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Meet the Jewish world champion of Magic: The Gathering
(JTA) — There’s a good chance that right now, Nathan Steuer is playing, or thinking about playing, Magic: The Gathering. The trading card game, which Steuer used to play with friends at Jewish summer camp, has become the 20-year-old Berkeley native’s lifelong passion and full-time job.
Steuer — who had a bar mitzvah in addition to attending the Union for Reform Judaism’s Camp Newman in Santa Rosa, California — competes in online tournaments every weekend for about 12 hours each on Saturdays and Sundays. He spends hours preparing and studying strategy, and also coaches other players in his spare time. He’s even currently taking a year off from his studies at the University of California, Santa Cruz, in order to focus on the game.
The obsession paid off when Steuer won the Magic World Championship on Oct. 30 in Las Vegas, beating the 31 other best players from across the globe.
“It felt honestly surreal, like a dream,” Steuer told the Jewish Telegraphic Agency in an interview this week.
He sounds very measured and reserved on the phone, and he thinks that calmness helps his game.
“When you’re playing versus such high-level players in a world championship setting, a lot of your edges in terms of trying to win a greater amount come from keeping a really level-headed approach to each game, and making sure to essentially not let nerves affect you,” Steuer explained.
For the uninitiated, in “Magic,” as it is colloquially known, each player inhabits the role of a “Planeswalker,” a wizard who can traverse dimensions to battle others in turn-based combat using spells. The game, which hit the market in 1993, often draws comparisons to predecessor Dungeons & Dragons, and can now be played both online and with physical cards. It has been played by tens of millions of people worldwide.
Steuer, then 12 years old, playing Magic: The Gathering. (Courtesy of Steuer)
After the onset of the pandemic, the game largely transitioned online, especially for serious players. There’s an entire Pro Tour of players who compete in highly-competitive, international tournaments.
The World Championship comes with the hefty prize of $100,000 — but as a true Magic purist, Steuer is even more excited about the other part of the winnings: the opportunity to design his own Magic card with a fantasy illustration of himself that will be released in future decks.
“The prize money is awesome. But having that opportunity is really fantastic,” he said.
Steuer grew up attending synagogue every week for Shabbat services and religious school, an experience he remembers fondly.
“I really enjoyed getting to do that with my family, and having that experience was super meaningful, probably from when I was four to around the time of my bar mitzvah,” he said.
But even though he played Magic at Jewish camp, Steuer said he hasn’t felt much overlap lately in those two aspects of his life.
It’s possible to earn a living as a Magic player: According to the official Magic site, around 150 players have amassed at least $100,000 career earnings, with the top player cracking $1 million. Steuer isn’t sure what his future holds, but for the time being, he’s devoted to his favorite game.
“I decided to transition and see how far this career could take me because it had been probably my biggest passion growing up, I never stopped,” Steuer said. “And so once I saw the opportunity, I decided to pursue it and see it through.”
Going forward, Steuer said he will work to defend his world title at next year’s championship. He’s also interested in the behind-the-scenes aspects of the game he loves, such as designing cards.
“Winning gave me that feeling that I have a lot that I can conquer outside of playing Magic if I set my mind to something, and I think it gave me a firm grasp that I can figure out my own path to success, whether it’s Magic or another pursuit.”
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The post Meet the Jewish world champion of Magic: The Gathering appeared first on Jewish Telegraphic Agency.
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The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
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Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”