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Montreal nightlife fixtures explain how anti-Israel sentiment has impacted their passions
The burlesque performer
Yael Perez, a.k.a. Miss Meow, is no wallflower. Shaking her feathers, her curvy silhouette strutting deftly across a stage under the gaze and leers of 100 adoring sets of eyes, she smiles, almost sneering-like, into the dark space filled with tables of hollering fans, before offering a coquettish spin, shedding her gloves to a rhythmic drumbeat.
With her curvy silhouette, black hair, and fiery red lipstick, she once captivated audiences as a popular burlesque performer in Montreal.
But after Oct. 7, 2023, her career, like parts of her elaborate costumes, fell south.
Perez started modelling a decade ago and later embraced burlesque. It was a hit—she performed every weekend, with a steady social media following. Her late parents supported her career, but it was the burlesque community that turned its back on her.
An office manager for a property management firm, she had been up late when news of the attacks broke. “I freaked out,” she recalls, and while her family in Israel was safe, she quickly realized that many of her friends were unaware of the scale of the attack. As media coverage was slow to pick up, Perez began sharing screenshots from sources she trusted.
At first the reaction was of sincere interest, “but I noticed all these people looking at my posts and not a single one messaged me to ask if I’m OK, or about my family.”
Perez isn’t alone. Jewish and Israeli artists have watched as the progressive arts community turned their back and lost the support of their friends in the industry and seen projects and bookings be cancelled.
Even Montrealers whose art might not be their day jobs, but rather side hustles and occasional gigs have seen opportunities dry up.
Social media has been a powerful force since the attacks, starting with the live-streamed atrocities and continuing efforts to spread propaganda, solidarity, or division. Perez, who uses social media “authentically” in both her personal and professional life, says, “I’ve always been clear—I’m not just a ‘pretty person’ online. I’m a whole person, and I was open about being terrified and traumatized.”
What people didn’t realize was that this wasn’t just ‘news’ to her—she was worried for her family staying in bomb shelters. The lack of support from friends and colleagues in the progressive burlesque community felt dehumanizing. “No one checked in, and I noticed something else,” she recalls, her voice betraying a surge in emotion. “Some people began sharing antisemitic content right away. On Oct. 7, they were posting about ‘liberation.’ The same goddamned day.”
Performers she’d worked with for years, with whom she’d never discussed the Middle East, began retweeting pro-Palestinian accounts that were clearly part of a coordinated narrative. “They were celebrating, saying ‘Amazing job.’ I couldn’t believe they were justifying the attacks.” She tried explaining the impact on her family, but people doubled down, saying it didn’t matter.
Colleagues, including one scheduled to perform in her show, posted increasingly extreme comments. Perez called them out gently, only to hear, “I’ve watched documentaries, I have a nuanced view. Palestinian resistance is justified.” Perez could accept opposing views, but “you’re saying what happened to my people was deserved?” She felt horrified and unsafe, questioning if she could continue working with such people.
The concert reviewer
Amir Amozig also felt a shift after Oct. 7, though more subtly. While he didn’t face direct hostility or “Free Palestine” shrieks, he noticed a change in the atmosphere while continuing his decade-long gig reviewing local bands in Montreal’s west end.
By day, the 51-year-old works in accounts receivable for a telecommunications company, but at night, he and his pen and notepad are a staple at local bars, reviewing bands with his encyclopedic knowledge of rock, blues, and pop. “I was extremely traumatized by Oct. 7,” he said. “There was a deafening silence around me.”
Some musicians did make public statements minimizing the atrocities, which outraged him, and overall, he felt isolated in an industry that leans far left, even though he considers himself liberal. His mistrust led him to consider leaving, but Israeli family and musician friends reminded him of his passion for music. “If you let life’s challenges rob you of your passions, you’re giving in to what terrorists intended from the start,” they said.
Mindful of cancel culture, Amozig navigated it with care. He was shocked to see anti-Israel propaganda in some venues, including one that seemed a “pro-Hamas shrine” post-Oct. 7. “I never set foot there again.”
Though he felt isolated, he stayed in the music scene, feeling distanced from the Jewish activist community as it shifted right, but remained committed to traditional liberal values.
#WATCH: “We have a responsibility to be a voice for all the hostage families,” says Amir Amozig, as Montrealers gathered on Sunday to honour those who were killed in Israel during the Oct. 7 Hamas attack. @swiddarassy reports.#Montreal #Quebechttps://t.co/9hiRkZ6iTI
— CityNews Montreal (@CityNewsMTL) October 6, 2024
Long before Oct. 7, he says, the arts community was strongly left-wing on issues like workers’ rights, racism, First Nations, women’s rights, the environment, and LGBTQ concerns. “The prevailing view framed the Middle East as an oppressor versus underdog conflict. While I disagree with some of their views on world events, I know many have a good heart, rooted in altruism, anti-militarism, and anti-nationalism,” which are core leftist values.
He severed ties however, with anyone justifying the events of Oct. 7, particularly those framing it in terms of oppressor and oppressed. “Some responses were reprehensible, while others came from a genuine concern for humanity.”
The flamenco dancer
Laurence Elmoznino, a 55-year-old public school teacher, was infuriated by the lack of knowledge and empathy she encountered after Oct. 7. “It was sheer stupidity,” she says, recalling the derision towards Israelis and the indifference to Jewish suffering that overshadowed one of her greatest passions.
A lifelong dancer, Elmoznino spent over a decade in ballet and has practiced flamenco for more than 20 years. Her first visit to Granada, Spain, felt like coming home, with flamenco’s connection to Jewish traditions through the shared history of persecuted Jews and Roma. “There was something very Jewish about it.”
Flamenco, with its intense footwork and lyrical expression, conveys raw emotions, from sexuality to passion, “but it’s not about being sexy,” she said. She loved the intensity and solidarity among the women she danced with.
“Flamenco here has a tight-knit community. We see the same faces everywhere—dancers from Spain for stages and shows. It’s intense with classes, practices, and performances.”
Fifteen months ago, she was performing with her group, loving every grueling moment. Then came Oct. 7. She watched the news, and “I thought my knees were going to buckle. In an instant, everything changed.”
As days passed, Elmoznino grew despondent, overwhelmed by pain for her community. “I couldn’t do anything. I didn’t want to dance. Many were still dancing, but I was in mourning.” Supported by a close-knit group of dancers and friends, she returned after weeks, receiving concern for her and her family. “But outside that small group, I’m still angry.”
After the Hamas attacks, she posted on social media about the slaughter, supporting Israel and sharing a photo from a volunteering mission. A dancer told her they could no longer be friends, saying she couldn’t support someone who “justifies terrorism.” Elmoznino was stunned. “Terrorism? Genocide? I had no idea she thought like this. I danced with her, she taught me, I saw her shows.” She responded firmly, calling her out: “How dare you? My family was in Gaza. You don’t get to lecture me about my people.”
This was coming from people she had known for 20 years, who knew her as a dedicated supporter and fundraiser for causes like helping fellow Montrealer Steve Maman working to free Yazidi women from ISIS captivity and supporting a Syrian refugee family. “I did the work—what have you done?”
She was furious and avoided classes. “I just couldn’t. It wasn’t just one teacher, but others voicing pride in seeing Tunisians shouting for resistance in Arabic or calling Gaza an open-air prison. It was too much.” This limited her dance opportunities and combined with knee injuries and the painful loss of a close friend, her flamenco career began to unravel. “I missed dancing, but my connection to Israel is deeper than anything, even flamenco. Every hostage, soldier, and family felt personal.”
It reaffirmed her deepest self-identity, with family roots in Spain as deep as her attachment to her Jewishness. In Granada, she met the late flamenco legend Mario Maya, who tapped her with his cane, asking, “Where are you from?” “Canada,” she replied. “No,” he laughed. “Where are you from?”
“When I shared my origins were in Córdoba, he said I resembled the local women, strengthening my sense of connection to the culture.” It reminded her that she was “La Sefardita.”
Yael Perez was proud of her achievements in burlesque, curating successful shows at Montreal venues like the Wiggle Room and Café Cleopatra, often selling out spaces for 100-120 people. But everything unraveled after Oct. 7.
“Burlesque isn’t a community, I always insisted. It’s a business,” she said, feeling vindicated “in a sick, painful way.”
Post-Oct. 7, many of her peers across Canada posted antisemitic content. “The worst was, ‘You deserve it.’” The idea that Israelis deserved to be pulled from their beds and slaughtered was mind-boggling. Perez had always supported causes like Black Lives Matter and Stop Asian Hate, even paying festival fees for performers of colour. “I knew some people face barriers I didn’t. I felt a responsibility to help.” Yet, among the hundreds she supported, no one publicly voiced support for her. “A few privately reached out, but within weeks, they were sharing pro-Palestinian posts and calling me a genocide supporter who should be shunned.
“I was the only Israeli. There were a few Jewish performers, but in a progressive, woke space, a couple who shared my views stayed silent to avoid what I was dealing with.”
It started with artists bailing on shows, rumours spreading that she supported genocide. Even an Arab-Jewish performer she had supported told her, “I can’t be associated with you. I have to quit all your bookings. No hard feelings.”
The final blow came that December, when dancers at Café Cleo told her that nearly all of them had been harassed for working with her. “This was after about 20 people had already quit,” almost half the talent pool.
“I shed so many tears,” she recalls. “I found out nearly every artist who worked with me was harassed. I had a breakdown backstage and cried myself to sleep. That show made me realize I couldn’t stay in this industry anymore. I couldn’t keep giving to an industry that doesn’t appreciate me.”
She began receiving harassing messages, with her social media stories prompting waves of Palestinian flags and responses of “Fuck Israel! Fuck you!” and threats to protest her shows. Anti-Israel posters were plastered backstage, and she knew people brought Palestinian flags to disrupt other events in the city. She worried about how to keep the audience safe when people were using such aggressive, threatening language.
Her last pre-booked show was in May, but her final performance came in February 2024, at Café Cleo. There, a stack of postcards urging Trudeau to stop the genocide and support Gaza sat by the bar.
It was all devastating for Perez. “It turned my life upside down. Being a performer, producer, and model was central to my identity—now it’s all gone. I lost almost all my friends—people I’d planned futures with, thrown birthday parties for. Losing my career was huge, but losing friends was worse. It felt overwhelming, but I realized I need new, more meaningful connections—especially more Jewish friends.”
Did she err by quitting? “No. It’s unfortunate and sad, and I’m still grieving that loss, but it was the right thing because nobody deserves to be treated that way, to be bullied by peers, and harassed. I had the ability to remove myself. They’re going to be assholes forever. I don’t have to be there for it.”
Pivoting their perspectives
Music reviewer Amir Amozig found his voice for advocacy attending rallies after Oct. 7. His tight-knit circle remains strong, and now when covering a band with a Jewish performer, he feels a deeper connection. “If I know a musician is Jewish or Israeli, and shares my trauma, the bond is stronger.” He mentions a recent show by Israeli saxophonist Tevet Sela in Montreal. “There’s a bond you don’t have with others, and it makes you feel safe.”
Though quieter on advocacy than some, Amozig says no musician is unaware of his stance in Israel’s war. “They know where I stand, and so far, no major backlash. But I’m always aware of stories of cancellations, that chill in the air.”
For flamenco enthusiast Laurence Elmoznino, seeing fellow dancers celebrate murder and “Free Palestine” posters appearing around a studio dulled the shine on the art form she saw as her heritage. “I can’t get away from it anywhere, not even in my feel-good place. There’s even still a lot of antisemitism in Spain, where I got comments from indoctrinated types. I had a landlord who refused to believe I was Jewish, and a Spanish teacher asked me if a Palestinian child was standing in front of me, ‘would you shoot him’?”
Back in Montreal, she’s eyeing the calendar of flamenco events. “This stage I want to take, I know some of these women will be there. So fuck them, I’m going. I’m wearing my Magen David and standing right in front of your face.” Looking at it through a rear-view mirror, she says, “Their lack of intelligence repulsed me. I couldn’t get them to donate or support anything, and now they’re out picketing and protesting, denying rapes. They’re too far gone.”
These classes and events may be “much more their space than mine, but it is still my space because of my ancestry. This very much belongs to me.”
The post Montreal nightlife fixtures explain how anti-Israel sentiment has impacted their passions appeared first on The Canadian Jewish News.
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Meta Boots Anti-Zionist Columbia University Group From Instagram
Pro-Hamas Columbia University students march in front of pro-Israel demonstrators on Oct. 7, 2024, the one-year anniversary of Hamas’s Oct. 7 massacre across southern Israel. Photo: Roy De La Cruz via Reuters Connect
Meta Platforms, Inc. has banned the infamous Columbia University Apartheid Divest (CUAD) anti-Zionist student group from its platforms, a decision that the company says is irrevocable.
As previously reported by The Algemeiner, CUAD is responsible for spreading pro-Hamas propaganda, assaulting Jewish students, and disrupting academic study at Columbia with unauthorized demonstrations and property destruction. Its behavior, among other factors, drove the Trump administration’s cancellation in March of $400 million in federal contracts and grants awarded to Columbia.
CUAD first reported that Meta shuttered its Instagram account on Monday, denouncing the measure as being part of “a long and concerted effort from corporations and imperial powers to erase the Palestinian people.” Meta later justified the decision to Jewish Insider, explaining that CUAD had forced the company’s hand by ceaselessly transgressing the platform’s terms of use of agreement. Meta forbids groups which advocate violence to operate on Instagram, and CUAD has used its account to call for toppling the Israeli and US governments. Additionally, its Instagram account has been essential for promoting unlawful demonstrations CUAD continues to hold at Columbia University and for sharing resources that have helped its collaborators avoid punishment.
Meta told Jewish Insider that the group won’t be allowed back.
As previously reported by The Algemeiner, CUAD’s activities have been described as a threat to the civil rights and security of Jewish Columbia University students.
Last April, CUAD members commandeered a section of campus and, after declaring it a “liberated zone,” lit flares and chanted pro-Hamas and anti-American slogans. When the New York City Police Department (NYPD) arrived to disperse the unlawful gathering, hundreds of CUAD members and their affiliates reportedly amassed around them to prevent the restoration of order. During ensuing clashes with law enforcement, one student screamed “Yes, we’re all Hamas, pig!” while others shouted, “Long live Hamas!” and filmed themselves praising the al-Qassam Brigades, the military wing of the US-designated terrorist group.
In September, during the university’s convocation ceremony, the group distributed a pamphlet which called on students to join the Palestinian terrorist group Hamas’s movement to destroy Israel. Several sections of the document were explicitly Islamist, invoking the name of “Allah, the most gracious” and referring to Hamas as the “Islamic Resistance Movement.” Proclaiming, “Glory to Gaza that gave hope to the oppressed, that humiliated the ‘invincible’ Zionist army,” it said its purpose was to build an army of Muslims worldwide.
In February, CUAD committed infrastructural sabotage by flooding the toilets of the Columbia School of International and Public Affairs (SIPA) with concrete. Numerous reports indicate the attack may have been the premeditated result of planning sessions which took place many months ago at an event held by Alpha Delta Phi (ADP) — a literary society, according to the Washington Free Beacon. During the event, the Free Beacon reported, ADP distributed literature dedicated to “aspiring revolutionaries” who wish to commit seditious acts.
Following two occupations of administrative buildings at Barnard College, Laura Rosenbury, the school’s president, denounced the group as a paranoid hate-organization.
“They [CUAD] operate in the shadows, hiding behind masks and Instagram posts with Molotov cocktails aimed at Barnard buildings, antisemitic tropes about wealth, influence, and ‘Zionist billionaires,’ and calls for violence and disruption at any cost,” Rosenbury wrote in an op-ed published by The Chronicle of Higher Education. “They claim Columbia University’s name, but the truth is, because their members wear masks, no one really knows whose interests they serve.”
Dion J. Pierre @DionJPierre.
The post Meta Boots Anti-Zionist Columbia University Group From Instagram first appeared on Algemeiner.com.
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Tlaib Set to Headline Terrorist-Connected Palestinian Event in New Jersey
US Rep. Rashida Tlaib (D-MI) speaking at a press conference at the US Capitol in Washington, DC, March 11, 2025. Photo: Michael Brochstein/ZUMA Press Wire via Reuters Connect
US Rep. Rashida Tlaib (D-MI) is set to headline a conference that is also hosting a member of the Popular Front for the Liberation of Palestine (PFLP), an internationally designated terrorist organization, according to documents obtained by The Algemeiner.
The Palestinian American Community Center (PACC) in New Jersey will hold its annual conference, titled “Grounded in Action: Exploring the Power of the Palestinian Diaspora,” from Thursday through Sunday. Wisam Rafeedie, a self-admitted member of the PFLP, will address the conference virtually on the 4th day of the event.
According to PACC’s website, the conference “is a call to recommit ourselves to amplifying and supporting the Palestinian voices and advocates who have long been at the forefront of our struggle.” PACC also calls on members of the Palestinian diaspora “to leverage our unique positions and power” to “push for meaningful action.””
Tlaib is scheduled to headline the event’s “Youth Day,” in which she will host a reading and signing for her new children’s book, Mama in Congress, alongside her son Adam Tlaib. According to Harper Collins, the book’s publisher, Mama in Congress will chronicle Tlaib’s journey from Detroit to the halls of the federal government. The book will also detail Tlaib’s supposed efforts in working toward “justice for all” in Congress.
The conference will include several workshops educating attendees on “resistance,” “solidarity,” and “collective struggle.” The event will also feature a session stressing the importance of “centering Palestinian prisoners.”
This is not the first time that Tlaib has come under scrutiny for attending a pro-Palestinian conference tied to terrorists. Last May, Tlaib came under fire for speaking at the “The People’s Conference for Palestine,” which also hosted Rafeedie among other individuals connected to terrorist groups. During that event, Rafeedie praised Hamas, the terrorist group that runs Gaza and murdered 1,200 people and kidnapped 251 hostages on Oct. 7, 2023, as a “resistance” against Israel. He defended and downplayed Hamas’s atrocities, saying that “Zionists lie like they breathe.”
“This is not a struggle between Hamas and Israel. Hamas is part of the resistance of the Palestinian people. The core issue is between the Palestinian people and the project of settler colonialism and ethnic cleansing,” Rafeedie said.
Rafeedie also called for the complete destruction of Israel and the replacement of the Jewish state with a “democratic” Palestine.
“There is no longer a place for the two-state solution for any Palestinian. The only solution is one democratic Palestinian state on all Palestinian land, which will end the Zionist project in Palestine,” Rafeedie continued.
Tlaib, the first Palestinian American woman elected to the US Congress, has positioned herself as a fierce and outspoken critic of Israel. Since entering office, Tlaib has repeatedly accused the Jewish state of implementing an “apartheid” regime in the West Bank and turning Gaza into an “open-air prison.”
In the year following the Hamas-led Oct. 7 attacks on Israel, Tlaib has sharpened her condemnations of the Jewish state. In the immediate aftermath of the massacre, she hesitated to release an official statement acknowledging the mass slaughter, abductions, and rapes perpetrated by Hamas. Less than two weeks after the invasion, Tlaib introduced a “ceasefire” resolution between Israel and the Palestinian terrorist group. In November 2023, the House of Representatives voted to censure Tlaib over her anti-Israel rhetoric.
The progressive firebrand has also condemned Israel’s defensive military operations in Gaza, accusing the Jewish state of committing a full-scale “genocide” against the civilians of the enclave. She has also peddled the unsubstantiated claim that Israel has purposefully inflicted mass starvation against Palestinian civilians and urged the Biden administration when it was in power to impose an arms embargo on Israel. Simmering with anger over the Biden administration’s support for Israel, she refused to endorse former Vice President Kamala Harris’s failed presidential bid.
Tlaib’s office did not respond to a request for comment for this story.
The post Tlaib Set to Headline Terrorist-Connected Palestinian Event in New Jersey first appeared on Algemeiner.com.
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Driver Charged for Brooklyn Car Crash Killing Jewish Family Has History of Claiming CIA Follows Her
An overturned auto in a car crash flipped on its roof landing on a mother and her three children, killing two children on March 29, 2025, in Brooklyn, New York. Photo: ZUMA Press Wire via Reuters Connect
A Brooklyn woman who was charged for a car crash on Saturday that killed a Jewish woman and her two young daughters has alleged in the past on social media that the US Central Intelligence Agency (CIA) is following her, a claim she also made to first responders after the fatal accident.
Miriam Yarimi, 32, is facing multiple charges, including three counts of second-degree manslaughter, three counts of criminal negligent homicide, and four counts of second-degree assault. Yarimi — a Brooklyn resident and wigmaker who is also a Jewish mother herself – was transported to NYU Langone Hospital in Brooklyn in stable condition. She was then moved to the psychiatric ward of Bellevue Hospital, according to reports.
The car crash killed Natasha Saada, 32, and her daughters – 8-year-old Diana and 6-year-old Deborah. Saada’s son Philip, 4, was injured in the crash and hospitalized at Maimonides Medical Center in Borough Park in critical condition. The New York City Police Department (NYPD) arrested Yarimi, a single mother who has a young daughter, and she is awaiting arraignment in connection to the crash that took place Saturday afternoon at an intersection on Ocean Parkway off Quentin Road in Midwood. Police said she was driving with a suspended license at the time of the crash.
“This was a horrific tragedy caused by someone who shouldn’t have been on the road,” said Police Commissioner Jessica Tisch. “A mother and two young children killed, another child fighting for his life, a family and a neighborhood devastated in an instant. The NYPD sends its condolences to the family of the victims.”
Yarimi, who shares custody of her daughter with her ex-husband, reportedly told first responders with the Jewish-led volunteer ambulance service Hatzalah that she was “possessed” and that she believes the CIA was pursing her.
She has made similar claims about the CIA many times on Instagram, a former customer of hers told The Algemeiner on Tuesday. The source, who wishes to remain anonymous, purchased a wig from Yarimi several years ago and has been following her on social media for a number of years. Yarimi has 16,000 followers on Instagram and screenshots of her since-deleted posts, obtained by The Algemeiner, confirm she previously believed that the CIA is tracking her.
“It’s very convenient to plead insanity. But it’s not new. She is actually insane. This is [an] old topic,” the former client told The Algemeiner. “She thinks that she’s been followed by CIA for a long, long time already. She truly believes that CIA is spying on her … But only people who follow her [on social media] and know her for a long time would know this. She’s sick.”
In one since-deleted Instagram post, Yarimi wrote in part about the CIA: “They have control of EVERYONE here in this world BESIDES ME … when I went to Miami, it all clicked … once they knew that I knew, they followed me around the hotel, dressed up as young parents with a doona [stroller] and disco outfits like I was stupid and didn’t know who they were … if anything they stuck out like glue.”
“It was the government, blackjack, and the CIA who manipulated everyone and took control of everyone’s mind but because I was the catalyst and the sacrificial lamb so they did their best to break me,” she wrote in a separate post that has also been deleted. “They experimented (abused) me and that’s when they cloned my daughter and I so when I die, they could reinsert me into the crowd and make me into another person.”
Yarimi previously had a highlight on her Instagram page where she talked about demons and the CIA, but it has since been deleted, her former customer told The Algemeiner. Yarimi also wrote on her Instagram Story once that she believes Hollywood is trying to clone people to look like her.
“Why do you think most of the girls in Hollywood have similar features to me like Rita Ora & Jane the Virgin etc,” Yarimi once wrote on Instagram, as seen in a screenshot shared with The Algemeiner. “Wake up, this is not just happening in Hollywood. This is happening right here in the Jewish community in Brooklyn.”
Not long after she uploaded the Instagram posts, Yarimi was admitted to a psychiatric ward and when she returned to social media, she spoke about the experience, the source told The Algemeiner.
“After the above posts she was locked up for two weeks in a psych ward. She’s very public. She went live when paramedics broke into her house and took her. She came back online two weeks later and spoke about her psych ward experience,” Yarimi’s follower said. “And it was saved in her [Instagram] highlights as well … It was horrible.”
The Algemeiner has seen a copy of Yarimi’s Instagram video that shows police drag her out of bed after she refused their orders to get up by herself. In the clip, three police officers are seen in her bedroom and a fourth is standing by the doorway.
Another longtime Instagram follower of Yamini’s described her as “delusional” when speaking to The Algemeiner, and confirmed that Yamini has spoken online repeatedly in the past about how she believes the CIA is tracking her.
In December 2024, Yarimi won a $2 million settlement from the city of New York after she filed a lawsuit claiming that former NYPD Officer George Mastrokostas repeatedly raped her for several years after falsely arresting her.
New York City Mayor Eric Adams and NYPD Deputy Chief Richie Taylor attended the funeral for Saada and her daughters on Sunday in Brooklyn before their bodies were flown to Israel for burial. Saada is survived by her husband, Sidney Saada, her sons Philip and Jacob, her parents and three siblings. Adams called the crash “a tragic accident of a Shakespearean proportion.”
“A mother going for a simple stroll on a sunny day was struck and killed. As we pray for their families and this entire community, the city mourns this loss,” he added.
Police said Yarimi was driving a blue Audi A3 sedan when she rear-ended a 2023 silver Toyota Camry with TLC plates that was carrying four passengers – a mother and three children. NYPD Commissioner Tisch said the force of the crash caused the Toyota Camry to be pushed aside, while the Audi moved forward, crashing into Saada and her children as they were crossing the street before the car overturned. Saada and her two daughters were pronounced dead at the scene. The driver of the Toyota Camry, a 62-year-old man, was hospitalized in stable condition. The four passengers inside his car sustained minor injuries and were also hospitalized, according to Tisch.
Yarimi’s car had 99 parking and camera violations between August 2023 and March 2025, including 21 speed camera tickets and five red light tickets, Eyewitness News ABC 7 reported, citing a website that tracks vehicle violations using city data. She had nearly $10,500 in fines and a car with the same license plate as Yarimi’s still has $1,345 in unpaid fines, the news outlet also revealed.
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