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Motion Picture Academy Museum Fixes Its Problem of Excluding Jews By Demonizing Them
Outside the Academy Museum of Motion Pictures. Photo: Josh White, JWPictures/©Academy Museum Foundation.
On September 30, 2021, The Academy of Motion Picture Arts And Sciences (the organization best known for its annual Oscars ceremony) finally opened their long-awaited museum, aptly named the Academy Museum of Motion Pictures.
The museum’s website describes it as “the largest museum in the United States devoted to the arts, sciences and artists of moviemaking,” which “offers exceptional exhibitions and programs that illuminate the world of cinema … through a variety of diverse and engaging voices.”
But there was one voice that was conspicuously absent: that of the Jewish immigrants who founded, and some would say created, Hollywood.
This glaring omission was widely noticed at the time of the museum’s opening. John Goldwyn, the grandson of Hollywood founding father Samuel Goldwyn (the “G” in “MGM”) declined to attend the opening. He was quoted at the time in a Hollywood Reporter article saying, “If you’re going to have a museum in Los Angeles tied to the Academy that celebrates arguably the most significant art form of the 20th century, how is it possible not to acknowledge the Jewish men who started it all? … It’s an egregious oversight.”
ADL CEO Jonathan Greenblatt, who did attend the opening, told Rolling Stone, “As I walked through, I literally turned to the person I was there with and said to him, ‘Where are the Jews?’”
To its credit, the Museum sought to remedy this oversight. That is the charitable interpretation.
The less charitable version is that they were pressured into doing something they had purposefully chosen not to do. Either way, on May 19th of this year, the Museum opened a new permanent exhibit titled “Hollywoodland: Jewish Founders and the Making of a Movie Capital.” Sounds great, right?
The somewhat small exhibit (the smallest of any exhibit in the museum) includes a brief documentary film, a hi-tech relief map of Hollywood, and a series of panels with biographical information about the Jewish men who built Hollywood and the studios they created.
Here is a sampling of that biographical information. Jack Warner was a “womanizer” and was “frugal.” Carl Laemmle was known for “nepotism.” Harry Cohen was “a tyrant and a predator.” The studio system created by these Jewish founders represented “a period of oppressive control” and these Jewish men were responsible for “the prejudices” of their studios and their movies.
I assume, because the exhibit provides no context, details, or examples, that words like “oppressive” and “tyrant” refer to the very controlling, top-down management style employed by these Jewish moguls.
Such a management style may be unpleasant for some to work under; it may be either effective or ineffective from a business standpoint (and given the studios’ success, I would argue it was very effective). But it is not inherently immoral, as the use of the words “oppressive” and “tyrant” would seek to imply.
The panel featuring Warner Bros. includes a paragraph describing one of the studio’s films, The Jazz Singer. It is the only film featured in this manner in any of these studio descriptions. The brief paragraph ends with the claim that The Jazz Singer invoked “a popular symbol of racial oppression [i.e. blackface] that further harms another marginalized group.”
The documentary that is part of the exhibit builds upon this theme of discrimination: “Hollywood films of [the era of these Jewish moguls] generally excluded, stereotyped or vilified people of color and LGBT+ characters and perpetuated ableism and sexism with rare exceptions. In Hollywood, to become American was to adopt and reflect oppressive beliefs and representations.”
It is true that the United States of the 1920s, 1930s, and 1940s was a very different place, in terms of equality, inclusion and representation, than it is today. But was this really the fault of Jewish movie moguls? Why pound this point home in the one section of the museum supposedly dedicated to their accomplishments and contributions? After all, the movie The Jazz Singer did not invent Al Jolson’s blackface character; he had been performing it on stages across the country for many years and to great acclaim.
An exploration of the history of racism and sexism in Hollywood could be a perfectly valid topic for the museum to explore. Was it necessary to make it part of the exhibit on Jewish contributions?
The exhibit’s display includes a section describing the origins of United Artists, a studio formed in defiance of the Jewish-run studios. It mentions DW Griffith among its non-Jewish founders, but does not mention Griffith’s film Birth of A Nation (originally titled “The Clansman”), arguably the most racist film in the history of American cinema.
Why does Warner’s The Jazz Singer receive an entire paragraph but not Griffith’s Birth of A Nation? Because The Jazz Singer was produced by Jews?
The Museum’s mission statement, published on its website, includes the following goal: “The Academy Museum tells complete stories of moviemaking — celebratory, educational, and sometimes critical or uncomfortable.”
The “Jewish Founders” exhibit definitely falls under the heading of “sometimes critical or uncomfortable.” I was curious to find what other displays or exhibits could similarly be described. It was very difficult to find any. There are numerous exhibits that celebrate the work of Hollywood actors, writers, directors, and producers. All of the subjects of these exhibits are praised in glowing terms and hailed for their artistry and accomplishments.
I found a picture celebrating an actor which did not include the fact that the actor had pled guilty to sexual assault. I found a panel praising a director that said nothing about the sexual harassment allegations that the director has faced. The museum has decided not to mention these facts, while calling Jack Warner a “womanizer” and Harry Cohn a “predator.”
Maybe I just missed it, but I found no place in the museum, other than the “Jewish Founders” exhibit, in which the biographies of those honored included personal details about their lives or characters that were negative or defamatory.
Where there were details in an exhibit that could be considered “critical or uncomfortable,” outside of the “Jewish Founders” exhibit, the person being celebrated by the museum was the victim, not the perpetrator.
There is, for example, an empty display case paying tribute to Hattie McDaniel, the first Black person to win an Academy Award. The plaque discusses the racism she faced and the fact that she did not receive a statuette. Hence the empty display case.
There was a panel celebrating Black Lives Matter and The Black Panther Party, praising documentary films that “capture the determination of activists and their pursuit of universal human rights.”
A similar panel celebrates “the global #MeToo movement” and its exposing the “conditions that enable sexual exploitation in the workplace.”
So there are a few mentions, throughout the museum, of racism and sexism in the context of acknowledging those who have suffered from it and praising those who have combated it. But the only people the museum specifically charges with perpetrating racism and sexism are the Jews of the “Jewish Founders” exhibit.
To be clear, I do not claim that the Jewish moguls were without sin or above reproach. What I object to is the double standard that the museum employs in singling out Jews as the only ones called out for their sins.
Sadly, a common feature of modern antisemitism is the application of a different set of rules and standards to Jews from that which applies to everyone else.
We see this double standard in college hate-speech codes that don’t apply when Jews are harassed and threatened. We see it in criticism of Israel, the only nation accused of war crimes for unintended civilian deaths in a war it did not start. And now we can see it every day but Tuesday from 10am-6pm at the Academy Museum.
Michael Kaplan is a TV writer-producer, playwright, and children’s book author. For his TV work, he has been nominated for four Emmy Awards, winning one.
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Israel to Issue 54,000 Call-Up Notices to Ultra-Orthodox Students

Haredi Jewish men look at the scene of an explosion at a bus stop in Jerusalem, Israel, on Nov. 23, 2022. Photo: Reuters/Ammar Awad
Israel’s military said it would issue 54,000 call-up notices to ultra-Orthodox Jewish seminary students following a Supreme Court ruling mandating their conscription and amid growing pressure from reservists stretched by extended deployments.
The Supreme Court ruling last year overturned a decades-old exemption for ultra-Orthodox students, a policy established when the community comprised a far smaller segment of the population than the 13 percent it represents today.
Military service is compulsory for most Israeli Jews from the age of 18, lasting 24-32 months, with additional reserve duty in subsequent years. Members of Israel’s 21 percent Arab population are mostly exempt, though some do serve.
A statement by the military spokesperson confirmed the orders on Sunday just as local media reported legislative efforts by two ultra-Orthodox parties in Prime Minister Benjamin Netanyahu’s coalition to craft a compromise.
The exemption issue has grown more contentious as Israel’s armed forces in recent years have faced strains from simultaneous engagements with Hamas in Gaza, Hezbollah in Lebanon, Houthis in Yemen, and Iran.
Ultra-Orthodox leaders in Netanyahu’s brittle coalition have voiced concerns that integrating seminary students into military units alongside secular Israelis, including women, could jeopardize their religious identity.
The military statement promised to ensure conditions that respect the ultra-Orthodox way of life and to develop additional programs to support their integration into the military. It said the notices would go out this month.
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Influential Far-Right Minister Lashes out at Netanyahu Over Gaza War Policy

Israeli Finance Minister Bezalel Smotrich attends an inauguration event for Israel’s new light rail line for the Tel Aviv metropolitan area, in Petah Tikva, Israel, Aug. 17, 2023. Photo: REUTERS/Amir Cohen
Israel’s far-right Finance Minister Bezalel Smotrich sharply criticized on Sunday a cabinet decision to allow some aid into Gaza as a “grave mistake” that he said would benefit the terrorist group Hamas.
Smotrich also accused Prime Minister Benjamin Netanyahu of failing to ensure that Israel’s military is following government directives in prosecuting the war against Hamas in Gaza. He said he was considering his “next steps” but stopped short of explicitly threatening to quit the coalition.
Smotrich’s comments come a day before Netanyahu is due to hold talks in Washington with President Donald Trump on a US-backed proposal for a 60-day Gaza ceasefire.
“… the cabinet and the Prime Minister made a grave mistake yesterday in approving the entry of aid through a route that also benefits Hamas,” Smotrich said on X, arguing that the aid would ultimately reach the Islamist group and serve as “logistical support for the enemy during wartime”.
The Israeli government has not announced any changes to its aid policy in Gaza. Israeli media reported that the government had voted to allow additional aid to enter northern Gaza.
The prime minister’s office did not immediately respond to a Reuters request for comment. The military declined to comment.
Israel accuses Hamas of stealing aid for its own fighters or to sell to finance its operations, an accusation Hamas denies. Gaza is in the grip of a humanitarian catastrophe, with conditions threatening to push nearly a half a million people into famine within months, according to U.N. estimates.
Israel in May partially lifted a nearly three-month blockade on aid. Two Israeli officials said on June 27 the government had temporarily stopped aid from entering north Gaza.
PRESSURE
Public pressure in Israel is mounting on Netanyahu to secure a permanent ceasefire, a move opposed by some hardline members of his right-wing coalition. An Israeli team left for Qatar on Sunday for talks on a possible Gaza hostage and ceasefire deal.
Smotrich, who in January threatened to withdraw his Religious Zionism party from the government if Israel agreed to a complete end to the war before having achieved its objectives, did not mention the ceasefire in his criticism of Netanyahu.
The right-wing coalition holds a slim parliamentary majority, although some opposition lawmakers have offered to support the government from collapsing if a ceasefire is agreed.
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Australia Police Charge Man Over Alleged Arson on Melbourne Synagogue

Australia’s Prime Minister Anthony Albanese speaks to the media during a press conference with New Zealand’s Prime Minister Christopher Luxon at the Australian Parliament House in Canberra, Australia, Aug. 16, 2024. Photo: REUTERS/Tracey Nearmy
Australian police have charged a man in connection with an alleged arson attack on a Melbourne synagogue with worshippers in the building, the latest in a series of incidents targeting the nation’s Jewish community.
There were no injuries to the 20 people inside the East Melbourne Synagogue, who fled from the fire on Friday night. Firefighters extinguished the blaze in the capital of Victoria state.
Australia has experienced several antisemitic incidents since the start of the Israel-Gaza war in October 2023.
Counter-terrorism detectives late on Saturday arrested the 34-year-old resident of Sydney, capital of neighboring New South Wales, charging him with offenses including criminal damage by fire, police said.
“The man allegedly poured a flammable liquid on the front door of the building and set it on fire before fleeing the scene,” police said in a statement.
The suspect, whom the authorities declined to identify, was remanded in custody after his case was heard at Melbourne Magistrates Court on Sunday and no application was made for bail, the Australian Broadcasting Corp reported.
Authorities are investigating whether the synagogue fire was linked to a disturbance on Friday night at an Israeli restaurant in Melbourne, in which one person was arrested for hindering police.
The restaurant was extensively damaged, according to the Executive Council of Australian Jewry, an umbrella group for Australia’s Jews.
It said the fire at the synagogue, one of Melbourne’s oldest, was set as those inside sat down to Sabbath dinner.
Israeli President Isaac Herzog went on X to “condemn outright the vile arson attack targeting Jews in Melbourne’s historic and oldest synagogue on the Sabbath, and on an Israeli restaurant where people had come to enjoy a meal together”.
“This is not the first such attack in Australia in recent months. But it must be the last,” Herzog said.
Israeli Prime Minister Benjamin Netanyahu described the incidents as “severe hate crimes” that he viewed “with utmost gravity.” “The State of Israel will continue to stand alongside the Australian Jewish community,” Netanyahu said on X.
Australian Prime Minister Anthony Albanese late on Saturday described the alleged arson, which comes seven months after another synagogue in Melbourne was targeted by arsonists, as shocking and said those responsible should face the law’s full force.
“My Government will provide all necessary support toward this effort,” Albanese posted on X.
Homes, schools, synagogues and vehicles in Australia have been targeted by antisemitic vandalism and arson. The incidents included a fake plan by organized crime to attack a Sydney synagogue using a caravan of explosives in order to divert police resources, police said in March.
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