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Shaanan Streett of Israeli hip-hop band Hadag Nahash mixes music and activism
Shaanan Streett, one-sixth of the Israeli hip-hop/funk group Hadag Nahash, says that it’s all well and good for musicians to advocate for social-justice causes, but that doesn’t mean the music can’t also be fun. Streett seems to have accomplished both goals, as his band’s songs are featured in protests for various causes while remaining catchy and danceable. As long as you “keep it real,” Streett says, audiences will pick up on your authenticity.
In our interview, Streett talks about what music can do to bring people together and about his hometown of Jerusalem.
First, tell us where you grew up and how you came to the music world.
I was born in 1971 in Jerusalem. I still live on the outskirts of Jerusalem. After the army, I, like many Israelis, traveled the world. When I was in the US, I started hearing a lot of hip-hop, and like a true traveler, I had a pad and a pen, and I started writing down rhymes in Hebrew. And when I came back to Israel, I recorded one song. I handed it out in CD stores. And one of the employees at one of the CD stores turned out to be a guy with an instrumental funk band. And that’s how we started.
Before we go more into your music, tell me about Jerusalem. There’s the Jerusalem of everybody’s imagination around the world, and there’s the real Jerusalem in which real people live.
Yeah, nobody lives in the Jerusalem of the imagination, not a single person. But oddly enough, nobody lives in the Jerusalem of the real world, either. We all live somewhere in between. Doesn’t matter what religion you belong to, if any; if you’re in this city, you won’t only live on what’s happening on the floor, you’re going to live thousands of years of history, millions and millions of hopes and shattered hopes. It’s all circulating around you at any given moment. And, in that sense, it’s super artistic.
You’re involved in art, films, and music. What can these things do to foster Jewish pride or bring people together?
It’s really hard for me to put baggage on art. If it happens, it happens because the art did it, not the artist. It’s hard to explain. My only advice would be a classic hip-hop phrase: keep it real, do it as real as you can. Even when it seems like it’s the wrong thing to do, still speak your mind. And that’s the only way, at least for me and my band, to connect.
What, to you, is keeping it real? I know that you founded a number of community activities, including the One Shekel Festival, that help to strengthen marginalized communities. Is that an important part of what you do?
I think that involvement in social issues in Israel is kind of like a privilege or a benefit that artists can choose. Because people do want to hear what we have to say, and it’s up to us to decide if we want to say it or not. So yeah, when I was speaking earlier about keeping it real, it’s not to shy away from the issues, it’s to talk about the issues. And if people can act — perfect. If we can hold a festival in a place that never had one—amazing. If we can volunteer in a cancer ward — amazing. If we can perform in a forest that they want to tear down to turn into a neighborhood—even though all of the green movements think that it’s a disaster—we’ll do it. So, we try to stay close not only to the art but also to what’s happening. But that does get very, very tiring because we aren’t politicians, and we aren’t activists. We’re artists with our hearts in the right place.
Do you feel like you need to balance writing about social issues and just writing something that’s fun? Or can you accomplish both?
We demand the freedom to write whatever we want at any given time, and that can be about, for example, marijuana or just having a good time, as well as social injustice. It’s not one or the other. Our lives contain both. And when we want to keep it real, we have to speak about both. If I can give you an example from our latest album that we’re still recording, actually. But our first single that was released is a real good vibe, fun kind of tune with funny rhyming and funny references for Israelis. The single that we’re releasing tomorrow is called the “City of God,” and it’s about Jerusalem and what it does to its inhabitants over time. So, totally different topics, but music from the same band, and we’re always trying to keep it funky and fun. Having fun is super important to us. Because even if you’re saying important stuff, but it’s not fun, who wants to join? Right? There’s a saying that is something like, “If you can’t dance to it, it’s not my revolution.”
Who are some of your hip-hop influences?
I just did my top-five artists on Spotify. The first one this year was Lil Wayne. And the second one was a female rapper here in Israel called Eden Dersso. Number three was Kendrick Lamar. Number four was Eminem. And then number five was an Israeli rapper called Peled. So, actually, the top five were all hip-hop. But I’m influenced by various things — anywhere from jazz to rock and roll, reggae, electronic music, funk, of course, and a bunch of hip-hop from all over the world.
One theme of the Z3 conference is achieving Jewish unity and pride. What kind of advice do you have for younger people who may be reluctant to show their Jewish pride?
I think the best method would be to find something on Judaism that you connect with. Find certain elements and be proud of that. Narrow it down. You’re not holding 5,000 years of Jewry on your shoulders. You don’t need to feel that way. Judaism, and for that matter, Diaspora Jews, have so much to be proud of. Diaspora Jews have achieved so much that there’s plenty to be proud of inside that enormous umbrella. So just find the things you connect with and be proud of that. I think that’s a good way to start.
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With a Kennedy Center honor under Trump, David Mamet enters his final, tragic act
There was a time when David Mamet being honored at the Kennedy Center wouldn’t have raised eyebrows.
His contributions to American theater and film transcend an affinity for four letter words (let’s call them “the F— Variations”). His tough-talking, desperate men gave splenetic voice to the indignities of a capitalist system in Glengarry Glen Ross, evolving sexual mores in Sexual Perversity in Chicago and, in a movie like The Verdict, the justice system.
Cut to 2026 and Mamet’s scripts are but an afterthought to his grievance. When he makes headlines now, it’s for his reactionary conservative streak and his role as a partisan in the culture war. Together with a run of flops, numbering a Harvey Weinstein #MeToo comedy and a Broadway show not even Al Pacino could save, his esteem has cratered among the liberal circles that once embraced him, and to which he once belonged but now prefers to eviscerate.
He has made the transition from dramatist to pundit, first at HuffPost, lately at The Free Press. Reading too much into Oleanna, perhaps, he has called teachers pedophiles on Fox News, written screeds on cancel culture and, a prerequisite for the Kennedys at this moment, praised President Donald Trump.
In the honor, there is a strain of tragedy. Mamet has strayed so far from where he started — what he called his “brain-dead liberal” era — that he makes perfect sense for this appointment, under a regime that tried to slap its leader’s name onto a tribute to a slain president meant as a bipartisan shrine to art. (Due to the Center’s closure amid turmoil and legal battles, the ceremonies will take place at the Capital One Arena, which is only too perfectly bleak.)
A younger Mamet would have looked askance at such a figure as our current Commander-in-Chief, a character who is on the make with all sorts of half-baked schemes. The Iran War may be his latest play on a Buffalo nickel.
It’s enough to make one wonder if we’ve been misreading Mamet all along. Are the men breaking-and entering to steal the Glengarry leads meant to be admired? Are the Hollywood sleazes in Speed-the-Plow aspirational? Is Al Capone the real hero of The Untouchables?
Perhaps the evening, which tends to include career retrospectives, will elucidate. But if the Kennedy Honors could once be said to be for closers, it may now be only for a particular kind of sellout.
The post With a Kennedy Center honor under Trump, David Mamet enters his final, tragic act appeared first on The Forward.
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Why is Britney Spears studying Hebrew?
It’s Britney, Yitz!
Continuing a curious social media trend that has previously seen appreciation for the beards of chess-playing Chabadniks and the Zohar hidden among baby clothes, Britney Spears took to Instagram Sunday to post a Hebrew Book of Psalms and the Lekutei Amaraim, or Tanya, a Hasidic book of sayings.
The caption reads: “I’m extremely bored !!! Learning Hebrew reading right to left !!! Beautiful language !!!” (A previous caption, posted Sunday, was more cryptic, concluding “God speed little man !!! I love u !!!,” perhaps indicating the presence of a havruta or someone in her life who keeps his mitzvot.)
What exactly is happening here? Is Spears, like Marilyn before her and Sydney Sweeney now, about to dip her toe into the mikveh?
The best clue we have isn’t from Spears’ page, but from Israeli model Natalie Dadon, who tagged the “Hit Me Baby One More Time” singer in a selfie with the Tanya. “Finally, it’s possible to tell,” Dadon posted, in a gallery with Hebrew language news coverage of the posts. Dadon did not immediately respond to a request for comment.
Dadon’s social media presence involves Tanya study, which itself is a cornerstone to Lubavitch philosophy (so perhaps is connected to the Chabad chess players whose beards Spears so admired) and adjacent to Kabbalah.
Spears is no stranger to Jewish subjects. Around the time she locked lips with Madonna at the 2003 VMAs, she started, like so many others, to look into Kabbalah, as this handy timeline from Hey Alma notes. She has a Hebrew tattoo of letters that signify healing in kabbalistic texts and was apparently once attached to star in a Holocaust-time-travel-romance film called The Yellow Star of Sophia and Eton, which now that I’ve heard of it I will never shut up about.
She has credited Kabbalah with helping her through a difficult time in her life and has been spotted wearing a star of David.
But we should approach Spears’ dalliance with Judaism, now sandwiched on her Insta page between a call-out of her sister Jamie Lynn and a NSFW video of her dancing with a rose Emoji as a fig leaf, with some healthy skepticism.
Her Instagram bio currently reads “Pray Every Day” with a prayer hands emoji next to a Bible emoji with a cross. She’d still appear to be Christian — or, at the very least, waiting for the new iOS update with the Tanya emoji.
The post Why is Britney Spears studying Hebrew? appeared first on The Forward.
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Haley Stevens cheered at Jewish day school after endorsing GOP Senate candidate
(JTA) — Democratic Michigan U.S. Rep. Haley Stevens was given an extended ovation at a fundraising gala for a Detroit-area Jewish day school Sunday, hours after her endorsement of Republican Mike Rogers for Senate.
Stevens, a longtime pro-Israel stalwart, was celebrated at the Yeshiva Beth Yehudah annual dinner as many members of her party across the country spoke out against her decision to break with Democratic nominee Abdul El-Sayed.
Video of Stevens’ minute-long standing ovation was shared on social media by representatives of Agudath Israel of America, a major Orthodox advocacy group. Strongly pro-Israel Jews have largely lauded her move to Rogers, which she said came about in part because of her objections to El-Sayed’s past relationship with anti-Israel streamer Hasan Piker.
Also on Sunday evening, Stevens struggled to explain the timing of her decision in an interview with CNN’s Anderson Cooper. One consistency in her response was her belief that she was helping Democrats beat back antisemitism within their own party.
“I’m trying to help the Democratic Party. I felt the same way about Graham Platner and his Nazi tattoo,” Stevens said, referencing the Maine Senate candidate who ultimately stepped down from the nomination. Asked if she believed El-Sayed is antisemitic, she responded, “I think some of the actions have certainly been antisemitic, Anderson, but I’m just sick of who he stands with.”
She named Piker and “the uncle,” referring to Piker’s uncle Cenk Uygur, whose PAC produced an ad supporting El-Sayed that blamed Israel for the price of groceries. After Stevens publicly pressured El-Sayed to condemn the ad’s contents, the candidate appeared to do so on Saturday night, which Stevens celebrated in a statement — hours before endorsing Rogers.
To Cooper, Stevens suggested that many other Democrats felt the way she did.
“I’ve been hearing from a ton of Dems, Anderson, who have said, ‘Thank you. This is how we felt.’ They haven’t liked this campaign. It’s painful,” she said. A growing number of Michigan Jewish Democrats have pledged to vote for Rogers, though more than 1,000 have also signed a letter pledging to vote for El-Sayed.
Yeshiva Beth Yehudah is spread across multiple suburban Detroit campuses and is the largest Jewish day school in the state. Its annual fundraising dinner, “An Evening of Unity,” is known for drawing big national names in politics and the media, usually from both major parties.
Kentucky Gov. Andy Beshear, a Democrat, was the evening’s keynote speaker, and the gala program also featured personal letters from President Donald Trump and Vice President JD Vance.
But it was Stevens, a regular supporter of the school, who turned the most heads. She was also presented with what the emcee called “a specially designed, illuminated book of the five scrolls of our prophets, which remind you all of our heartfelt esteem and appreciation for who you are.”
The yeshiva’s leadership also extended warm wishes to Stevens’ Jewish fiancé, Democratic megadonor Jason Turkish, whom the yeshiva’s emcee described as “our dear friend.” Turkish’s own endorsement of Rogers came days before the congresswoman’s.
This article originally appeared on JTA.org.
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