Connect with us

RSS

Old songs have new meanings after Oct. 7 — and new music helps the heartbroken

(JTA) — After a week of witnessing the pain and resilience of Israelis in war time I went to Jerusalem’s Yellow Submarine music club. I was driven by a prayerful hope to find some solace during the war, along with communion, with fellow heartbroken folks for whom words were failing.

The last time I went to Yellow Submarine was almost a decade ago. It was also wartime. I was visiting Israel for the summer with my family when conflict broke out with Gaza. Rockets flew, fear reigned and the heartache of war weighed heavily. That was the night I first heard the Israeli singer-songwriter Daniela Spector, an artist I never heard before whose lyrics and haunting voice are now part of my inner soundtrack.

From the very beginning of this war, music has been a lifeline for me and many others. I listen to Israeli radio — usually on Fridays to fill my house in suburban New Jersey with the spirit of a country where everyone shifts into some form of sabbath mode every Friday. But since the start of the war, I have been especially connected to Galatz, Israeli army radio, with its constant stream of news and talk shows and its sister music channel Galgalatz.

Silly pop songs take on deep meaning when requested by someone from the front lines, or by their girlfriend or boyfriend back home, or their kid who loves to sing that song with them. Or how about the daily radio show “Habaita” — “Come Home” — which plays the favorite songs of the kidnapped? Some of the songs have become ubiquitous because of their use in videos showing the reunion of soldiers and their families, a bright spot in a country with so much darkness.

I returned to Israel this month as an organizer of the Jewish Studies Scholars Faculty Solidarity Mission. I hadn’t heard of the artist performing when I went back to the club, hoping for another night of surprises and of words and music that could take me somewhere deep. It was Sivan Talmor’s first performance since Oct. 7, and she spoke to my heart, sharing the cliché that is a cliché because it’s true: Old songs have new meanings now.

Throughout the show she was funny, she overshared and was vulnerable. She told us about her husband who was away on reserve duty, how she took her two kids and moved in with a friend whose husband is also fighting. One night, they took their guitars and went out to a park and began playing with friends. A crowd gathered and they sang some more. They sang the nostalgic songs of their youth — one of which she played with her trio at the Yellow Submarine.

Maragalit Tzanani’s 1986 hit “Naari Shuva Eli” — “My Boy, Return to Me!” — is about a girl waiting for her boyfriend to return. She waits at the bus stop all night long only to reach daybreak without him. Despite it all, the girl sings to her God, beseeching Him to watch over her boy. “Please, God, take care of him,” she sings.

This classic song of love and heartache sounds different now. I imagined that each time Talmor repeated the refrain about “his curls being coated with the dust of the road,” she was thinking of her husband, one day coming back from the war, his curls dirty, his body broken and ready for comfort. The crowd sang along with every word.

Talmor invited us into her own therapy session on stage. She requested a shot of arak from the stage and shared another story: A female reservist wrote to her saying that her song “I Am Not Afraid” was keeping her strong on her way to the front.

At one moment towards the end of the evening, Talmor prayed. I was happily surprised to see this artist who seems to belong to the tribe of free-spirited Israeli secularists, a tribe with deep roots in this miraculous, heartbreaking country, address her audience in prayer. She prayed for the return of the hostages, for the safety of the soldiers, including her husband serving on the front lines, and she prayed for peace in Gaza. Someone in the audience called out that her son was fighting also, and then another mentioned a loved one.

Talmor asked for their names, and she prayed that Ido and Oded and all of the soldiers and the hostages return safely. She prayed that the sense of connection felt throughout the country would not be lost, that the nation would not lose the realization that you can feel a bond with your neighbor without thinking the same way as him, that we emerge stronger from this crisis because of the power of our people.

Then Talmor played “Hof,” or “Shore,” which is something of a hit in Israel. A few days later, she shared on Instagram that her husband in Gaza managed to pick up a signal on his transistor radio and heard this song that she wrote about him, about their love, and for that moment they were together again.

At the beginning of the show Sivan told us that she used to feel most at home on an airplane and that now she knows where home is.

The Israel that I found throughout my travels and intense conversations was an Israel that is awakened, ready to help, to solve problems, to be there for each other. And to create their way through pain, loss and confusion. As one sign I saw prominently displayed in Tel Aviv — “United, anew.” After a year of tearing their society apart, Israelis are finding strength and vitality in coming together, in being there for each other and creating something new.

This trip to Israel was different. I saw more pain, and more togetherness, than ever before. And through it all, I was reminded that music is a story we tell ourselves when we have no words. Israel’s wars have always had songs that become closely associated with them. For me, Sivan Talmor will forever be a defining sound of this moment.

—
The post Old songs have new meanings after Oct. 7 — and new music helps the heartbroken appeared first on Jewish Telegraphic Agency.

Post Views: 743
Related Topics:
Continue Reading
Click to comment

You must be logged in to post a comment Login

Leave a Reply

RSS

The BBC Documentary That Paints Every Israeli as an Extremist

The Jewish community of Beit El in Judea and Samaria. Photo: Yaakov via Wikimedia Commons.

Louis Theroux first visited the West Bank in 2011 to film a documentary titled Louis and the Ultra-Zionists, part of his long-running series for the BBC. Back then, he at least seemed to possess a trace of journalistic curiosity. Even the title signaled a degree of editorial caution — framing his subjects as a small, ideological fringe rather than representative of Israeli society as a whole.

At the time, Theroux made an effort to clarify that he was profiling a narrow segment of Israelis. He showed legally purchased Jewish homes (sold by Arab landowners, no less) and acknowledged the regular — and at times deadly — terror attacks faced by Israeli civilians living in the area, often requiring military protection. There was condescension, certainly. But there was also context.

Fast-forward to 2024, and the curiosity is gone — though the bemused, slightly smug expression remains. His new BBC documentary, Louis and the Settlers, drops even the soft qualifiers. No “ultra.” No nuance. Just “settlers.” And with that, Theroux makes it clear: half a million Israelis living in the West Bank are one and the same — extremists who, we’re told, want every last Palestinian removed from the land.

This time, the documentary doesn’t begin with questions. It begins with conclusions. And Theroux uses a brief, unrepresentative snapshot of life in the West Bank to draw sweeping indictments of the entire Israeli state.

The message is unmistakable: Israel is the problem. Settlers are the villains. And Palestinians are passive, blameless victims of a colonial project.

Within the opening minutes, Theroux plants his ideological flag. He refers to the West Bank as “Palestinian territory” and describes every Israeli community within it as illegal under international law — a sharp departure from his more qualified approach 14 years earlier.

And while his personal views seep in throughout the film, they become crystal clear during one exchange at a checkpoint, where an Israeli soldier casually refers to their location as “Israel.” Theroux shoots back: “We’re not in Israel, are we?”

And just like that, the BBC and Louis Theroux have redrawn Israel’s borders. No Knesset debate needed.

Erasing History to Blame the Massacre

The timing of this return trip is no accident. The film comes in the shadow of the October 7 Hamas massacres — the day 1,200 Israelis were slaughtered, families were burned alive in their homes, and children were dragged into Gaza. And yet, Theroux barely mentions it.

The few passing references to October 7 serve not to inform the audience — but to imply that Israel may be exploiting its own dead to justify further expansion. It’s not an investigation. It’s an accusation. And it allows him to skip over thousands of years of Jewish history in order to frame the current war in Gaza as a convenient cover story for Israeli “aggression.”

Take Hebron, for example. Theroux tells viewers that “in 1968, the year after [the West Bank] was occupied by Israel, a community of Jewish settlers moved in illegally. They now number some 700.” He fails to mention that in 1895 — decades before the modern state of Israel existed — Hebron had a Jewish population of 1,429.

Jews have lived in Hebron since antiquity — it’s where, according to Jewish tradition, Abraham purchased the Cave of the Patriarchs. Modern records date the community back centuries, despite discrimination under Ottoman rule and bans on Jewish prayer at holy sites. In 1929, Arab rioters carried out a massacre, wiping out Hebron’s Jewish population. Dozens were murdered; the rest were expelled. Under Jordanian rule from 1948 to 1967, Jews were banned from the city entirely. When they returned after the Six-Day War — not as colonists, but as a displaced community coming home — Theroux picks up the story there and calls it “illegal.”

On the Six-Day War itself, Theroux offers no context. No mention of the Arab armies preparing to destroy Israel. No mention of Israel’s preemptive strike against an existential threat.

According to The Settlers, Israel simply “occupied” — full stop.

Palestinian Terrorism? Not Even a Footnote.

Theroux visits Evyatar, a small Jewish community near the Palestinian town of Beita, and uses it as a stand-in for the entire West Bank. Beita is depicted as a symbol of peaceful resistance: a proud, ancient Palestinian village standing firm against violent settlers backed by IDF soldiers.

It’s a neat story. Too neat. Because missing from the story are years of organized, violent riots from Beita — complete with Molotov cocktails, burning Stars of David, and Nazi swastikas. All carefully omitted to preserve the narrative: Palestinians peaceful, settlers aggressive. Facts that don’t fit? Left on the cutting room floor.

Meanwhile, Israeli nationalism is treated as something sinister and unsettling — a moral aberration to be examined. The notion that Jews might want sovereignty or security is met with thinly veiled suspicion. Yet Hamas’ goal of a Jew-free Palestine, explicitly laid out in its charter, is never mentioned. Nor is the Palestinian Authority’s “pay-for-slay” policy, which literally incentivizes terrorism by rewarding those who murder Israelis — including women and children.

These aren’t fringe details. They’re central to understanding the region. And Theroux knows it. He just doesn’t care.

The BBC’s Complicity

That The Settlers aired on the BBC — a publicly funded broadcaster once seen as a gold standard of global journalism — says plenty. Not just about Louis Theroux’s agenda, but about the institutional direction of the BBC itself. This wasn’t a rogue filmmaker sneaking bias past the editors. This was bias built into the foundation — signed off, packaged, and broadcast under the banner of credibility.

There is, of course, no problem with scrutinizing Israeli policy, and no issue with questioning the settlement enterprise or highlighting the tensions in the West Bank. But journalism — real journalism — demands context. It demands precision. It demands at least a passing familiarity with the full scope of the story.

Theroux offers none of that. He arrives with a predetermined script and casts his roles accordingly: Hero. Villain. Victim. Oppressor. And when reality refuses to cooperate? It’s left out.

Louis Theroux didn’t return to Israel to understand it. He returned to flatten it. To reduce its complexity to a morality play — and to ensure everyone knows the antagonist is.

The Settlers isn’t a documentary. It’s a hit piece. And the BBC handed him the camera — then applauded the performance.

The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

The post The BBC Documentary That Paints Every Israeli as an Extremist first appeared on Algemeiner.com.

Post Views: 24
Continue Reading

RSS

Indian Army Kills Islamist Terrorist Linked to 2002 Murder of Jewish-American Journalist Daniel Pearl

Jewish-American Wall Street Journal journalist Daniel Pearl was kidnapped and murdered by Islamist terrorists in Pakistan in 2002. Photo: Screenshot

The Indian government announced on Thursday that its military forces had killed “Pakistan’s most wanted terrorist,” who was connected to the 2002 murder of Jewish-American Wall Street Journal journalist Daniel Pearl.

On Wednesday, India launched “Operation Sindoor,” which the ruling Bharatiya Janata Party (BJP) claims is targeted at dismantling “terrorist infrastructure” in Pakistan and Pakistan-administered Kashmir.

The operation came after Pakistani terrorists killed 26 Hindu tourists in Kashmir last month amid escalating tensions between the two countries.

In a post on X, the BJP confirmed that during this week’s operation, the Indian army killed Islamist terrorist Abdul Rauf Azhar, who was involved in numerous terrorism plots, including the 1999 hijacking of an Indian Airlines flight, the 2001 terror attack on the Indian Parliament, and the 2016 Pathankot Air Force base attack.

Azhar’s involvement in the 1999 hijacking led to the release of Ahmed Omar Saeed Sheikh, a British-born al-Qaeda member with close ties to Pakistan’s intelligence services, who later was involved in the kidnapping and subsequent murder of 38-year-old Pearl, who was covering the war on terror as a journalist when he was abducted.

In a statement on X, Pearl’s father, Judea, addressed initial reports regarding Azhar’s death and his connection to his son’s murder.

“I want to clarify: Azhar was a Pakistani extremist and leader of the terrorist organization Jaish-e-Mohammed. While his group was not directly involved in the plot to abduct Danny, it was indirectly responsible. Azhar orchestrated the hijacking that led to the release of Omar Sheikh — the man who lured Danny into captivity,” he said.

In 2002, the Jewish-American journalist was abducted and killed by a group of Islamist terrorists connected to Azhar’s militant network, which had ties to al-Qaeda and Jaish-e-Mohammed, a terror group aiming to separate Kashmir from India and incorporate it into Pakistan.

On Jan. 27, 2002, an email was sent to several Pakistani and US media organizations, which included several photos, stating that Pearl was being held in “inhumane” conditions to protest the US treatment of Taliban and al Qaeda prisoners in Cuba. Photo: Screenshot

Originally stationed in New Delhi as the South Asia bureau chief for The Wall Street Journal, Pearl later moved to Pakistan to investigate terrorism following the Sept. 11, 2001, terrorist attacks in New York City.

After kidnapping Pearl at a restaurant in Karachi, southern Pakistan, the Islamist terrorists, who identified themselves as the National Movement for the Restoration of Pakistani Sovereignty, accused him of being an Israeli spy and sent the United States a list of demands for his release.

However, Washington did not meet their demands, and Pearl was ultimately executed after being held captive for five weeks.

His wife, Mariane Pearl, gave birth to a baby boy, Adam D. Pearl, in Paris later that year. On the Daniel Pearl Foundation website, she said, “Adam’s birth rekindles the joy, love, and humanity that Danny radiated wherever he went.”

The post Indian Army Kills Islamist Terrorist Linked to 2002 Murder of Jewish-American Journalist Daniel Pearl first appeared on Algemeiner.com.

Post Views: 32
Continue Reading

RSS

Jewish Jewelry Shop Owners Brutally Assaulted in Tunisia Days Before Annual Pilgrimage

A Jewish jewelry shop owner in Djerba, Tunisia, was brutally attacked by a man wielding a machete. Photo: Screenshot

A Jewish jewelry shop owner in Djerba, Tunisia, was brutally attacked by a man wielding a machete just days before the Tunisian island was set to host its annual Jewish pilgrimage, which is expected to draw thousands of visitors.

On Wednesday morning, two Jewish men — owners of a jewelry shop in the center of the island, located off Tunisia’s southeast coast — were physically assaulted by a man carrying a large knife.

Although the attack was halted when one of them screamed — alerting members of the local Jewish community who subdued the assailant — one of them was left severely injured.

According to local media reports, the attacker had surveyed the island the day before, visiting several stores to identify those owned by Jews. Local police arrested him shortly following the assault.

After the attack, one of the owners was admitted to the hospital with severe injuries. The 50-year-old Jewish man had his fingers severed during the assault and underwent surgery to reattach them.

Israeli Foreign Minister Gideon Saar condemned the attack and expressed his wishes for a swift recovery to the victims.

“This attack comes two years after the previous deadly assault that claimed Jewish lives and the lives of security personnel during the Lag BaOmer celebration,” the top Israeli diplomat wrote in a post on X.

“I call on the Tunisian authorities to take all necessary measures to protect the Jewish community,” Saar continued.

Djerba is home to the majority of Tunisia’s Jewish community, numbering about 2,000 people, and is also where the renowned El Ghriba Synagogue, one of North Africa’s oldest synagogues, is located.

The attack comes just a week before Jewish pilgrims are expected to arrive on the island for the Lag B’Omer holiday, when thousands gather annually for three days of festivities. The annual pilgrimage to El Ghriba Synagogue, scheduled for May 15 and 16 this year, draws visitors from around the world.

The synagogue has been targeted in multiple terrorist attacks over the years, including in 1985, 2002, and 2023.

Two years ago, a shooting at the synagogue claimed the lives of two Jewish cousins and three police officers. Aviel Hadad, a 30-year-old Israeli goldsmith, and Ben Hadad, a 42-year-old Frenchman who had traveled to join the festivities, were among the victims.

The post Jewish Jewelry Shop Owners Brutally Assaulted in Tunisia Days Before Annual Pilgrimage first appeared on Algemeiner.com.

Post Views: 26
Continue Reading

Copyright © 2017 - 2023 Jewish Post & News