(JTA) — Ever hear Bob Dylan’s “Like a Rolling Stone” sung in Yiddish dialect? It used to be a regular bit performed by comedian and actor Richard Belzer, who died this week at 78. He also used to do a routine about Bob Dylan’s bar mitzvah in which he recited a Hebrew prayer in the singer’s distinctive tone. A similar Elvis bar mitzvah bit was also part of his routine.
Surprisingly, Belzer performed these niche routines in numerous comedy venues and even on the nationally televised “The Late Show with David Letterman.” In addition to a variety of other Jewish references embedded in his act, Belzer also performed Yiddish-inflected parodies of Prince’s “Let’s Go Crazy” and “When Doves Cry.”
But like so many American comedians of the Hebraic persuasion, Belzer didn’t really work Jewish. The bulk of his act was general and observational. To be sure, there were bits and pieces of Jewish material that can be found scattered about his comedic oeuvre, though to have the broad appeal he achieved, he understood that he had to deal in comic generalities. But to have thrown bits like Dylan’s bar mitzvah into routines for venues as broad as Letterman is an indication that he was truly dedicated to his Jewish material.
Moreover, he enjoyed it. Around 2003, after he’d snagged a contract to do a special on a cable network, he approached Letterman’s legendary bandleader, Paul Schaffer, and told him he wanted to do something “Jewish” for the show. Schaffer suggested The Barton Brothers’ risqué Yiddish radio ad parody song “Joe and Paul.” Belzer loved the idea. The duo learned the Yiddish lines and performed the tune, which, in veiled Yiddish tones, talks about masturbation and going to a prostitute named “Cock-eyed Jenny.” It was so well-received and the two enjoyed it so much, they began to do it in other venues. It eventually wound up on a 2008 album titled “The Jewish Songbook,” together with songs sung by Neil Sedaka and Barbra Streisand.
Which is why it’s been strange to read obit after obit in outlets like The New York Times, The Guardian and The Hollywood Reporter, among others, that didn’t bother to mention that Belzer was Jewish — even when, as the Jewish Telegraphic Agency pointed out, the character for which he was best known, Det. John Munch on “Homicide: Life on the Street” and “Law & Order: Special Victims Unit,” identified as Jewish. Obituaries, after all, are meant to be the final stock-taking of a person’s life. They should include the basics of who they were. And one of the basics of Richard Belzer is that he was a Yid.
Moreover, according to Paul Shaffer, he was a proud one. I should also point out that I don’t mean Jewish in a religious sense. Belzer, after all, appears to have been an atheist, so what is meant here is Jew as an ethnic category, one that apparently confounds a lot of people and which results in many Jewish artists being described as anything but Jewish.
To call Burt Bacharach an “American composer” or Barbara Walters a “pioneering woman newscaster” is accurate, but misses a significant ethno-cultural aspect of these people, one that was integrally responsible for making them who they are and influencing their creative choices. The notion that “Jewish” is something more than a religious denomination — that it’s a wide-ranging culture that includes art, literature, music, food, folkways and languages — is terribly difficult to grasp for some people.
One case in point is an excellent book by Kliph Nesteroff that appeared in 2015 called “The Comedians,” which richly details the history of stand-up comedy in America. Assiduously researched, it’s become the definitive work on the topic. The book, however, deracinates the history of the field. From reading it, you would never know that 20th-century American comedy was largely a Jewish enterprise. In fact, you’d hardly know that Jews were involved at all. You will read about comedians such as Milton Berle, Joan Rivers, Lenny Bruce and Jerry Seinfeld, but you’ll have no idea that any of them are Jews, or that Jewish history and culture might have had at least a nominal influence in their work and in their field. It’s like a history of opera that doesn’t bother to mention Italians: They weren’t the only ones involved, but the field would have been far poorer without their distinct contributions.
The matter of the mysteriously disappearing Jew occurs in other industries as well. It’s particularly egregious in the art world and popped up last year at the opening of the Academy Museum of Motion Pictures, a lavishly funded new institution that celebrated the diversity of Hollywood, touting the contributions of minorities involved in the film industry. However, the one minority they initially left out was the one that was instrumental in building that very industry. It’s all part of a phenomenon comedian David Baddiel describes as “Jews don’t count.” They’re not considered a minority among the many others and have apparently become white people who don’t believe in Jesus. As such, they’re not worthy of distinction.
History, however, tells a different story. When Jews began to come to this country en masse at the end of the 19th century, the culture they met often mocked and derided them. Suffering discrimination in multiple realms, they were excluded from certain neighborhoods, clubs and a variety of occupations. Universities placed quotas on them. Many hotels denied them entry, a fact that led to the creation of hundreds of Jewish hotels in New York’s Catskill Mountains. While American attitudes toward Jews eventually changed, a fact that allowed them to become full participants in society, they still find themselves victimized by Jew-hatred. Even though it’s often denied, the mystery of Jewish difference, apparently, is still a thing.
And for Richard Belzer, it was a thing he obviously enjoyed. Comedy writer and novelist Seth Greenland, who worked on numerous projects with Belzer and whose first novel was based on him, told me, “Something about Richard was quintessentially Jewish. He was kind, disputatious, intellectually curious, and hilarious. Although he wasn’t at all religious, he was proud to be Jewish and embraced that identity.”
Alan Zweibel, a comedy writer who worked with Belzer beginning in the mid-1970s on “Saturday Night Live,” added, “Belz made no bones about being Jewish in his act or in his life.” Zweibel once took Belzer to his parents’ Long Island home for a Friday night dinner, over which the comedian bonded with Mr. and Mrs. Zweibel over milchig and fleishig issues, the minutiae of keeping kosher. Alan’s father pointed to Belzer and told his son, “You could learn a lot from this guy.”
“Belz and Gilbert Gottfried would always do Jewish shtick and saw themselves in a long line of Jewish comics,” said author Ratso Sloman. “And one time I was at Catch [A Rising Star], probably in the mid ’80s and at the end of the night, Belz and Gilbert went on stage and did dueling old Jewish weather forecasters. It was so hilarious, I almost pissed my pants.”
Paul Schaffer also recalled how Belzer once accompanied him to say Kaddish for Schaffer’s father at the Carlebach Shul on the Upper West Side. “I didn’t know what kind of Jewish education he had,” Schaffer told me, “but the cat could daven [pray].” Paul added that he and Belzer once bonded over old cassettes of Friars Club roasts. One of the tapes was of a roast emceed by DJ and Sinatra expert William B. Williams (born Velvel Breitbard), who, whenever someone’s joke bombed, would begin to utter the Jewish prayer for the dead — “Yisgadal, yisgadash, shemey rabo….” — and get big laughs. Belzer loved it so much, he stole it and would recite the prayer onstage at subsequent roasts whenever a comic bombed, and even when his own jokes died.
Yisgadal, yisgadash, Belz. You will be missed.
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Dueling pro-Israel and anti-Israel demonstrations at McGill University in Montreal, Canada; May 2, 2024. Photo: ZUMA Press Wire via Reuters Connect
McGill University’s law school in Montreal, Canada lost the chair of its advisory board on Sunday, when he resigned from the position over what he described in a letter notifying the administration of his decision as an “escalating pattern of hostility toward Jewish students, faculty, and alumni.”
The immediate cause, wrote Jonathan Amiel, was the Law Students Association’s passing an academic boycott of Israel through a student referendum held on Saturday. If adopted as university policy, the measure would shutter partnerships with Israeli institutions, bar individual Israelis or known Zionists from holding teaching positions, and allow professors to refuse writing letters of recommendation for students applying to study abroad in Israel.
A majority, 57 percent, of students who participated in the referendum voted to approve it, with 67 percent of the student body casting ballots, indicating high turnout. It accused Israel of being an “apartheid” state and of perpetrating a “genocide” against the Palestinians, despite that the Palestinian Bureau of Statistics reports that the Palestinian population has “doubled about ten times since” Israel’s founding in 1948.
While a Jewish student is challenging the vote in court, as reported by the Montreal Gazette, its approval by the student body has, according to activists, left an impression on the Jewish community there while achieving a reverberant political victory for the student anti-Zionist movement.
“We are deeply concerned by the ongoing developments within student governance at McGill University Faculty of Law,” the Center for Israel and Jewish Affairs (CIJA), a Canadian Jewish advocacy group, said in a statement.
According to Amiel, last week’s endorsement of a boycott of the world’s lone Jewish state was part of a broader, troubling trend.
“The referendum is not an isolated event,” Amiel wrote in his resignation letter, which he since made available for public viewing. “An institution once defined by intellectual rigor and principled debate has, in too many instances, become an environment where being Jewish, identifying as a Zionist, or maintaining any association with the State of Israel carries professional and personal risk.”
He added, “This includes the normalization and, at times, glorification, of events marking acts of mass violence, the obstruction of students’ access to classrooms and university facilities, and the use of academic platforms to legitimize or advance extremist ideologies.”
Amiel also charged that the institution failed to discipline “conduct involving harassment or intimidation.”
McGill University was one of hundreds of schools where anti-Zionists organized to celebrate Hamas’s Oct. 7, 2023, massacre, in which the terrorist group’s fighters slaughtered, kidnapped, and raped Israeli civilians during their invasion of the Jewish state.
Their activities culminated in an anti-Israel encampment which spanned across four months and did not disband until long after the end of the 2023-2024 academic year. While McGill officials took steps to limit the freedom of action of the group which staged the demonstration, such as bringing the issue before a court and denouncing the “obvious antisemitism” of its members, Amiel’s letter suggests that the university has not done nearly enough to combat anti-Jewish harassment and discrimination on campus.
“The defining feature of this period has been an absence of decisive leadership at moments when clarity and resolve were required,” Amiel continued. “In that absence, direction has effectively been ceded to actors whose objectives are fundamentally misaligned with the university’s core academic mission.”
McGill University has denounced the outcome of the referendum, with president Deep Saini saying, “The effects here are antisemitic, and that plain fact must guide McGill’s response.”
Amiel’s resignation comes amid an ongoing crisis of pervasive antisemitism on campuses across the Western world.
Earlier this month, the Union of Jewish Students (UJS) released survey results showing that Jewish campus life in Great Britain is rapidly deteriorating. The group found that 47 percent of Jewish students report having heard their classmates justify the Oct. 7 massacre in which Hamas slaughtered civilians and committed mass rape; 23 percent have witnessed Jewish students persecuted over their identity; as many as 36 percent have either lost friends in this new milieu or know someone who has; and a shocking 40 percent report “having changed their journey through campus” to avoid anti-Zionist protests occurring every week at some universities.
Some of the report’s most concerning findings focused on anti-Jewish sentiments expressed by non-Jewish students. Twenty percent said they prefer not be roommates with a Jewish person, while a quarter of students surveyed believe that arguing that “Zionists control the media/government” does not constitute antisemitism. Responding to a separate question, 16 percent expressed approval of saying outright that “Jews control the media/government.”
“This report demonstrates that antisemitism on campus is not isolated but normalized,” Union of Jewish Students president Louis Danker said in a statement. “No Jewish student should have to face social ostracism, abusive language, or physical violence — there is a right to protest but not harass. If we are serious about combating extremism in Britain, we have to start on campus, where half of students have seen glorification of Hamas or Hezbollah. Concerned sentiments and piecemeal progress are not enough.”
The issue is no less severe in the US.
In February, the American Jewish Committee (AJC) and Hillel International reported that a striking 42 percent of Jewish students reported experiencing antisemitism during their time on campus. Of that group, 55 percent said they felt that being Jewish at a campus event threatened their safety. Meanwhile, 34 percent of Jewish students avoid being detected as Jews, hiding their Jewish identity due to fear of antisemitism.
According to the data, 38 percent of Jewish students said they decline to utter pro-Israel viewpoints on campus, including in class, for fear of being targeted by anti-Zionists. The rate of self-censorship is significantly higher for Jewish students who have already been subjected to antisemitism, registering at 68 percent.
“No Jewish student should have to hide their identity out of fear of antisemitism, yet that’s the reality for too many students today,” Hillel International chief executive officer Adam Lehman said in a statement released with the survey results. “Our work on the ground every day is focused on changing that reality by creating environments where all Jewish students can find welcoming communities and can fully and proudly express their Jewish identities without fear or concern.”
Follow Dion J. Pierre @DionJPierre.
Eden Golan, Israel’s representative at the Eurovision Song Contest, reacts during a press conference following the official unveiling of Israel’s song submission, in Tel Aviv, Israel, March 10, 2024. Photo: REUTERS/Carlos Garcia Rawlins
Eden Golan, who represented Israel in the 2024 Eurovision Song Contest, talked in a new interview about still experiencing anxiety, fear, and nightmares of threats against her life two years after the competition ended.
“I’m always afraid. I look in every direction like a security guard,” the 22-year-old Israeli singer said in an interview published on Friday in the “7 Nights” supplement of Yedioth Ahronoth. “I’ve had recurring anxiety since Eurovision: I walk into a place, a restaurant, or a show, and someone shoots me from behind. I have recurring nightmares of people chasing me and killing me. But I’m learning to live with it. No one will silence me anymore.”
Golan told Yedioth Ahronoth that she also still faces antisemitism almost everywhere she goes.
“Quite a few of my performances abroad had protests,” she explained. “In Switzerland they threw red paint at the entrance to the venue, supposedly to say the blood is on our hands. There was one protest with signs against [Israeli Prime Minister] Bibi [Netanyahu] and against me. After all the threats I received, there’s definitely fear for my life, but what could be worse than what I went through at Eurovision?”
Golan participated in the 2024 Eurovision in Malmo, Sweden, with the song “Hurricane” and finished in fifth place. The song was originally titled “October Rain,” but the name and its original lyrics were disqualified by the European Broadcasting Union (EBU), which organizes the Eurovision competition, for being too political since it referenced the deadly Oct. 7, 2023, Hamas terrorist attack in southern Israel.
Golan made it to the top five of the competition even after being booed on stage by anti-Israel audience members, facing death threats, and having a Eurovision jury member refuse to give her points because of his personal feelings against Israel’s military actions during its war against Hamas in Gaza.
Golan has also said she had to conceal her identity outside her hotel room in Malmo during the Eurovision contest because of the threats she received from anti-Israel activists, who were angry about the Jewish state’s participation in the international competition. At the time, the deputy director general of the EBU condemned the harassment that participating singers had experienced.
Noam Bettan is Israel’s representative in the 2026 Eurovision Song Contest, which will take place in Vienna, Austria, in May. He is competing with a trilingual song titled “Michelle.”
A map showing the Strait of Hormuz is seen in this illustration taken June 22, 2025. Photo: REUTERS/Dado Ruvic/Illustration
In the war between Iran and the joint force of the US and Israel, the Islamic Republic’s strongest tactic is to obstruct shipping in its coastal Strait of Hormuz.
The regime has strangled the world’s supply of oil and natural gas by attacking several commercial vessels as they transited the Persian Gulf channel. Some of Iran’s naval weapons have killed members of the ships’ crews.
As a political matter, Iran hopes that creating a global energy crisis will generate opposition to the US-Israeli military campaign. But as a legal matter, Iran’s targeting of civilian ships is a flagrant violation of international law.
Article 16(4) of the 1958 Geneva Convention on the Territorial Sea prohibits “the suspension of the innocent passage of foreign ships through straits” such as the Strait of Hormuz. Iran signed the 1958 document, as well as an updated version of the treaty, the 1982 United Nations Convention for the Law of the Sea.
The regime never “ratified” either treaty because it did not incorporate the international laws into its domestic law. That means Iran never became a formal party to the two pacts. However, the “innocent passage” framework of at least the 1958 convention is considered legally binding on Iran through customary international law, a consequence of widespread maritime practice.
The United Nations Security Council applied the principle of innocent passage during the Iran-Iraq War of the 1980s. The council rebuked both combatants for firing on commercial oil tankers in the Persian Gulf.
In the current war, the UN Security Council likewise chided Iran’s lethal interference with civilian shipping in the Strait of Hormuz. A coalition of 22 countries including two Arab Gulf states recently signed a joint statement that condemned Iran’s violent closure of the strait and warned of “appropriate efforts” to reopen it. A US military contingent is now headed to the strait, presumably to clear the key coastal terrain.
Iran attempts to evade its maritime obligations with two legal arguments.
First, it asserts self-styled “maritime claims,” in which every commercial ship’s right of innocent passage through the Strait of Hormuz is subject to the regime’s “prior approval.” Iran accordingly grants safe passage to vessels from “friendly” states like China and Pakistan but not ships that could “benefit the aggressors.”
Assuming an additional power of prior approval, Iran has threatened to impose toll charges on ships passing through the waterway. International maritime organizations such as the United Kingdom Maritime Operations Center have confirmed that Iran’s self-serving legal concoction is unfounded. In fact, most of the shipping lanes in the strait run through the territorial waters of Oman, which lie beyond Iran’s legal reach.
Iran alternately contends that its anti-shipping terrorism in the strait is a “tool of pressure” to combat the US and Israel, implying a right of military self-defense. But the laws of naval warfare do not permit attacks on ordinary civilian vessels as a means of self-defense.
Finding Iran in breach of maritime law is easy. Enforcing the law is another matter.
The International Court of Justice cannot assert jurisdiction over a state without that state’s consent. The International Criminal Court lacks authority over Iran because the state never signed the court’s enabling treaty. The Security Council could vote on Bahrain’s proposed March 23, 2026, resolution authorizing “all necessary means” to reopen the Strait of Hormuz. But the measure would probably be vetoed by Russia and/or China, states that oppose the use of force against Iran.
At stake is nothing less than freedom of navigation, which is vital to global trade and security. If Iran can paralyze the Strait of Hormuz, other nations may block similar chokepoints such as the Strait of Taiwan, the Turkish Straits, the Panama Canal, or the Suez Canal. The resulting chaos could render maritime law a dead letter.
It may be difficult for American-Israeli warfare to release Iran’s illegal grip on the Strait of Hormuz. Nevertheless, military action may be the only way to restore the rule of law in the waterway and deter future maritime aggressions.
Joel M. Margolis is the legal commentator of the American Association of Jewish Lawyers and Jurists, US Affiliate of the International Association of Jewish Lawyers and Jurists. He is the author of The Israeli-Palestinian Legal War.