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Novel about Chinese rescuer of Jews raises questions about facts vs. fiction in Holocaust stories
TAIPEI (JTA) — Ho Feng-Shan, the Chinese diplomat stationed in Vienna who helped thousands of Jews escape from Europe during World War II, never met Adolf Eichmann.
But in “Night Angels,” a novel based on his life, Feng-Shan comes face to face with Eichmann several times — and his wife Grace’s Jewish tutor, Lola, tries to kill the architect of the Holocaust.
That detail is one of many that has spurred Ho Manli, Feng-Shan’s daughter, to speak out against “Night Angels,” the fourth novel by the Chinese-American author Weina Dai Randel. Manli says the book distorts elements of her father’s story, which was unknown before she spent decades documenting his heroic efforts to issue visas allowing Jews to escape to Shanghai.
“What I have found in doing this story is it’s very difficult to try to maintain the historical integrity of the facts,” Manli told the Jewish Telegraphic Agency. “Countless people … want to use this for their own means, whether it be commercial like this novelist, whether it be political, or whatever. So over the two decades that I have been doggedly trying to uncover more and more, I’ve been constantly fending off these sorts of opportunistic assaults.”
The dispute is casting a shadow over the novel, released this month, and reinvigorating longstanding debates over the importance of truth in historical fiction — particularly in stories about the Holocaust.
“Night Angels” follows Feng-Shan and his wife, Grace, as they risk their lives by issuing visas that allow thousands of Jews escape Germany and Austria to Shanghai. Grace, one of the novel’s narrators and main characters, is based on Feng-Shan’s real second wife with the same name who was no longer in Vienna after the Anschluss — Nazi Germany’s annexation of Austria in 1938, and the period in which the novel is set. By that time, Feng-Shan had already sent Grace away to Boston. She never witnessed Nazi rule or Feng-Shan’s efforts to save Jews, Manli writes.
Several other events in the book, including Grace’s friendship with a Jewish woman who attempts to assassinate Eichmann and her development of a morphine addiction, are fully fictional.
Manli first took aim at the book in a column last month in China Daily. The novel, she wrote, “exploits real names, real people, real events and places, in what is essentially a Holocaust-themed melodrama.”
“In online reviews, readers say that they are thrilled to learn of my father and this history — except of course, what they have learned is not really history, my father’s, or anyone else’s,” she wrote.
Randel and her publisher, Amazon Publishing, did not respond to multiple requests for comment.
Randel dedicated the novel to “Ho Feng-Shan, his family, and all the angels in Vienna and beyond.” The book includes a disclaimer disclosing that its contents are a work of fiction and a product of the author’s imagination.
But that’s not satisfactory to some readers, including Tina Kanagaratnam, co-founder of the heritage group Historic Shanghai, whose book group read a previous Randel story set in Shanghai.
“If you’re talking about a historical character, you have to get the history right. Otherwise, just create a fictional character,” Kanagaratnam told JTA. “This is written for people who don’t know the history, but as Manli said, that’s dangerous, because then that’s what they remember. That’s what they take away.”
Ho Monto, left, and Ho Manli stand in front of the Righteous Among the Nations wall at the Yad Vashem Holocaust memorial in Jerusalem, Jan. 23, 2001. (Isaac Harari/AFP via Getty Images)
“Night Angels” has accumulated thousands of positive reviews on Amazon and has been promoted by Jewish organizations across the country. On Wednesday, the Jewish Book Council, in collaboration with Tablet Magazine and the Jewish Museum in New York City, will hold an event with Randel and journalist Jonathan Freedland that will explore “fact, fiction, and the sometimes blurred line between them.”
Randel’s book adds to a long list of Holocaust stories occupying that blurry territory, dating from the genre’s early days. Many readers believed, for example, that “The Painted Bird,” the pivotal work of Holocaust fiction from the 1960s, was based on author Jerzy Koszinski’s experience during the Holocaust; it was not. Scholars and booksellers have long agonized over whether to call Elie Wiesel’s “Night” a memoir or a novel, and whether the distinction matters when it is taught in American classrooms.
The fight has extended to questions over who can tell which stories from Holocaust. In 2014, Haaretz journalist Judy Maltz filed a lawsuit against Penguin Canada and author Jenny Witterick alleging that Witterick’s novel, “My Mother’s Secret,” copied Maltz’s documentary film about her family’s rescue during World War II. The court ruled in favor of Witterick on the grounds that copyright protection does not apply to historical events.
“An author is only ever responsible to their own fiction. They have creative license. And fictionalization of other people against their will is part of the history of literature,” said Helen Finch, a professor at the University of Leeds who studies representations of the Holocaust in German literature. “But that doesn’t absolve the writer from criticism.”
Manli — a journalist who has worked for the Boston Globe and helped found the China Daily, a state-backed media outlet, in 1981 — has made it her mission to set the record straight on Feng-Shan’s story. She began researching her father after his death in 1997, while writing his obituary. One line in his memoir from 1990 that recalled “saving who knows how many Jews” piqued her interest and led to a 25-year quest to document the extent of what her father did during the war.
His story of defying both his own government and the government of Germany to write Shanghai visas for thousands of persecuted Jews had been previously unknown, even to the refugees themselves — most of whom never met Feng-Shan.
Manli’s research led to Feng-Shan’s recognition by Yad Vashem, Israel’s Holocaust museum and memorial authority, in 2000 as “Righteous Among the Nations,” an honor given to those who risked their own lives to help Jews during World War II. Since then, greater attention has been paid to his story, and memorials across the world, from Israel to China to Italy, bear his name today.
Manli said Randel reached out to her several times before her book was published but after it had already been written. According to Manli, Randel sought out her blessing on the book by phone and email, saying that “the Holocaust history and your father’s history is now being forgotten” and adding that she wanted to help spread that history. Manli, who is working on a book of her own about her father, said she refused to answer, “just from the tone of her letter and what she wanted.”
“I have been burned before by this,” Manli told JTA. “I knew immediately that this was not something that I wanted to participate in and certainly that I wasn’t going to endorse.”
In an email shared with JTA in response to Manli’s editorial, Randel wrote that she has “great respect for Dr. Ho Fenghan[sic] and his family. I’m surprised to hear such strong negative criticism. I’m puzzled to see my gesture of respect is viewed in such a hostile way. If Ms. Manli Ho wishes to speak to me, I’m here.”
Randel, according to a biography on her website, came to the United States from China at 24 and became “the first Asian American novelist who intertwined Chinese history with the Jewish diaspora in Shanghai during WWII.”
Her previous novel, “The Last Rose of Shanghai,” follows a Chinese woman who falls in love with a German Jewish refugee living in the Shanghai Ghetto, the restricted area in which over 20,000 displaced Jews lived during World War II, under brutal oversight by Japanese officials who occupied the area. In interviews before the book’s 2021 release, Randel recalled hearing about Jewish refugees while she was living near the district that housed the ghetto.
After moving to the United States, she married an American Jew and is raising her children with both cultures in Boston. She has said “The Last Rose of Shanghai” was inspired by her interest in the history she saw in Shanghai and a desire to pay homage to her Jewish side of the family.
“I think it’s apt to say the survival of Shanghai Jews is also a story of how we as different races and as human beings shine and triumph over war and adversity,” she said in a January 2022 interview with World Literature Today.
But other researchers and authors deeply familiar with Feng-Shan’s story and Jewish history in Shanghai told JTA that “The Last Rose of Shanghai” also contained historical inaccuracies, including misrepresentation of real people who appear as characters, such as Victor Sassoon, a Jewish businessman and member of the dynasty known as the “Rothschilds of the East,” and Laura Margolis, the first female Joint Distribution Committee representative.
The book also includes a character named Goya, described as “a shameless Jew … who somehow had won the Japanese’s trust.”
The Jewish character is based on the real Kanoh Ghoya, who was not Jewish, but a notoriously cruel Japanese officer who had dubbed himself “king of the Jews” and “was infamous for his inhumane treatment of ghetto inhabitants,” according to the USC Shoah Foundation.
According to Publisher’s Marketplace, “The Last Rose of Shanghai” was sold to Lake Union Publishing — an imprint of Amazon Publishing — in 2021 as half of a two-book deal worth between $100,000 and $250,000. It was a finalist for a Jewish National Book Award that year. (The Jewish Book Council, which confers those awards, did not respond to multiple requests for comments about the “Night Angels” event.)
Kanagaratnam said Historic Shanghai’s book group read “The Last Rose of Shanghai” in 2021 and hosted Randel for an event. The group was unsatisfied by Randel’s response when factual issues were brought to her attention, particularly the characterization of Ghoya as Jewish, Randel dismissed them, Kanagaratnam said.
Randel’s novel is only part of a growing consciousness among the general public of the Shanghai Jewish refugee story. In recent decades, especially following the normalization of Israel-China relations in 1992 and Feng-Shan’s recognition by Yad Vashem, both governments have promoted the history, sometimes distorting facts to push different narratives about their wartime past.
New books and other media adaptations about the Shanghai Jewish refugee story have proliferated, such as the musical “Shanghai Sonatas” (2022) and the novels “Someday We Will Fly” (2019),“The Lives Before Us” (2019), and “The World and All It Holds” (2023). Other films and books are forthcoming.
“The audience of people who are interested in, if you will, an ‘exotic’ Jewish story, I think has meant that we’re seeing more and more of these. Everyone’s heard the Holocaust story. But now here’s one in an exotic setting,” said Kanagaratnam. “I think authors need to take responsibility. But honestly, I also blame the publishing industry, because where are the fact-checkers? A lot of the stuff in this can be really easily googled.”
Finch said novels that are set during that period are “always a work of fiction about the present.”
“So the question is, why is this author writing this book now? What does that say about the current moment when she’s writing? And what is with Randel trying to reflect either consciously or unconsciously in contemporary politics as well?”
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The post Novel about Chinese rescuer of Jews raises questions about facts vs. fiction in Holocaust stories appeared first on Jewish Telegraphic Agency.
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In Nolan’s ‘The Odyssey,’ the main hero feels plucked from Exodus
While some scholars note the parallels between The Odyssey and the Book of Genesis, Christopher Nolan’s version of the epic seems to take its cue from Exodus.
The nearly three-hour long movie, staggering in its length and cinematic beauty, does not sing the praises of Homer’s ingenious inventor but depicts a reluctant and flawed leader, played by Matt Damon, whose struggles with the divine and his mutinous men resembles the arc of Moses.
Moses was chosen by God to lead the Israelites out of Egypt and centuries later (although a now infamous marquee in Oregon claimed otherwise) Odysseus was chosen by King Agammemnon to help the Greeks win the war by any means necessary. Both men were forced on years-long journeys and given the responsibility of guiding people home.
After the Trojan War, instead of taking a reliable route, Odysseus steers his three boats on a journey that he claims will allow them to see the world. Ignoring the warning of an old man to abandon their path, Odysseus repeatedly leads his men into danger.
On the island of the carnivorous cyclops Polyphemus, Odysseus comes up with a plan to escape, but can’t control his temper when the cyclops spits out a helmet of an eaten soldier. Enraged, Odysseus shoots Polyphemus with an arrow, causing the cyclops to charge the group and eat several more men just before they reach safety. Odysseus’ attack angers Poseidon, father of Polyphemus, and the crew must deal with rough waters. In Exodus, Moses, angry about being left without water in the desert, disobeys God and strikes a rock twice, an act that will complicate his arrival at the Holy Land.
While Moses struggles with self-doubt in his ability to be a leader, Odysseus is too sure of himself — although his bravado is likely an overcorrection for the guilt of his past mistakes. He forces his men to keep following him even when they challenge his rush to keep landing on unfamiliar shores.
After a nearly-disastorous encounter with the witch Circe, who disarms lost soldiers by turning them into animals, Odysseus starts to experience a Moses-like instance of doubt in the divine. In a move taken from the Passover liturgy’s Wicked Child, Odysseus tells his lieutenant Eurylochus to blame “your gods” for giving Circe the power and license to transform men into beasts.
When Moses lost faith, striking the rock rather than speaking it, his punishment was that he would never see the Promised Land. The punishment of Odysseus, who believes in himself above the entire Pantheon, is an inversion: He alone will make it home, a guilt that eats him up.
The prophet Tiresias tells Odysseus that he and his crew will land on an island where Apollo’s cattle graze and that the men will slaughter the cattle, leading to their deaths. Odysseus argues that he can deny the will of the gods, but, like Moses who came before him, learns divine will is inescapable.
Odysseus warns his men but, stranded and hungry and with no more faith in their leader, they disobey him. When a storm comes to sweep them away, they beg for Odysseus to pray for their safety, but to no avail. The Israelites’ betrayal of Moses also took a bovine form and after their idolatrous worship of the golden calf, Moses pleads to God to spare their lives — but he actually succeeds.
By the time Odysseus reaches home, the veneer of confidence he tried to maintain on his journey is gone. He initially cannot bring himself to face his wife, too disgusted with himself for failing his men and betraying his own values. Odysseus never hunts without sounding his bow first, to give the animal a warning. But he admits that by creating the horse to attack the Trojans under the cover of night, he “turned a fight into a hunt” and “violated all that’s ever sacred between people.”
Even though the war was not his idea and the gods were never going to allow his men to make it home, he carries the burden of all the death and destruction that has been wrought. For him, Moses’ fated death in exile may have seemed like a blessing.
This Odysseus may not be the traditional hero audiences were expecting, but that only makes the movie stronger, offering those familiar with The Odyssey a fresh telling that challenges the traditional glorious depictions of war. Nolan, who loves to explore themes of regret, time and the perils of being too smart for your own good, shares an understanding with the writers of Exodus: that “heroes” are more compelling when they are not perfect.
The post In Nolan’s ‘The Odyssey,’ the main hero feels plucked from Exodus appeared first on The Forward.
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How Michigan’s Senate race is testing pro-Israel Jews’ loyalty to the Democratic Party
(JTA) — Joel Tauber has been through many an election in his 92 years. And, with the exception of “one out of 100 times,” he’s always backed a Democrat — something even more important in the current midterm cycle, he believes.
“Winning the Senate and the House is the beginning of a way back to our democracy,” Tauber, a founding chair of Jewish Federations of North America who has hosted former President Bill Clinton and other Democratic leaders, told the Jewish Telegraphic Agency. “It’s really, really important to me.”
But Tauber is a Michigan resident, and the state’s upcoming U.S. Senate primary is making him deeply uneasy. Like many a Jew in the mitten state, he is pulling for pro-Israel centrist U.S. Rep. Haley Stevens to win on Aug. 4.
Should her opponent, former county health official and staunch Israel critic Abdul El-Sayed, prevail instead, Tauber would take a step he’s said he’s never done before: leave the Senate ballot blank.
“I’d sit it out,” he said, of the general election. Of El-Sayed, he said, “There’s no way that I could vote for him.”
Some Jewish Democratic leaders in the state are prepared to go even further. Several prominent Metro Detroit Jews who have traditionally fundraised for Democrats are also planning fundraisers for the presumptive GOP nominee, former U.S. Rep. Mike Rogers, as a “hedge.” Others are planning to help him if El-Sayed wins the Democratic nomination, one Jew who is close to the Stevens campaign told JTA.
Others affirmed the idea that the Jewish Democratic donor class, feeling abandoned by the party, would back Rogers.
“There are leaders in our Jewish community who are longtime, lifelong Democrats and Democratic fundraisers, who are very concerned with where their party’s going,” said Dennis Bernard, national chair of government relations for the nonpartisan JFNA and a metro Detroit resident. “And if this is the case, they’ve made it clear, both financially and with their vote, that they would support Mike Rogers in the event El-Sayed wins the primary.”
Detroit-area Jewish Democrats have asked Bernard, over golf outings, for introductions to Rogers, he said.
The reason: They see El-Sayed — who has questioned whether Israel should be a Jewish state and suggested that Democrats who support Israel only do so because of financial motives — as portending an existential threat to the national Jewish community. If he wins in a purple state, one in which pro-Israel Jews have for years butted heads U.S. Rep. Rashida Tlaib, the pro-Palestinian Democrat, some fear more candidates with similar views will follow, and lead to an unsafe environment for Jews in Michigan and beyond. They worry that increasingly hostile discourse creates an environment in which antisemitic harassment becomes more acceptable and Jewish political activism is considered suspect.
“This is a truly once-in-a-lifetime moment where you have to become a single-issue voter,” Bernard said. “And that issue is antisemitism, our Judaism and Israel. This is where you put party third: our people first, our country second.”
Left-wing congressional primary wins in New York, Colorado and other states have stoked anxiety over the Senate race here, as Michigan — also home to a large Arab/Muslim population — is morphing into a litmus test for the relationship between pro-Israel Jews and the Democratic Party. For the majority of American Jews who back liberal policies, a decades-long bond is being tested like never before.
A similar dynamic played out on a smaller scale after Zohran Mamdani, a vocal anti-Zionist, secured the Democratic nomination in New York City’s 2025 mayoral election. Then, several prominent Jewish donors backed a rival bid by former Gov. Andrew Cuomo, who ran as an independent while maintaining Democratic ties. Despite recent polling showing that 44% of American Jews hold a favorable opinion of the mayor — a higher favorability score than Israeli Prime Minister Benjamin Netanyahu — pro-Israel voters still regard his pro-Palestinian rhetoric as disquieting.
The backlash against Israel’s handling of the war in Gaza and growing calls to shun the pro-Israel lobby AIPAC are further straining Jewish-Democratic bonds — and, for some of the most influential of Michigan’s estimated 129,000 Jews, are on the verge of breaking them.
Another Jewish leader told JTA there was also an effort underway to convince pro-Israel Republicans to vote for Stevens in the state’s open primary, even if they decide to later vote for Rogers in the general.
“Anyone who cares about the future of the U.S.-Israel relationship, Democrat or Republican, needs to vote for Haley Stevens in the Democratic primary,” they said, requesting anonymity because they did not want to be seen as speaking for the community. The Republican Party is currently engaged in its own tug-of-war over Israel and antisemitism, with Vice President JD Vance recently criticizing Israel while entertaining conspiracy theories about its ties to Jeffrey Epstein on a popular podcast.
When contacted by JTA, Halie Soifer, CEO of the Jewish Democratic Council of America (which is phone-banking for Stevens) and a native of East Lansing, Michigan, declined to comment directly on the possibility of the state’s Jewish Democrats backing Rogers over El-Sayed.
“Our focus is ensuring Haley Stevens wins the primary election,” Soifer said in a statement, also saying that El-Sayed’s “views are not aligned with the vast majority of Jewish Americans.”
At Michigan’s Democratic convention earlier this year in Detroit, Stevens was booed by the rank and file while state Sen. Mallory McMorrow, who was then also running for the seat, alleged that an attendee directed an antisemitic remark at her Jewish husband. At the same convention a lawyer for pro-Palestinian encampment participants, who himself had a history of social media posts supporting Hezbollah and retweeting antisemitic conspiracy theories from far-right podcaster Candace Owens, ousted a pro-Israel Jewish incumbent for the party’s nomination for University of Michigan board of regents, a statewide elected position.
The convention was an inflection point for many top Jewish Democratic supporters. Many of these Jewish leaders declined to comment to JTA. Others said much of the enthusiasm for the broader party goals among the staunchly pro-Israel Jews of the Detroit suburbs has been drained.
“I’m feeling kind of confused, and it must be how my Republican friends felt once the Tea Party took over,” said Neil Gorosh, a retired commercial mortgage banker in West Bloomfield and past president of a local Jewish senior living community.
Gorosh ran for office once: a local parks-and-recreation position in 1988. A Democrat during the George H.W. Bush-led GOP wave, he lost. Since then, he said, he has always backed Democrats while developing an elections calculus: He leads with local issues on local races, but Israel on contests of national import.
Accusing the Democrats of “completely rejecting Israel,” he added, “I’m rudderless right now.”
“If it came down to Mike Rogers and El-Sayed, I will vote for Mike Rogers,” Gorosh said. “I wouldn’t write a check, but I would vote for him, and I would tell my like-minded friends to do the same, and the reasons why.”
Michelle “Decky” Alexander, the Michigan Jewish Democratic caucus chair, was one of a very few Jewish leaders who told JTA on the record she would back El-Sayed over Rogers. She insists that there are many others.
“This is what I’ve heard from Jews, even in Detroit: The Supreme Court is too critical to not support a Democrat,” she said.
Alexander recently had an hours-long sitdown with El-Sayed, she said, and believes “he absolutely would be open to dialogue.” In his rallies, the candidate has welcomed Jews and stated, “AIPAC and Israel are not the same as Judaism and the Jewish people.”
For now, though, the focus is purely on Stevens, who is not herself Jewish but represents a large slab of Oakland County — affluent, heavily Jewish Detroit suburbs that have trended liberal over the last few election cycles after formerly electing Republicans. While the Stevens campaign has not responded to interview requests for JTA, she recently told The New York Times that Israel is not a central issue for her and added, “I am not a Netanyahu apologist.”
The congresswoman’s Jewish backers are hoping to drive a strong enough voter turnout to neuter both El-Sayed and the national progressive insurgent movement he represents. (The Democratic Socialists of America are behind many of the emerging candidates, though El-Sayed himself is not a member of the group and has distanced himself from the socialist label.)
Stevens’ supporters point to a growing number of encouraging signs, including endorsements from party leaders such as retiring Sen. Gary Peters, whose seat she hopes to fill. Chuck Schumer, the Jewish Senate majority leader, has also endorsed her. A recent poll commissioned by the Detroit News shows her ahead by seven points, though social media in recent days has been flooded with so many unflattering memes of Stevens on the campaign trail that El-Sayed himself denounced his supporters’ behavior.
Another Detroit News poll this week shows that most likely Democratic voters have a negative view of AIPAC, which according to an AdImpact analysis of the most recent filings has spent more than $28 million for Stevens to date. AIPAC’s support of Stevens is one of El-Sayed’s biggest attack lines. The candidate recently claimed that the group has spent more than $50 million against him, though a campaign representative told JTA that figure includes $20 million from new super PACs that have not disclosed their funding sources and have no immediately apparent links to AIPAC.
The Jewish Stevens supporters who spoke to JTA, some of whom are or have been AIPAC supporters themselves, argue that AIPAC has been unfairly demonized compared to other lobbying groups.
They also shrug off Stevens’ recent critiques of Netanyahu during a debate, at which she said the Israeli prime minister “is a danger to Jews in America and around the world.” Many of her backers chalked up the language to a new political reality for Democrats that rewards criticism of Israel, rather than a shift in her own thinking.
“It’s the needle Democrats have to thread to have any credibility path at all,” Gorosh said. Referring to Israel’s own upcoming elections, he added, “I think he’ll [Netanyahu] be gone after October, but he’ll be gone eventually. Then what do you criticize?”
El-Sayed also has Jewish supporters, most notably former U.S. Rep. Andy Levin, a progressive member of a powerful Michigan political family who lost his House seat to Stevens after AIPAC spent heavily for her in 2022. There is also a Jews For Abdul affinity group.
Speaking to JTA, Levin dismissed concerns about Jewish Democrats rejecting El-Sayed in the general. He said the conversation was being dominated by hardline pro-Israel donors in the community who have pushed similar red lines for decades, rather than being a new shift from the Jewish mainstream.
“I do not take a backseat to any of these so-called ‘lifelong Democrats’ about self-determination for the Jewish people in the holy land, about fighting antisemitism at home and abroad,” he said. “I just have a different view of how we accomplish these things, and they do not have a monopoly in the Jewish community.”
Levin also defended El-Sayed’s record on Jewish issues, saying, “He is a strong advocate for Jewish safety here, in our community.”
For Jews who have long seen themselves as committed Democrats, the prospect of leaving the party is a tough sit. Tauber, for his part, says he still can’t bring himself to vote for any Republican “who is so controlled by Trump, who’s a man of immorality, no values.” (Rogers’ campaign touts his Trump endorsement, and the candidate has also backed Trump’s unfounded claims about election fraud in the state as well as supported the president’s holding up of an international bridge in Michigan. The candidate has also acknowledged antisemitism on the right.)
The Rogers campaign did not respond to a JTA request for comment.
The nationwide importance of this race and the Jewish vote was evident when New York state Republicans recently made an explicit appeal for Jewish Democrats, stating in a digital ad campaign that Jews were leaving the party “in droves” “from Maine to Michigan.” Before he dropped out last week as the Democratic Senate nominee in Maine over sexual assault allegations he has denied, Graham Platner put anti-Israel criticism near the center of his platform.
Some Jews who spoke to JTA comfort themselves by insisting that the House, at least, seems likely to flip, providing a check on Trump even if the Senate remains led by Republicans.
Shimon Levy, an Israeli-American entrepreneur who has lived in the Detroit area since 2014, said he was unconcerned about the prospect of Republicans keeping the Senate.
“F— that,” Levy told JTA. Levy has drifted between the parties over the years, he said, but “I stand and I lead with my Jewish identity. Safety and security of the Jewish community is my first and foremost goal.”
That wouldn’t be possible with El-Sayed on the ticket, he insisted: “El-Sayed has done nothing but put Jews at risk and in danger, and through his words has been so poisonous and has ostracized and villainized, single-handedly, the Jews of Southeast Michigan.”
He added, “If today, as a Jew, you’re still like, ‘Democratic all the way, Democratic down the ticket,’ you need to rethink your survivalist instinct.”
Recently Levy, who describes himself as a reluctant political activist, hosted a candidate meet-and-greet fundraiser that brought in more than $70,000 for Stevens. Attendees were not just Jewish, and not just Democrats. Republicans, too, showed up: “People who are concerned about common-sense politics, who would vote for Haley in a heartbeat.”
The question of how Jewish safety is linked to Israel discourse isn’t abstract in Michigan. West Bloomfield’s Temple Israel was the site of an attack this spring by a Michigan resident whose family members were killed when Israel targeted a Hezbollah outpost in Lebanon. The incident became a factor in the Senate campaign after El-Sayed said of the attacker, “Hurt people hurt people,” which critics felt minimized the crime and equated the attacker with his intended victims.
In late June, the temple itself — the largest Reform congregation in the country — sent an email to congregants stating, “This year, antisemitism is on the ballot.” Without naming candidates, the unsigned message concluded, “The Talmud reminds us that our leaders are chosen by us — silence is not a choice we can make right now.”
Mailers funded by AIPAC’s United Democracy Project and sent to some voters in Michigan, and circulated online, attacked El-Sayed for his friendship with left-wing streamer Hasan Piker and for his statement after the Temple Israel attack.
The mailers accused El-Sayed of having “rationalized a terrorist attack on a Michigan synagogue filled with Jewish children.” (The synagogue preschool was open at the time of the attack.) El-Sayed had condemned the attack, but the mailers accused him of equivocating.
This was not a total break with all Democrats, many emphasized. Jewish pro-Israel state Sen. Jeremy Moss, who is running for Stevens’ congressional seat, and gubernatorial candidate Jocelyn Benson, along with others, continue to receive high marks from the Jewish donor class.
Across Michigan, particularly in the Detroit area, there are (literal) signs of strain. Last month the Oakland County roads commission ordered the removal of Adopt-a-Road signs, located a few miles from Temple Israel, that had been sponsored by a group called “Voices for Palestinians” after temple members voiced objections. A Fourth of July parade in Huntington Woods, another heavily Jewish suburb in the county, was briefly disrupted by a protest after parade organizers had put in place rules forbidding pro-Palestinian signs from being displayed.
In early July the state Anti-Defamation League chapter, together with Temple Israel, hosted a bipartisan delegation of Michigan lawmakers on the site of the attack, and advocated for increased synagogue security funding. Sen. Elissa Slotkin, a Jewish Democrat, as well as Rep. Shri Thanedar, a Democrat who has tacked from the left to the center on Israel since his election and is now facing a primary challenger endorsed by El-Sayed, were among those in attendance.
Rabbis at the temple gave voice to the uneasiness of the political moment for Jewish liberals.
Rabbi Paul Yedwab, who called the state Democratic convention “a shonda,” or shame, in a recent sermon, said during the same sermon, “The glib answer would be to say, I guess you become a Republican. But that is not as easy as it seems for a liberal Jew.” He went on to criticize the Trump administration’s legal assault on the Southern Poverty Law Center, a monitor of far-right extremism.
Yedwab concluded, “From here on in, it will be incumbent upon us as Americans and as Jews to evaluate each proposal, each issue, each platform, and, indeed, each candidate according to our own independent set of values.”
This article originally appeared on JTA.org.
The post How Michigan’s Senate race is testing pro-Israel Jews’ loyalty to the Democratic Party appeared first on The Forward.
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Aptly titled ‘The Darkest Light’ documentary wrestles with Shlomo Carlebach’s contradictions
One of the most influential rabbis of the last century, someone who brought tens of thousands of disaffected Jews closer to Judaism, who helped create Jewish spirituality as we know it today, and who wrote tunes so familiar that most people think they are hundreds years of old, was also, according to overwhelming evidence, a serial child molester who preyed on teenage girls who idolized him.
This is the impossible truth: that the same human being was a holy soul and a monster, a pioneering feminist and an abuser of girls, a person overflowing with love even for people he met on the street and yet so devoid of empathy that he was able to cause profound harm to dozens of young women and girls.
I am speaking, of course, of Rabbi Shlomo Carlebach.
This weekend marked the premiere of The Darkest Light, an aptly titled new film about Carlebach’s life, and about the ways his family, followers and community have wrestled with his profoundly contradictory legacy. The moral center of the film is one of Carlebach’s two daughters, Neshama, who was his musical and spiritual heir. It is heartbreaking to watch the many scenes of the two of them together, prior to his death (sudden, of a heart attack, on a plane set to leave LaGuardia Airport in 1994). She is so obviously in love with him, and he with her. If we didn’t know what was coming next, the videos would be achingly sacred and beautiful.
But we do know.
The revelations about Carlebach were first made public in a 1998 article in Lilith magazine, which, as I remember, was like an earthquake in the Jewish spiritual world. There had been whisperings of misconduct for years, but as the film and article emphasize, Carlebach was regarded by many as a saint, possessed of the ruach hakodesh, the holy spirit. And everyone knew that Carlebach was a loving, physical man — he hugged everybody. (I was hugged by him at the Yakar synagogue in Jerusalem in 1993. Charisma is real.) So, maybe some women felt uncomfortable; maybe he even crossed a line now and then. But he did so much good…
Only after his death did several women come forward — not with borderline stories of discomfort but accounts of sexual molestation and abuse. And more women followed.
In the subsequent 30 years, there has been a range of responses to these revelations. Some faithful continue to deny or minimize what Carlebach did. Others have banned Carlebach’s music from performance at synagogue. Wisely, director Simon Mendes does not take a particular stance on these questions, giving airtime to many of them. He even allows Carlebach’s defenders to insist, on camera, that nothing inappropriate ever took place and that theƒ women must be either confused or opportunistic or… something.
But it is Neshama Carlebach who is the film’s protagonist. As she tearfully explains, she was only 19 when her father died. She idolized him, and lost him in an instant. And so when the allegations came out, she stayed silent. How could the man she loved more than anyone in the world — a man also beloved by tens of thousands of devotees — also be such a monster? It was impossible, she relates, to comprehend.
Until the MeToo movement gained prominence in 2017. It was at that time that she, then a 43-year-old woman, realized she had to speak out, which she did in a series of articles and online posts accepting the survivors’ testimony of her father’s abuse. Also inspired by MeToo, many more women came forward with their own stories, and unlike 1998, society in general and the Jewish world in particular were more able to hear them. (Neshama Carlebach has published an essay about the film, which she said “approached an extraordinarily difficult story with compassion, courage and nuance.”)
How to respond? In the film, Rabbi Angela Buchdahl of New York’s Central Synagogue describes the painful process of introspection that the synagogue undertook, placing a one-year moratorium on using Carlebach tunes while they discussed internally what to do. (Perhaps surprisingly, the synagogue resumed singing them afterward.) I personally have been part of several such conversations.
While these debates are important and interesting, ultimately The Darkest Light is about the unknowable questions set forth above: how someone could be a spiritual genius and sexual abuser, a saint and among the worst kind of sinner.
There are hints that Carlebach himself wrestled with this dilemma. The film’s title is taken from an improvised homily in which Carlebach says that sometimes evildoers are better than those who claim to be righteous, because darkness never claims to be something it isn’t; it never claims to be light. But imagine, Carlebach continues, when the good turns out to be evil — that is the darkest light, darker even than darkness itself. It’s hard not to hear this as a kind of veiled confession.
The film also sets forth many of the relevant circumstances of Carlebach’s life. His family fled Germany in 1939, right before Hitler stopped Jewish refugees from leaving. One can only imagine the trauma he experienced. Next, Carlebach spent nearly 30 years in Orthodox Jewish environments, especially the Chabad-Lubavitch sect, in which men and women are strictly segregated and men are forbidden from even touching women or hearing their voices in song.
And then came the 60s. Carlebach was right in the center of the Summer of Love, founding his House of Love and Prayer in San Francisco in 1967. The film sympathetically describes what that might have been like: Suddenly, all the rules were canceled, and people were making love with one another in public. Carlebach was 42 at the time. He had lived a repressed life for decades, and now all was permitted.
Bob Dylan once wrote, “to live outside the law, you must be honest.”Inside a fixed legal system like traditional Jewish law, the rules are clear — Orthodox sexual abusers still break them, of course, but the boundaries are firmly set. But outside, you’re on your own. And Carlebach seemed to lack the inner resources to draw boundaries and live within them. In Kabbalistic language, he was all hesed, all lovingkindness, without boundary or limit.
That is dangerous. No matter how high the spiritual high may be, it must be accompanied by ethics, empathy, and remembering the humanity of the other. There is no experience of holiness that justifies harming another person, especially in such a grievous way.
I mentioned hugging Carlebach in 1993. While the experience was electrifying, I also remember feeling off — much as I felt in the presence of another eros-drenched, consent-challenged charismatic rabbi in the Jewish Renewal movement of the 2000s. The eros was overflowing, spilling out onto all of us. It was spiritual and sexual and charismatic — and, to me, a little bit nauseating as well. I am all for fusing spirituality and sexuality, and as a gay man, I’m fortunate to have lived a very full sensual life. But in these encounters, part of me wanted to run away. It felt like there was no consent, no boundary, no space.
This is not a specifically Jewish problem. When charismatic spiritual leaders infuse their teaching with erotic energy, there is a risk, it seems to me, that the energy takes over. Ethical considerations, rules of consent, even basic empathy, get drowned in the sea of sacred-sexual flow which is experienced subjectively by the guru. I have no idea what Carlebach was thinking or feeling when he reached under a large Jewish book on his lap to fondle the teenage girl he was “teaching.” But I’m not sure it was so separate from the spiritual-sexual Torah he gave over to legions of adoring fans. Maybe the two sides of Carlebach are less a contradiction than a continuum.
And then there are his most devoted followers, still venerating the smashed idol of Carlebach’s sainthood. One thing The Darkest Light does not explore is that this group of spiritual quasi-hippies overlaps with some of the most extreme religious nationalists in Israel. These are the people whose kids are conducting pogroms in the West Bank. And to be honest, I see a connection. Israel, like Carlebach, offers these spiritual “mad ones” (in Kerouac’s term) the real deal: actual spiritual energy, infused with love and community and holiness. Yet Israel, like Carlebach, also harms a lot of people — often at the hands of Carlebach-singing, weed-smoking ‘hippies’ themselves. In both cases, I see a group of enthusiasts whose very real spiritual ecstasy has blinded them to ethics — or to anything that would destroy their good vibes.
I have felt these vibes myself. I have prayed ecstatically with Hasidim in Jerusalem and on Mount Meron. I have hiked and camped in the nature of the Land of Israel from the Eilat mountains to the finger of the Galilee. Whatever it is, even if it’s just in our imagination, the experience of spiritual ‘energy’ is real. I can appreciate the yearning to keep it pure, holy, and free from defilement.
But that urge, itself, leads to injustice. There is no responsible spirituality without ethics. There is no moral eros without boundary. And if anyone defiled anything, it was Carlebach himself who did so, not his victims or his critics or his family. That truth may be hard to accept, but it is the truth.
In the end, Carlebach was not a god or a demon; he was a deeply beautiful and even more deeply broken human being with capacities for good and evil within him. He only had a lot more of each than most of us. And as another Jewish teacher of mine once told me, the greater the light… the greater the shadow.
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