is even more sad because that’s where we’re supposed to be enlightened and learn. So, get out there and be part of the outreach. Get to know people, and that’s how we will grow and know the rest of the world. We will make it better. But don’t let the antisemitic bullies bully you. And there should be nothing anti-Palestinian about being pro-Israeli, and there should be nothing anti-Israeli about being pro-Palestinian. If anyone has a conversation with me where they hate the other in favor of one, then already we’ve started off on the wrong foot.
What do you plan on talking about at the Z3 conference?
I’m going to be speaking on my personal experiences of intersectionality and how that plays into the history of Jews, especially Jewish people of color, and we have to remember how important a role we continue to play in the identity of Judaism and what it means for the diversity of Judaism. Because Jewish isn’t just a religion, it’s also an ethnicity and race. And that race, by the way, encompasses people of so many different shades and different looks and different ethnicities. Ultimately, we’re also going to be exploring how comedy plays a huge part in that. Who has taught us more about politics in the last twenty years other than comedians — whether it’s Jon Stewart or Trevor Noah? Who has made us think about race in different ways more than Dave Chappelle, for example, or Wanda Sykes? Who has been the face of Jewish identity more than Larry David? I just want people to realize that, honestly, we’re all in this together. That’s the biggest thing that we can push out no matter what your background is, what your religion is, whoever you are—we are all in this together.
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The post Meet Tehran Von Ghasri, a Persian Jewish African-American comic appeared first on Jewish Telegraphic Agency.
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Artist alters Whitney Museum display screens to protest Israel’s conduct in Gaza
The Whitney Museum of American Art has over 27,000 pieces in its collection. On July 3, artist Jonathan Allen tried to add a couple more to call attention to what he considers “Israeli atrocities.”
Late that night, Allen vandalized two electronic displays outside the Whitney, a contemporary art museum in Manhattan, plastering them with posters accusing Israel of genocide and targeting Palestinian children.
Staff soon removed the posters after being notified of the vandalism, the museum said in an emailed statement.“I think it’s important artists take risks and use private property and unconventional spaces towards political and social ends,” Allen told the Forward.
Whitney Director of Communications Ashley Reese wrote, “The Museum maintains a zero-tolerance policy for vandalism, harassment, discrimination, or bias of any kind.”
This is not the first time a pro-Palestinian protest has targeted the Whitney. Last year, the museum planned to hold a performance mourning Palestinians killed during the Israel-Hamas war. When footage surfaced of a performer telling audience members to leave a previous performance if they “believe in Israeli in any incarnation,” the Whitney canceled the event.
Shortly afterward, the group Writers Against the War on Gaza held a protest at the Whitney, passing out brochures demanding “the removal of board members tied to genocide, militarism and apartheid.”
Allen’s installation is part of his Interruptions series, where he puts translucent poster-size vinyl stickers with political messages atop digital advertising screens to create a flickering effect.
Since 2019, Allen has installed over 400 interruptions, which began with traditional paper posters. When New York City and the MTA added more digital ad displays, he transformed the posters into their current iteration, most recently featuring quotes from public figures that criticize either Trump or Israel. Allen installs most of his interruptions on city-owned property, such as sidewalk ads or subway monitors — even the children’s entrance of the Brooklyn Public Library.
He acknowledges his project “is temporary vandalism, technically,” but explains that the pieces are very easily removable and don’t damage the displays underneath.
For his most recent interruption, Allen used monitors owned by the Whitney without authorization from the museum. Allen chose the Whitney because he believes it “is the contemporary corporate sphere of the art industry.”
“I feel like bringing attention to this sort of issue in that context was important,” he said.

A joint Instagram post by Allen and Eye on Palestine said the installation highlights the findings of a recent UN Independent International Commission of Inquiry report.
The Israeli government has heavily criticized the report, calling it “defamatory” and a “libellous sham,” and from its inception has accused the commission of bias. Israel did not provide any information to the commission for the investigation.
“The Israeli security forces have deliberately targeted and killed Palestinian children,” one poster says. Another poster stated: “If you can’t draw the line at genocide, you probably can’t draw the line at democracy.”
Critics of the installation echo the Israeli government’s criticisms. Hen Mazzig, an Israeli writer and content creator, called the display “blood libel.” The StopAntisemitism campaign also criticized the display on X. “they don’t care about Palestinian children,” they wrote. “The goal is to vilify Jews.”
Allen believes this is a mischaracterization. “I fully support Israel’s right to exist as a Jewish state, and I support Israel, insofar as its right to exist,” he said. “I don’t think the discussion about what’s happening in Gaza hinges at all on that.”
Though Allen’s installations are typically removed “within hours,” he says each one “has a second life, because it lives on social media, which is where it tends to get the most attention.”
The post Artist alters Whitney Museum display screens to protest Israel’s conduct in Gaza appeared first on The Forward.
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European leaders downplayed the Holocaust. Now Trump is using their tactics against the Smithsonian
A new White House report accusing the Smithsonian’s National Museum of American History of “extreme political activism,” and demanding the museum revise its exhibitions to elide the darker elements of the nation’s past, mirrors a troubling trend in Europe, where right-wing nationalist governments have spent the past decade forcing museums to minimize their countries’ roles in the Holocaust.
The 162-page report, issued this past weekend, faults the Smithsonian museum for dwelling, in the administration’s eyes, too heavily on slavery, and for teaching about race and gender in ways that President Donald Trump’s administration considers to “divide, dispirit, and discourage our citizens.” It follows a 2025 executive order, “Restoring Truth and Sanity to American History,” that directed federal institutions to purge “improper ideology” from their exhibits.
Reasonable people can disagree about specific details in museum exhibitions. But there is a difference between engaging in productive disagreements about historical emphases and demanding a national museum be solely devoted to make citizens feel good about their country. And the way that the latter approach has been used to downplay crimes against Jews in Europe should give American Jews, in particular, pause about it being deployed in their own country.
Propaganda in Poland
In 2017, Poland opened a permanent exhibit at the Museum of the Second World War in Gdańsk, which delivered a multi-layered account of the war. The exhibit highlighted Polish suffering under Nazi occupation as well as the Holocaust and the pogroms Poles carried out against their own Jewish neighbors, including the infamous 1941 Jedwabne massacre, in which several hundred Jews were burned alive in a barn by their fellow townspeople.
The right-wing Law and Justice party, known as PiS, called the exhibit “not Polish enough,” forced a merger that replaced the museum’s director, and altered the exhibition to foreground Polish heroism while softening material on Polish complicity in the extermination of three million Polish Jews. Five hundred eminent historians labeled those changes an attempt to turn the museum into a “propaganda institution.”
The following year, the Polish parliament went further, criminalizing any claim that Poland bore responsibility for Nazi crimes, with penalties of up to three years in prison. Yad Vashem warned that the law “jeopardizes the free and open discussion of the part of the Polish people in the persecution of the Jews at the time.” Under international pressure, Poland later dropped the criminal penalty, but the campaign to legislate a flattering national story had made its point.
Hungarian ahistoricism
The nation of Hungary offers an even starker case.
Former Hungarian Prime Minister Viktor Orbán’s government spent years developing the House of Fates, a Holocaust museum on the site of the Budapest rail station from which 437,000 Hungarian Jews were deported to Auschwitz in a matter of weeks in 1944. Yad Vashem and Hungary’s largest Jewish federation, Mazsihisz, boycotted the project, warning that its planned narrative would leave visitors believing “the citizens of Hungary were essentially blameless for what was inflicted upon their Jewish neighbors.” In fact, Hungarian gendarmes rounded up and deported their Jewish neighbors with minimal direct German involvement.
Orbán separately made efforts to rehabilitate Miklós Horthy, Hungary’s Nazi-allied wartime ruler, as an “exceptional statesman,” and backed a Budapest statue honoring Holocaust victims that was widely seen as covering up Hungary’s role in the deportations by depicting the country as an angel attacked by a Nazi eagle. The implication: all Hungarians were equal victims of the Nazi occupation, an idea that conveniently overlooks the fact that the Nazis had many Hungarian collaborators.
The museum sat empty for years amid the dispute. Jewish leaders in Hungary have only recently reported progress toward a version that names Hungarian, and not just German, responsibility for atrocities against Jews.
The dangers of whitewashing
The recent histories of Poland and Hungary demonstrate that when a government decides that its national story shouldn’t include honest examinations of what its people did to vulnerable minorities, the nation’s integrity as a whole is imperiled.
This is the same demand the Trump administration has issued to the Smithsonian. The White House report does not claim that the museum has facts wrong; rather, it objects that the museum treats history as a tool for “social justice.” The administration demands, instead, “patriotic history” — exactly the same ultimatum issued by governments in Warsaw and Budapest.
Smithsonian Secretary Lonnie G. Bunch III says his institution’s goal is scholarship, not partisanship. The administration’s answer is that scholarship itself is the problem, if the story it tells is not celebratory enough.
The kind of “patriotic history” the administration wants entails, instead, a thinner historical accounting, built to avoid making visitors uncomfortable with the actions of their ancestors. A country pressured to foreground its heroism while pushing its failures to the margins is one that shows its own people that, effectively, minorities do not belong.
When Poland won’t discuss Jedwabne, or Hungary won’t acknowledge its own role in the deportation of Hungarian Jews, they send the message that they don’t see Jewish citizens as fully human — in either the past or the present. A U.S. that treats discussing the facts of slavery — or the immigration quotas that helped trap Jews in Europe — as a betrayal of national values is one that suggests the people it wronged, and their descendants, don’t matter.
A serious national museum has to depict a nation’s failures and achievements in the same frame. What the White House is proposing for the Smithsonian is very different, and very dangerous. Jews have watched this play out before and seen where it leads. A nation’s museums are essential to its capacity to reckon with the worst of its history. This is a capacity worth defending in Gdańsk, in Budapest, and now in Washington.
The post European leaders downplayed the Holocaust. Now Trump is using their tactics against the Smithsonian appeared first on The Forward.
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Mamdani more popular than Netanyahu among U.S. Jews, new poll shows
New York City Mayor Zohran Mamdani, whose outspoken criticism of Israel has made him a frequent target of Jewish and pro-Israel advocates, is viewed more favorably by American Jews than Israeli Prime Minister Benjamin Netanyahu, according to a new poll released Tuesday.
The Associated Press-NORC Center for Public Affairs Research survey of 1,022 Jewish adults nationwide, conducted from June 11 through June 17, found that 44% of American Jews hold a favorable opinion of Zohran Mamdani, compared with 39% who view him unfavorably. By contrast, just 32% of respondents said they have a favorable opinion of Netanyahu, while 59% said they have a negative view of the longtime Israeli leader
The poll suggests that Mamdani’s positions on Israel have not prevented him from maintaining a net-positive image among American Jews overall.
Mamdani won just 26% of the Jewish vote in last year’s mayoral election. Since taking office, he has faced scrutiny from Jewish leaders and Zionist organizations over his sharp criticism of Israel and embrace of Palestinian activism that is shaping his tenure as leader of the city with the largest population of Jews outside Israel. Mamdani refused to recognize Israel as a Jewish state and said he wouldn’t travel to the country. He has also pledged to order the arrest of Netanyahu if he visits the city on his watch, complying with an ICC arrest warrant. That will be tested in September when Netanyahu arrives to speak at the United Nations General Assembly.
Recently, the mayor skipped the annual Israel Day parade, where participation is a longstanding tradition for New York City leaders, and he also called for divestment from Israel’s economy. In congressional races in New York City, Mamdani actively campaigned for candidates who made inflammatory statements on Israel.
Netanyahu, who has been in office since 2009 except for an 18-month hiatus from 2021 to 2022, has seen his standing with Americans erode in recent years despite longstanding ties to the United States. He spent part of his childhood in the Philadelphia area, attended college in Boston and served as Israel’s ambassador to the United Nations in the 1980s. Netanyahu has often spoken directly to American audiences, giving frequent interviews to U.S. television networks more often than he has spoken to Israeli media.
The AP survey, which had a reported margin of error of plus or minus 5 percentage points, also found that American Jews are increasingly critical of the Israeli government’s conduct in the Gaza war and its handling of the Israeli-Palestinian conflict.
While a majority of American Jews — 73% — said Israel’s initial military response to the Oct. 7, 2023, Hamas attack was justified, just 42% said they supported the continued military operations in Gaza through last year’s ceasefire. The survey also found that, similar to the broader American public, 30% of American Jews believe Israel has committed genocide in Gaza.
The post Mamdani more popular than Netanyahu among U.S. Jews, new poll shows appeared first on The Forward.

