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The most Jewish moments from Barbra Streisand’s memoir
(JTA) — Throughout Hollywood history, many stars of Jewish ancestry have soft-pedaled that heritage, changing their names or speaking rarely, if at all, about their Jewishness.
No one can accuse Barbra Streisand of either.
The singer and actress of the stage and screen — one of the most beloved Jewish American icons of the past half-century — published her long-awaited memoir, “My Name is Barbra,” earlier this month. Throughout, Streisand references her Jewish background constantly, often peppering in Yiddish words and callbacks to her Brooklyn Jewish upbringing.
Here are the Jewish highlights from “My Name is Barbra.”
Brooklyn days
Streisand was born in Brooklyn, in April 1942. In the book, she writes of her grandfather taking her to an Orthodox synagogue and of attending a yeshiva when she was young — an experience that later prepared her for her movie “Yentl.”
Streisand’s father died when she was 15 months old. She first lived with her grandparents, on Pulaski Street in Williamsburg. When she was eight, her mother remarried and they moved to a different part of Brooklyn.
“We pulled up to a tall brick building (one of many that all looked alike) on Newkirk Avenue in Flatbush, part of a big public housing project called the Vanderveer Estates (a very fancy name for a not-so-fancy place),” she writes in the book. “I remember being very impressed that there was an elevator. I thought we were rich now.”
Broadway bound
The very first Broadway show Streisand ever attended, at age 14, was a 1950s staging of “The Diary of Anne Frank,” and it activated ambitions to one day star on Broadway herself.
“I was mesmerized by the play,” she writes. “Anne is fourteen, I’m fourteen. She’s Jewish, I’m Jewish. Why couldn’t I play the part?” In an early theater role, she appeared in the same cast as legendary Jewish comedian Joan Rivers, then still going by her given name Joan Molinsky.
Later, Streisand’s first big Broadway part was in the musical “I Can Get It For You Wholesale,” in which she played a Jewish secretary named Yetta Tessie Marmelstein. While working on that show, she met Elliott Gould, the Jewish actor who would become her first husband and the father of her son Jason.
Streisand shown with her then-husband Elliott Gould, March 17, 1966. (Harry Dempster/Express/Getty Images)
Described by the author as “two Jewish oddballs who found each other,” Gould and Streisand married and divorced entirely prior to their respective movie star heydays in the 1970s.
Jewish food
Streisand writes repeatedly about her love of food — from complaining about the subpar offerings at a Jewish camp she attended in the Catskills at age 8 to her inability to find New York-quality food while traveling overseas. She also discusses her habit of bringing food with her everywhere.
“Maybe it’s part a collective unconscious of European Jews, because what if a pogrom came and you had to get across the border fast?” she writes. “You have to have a little something to eat until you get to the next country.”
Later, she gushes about knishes from Yonah Schimmel’s on Houston Street in New York.
Jewish collaborators
Streisand worked with many Jewish songwriters, directors, and arrangers during her Broadway days, including Jerome Robbins, Marvin Hamlisch and Jule Styne. “My Name is Barbara,” the song that provides the book its title (albeit with a slightly different spelling), was written by Leonard Bernstein, and she took it up after discovering a book of sheet music of Bernstein’s compositions.
“Can you believe it? I was amazed that such a thing existed,” Streisand writes of finding the song. “Now that’s bashert,” she added, using the Yiddish word for “meant to be.”
“Funny Girl,” on stage and screen
“Funny Girl,” the 1964 Broadway musical in which Streisand played the Jewish comedian Fanny Brice, made her a household name.
“Obviously, we were both Jewish, born in New York City… she was raised on the Lower East Side… so there would be a similar cadence in our speech,” Streisand writes of playing Brice. “I’d already noticed that if I spoke in the Brooklyn accent I had heard growing up, with that distinctive Jewish delivery, people would often laugh… we both had Jewish mothers who were concerned about food and marrying us off.. not necessarily in that order.”
The Jewish Broadway legend Stephen Sondheim, who had been considered to write “Funny Girl” but ultimately didn’t, had insisted that a Jewish performer play Brice. “And if she’s not Jewish — she at least has to have the nose!” Sondheim said at the time, according to Streisand. In 1985, Streisand would lead off her “Broadway Album” with Sondheim’s “Putting It Together” and include several other of his songs.
A troubled production that became a huge hit, the success of “Funny Girl” on Broadway led to a 1968 film adaptation, directed by Jewish filmmaker William Wyler, that won Streisand the Best Actress Oscar. In the film, the Egyptian actor Omar Sharif was cast in the male lead opposite Streisand. In a movie shot not long after the Six-Day War, Streisand writes, “Some people didn’t like the idea of an Arab man romancing a Jewish woman.”
When headlines stated that the reaction to the casting in Sharif’s homeland had been negative, Streisand joked, “‘Egypt angry?’ You should hear what my aunt Anna said.”
In 1973, another hit movie starring the actress, “The Way We Were,” involved a love story set against the backdrop of the House Un-American Activities Committee hearings, between a “Jewish girl” (Streisand) and “gentile boy” played by Robert Redford.
A “nice Jewish girl” on the cover of Playboy
A notable sex symbol throughout the 1970s, Streisand famously appeared on the cover of Playboy in 1977 with the headline “What’s a nice Jewish girl like me doing on the cover of Playboy?” She did not pose nude but did participate in a lengthy interview. The book, for the first time, includes a photograph, from that same shoot but unused, of Barbra in a Playboy bunny costume.
Barbra and Bella
Streisand has been a supporter and friend of numerous Democratic presidents and other political figures. When she started to get politically active, around 1970, she became a close friend and supporter of Jewish politician Bella Abzug, when she ran for Congress.
“Here we were, two Jewish girls… Bella from the Bronx and Barbra from Brooklyn… who made good!” Streisand writes.
Streisand later discovered that both she and Abzug were included on President Richard Nixon’s enemies list.
“Yentl” stories
In 1983, Streisand made her directorial debut with “Yentl,” an adaptation of the Isaac Bashevis Singer short story “Yentl, the Yeshiva Boy,” about a girl in 19th-century Poland who disguises herself as a boy to attend a yeshiva.
“I’ve always been proud of my Jewish heritage,” Streisand writes, about her desire to make “Yentl.” “I never attempted to hide it when iI became an actress. It’s essential to who I am… And I wanted to make this movie about a smart Jewish woman who represented so many qualities I admire.”
Her son, Jason, studied for his bar mitzvah around the same time that his mother was preparing to make “Yentl.”
The movie was filmed in what was then Czechoslovakia, beyond the Iron Curtain, at a time when the communist government was cracking down on Jewish worship. But Streisand wore a Jewish star on her cap while in that country — and “wore it defiantly,” she writes.
Streisand also clashed with her co-star, the famed Jewish actor Mandy Patinkin, on the set of “Yentl.” She hadn’t wanted to cast Patinkin, who at that point was much better known as a Broadway actor, and she considered Richard Gere for the role. According to the book, once filming started, Patinkin behaved in a hostile way on the set. When Streisand asked why, he answered: “I thought we were going to have an affair.”
Amy Irving, Streisand and Mandy Patinkin on the set of “Yentl.” (Courtesy of Penguin Random House)
When Streisand replied “I don’t operate that way,” she writes, the actor, then in his late 20s, cried. She threatened to replace him, and they continued to clash after that, but Streisand ultimately praises Patinkin’s work in the film.
Many years later, Streisand writes, Patinkin asked Streisand to write a blurb on one of his albums, and she brought up what had happened on the set. As an explanation for his behavior, Patinkin told her that he was “scared.”
Barbra and Israel
A premiere was held for “Yentl” in Israel in April of 1984, and on the same visit, Streisand dedicated the Emanuel Streisand School of Jewish Studies at Hebrew University in Jerusalem, named for her father. On the trip, she met with both the then-current prime minister, Yitzhak Shamir, and a future prime minister and president, Shimon Peres. Streisand was not daunted by a terrorist shooting that took place in Jerusalem while she was in the country and continued her trip as scheduled.
In 1993, during the negotiations that would lead to the Oslo Accords, Streisand was invited to a luncheon with Prime Minister Yitzhak Rabin, through her close friendship with President Bill Clinton. Streisand was later involved with an effort to make a film about the lives of Rabin and Yassir Arafat, leading up to their handshake at the White House. The project remained alive even after Rabin’s assassination in 1995 but later fell apart due to a financial dispute between the Showtime network and the director.
Streisand returned to Israel in 2013, for her first-ever concert in the country, and also to sing at a 90th birthday celebration for Shimon Peres. On that trip, she drew controversy when she gave a speech about the treatment of women in Israel.
“It’s distressing… to read about women in Israel being forced to sit in the back of the bus… or when we hear about the Women of the Wall having metal chairs hurled at them while they attempt to peacefully and legally pray,” she said in a speech while receiving an honorary doctorate from Hebrew University.
Obama’s Jewish joke
In 2015, Streisand received the Presidential Medal of Freedom, along with fellow honorees Sondheim and Steven Spielberg. “Born in Brooklyn to a middle-class Jewish family,” President Barack Obama joked in his introduction speech. “I didn’t know you were Jewish, Barbra.”
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The post The most Jewish moments from Barbra Streisand’s memoir appeared first on Jewish Telegraphic Agency.
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Israeli-Organized Music Festival in Portugal Canceled Amid BDS Threats
Supporters of the Boycott, Divestment, and Sanctions campaign. Photo: Alex Chis.
An Israeli-organized music festival set to open in Portugal today was canceled after one of the latest anti-Israel campaigns by the Boycott, Divestment and Sanctions (BDS) movement pressured local authorities to intervene.
“It is with the heaviest of hearts that we announce the cancellation of Anta Gathering,” the organizers of the five-day music festival wrote in a social media post on Instagram. “You came to celebrate life, music, and connection — and instead we find ourselves forced to cancel. This is heartbreaking for us, and we are still processing the shock.”
On Wednesday, organizers said they were expecting final approval for the event, but the local municipality informed them that additional regulations still needed to be met. According to a festival spokesperson, organizers tried to postpone the festival to secure the necessary permits after encountering unexpected regulatory hurdles.
“The reason is clear: in the last days we faced a well-funded and orchestrated BDS campaign built on lies and hatred,” the organizers, brothers Shahar and Dean Bickel, wrote.
“For months, they worked to sabotage our vision, spreading disinformation fueled by money and nationalism. Their goal was never about music or community, but only to divide, intimidate, and cause pain,” the statement reads.
“The damage has been devastating and made it impossible to move forward,” it continued.
The organizers have launched a GoFundMe campaign to help cover the losses.
According to local media, pro-Palestinian organizations, notably BDS Portugal, have made threats against the local municipality, with activists pressuring officials to block the festival’s permits and warning artists from attending.
However, even with all permits in place — including police and safety approvals, cleared health inspections, booked artists, and waiting audiences — the local municipality informed organizers just 24 hours before opening that the festival could not proceed.
“Not because of safety. Not because of logistics. But because of hate based on nationality,” the organizers said in a statement.
“This is not just about a festival. This is about the right to create without fear. It is about protecting culture from being destroyed by prejudice,” the statement reads.
In a post on social media, BDS Portugal admitted to threatening several of the participating artists, prompting some to cancel their appearances. The group also claimed the festival is being organized by Israeli soldiers who “took part in the genocide.”
Given the unexpected cancellation, the festival is facing significant financial challenges — from supplier payments and booked artist flights to legal costs and ticket refunds — with losses already exceeding €50,000.
“Every contribution, small or big, makes a difference — helping us cover debts, refunds, and keep the dream alive,” the organizers said.
“This is not the end. Anta is about love, freedom, and community — and no campaign of hate will ever destroy that. With your support, we will heal, rebuild, and dance together again,” the statement reads.
This five-day electronic music festival is organized by two Israeli brothers, Shahar and Dean Bickel, and brings together 100 artists from around the world and more than 800 participants.
According to a festival’s spokesperson, Shahar Bickel served two weeks of reserve duty in the Israeli Defense Forces (IDF) at the start of the war in Gaza but never left Israel’s borders, while his brother Dean did not serve in the army.
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Iran and Terrorism: Empty Gestures or Genuine Change?
Iranian Foreign Minister Abbas Araqchi speaks during a meeting with foreign ambassadors in Tehran, Iran, July 12, 2025. Photo: Hamid Forootan/Iranian Foreign Ministry/WANA (West Asia News Agency)/Handout via REUTERS
In a world grappling with persistent threats of terrorism and financial crimes, the international community must not be swayed by superficial gestures.
While Tehran’s recent ratification of the Palermo Convention against transnational organized crime may seem like a step in the right direction on the surface, it is likely a calculated move designed to distract from the regime’s continued and unwavering support for global terrorism.
The Financial Action Task Force (FATF) reportedly plans to meet with Tehran’s bureaucrats to review whether the Islamic Republic of Iran has complied with its action plan to be removed from its blacklist.
However, the global financial watchdog must resist the temptation to remove Tehran from the list, because the Islamic Republic fundamentally remains committed to funding terrorism and engaging in illicit financing. To remove Tehran would be to ignore a mountain of evidence that supports this unequivocal fact.
In fact, removing Iran would endanger the integrity of the international financial system.
For years, the Islamic Republic has been a leading state sponsor of terrorism. No single treaty that Iran may ratify can disguise this fact.
The regime’s Islamic Revolutionary Guard Corps (IRGC) has a long and bloody history of plotting assassinations on American soil and overseas, targeting high-profile figures like President Donald Trump, journalists, dissidents, and ordinary citizens. This is not the conduct of a state genuinely committed to combating organized crime. It is the action of a rogue regime that uses terror as a primary tool of its foreign policy.
The recent move by Iran’s Expediency Discernment Council to ratify the United Nations’ Palermo Convention — after years of refusing to do so — is a classic example of Tehran’s diplomatic gamesmanship.
Tehran understands its presence on the FATF blacklist has crippled its economy, It is desperate for a reprieve. However, the regime has refused to ratify the most crucial of the FATF-required treaties: the International Convention for the Suppression of the Financing of Terrorism (CFT).
By refusing to do so, Tehran is signaling its intention to continue funding terrorist proxies including Hamas, Hezbollah, and the Houthis. Nor has Iran abandoned the facilitation network it has provided to Al-Qaeda. While Tehran may one day feel compelled to ratify the CFT for economic reasons, removing it from the blacklist should take place only if commensurate conduct changes on the terrorism front — and that change is sustained.
The international community has already witnessed the devastating consequences of Iran’s terror financing. The Hamas attack on Israel on October 7, 2023, was inspired, funded, and enabled by Tehran. The regime’s support for the Houthis in Yemen has destabilized the region and disrupted global trade, costing the United States and its allies billions of dollars. Tehran’s backing of Hezbollah in Lebanon threatens the security of Israel and the stability of the entire Middle East. Iran should not be welcomed back into the global financial fold until it changes its conduct, not merely purports to agree to an item on a technical checklist.
The FATF has a clear mandate: to protect the global financial system from money laundering and terrorist financing. To fulfill this mandate, it must hold Iran to the same standard as every other nation. This means insisting on full and unconditional compliance with all FATF requirements, including the ratification of the CFT and demonstrable adherence to its principles. There can be no exceptions, carve-outs, or special treatment for a regime that has blatantly and repeatedly violated international law and circumvented sanctions.
Tehran’s diplomatic overtures are nothing but a smokescreen. As long as the regime continues to fund terrorism, plot assassinations, and destabilize the Middle East, it must remain on the FATF blacklist. The security of the United States and its allies, and the integrity of the global financial system, depend on it. The message to Tehran must be clear: words are not enough. Its actions and malign conduct must change.
Saeed Ghasseminejad is a senior advisor at the Foundation for Defense of Democracies (FDD). Toby Dershowitz is managing director at FDD Action, FDD is a Washington, DC-based, nonpartisan research institute focused on national security and foreign policy. FDD Action is a non-partisan 501(c)(4) organization established to advocate for effective policies to promote US national security and defend free nations. Follow the authors on X @SGhasseminejad and @tobydersh.
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From Sacred to Strategic: Hamas Turns Civilian Infrastructure Into Targets
Palestinian Hamas terrorists stand guard on the day of the handover of hostages held in Gaza since the deadly Oct. 7, 2023, attack, as part of a ceasefire and a hostages-prisoners swap deal between Hamas and Israel, in Rafah in the southern Gaza Strip, Feb. 22, 2025. Photo: REUTERS/Hatem Khaled
Two weeks ago, the IDF revealed a chilling incident: Hamas operatives posed as World Central Kitchen aid workers, wearing yellow vests and using WCK-branded vehicles. WCK swiftly confirmed that the imposters had no affiliation — that this was terrorism hiding in humanitarian garb.
Then, earlier this week, Israel struck Nasser Hospital in Southern Gaza — not randomly, cruelly or without reason, but because Hamas was using the hospital to operate surveillance cameras to track IDF movements.
A tragic battlefield misstep occurred when tank fire was used to disable those cameras instead of drones, killing 6 Hamas terrorists who were either operating or near the targeted cameras, but also resulting in unintended civilian casualties. This outcome was tragic — but sadly predictable.
This is the logic of Hamas’ strategy: weaponize Gaza’s hospitals, schools, mosques, and aid centers, force civilian casualties and damage to civilian infrastructure, and then broadcast them as evidence of Israeli atrocity.
Hospitals: Protected — Until Abused
International Humanitarian Law (IHL) stands firm: during a war, hospitals may not be targeted — unless they are being used for military purposes. Hamas’ use of these sites as command or surveillance posts nullifies their protection.
Mosques and Schools: Sacred — Until Militarized
Houses of worship and schools are also granted special status under IHL. But that protection dissolves once they are used for military advantage — a tactic Hamas consistently employs, turning places of worship into weapons depots and schools into hideouts.
Humanitarian Aid: Safe — Until Exploited
Under IHL, even aid workers can become legitimate targets when Hamas impersonates them. The WCK incident not only endangered genuine aid efforts, but it also weaponized the trust people place in humanitarian organizations, and eroding that trust endangers aid workers everywhere in Gaza.
This Is Calculated — Not Casual
These are not random errors — they are deliberate Hamas strategies: embed fighters and military and tactical equipment in civilian infrastructure, provoke strikes, and unleash graphic narratives. The recent hospital strike and the WCK impersonation reflect this grim choreography.
A Double Standard with Deadly Consequences
When US or UK forces faced civilian casualties in Mosul or Aleppo, the world understood the moral complexity caused by ISIS embedding itself among civilians and fighting in civilian clothes.
But when Israel confronts Hamas — whose tunnel networks under hospitals and all other civilian infrastructure in Gaza rival entire urban subway systems — the narrative is nearly monolithic: Israel is the villain.
This is the double standard defined in the IHRA working definition of antisemitism.
No Safe Haven for Gaza Civilians
Hamas’ cynical human shield strategy and its use of Gaza’s civilian infrastructure as cover is enhanced as a tactical tool by the actions of Gaza’s Arab neighbors.
In Syria and Ukraine, civilians fled across borders to safety in Jordan, Poland, Turkey.
In fact, in every war in modern history, civilians have left combat zones to go to neighboring non-hostile countries.
But after October 7, Egypt and Jordan closed their borders, citing political fears. That leaves Gaza civilians trapped — forced to rely on limited “humanitarian zones” Israel sets up — zones Hamas routinely targets and even tries to stop Gazans from entering.
The result: Israel is held to an impossible standard: avoid civilian casualties even when terrorists hide themselves and their military and tactical infrastructure next to, among, and beneath them, while Gaza’s Arab neighbors are held to no standard of refuge for their fellow Arabs whatsoever.
Casualty Figures — Propaganda Masquerading as Data
To make matters worse, most media outlets parrot casualty numbers from Hamas’ so-called “Health Ministry.”
The Gaza Health Ministry’s numbers lump together civilians, combatants, natural deaths, and even those killed by Hamas’ own misfired rockets. For years before October 7th, between 5,000 and 7,000 people in Gaza died from natural causes. Meanwhile, at least 15% to 25% of Hamas and Islamic Jihad’s rockets fall short, killing Gazans.
And Hamas routinely kills Gazans it decides are “collaborators” with Israel. All these deaths — along with the death of Hamas fighters — are aggregated in Hamas’s “death tolls” for the October 7th war it started.
Yet the narrative advanced by major media outlets and on social media paint every death as of a civilian killed by Israel. This is propaganda masquerading as data.
Conclusion: Accountability, Not Convenient Narratives
Hamas will continue to weaponize its own civilians — and civilian spaces — if excuses remain for its behavior. Only when the global dialogue refuses to blame Israel for the foreseeable results of Hamas’ human-shield warfare can moral clarity return.
The responsibility lies — with Hamas, not Israel — to stop turning Gaza’s hospitals, schools, and civilian infrastructure generally into strategic targets. Let’s call this what it is: terrorism hiding behind civilian facades. Until the world stops tolerating and even rewarding Hamas’ cynical human shield tactics, they will continue.
Micha Danzig is a current attorney, former IDF soldier & NYPD police officer. He currently writes for numerous publications on matters related to Israel, antisemitism & Jewish identity & is the immediate past President of StandWithUs in San Diego and a national board member of Herut.