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The Justice System’s Disgusting Indifference to Murder and Attacks on Jews
US Rep. Rashida Tlaib (D-MI) addresses attendees as she takes part in a protest calling for a ceasefire in Gaza outside the US Capitol, in Washington, DC, US, Oct. 18, 2023. Photo: REUTERS/Leah Millis
Two weeks after the October 7 Hamas terrorist massacre in Israel, Samantha Woll, a 40-year-old Jewish woman, was found murdered outside her Detroit home with multiple stab wounds.
The man charged with the brutal slaying, Michael Jackson-Bolanos, was acquitted of first-degree murder in July. Weeks later, a deadlocked jury failed to convict Jackson-Bolanos on a similar count of felony murder. Instead, the suspect, whose attorney claimed he was “in the wrong place at the wrong time,” will spend 18 months in prison after the jury only convicted him on one count of lying to law enforcement.
Detroit police continue to claim there is no evidence that Woll’s murder was motivated by antisemitism.
At the time of her killing, Woll was serving as President of the Isaac Agree Downtown Synagogue, and was active in Democratic politics. Incidentally, her murder occurred in Congresswoman Rashida Tlaib (D-MI)’s district, where, just days prior to Woll’s body being discovered, the antisemitic lawmaker launched into another anti-Israel diatribe and falsely accused Israel of a deadly strike on a Gaza hospital that she said killed over 500 people (this was proven to be a complete lie on every account).
In November, Tlaib spoke about her “dear friend” on the House floor, calling Woll a deeply loved member of the “social justice community.”
Tlaib’s performative sorrow does little to deflect from acknowledging the Congresswoman’s outsize role in fomenting antisemitism. Moreover, the dearth of media noise and the judicial dismissiveness attached to Woll’s murder case comes against a backdrop of rising violence targeting Jews nationwide. In New York, hundreds of miles from Michigan, Orthodox Jews are routinely subjected to assault, harassment, and intimidation by criminals engaging in antisemitic thuggery.
Last Spring, a group of religious Jewish children were playing in front of a Brooklyn building when they were knocked down and punched by a Citi bike rider. To date, police have yet to find the attacker.
Just last week, 22-year-old Vincent Sumpter was charged with stabbing Yeshiva student Yechiel Michael Dabrowskin near Chabad’s headquarters, while shouting antisemitic screeds at the cohort of Jews gathered before fleeing the scene.
These are just a fraction of the violent attacks that have occurred against Jews in New York and nationwide. And while this latest incident resulted in an arrest, anti-Jewish hate crimes in New York often occur without the perpetrators facing any criminal consequences.
On its surface, the murder case involving interfaith advocate Samantha Woll shares little in common with the repeated attacks on New York’s Hasidic community. Yet, public apathy and judicial indifference over whether Woll’s killer will face any consequences for his brutality is tied to a similar disengagement in prosecuting crimes concerning the targeting of observant Jews.
For all her work with the Muslim community, it’s hard to believe that Woll’s murder would have been treated the same if she had been a part of any other racial or ethnic group besides Jews.
For Jewish Americans to retain faith in our Nation’s criminal justice system, those tasked with preserving the integrity of our judicial order must illustrate their willingness to treat felonies committed against Jews with the same degree of seriousness that is exercised for other minority communities.
The intimidating and hate-fueled pro-Hamas rallies unfolding across American campuses and in cities have inevitably contributed to the alarming spike in antisemitic incidents, which, according to the Anti-Defamation League, reached an all-time high last year.
While liberal lawmakers in places such as New York are quick to condemn these anti-Jewish episodes, their lofty language is seldom met with robust repercussions for the antisemitic agitators. And sometimes, their incitement against the Jewish State is actually what helps contribute to the sense that violence against Jews (and especially pro-Israel Jews) will be tolerated.
Indeed, Manhattan District Attorney Alvin Bragg dropped charges for most of the pro-Palestinian Columbia University students who participated in seizing a campus building earlier this year and destroying university property.
Unsurprisingly, as Jews are cast as an oppressor class within the intersectional paradigm that guides the agenda of many officials and residents in liberal-run cities, US Jews of varying ideological persuasions must confront the reality that prosecutors, the policy, and government officials will often fail to take the necessary action to punish perpetrators if the victims are Jewish.
A grievance-based approach in many areas of the country to policy helps explain the distinction attributed to the swift but appropriate punishment given to criminals guilty of attacking people of other faiths, including members of the Black and Muslim communities, but not to Jews.
Back in 2021, not far from where Woll’s body was found, a white Michigan resident was sentenced to five years in prison for beating a Black teenager with a bicycle lock. Yet Woll has received absolutely no justice — and we must also question if her faith played a role in the jury being deadlocked.
In June, Manhattan DA Bragg announced that 40-year-old Gino Sozio would be serving nine years in prison for his role in a 2022 anti-Muslim hate crime. At that time, Sozio pulled out a knife and slashed the torso of a 22-year-old Muslim-American man, who required stitches and surgery following the despicable assault.
The growth of progressive protest movements over the last decade suggests that some of the same people participating in such leftist endeavors may serve as the next juror or judge to decide the fate of a suspect charged with committing a crime against a Jew.
It’s a troubling trend that has already touched Europe. The societal shifts consuming France likely contributed to Sarah Halimi’s killer, Kobili Traore, being excused from a criminal trial after he tortured the Jewish woman for hours in her own home before killing her in 2017.
To political ideologues, it matters little if one adheres to the Samantha Woll or Yechiel Michael Dabrowskin branch of Judaism. To them, crimes encompassing members of the Jewish community are telegraphed through an intersectional prism where Jews will always remain unremarkable figures outside of the ideological sanctum.
Irit Tratt is an American and pro-Israel advocate residing in New York. Follow her on X @Irit_Tratt
The post The Justice System’s Disgusting Indifference to Murder and Attacks on Jews first appeared on Algemeiner.com.
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Israeli Culture Minister Cuts Funding for Film Awards After Palestinian Drama Wins Top Prize, Chosen for Oscars Submission
A scene from “The Sea.” Photo: The Israeli Academy of Film and Television
Israeli Minister of Culture and Sports Miki Zohar said his ministry will pull state funding for Israel’s Ophir Awards, which is the Israeli equivalent to the Oscars, after it awarded a top honor to a film that “defames” Israel’s “heroic soldiers,” he announced on Wednesday.
At this year’s Ophir Awards ceremony on Tuesday night, “The Sea” won best picture, which automatically makes the film Israel’s submission for the 2026 Oscars in the category of best international feature film. The drama, directed and written by Shai Carmeli-Pollak and produced by Baher Agbariya, also won best screenplay, best actor for the 13-year-old Palestinian Muhammad Gazawi, best supporting actor for Khalifa Natour, and best original score. The movie, filmed in Arabic and Hebrew, marks Gazawi’s first acting role.
The Ophir Awards are voted on by the Israeli Academy of Film and Television, a nonprofit organization that is the Israeli version of the US-based Academy of Television Arts & Sciences. It has more than 1,000 members, including filmmakers, producers, content creators, and actors.
“The Sea” follows a 12-year-old Palestinian boy named Khaled, from a village near Ramallah, who gets the opportunity to go the beach for the first time in his life on a class trip to Tel Aviv. When he is forced to return home at a military checkpoint, while his classmates continue on to the beach, Khaled decides to risk his life and dodge Israeli authorities on his solo journey to reach the ocean. “The Sea” premiered at the Jerusalem Film Festival this summer and received support from the Israeli Film Fund.
In a statement on X, Zohar said that after the “pro-Palestinian” film, “which defames our heroic soldiers while they fight to protect us,” won the award for best film at the “shameful” Ophir Awards on Tuesday night, he decided to discontinue funding for the ceremony.
“During my tenure – the citizens of Israel will not pay out of their pockets for a disgraceful ceremony that spits on the heroic IDF soldiers,” he added. “This great absurdity, that Israeli citizens are still paying out of their pockets for the disgraceful Ophir Awards ceremony, which represents less than one percent of the Israeli people – is over. Starting from the 2026 budget, this pathetic ceremony will no longer be funded by taxpayers’ money. The citizens of Israel deserve for their tax money to go to more important and valuable places.”
Several winners on stage at the Ophir Awards ceremony, including Carmeli-Pollak and Agbariya, sported a black T-shirt with a message that called for an end to the Israel-Hamas war and said in Hebrew and Arabic “a child is a child.” Others wore shirts that called for the return of the hostages abducted by Hamas-led terrorists from Israel on Oct. 7, 2023, and talked about the devastation taking place in Gaza during the ongoing war. Acclaimed Israeli director Uri Barbash received a lifetime achievement award at the ceremony, and in his acceptance speech, he condemned actions of the Israeli government and Zohar, pleaded for an end to the war, and called for solidarity between Jews and Arabs.
“It is our sacred duty to bring all the hostages back to their families immediately,” he said. “To end the accursed war and replace the ‘divide and rule’ regime that has declared war on Israeli society!”
Other movies that competed alongside “The Sea” for best film at this year’s Ophir Awards included Nadav Lapid’s “Yes,” “Dead Language – which made its world premiere at the 2025 Tribeca Film Festival and is an expanded version of the Oscar-nominated short film “Aya” – and Natali Braun’s “Oxygen,” which is about a single mother fighting to pull her son out of military service and his deployment to Lebanon.
Israel has had 10 nominations in the category of best international feature film at the Oscars but has yet to win. The Academy of Television Arts & Sciences will announce on Dec. 16 a shortlist of 15 contenders for the 2026 Oscar for best international feature film. The final list of nominations will be announced on Jan. 22, 2026, and the 98th Academy Awards will take place on March 15, 2026.
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HBO Max Acquires US Rights to Scripted Series ‘One Day in October’ About Hamas Attack
Bartender and survivor of the Nova Festival, May Hayat, takes cover as rocket sirens sound, during her first visit to the scene of the attack, on the one-month anniversary of the attack by the Palestinian terrorist group Hamas on Oct. 7, near Re’im, Israel, Nov. 6, 2023. Photo: REUTERS/Evelyn Hockstein
HBO Max has acquired exclusive rights in the United States to “One Day in October,” a scripted series based on real-life, first-hand accounts from the deadly Hamas-led terrorist attack in Israel on Oct. 7, 2023.
“One Day in October” is the first real-time scripted portrayal of personal stories from the massacre in southern Israel, where Palestinians terrorists murdered 1,200 people and kidnapped 251 hostages. The attack was the deadliest single-day slaughter of Jews since the Holocaust.
“One Day in October” will debut on HBO Max in the US on Oct. 7, the two-year anniversary of the attack, FOX Entertainment announced on Monday. Filmed on location in Israel, the four-episode series is co-produced by FOX Entertainment Studios in partnership with Israel’s yes TV, the New York-based production company Sparks Go, and Israel’s ZOA Films, in association with Moriah Media.
The series “presents seven emotionally gripping and artistically interwoven narratives of love, courage, sacrifice and survival,” according to a description provided by HBO Max. “From families torn apart to moments of hope emerging in the face of unspeakable tragedy to incredible bravery against the odds, each episode reveals the human cost and resilience born out of chaos. The series portrays the victims’ and survivors’ experiences of that day and is brought to life by a distinguished cast and acclaimed creative team.”
“One Day in October” is created by Daniel Finkelman, founder of the New York-based production company Sparks Go, and Oded Davidoff, who is also the director and writer on the series. Sparks Go helped co-produce the series.
“The tragic events on Oct. 7 had a profound impact on all of us,” said Fernando Szew, president of FOX Entertainment Studios. “From the very beginning, we approached this series with the utmost care, sensitivity, and urgency to ensure that the stories were told with authenticity and respect and paying homage to the victims and the heroic survivors. Oded and the incredible cast, crew and teams at Sparks Go, ZOA, and yes TV have truly created compelling storytelling that we are proud to showcase.”
The cast includes Swell Ariel Or, Noa Kedar, Naomi Levov, Hisham Suliman, Wael Hamdoun, Yuval Semo, Avi Azulay, Naveh Tzur, Yael Abecassis, Moran Rosenblatt, Michael Aloni, Neta Roth, Sean Softi, Lior Ashkenazi, and Uri Perelman. The series features writing by Liron Ben-Shlush, Davidoff, Amir Hasfari, Keren Weissman, Orit Dabush, and Yona Rozenkier. Jim Berk and Sheldon Rabinowitz with Moriah Media are also executive producers on the series.
“For me, film and television have always been more than entertainment, they are a way to bear witness,” said Finkelman. “These are stories of ordinary people facing extraordinary moments. In a time when truth is fragile, the most powerful thing we can do is to appeal to humanity itself. My hope is that these stories will open hearts and spark meaningful conversation.”
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Merz Says Criticism of Israel in Germany Has Become Pretext for Hatred of Jews
German Chancellor Friedrich Merz attends celebrations of the newly completed renovation of Reichenbach Strasse synagogue in Munich, Germany, Sept. 15, 2025. Photo: REUTERS/Angelika Warmuth
Chancellor Friedrich Merz said on Wednesday that criticism of Israel was increasingly being used in Germany as a pretext for stoking hatred against Jews.
Speaking at an event to mark the 75th anniversary of the founding of the Central Council of Jews, Merz said that antisemitism had “become louder, more open, more brazen, more violent almost every day” since the Hamas-led attacks on Oct. 7, 2023, that ignited the Gaza war.
“‘Criticism of Israel‘ and the crudest perpetrator-victim reversal is increasingly a pretext under which the poison of antisemitism is spread,” he said.
Germany is Israel‘s second biggest weapons supplier after the US, and has long been one of its staunchest supporters, in part because of historical guilt for the Nazi Holocaust – a policy known as the “Staatsraison.”
Last month, however, Germany suspended exports of weaponry that could be used in the Gaza Strip because of Israel‘s plan to expand its operations there – the first time united Germany had acknowledged denying military support to its long-time ally.
The decision followed mounting pressure from the public and his junior coalition partner over the humanitarian crisis in Gaza.
In his speech in Berlin on Wednesday, Merz mentioned his about-turn, saying that criticism of the Israeli government “must be possible,” but added: “Our country suffers damage to its own soul when this criticism becomes a pretext for hatred of Jews, or if it even leads to the demand that Germany should turn its back on Israel.”