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The real story behind ‘One Life,’ the movie starring Anthony Hopkins as Nicholas Winton, who rescued Jewish children from the Nazis

(JTA) — In a 1988 episode of the British television show “That’s Life,” British stockbroker Nicholas Winton was invited to sit in the audience as host Esther Rantzen dramatically revealed to him that the entire crowd was composed of the Jewish children — now adults — he had saved during the Holocaust.

That tear-jerking clip periodically goes viral on social media, but now, Winton’s story is coming to bigger screens — in a dramatic film, “One Life,” where he is portrayed by two-time Academy Award-winning actor Anthony Hopkins.

Hopkins was the casting choice of Winton’s daughter, who died as it was being filmed, seven years after her father. Already, the movie has ignited criticism — and swift revision — over promotional materials that did not include language about the children’s Jewish identities. The full story about the film’s subject is even more complex, with connections to Ghislaine Maxwell, a gold ring, the Talmud and of course the tragic saga of European Jewry.

Winton’s role in that saga was hardly assured. Born to German-Jewish parents in London in 1909, Winton (originally “Wertheim”) was baptized into the Anglican Church, and as an adult, never subscribed to any religion.

Sir Nicholas Winton stands in front of the Tornado steam train that brought evacuees in 1939 to Liverpool Street railway station on September 4, 2009 in London, England. (Peter Macdiarmid/Getty Images)

At 29, he was a stockbroker planning to ski in Switzerland with friends when his travel partner, schoolteacher Martin Blake called and said the trip was off — he was heading to Prague instead.

“I have a most interesting assignment and I need your help,” Winton recalled Blake saying. “Come as soon as you can. And don’t bother bringing your skis.”

Blake was working with the British Committee for Refugees from Czechoslovakia, an organization established to save Jews and other minority groups targeted by the Nazis in the recently-annexed Sudetenland.

But it was the appeal of a Czech Jewish social worker and activist, Marie Schmolka, that ultimately brought Winton into the Czech Kindertransport-inspired project organized by British university lecturer Doreen Warriner. Schmolka, who is not often mentioned in accounts of Winton’s efforts and is not portrayed in the movie, had visited the areas where refugees were concentrated and collected evidence to garner public support, pleading to foreign ambassadors based in Prague and to Jewish agencies abroad, hoping someone would take them in. But Britain would only take unaccompanied children.

For the first three weeks of Jan. 1939, Winton mostly worked out of a hotel in Prague, coordinating and collecting applications from parents seeking homes for their children outside of Czechoslovakia. He also took photographs of the children, which he later said was more persuasive for prospective families than a mere list of names.

Back in Britain, still working his job at the stock exchange, Winton and his assistants and his mother fundraised, collected or forged the children’s travel documents, and also placed advertisements in newspapers to find them foster homes.

On March 14, 1939, the day before Nazi Germany invaded the Czech regions of Bohemia and Moravia, the first of eight trains containing 699 children, mostly Jewish, headed to Britain. A ninth train was scheduled to depart on Sept. 3, but was halted — Germany had invaded Poland two days earlier, officially starting the war, and the borders were closed. None of the approximately 250 children on that train are known to have survived.

Early in the war, he worked for the Red Cross as an ambulance driver in France and in England during the London Blitz, later joining the Royal Air Force training pilots and documenting the destruction he saw with his photography. In the years after the war, he joined the International Refugee Organization, working on the repatriation of Nazi-looted goods.

His work with the children went unnoticed for decades. Then, in the late 1980s, Winton’s wife Grete Gjelstrup discovered a scrapbook in the attic with the children’s names and photos, as well as letters written by their parents.

“I suppose there are quite a number of things that husbands don’t tell their wives,” Winton told Matej Minac, who directed several films about his story.

Gjelstrup brought the book to Holocaust historian Elizabeth Maxwell, the wife of media magnate Robert Maxwell (also the parents of Ghislaine Maxwell, sentenced to prison over her role in Jeffrey Epstein’s sex abuse ring) who brought Winton’s story of saving the hundreds of children to the press, and eventually, to “That’s Life!” where he met some of the children he saved.

Nicholas Winton, then 105, receives the Order of White Lion, the highest order of the Czech Republic, from Czech President Milos Zeman during the Independence Day at Prague Castle, Oct. 28, 2014. (Matej Divizna/Getty Images)

Winton was nicknamed “the British Schindler” after German industrialist Oskar Schindler, who saved some 1,200 Jews during the Holocaust. More than 6,000 children and grandchildren of the Czech Kindertransport owe their lives to Nicholas Winton, according to “One Life,” the 2014 book written by his daughter and biographer, Barbara Winton, which inspired the film. (The book was originally called “If It’s Not Impossible.”) Some of their descendants appear as extras in the “That’s Life!” scene.

Upon giving permission for a film adaptation of her book, Barbara Winton made one request of the project: cast Hopkins as her father.

Barbara Winton gave the filmmakers access to her father’s letters and other archival materials.

She died in September 2022, while “One Life” was still filming.

“One Life” is a reference to a paraphrased quote from the Mishnah: “Save one life, save the world,” which was inscribed in a gold ring presented to Winton in 1988 at a Holocaust conference organized by Elizabeth Maxwell at Oxford by some of the children he saved. Winton wore the ring for the rest of his life.

The gold ring presented to Nicholas Winton, inscribed with the phrase, “Save one life, save the world.” (Gareth Cattermole/Getty Images for BFI)

The quote is also referenced in the 1993 Steven Spielberg film “Schindler’s List” in a scene where, at the end of the war, the Jews Schindler saved give him a gold ring made from their dental fillings inscribed with a nearly identical quote as a parting gift. The real ring, according to Jozef Gross, the jeweler who created it, did not have an inscription.

Controversy arose in early January when the film’s promotional materials in the United Kingdom failed to mention that the majority of the children in danger were Jewish. Instead, some marketing materials referred to the children as “Central European.”

After social media backlash, IMDb, the Warner Bros. U.K. website, and British theater chain Vue have all changed their summary of the film to read “predominantly Jewish.”

The National Portrait Gallery in London, which was running a series of portraits of children saved by Winton as an accompaniment to the film, also changed the text in its description.

“Our Gallery’s curatorial team made this update to the website copy to better reflect the identity of the individuals who traveled on the Kindertransport,” a representative from the National Portrait Gallery wrote in an email to the Jewish Telegraphic Agency. “The original copy assumed that this was implicit, given the nature of the digital exhibition, however, following feedback, we felt it was important to clarify this.”

Helena Bonham Carter attends a photo call for “One Life,” out in January 2024, at The Rosewood Hotel on Nov. 30, 2023 in London. (Jeff Spicer/Getty Images for Warner Bros)

The film has another Jewish angle to it as well — actress Helena Bonham Carter, who is of Jewish descent, plays Winton’s mother, Babette Wertheim.

“It was in my DNA to play this role because I come from Austrian Jewish heritage,” Bonham Carter told the Jewish News of London. “And on top of that, on both sides, both my grandparents helped a lot of Jewish people with visas to get out of Nazi Europe.”

Bonham Carter called Winton a hero, and said the most important part of the film was to make sense of him, “what made this man, this exceptional man, so modest, do the most extraordinary things,” she said.

Nicholas Winton died in 2015 at the age of 106.

Despite going decades without recognition for his heroism during the war, the later years of his life were filled with honors and awards. Winton was knighted by Queen Elizabeth II in 2003 for his efforts during the war, and he received the Order of the White Lion, the highest order from the Czech Republic in 2014. He even had a minor planet named after him.

Still, he insisted for years that his work was not heroic.

“I was never in any danger,” Winton told a British newspaper in 2011. “I took on a big task, but did it from the safety of my home in Hampstead.”

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The post The real story behind ‘One Life,’ the movie starring Anthony Hopkins as Nicholas Winton, who rescued Jewish children from the Nazis appeared first on Jewish Telegraphic Agency.

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The BBC Documentary That Paints Every Israeli as an Extremist

The Jewish community of Beit El in Judea and Samaria. Photo: Yaakov via Wikimedia Commons.

Louis Theroux first visited the West Bank in 2011 to film a documentary titled Louis and the Ultra-Zionists, part of his long-running series for the BBC. Back then, he at least seemed to possess a trace of journalistic curiosity. Even the title signaled a degree of editorial caution — framing his subjects as a small, ideological fringe rather than representative of Israeli society as a whole.

At the time, Theroux made an effort to clarify that he was profiling a narrow segment of Israelis. He showed legally purchased Jewish homes (sold by Arab landowners, no less) and acknowledged the regular — and at times deadly — terror attacks faced by Israeli civilians living in the area, often requiring military protection. There was condescension, certainly. But there was also context.

Fast-forward to 2024, and the curiosity is gone — though the bemused, slightly smug expression remains. His new BBC documentary, Louis and the Settlers, drops even the soft qualifiers. No “ultra.” No nuance. Just “settlers.” And with that, Theroux makes it clear: half a million Israelis living in the West Bank are one and the same — extremists who, we’re told, want every last Palestinian removed from the land.

This time, the documentary doesn’t begin with questions. It begins with conclusions. And Theroux uses a brief, unrepresentative snapshot of life in the West Bank to draw sweeping indictments of the entire Israeli state.

The message is unmistakable: Israel is the problem. Settlers are the villains. And Palestinians are passive, blameless victims of a colonial project.

Within the opening minutes, Theroux plants his ideological flag. He refers to the West Bank as “Palestinian territory” and describes every Israeli community within it as illegal under international law — a sharp departure from his more qualified approach 14 years earlier.

And while his personal views seep in throughout the film, they become crystal clear during one exchange at a checkpoint, where an Israeli soldier casually refers to their location as “Israel.” Theroux shoots back: “We’re not in Israel, are we?”

And just like that, the BBC and Louis Theroux have redrawn Israel’s borders. No Knesset debate needed.

Erasing History to Blame the Massacre

The timing of this return trip is no accident. The film comes in the shadow of the October 7 Hamas massacres — the day 1,200 Israelis were slaughtered, families were burned alive in their homes, and children were dragged into Gaza. And yet, Theroux barely mentions it.

The few passing references to October 7 serve not to inform the audience — but to imply that Israel may be exploiting its own dead to justify further expansion. It’s not an investigation. It’s an accusation. And it allows him to skip over thousands of years of Jewish history in order to frame the current war in Gaza as a convenient cover story for Israeli “aggression.”

Take Hebron, for example. Theroux tells viewers that “in 1968, the year after [the West Bank] was occupied by Israel, a community of Jewish settlers moved in illegally. They now number some 700.” He fails to mention that in 1895 — decades before the modern state of Israel existed — Hebron had a Jewish population of 1,429.

Jews have lived in Hebron since antiquity — it’s where, according to Jewish tradition, Abraham purchased the Cave of the Patriarchs. Modern records date the community back centuries, despite discrimination under Ottoman rule and bans on Jewish prayer at holy sites. In 1929, Arab rioters carried out a massacre, wiping out Hebron’s Jewish population. Dozens were murdered; the rest were expelled. Under Jordanian rule from 1948 to 1967, Jews were banned from the city entirely. When they returned after the Six-Day War — not as colonists, but as a displaced community coming home — Theroux picks up the story there and calls it “illegal.”

On the Six-Day War itself, Theroux offers no context. No mention of the Arab armies preparing to destroy Israel. No mention of Israel’s preemptive strike against an existential threat.

According to The Settlers, Israel simply “occupied” — full stop.

Palestinian Terrorism? Not Even a Footnote.

Theroux visits Evyatar, a small Jewish community near the Palestinian town of Beita, and uses it as a stand-in for the entire West Bank. Beita is depicted as a symbol of peaceful resistance: a proud, ancient Palestinian village standing firm against violent settlers backed by IDF soldiers.

It’s a neat story. Too neat. Because missing from the story are years of organized, violent riots from Beita — complete with Molotov cocktails, burning Stars of David, and Nazi swastikas. All carefully omitted to preserve the narrative: Palestinians peaceful, settlers aggressive. Facts that don’t fit? Left on the cutting room floor.

Meanwhile, Israeli nationalism is treated as something sinister and unsettling — a moral aberration to be examined. The notion that Jews might want sovereignty or security is met with thinly veiled suspicion. Yet Hamas’ goal of a Jew-free Palestine, explicitly laid out in its charter, is never mentioned. Nor is the Palestinian Authority’s “pay-for-slay” policy, which literally incentivizes terrorism by rewarding those who murder Israelis — including women and children.

These aren’t fringe details. They’re central to understanding the region. And Theroux knows it. He just doesn’t care.

The BBC’s Complicity

That The Settlers aired on the BBC — a publicly funded broadcaster once seen as a gold standard of global journalism — says plenty. Not just about Louis Theroux’s agenda, but about the institutional direction of the BBC itself. This wasn’t a rogue filmmaker sneaking bias past the editors. This was bias built into the foundation — signed off, packaged, and broadcast under the banner of credibility.

There is, of course, no problem with scrutinizing Israeli policy, and no issue with questioning the settlement enterprise or highlighting the tensions in the West Bank. But journalism — real journalism — demands context. It demands precision. It demands at least a passing familiarity with the full scope of the story.

Theroux offers none of that. He arrives with a predetermined script and casts his roles accordingly: Hero. Villain. Victim. Oppressor. And when reality refuses to cooperate? It’s left out.

Louis Theroux didn’t return to Israel to understand it. He returned to flatten it. To reduce its complexity to a morality play — and to ensure everyone knows the antagonist is.

The Settlers isn’t a documentary. It’s a hit piece. And the BBC handed him the camera — then applauded the performance.

The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

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Indian Army Kills Islamist Terrorist Linked to 2002 Murder of Jewish-American Journalist Daniel Pearl

Jewish-American Wall Street Journal journalist Daniel Pearl was kidnapped and murdered by Islamist terrorists in Pakistan in 2002. Photo: Screenshot

The Indian government announced on Thursday that its military forces had killed “Pakistan’s most wanted terrorist,” who was connected to the 2002 murder of Jewish-American Wall Street Journal journalist Daniel Pearl.

On Wednesday, India launched “Operation Sindoor,” which the ruling Bharatiya Janata Party (BJP) claims is targeted at dismantling “terrorist infrastructure” in Pakistan and Pakistan-administered Kashmir.

The operation came after Pakistani terrorists killed 26 Hindu tourists in Kashmir last month amid escalating tensions between the two countries.

In a post on X, the BJP confirmed that during this week’s operation, the Indian army killed Islamist terrorist Abdul Rauf Azhar, who was involved in numerous terrorism plots, including the 1999 hijacking of an Indian Airlines flight, the 2001 terror attack on the Indian Parliament, and the 2016 Pathankot Air Force base attack.

Azhar’s involvement in the 1999 hijacking led to the release of Ahmed Omar Saeed Sheikh, a British-born al-Qaeda member with close ties to Pakistan’s intelligence services, who later was involved in the kidnapping and subsequent murder of 38-year-old Pearl, who was covering the war on terror as a journalist when he was abducted.

In a statement on X, Pearl’s father, Judea, addressed initial reports regarding Azhar’s death and his connection to his son’s murder.

“I want to clarify: Azhar was a Pakistani extremist and leader of the terrorist organization Jaish-e-Mohammed. While his group was not directly involved in the plot to abduct Danny, it was indirectly responsible. Azhar orchestrated the hijacking that led to the release of Omar Sheikh — the man who lured Danny into captivity,” he said.

In 2002, the Jewish-American journalist was abducted and killed by a group of Islamist terrorists connected to Azhar’s militant network, which had ties to al-Qaeda and Jaish-e-Mohammed, a terror group aiming to separate Kashmir from India and incorporate it into Pakistan.

On Jan. 27, 2002, an email was sent to several Pakistani and US media organizations, which included several photos, stating that Pearl was being held in “inhumane” conditions to protest the US treatment of Taliban and al Qaeda prisoners in Cuba. Photo: Screenshot

Originally stationed in New Delhi as the South Asia bureau chief for The Wall Street Journal, Pearl later moved to Pakistan to investigate terrorism following the Sept. 11, 2001, terrorist attacks in New York City.

After kidnapping Pearl at a restaurant in Karachi, southern Pakistan, the Islamist terrorists, who identified themselves as the National Movement for the Restoration of Pakistani Sovereignty, accused him of being an Israeli spy and sent the United States a list of demands for his release.

However, Washington did not meet their demands, and Pearl was ultimately executed after being held captive for five weeks.

His wife, Mariane Pearl, gave birth to a baby boy, Adam D. Pearl, in Paris later that year. On the Daniel Pearl Foundation website, she said, “Adam’s birth rekindles the joy, love, and humanity that Danny radiated wherever he went.”

The post Indian Army Kills Islamist Terrorist Linked to 2002 Murder of Jewish-American Journalist Daniel Pearl first appeared on Algemeiner.com.

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Jewish Jewelry Shop Owners Brutally Assaulted in Tunisia Days Before Annual Pilgrimage

A Jewish jewelry shop owner in Djerba, Tunisia, was brutally attacked by a man wielding a machete. Photo: Screenshot

A Jewish jewelry shop owner in Djerba, Tunisia, was brutally attacked by a man wielding a machete just days before the Tunisian island was set to host its annual Jewish pilgrimage, which is expected to draw thousands of visitors.

On Wednesday morning, two Jewish men — owners of a jewelry shop in the center of the island, located off Tunisia’s southeast coast — were physically assaulted by a man carrying a large knife.

Although the attack was halted when one of them screamed — alerting members of the local Jewish community who subdued the assailant — one of them was left severely injured.

According to local media reports, the attacker had surveyed the island the day before, visiting several stores to identify those owned by Jews. Local police arrested him shortly following the assault.

After the attack, one of the owners was admitted to the hospital with severe injuries. The 50-year-old Jewish man had his fingers severed during the assault and underwent surgery to reattach them.

Israeli Foreign Minister Gideon Saar condemned the attack and expressed his wishes for a swift recovery to the victims.

“This attack comes two years after the previous deadly assault that claimed Jewish lives and the lives of security personnel during the Lag BaOmer celebration,” the top Israeli diplomat wrote in a post on X.

“I call on the Tunisian authorities to take all necessary measures to protect the Jewish community,” Saar continued.

Djerba is home to the majority of Tunisia’s Jewish community, numbering about 2,000 people, and is also where the renowned El Ghriba Synagogue, one of North Africa’s oldest synagogues, is located.

The attack comes just a week before Jewish pilgrims are expected to arrive on the island for the Lag B’Omer holiday, when thousands gather annually for three days of festivities. The annual pilgrimage to El Ghriba Synagogue, scheduled for May 15 and 16 this year, draws visitors from around the world.

The synagogue has been targeted in multiple terrorist attacks over the years, including in 1985, 2002, and 2023.

Two years ago, a shooting at the synagogue claimed the lives of two Jewish cousins and three police officers. Aviel Hadad, a 30-year-old Israeli goldsmith, and Ben Hadad, a 42-year-old Frenchman who had traveled to join the festivities, were among the victims.

The post Jewish Jewelry Shop Owners Brutally Assaulted in Tunisia Days Before Annual Pilgrimage first appeared on Algemeiner.com.

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