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‘Parade’ and ‘Leopoldstadt’ each nab 6 Tony nominations in a big year for Jewish Broadway

(JTA) — Shows about the Holocaust and a notorious American antisemitic incident picked up several Tony Award nominations Tuesday morning, as Broadway’s biggest honors made room for a sizable Jewish presence.

Most notably, a revival of the 1998 musical “Parade,” starring Ben Platt as the early-20th-century Jewish lynching victim Leo Frank, scored six nominations, including best revival of a musical and a best actor nod for Platt. Jewish lead actress Micaela Diamond also scored a nomination for playing Leo’s wife Lucille, causing awards presenter Lea Michele to squeal with glee (pun intended) as she read Diamond’s name at the livestreamed nominations ceremony Tuesday morning.

Arriving during a heightened moment of national awareness about antisemitism, “Parade” attracted notice early in its Broadway run when a performance was picketed by neo-Nazis. That incident led to an outpouring of support from Broadway’s Jewish community. Platt himself arrived at last night’s Met Gala wearing a Star of David necklace, further driving home the show’s message.

A view of the cast of “Leopoldstadt,” which focuses on multiple generations of a Viennese Jewish family. (Joan Marcus)

“Leopoldstadt,” Tom Stoppard’s epic, highly personal play about multiple generations of a Jewish Viennese family before, during and after the Holocaust, also received six nominations, including an expected nod for best play. Brandon Uranowitz also earned a nod for best actor in a featured role in a play, and Patrick Marber scored a best direction nomination; both are Jewish. 

Oscar Isaac plays the titular character in a revival of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window” at the BAM Harvey Theater in Brooklyn, N.Y. (Julieta Cervantes)

Signs were more mixed for another high-profile Jewish production, “The Sign In Sidney Brustein’s Window,” which eked out two nominations, including best revival of a play. The show, first written by Lorraine Hansberry in 1964 shortly before her death, follows a Jewish bohemian grappling with political and social change in Greenwich Village. It had not been staged on Broadway since its initial run. Neither of its A-list stars, Oscar Isaac and Rachel Brosnahan, earned acting nominations, though Miriam Silverman did receive the show’s lone other nomination for her featured role as Isaac’s character’s sister-in-law — who is casually antisemitic.

Besides “Parade,” the musical revival category was dominated by shows with Jewish roots. Also nominated was a new version of the 1960 classic “Camelot,” billed as “Lerner & Loewe’s Camelot” in recognition of the two Jewish Broadway scribes who crafted the initial production, Alan Jay Lerner and Frederick Loewe. Written by Aaron Sorkin, who is Jewish, and directed by Bartlett Sher, who learned as a teenager that his father was Jewish, the new “Camelot” had five nominations in total. 

Two reinterpretations of Stephen Sondheim standards, “Into The Woods” and “Sweeney Todd: The Demon Barber of Fleet Street,” rounded out the category. The pop singer Josh Groban, whose father was Jewish before converting to his mother’s Christianity, was nominated for playing the lead role in “Sweeney Todd,” while Julia Lester, whose great-grandfather was part of a Yiddish theater in Poland, was nominated for her featured role in “Into the Woods.”

The play “Good Night, Oscar,” about the Jewish entertainer Oscar Levant’s struggles with mental illness, picked up three nominations, including for lead actors Sean Hayes and Rachel Hauck. “Death of a Salesman,” a new revival of the classic play by Jewish playwright Arthur Miller, also picked up two nominations.

Jewish actress Jessica Hecht picked up an acting nomination for her lead role in the play “Summer, 1976,” about a lifelong friendship between two women. Hecht is up against several star performers in the category, including Jessica Chastain, Jodie Comer and Audra McDonald.

Among the other nominees was a modern-day musical reimagining of “Some Like It Hot,” the 1959 cross-dressing comedy. The original movie had plenty of Jewish talent: It was directed by Billy Wilder, co-starred Tony Curtis and Jewish convert Marilyn Monroe, and featured recently deceased Jewish character actor Nehemiah Persoff in a small role. The new musical, by Amber Ruffin and Matthew López, led the pack with 13 Tony nominations including best new musical. Veteran Jewish songwriter Marc Shaiman picked up a nomination for co-writing the show’s score.

Another new musical based on a movie, “New York, New York,” also built off of Jewish talent: the songwriting duo John Kander and Fred Ebb wrote the music for the original 1977 film, and Kander is co-credited with Lin-Manuel Miranda for additional music on the new film. “New York, New York” received nine nominations, including best new musical.

The prolific Jewish theater composer Jeanine Tesori had another Broadway hit this year with the musical “Kimberly Akimbo,” which received eight nominations, including one for her music.

The nominations were co-announced Tuesday morning by Michele, who has been the talk of Broadway since she replaced Beanie Feldstein as the lead of the “Funny Girl” revival. Feldstein was snubbed at the Tonys last year amid tepid reviews for her performance in the musical about Jewish comedienne Fanny Brice.

The Tonys will air on CBS and various Paramount-owned streaming services on June 11.


The post ‘Parade’ and ‘Leopoldstadt’ each nab 6 Tony nominations in a big year for Jewish Broadway appeared first on Jewish Telegraphic Agency.

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Israelis pause for a different kind of siren: the one marking Holocaust memorial day

(JTA) — For the last six weeks, whenever Israelis have heard a siren, they were instructed to run to their nearest bomb shelter. On Tuesday, a siren instead brought them to a halt.

The two-minute siren was the one sounded annually on Yom HaShoah, Holocaust memorial day. In keeping with a national tradition, Israelis stopped whatever they were doing for a moment of silence to remember the 6 million Jews murdered in the Holocaust. Drivers exited their cars on the streets; shoppers froze in grocery store aisles; and people strolling the streets paused where they were.

Even for seasoned Israelis, the dissonance was strong this year. Hillel Fuld, an Israeli influencer, wrote that he was initially unnerved to see so many people failing to follow the guidance about what to do when a missile is incoming.

“I exited my car and was about to lie down when I realized, that’s not a siren warning of a missile. That’s a siren remembering the six million!” he wrote.

“I felt that emotional confusion that every Israeli knows too well. Sadness. Devastation. Hopelessness,” Fuld continued. “And at the same time, tremendous pride, optimism, and unity.”

This year’s Yom HaShoah is the first since all Israeli hostages taken on Oct. 7, 2023, were freed from Gaza. Some of the freed hostages, including Eli Sharabi, participated in small remembrance gatherings known as Zikaron Basalon. Others posted symbols of Jewish survival, including Sagui Dekel-Chen, whose wife posted pictures of him alongside his grandfather, a Holocaust survivor, and Elkana Bohbot, who with his wife announced that he is expecting a child.

This article originally appeared on JTA.org.

The post Israelis pause for a different kind of siren: the one marking Holocaust memorial day appeared first on The Forward.

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Many children killed in the Holocaust had no one to say Kaddish for them. These Jews have stepped up.

(JTA) — As each week’s Shabbat morning service comes to a close at Temple Beth El in West Palm Beach, Florida, an unusual tradition unfolds as the congregation prepares to recite the Mourner’s Kaddish.

Rabbi Alan Bell asks to stand all those reciting the prayer on the anniversary of the death of a loved one. He also asks other congregants to stand, too: those who have taken it upon themselves to recite Kaddish for a child up to the age of 17 who was murdered in the Holocaust and for whom there are no living relatives to recite it.

The Conservative synagogue calls the program Remember a Child, and at least a third of members in the 150-family congregation participate. Most recite the mourner’s prayer on the date of the child’s burial as well as on Yizkor, the special memorial prayer for the departed recited in the synagogue four times a year.

But some recite the Mourner’s Kaddish far more often.

Bell and his wife Susan have “adopted” a girl named Renee Albersheim who was born in 1930 in Berlin. They do not know when she died, only that it was in the Kovno Ghetto in German-occupied Lithuania. As a result, Susan Bell said, they recite Kaddish for her each time Kaddish is recited — multiple times a day and sometimes multiple times in a single service.

It’s become a family tradition. “When each of our granddaughters became bat mitzvah we got each a child to show them that children their age were dying [in the Holocaust],” Susan Bell said.

“They were girls from different places in the world — one was from Greece and the other from Romania — and they had the same first name as my granddaughters,” she continued. “I wanted to show the girls how widespread the Holocaust was; it was a learning experience for them.”

The Nazis murdered an estimated 1.5 million Jewish children during the Holocaust, many of whom died alongside everyone else in their family. That left no one traditionally assumed by Jewish law to recite the Mourner’s Kaddish on their behalf — siblings, parents or, for adults, children and spouses.

Rabbi Alan Bell and his wife Susan Bell lead a Holocaust remembrance initiative at Temple Beth El in West Palm Beach, Florida. (Courtesy)

At Beth El, those who participate in Remember a Child think of themselves as having “adopted” a child who was murdered more than eight decades ago. Cheryl Finkelstein, who helmed the project for many years since it launched as a Men’s Club initiative about 40 years ago, said she found those who opted in tended to “take this very seriously” and grow deeply connected to the child they have committed to remembering.

“When I sent one woman a photo of the child she had ‘adopted,’ she wrapped her arms around it and waited until the paper was warm,” Finkelstein recalled. “It breaks your heart.”

The project has gained attention far beyond the synagogue’s walls, and elicited a range of mourning practices that go beyond reciting the traditional prayer.

“We had a number of people who are not Jewish who felt strongly that they wanted to be engaged in this,” Finkelstein added. “One of those women wrote a poem about her ‘child,’ imagining her as a little girl who chased butterflies, living in a world of innocence. And another woman purchased aging software and used it on a photo of the child she had adopted to see what the child would have looked like as an adult.”

Having taken over the initiative from Finkelstein, Susan Bell has sought to gather as much information as she can about roughly 15 of the children whom congregants have “adopted,” starting with a page of testimony assembled by Yad Vashem, the World Holocaust Remembrance Center in Israel.

Ari Rabinovitch, head of Yad Vashem’s international media section, said the names of the children murdered in the Holocaust and for whom there is no one to say Kaddish are kept in the organization’s online names database, which has 587,226 names of children up to and including age 17.

Rabinovitch noted that Yad Vashem has prepared a list of names — both children and adults — with details about them for use in Holocaust name reading ceremonies. “It is not uncommon for groups to access lists of names on their own for memorial services,” he said. But the memorial does not track how they are used, or how many synagogues may have adopted a practice like Beth El’s.

Bell believes at least some have. A Beth El member promoted the project on business trips, she said.

“Several of those synagogues picked it up but I don’t know if any have continued it,” she said. “It takes a toll on you when you do the research and learn what happened to each of these children.”

Menachem Rosensaft, general counsel emeritus to the World Jewish Congress who was born in 1948 to survivors of Auschwitz and Bergen-Belsen, is an outspoken advocate for such a commemoration. He believes every synagogue should incorporate some mention of the Holocaust during Shabbat services, to ensure that its legacy is woven into the ongoing fabric of Jewish life — and he sees the Kaddish for child victims at Beth El as one powerful way to do that.

“It’s important in whatever way to bring into our consciousness that we are not letting it become just another event in Jewish history, just another occurrence, just another tragedy, just another pogrom,” Rosensaft added. “Because if that happens, in another generation the Holocaust will be a statistic and basically a catchphrase for people to throw around.”

As Holocaust memory is increasingly contested in the public sphere and the trauma of the Holocaust is joined by other tragedies for the Jews, Rosensaft’s vision has grown uncertain. But Finkelstein said she knew of at least one case where Remember a Child is likely to have impact into the next generation.

One Beth El congregant who “adopted” a child murdered by the Nazis “put in his will that his son was to say Kaddish for the child after he dies,” she said. “He put the instructions in his safe deposit box so that his son would take them out along with the keys to his house.”

This article originally appeared on JTA.org.

The post Many children killed in the Holocaust had no one to say Kaddish for them. These Jews have stepped up. appeared first on The Forward.

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VIDEO: ’Love was there too:’ A Yom Hashoah commemoration in Yiddish

די פֿאַרגאַנגענע וואָך האָט דער „ייִדישפּיל“־טעאַטער אין תּל־אָבֿיבֿ אַרויסגעשטעלט אַ ווידעאָ פֿון אַ „יום־השואה“־אַקאַדעמיע וואָס די טרופּע האָט דורכגעפֿירט אין 2022. די טעמע פֿון דער פּראָגראַם איז געווען מאָמענטן פֿון ליבע בײַ ייִדן אין די געטאָס און קאָנצענטראַציע־לאַגערן.

אינעם ווידעאָ לייענען די אַקטיאָרן פֿאָר זכרונות פֿון לעבן געבליבענע ווי אויך ייִדישע לידער אָנגעשריבן בשעת דעם חורבן. זיי באַשרײַבן ווי אַזוי געליבטע פּאָרלעך האָבן זיך געטראָפֿן בשתּיקה; רירנדיקע מאָמענטן פֿון געזעגענען זיך און ווי די לעבן געבליבענע האָבן זיך באַמיט מיט אַלע כּוחות צו געפֿינען די געליבטע נאָך דער באַפֿרײַונג.

דער ווידעאָ הייבט זיך אָן מיט אַ באַגריסונג פֿונעם תּל־אָבֿיבֿער בירגערמײַסטער, רון חולדאי, אויף העברעיִש, אָבער די פּראָגראַם גופֿא איז אין גאַנצן אויף ייִדיש.

The post VIDEO: ’Love was there too:’ A Yom Hashoah commemoration in Yiddish appeared first on The Forward.

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