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Seymour Stein, Jewish music mogul who discovered Madonna and The Ramones, dies at 80
(JTA) — Seymour Stein, one of the most influential music executives of the 20th century, who frequently throughout his career referred to his Jewish Brooklynite roots, died at 80 on Sunday at his home in Los Angeles.
The cause was an unspecified form of cancer, according to reports.
Stein, born Seymour Steinbigle in 1942 and raised near Bensonhurst, Brooklyn, signed artists to his Sire record label ranging from pop superstars like Madonna to punk rockers like The Ramones to New Wave pioneers like the Talking Heads. He also helped found the Rock & Roll Hall of Fame in the early 1980s and was inducted with a lifetime achievement award in 2005.
As he details in his 2018 autobiography, Stein’s father became closer to Orthodox Judaism in his 30s and 40s, regularly bringing his family to a nearby synagogue, where he was a vice president. Stein wrote that his father stopped by the synagogue at 6 a.m. before working in Manhattan’s Garment District and then again after work on his way home every day.
He described the Jews of 1940s Brooklyn in detail in “Siren Song: My Life in Music”:
We had every flavor of Ashkenazim — Russian, Polish, Baltic, Romanian, Austrian, Hungarian, German, and Czech Jews, including about fifty thousand survivors from the concentration camps. We had lost tribes you didn’t even know existed — Syrian, Iraqi, Persian, Yemeni, Ethiopian, even some Sephardic Jews whose family trees had curled through Spain, North Africa, the Middle East, and South America…. [E]ach Jewish community was distinct, often with its own native food and language.
In 1966, Stein — who shortened his last name on advice from an early mentor, the Jewish executive Syd Nathan — co-founded Sire Records, which would go on to sign and promote artists from a range of burgeoning genres in the 1970s, ’80s and ’90s: British indie rockers like The Smiths and The Cure, electronic innovator Aphex Twin, the rapper Ice-T.
“He knows all the lyrics to every song you’ve ever heard,” said Chrissie Hynde, the famed leader of The Pretenders, another Sire band.
Along the way, Stein wrote and mentioned in interviews how he found camaraderie with other Jewish executives and stars, after having grown up in an era when Jews were implicitly banned from some professions in the United States but found a haven in the entertainment industry. In his autobiography, for instance, he calls Lou Reed and New Wave electro-rocker Alan Vega fellow Brooklyn Jews.
“It’s amazing now that so many doctors and lawyers are Jewish,” he said in a 2013 interview with Tablet magazine. “Jews in America weren’t allowed in those professions 120 years ago. Music is something Jews were good at and they could do. All immigrants into America tried their hand at show-business.”
Stein signed Madonna from his hospital bed, where he was recovering from an open-heart surgery in 1982. She would release three top-of-the-charts albums with Sire before creating her own imprint in 1992.
In 1975, his wife, Linda, encouraged him to look into The Ramones, a group of scrappy punks in ripped jeans from Queens (two of whom were Jewish). She would co-manage the band for a time before becoming a real estate agent.
Stein, who later came out as gay, wrote that “the roles were a little confused” in his marriage and that he felt pressured to hide his attraction to men in part because of his traditional Jewish upbringing. “Just because I may have been gay didn’t mean I wasn’t Jewish,” he wrote. He and Linda had two children but eventually divorced.
In the Tablet interview, Stein mentioned that he stayed observant, though not Orthodox, throughout his life. He visited Israel several times and worked with Israeli pop star Ofra Haza on multiple albums. In the 1990s, he visited the grave of Rabbi Nachman of Breslov in Uman, Ukraine, a small town where thousands of Orthodox Jews gather each year on Rosh Hashanah.
“I feel a strong attachment to Nachman’s teachings,” he said.
Linda Stein was murdered by her assistant in 2007, and their daughter Samantha died in 2013 from brain cancer. Stein is survived by their other daughter Mandy, a sister and three grandchildren.
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Saul Rubinek plays a version of himself in ‘Playing Shylock’
דער מאָנטרעאַלער אַקטיאָר סאָל רובינעק האָט אַ סך װאָס צו דערציילן.
ער איז דערצו אויך אַ גרויסער מאמין אינעם כּוח פֿון דערציילן.
„דערציילן איז אַלץ,“ זאָגט ער.
טאַקע די פֿראַזע האָט רובינעק, בעת אַן אינטערװיו מיט מיר, אויסגעקליבן װי אַ פּרוּװ איבערצוזעצן דעם טיטל פֿון זײַן אויטאָביאָגראַפֿישן ראָמאַן, All in the Telling. אַרויס פֿון דרוק אין 2025, איז דער ראָמאַן אַ האַלב־פֿיקטיװע כראָניק פֿון זײַנע עטלערן, ביידע פֿון דער שארית־הפּליטה, און זײַנע פֿאַרװיקלטע באַציִונגען מיט זיי און מיט זייערע טראַװמאַטישע לעבנס־געשיכטעס.
דער טיטל װאָלט זיך אויך גוט צוגעפּאַסט צו זײַן אויפֿטריט אין דער מאָנאָדראַמע Playing Shylock („דאָס שפּילן שײַלאָק“), געשריבן פֿונעם קאַנאַדער דראַמאַטורג מאַרק לירין־יאָנג. די פּיעסע וועט מען שפּילן ביזן 7טן דעצעמבער אין פּאָלאָנסקי־שעקספּיר־צענטער אין ברוקלין.
במשך פֿון דער פּיעסע, דערציילט ער, פֿאַרציילט ער, רעדט ער זיך אַראָפּ פֿון האַרצן. און דער אינהאַלט פֿון זײַנע שפֿעדיקע רייד? אַ פֿיקטיװע, אַנולירטע אויפֿפֿירונג פֿון שעקספּירס „דער קויפֿמאַן פֿון װענעדיג“. במשך פֿון זײַנע צװיי שעה אויף דער בינע הערן מיר די צרות פֿון אַן אַקטיאָר, װאָס האָט געדאַרפֿט שפּילן די ראָלע פֿון שײַלאָק אין דער דאָזיקער פּראָדוקציע: צרות מיט די פּראָדוצענטן, מיטן הײַנטצײַטיקן אַנטיסעמיטיזם און שמאָלקעפּיקײט, און צרות מיט זיך אַליין — װײַל רובינעק שפּילט טאַקע אַ װערסיע פֿון זיך אַליין אין דער אויפֿפֿירונג.
די דראַמע איז אַ רעװידירטער נוסח פֿון אַ פּיעסע, „שײַלאָק“, װאָס לירין־יאָנג האָט צוערשט אָנגעשריבן אין 1996. (אַגבֿ, יוסף באָװשאָװערס באַקאַנטע ייִדישע איבערזעצונג פֿון דער פּיעסע, װאָס מען האָט אַ מאָל געשפּילט אויף דער צווייטער עװעניו, הייסט אויך „שײַלאָק“.) אינעם נײַעם נוסח פֿון לירין־יאָנגס װערק, שפּיגלט די פּיעסע אָפּ פֿאַרשיידענע פֿאַקטן פֿונעם הויפּט־אַקטיאָרס לעבן, און דער עולם װייסט קיין מאָל נישט װאָסער פּרט איז אַן אויסגעטראַכטער און װאָסערער איז טאַקע אַ טשיקאַװעס פֿון רובינעקס לעבן. אין דעם ליגט אַ סך פֿון דער פּיעסעס שפּאַנונג און אומזיכערקייט.
אין עטלעכע מאָמענטן, דעקלאַמירט רובינעק שײַלאָקס מאָנאָלאָגן אין דער שטים פֿונעם טאַטן — אַפֿילו אַ מאָל מיט אַ גמרא־ניגון („װער דען װאָלט געשפּילט שײַלאָק אַזוי?“ האָט ער מיך שפּעטער רעטאָריש געפֿרעגט). בײַם סוף פֿון דער פּיעסע, װאָס איז כּמעט אין גאַנצן אויף ענגליש, הערן מיר די באַרימטע רעדע „האָט דען אַ ייִד ניט קיין אויגן?“, דװקא אויף מאַמע־לשון.
„אין זײַן ספּעציפֿישקייט, װערט ייִדיש אוניװערסאַל,“ זאָגט רובינעק, װאָס האָט אויך געשפּילט אויף ייִדיש אינעם פֿילם Shttl („שטטל“, 2002) און די ראָלע פֿון הירש ראַסיינער (אויף ענגליש) אינעם פֿילם The Quarrel (די קריג, 1991), באַזירט אויף חיים גראַדעס דערציילונג. „אין זײַן ספּעציפֿישקייט װעגן אונדזערע איבערלעבונגען װי מענטשן, װי ייִדן, קענען מיר זיך ׳האַלטן בײַ די הענט׳ מיט דער גאַנצער װעלט.“
טיילװײַז האָט דער אַקטיאָר טאַקע דורכגעפֿירט דעם שמועס מיט מיר אויף ייִדיש, װאָס, ער איז מודה, קומט אים אָן שװערלעך, נאָר װאָס ער האָט בײַ זיך „נישט אין קאָפּ, נאָר אין האַרצן.“
איך האָב אים געפֿרעגט, צי ער פּרוּווט טאַקע פֿאַרגופֿן אין דער פּיעסע די אינטאָנאַציעס און זשעסטן פֿונעם טאַטן?
„איך האָב אַפֿילו ניט געדאַרפֿט פּרוּװן. אַלע קינדער קענען נאָכמאַכן זייערע טאַטע־מאַמעס,“ האָט ער געזאָגט. „דאָס גאַנצע לעבן האָב איך געזען װי דער טאַטע טרעט אויף פֿאַר משפּחה און פֿרײַנד. אַ נאַטירלעכער דערציילער איז ער געװען.“
מאַכט דער רמב״ן: „מעשׂה אָבֿות סימן לבנים“ — די טאַטן פֿון די עלטערן און די עלטערנס עלטערן זאָגן פֿאָרויס דאָס לעבן פֿון די קינדער.
רובינעקס טאַטע, ישׂראל רובינעק, אַ געבוירענער אין לאָדזש, האָט אָנגעפֿירט מיט אַ טעאַטער־טרופּע אין די־פּי־לאַגער פֿערנװאַלד, אין בײַערן. רובינעק איז טאַקע געבוירן געװאָרן אין דער זעלבער נאַכט, וואָס דער טאַטע איז דאָרט אויפֿגעטראָטן ווי דער גולם אין לייװיקס באַרימטער דראַמאַטישע פּאָעמע, אין 1948.
אָט דער צופֿאַל, דאָס געשעעניש, שמעקט מיט באַשערטקייט, מיט הייליקייט אַפֿילו. די אָ הייליקייט באַמערקט רובינעק אין משך פֿון „דאָס שפּילן שײַלאָק“, אין איינער פֿון דער פּיעסעס שטאַרקסטע רעפּליקן:
„איך האָב קיין מאָל ניט געגלייבט אין גאָט. איך גלייב אין דעם, אין טעאַטער. דאָס איז הייליק.“
אָבער אויך אין ייִדיש גלייבט ער. „ייִדיש, װי טעאַטער, איז קאָמונאַל — און איז הייליק,“ האָט ער מיר געזאָגט. „װי לאַנג האָט מען געזאָגט אַז טעאַטער איז טויט? אַזוי אויך מיט ייִדיש.“
דער אַקטיאָר זאָגט אַז עס גלוסט זיך אים איצט שפּילן אין ייִדישן טעאַטער, און ער האַלט אין אַרומרעדן מעגלעכע פּראָיעקטן.
אויך מיר, סײַ צוקוקער סײַ מיט־אַרטיסטן, קוקן אַרויס אויף דעם — אויף נאָך אַזאַ קאָמונאַלער, עקסטרע־הייליקער איבערלעבונג אין טונקעלן טעאַטער־זאַל, װוּ גאָר ניט איז ניט קאָנקרעט און קלאָר.
װי רובינעק זאָגט אין דער נײַער אויפֿפֿירונג, מיט פֿאַררייטלטע באַקן און שטאַרק אַקטיװירטע ברוגז־מוסקלען: „דער טעאַטער איז ניט קיין safe space (געזיכערט אָרט).“
דאָס הייסט, דער טעאַטער איז פֿאָרט אַ פֿאָרום פֿאַר פֿראַגעס, חילוקי־דעות, און גײַסטיקן געראַנגל.
זאָל זײַן אַזוי.
די פּיעסע וועט מען שפּילן ביזן 7טן דעצעמבער אין פּאָלאָנסקי־שעקספּיר־צענטער אין ברוקלין. צו קויפֿן בילעטן גיט אַ קוועטש דאָ.
The post Saul Rubinek plays a version of himself in ‘Playing Shylock’ appeared first on The Forward.
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Hasidic leader defends support for Mamdani. ‘I’m taking beatings to save you’
Zohran Mamdani’s election as New York City mayor is further deepening divisions within the Jewish community, with some mainstream organizations now adopting a wait-and-see approach while others denounce him as an “enemy.” At the same time, support for Mamdani among certain Hasidic groups is drawing growing attention.
In a recent tense interview with Mishpacha magazine, a weekly conservative publication widely read in the Haredi community, Rabbi Moshe Indig, a political leader of the sect known as the Ahronim, was pressed to defend his public embrace of Mamdani in the final days of the mayoral race. (The Ahronim is led by Rabbi Aaron Teitelbaum from Kiryas Joel.)
“People call me a kapo,” Indig told the magazine, using a term that originally referred to Jewish inmates at Nazi concentration camps who were assigned to assist the SS. “Anyone who knows what a kapo is can see that I am the exact opposite — a kapo beat you up to save himself. I’m taking beatings to save you.”
Indig’s endorsement of Mamdani set off a firestorm within the community, exposing sharp internal divides over whether the candidate deserved the trust of many Jews. Criticism of Mamdani intensified after the election, following his mixed response to the protest outside the Park East Synagogue, which featured anti-Israel and antisemitic slogans. Mamdani, through a spokesperson, questioned the use of a sacred place for an event promoting migration to Israel, while also discouraging the language that was used at the protest.
“I’m taking missiles over this, not just bullets,” Indig said in the interview. He explained that his support stemmed from Mamdani’s quiet, sustained outreach to Haredi leaders and his clear status as the race’s frontrunner, saying Mamdani had simply earned the endorsement.
“I didn’t promise him votes,” Indig said. “I explained that because the community was so convinced of his antisemitism, I wouldn’t be able to get the majority of people to vote for him.”
Mamdani, he said, replied that he wasn’t seeking votes so much as an opportunity to show he could earn the community’s trust and disprove their perceptions of him. “I saw that as a beautiful invitation to our community,” Indig said.
Part of Mamdani’s outreach included a visit to Hasidic leaders in South Williamsburg during Sukkot and an open letter in Hasidic Yiddish that outlined his plans to combat antisemitism and advance his affordability agenda.
Andrew Cuomo, who won a majority of the Jewish vote and dominated Hasidic areas in Brooklyn on Election Day, failed to do that sort of politicking, Indig said. “Cuomo, who was supposed to be the favorite of the Jews, didn’t ask to go to any sukkah. Not one,” he said.
Indig’s endorsement of Mamdani marks the third consecutive mayoral race in which the Ahronim has demonstrated its political influence by backing the eventual winner, while other Hasidic blocs supported rival candidates. In 2021, they endorsed Eric Adams over Andrew Yang, who was favored by most leading Hasidic sects. And in 2013, they backed Bill de Blasio, who narrowly avoided a runoff in the Democratic primary by just 5,000 votes, while the Zalonim and other groups supported Bill Thompson, then seen as the frontrunner.
“We are currently the only Yidden with access to the future City Hall,” he boasted, using the Yiddish word for Jews. He hopes that changes, he said.
Last month, Mamdani named more than a dozen diverse Jewish leaders and activists to his transition team. Monica Klein, the Mamdani transition’s communications director, said the subcommittees are preparing to implement his “agenda of safety and security for Jewish New Yorkers and everyone else who calls this city home, including his pledge for an 800% increase in anti-hate crime prevention.”
Perceptions of Mamdani have yet to change. A recent poll of 745 American Jews found that 67% believed Mamdani’s election would make New York City’s Jews less safe, while 6% believed they would be safer. The Anti-Defamation League, which clashed with Mamdani during the election, launched a monitor to track Mamdani’s appointments and policies. The ADL also criticized the inclusion of Tamika Mallory as a member of the transition committee on community safety. Mallory co-founded the 2017 Women’s March, then stepped down from the organization after criticism over her ties to Nation of Islam leader Louis Farrakhan and her refusal to affirm Israel’s right to exist.
Indiq affirmed that he’s comfortable with his decision. “Getting guarantees from him before the election gives me critical leverage afterward — if he fails to be a friend, I can call him on his promise to be there for us,” he said.
The post Hasidic leader defends support for Mamdani. ‘I’m taking beatings to save you’ appeared first on The Forward.
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Israel’s Netanyahu Says Syria Deal Possible, Expects Buffer Zone
Israeli Prime Minister Benjamin Netanyahu participates in the state memorial ceremony for the fallen of the Iron Swords War on Mount Herzl, in Jerusalem, Oct. 16, 2025. Photo: Alex Kolomoisky/Pool via REUTERS
Israeli Prime Minister Benjamin Netanyahu said on Tuesday a deal with Syria is possible and he expects Syrian authorities to establish a demilitarized buffer zone from Damascus to Mount Hermon and other areas.
Netanyahu spoke a day after US President Donald Trump, whose administration has been trying to broker a non-aggression pact between the two countries, said it was very important that Israel maintained a “strong and true dialogue” with Damascus.
Syria does not formally recognize Israel, which following the fall of longtime Syrian leader Bashar al-Assad in December moved troops into a buffer zone along the Syrian border to secure a military position to prevent terrorists from launching attacks against the Jewish state.
The previously demilitarized zone in the Golan Heights, a strategic region on Israel’s northern border previously controlled by Syria and later annexed by Israel, was established under the 1974 Disengagement of Forces Agreement between Damascus and Jerusalem that ended the Yom Kippur War. However, Israel considered the agreement void after the collapse of Assad’s regime.
“What we expect Syria to do is, of course, to establish a demilitarized buffer zone from Damascus to the buffer area, including the approaches to Mount Hermon and the Hermon peak,” Netanyahu said while visiting wounded soldiers in central Israel. “We hold these areas in order to ensure the security of Israel’s citizens, and that is what obligates us.”
He added: “With goodwill and an understanding of these principles, it is possible to reach an agreement with the Syrians, but we will stand by our principles in any case.”
Trump has backed Syria‘s new leader, Ahmed al-Sharaa, while Israel has voiced wariness over Sharaa’s past links to Islamist militancy, but has engaged in efforts to broker a deal.
An Israeli raid in southern Syria on Friday killed 13 Syrians, Syrian state media reported. The Israeli military said it had targeted a Lebanese Islamist militant group there. Netanyahu on Tuesday was visiting soldiers wounded in the clash.