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Two late iconic Israeli singers have been resurrected via AI for a duet. Not everyone is happy about it.
(JTA) — Two popular Israeli singers — one the “Madonna of the East,” the other the “king” of Mizrahi music as well as a convicted rapist — have teamed up on a new song in honor of their country’s 75th birthday.
The twist: Both Ofra Haza and Zohar Argov have been dead for decades.
Their collaboration, “Here Forever,” wasn’t unearthed in a dusty archive. Instead, the song and its accompanying video are essentially deepfakes, created using artificial intelligence that mined recordings from when they were alive to fabricate a lifelike performance of a song composed long after their deaths.
Their families signed off on the song, a soulful duet about Israel’s bygone past that has caught on among Israeli listeners. But some in the country are asking why Argov, who died in prison while facing another rape charge, should be a centerpiece of Israel’s Independence Day celebrations.
Meanwhile, others who were close to the artists, including Haza’s longtime manager Bezalel Aloni, have panned the song.
“The song does not resemble the tone of her divine voice,” Aloni told Israeli news outlet N12. “She broke through thanks to her artistry, and none of that is reflected in this piece. ֿI want to cry for her.”
An Argov impersonator who was part of the team that created the song also slammed it in the press, calling it “shameful” for not accurately reproducing Argov’s voice.
The song is part of a growing trend of using AI to create new tracks with pop stars’ voices. Fresh, but fake, songs or covers have been published using the vocals of artists like Drake and Rihanna, raising ethical questions as to who owns an artist’s voice or likeness.
The new song’s popularity — the video has racked up 200,000 views since launching last week, and the song is the 16th-most-requested in Israel on Shazam, a music app — also suggests that Israelis are embracing nostalgia for a shared Israeli past at a time when the country is occupied with social strife and political upheaval.
“Not to be too cliched, but with everything that’s been happening in the last three months, that offered a lot of inspiration,” Oudi Antebi, CEO and co-founder of Session 42, the Israeli music production company spearheading the AI music project, told the Times of Israel.
The video for “Here Forever” uses archival footage of the singers to make them look like they’re singing the song, combined with grainy scenes from Israel during earlier eras of its history.
Both Haza and Argov played a role in shaping that history through their music, which earned them distinctive nicknames. Haza, who died in 2000, was dubbed the “Madonna” of Israel, and is perhaps best known to American audiences for her singing on the soundtrack of the 1998 animated musical film “The Prince of Egypt.” Her musical style blended Mizrahi influences and pop.
Argov was called, simply, the “king” of Mizrahi music, and he helped mainstream the genre that is rooted in the songs and poetry of Jews from across the Middle East and North Africa. But his life and legacy have been tainted by a conviction for rape as well as other criminal charges. He died by suicide in a prison cell in 1987 while facing his second rape charge, nearly 10 years after the conviction. Even so, in the decades since his death, his music has become ever more popular. He is one of the most-played artists on Israeli radio, even after growing awareness of sexual abuse in the years since the beginning of the #MeToo movement.
“I had hoped, but it’s hard to say I expected” that attitudes toward Argov would change, Orit Sulitzeanu, executive director of the Association of Rape Crisis Centers in Israel, told the Times of Israel last year in an article exploring Argov’s legacy. “Until there is societal shaming, sexual violence will continue all over the place,” she said. “There have to be people pushing for it … the only way to make change is through activism.”
In a column last week, Israeli music journalist Avi Sasson suggested that Argov’s rape conviction should have been grounds for excluding him from “Here Forever.”
“What about this pairing?” Sasson wrote in the Israeli publication Ynet. “After all, Ofra Haza and Zohar Argov worked in parallel in the ’70s and ’80s, and when they could have collaborated, they chose not to. Moreover, did anyone stop to think about the fact that, had Ofra Haza been alive today, in the #MeToo era, perhaps she wouldn’t have opted to record a duet with Argov, a person who was convicted of rape and later ended his life in a jail cell?”
For his part, Aloni said that Haza “vehemently refused to collaborate with Zohar Argov,” but the manager did not attribute that refusal to Argov’s rape conviction. Rather, although Haza is widely described as a Mizrahi singer and was of Yemeni Jewish descent, Aloni said Haza did not consider her musical genre to be Mizrahi.
Antebi said that after conducting a poll to see which artists best represented Israel, the vast majority voted for Haza and Argov.
Antebi told the Times of Israel that the track is “a love song for the nation.” Its chorus seems to allude not only to Israeli resilience but also to the technological innovation that made the song possible — and that has placed new words in Argov and Haza’s mouths long after their passing.
“I’ll stay here always, I’ve missed you,” the lyrics read. “Even if you can’t see it, we are here forever.”
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Javier Bardem Slams Trump, Netanyahu for Iran War Before Declaring ‘Free Palestine’ at Academy Awards
Javier Bardem and Priyanka Chopra Jonas on stage during the Oscars show at the 98th Academy Awards in Hollywood, Los Angeles, California, US, March 15, 2026. Photo: REUTERS/Mike Blake
Spanish actor Javier Bardem protested the US-Israeli war with Iran while speaking to reporters on the red carpet at the 98th Academy Awards on Sunday night, before taking to the stage at the awards show in Los Angeles and declaring “Free Palestine.”
The Oscar winner, 57, attended the ceremony at the Dolby Theater wearing on his tuxedo lapel a pin that said, “No a la Guerra,” which in Spanish means, “No to War.” He wore the same pin in 2003 to protest the US invasion of Iraq.
The “F1” star has been a vocal critic of Israel’s military actions in the Gaza Strip during the Israel-Hamas war and has publicly voiced support for a “Free Palestine” several times in the past. While speaking to reporters at the Academy Awards, he blasted the US and Israel for their joint strikes against Iran, specifically calling out US President Donald Trump and Israeli Prime Minister Benjamin Netanyahu.
“I’m wearing a pin that I used in 2003 with the Iraq war, which was an illegal war,” Bardem told The Hollywood Reporter on Sunday night on the Oscars red carpet. “And we are here, 23 years after, with another illegal war, created by Trump and Netanyahu with another lie, which is to defeat the regime. But they are radicalizing the regime by their horrific actions. So that’s not the reason, as it was not the reason weapons of mass destruction in 2003.”
Bardem also wore to the Oscars this year a pin in support of Palestinian resistance on his tuxedo lapel. On the pin was a drawing of Handala, a character created by Palestinian newspaper cartoonist Naji al-Ali in 1969. Handala is a 10-year-old Palestinian refugee who is turning his back to the world and has become a long-standing symbol for Palestinians. Bardem said it is a “Palestine symbol of resistance.”
Later on in the evening, while co-presenting the award for best international feature film with actress Priyanka Chopra Jonas, Bardem made more political comments, but this time about “Palestine.” When he walked on stage, the first thing he said was, “No to war. Free Palestine,” before presenting the nominees for the category.
After getting off stage, he told Variety he felt compelled to take about the “injustice” he feels is taking place in the Middle East. “Which in this case is the genocide in Palestine that is still going on … what is going on in the West Bank, the abuse of civil rights and human rights and ethnic cleansing,” he added. “It’s horrible … and then the illegal war [in Iran].”
“They are not defeating any regime, they are radicalizing the regime, bombing innocent people,” Bardem claimed about the US-Israeli joint strikes against Iran.
Before entering the Vanity Fair afterparty, he told USA Today: “We are going back to the same beginning of lying and manipulating us … it’s not about freedom. It’s not about changing any regime. It’s about creating a chaos that only benefits the richest and the people that have the power to control the area.”
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College Republicans Federation Disbands University of Florida Chapter Over Nazi Pictures
An entrance to the University of Florida in Gainesville, Dec. 4, 2020. Photo: USA Today Network via Reuters Connect
The Florida Federation of College Republicans (FFCR) has disbanded its chapter at the University of Florida and asked the school to deactivate it following an investigation which revealed that student leaders photographed themselves pantomiming the Nazi salute.
“This request is based on the FFCR’s findings that some Local CR [College Republicans] members engaged in a pattern of conduct that violated its rules and values, including a recent antisemitic gesture,” the university said in a statement on Saturday. “In compliance with its policies, the University of Florida is in the process of deactivating the Local CR as a registered student organization. When the FFCR is ready, the university will also assist it with reactivating the Local CR under new student leadership.”
Since reports of the action emerged, the UF College Republicans chapter has alleged that the Florida Federation lacks jurisdiction over the organization, insisting that it is registered with the College Republicans of America group. There are several contending “College Republican” groups, including the original College Republican National Committee founded in 1892, College Republicans United, the National Federation of College Republicans (NFCR), and College Republicans.
“They cited the FFFCR, an organization that we are not a part of that has no authority over our chapter [sic],” College Republicans of America said in a statement. “We look forward to the university reinstating our club and correcting this statement. We have retained counsel and have received information that this is not the first time that FFCR has lied to silence Christian conservative groups on campus.”
Regardless of the outcome of the dispute, the incident marks the second time this month that conservative youth were publicly outed for indulging Nazism and the white supremacist movement. Earlier this month, leaked texts revealed dozens of antisemitic and racist texts exchanged by young Republicans in Miami-Dade County, Florida, some of which fantasized about engaging in onanism in an all-white country.
As first reported by The Miami Herald, the group chat, created on WhatsApp, was described by its members as “Nazi heaven” for the daily barrage of extremist comments contributed to it. Individuals affiliated with the Miami-Dade Country Republicans, Turning Point USA, and College Republicans casually said “ni—er,” denounced women as “whores,” and spoke rapturously about Adolf Hitler.
Dariel Gonzalez, according to the Herald, was one of the chat’s most prolific contributors, bandying about comments regarding “color professors” and telling members that “You can f—k all the k—kes you want. Just don’t marry them and procreate.”
The group chat’s exposure comes at a time when, according to recent polling, young Republicans have increasingly embraced antisemitism and conspiracy theories.
As The Algemeiner has previously reported, antisemitism has permeated college campuses across the US for years, even before the recent surge in incidents amid the Israel-Hamas war in Gaza.
In 2022 alone, anti-Zionists at State University of New York (SUNY) New Paltz expelled a sexual assault survivor from a victim support group over her support for Zionism; a former University of California, Los Angeles (UCLA) lecturer threatened to commit a mass shooting of Jews on campus, saying in a note to former colleagues that “Violence against Jews should happen. Retaliation and retribution for what they have stolen is legitimate and a good thing”; and students at Indiana University posted messages on a social media forum which lambasted “east coast Jews” as rapists, charging that their “huge noses, afros, and smelliness prevent them from being attractive.”
The Palestinian terrorist group’s Oct. 7, 2023, massacre across southern Israel unleashed a historic surge in such outrages on US campuses. College students, joined by faculty, carried out a number of antisemitic incidents and hate crimes — spitting on Jewish students at the University of California, Berkeley while calling them “Jew”; gang assaulting Jewish students at Columbia University’s Butler Library; vandalizing public spaces with swastika graffiti; and chasing Jewish students out of graduate programs by denying them religious accommodations and smearing their reputations.
While much of the anti-Zionist movement on campus has been associated politically with the far left, the far right has recently been involved with a series of antisemitic incidents on campuses,
In October, for example, a conservative student magazine at Harvard University published an essay which bore likeness to key tenets of Nazi doctrine. In January, a sophomore and right-wing social media influencer at the University of Miami verbally attacked a Jewish student group, calling its members disgusting while accusing rabbis of eating infants.
Campus antisemitism has changed the college experience for American Jewish students, affecting how they live, socialize, and perceive themselves as Jews, according to new survey results released by the American Jewish Committee (AJC) in partnership with Hillel International.
A striking 42 percent of Jewish students reported experiencing antisemitism during their time on campus, and of that group, 55 percent said they felt that being Jewish at a campus event threatened their safety. The survey also found that 34 percent of Jewish students avoid being detected as Jews, hiding their Jewish identity due to fear of antisemitism. Meanwhile, 38 percent of Jewish students said they decline to utter pro-Israel viewpoints on campus, including in class, for fear of being targeted by anti-Zionists. The rate of self-censorship is significantly higher for Jewish students who have already been subjected to antisemitism, registering at 68 percent.
“No Jewish student should have to hide their identity out of fear of antisemitism, yet that’s the reality for too many students today,” Hillel International chief executive officer Adam Lehman said in February. “Our work on the ground every day is focused on changing that reality by creating environments where all Jewish students can find welcoming communities and can fully and proudly express their Jewish identities without fear or concern.”
Follow Dion J. Pierre @DionJPierre.
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Amsterdam’s New Warning to Europe on Antisemitism
Anti-Israel protesters clash with police outside Amsterdam’s Concertgebouw, breaking through barricades and setting off smoke bombs during a demonstration against a performance by the IDF’s chief cantor. Photo: Screenshot
Amsterdam likes to present itself as a city of tolerance. It celebrates diversity, prides itself on openness, and often reminds the world of its history as a refuge for those seeking freedom. Yet something deeply troubling happened in Amsterdam last week that should concern not only the Netherlands, but all of Europe:
A municipal debate about antisemitism had to be held at a secret location because of security concerns.
Pause for a moment and consider what that means. In a democratic European capital, a discussion about protecting a Jewish minority could not take place openly for fear of threats and intimidation. If that does not signal a serious problem, what does?
That’s in addition to the bombing of a Jewish school, and another attack that just occurred.
During the meeting, a 15-year old Jewish boy addressed the room. His testimony cut through political rhetoric and statistics with the clarity only a young voice can bring. Since the October 7, 2023, massacre in Israel, he said, life for Jewish students in Amsterdam has changed dramatically. Many of his friends have already left the city. They no longer see a future there.
Imagine hearing those words in 2026 in one of Europe’s most celebrated liberal cities. A teenager speaking calmly about the disappearance of his community.
Amsterdam alderman Melanie van der Horst was visibly moved and struggled to hold back tears. The emotional moment showed that some political leaders understand the gravity of what is happening. Yet empathy alone will not solve the problem.
Another participant in the debate raised a painful but necessary question: How must it feel for Jewish residents to walk daily through public spaces where demonstrations take place in which their country and their people are shouted down? Pro-Palestinian protests have become a constant presence in parts of the city. Political protest is a democratic right, but when rhetoric turns into open hostility toward Jews, society has crossed a dangerous line.
One proposal during the debate illustrated the level of frustration. A politician suggested sending undercover police officers into the streets wearing a kippah in order to identify those who harass Jews. Critics called the idea controversial. But the fact that such a measure is even being discussed reveals how serious the situation has become.
The problem extends beyond the streets. Jewish organizations in the Netherlands increasingly report difficulties renting venues for events. Cultural gatherings and lectures sometimes struggle to find halls willing to host them. It rarely makes headlines, but this quiet exclusion sends a clear message: you are welcome in theory, but not visibly.
History has taught Europe where that kind of atmosphere can lead. Antisemitism rarely begins with violence. It begins with discomfort, social pressure, and the slow normalization of hostility toward Jewish identity.
Meanwhile, another factor fuels the problem. Much of the European media landscape presents Israel through a lens that reduces a complex reality to a simple narrative of aggressor and victim. When context disappears and facts are replaced by slogans, public perception shifts. The hostility directed at Israel easily spills over into hostility toward Jews living thousands of kilometers away.
That is why factual education and responsible journalism matter so much. Civil society organizations that work to counter misinformation often struggle to be heard. Yet without a commitment to truth, public debate becomes an echo chamber for activism rather than a search for understanding.
There is also a question for Jewish communities themselves. When fear grows, the instinct to become less visible is understandable. But invisibility comes at a cost. If intimidation forces people to hide their identity, those spreading hatred learn that their tactics work.
The lesson of Jewish history is painfully clear. Silence has never protected Jewish communities.
Strength does not mean confrontation. It means refusing to surrender identity and dignity to intimidation. It means raising a generation that is proud rather than afraid. It means understanding that resilience is sometimes the only answer to those who seek to erase a people’s presence.
The young boy in Amsterdam asked a simple question without even intending to pose a challenge to Europe: will the Jewish community still exist here in the future?
That question should echo far beyond the walls of the municipal chamber where he spoke. Because if a Jewish teenager in Amsterdam already doubts his future in the city, then Europe is facing not just a Jewish problem.
It is facing a moral test of its own values.
