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This Jewish actor plays Richard Dreyfuss in Broadway’s ‘The Shark Is Broken’

(New York Jewish Week) — In 1974, three men — Roy Scheider, Richard Dreyfuss and Robert Shaw — spent countless hours together aboard the Orca, a converted fishing boat docked in the open ocean east of Martha’s Vineyard. The trio, all actors, were filming “Jaws,” the Steven Spielberg-directed blockbuster whose filming schedule famously went 100 days over schedule. 

The Orca is also the setting, and the men the cast of characters, of the play “The Shark Is Broken,” now playing at Broadway’s Golden Theatre. The play chronicles the tense relationships between the actors as they sit onboard, day after day, waiting — with decreasing amounts of patience — for the film’s mechanical shark (nicknamed “Bruce”) to be repaired so filming can continue. Like any group of near-strangers forced together in close proximity for a prolonged period of time, they bicker, bare their souls and play mindless games to pass the time. 

Alex Brightman, 36, a Tony-nominated actor best known for originating leading roles in “Beetlejuice” and “School of Rock,” plays Dreyfuss, the Jewish actor who himself played the movie’s earnest marine biologist, Matt Hooper. 

“The Shark Is Broken” keeps its three-person cast onstage for nearly the entire 90-minute show, and much of it centers around Shaw’s distaste for Dreyfuss. (Shaw is played by his son, Ian Shaw, who co-wrote the play based, in part, on his father’s drinking diary from his time on set.) Shaw — embittered, ill-tempered and frequently drunk— has no patience for Dreyfuss, a Brooklyn native who is anxious, eager and, according to the script, caught the acting bug after auditioning for a play at Los Angeles’ Westside JCC.   

Dreyfuss’ Jewish identity is made clear from the play’s start, primarily through his own self-deprecating humor. He jokes about how his skin “bypasses tan and goes directly to sunstroke,” and how Spielberg nearly cast the emphatically non-Jewish looking John Voigt in the role of Hooper. Expressing his dislike for the ocean, Dreyfuss says, “Jews should stay away from water. Nothing good ever happened to any Jews on the water.” (Turns out that’s a sentiment with which Brightman, not a huge fan of the ocean himself, wholeheartedly agrees.) Later, as the characters dive into their childhoods, Dreyfuss reveals how his “typical Jewish father” wanted him to become either a lawyer or a doctor; this sliver of backstory helps the viewer to understand the anxiety Dreyfuss is feeling about achieving success as an actor.

Like Dreyfuss, Brightman is Jewish. He approaches his character with a fast-talking vulnerability, throwing his full physicality into the role. The New York Jewish Week caught up with Brightman in between shows to hear about his own Jewish identity, what it’s like playing a real person and how he relates to Dreyfuss’ Jewishness.

This interview has been lightly edited for length and clarity.

Actor Alex Brightman at the opening night of “The Shark Is Broken” on Aug. 10, 2023. (Michaelah Reynolds, Courtesy Polk & Co.)

You’re playing Richard Dreyfuss, who’s a real actor, and who’s also still living. What was it like preparing for this role? 

I think I was ignorant to the idea that it was strange when I was first auditioning for it, which I guess is a good thing. But as it’s gone forward, the pressure started to build a little bit because he’s alive and probably knows about it. I watched interviews of him, pretty much only from the year or two surrounding the filming of “Jaws,” because that’s before he was the Academy Award winner [in 1977, for “The Goodbye Girl”]. He was nervous, he had imposter syndrome, and he had this huge ambition to be not only a successful actor, but to be famous. I can empathize with so many things that he went through. But it was really the voice, the mannerism work and the posture. It’s been really fun for me to figure out that real human beings can also be characters to inhabit.

There are so many jokes throughout the play about Richard Dreyfuss’ Jewishness. Does that help you feel a sense of kinship with him? 

As he says in the show, “The people of Martha’s Vineyard, they look at me like they’ve never seen a Jew before.” I think it’s about the ostracizing, or even the sort of loneliness or isolation that comes from being something a lot of people didn’t, and really don’t, understand. I can relate to his anxiety about being someone that doesn’t inherently belong, or has been persecuted in the past. He has his walls up. And I think that was an interesting thing to play, because being in theater is about being vulnerable. And he isn’t, until he has to be. He’s full of loudness and bravado, but I think only later on does he feel comfortable enough to be vulnerable around strangers. And I totally understand that as a Jewish person. 

Can you tell me a bit about your own Jewish upbringing and sense of Jewish identity? 

I’m Jewish by genetics. My mom is Jewish, my dad is Jewish, and so I am. I never went to Hebrew school, mainly because I didn’t love regular school. My parents both had bar and bat mitzvahs, and I think they got something out of it; they definitely have some culture still ingrained. But they didn’t want to press that upon me or my brother, mainly because it wasn’t a daily practice for them.

I’m definitely culturally Jewish, even stereotypically. I’m funny. I know that seems odd, it’s not an objective thing, but I think that a lot of Jewish people I know in show business are the funniest people I know. And I know that might be a slight defense mechanism from history. I wasn’t really raised in a way that felt meaningfully Jewish, but I think I feel more Jewish now than ever. 

Your character’s Jewishness feels in many ways like a throughline in his tension with Robert Shaw. Do you have a sense of how much that was based on reality? 

I can’t speak for how Jewishness played into their feuding. But the reality is that they didn’t get each other — they just fundamentally did not understand each other on a human level, and on a professional level. They couldn’t relate to each other. I think some of it has to be about culture and being Jewish; I think it fuels their misunderstanding. In the show, Richard is persecuted more than anybody else. Richard is beat up, literally. He’s manhandled and thrown around. I can’t help but think under the context of being Jewish, it’s like at this point — then and also now — Jews are kind of through being tortured.

In the play, Dreyfuss is anxious about the impending release of “The Apprenticeship of Duddy Kravitz,” in which he played the titular lead. That means that you are a Jew, playing a Jewish character, who is nervous about playing a Jewish character. Do you ever find yourself getting lost in the layers? 

You’ve touched upon something that is a nightly struggle. I feel like I’m in the movie “Inception”: It’s a Jew, playing a Jew, playing a Jew. Where does it end, and where am I in that? Sometimes I do get lost even to the point where when I leave the theater I can’t shake the [Dreyfuss] accent — a sort of Queens, fast-talking, anxious, almost Woody Allen type. I think that might be a big part of who I am. It’s easier to shake off the things that are so anti-you, and I think that sometimes I bring home more of the Jewish anxiety than I anticipated. 

“The Shark is Broken” is scheduled to close Nov. 19. What’s next for you after that?

I’m doing “Spamalot” in January on Broadway at the St. James. And I have a lot of writing in the hopper. I wrote a play called “Everything Is Fine” that’s getting a reading this month, and I’m hoping that it will get a production sooner than later. It explores identity, the difference between moving on and moving forward. It’s definitely about trauma but it is a comedy, very pitch black. And other than that, I’m just trying to work on this work-life balance. I’ve done so much work-work, that it’s been really nice to dive back into life-life.


The post This Jewish actor plays Richard Dreyfuss in Broadway’s ‘The Shark Is Broken’ appeared first on Jewish Telegraphic Agency.

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Hamas Says No Interim Hostage Deal Possible Without Work Toward Permanent Ceasefire

Explosions send smoke into the air in Gaza, as seen from the Israeli side of the border, July 17, 2025. Photo: REUTERS/Amir Cohen

The spokesperson for Hamas’s armed wing said on Friday that while the Palestinian terrorist group favors reaching an interim truce in the Gaza war, if such an agreement is not reached in current negotiations it could revert to insisting on a full package deal to end the conflict.

Hamas has previously offered to release all the hostages held in Gaza and conclude a permanent ceasefire agreement, and Israel has refused, Abu Ubaida added in a televised speech.

Arab mediators Qatar and Egypt, backed by the United States, have hosted more than 10 days of talks on a US-backed proposal for a 60-day truce in the war.

Israeli officials were not immediately available for comment on the eve of the Jewish Sabbath.

Israeli Prime Minister Benjamin Netanyahu’s office said in a statement on a call he had with Pope Leo on Friday that Israel‘s efforts to secure a hostage release deal and 60-day ceasefire “have so far not been reciprocated by Hamas.”

As part of the potential deal, 10 hostages held in Gaza would be returned along with the bodies of 18 others, spread out over 60 days. In exchange, Israel would release a number of detained Palestinians.

“If the enemy remains obstinate and evades this round as it has done every time before, we cannot guarantee a return to partial deals or the proposal of the 10 captives,” said Abu Ubaida.

Disputes remain over maps of Israeli army withdrawals, aid delivery mechanisms into Gaza, and guarantees that any eventual truce would lead to ending the war, said two Hamas officials who spoke to Reuters on Friday.

The officials said the talks have not reached a breakthrough on the issues under discussion.

Hamas says any agreement must lead to ending the war, while Netanyahu says the war will only end once Hamas is disarmed and its leaders expelled from Gaza.

Almost 1,650 Israelis and foreign nationals have been killed as a result of the conflict, including 1,200 killed in the Oct. 7, 2023, Hamas attack on southern Israel, according to Israeli tallies. Over 250 hostages were kidnapped during Hamas’s Oct. 7 onslaught.

Israel responded with an ongoing military campaign aimed at freeing the hostages and dismantling Hamas’s military and governing capabilities in neighboring Gaza.

The post Hamas Says No Interim Hostage Deal Possible Without Work Toward Permanent Ceasefire first appeared on Algemeiner.com.

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Iran Marks 31st Anniversary of AMIA Bombing by Slamming Argentina’s ‘Baseless’ Accusations, Blaming Israel

People hold images of the victims of the 1994 bombing attack on the Argentine Israeli Mutual Association (AMIA) community center, marking the 30th anniversary of the attack, in Buenos Aires, Argentina, July 18, 2024. Photo: REUTERS/Irina Dambrauskas

Iran on Friday marked the 31st anniversary of the 1994 bombing of the Argentine Israelite Mutual Association (AMIA) Jewish community center in Buenos Aires by slamming Argentina for what it called “baseless” accusations over Tehran’s alleged role in the terrorist attack and accusing Israel of politicizing the atrocity to influence the investigation and judicial process.

The Iranian Foreign Ministry issued a statement on the anniversary of Argentina’s deadliest terrorist attack, which killed 85 people and wounded more than 300.

“While completely rejecting the accusations against Iranian citizens, the Islamic Republic of Iran condemns attempts by certain Argentine factions to pressure the judiciary into issuing baseless charges and politically motivated rulings,” the statement read.

“Reaffirming that the charges against its citizens are unfounded, the Islamic Republic of Iran insists on restoring their reputation and calls for an end to this staged legal proceeding,” it continued.

Last month, a federal judge in Argentina ordered the trial in absentia of 10 Iranian and Lebanese nationals suspected of orchestrating the attack in Buenos Aires.

The ten suspects set to stand trial include former Iranian and Lebanese ministers and diplomats, all of whom are subject to international arrest warrants issued by Argentina for their alleged roles in the terrorist attack.

In its statement on Friday, Iran also accused Israel of influencing the investigation to advance a political campaign against the Islamist regime in Tehran, claiming the case has been used to serve Israeli interests and hinder efforts to uncover the truth.

“From the outset, elements and entities linked to the Zionist regime [Israel] exploited this suspicious explosion, pushing the investigation down a false and misleading path, among whose consequences was to disrupt the long‑standing relations between the people of Iran and Argentina,” the Iranian Foreign Ministry said.

“Clear, undeniable evidence now shows the Zionist regime and its affiliates exerting influence on the Argentine judiciary to frame Iranian nationals,” the statement continued.

In April, lead prosecutor Sebastián Basso — who took over the case after the 2015 murder of his predecessor, Alberto Nisman — requested that federal Judge Daniel Rafecas issue national and international arrest warrants for Iran’s Supreme Leader Ayatollah Ali Khamenei over his alleged involvement in the attack.

Since 2006, Argentine authorities have sought the arrest of eight Iranians — including former president Ali Akbar Hashemi Rafsanjani, who died in 2017 — yet more than three decades after the deadly bombing, all suspects remain still at large.

In a post on X, the Delegation of Argentine Israelite Associations (DAIA), the country’s Jewish umbrella organization, released a statement commemorating the 31st anniversary of the bombing.

“It was a brutal attack on Argentina, its democracy, and its rule of law,” the group said. “At DAIA, we continue to demand truth and justice — because impunity is painful, and memory is a commitment to both the present and the future.”

Despite Argentina’s longstanding belief that Lebanon’s Shiite Hezbollah terrorist group carried out the devastating attack at Iran’s request, the 1994 bombing has never been claimed or officially solved.

Meanwhile, Tehran has consistently denied any involvement and refused to arrest or extradite any suspects.

To this day, the decades-long investigation into the terrorist attack has been plagued by allegations of witness tampering, evidence manipulation, cover-ups, and annulled trials.

In 2006, former prosecutor Nisman formally charged Iran for orchestrating the attack and Hezbollah for carrying it out.

Nine years later, he accused former Argentine President Cristina Fernández de Kirchner — currently under house arrest on corruption charges — of attempting to cover up the crime and block efforts to extradite the suspects behind the AMIA atrocity in return for Iranian oil.

Nisman was killed later that year, and to this day, both his case and murder remain unresolved and under ongoing investigation.

The alleged cover-up was reportedly formalized through the memorandum of understanding signed in 2013 between Kirchner’s government and Iranian authorities, with the stated goal of cooperating to investigate the AMIA bombing.

The post Iran Marks 31st Anniversary of AMIA Bombing by Slamming Argentina’s ‘Baseless’ Accusations, Blaming Israel first appeared on Algemeiner.com.

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Jordan Reveals Muslim Brotherhood Operating Vast Illegal Funding Network Tied to Gaza Donations, Political Campaigns

Murad Adailah, the head of Jordan’s Muslim Brotherhood, attends an interview with Reuters in Amman, Jordan, Sept. 7, 2024. Photo: REUTERS/Jehad Shelbak

The Muslim Brotherhood, one of the Arab world’s oldest and most influential Islamist movements, has been implicated in a wide-ranging network of illegal financial activities in Jordan and abroad, according to a new investigative report.

Investigations conducted by Jordanian authorities — along with evidence gathered from seized materials — revealed that the Muslim Brotherhood raised tens of millions of Jordanian dinars through various illegal activities, the Jordan news agency (Petra) reported this week.

With operations intensifying over the past eight years, the report showed that the group’s complex financial network was funded through various sources, including illegal donations, profits from investments in Jordan and abroad, and monthly fees paid by members inside and outside the country.

The report also indicated that the Muslim Brotherhood has taken advantage of the war in Gaza to raise donations illegally.

Out of all donations meant for Gaza, the group provided no information on where the funds came from, how much was collected, or how they were distributed, and failed to work with any international or relief organizations to manage the transfers properly.

Rather, the investigations revealed that the Islamist network used illicit financial mechanisms to transfer funds abroad.

According to Jordanian authorities, the group gathered more than JD 30 million (around $42 million) over recent years.

With funds transferred to several Arab, regional, and foreign countries, part of the money was allegedly used to finance domestic political campaigns in 2024, as well as illegal activities and cells.

In April, Jordan outlawed the Muslim Brotherhood, the country’s most vocal opposition group, and confiscated its assets after members of the Islamist movement were found to be linked to a sabotage plot.

The movement’s political arm in Jordan, the Islamic Action Front, became the largest political grouping in parliament after elections last September, although most seats are still held by supporters of the government.

Opponents of the group, which is banned in most Arab countries, label it a terrorist organization. However, the movement claims it renounced violence decades ago and now promotes its Islamist agenda through peaceful means.

The post Jordan Reveals Muslim Brotherhood Operating Vast Illegal Funding Network Tied to Gaza Donations, Political Campaigns first appeared on Algemeiner.com.

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