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With 1.6M followers, TikTok influencer Miriam Ezagui teaches the masses about her Orthodox lifestyle
(JTA) — “Hi my name is Miriam,” the video begins. “I’m an Orthodox Jew, and I share what my life is like.”
So opens a typical TikTok post from Miriam Ezagui, a 37-year-old Brooklyn-based labor and delivery nurse who has amassed 1.6 million followers on the social media platform. Users who make their way to “JewTok,” as the Jewish corner of TikTok is known, have likely encountered Ezagui’s videos, which cover everything from purchasing a sheitel to making matzah ball soup to a makeup tutorial with her daughter.
Since starting her account in May 2020, Ezagui has cemented herself at the top of the searches for “Jewish” and “Orthodox Jewish” thanks to her warm demeanor, easy humor and information-based approach. But she didn’t set out to become a Jewish influencer.
“I didn’t originally start as a Jewish account,” Ezagui told the Jewish Telegraphic Agency. Instead, it was a way to be productive while on maternity leave for her fourth child: “It gave me an excuse to get dressed and not just walk around in pajamas all day.”
“I never would have imagined that it would be where it is today,” Ezagui said of her TikTok account. “It’s been a little life-changing.”
These days, Ezagui gets invited to numerous events and Jewish product launches: she’s received free clothes thanks to collaborations with local retailers; tickets to see the off-Broadway play “The Wanderers” in exchange for an ad on her account, as well as discounts at the well-known Shani Wigs store in Brooklyn. Ezagui, who collaborates with both Jewish and non-Jewish influencers, said she’s often recognized as she goes about her day-to-day life.
Ezagui, who is Hasidic and whose four daughters range in age from 18 months to 9 years old, began her account as a way to share tips on the best ways to safely and comfortably hold a baby using woven wraps. But that all changed in late January 2022, when comedian and “The View” host Whoopi Goldberg said on air that “the Holocaust isn’t about race.”
As the granddaughter of Holocaust survivors, Ezagui said she questioned how someone with as much of a platform as Goldberg had such a lack of understanding about the Holocaust — so she decided to speak up and create a video that debunked Goldberg’s claims.
“I really had a long, hard think about whether I wanted to come out as being openly Jewish online because I was really scared of hatred and antisemitism because it’s so easy for people to do that online because they can just be a blank profile or screen,” Ezagui explained of why she was initially skeptical to post. “I never hide the fact that I’m Jewish, but I was not a social media personality … I share things personally but not with the world.”
Ezagui made her first explainer video in February 2022, breaking down why the Holocaust was an attempt to eliminate the Jewish people because the Nazis viewed them as a lesser race. “I feel like I have an obligation as a Jewish woman,” she said in the three-minute clip. “As the granddaughter of not one, but two, Holocaust survivors, I feel like my voice needs to be heard.”
“The Nazi movement wanted to eradicate Jewish people from the world. They saw us as subhuman, they saw us as inferior, something that the world needed cleansing of,” she added. “If you read the Nuremberg Laws, they refer to us as the Jewish race. They racialized us, they slapped stars on our arms, put us in concentration camps, sent us to gas chambers because we were Jewish — our whiteness didn’t save us.”
Though the video got positive feedback from her followers, the video only received around 350 likes. But her account started attracting a large following in April 2022, when she featured her grandmother, Lilly Malnik, who discussed her memories of the Holocaust. The video, titled “Meet my Bubby,” racked up over 30,000 likes.
In the next four months, several of Ezagui’s videos began to rack up anywhere from tens of thousands to millions of likes and views. In one particular TikTok from June 2022, Malnik discusses how she lost her menstrual cycle while in Auschwitz. The clip garnered 3.1 million likes and 23.4 million views.
Along the way, Ezagui began producing more Judaism-focused content. Within two months of her first Jewish video, half of Ezagui’s content had become talking about the Jewishness of her day-to-day life. These days, she posts a mix of storytimes (a popular type of TikTok video in which creators recount a story about their lives), explainer videos on Orthodox customs and scenes from her days as a mom and nurse.
“It’s a lot about multitasking or it’s a lot about me just filming my everyday life,” she added, explaining how she manages to fit between one and four hours of filming each day, except on Shabbat. “You know, ‘OK, I’m making some chicken matzah ball soup. Let’s take out the camera.’”
It’s a mixture that’s clearly working for her. Fans say that it’s Ezagui’s authenticity — her children are often yelling in the background, for example — is what sets her apart. “I like Miriam so much because I feel like she embodies the idea of an influencer staying true to themselves,” said Alyssa Cruz,19, of Toledo, Ohio. “She does not apologize for living her life a certain way, but she also handles hate and criticism with grace and respect. You can tell her what her true intentions are, and she never tries to be anyone but herself.”
“I like that she’s not as much of an ‘influencer’ as some other similar types of TikTok channels,” said Rachel Delman Turniansky, 57, from Baltimore. “I get that there are people who have been able to monetize their accounts, and good for them, but it’s kind of a nice break from that to see someone who isn’t doing it for that reason.”
“Miriam is a friend of mine, so it’s been fun to watch her grow,” said Shaina, a 25-year-old in Wellington, Florida, who knows Ezagui personally and did not want to share her last name for privacy reasons. “I’m also an Orthodox nurse, and I love seeing the way she runs so many different parts of her life — work, family, religion, TikTok, her own hobbies, etc. — in such a great rhythm. She doesn’t hide behind filters, and set ups. What you see is her real day to day life.”
Though Ezagui’s approach is often no-nonsense and educational, her videos are occasionally livened up with her unique blend of sarcasm and cheekiness — something her fans lovingly call “spicy Miriam.”
“I love Miriam’s humor — it’s mom humor so it reminds me of my own mother,” said 22-year-old Los Angeles native Alexa Hirsch. “I love her sexual innuendos because they’re so lighthearted and cute! I love how she manages to maintain her family friendly persona while also normalizing discussions about personal and private aspects of Orthodox Judaism.”
When asked whether Orthodox Jews can have sex on Shabbat, Miriam responded that the practice is “actually encouraged,” then boldly calls for her husband to help her push the beds together, raising her eyebrows and smirking.
Replying to @greysanatomyfanatic is making a baby allowed on shabbos? #babymaking #shabbos #religion #jewishtiktok #husbandwife
♬ original sound – Miriam Ezagui
As her internet fame has grown, so, too, has the amount of antisemitic comments Ezagui has received on her accounts. Perhaps not surprisingly, she has found that her posts about Judaism have received the most hate. “When people are trolling my account, I’m not afraid to call them out, but I don’t want to make it [my account] all about that,” she said. “But when I do call out, I like to do them in a tasteful way.”
For example Ezagui, in response to a comment saying “go in the oven jew,” Ezagui filmed a video in which she superimposed the comment over a video in which she says: “For thousands of years Jews have been persecuted. Great empires have tried to extinguish our flame, but we survive. We. Will. Always. Survive! Your hatred has no power over me.”
Ezagui emphasized how important it is for her account to be a safe space for all people, regardless of their race, gender or religion. She consistently features content creators and also man-on-the-street videos of people of all backgrounds — in one video, she and a Muslim friend discuss why they cover their hair, and in another she discusses topics like why Purim costumes should not appropriate other cultures.
“I welcome everyone to my channel,” she said. “ I accept people as they are, I think it makes them feel comfortable.”
“She’s all about education, and in a world filled with falsehoods and stereotypes about Jews, it’s nice to see someone actively combatting it and engaging with people’s questions,” said Olivia, a 21-year-old living in Morningside Heights who declined to provide her last name. “There are so many people in the world who have never met anyone Jewish in their lives, and to them, Jews are almost fictitious, mythical, evil creatures rather than just real people. It’s really difficult to be so visible as a Jewish person, especially an Orthodox one, yet she does it anyway, and I think that’s really brave and commendable.”
When the busy mom isn’t on camera and or at work, she enjoys reading, experimenting in the kitchen and getting some much needed R&R at the nail salon.
In the future, Ezagui hopes to bring the birthing classes she runs in the Orthodox community to a wider audience, or even to start a podcast. Both ideas are still in their early stages but would continue her TikTok account’s mission of education.
“A lot of people don’t know Orthodox Jews, and there’s a lot of antisemitism surrounding Jews from a place of not, like, extreme hatred,” Ezagui said. “I’m not here to change anybody’s mind if they hate us for no reason, just to hate. But there’s a lot of people that hate Jews, just because of stereotypes that are not real or because there’s a lack of information.
“One of the things that I hope to accomplish with my account is that people can learn from a Jewish person directly,” she added. “And that has a positive impact.”
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The post With 1.6M followers, TikTok influencer Miriam Ezagui teaches the masses about her Orthodox lifestyle appeared first on Jewish Telegraphic Agency.
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His family was forced to sell their precious Pissarro painting before fleeing Nazi Germany; will he finally see justice?
It has been more than four years since I first reported on the looted art case regarding the Camille Pissarro painting, “Rue Saint-Honoré, Apres Midi, Effet de Pluie,” in The Forward. The painting is part of a series the Jewish artist painted from the safety of his hotel room in Paris at the height of the Dreyfus Affair in France.
The scandal, sparked by the false conviction of a Jewish army office tore French society apart and brought to light the country’s deep antisemitism. “Rue Saint-Honoré” is both an important work of Impressionism and a testament to historical events. If recovered, it may even break records at auction, how rare a Pissarro cityscape comes on the market, and how robust the fine art auction industry is at present. “The painting could “easily break the hundred-million-dollar mark at auction, following its recovery,” says historian and looted art expert, Jonathan Petropoulos.

The case of this rediscovered Pissarro painting captured my imagination from an aesthetic, legal, and storytelling perspective. It is a saga that has it all — art, war, robber barons, and more — and forces everyone who encounters it to reckon with fundamental questions on morality and humanity — from both a personal and historical perspective.
The case has been in the public consciousness for far longer than my own connection to it, however. In 1939, just prior to the onset of World War II, Lilly Cassirer — who inherited Rue St. Honoré through her husband, a member of a renowned family of cultural patrons in Germany — was forced to sell the painting under duress in order to flee Nazi Germany.
Sixty years later, in December of 1999, Lilly’s heirs discovered that the Pissarro had not been lost or destroyed in the war. In fact, it had resurfaced at the new Thyssen-Bornemisza National Museum in Madrid, a collection belonging to the Kingdom of Spain acquired directly from the Thyssen Steel family, which had financed Hitler’s early rise to power.
The rediscovery kicked off an Odyssean legal journey up and down the federal courts in California, all the way to the U.S. Supreme Court in Washington twice, and back. Now, another ruling is expected from the Federal District Court in Los Angeles this spring, on remand from the U.S. Supreme Court. The Supreme Court has asked the district court to issue a new ruling in light of a new California law regarding stolen and Holocaust-looted art. For its part, the Thyssen-Bornemisza National Museum maintains that it is the legitimate owner of the painting and that “there were no indications of bad faith in the acquisition of the painting.”

A separate, concurrent effort is underway in Congress to update the Holocaust Expropriated Art Recovery Act of 2016 (HEAR Act), a Federal law that enabled Nazi-looted art claims to be submitted within six years of discovery of a work of art, thereby supplanting any state statute of limitations. The law was intended to expire after ten years, but given the enormous amount of looted art still to be found, the proposed update would remove the sunset clause, as well as dismiss defenses not directly related to the merits of the cases. The new act specifically cites this Pissarro painting and the legal case to recover it, seeking to prevent other looted art claims from facing a similar, protracted legal battle. The bill already passed the Senate Judiciary Committee in a unanimous vote and is on the docket for a vote in the House of Representatives.
On the eve of two significant moments in the adjudication of Nazi-looted art, I sat down with David Cassirer, Lilly’s last living heir, and Sam Dubbin, one of his lawyers working on the case.
David, not long from now, there will be a new court decision on the long running case to restitute your family’s Pissarro painting “Rue Saint-Honoré, Apres Midi, Effet de Pluie,” which was a prized possession of your great-grandmother Lilly. What are you feeling at the moment?
David Cassirer: I’m pretty excited. It’s been such a long time since we started. This case gets exciting, and then it slows down. This is one of those exciting moments. There’s a lot going on, and we’re feeling pretty confident that we’re close to a recovery, after finding the painting more than twenty-six years ago
And what about you, Sam, how are you feeling?
Sam Dubbin: That’s a great question, because in my profession, you get optimistic, and then you get deflated, and sometimes the deflation takes a long time to get over. But deep down, I’m feeling optimistic, like this could really happen. And the moments when I feel lucky that it’s happening, I say to myself, “That’s ridiculous. It’s so long overdue.” What should have been done, should have been done so long ago. If the Thyssen-Bornemisza museum had given it back when Claude asked for it in 2000, he would have had ten years to enjoy it, to show it to people, to donate it. And it would have been a magnificent event.
This painting is important within the oeuvre of Pissarro’s work, but also historically in connection with the Dreyfus affair. Can you elaborate on its cultural and historical importance?
Dubbin: Pissarro painted this painting from the second floor of the Grand Hôtel du Louvre during the height of the Dreyfus Affair, when he literally feared for his life. He could not be seen on the streets of Paris because the antisemitism was so intense, and it’s considered one of the great works of the Impressionist movement. And so when you think about its origin during the Dreyfus Affair, then being looted by the Nazis during the preeminent human rights war crime in history, and now not being returned by the Kingdom of Spain, it’s just such an egregious, arrogant violation of decency and humanity.

And for you David, from a personal standpoint, what does the painting mean to you?
Cassirer: One of the things I like about the case is that there has been so much extraordinary publicity and interest by the public and by the press that it kind of reconnected the dots between the Impressionists and my family. My father would be very proud to read about the fact that his cousins Paul and Bruno, had championed the Impressionists and responsible for some of their success. There’s a new exhibition that’s starting soon in Berlin all about Paul Cassirer. It’s exciting to see this. It’s exciting in light of all the antisemitism that we’ve seen and the resurgence of it lately, to have some good news about Jewish contributions to culture, not to mention that Pissarro himself was Jewish. I’m delighted when I read stuff that starts to put in perspective this whole concept of our role in culture. It’s not the only thing Jewish people do, but it’s a big part of our culture.
I’d be very happy on behalf of the family and our friends to win the case, but it’s equally important that the case stands for something. And my father would feel that in his bones, especially since he really was there in the Holocaust and watched his family wiped out, watched their fortunes wiped out, watched most of his relatives sent off to the camps and so on. So, he felt it on a level I can only empathize with. It’s different if you’re there at a detention camp in the desert outside of Casablanca, and you’re dying of typhoid fever because there’s no running water and there’s no toilets. So luckily, he was young and strong and came back and survived and got here during the war. And of course, he went in to try to enlist. [The Americans] threw him out. “We’re not taking any Germans. Are you crazy?” He was very disappointed that he couldn’t join up and fight the Nazis.
The U.S. Supreme Court held in 2022 that California law should apply in this case, which was a big victory. But then the appellate court ruled against you, once again. What’s at stake with the next court decision?
Cassirer: I badly need this case to come out right, not just for the family. It’s a very important precedent. My father would have wanted people to be able to cite, to point to Cassirer v. Spain, Cassirer v. Thyssen-Bornemisza. That’s a big deal. We want people to be able to rely on that precedent all over the country and maybe in other countries as well, so I’m watching for that. It isn’t just California law versus Spain, it’s American law versus Spain. Generally speaking, throughout the country, the rule would be that you never acquire good title to stolen stuff. That’s the bigger picture here. The Supreme Court ruling meant that we are going to use good old American law to decide this thing ultimately.
Dubbin: By the way, Spanish law is an outlier. Even in other European countries, you cannot acquire good title even after the passage of time, if you take it in bad faith. Even countries like Germany, France, Netherlands, and Switzerland. Only Spain allows you to get good title after six years of adverse possession if you acquired something in bad faith.
It feels like a case in which, hopefully, common sense and morality can align. I think oftentimes, when the public thinks about the law, there’s sometimes a frustration that can arise, because cases are not always litigated based on what the public thinks is the logical, morally correct outcome. But hopefully, from what you’re saying, this could be one of those cases. David, what have been some of the positive things that have come out of this battle?
Cassirer: Lots of great stuff although it’s been difficult to wait so long and to watch my immediate family pass away in the interim. And as you can see, I’m not getting any younger here. (David is 71). It’s been a long, hard slog. The support from non-Jews has been extraordinary. We would expect, and we did receive, endless support from Jewish organizations and Jewish individuals. It’s been amazing, however, how much support we’ve had from day one in the press and in the public and in government, et cetera. I’ve been very heartened by the fact that we’ve had so much support from people “without a dog in the race,” so to speak, beyond the Jewish community.
I’ve also been very heartened in recent years with Sam’s extraordinary success working with legislatures, both in California and in Washington, and that the support isn’t just from one side or the other. It’s amazingly bipartisan. People who don’t even talk to each other gladly work together on these bills, sponsor these bills, and fend off anyone trying to undo it. Even though we haven’t won yet, we have won many battles along the way.
David, what advice would you give to other families who may be pursuing cases? What do you hope people take away from your experience?
Cassirer: That’s a good question. Assuming that we’re ultimately successful, which I’m still pretty confident with Sam’s help and this extraordinary team that we’ve managed to assemble, that we are going to win this thing. People should be encouraged, in a meta sense, that it’s worth fighting for stuff that’s important, even if the odds are long, even if other people might not be successful at it. But that doesn’t mean you shouldn’t try and you shouldn’t stick with it. I’ve been in the case twenty-six years and counting. If you’re tough enough and dedicated enough and you figure out a way to surround yourself with talented, committed people, there’s very little that can’t be accomplished in this country and in other countries as well. I think for me, that’s a pretty big takeaway.
You’ve just struck me that you’re talking about the American dream.
Cassirer: Yes! My father told me that the greatest day he ever had was becoming an American citizen. After what he had been through and being stateless, having had his government turn against him, it’s interesting that, given his extraordinary life, the greatest day of his life to him was when he became a naturalized citizen; because, to him, that was the American dream.
The post His family was forced to sell their precious Pissarro painting before fleeing Nazi Germany; will he finally see justice? appeared first on The Forward.
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Amid antisemitic attacks, Trump has forced an impossible choice on American synagogues
The Thursday attack on Temple Israel in West Bloomfield, Michigan, did not occur in a vacuum.
In the past few months, shots were fired at three congregations in Toronto; an explosion rocked a synagogue in Belgium; and an arsonist caused massive damage to Beth Israel Congregation in Mississippi. Antisemitic incidents in the United States have reached historic highs. The threat is real, it is escalating, and American Jews know it.
Which is why the federal government’s decision to use this moment in history to force Jewish communities to choose between their own safety and that of immigrants is so unforgivable.
That choice is being created as part of the government’s Nonprofit Security Grant Program, which under President Donald Trump has instituted troubling new changes.
The program was established in 2004 to help houses of worship pay for cameras, barriers, armed guards and alarm systems, then expanded after the Pittsburgh synagogue massacre in 2018. It has perhaps never mattered more than it does right now. It provides, quite literally, life-saving money. The demand for grants vastly outpaces the supply, with thousands of organizations competing for a fraction of the security funds they need.
Now, those funds come with new strings attached.
Beginning in 2025, the Department of Homeland Security attached sweeping ideological conditions to new security grants. Recipients of new awards must cooperate with Immigration and Customs Enforcement operations, and must also agree not to “operate any programs that advance or promote DEI, DEIA, or discriminatory equity ideology.” They additionally must not run any aid program which “benefits illegal immigrants or incentivizes illegal immigration.”
When asked to clarify what those conditions mean in practice — whether a synagogue that declares itself a sanctuary for refugees would be disqualified, or whether a congregation offering programming for Jews of color or LGBTQ+ Jews would run afoul of the anti-DEI clause — the federal government’s answer has been months of contradictory guidance and confusion.
The terrifying potential consequences of that muddle were thrown into sharp relief by Thursday’s attack.
A man armed with a rifle rammed his truck through the doors of Temple Israel, driving down a hallway before being killed by the synagogue’s security staff. Thankfully, no congregants were hurt, and the children in the preschool run by the synagogue all made it home safely.
Many congregations do not have the independent resources to support security protocols as effective as Temple Israel’s proved to be. Instead, they rely on the government to help bridge the gap.
But under Trump’s second administration, security funding — the money that pays for the tools that may one day save lives — is now a lever to use to force political compliance.
This is of particular significance for Reform Judaism, the largest Jewish denomination in the U.S. and that to which Temple Israel belongs. The movement’s commitment to welcoming the stranger, hachnasat orchim — stemming from the commandment to love the stranger, repeated no fewer than 36 times in the Torah — is core to its identity. It is no coincidence that many Reform congregations have declared themselves sanctuaries for refugees.
And it’s of particular significance because antisemitic violence is often linked to anti-immigrant sentiment. The deadliest act of antisemitic violence in U.S. history, the 2018 Pittsburgh synagogue shooting, was motivated by hatred toward immigrants, and toward Jewish programs that aid them.
The Trump administration’s demand that liberal American Jews choose between a foundational Jewish value and basic safety from violence is heartbreaking. One anonymous rabbi described the dilemma with devastating clarity to JTA: “Money is being given to us on condition that we violate a specific mitzvah. I don’t see how we can possibly accept that money.”
Rabbi Jill Maderer in Philadelphia put it even more bluntly, saying “Jewish safety requires inclusive democracy and inclusive democracy requires Jewish safety. We do not comply so we will not apply.”
These are communities under armed threat — as Thursday clearly reminded us — forced to choose between their physical safety and their moral integrity. That is a choice that no American religious community should ever have to make. The government’s obligation to protect its citizens, especially its most targeted minorities, must not come with an ideological price tag.
What makes this especially galling is the timing. A government shutdown of the Department of Homeland Security, born out of a political standoff over immigration enforcement, is currently halting the review of security grant applications. Synagogues that applied for funding months ago are waiting for approvals that may not come.
They are waiting, in many cases, to find out whether the security upgrades that might have made the difference under circumstances like those that unfolded in Michigan will be funded or not.
There is a word for demanding that a persecuted minority community abandon its values in exchange for protection: extortion. The Trump administration would no doubt dispute that framing. After all, the administration claims to care deeply about Jewish safety. Thursday’s attack makes clear that it is not enough for the administration to make that claim; it must prove its commitment through action.
It must remove the political conditions from the Nonprofit Security Grant Program. It must let houses of worship be what they are: sanctuaries, not instruments of federal policy.
The post Amid antisemitic attacks, Trump has forced an impossible choice on American synagogues appeared first on The Forward.
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‘For As Long As Necessary’: Katz Says Campaign Against Iran Entering Decisive Stage
Israel’s Defense Minister Israel Katz and his Greek counterpart Nikos Dendias make statements to the press, at the Ministry of Defense in Athens Greece, Jan. 20, 2026. Photo: REUTERS/Louisa Gouliamaki
i24 News – Israel Katz said Saturday that the confrontation with Iran had entered a “decisive phase,” as US and Israeli strikes on Iranian targets continued and regional tensions escalated.
Speaking after a security assessment at Israel’s defense headquarters alongside Eyal Zamir, chief of staff of the Israel Defense Forces, and senior military and intelligence officials, the Israeli defense minister said the campaign against the Islamic Republic would continue “for as long as necessary.”
“The global and regional struggle against Iran, led by American President Donald Trump and Israeli Prime Minister Benjamin Netanyahu, is intensifying and entering its decisive phase,” Katz said.
Katz also praised US strikes on Kharg Island, a key Iranian oil hub, describing them as a “severe blow” to the Iranian regime. He said the attacks were an appropriate response to Iranian threats against the strategic Strait of Hormuz and to what he called Tehran’s attempts to pressure the international community.
At the same time, Katz said the Israeli Air Force was continuing a “powerful wave of attacks” against targets in Tehran and other parts of Iran.
He accused the Iranian leadership of using “regional and global terrorism” and strategic blackmail in an effort to deter Israel and the United States from pursuing their military campaign, warning that such actions would be met with a “strong and uncompromising response.”
Katz added that the outcome of the conflict would ultimately depend on the Iranian population. “Only the Iranian people can put an end to this situation through a determined struggle, until the overthrow of the terrorist regime and the salvation of Iran,” he said.
According to the minister, the confrontation now pits the Iranian regime’s determination to survive against growing military pressure from Israel and its allies.
