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New all-digital Hunger Museum charts US response to food insecurity through a Jewish lens
An 1888 portrait of Ellen Swallow Richards and her all-female home economics class at the Massachusetts Institute of Technology. A 1915 campaign poster that maps out the 20 states providing food assistance for widows and single mothers. A 1940 photo of Japanese-American children eating hot dogs at a World War II internment camp in Idaho. A video of the 1950 launch of the “Betty Crocker TV Show.”
These are among the fascinating artifacts and mementos on exhibit at the Hunger Museum, a new barrier-breaking museum that seeks to inform and raise awareness about hunger in the United States.
A virtual project of MAZON: A Jewish Response to Hunger, the museum’s six galleries chronicle well over a century of U.S. hunger and anti-hunger public policy, from the Civil War through 9/11, the 2018 government shutdown and the COVID-19 pandemic.
The all-digital Hunger Museum was conceived by Abby J. Leibman, president and CEO of MAZON, a national organization based in Los Angeles. It took three years to put together and opened on March 9.
“The Hunger Museum began as an idea, and it has exceeded my wildest expectations,” said Leibman, who has led MAZON since 2011. “It’s visually stunning and incredibly immersive, as if you’re in an actual exhibit space. There’s so much to learn as you move through the museum’s galleries and artifacts.”
The website, developed by Dan and Tamara Zimmerman of Loyal Design, has six galleries with multiple exhibits and hundreds of webpages. Leibman says there is growing interest in and awareness of the issue of hunger among Americans generally — and U.S. Jews in particular.
“Because of the pandemic, hunger registered in a far more present way than it ever has before — and not only because millions of people instantly became food-insecure as jobs were lost and businesses closed,” she said. “It was also evident in media coverage and photos of literally hundreds of cars waiting in line for free boxes of groceries.”
MAZON, which produced the all-virtual Hunger Museum, envisions it as on the National Mall in Washington, D.C. (Courtesy of Mazon)
Besides its galleries, the Hunger Museum, like any physical museum, also features venues such as a multistory lobby overlooking an atrium, an auditorium (for online events), the Terrace Restaurant and a Wishing Tree inspired by Yoko Ono’s Wish Tree that allows visitors to leave a wish for those who struggle with hunger. However, at this museum, all these features are virtual. There’s also the SNAP Café — where virtual diners can select dishes from the five major food groups and calculate how much that meal would cost, and whether they could afford it if they were on SNAP (the Supplemental Nutrition Assistance Program formerly known as food stamps).
“This is really an innovative initiative, not only in the way it’s being delivered as a virtual museum, but also because of the story it tells about hunger in this country — and our response — over a 100-year period,” said Mia Hubbard, vice-president of programs at MAZON, which has 23 full-time employees and an annual budget of $8.5 million.
“Food insecurity is a pervasive and persistent part of our history, and that becomes clear as you go through the galleries,” said Hubbard.
The Hunger Museum aims not only to raise awareness and inform people about hunger’s history in America, but also to create a Jewish call to action — to inspire people to help fight hunger.
“We are focused on social justice and repairing the world, and since hunger has been an enduring part of the American social condition, it requires constant vigilance,” Hubbard said. “Part of MAZON’s role is to rally the Jewish community, and in turn, create the political will to end hunger.”
Naama Haviv, MAZON’s vice-president of community engagement, said that while plenty of brick-and-mortar museums have created online exhibits, nobody has ever done an entirely virtual museum before.
The most significant changes in American society on hunger issues occurred during the 1960s and ‘70s, Haviv said, when bipartisan efforts shifted public understanding and political will to address hunger more comprehensively.
“Americans started to realize that hunger was not a personal moral failing. It was systemic and based on people’s lack of access to economic security, and oftentimes lack of access to government safety net programs,” Haviv said.
She added that hunger in America can be solved because it was solved once before, citing household surveys showing that just 3% of Americans went hungry in 1969. Today, by comparison, 12% of the population is on SNAP, and over 34 million people are food -insecure.
A wishing tree at MAZON’s new Hunger Museum is inspired by Yoko Ono’s Wish Tree project, inviting visitors to leave a wish for those facing hunger. (Courtesy of Mazon)
“During the first few months of the pandemic, that number skyrocketed to around 80 million, but then, because we had robust government investment in food safety-net programs, we saw those numbers drastically reduced,” Haviv said. “We are now below pre-pandemic levels.”
But instead of understanding the lessons of history, and learning from the recent experience of the pandemic, efforts to make it more difficult for those who struggle to find stability and food security are now underway, she warned.
For example, under current U.S. law, SNAP work requirements restrict essential benefits for “able-bodied” adults without dependents between ages 18 and 49. Rep. Dusty Johnson, a Republican from South Dakota, has introduced a bill to expand this category to age 65. Earlier this year, Sen. Rick Scott, a Florida Republican, introduced similar legislation that would raise the restriction to age 59. Both bills would also bar states from seeking a waiver to the “able-bodied adults” time limit—even if there aren’t enough jobs for all those in need.
“These changes are unacceptable and will make matters worse, because not only do they ignore history — they rely on narrow thinking about the lives of struggling Americans while ignoring the many systems that contribute to hunger, and thus to its end,” Leibman said.
“But,” Leibman added, “we know we can end hunger in America. The proof is in our history.”
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Nick Fuentes says his problem with Trump ‘is that he is not Hitler’
(JTA) — In the fall, a video of Nick Fuentes criticizing Donald Trump drew the praise of progressive ex-Congressman Jamaal Bowman.
“Finally getting it Nick,” Bowman commented, apparently recognizing some common ground between himself on the left and Fuentes, on the far right, who said in the video that Trump was “better than the Democrats for Israel, for the oil and gas industry, for Silicon Valley, for Wall Street,” but said he wasn’t “better for us.”
Now, Fuentes says there is actually no common ground between him and those on the left.
“My problem with Trump isn’t that he’s Hitler — my problem with Trump is that he is not Hitler,” Fuentes said during his streaming show on Tuesday, which focused mostly on the potential for an American attack on Iran.
He continued, “You have all these left-wing people saying, ‘Why do I agree with Nick Fuentes?’ It’s like, I’m criticizing Trump because there’s not enough deportations, there’s not enough ICE brutality, there’s not enough National Guard. Sort of a big difference!”
Fuentes, the streamer and avowed antisemite who has previously said Hitler was “very f–king cool,” has been gaining more traction as a voice on the right. His interview with Tucker Carlson in October plunged Republicans into an ongoing debate over antisemitism within their ranks, inflaming the divide between a pro-Israel wing of the party and an emerging, isolationist “America First” wing that’s against U.S. military assistance to Israel.
Once a pro-Trump MAGA Republican, Fuentes has become the leader of the “groyper” movement advocating for farther-right positions. The set of Fuentes’ show includes both a hat and a mug with the words “America First” on his desk.
In a New York Times interview, Trump recently weighed in on rising tensions within the Republican Party, saying Republican leaders should “absolutely” condemn figures who promote antisemitism, and that he does not approve of antisemites in the party.
“No, I don’t. I think we don’t need them. I think we don’t like them,” replied Trump when asked by a reporter whether there was room within the Republican coalition for antisemitic figures.
Asked if he would condemn Fuentes, Trump initially claimed that he didn’t know the antisemitic streamer, before acknowledging that he had had dinner with him alongside Kanye West in 2022.
“I had dinner with him, one time, where he came as a guest of Kanye West. I didn’t know who he was bringing,” Trump said. “He said, ‘Do you mind if I bring a friend?’ I said, ‘I don’t care.’ And it was Nick Fuentes? I don’t know Nick Fuentes.”
Trump flaunted his pro-Israel bona fides in the interview, mentioning the recent announcement that he was nominated for Israel’s top civilian honor and calling himself the “best president of the United States in the history of this country toward Israel.”
Fuentes, meanwhile, spent the bulk of his show on Tuesday speculating that Trump will order the U.S. to attack Iran, and concluded that “Israel is holding our hand walking us down the road toward an inevitable war.”
The post Nick Fuentes says his problem with Trump ‘is that he is not Hitler’ appeared first on The Forward.
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Larry Ellison once renamed a superyacht because its name spelled backwards was ‘I’m a Nazi’
(JTA) — Larry Ellison, the Jewish founder of Oracle and a major pro-Israel donor, has recently been in the headlines for his media acquisition ventures with his son.
The new scrutiny on the family has surfaced a decades-old detail about Ellison: that he once rechristened a superyacht after realizing that its original name carried an antisemitic tinge.
In 1999, Ellison — then No. 23 on Forbes’ billionaires list, well on his way to his No. 4 ranking today — purchased a boat called Izanami.
Originally built for a Japanese businessman, the 191-foot superyacht was named for a Shinto deity. But Ellison soon realized what the name read backwards: “I’m a Nazi.”
“Izanami and Izanagi are the names of the two Shinto deities that gave birth to the Japanese islands, or so legend has it,” Ellison said in “Softwar,” a 2013 biography. “When the local newspapers started pointing out that Izanami was ‘I’m a Nazi’ spelled backward, I had the choice of explaining Shintoism to the reporters at the San Francisco Chronicle or changing the name of the boat.” He renamed the boat Ronin and later sold it.
The decades-old factoid resurfaced this week because of a New York Magazine profile of Ellison’s son, David Ellison, the chair and CEO of Paramount-Skydance Corporation.
Skydance Corporation, which David Ellison founded in 2006, completed an $8 billion merger last year with Paramount Global. Larry Ellison, meanwhile, joined an investor consortium that signed a deal to purchase TikTok, the social media juggernaut accused of spreading antisemitism. Together, father and son also staged a hostile bid to purchase Warner Bros. but were outmatched by Netflix.
After acquiring Paramount, David Ellison appointed The Free Press founder Bari Weiss as the editor-in-chief of CBS News, in an endorsement of Weiss’ contrarian and pro-Israel outlook that has been challenged as overly friendly to the Trump administration.
Larry Ellison, who was raised in a Reform Jewish home by his adoptive Jewish parents, has long been a donor to pro-Israel and Jewish causes, including to Friends of the Israel Defense Forces. In September, he briefly topped the Bloomberg Billionaires Index as the world’s richest man.
In December, Oracle struck a deal to provide cloud services for TikTok, with some advocates hoping for tougher safeguards against antisemitism on the social media platform
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Alex Bregman, who drew a Jewish star on his cap after Oct. 7, inks $175M deal with the Cubs
(JTA) — For the second year in a row, Jewish star third baseman Alex Bregman has signed a lucrative free-agent contract with a team that is run by a Jewish executive and plays in a historic ballpark in a city with a significant Jewish community.
Last year, it was the Boston Red Sox. Now, Bregman is headed to the Chicago Cubs — a team whose Jewish fans possess almost religious devotion.
Bregman, who had opted out of a three-year, $120 million deal with Boston, has signed a five-year, $175 million pact with the Cubs. It is the second-largest contract ever signed by a Jewish ballplayer, behind Max Fried’s $218 million contract in 2024. Bregman previously signed a five-year, $100 million extension with the Houston Astros in 2019.
Bregman, who played the first nine years of his career in Houston, has been one of baseball’s premier third basemen over the past decade, with three All-Star selections, a Gold Glove, a Silver Slugger and two World Series rings. He’s also heralded for his leadership on and off the field.
Bregman grew up in Albuquerque, New Mexico, where he played baseball in high school and also, according to his mother, was once teased while leaving school for a bar mitzvah lesson. His grandfather, the onetime attorney for the Washington Senators whom she said Bregman called “zeyde,” gave him a collection of baseball cards featuring Jewish players.
His great-grandfather fled antisemitism in Belarus and fell in love with sports in the United States, The Athletic reported in 2017, as Bregman hurtled toward his World Series win.
“It’s the fulfillment of four generations of short Jewish Bregmans who dreamed of playing in the major leagues,” his father Sam, now the district attorney in Albuquerque’s county as well as a Democratic candidate for New Mexico governor, said at the time. “The big leagues and the World Series. One hundred twenty years in America fulfilled by Alex in this World Series.”
Bregman has also been vocal about his Jewish pride. He celebrated Hanukkah with a local synagogue in Houston, and following the Oct. 7, 2023, attack on Israel that launched the Gaza War, Bregman drew a Star of David on his hat during a playoff game and participated in a video of Jewish players calling on fans to support Israel.
Some Jewish fans hoped Bregman’s shows of solidarity with Israel would lead him to suit up for another new squad this spring, Team Israel at the upcoming World Baseball Classic. But Bregman announced this week that he will play for Team USA again. Another Jewish ballplayer, Rowdy Tellez, will rejoin team Mexico, taking two big names off the recruitment board for Israel.
Back in 2018, as Bregman was first emerging as a major star, he said he regretted taking a pass on Team Israel the previous year, when it made it to the second round of play. Suiting up for the U.S. team, Bregman had just four at-bats as a backup player.
Now, he has selected a jersey number for his Cubs era that reflects his aspirations.
“I wore No. 3 because I want a third championship,” Bregman said during his first press conference with his new club on Thursday.
The post Alex Bregman, who drew a Jewish star on his cap after Oct. 7, inks $175M deal with the Cubs appeared first on The Forward.