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The most Jewish moments from Barbra Streisand’s memoir

(JTA) — Throughout Hollywood history, many stars of Jewish ancestry have soft-pedaled that heritage, changing their names or speaking rarely, if at all, about their Jewishness.

No one can accuse Barbra Streisand of either.

The singer and actress of the stage and screen — one of the most beloved Jewish American icons of the past half-century — published her long-awaited memoir, “My Name is Barbra,” earlier this month. Throughout, Streisand references her Jewish background constantly, often peppering in Yiddish words and callbacks to her Brooklyn Jewish upbringing.

Here are the Jewish highlights from “My Name is Barbra.”

Brooklyn days 

Streisand was born in Brooklyn, in April 1942. In the book, she writes of her grandfather taking her to an Orthodox synagogue and of attending a yeshiva when she was young — an experience that later prepared her for her movie “Yentl.”

Streisand’s father died when she was 15 months old. She first lived with her grandparents, on Pulaski Street in Williamsburg. When she was eight, her mother remarried and they moved to a different part of Brooklyn.

“We pulled up to a tall brick building (one of many that all looked alike) on Newkirk Avenue in Flatbush, part of a big public housing project called the Vanderveer Estates (a very fancy name for a not-so-fancy place),” she writes in the book. “I remember being very impressed that there was an elevator. I thought we were rich now.”

Broadway bound 

The very first Broadway show Streisand ever attended, at age 14, was a 1950s staging of “The Diary of Anne Frank,” and it activated ambitions to one day star on Broadway herself.

“I was mesmerized by the play,” she writes. “Anne is fourteen, I’m fourteen. She’s Jewish, I’m Jewish. Why couldn’t I play the part?” In an early theater role, she appeared in the same cast as legendary Jewish comedian Joan Rivers, then still going by her given name Joan Molinsky.

Later, Streisand’s first big Broadway part was in the musical “I Can Get It For You Wholesale,” in which she played a Jewish secretary named Yetta Tessie Marmelstein. While working on that show, she met Elliott Gould, the Jewish actor who would become her first husband and the father of her son Jason.

Streisand shown with her then-husband Elliott Gould, March 17, 1966. (Harry Dempster/Express/Getty Images)

Described by the author as “two Jewish oddballs who found each other,” Gould and Streisand married and divorced entirely prior to their respective movie star heydays in the 1970s.

Jewish food 

Streisand writes repeatedly about her love of food — from complaining about the subpar offerings at a Jewish camp she attended in the Catskills at age 8 to her inability to find New York-quality food while traveling overseas. She also discusses her habit of bringing food with her everywhere.

“Maybe it’s part a collective unconscious of European Jews, because what if a pogrom came and you had to get across the border fast?” she writes. “You have to have a little something to eat until you get to the next country.”

Later, she gushes about knishes from Yonah Schimmel’s on Houston Street in New York.

Jewish collaborators 

Streisand worked with many Jewish songwriters, directors, and arrangers during her Broadway days, including Jerome Robbins, Marvin Hamlisch and Jule Styne. “My Name is Barbara,” the song that provides the book its title (albeit with a slightly different spelling), was written by Leonard Bernstein, and she took it up after discovering a book of sheet music of Bernstein’s compositions.

“Can you believe it? I was amazed that such a thing existed,” Streisand writes of finding the song. “Now that’s bashert,” she added, using the Yiddish word for “meant to be.”

“Funny Girl,” on stage and screen 

“Funny Girl,” the 1964 Broadway musical in which Streisand played the Jewish comedian Fanny Brice, made her a household name.

“Obviously, we were both Jewish, born in New York City… she was raised on the Lower East Side… so there would be a similar cadence in our speech,” Streisand writes of playing Brice. “I’d already noticed that if I spoke in the Brooklyn accent I had heard growing up, with that distinctive Jewish delivery, people would often laugh… we both had Jewish mothers who were concerned about food and marrying us off.. not necessarily in that order.”

The Jewish Broadway legend Stephen Sondheim, who had been considered to write “Funny Girl” but ultimately didn’t, had insisted that a Jewish performer play Brice. “And if she’s not Jewish — she at least has to have the nose!” Sondheim said at the time, according to Streisand. In 1985, Streisand would lead off her “Broadway Album” with Sondheim’s “Putting It Together” and include several other of his songs.

A troubled production that became a huge hit, the success of “Funny Girl” on Broadway led to a 1968 film adaptation, directed by Jewish filmmaker William Wyler, that won Streisand the Best Actress Oscar. In the film, the Egyptian actor Omar Sharif was cast in the male lead opposite Streisand. In a movie shot not long after the Six-Day War, Streisand writes, “Some people didn’t like the idea of an Arab man romancing a Jewish woman.”

When headlines stated that the reaction to the casting in Sharif’s homeland had been negative, Streisand joked, “‘Egypt angry?’ You should hear what my aunt Anna said.”

In 1973, another hit movie starring the actress, “The Way We Were,” involved a love story set against the backdrop of the House Un-American Activities Committee hearings, between a “Jewish girl” (Streisand)  and “gentile boy” played by Robert Redford.

A “nice Jewish girl” on the cover of Playboy 

A notable sex symbol throughout the 1970s, Streisand famously appeared on the cover of Playboy in 1977 with the headline “What’s a nice Jewish girl like me doing on the cover of Playboy?” She did not pose nude but did participate in a lengthy interview. The book, for the first time, includes a photograph, from that same shoot but unused, of Barbra in a Playboy bunny costume.

Barbra and Bella 

Streisand has been a supporter and friend of numerous Democratic presidents and other political figures. When she started to get politically active, around 1970, she became a close friend and supporter of Jewish politician Bella Abzug, when she ran for Congress.

“Here we were, two Jewish girls… Bella from the Bronx and Barbra from Brooklyn… who made good!” Streisand writes.

Streisand later discovered that both she and Abzug were included on President Richard Nixon’s enemies list.

“Yentl” stories 

In 1983, Streisand made her directorial debut with “Yentl,” an adaptation of the Isaac Bashevis Singer short story “Yentl, the Yeshiva Boy,” about a girl in 19th-century Poland who disguises herself as a boy to attend a yeshiva.

“I’ve always been proud of my Jewish heritage,” Streisand writes, about her desire to make “Yentl.” “I never attempted to hide it when iI became an actress. It’s essential to who I am… And I wanted to make this movie about a smart Jewish woman who represented so many qualities I admire.”

Her son, Jason, studied for his bar mitzvah around the same time that his mother was preparing to make “Yentl.”

The movie was filmed in what was then Czechoslovakia, beyond the Iron Curtain, at a time when the communist government was cracking down on Jewish worship. But Streisand wore a Jewish star on her cap while in that country — and “wore it defiantly,” she writes.

Streisand also clashed with her co-star, the famed Jewish actor Mandy Patinkin, on the set of “Yentl.” She hadn’t wanted to cast Patinkin, who at that point was much better known as a Broadway actor, and she considered Richard Gere for the role. According to the book, once filming started, Patinkin behaved in a hostile way on the set. When Streisand asked why, he answered: “I thought we were going to have an affair.”

Amy Irving, Streisand and Mandy Patinkin on the set of “Yentl.” (Courtesy of Penguin Random House)

When Streisand replied “I don’t operate that way,” she writes, the actor, then in his late 20s, cried. She threatened to replace him, and they continued to clash after that, but Streisand ultimately praises Patinkin’s work in the film.

Many years later, Streisand writes, Patinkin asked Streisand to write a blurb on one of his albums, and she brought up what had happened on the set. As an explanation for his behavior, Patinkin told her that he was “scared.”

Barbra and Israel 

A premiere was held for “Yentl” in Israel in April of 1984, and on the same visit, Streisand dedicated the Emanuel Streisand School of Jewish Studies at Hebrew University in Jerusalem, named for her father. On the trip, she met with both the then-current prime minister, Yitzhak Shamir, and a future prime minister and president, Shimon Peres. Streisand was not daunted by a terrorist shooting that took place in Jerusalem while she was in the country and continued her trip as scheduled.

In 1993, during the negotiations that would lead to the Oslo Accords, Streisand was invited to a luncheon with Prime Minister Yitzhak Rabin, through her close friendship with President Bill Clinton. Streisand was later involved with an effort to make a film about the lives of Rabin and Yassir Arafat, leading up to their handshake at the White House. The project remained alive even after Rabin’s assassination in 1995 but later fell apart due to a financial dispute between the Showtime network and the director.

Streisand returned to Israel in 2013, for her first-ever concert in the country, and also to sing at a 90th birthday celebration for Shimon Peres. On that trip, she drew controversy when she gave a speech about the treatment of women in Israel.

“It’s distressing… to read about women in Israel being forced to sit in the back of the bus… or when we hear about the Women of the Wall having metal chairs hurled at them while they attempt to peacefully and legally pray,” she said in a speech while receiving an honorary doctorate from Hebrew University.

Obama’s Jewish joke

In 2015, Streisand received the Presidential Medal of Freedom, along with fellow honorees Sondheim and Steven Spielberg. “Born in Brooklyn to a middle-class Jewish family,” President Barack Obama joked in his introduction speech. “I didn’t know you were Jewish, Barbra.”

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The post The most Jewish moments from Barbra Streisand’s memoir appeared first on Jewish Telegraphic Agency.

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The BBC Documentary That Paints Every Israeli as an Extremist

The Jewish community of Beit El in Judea and Samaria. Photo: Yaakov via Wikimedia Commons.

Louis Theroux first visited the West Bank in 2011 to film a documentary titled Louis and the Ultra-Zionists, part of his long-running series for the BBC. Back then, he at least seemed to possess a trace of journalistic curiosity. Even the title signaled a degree of editorial caution — framing his subjects as a small, ideological fringe rather than representative of Israeli society as a whole.

At the time, Theroux made an effort to clarify that he was profiling a narrow segment of Israelis. He showed legally purchased Jewish homes (sold by Arab landowners, no less) and acknowledged the regular — and at times deadly — terror attacks faced by Israeli civilians living in the area, often requiring military protection. There was condescension, certainly. But there was also context.

Fast-forward to 2024, and the curiosity is gone — though the bemused, slightly smug expression remains. His new BBC documentary, Louis and the Settlers, drops even the soft qualifiers. No “ultra.” No nuance. Just “settlers.” And with that, Theroux makes it clear: half a million Israelis living in the West Bank are one and the same — extremists who, we’re told, want every last Palestinian removed from the land.

This time, the documentary doesn’t begin with questions. It begins with conclusions. And Theroux uses a brief, unrepresentative snapshot of life in the West Bank to draw sweeping indictments of the entire Israeli state.

The message is unmistakable: Israel is the problem. Settlers are the villains. And Palestinians are passive, blameless victims of a colonial project.

Within the opening minutes, Theroux plants his ideological flag. He refers to the West Bank as “Palestinian territory” and describes every Israeli community within it as illegal under international law — a sharp departure from his more qualified approach 14 years earlier.

And while his personal views seep in throughout the film, they become crystal clear during one exchange at a checkpoint, where an Israeli soldier casually refers to their location as “Israel.” Theroux shoots back: “We’re not in Israel, are we?”

And just like that, the BBC and Louis Theroux have redrawn Israel’s borders. No Knesset debate needed.

Erasing History to Blame the Massacre

The timing of this return trip is no accident. The film comes in the shadow of the October 7 Hamas massacres — the day 1,200 Israelis were slaughtered, families were burned alive in their homes, and children were dragged into Gaza. And yet, Theroux barely mentions it.

The few passing references to October 7 serve not to inform the audience — but to imply that Israel may be exploiting its own dead to justify further expansion. It’s not an investigation. It’s an accusation. And it allows him to skip over thousands of years of Jewish history in order to frame the current war in Gaza as a convenient cover story for Israeli “aggression.”

Take Hebron, for example. Theroux tells viewers that “in 1968, the year after [the West Bank] was occupied by Israel, a community of Jewish settlers moved in illegally. They now number some 700.” He fails to mention that in 1895 — decades before the modern state of Israel existed — Hebron had a Jewish population of 1,429.

Jews have lived in Hebron since antiquity — it’s where, according to Jewish tradition, Abraham purchased the Cave of the Patriarchs. Modern records date the community back centuries, despite discrimination under Ottoman rule and bans on Jewish prayer at holy sites. In 1929, Arab rioters carried out a massacre, wiping out Hebron’s Jewish population. Dozens were murdered; the rest were expelled. Under Jordanian rule from 1948 to 1967, Jews were banned from the city entirely. When they returned after the Six-Day War — not as colonists, but as a displaced community coming home — Theroux picks up the story there and calls it “illegal.”

On the Six-Day War itself, Theroux offers no context. No mention of the Arab armies preparing to destroy Israel. No mention of Israel’s preemptive strike against an existential threat.

According to The Settlers, Israel simply “occupied” — full stop.

Palestinian Terrorism? Not Even a Footnote.

Theroux visits Evyatar, a small Jewish community near the Palestinian town of Beita, and uses it as a stand-in for the entire West Bank. Beita is depicted as a symbol of peaceful resistance: a proud, ancient Palestinian village standing firm against violent settlers backed by IDF soldiers.

It’s a neat story. Too neat. Because missing from the story are years of organized, violent riots from Beita — complete with Molotov cocktails, burning Stars of David, and Nazi swastikas. All carefully omitted to preserve the narrative: Palestinians peaceful, settlers aggressive. Facts that don’t fit? Left on the cutting room floor.

Meanwhile, Israeli nationalism is treated as something sinister and unsettling — a moral aberration to be examined. The notion that Jews might want sovereignty or security is met with thinly veiled suspicion. Yet Hamas’ goal of a Jew-free Palestine, explicitly laid out in its charter, is never mentioned. Nor is the Palestinian Authority’s “pay-for-slay” policy, which literally incentivizes terrorism by rewarding those who murder Israelis — including women and children.

These aren’t fringe details. They’re central to understanding the region. And Theroux knows it. He just doesn’t care.

The BBC’s Complicity

That The Settlers aired on the BBC — a publicly funded broadcaster once seen as a gold standard of global journalism — says plenty. Not just about Louis Theroux’s agenda, but about the institutional direction of the BBC itself. This wasn’t a rogue filmmaker sneaking bias past the editors. This was bias built into the foundation — signed off, packaged, and broadcast under the banner of credibility.

There is, of course, no problem with scrutinizing Israeli policy, and no issue with questioning the settlement enterprise or highlighting the tensions in the West Bank. But journalism — real journalism — demands context. It demands precision. It demands at least a passing familiarity with the full scope of the story.

Theroux offers none of that. He arrives with a predetermined script and casts his roles accordingly: Hero. Villain. Victim. Oppressor. And when reality refuses to cooperate? It’s left out.

Louis Theroux didn’t return to Israel to understand it. He returned to flatten it. To reduce its complexity to a morality play — and to ensure everyone knows the antagonist is.

The Settlers isn’t a documentary. It’s a hit piece. And the BBC handed him the camera — then applauded the performance.

The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

The post The BBC Documentary That Paints Every Israeli as an Extremist first appeared on Algemeiner.com.

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Indian Army Kills Islamist Terrorist Linked to 2002 Murder of Jewish-American Journalist Daniel Pearl

Jewish-American Wall Street Journal journalist Daniel Pearl was kidnapped and murdered by Islamist terrorists in Pakistan in 2002. Photo: Screenshot

The Indian government announced on Thursday that its military forces had killed “Pakistan’s most wanted terrorist,” who was connected to the 2002 murder of Jewish-American Wall Street Journal journalist Daniel Pearl.

On Wednesday, India launched “Operation Sindoor,” which the ruling Bharatiya Janata Party (BJP) claims is targeted at dismantling “terrorist infrastructure” in Pakistan and Pakistan-administered Kashmir.

The operation came after Pakistani terrorists killed 26 Hindu tourists in Kashmir last month amid escalating tensions between the two countries.

In a post on X, the BJP confirmed that during this week’s operation, the Indian army killed Islamist terrorist Abdul Rauf Azhar, who was involved in numerous terrorism plots, including the 1999 hijacking of an Indian Airlines flight, the 2001 terror attack on the Indian Parliament, and the 2016 Pathankot Air Force base attack.

Azhar’s involvement in the 1999 hijacking led to the release of Ahmed Omar Saeed Sheikh, a British-born al-Qaeda member with close ties to Pakistan’s intelligence services, who later was involved in the kidnapping and subsequent murder of 38-year-old Pearl, who was covering the war on terror as a journalist when he was abducted.

In a statement on X, Pearl’s father, Judea, addressed initial reports regarding Azhar’s death and his connection to his son’s murder.

“I want to clarify: Azhar was a Pakistani extremist and leader of the terrorist organization Jaish-e-Mohammed. While his group was not directly involved in the plot to abduct Danny, it was indirectly responsible. Azhar orchestrated the hijacking that led to the release of Omar Sheikh — the man who lured Danny into captivity,” he said.

In 2002, the Jewish-American journalist was abducted and killed by a group of Islamist terrorists connected to Azhar’s militant network, which had ties to al-Qaeda and Jaish-e-Mohammed, a terror group aiming to separate Kashmir from India and incorporate it into Pakistan.

On Jan. 27, 2002, an email was sent to several Pakistani and US media organizations, which included several photos, stating that Pearl was being held in “inhumane” conditions to protest the US treatment of Taliban and al Qaeda prisoners in Cuba. Photo: Screenshot

Originally stationed in New Delhi as the South Asia bureau chief for The Wall Street Journal, Pearl later moved to Pakistan to investigate terrorism following the Sept. 11, 2001, terrorist attacks in New York City.

After kidnapping Pearl at a restaurant in Karachi, southern Pakistan, the Islamist terrorists, who identified themselves as the National Movement for the Restoration of Pakistani Sovereignty, accused him of being an Israeli spy and sent the United States a list of demands for his release.

However, Washington did not meet their demands, and Pearl was ultimately executed after being held captive for five weeks.

His wife, Mariane Pearl, gave birth to a baby boy, Adam D. Pearl, in Paris later that year. On the Daniel Pearl Foundation website, she said, “Adam’s birth rekindles the joy, love, and humanity that Danny radiated wherever he went.”

The post Indian Army Kills Islamist Terrorist Linked to 2002 Murder of Jewish-American Journalist Daniel Pearl first appeared on Algemeiner.com.

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Jewish Jewelry Shop Owners Brutally Assaulted in Tunisia Days Before Annual Pilgrimage

A Jewish jewelry shop owner in Djerba, Tunisia, was brutally attacked by a man wielding a machete. Photo: Screenshot

A Jewish jewelry shop owner in Djerba, Tunisia, was brutally attacked by a man wielding a machete just days before the Tunisian island was set to host its annual Jewish pilgrimage, which is expected to draw thousands of visitors.

On Wednesday morning, two Jewish men — owners of a jewelry shop in the center of the island, located off Tunisia’s southeast coast — were physically assaulted by a man carrying a large knife.

Although the attack was halted when one of them screamed — alerting members of the local Jewish community who subdued the assailant — one of them was left severely injured.

According to local media reports, the attacker had surveyed the island the day before, visiting several stores to identify those owned by Jews. Local police arrested him shortly following the assault.

After the attack, one of the owners was admitted to the hospital with severe injuries. The 50-year-old Jewish man had his fingers severed during the assault and underwent surgery to reattach them.

Israeli Foreign Minister Gideon Saar condemned the attack and expressed his wishes for a swift recovery to the victims.

“This attack comes two years after the previous deadly assault that claimed Jewish lives and the lives of security personnel during the Lag BaOmer celebration,” the top Israeli diplomat wrote in a post on X.

“I call on the Tunisian authorities to take all necessary measures to protect the Jewish community,” Saar continued.

Djerba is home to the majority of Tunisia’s Jewish community, numbering about 2,000 people, and is also where the renowned El Ghriba Synagogue, one of North Africa’s oldest synagogues, is located.

The attack comes just a week before Jewish pilgrims are expected to arrive on the island for the Lag B’Omer holiday, when thousands gather annually for three days of festivities. The annual pilgrimage to El Ghriba Synagogue, scheduled for May 15 and 16 this year, draws visitors from around the world.

The synagogue has been targeted in multiple terrorist attacks over the years, including in 1985, 2002, and 2023.

Two years ago, a shooting at the synagogue claimed the lives of two Jewish cousins and three police officers. Aviel Hadad, a 30-year-old Israeli goldsmith, and Ben Hadad, a 42-year-old Frenchman who had traveled to join the festivities, were among the victims.

The post Jewish Jewelry Shop Owners Brutally Assaulted in Tunisia Days Before Annual Pilgrimage first appeared on Algemeiner.com.

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