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What American Jews fight about when they fight about Israel
(JTA) — Eric Alterman, born in 1960, says the view of Israel he absorbed growing up in a Jewish family in suburban Scarsdale, New York, was decidedly one-sided.
“I went on this nerdy presidential classroom thing when I was in high school,” he recalls, “and some Christian kid from the South raised his hand and said to the rabbi, ‘I don’t get it, if the Jews could have a state, why can’t the Palestinians?’ And I was like, ‘How dare you?’”
Alterman would go on to attend Cornell University, where he wrote his honors thesis on Israel, Vietnam and neoconservatism; spend a semester abroad at Tel Aviv University; study Israeli military history while earning his master’s degree in international relations at Yale, and research a dissertation on American liberalism and the founding of Israel as a doctoral student at Stanford.
Although he frequently writes about Israel as a contributing writer at the Nation and the American Prospect, Alterman is best known for his liberal analysis of the media and U.S. politics. He’s written 11 previous books, including one on Bruce Springsteen.
Yet he never stopped thinking about the widening gap between the idealized Israel of his youth and the reality of its relations with the Palestinians, its Arab neighbors and the West. Even when Israel’s revisionist historians were uncovering evidence of massacres and forced expulsions of Palestinians during the War of Independence, and Israeli politicians and intellectuals began asking why, indeed, the Palestinians didn’t deserve a state of their own, he saw that such discussions were considered blasphemous in most American Jewish circles.
Alterman, now a CUNY Distinguished Professor of English at Brooklyn College, explores that gap in his latest book, “We Are Not One: A History of America’s Fight Over Israel.” The book surveys U.S.-Israel relations, but with a focus on the ways defending Israel have shaped public discourse. It’s a book about arguments: within the administrations of 14 presidents, between Washington and Jerusalem, and mostly among Jews themselves.
Earlier this month we spoke about how the pro-Isael lobby became a powerful political force, the Jewish organizations and pundits who fight to limit the range of debate over Israel, and what he thinks is the high price American Jews have paid for tying their identities so closely to Israel.
“I try to take on shibboleths that in the past have shut down conversation and take them apart and sympathetically show the complexity of the actual situation that lies beneath — so that [criticism and disagreement] over Israel can be understood rather than whisked away by changing the subject, or what-aboutism, or by demonizing the person who is raising them,” said Alterman.
Our conversation was edited for length and clarity.
Jewish Telegraphic Agency: Let me start by congratulating you: It’s the first book about U.S.-Israel relations with a chapter named after a Bruce Springsteen album: “Working on a Dream.”
Eric Alterman: Nobody else has caught that. But it’s not about U.S.-Israel relations. It’s the first book about the debate over Israel in the United States. There’s a million books on U.S.-Israel relations.
So let’s define that more narrowly. The title reminds me of the United Jewish Appeal slogan over the years, “We Are One,” which was about American Jewish solidarity. So who is the “we” in your title, “We Are Not One”?
There are three or four different meanings. The “we” in this book are obviously the United States and Israel. An awful lot of people argue that the United States and Israel have identical interests in the world and that’s crazy, because Israel is this tiny little country in the Middle East and we’re a global superpower thousands of miles away. So obviously, we’re going to have differences. Number two, American Jews and Israeli Jews are very different people. They have very different life experiences. And they see things quite differently as evidenced by the political split between them. The title also refers specifically just to Americans, because we can’t even discuss most things anymore. The pro-Israel community, such as it ever was, is enormously split and it’s split in angry ways.
Much of your book is about what happens to American Jews when the idealized portrait of Israel’s founding and its presumed blamelessness in its actions toward the Palestinians comes up against reality. In that context, tell me a little about your choice to devote a chapter to the Leon Uris novel “Exodus,” an extremely sanitized version of Israel’s founding, and the 1960 movie based on it.
The influence of “Exodus” is something I didn’t understand until I wrote the book. It’s crazy, because Leon Uris was this egomaniac who wrote kind of a shitty book and said that he wanted to add a new chapter to the Bible, and he kind of succeeded. I was born in 1960. When I was growing up in suburban New York, every single family had “Exodus” on their shelves. When the movie came out Israelis understood this. They said, “We can just shut down our public relations office now.” And from the standpoint of reality the movie is worse than the book because it has Nazis — the Arabs in the book are working with Nazism. Uris didn’t have the nerve to do that. So the book created this idealized Israel and this idea of [Palestinians as] evil, subhuman Nazis.
What most Americans don’t understand, or choose not to understand, is that before the 1940s most Jews were anti-Zionist, or non-Zionist. This changed in the 1940s, when, as a result in part of the Holocaust, and the reaction to that, and the triumph of Zionists, they became intensely pro-Zionist, leading up to the creation of Israel. But after that, they kind of forgot about Israel. One might have given their children JNF boxes to carry on Halloween instead of UNICEF boxes, or maybe they paid to plant trees. But Israel doesn’t show up in the American Jewish Committee’s 1966 annual report until page 35 or 36, and Nathan Glazer’s 1957 book “American Judaism” says that the creation of the Jewish state has had “remarkably slight effects on the inner life of American Jewry.”
With the events of 1967, Uris’ idealized notion of Israel came together with this terrible fear of a second Holocaust, and the terror and shame and frightening nature of that combined to transform American Judaism overnight to an enormous degree.
You are referring to Israel’s lightning victory in the Six-Day War, which even non-religious Jews saw as a kind of miracle, and redemption two decades after the Holocaust. And that transformation, you argue, put defense of Israel, combined with Holocaust consciousness, at the center of Jewish identity.
More than just the center: It basically comprised almost all of it, for many secular Jews. I quote the neoconservative Irving Kristol in the book saying in 1976 that “the Holocaust and the founding of the state of Israel” was 100% of what Judaism means.
Which in turn led to a the tremendous pro-Israel lobbying efforts, political activism and punditry.
The budgets of American Jewish organizations overnight went from social services and liberal social justice causes to defense of Israel. And rabbis were replaced at the center of public discourse by the heads of these organizations — most of whom had no religious training or knowledge of history or Judaism.
Joe Biden, then vice president, speaks at the AIPAC 2016 Policy Conference in Washington, DC, March 20, 2016.
(Molly Riley/AFP via Getty Images)
One distinction you repeatedly make is between what most Jews believe compared to the Jewish organizations that claim to represent them. Surveys show the rank and file is consistently more liberal on Israel and less hawkish than the big organizations — a gap that showed up markedly around the Iraq War and the Iran nuclear deal.
Right. The big mistake that so many in the media make is that they go to the heads of these organizations who pretend to speak for American Jews when they don’t speak for American Jews. They speak for their boards and their donors.
The shift to Jewish lobbying on behalf of Israel coincides with an era in which there is seldom daylight between what Israel wants and what the United States wants or agrees to — often to the frustration of presidents. You are critical of those who exaggerate the pro-Israel lobby’s influence — folks like Stephen Walt and John J. Mearsheimer, authors of the 2007 book “The Israel Lobby and U.S. Foreign Policy” — but, at the same time, you write, referring to the Israel debate in America, about “the continued stranglehold that money, power, organizational structure, and clearly defined paths to personal career advancement continue to hold over the shape of foreign policy.” How will you respond to critics who will say your book is trafficking in the myth of Jewish power and its conspiracy-minded hold over American policy?
The short answer is, that’s why I wrote a 500-page book — basically, for two reasons: One, everything is incredibly complicated. And some of those complications are consistent with antisemitic myths, and therefore they have to be teased out and broken down in such a way that you’re telling the truth rather than portraying the myth.
If you say things without context, they sound antisemitic. I say that yes, Jews are very powerful in the media and many use that power on or about Israel. But I think if you lay out the examples that I use, if you look at them and examine them, I don’t see how you can conclude otherwise. The people I describe often say that about themselves — how much power and influence they yield.
Secondly, I’ve always found it just about impossible to discuss Israel with anyone, because you have to share exactly the same assumptions with that person. And if you don’t, then they take it personally, or you’re an antisemite, or, at best, you’re insufficiently sensitive to how important antisemitism is. And if you describe ways in which American Jews act in ways that are consistent with antisemitic myth, it has a way of shutting down the conversation.
Undoubtedly there’s some criticism of Israel that is motivated by antisemitism, but there’s an awful lot of reasons to be critical of Israel, particularly if you are a Palestinian or care about Palestinians. This accusation [antisemitism] has shut down the discourse and part of my hopes in demonstrating the complexities of this history is to open this up.
So let me ask about your own stake in this. Your educational background and relationship to Israel are similar in many ways to the writers and thinkers in your book who tolerate no criticism of Israel. I don’t know if you call yourself a Zionist, but you have some connection to Israel, and you’re also willing to tolerate critiques of Israel. What’s the difference between you and some of the other people who went on the same journey?
For the longest time I was comfortable with the words “liberal Zionist,” but I don’t think they have any meaning anymore. I don’t think it’s possible to be a liberal Zionist — you have to choose. Israel is the only putatively democratic country that prefers Trump to either Obama or Biden, and it’s not even close. And young Israelis are moving further in that direction and young American Jews are moving further in the opposite direction.
So you ask me if I am a liberal Zionist. I don’t think the word “Zionist” is useful at all anymore, because Israel is a country and it’s not going anywhere. I sometimes call myself an anti-anti-Zionist, because anti-Zionism is dumb. I’m very anti-BDS. If I thought [the Boycott, Divestment and Sanctions movement] could end occupation, I would support it, even though the idea of boycotting Jews puts a bad taste in my mouth. But the theory behind BDS apparently, and I’ve spent a lot of time on this, is that the world will force Israel to give up its identity and turn the country over to its enemies. It’s inconceivable that Israel would do that and inconceivable the United States would pressure them to do that. So BDS is entirely performative. It’s more of a political fashion statement than anything else.
And to me, it speaks to the failure of Palestinian politics throughout history. I have a great deal of sympathy for the Palestinians and their bad politics because it’s based on two problems. One is that they have never been able to see the future very well. So they should have agreed in 1921 and 1937, or whenever they would have had the majority and they were being given a country by the British. They should have taken the lousy offer from Ehud Barak and Bill Clinton in 2000. I kind of get it because they have so many competing constituencies, and it’s impossible to satisfy all of them at the same time. I understand that. It’s hard to imagine a Palestinian politician who could say yes, and if you look at Hamas and the Palestinian Authority, in both cases, it’s hard to imagine making peace with them.
I read that in your book, and my first thought was, well, isn’t that basically just confirming what the pro-Israel right has always said — that Israel has no partner for peace? So maybe the best it can do is maintain a status quo that assures some security for Israel and a workable something for the Palestinians.
Well, number one I hold Israel significantly responsible for the conditions under which that has developed and that they can change those. And number two, that’s no excuse for the way Palestinians are treated, either in the occupation or in Israel. So yes, I agree. There’s no one to make peace with today, but there are many steps Israel could take that could vastly improve the lives of the Palestinians, both in the occupied territories and inside Israel. And there are a lot of steps they could take that could build confidence for a future that could weaken Hamas, that could strengthen the Palestinian Authority, so that one day peace would be possible. But they do the opposite.
An Israel supporter at a New York rally to tell the United Nations “no more anti-Israel documents or resolutions,” Jan. 12, 2017. (Don Emmert/AFP via Getty Images)
You talk about funding of Israel studies and Jewish studies departments as a reaction against fears of a pro-Palestinian takeover of academia. At the same time, you write how Palestinian supporters “succeeded in colonizing Middle East studies departments, student faculty organizations, and far-left political organizations.” Why does that matter in the long run if, as you also write, nothing’s really going to change American policy on Israel?
I gave a talk before the book came out at Tel Aviv University and someone asked me that question. I said, You care about these transformations for two reasons. One, you really will be all alone in the world. You’ll have the support of conservative [Evangelical] Christians who are in many respects antisemitic and are using you for their own purposes. So if you lose American Jews, you will be existentially alone in a way you’re not now and that strikes me as very unpleasant.
I do think that the quote-unquote pro-Israel community has a stranglehold on American politics that I can’t see changing anytime soon, and I think the change in the Democratic Party [that it will turn more pro-Palestinian] is very much exaggerated by both sides for their own reasons.
That being said, the people who are being trained now to be in the State Department and the National Security Council and the Defense Department and the think tanks and the places where the intellectual foundation of U.S. policy is made are learning something very different from what you and I learned in college. Right now, there’s no such thing as an influential Palestinian lobby in this country. There’s no pushing back. There’s no percentage for anyone opposing Israel who has a career interest in the future. That will change, and the whole shaping of the discourse will change and that will change the relationship between the United States and Israel. It’s not going to happen anytime soon, but it’s definitely going to happen.
As Jews in this country have remained largely liberal, Israel appears to be getting more illiberal, as we’ve seen with a new government that is more right-wing than any previously. And Israel has become more of a divisive element among Jews than a unifying force. As this gap appears to be widening, do you have any real hope for changing the discourse?
No, I don’t have any hopes for that. I don’t have anything optimistic to say about Israel. I think, politically speaking, from the standpoint of American Jews, everything is going in the wrong direction. But by demonstrating just how different Israeli Jews are than American Jews, and how little Israeli Jews care what American Jews think, I do think that it presents an opportunity for American Jews to think about what it means to be an American Jew in the Diaspora. Roughly half of the Jews in the world live in the United States. And since 1967 American Jews have defined themselves vicariously through Israeli Jews and taking pride in Israel. They expressed their identities by defending Israel and attacking the media when the media didn’t defend Israel.
Meanwhile, American Jews hardly ever go to synagogue. According to Pew, 20% of American Jews regularly attend synagogue and half of them are Orthodox, who are 10% of the community. What brought me back into Judaism was studying Torah. And hardly any American Jews are ever exposed to that.
So I think there’s an opportunity to reimagine Diaspora Jewry now that the Israel story doesn’t work, and it’s clear that it doesn’t work. Young American Jews are leaving or voting with their feet. They’re walking away. Israel-centric Judaism is in part responsible, although it’s not the whole story. Intermarriage is a big part of the story. The de-religionization of all groups is part of the story. But personally, I don’t see what a liberal American Jew would see in a Judaism that defines itself as it has for the past 50 years as defending Israel and remembering the Holocaust.
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Why Dolly Parton sang a song about a Jewish journalist
A Broadway show, a star-studded television tribute, a new hotel and museum in Nashville. As odes to Dolly Parton keep coming, a recording of the late country music singer honoring an American Jewish journalist has recently surfaced.
Never before released in America, the song, “A Bridge Across,” sung by Parton and accompanied by the Nashville Symphony, honors slain journalist Daniel Pearl.
The song features spare lyrics set to violin music composed in honor of Pearl, a Wall Street Journal reporter who was brutally murdered by terrorists in Pakistan in 2002.
Originally recorded in 2008 by Parton, renowned fiddler Mark O’Connor, and the Nashville Symphony, the song was intended to be part of a compilation album called This is My America, produced and funded, oddly enough, in Canada but never released in the U.S.
It was O’Connor and his wife Maggie who resurrected the recording this fall, shortly after the deaths of Parton and another musician that connected the four artists: Oregon violinmaker Jonathan Cooper, who died in September.
Deeply troubled by the journalist’s murder in 2002, Cooper learned Pearl was an amateur fiddler and set out to create a quartet of string instruments – two violins, a viola and a cello – in the journalist’s honor. He entrusted the instruments to O’Connor to use during his annual summer music camp in North Carolina. Every year since, four students from the camp have received one of the Daniel Pearl memorial instruments to play for a year.
“These young people carry the message that love fights hatred through music-making and understanding that Daniel Pearl’s family want him remembered for,” O’Connor told The New York Times. Likewise, Cooper’s loving gesture inspired Parton, O’Connor said.
Canadian violinist Samantha Robichaud received one of the violins in 2005 and has gone on to become a successful recording artist with more than a half dozen albums. She has toured North America as an ambassador for the Daniel Pearl Foundation, sharing Pearl’s story, including his passion for

music and its power to change lives. Enter songwriters Tom McBryde and Lynn Wilbanks, whose introduction to Robichaud inspired verse.
On the album, the Nashville Symphony played one of Robichaud’s compositions while Parton introduced Pearl to listeners.
“He believed that music was something that could cross all social barriers, political borders and imaginary boundaries,” Parton says, before singing McBride’s and Wilbanks’ lyrics.
“A bridge across a question one journey begins, one step at a time to a place within.
A bridge across a border, a hand reaching out one heart at a time to erase the doubt.
A bridge across a difference can close a divide, one song to be sung on the other side.”
“It was perfect. She knows what he stood for,” Pearl’s father, Dr. Judea Pearl, told the Forward. “She was such a giving person.”
Judea Pearl met Parton in 2018 at the Los Angeles Press Club where she received that year’s Public Service Award for Contributions to Civic Life for her Imagination Library, which sends free books to children. (It inspired the creation of the PJ Library for Jewish books.) The Press Club recently dedicated its upcoming National Arts & Entertainment Journalism Awards to Parton’s memory.
In 2018, Judea Pearl was there to present the Daniel Pearl Award for Courage and Integrity in Journalism to Saudi Arabian writer and blogger Raif Badawi whose wife accepted the award while he served a 10-year prison sentence for his online activism.
The foundation devoted to Daniel Pearl’s legacy has been less visible since the 2021 death of Pearl’s mother Ruth who, as a young girl, witnessed and survived the anti-Jewish pogroms in Baghdad known as the Farhud.
As the 25th anniversary of his son’s murder approaches in February, Judea Pearl said the foundation will start a new chapter under his daughters’ leadership. Parton’s song lends the effort a touching soundtrack.
The post Why Dolly Parton sang a song about a Jewish journalist appeared first on The Forward.
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Mamdani marks first Oct. 7 anniversary as mayor with statement blasting Israel’s war in Gaza as genocide
On the third anniversary of the Oct. 7, 2023, Hamas attack on Israel — his first commemoration as New York City’s mayor — Zohran Mamdani mourned the Israeli victims and the 251 people taken hostage before devoting most of a statement to condemning Israel’s war in Gaza as a “genocide” and accusing the U.S. government of complicity in Israeli war crimes.
“The suffering did not begin nor end that day,” Mamdani said in a 200-word statement, noting the Palestinian casualties of the war that was launched as a military campaign against Hamas. “Three years later, we must refuse to accept a world in which occupation and apartheid continue, where war crimes are met with impunity, and our federal government continues its complicity with every arms shipment.”
The mayor’s words were in stark contrast to statements released by other elected officials, including New York Gov. Kathy Hochul, who noted it was the deadliest day for the Jewish people since the Holocaust.
“The pain of that dark day has not faded,” she wrote. “But neither has the strength, resilience and enduring hope of the Jewish people.”
House Democratic leader Hakeem Jeffries also noted the attack was carried out by “Hamas terrorists intent on destroying Israel,” but also acknowledged Palestinian deaths and Gaza destruction.
New York Attorney General Letitia James also released a statement, to “honor the innocent people murdered and families forever changed by the Hamas terrorist attacks,” a term some noted Mamdani did not use.
Jonathan Greenblatt, CEO of the Anti-Defamation League, noted another term Mamdani did not include.
“Not once do you say ‘Jews,’ Greenblatt wrote on X.
“You are weaponizing a day meant for mourning the worst massacre of Jews since the Holocaust to recycle your usual antizionist talking points,” he added. “The city with the largest Jewish population outside Israel deserves a mayor who can honor the dead without exploiting them.”
Democratic congressional nominee Brad Lander, an outspoken Jewish ally of the mayor, did not criticize the mayor’s statement. Instead, on his Substack, he shared his reflections on the anniversary, calling for Israelis, Palestinians, Jews and Muslims to mourn together as a first step toward peace.
“We can mourn for those lost on October 7th and still acknowledge the enormous imbalance of power between Israel and the Palestinians,” he wrote. “Over the past three years, so much more death, destruction, and displacement has fallen on Palestinians.”
But David Greenfield, a former Councilmember and head of the Met Council charity group, called Mamdani’s statement unhelpful, one that risks “further dividing” New Yorkers. “I really wish the Mayor of NYC would just focus on NYC,” he wrote on X.
Alex Vindman, a former Democratic Senate candidate in Florida, also criticized the statement, posting on X that it “did a real disservice” to Democrats and democratic socialist candidates who are making their appeals to moderates and independents in battleground states.
Former Republican congressman turned-Trump critic Joe Walsh posted on X: “Shame on you @NYCMayor. You can’t just give one day for Israel to mourn? One day? The deadliest day for Jews since the Holocaust, and you can’t remember only that atrocity today? You must throw in everything else today?”
A pro-Palestinian activist since his college years, Mamdani has been unapologetic about his anti-Zionist views that continue to shape his tenure. His harsh rhetoric on Israel and handling of antisemitism — including refusal to define that term — and defense of pro-Palestinian protests outside synagogues have strained relations with parts of the Jewish community.
Mamdani drew fierce backlash earlier this year when he produced a Nakba Day video commemorating the displacement of Palestinians during Israel’s founding in 1948 around Israel’s independence day.
A new poll published Wednesday morning found that 64% of Jewish voters in the city prefer that Mamdani skip any event marking the Oct. 7 massacre. As a Democratic nominee last year, Mamdani attended an Oct. 7 commemoration marking the loss of Israeli and Palestinian lives. That event is not on the mayor’s daily public schedule, but a meeting with a group of local Palestinian Americans is on the calendar.
Still, he has failed to satisfy some of his supporters, including young activists who backed his bid for mayor and attended the pro-Palestinian protests on college campuses after the Oct. 7 attacks. Multiple chapters of the Young Democratic Socialists of America are planning to demonstrate outside city hall tonight on the premise that Mamdani failed the Palestinian movement, capitulating, they say, “to Zionist pressure.”
The mayor declined to comment on this demonstration.
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Chicago Jewish theater drops Naomi Ragen play, saying actors feared repercussions of working with the Israeli writer
(JTA) — Naomi Ragen, the New York-born Israeli novelist and playwright known for her portrayals of Orthodox Jewish women in crisis, says the cancellation of a planned Chicago revival of one of her plays represents a “return to McCarthyism” in the American cultural scene.
Ragen, 77, has revealed that plans by a Jewish arts company in Chicago to revive her 2001 play “Women’s Minyan” have been shelved. In a post shared with her thousands of followers on Facebook, Ragen included an email from the company’s artistic director saying that she had been inundated by messages from actors, directors and designers who feared that working with a “a pro-Zionist Jew/Israeli” like Ragen could damage their careers.
Ragen told the Jewish Telegraphic Agency that Chicago-based Arts Judaica first approached her in July with a request to stage her play about a haredi woman trying to flee her abusive marriage. Elayne LeTraunik, the company’s artistic director, told Ragen they intended to stage 13 performances next March.
Happy to collaborate, Ragen asked for a contract. She heard nothing until this week when she received a reply from LeTraunik, saying she “must sadly withdraw my intent to do the show.”
LeTraunik’s email continued: “People were seeing you were a pro Zionist Jew/Israeli and I was bombarded with actors, directors and designers who were actually afraid that doing a show with you as playwright would hurt their careers. I never have faced this before and I was stunned about all the accusations of ‘genocide’ flying around.”
The episode stands in contrast to Arts Judaica’s stated mission: Its website says that “American audiences need Jewish stories on stage more than ever.”
“In the past I have done plays about suicide bombers and never had a peep from anyone,” LeTraunik told Ragen. “This world is getting insane. Perhaps once all this dies down (if it ever does) I will try again. I am so sorry.”
Born in New York, Ragen emigrated to Israel in 1971, where she settled in Jerusalem. In addition to best-selling novels like “Sotah” and “The Sacrifice of Tamar,” she regularly writes opinion pieces sharing her hawkish views on Israel. On her website and on social media, she shares dispatches from her “Israel War Diary,” expressing strong support for Prime Minister Benjamin Netanyahu and IDF military action against Hamas. She has also spoken against what she describes as a worldwide “climate of hatred, fear, and intimidation.”
Some people, she said, have suggested the play was canceled because she is a right-wing Zionist. “Are we now back to McCarthyism, where you have to check the political credentials of an artist [before deciding] whether or not to promote their work?” she said.
“I thought all the progressives were against McCarthyism. Now we’re back there where I have to pass some kind of political test in order to have my work shown.”
LeTraunik told JTA she could never have predicted the pushback or the cancellation when she first approached Ragen. “This situation is one I have never faced before after a lifetime in theater,” she said.
“Since the play has nothing to do with politics I didn’t anticipate any problems,” she continued. “But unfortunately people had done research on Naomi and felt so triggered by her politics it appeared that there were concerns from would-be actors, etc. and even the person who had offered to put up some of the funding was not comfortable.
“As for me, I am almost 80 years old, [a] lifetime American and Jew and I have long decided not to get involved in the current political turmoil. I just want to do interesting theater.”
Ragen told JTA that while it is “strange to get such a response from a Jewish venue,” particularly one whose mission statement includes Holocaust education, she is not angry at LeTraunik.
“I have only sympathy for her,” she said. “I think all these Jewish cultural organizations are now under fire and what we need is not to criticize them because they’re not brave enough, but to understand the pressures they’re under.”
Earlier this month the Anti-Defamation League published a report alleging “the systemic exclusion and marginalization of Jewish and Israeli artists across American cultural life.” In its examination of museums, publishing and live entertainment, the ADL said it found that Jewish, Israeli and Zionist artists have “faced growing scrutiny, organized protest activity, online targeting, event disruptions, reputational campaigns and, in some cases, cancellations or institutional distancing.”
Ragen said her play, originally commissioned by Habima, Israel’s national theater, has previously been staged in the United States. She is not taking the cancellation personally, she said, but as a symptom of a far greater problem.
“You had a situation in Germany in 1938 where you couldn’t produce a Jewish play or any play which didn’t toe the Nazi line,” she said. “Are we going back to that?”
In her conversation with JTA, Ragen called on “American Jews and good people” to “be a little brave,” adding: “It’s not time to build another Holocaust museum — it’s time to wake up, smell the coffee, and put your money and your time and your effort where your mouth is.
“If you are a person who wants to promote Holocaust education, well, you’re living in the middle of it.”
This article originally appeared on JTA.org.
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