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With a new (old) album, a tour with (old) new songs, and a giant new book, Bob Dylan remains a neverending juggernaut
I first began listening to Bob Dylan in earnest in early 1974, with the purchase of the contemporaneous album Planet Waves, a somewhat quiet, unassuming collection of deep, intimate songs – including the color-by-number anthem, “Forever Young” — recorded with The Band before they would go out on tour for the first time since Dylan’s premature retirement from the road in 1966 (the same year, incidentally, that the Beatles quit touring). Dylan’s return to touring after his eight-year layoff would pretty much continue for the rest of his career up to and including today.
I did not get to see Dylan in concert until fall 1978, missing two of his all-time greatest tours – his 1974 “comeback” tour with The Band, captured on the live album Before the Flood, and the following year’s “Rolling Thunder Revue,” the subject of several live concert albums, including 1976’s Hard Rain and the more recent The Rolling Thunder Revue: The 1975 Live Recordings, a sprawling, 14-CD box set, released in 2019. (There was also an official two-CD set in 2002, and many widely available bootleg recordings of the legendary tour, as well as a Dylan concert film, Renaldo and Clara, released in 1978, and Martin Scorsese’s 2019 “pseudo-documentary” about the tour.)
Alas, my introduction to live Dylan was during one of his most bizarre tours, launched in Japan in early 1978 and initially captured on the April 1979 American release of Bob Dylan at Budokan (originally intended as a Japan-only release in August 1978). The 1978 tour was controversial, which Dylan acknowledged right from the stage of the old Boston Garden where I first saw him, when, halfway through the show, he paused and said to the audience, “I hope you don’t think this is Las Vegas music, or disco music, because you know it’s not.”
Bob Dylan, circa 1963 Photo by Ralph Baxter
It was a direct answer to critics’ complaints about the song arrangements and the sound of the band, as well as the overall stage aesthetic, which to some mimicked the tackiness of concerts by Neil Diamond and the recently deceased Elvis Presley. (Some blame manager and concert promoter Jerry Weintraub — who worked with both Presley and Diamond, as well as with Frank Sinatra – for Dylan’s cheesy, lounge-lizard presentation.)
Dylan didn’t help his cause by introducing from the stage such well-known songs as “It’s Alright, Ma (I’m Only Bleeding),” or asking the audience, “Hey, what’s the name of this?” over the opening chords of “All Along Watchtower.” Doubters questioned the need for an eight-piece band (large for the time) and a trio of female backup singers. Some crueler critics even took to calling it the “Alimony Tour,” a nasty way of accusing Dylan of selling out in the wake of his divorce from his first wife, Sara.
Even though Dylan catered to the desires of audiences around the world to hear primarily his “greatest hits” — and this was one of the last tours on which he did so — he couched them in such weird arrangements that maybe he was justified in introducing them by name; otherwise, they may have remained unrecognizable to some. From where I sat in the cavernous, echoe-y Garden, it proved to be an inauspicious introduction to Bob Dylan, concert artist.
And now, 45 years later, Dylan’s label, Columbia Records, has seen fit to give the 1978 tour — as captured in those first two weeks in Japan — the full “Bootleg Series” treatment, with The Complete Budokan 1978, including two complete concerts at Tokyo’s Budokan, newly remixed and spread out over four CDs, featuring 36 previously unreleased performances. (The official release date is Friday, Nov. 17.)
Film still from 1966 European tour, by D. A. Pennebaker Courtesy of Bob Dylan Center
It is an album package for which Dylan fans — other than rabid completists (possibly including myself) — were not clamoring. This, rather than a more complete version of Before the Flood? This, rather than a live album from one of his two tours with Tom Petty and the Heartbreakers? This, rather than a live album — or many live albums — capturing the many ups (and downs) of Dylan’s so-called Never Ending Tour, which began in June 1988 and, depending on how you define it, could include concerts as recent as the one I saw a few weeks ago in Schenectady, N.Y.? (Dylan’s current tour is officially billed as the “Rough and Rowdy Ways” world tour, which began in 2021 and is expected to continue into 2024, and marks a rare step forward in truth in advertising, as about half the concert is devoted to songs from the album of the same name.)
Yet this time around, the concerts at Budokan (if not the 1978 tour, which evolved over the course of a year and 114 concerts in Asia, the South Pacific, Europe, and North America) are what we’ve got. And the new package is not without its merits. The remixed and remastered sound is brilliant (which may or may not be a positive, depending upon how you feel about that sound). The recording captures an unusually chatty frontman, by Dylan’s standards (he has been known to utter nary a word in concert for decades), one seemingly in a terrific mood and also one who is downright funny.
“This is an unrecorded song – see if you can guess which one it is,” he says to the audience before launching into “Is Your Love in Vain,” which would not be released until Street Legal came out four months later. The humor – some of it mocking and self-deprecating – that Dylan evinces even suggests that he was fully aware that he was presenting himself as something akin to a Las Vegas showman.
From Left: Rick Danko, Robbie Robertson, Bob Dylan, Richard Manuel, Garth Hudson and Levon Helm, 1974 Photo by Barry Feinstein
If so, it would not be the first time nor anywhere near the last time that Dylan was playing a character — no less a fictive version of Dylan than Renaldo in Renaldo and Clara nor Jack Fate in his 2003 film, the aptly-titled Masked and Anonymous. (There is a whole school of thought that “Bob Dylan” himself is a put-on, a fictional character invented by a savvy youngster from Hibbing, Minnesota, named Robert Allen Zimmerman.)
But the context of where he had been and, with the benefit of hindsight, where he was headed musically might be the strongest reason to spend time with these glitzy tracks and their unusual arrangements. The use of backup singers, especially ones whose vocals were stylized in gospel-like call-and-response, offered a hint that Dylan was beginning a journey that would see him explore different aspects of Black music in subsequent albums.
Steve Douglas’ dominant saxophone lends many of the numbers a jazzy, R&B feel. A few songs are recontextualized as reggae numbers. In the years immediately following the 1978 tour, Dylan would dive deep into gospel music on several albums, into Motown and R&B on 1981’s “Shot of Love,” and reggae on 1983’s Infidels, which even saw Dylan hire Robbie Shakespeare and Sly Dunbar, famed Jamaican reggae producers, to play bass and drums.
The new Budokan collection is not the only new Dylan product seeing release this season. Bob Dylan: Mixing Up the Medicine is a fabulous new doorstop of a book whose 610 pages serve as a kind of portable version of the Bob Dylan Center and Archive in Tulsa, Oklahoma, which opened in May 2022. The volume spans Dylan’s entire life and career, featuring over 1,100 images from the archives — everything from concert ticket stubs to handwritten lyric sheets to rarely seen backstage photographs — all duly captioned by editors Mark Davidson and Parker Fishel, both curators at the Dylan Center.
The book also does a terrific job of contextualizing the many objects, images, and ephemera in 30 new essays by writers including Sean Wilentz, Greil Marcus, Lucy Sante, Tom Piazza, Richard Hell, Greg Tate, and Larry Sloman. Sonic Youth cofounder Lee Ranaldo uncovers the mystery of the very first recording featuring the voice of a teenaged Robert Allen Zimmerman and a couple of his hometown friends, “a casual lark for three Jewish boys on Christmas Eve.”
The 610-page ‘Mixing Up the Medicine’ serves as a kind of portable version of the Bob Dylan Center and Archive in Tulsa, Oklahoma, Courtesy of Callaway Arts & Entertainment
Marvin Karlins, who gave free folksinging and guitar lessons to students at the University of Minnesota’s Hillel, recounts meeting and tutoring an unassuming first-year student named Zimmerman, pointing him towards the thriving folk club scene in the Dinkytown section of Minneapolis. Griffin Ondaatje does yeoman’s work tracing the influence of Joseph Conrad in Dylan’s songs, and the New Yorker’s Amanda Petrusich reevaluates Dylan’s first book, Tarantula, in a short essay that should rightly renew interest in Dylan’s imaginative work of prose-poetry, “as deep a piece of literature as anything else he wrote.”
So much territory is covered in the book, including Dylan and Johnny Cash, Dylan and the Band, Dylan and the Beatles (especially George Harrison), Dylan and the Grateful Dead, Dylan on the silver screen, even Dylan’s ill-fated collaboration with Archibald MacLeish. You would have to arrange a multiple-month residency at the Dylan archive to soak in all that is presented in this volume, as attractive as it is informative. It isn’t pitched toward the general or casual reader, but if you have a Dylan fan in your life, your holiday gift-giving dilemma is solved.
Three weeks ago, the big news in popular music was the first album of new music by the Rolling Stones in 18 years, with plans for a 2024 tour. Last week, the Beatles — who broke up in 1970 — released their much-touted “final” single, “Now and Then,” reconstructed from a demo cassette John Lennon made in the late-1970s, featuring overdubbed parts by the three other Beatles (with a little help from “machine-assisted learning,” which sounds an awful lot like AI to me).
Given the fact that the 82-year-old Nobel Prize-winning rock poet Bob Dylan continues to tour incessantly, swinging through the Northeast most recently (and playing three shows in New York City next week), you can be forgiven if you wake up some mornings wondering what year it is, and perhaps more to the point, what world it is. That one’s easy: it’s Bob Dylan’s world, and we just happen to live in it. Lucky us.
The post With a new (old) album, a tour with (old) new songs, and a giant new book, Bob Dylan remains a neverending juggernaut appeared first on The Forward.
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US Senators Urge Secretary of Homeland Security to Secure Northern Border From Gaza Refugees
US Sen. Ted Cruz (R-TX) speaking at a press conference about the United States restricting weapons for Israel, at the US Capitol, Washington, DC. Photo: Michael Brochstein/Sipa USA via Reuters Connect
Six US senators sent a letter to US Secretary of Homeland Security Alejandro Mayorkas this week requesting that he increase security measures along the northern border in response to Canada accepting an influx of refugees from Gaza, the Palestinian enclave ruled by the terrorist group Hamas.
The six Republican lawmakers — Sens. Marco Rubio (FL), Ted Cruz (TX), Joni Ernst (IA), Tom Cotton (AK), Mike Braun (IN), and Josh Hawley (MO) — said they were “deeply concerned” that refugees from Gaza could sneak into the United States. The senators warned that allowing unvetted Palestinian refugees to cross the border poses a serious national security threat.
“On May 27, 2024, the Government of Canada announced its intent to increase the number of Gazans who will be allowed into their country under temporary special measures,” the senators wrote. “We are deeply concerned and request heightened scrutiny by the US Department of Homeland Security should any of them attempt to enter the United States at ports of entry as well as between ports of entry.”
After arriving in Canada, the Palestinian refugees will be given a “Refugee Travel Document,” which serves as a valid form of identification, the letter claimed, adding that US Citizenship and Immigration Services recognizes these documents as a valid substitute for a passport. The senators warned that “individuals with ties to terrorist groups” could potentially enter into the United States.
The letter argued that the US should maintain “common-sense terrorist screening and vetting” for any individual attempting to enter its borders from a foreign country. The lawmakers lamented that the Biden administration’s “”ax border enforcement” has rendered the country vulnerable to potential terrorist attacks. From April 1, 2023 to March 31, 2024, the US Customs and Border Protection’s Office of Field Operations intercepted over 233 suspected terrorists at the northern border, according to the letter.
“[T]he possibility of terrorists crossing the US-Canada border is deeply concerning given the deep penetration of Gazan society by Hamas,” the senators wrote. “It would be irresponsible for the US to not take necessary heightened precautions when foreigners attempt to enter the United States.”
On Oct. 7, Hamas launched the ongoing war in Gaza with its Oct. 7 invasion of and massacre of 1,200 people across southern Israel. The Palestinian terrorist group also kidnapped over 250 hostages.
In response, Israel launched defensive military operations in Gaza with the aim of freeing the hostages and permanently dislodging Hamas from the neighboring enclave.
The vast majority of Palestinians in Gaza, as well as the West Bank, still support Hamas’ Oct. 7 massacre across southern Israel that started the ongoing war, and they would prefer a “day after” scenario in which Hamas remains in control of Gaza rather than the Palestinian Authority, which governs in the West Bank, or other Arab countries, according to recent Palestinian polling. The same polling found that, when asked about support for Palestinian political parties and movements, a plurality chose Hamas.
US lawmakers are split along party lines as to whether the United States should accept refugees from Gaza. Republicans are largely opposed to importing refugees from Gaza, arguing that individuals from the war-torn enclave present “a national security risk” to the United States.” In May, Ernst and Sen. Mitch McConnell (R-KY) sent US President Joe Biden a letter, urging him not to accept any refugees from Gaza.
In June, however, a group of 70 Democratic lawmakers sent Mayorkas a letter, requesting he create “pathways” for more refugees of the Israel-Hamas war to resettle in America.
The post US Senators Urge Secretary of Homeland Security to Secure Northern Border From Gaza Refugees first appeared on Algemeiner.com.
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Video of Masked Man Vowing ‘Rivers of Blood’ at Paris Olympics Over Israel Support Appears to Be Fake, of Russia Origin
Screenshot of a widely circulated video published on social media showing a masked man vowing that “rivers of blood will flow” at the 2024 Paris Olympics due to France’s support for Israel. According to reports, the video appears to be fake and of Russian origin.
A widely circulated video published on social media this week showing a masked man vowing that “rivers of blood will flow” at the 2024 Paris Olympics due to France’s support for Israel appears to be fake and of Russian origin, according to reports.
The video — published on Tuesday on social media networks including X/Twitter and Telegram — featured a keffiyeh-clad man with his face covered, delivering an Arabic-language address threatening France with violence due to the country’s alleged support for Israel amid its ongoing war with Hamas in Gaza.
Addressing “the people of France” and “French President [Emmanuel] Macron,” the masked individual said, “You supported the Zionist regime in its criminal war against the people of Palestine. You provided Zionists with weapons; you helped murder our brothers and sisters, our children.”
“You invited the Zionists to the Olympic games. You will pay for what you have done!” continued the man, who wore a shirt adorned with a Palestinian flag. “Rivers of blood will flow through the streets of Paris. This day is approaching, God willing. Allah is the greatest.”
The video, published on X/Twitter by the account @endzionism24 and retweeted by Palestinian activist Ihab Hassan, ended with the speaker holding a prop severed head complete with fake blood up for the camera.
He is not a Palestinian:
A video clip has surfaced showing an individual wearing a keffiyeh and a Palestinian flag badge, threatening France with a “river of blood” at the Olympic Games.
It is glaringly obvious to any Arabic speaker that this person is not Arab; his dialect… pic.twitter.com/rwWGkkbiAi
— Ihab Hassan (@IhabHassane) July 23, 2024
Hassan and other social media users immediately noted that the man speaking was clearly not a native Arabic speaker, citing his reasonably fluent but awkward and occasionally incorrect pronunciation.
Many social media users aware of the mispronunciations seemed to blame Israel for the video, implying the clip was a false flag meant to fearmonger and demonize Palestinians and Muslims. They did not address the fact that Israel has access to hundreds of thousands of native Palestinian Arabic speakers who would sound far more convincing than the man in the video.
On Wednesday, French Interior Minister Gerald Darmanin said that “French secret services and their partners have not been able to authenticate the veracity of this video.”
According to researchers at Microsoft, however, the video appears to be part of a Russian-linked disinformation campaign meant to disrupt the Olympics, which began with the opening ceremony on Friday.
The researchers from Microsoft’s Threat Analysis Center told NBC News that the clip appears to have come from a Russian disinformation group known as Storm-1516, an outgrowth of Russia’s Internet Research Agency.
The latest clip was linked to a similar disinformation video falsely alleging that Ukraine had sent arms to Hamas — a claim for which there is no evidence. According to the researchers, the more recent video appears to be part of a Russian scare campaign meant to disrupt the Olympics.
The video came just days before France’s rail infrastructure was hit on Friday, ahead of the start of the Olympics, with widespread acts of vandalism including arson attacks, paralyzing travel to Paris from the rest of France and Europe just hours before the opening ceremony of the Olympics. French authorities described the acts as “criminal” and “malicious.”
Israeli Foreign Minister Israel Katz said that the sabotage of France’s high-speed rail network was directed by Iran, which Western intelligence agencies have for years labeled as the world’s foremost state sponsor of terrorism.
“The sabotage of railway infrastructure across France ahead of the Olympics was planned and executed under the influence of Iran’s axis of evil and radical Islam,” Katz wrote on X/Twitter. “As I warned my French counterpart [Stéphane Séjourné] this week, based on information held by Israel, Iranians are planning terrorist attacks against the Israeli delegation and all Olympic participants. Increased preventive measures must be taken to thwart their plot. The free world must stop Iran now — before it’s too late.”
Katz was referring to a letter he sent on Thursday to Séjourné raising alarm bells about what he described as a plan by Iran to attack Israel’s Olympic delegation.
Darmanin and French National Police both announced previously that they are taking increased security measures to ensure the safety of Israel’s Olympic delegation while they are in Paris amid mounting threats. These measures include providing them with round the clock security from French police. The Israeli delegation will also receive additional security details from Israel’s Shin Bet security agency during the Olympics.
The post Video of Masked Man Vowing ‘Rivers of Blood’ at Paris Olympics Over Israel Support Appears to Be Fake, of Russia Origin first appeared on Algemeiner.com.
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Top St. Louis Newspaper Endorses US Rep. Cori Bush’s Opponent, Argues Incumbent’s Israel Stance Is ‘Disqualifying’
US Rep. Cori Bush (D-MO) raises her fist as US Rep. Rashida Tlaib (D-MI) addresses a pro-Hamas demonstration in Washington, DC. Photo: Reuters/Allison Bailey
The editorial board of The St. Louis Post-Dispatch, the largest daily newspaper in Missouri, has endorsed the opponent of US Rep. Cori Bush (D-MO), pointing to the incumbent congresswoman’s lack of legislative accomplishments and stance on the Israel-Hamas war.
The Post-Dispatch argued that Bush’s position on Israel and the Gaza war should be “disqualifying” for any elected representative. The outlet took umbrage with Bush for equating a close democratic ally of the US with a genocidal terrorist organization.
“Israel’s conduct of the war has been far from perfect, but it remains a democracy fighting for survival against an evil terrorist organization. Bush’s tendency to equate both sides — and even to side with the terrorists, as when she cast one of just two House votes against a resolution to bar Hamas members from the US — should in itself be disqualifying for re-election,” the editorial board wrote.
Bush has established herself as one of the most vocal critics of Israel in the US Congress. Only nine days after Hamas’ Oct. 7 slaughter of roughly 1,200 people in southern Israel, Bush called for an “immediate ceasefire” between Israel and the Palestinian terrorist group. As the war dragged on, Bush’s rhetoric toward Israel sharpened, with the congresswoman accusing the Jewish state of committing “genocide” in Gaza and “apartheid” in the West Bank. Bush has also accused Israel of inflicting a “famine” in Gaza without providing evidence.
Bush seems more interested in pandering to the far-left fringes of the progressive movement than serving her constituents, the Post-Dispatch argued. Bush’s membership in “The Squad” — a clique of far-left progressive, anti-establishment lawmakers in the House of Representatives — has rendered her completely incapable of “accomplishing anything” in the halls of Congress, according to the newspaper.
The editorial board urged its readers to vote for Wesley Bell, pointing to his moderated approach to the Israeli-Palestinian conflict as an example of his pragmatism and moral clarity.
“On Israel, Bell offers an appropriately measured stance, acknowledging the need to protect Gazan civilians and work toward a two-state solution, while supporting America’s closest ally in the Middle East,” the outlet wrote.
In contrast to Bush, Bell has expressed more sympathy to Israel’s military operations in Gaza, emphatically rejecting the notion that Israel’s actions in Gaza constitute “genocide” or “ethnic cleansing.”
Moreover, Bell has strengthened his ties with the Jewish community over the course of his campaign. The American Israel Public Affairs Committee (AIPAC), the foremost pro-Israel lobbying group in the US, donated a reported $5 million to Bell’s campaign through its United Democracy Project super PAC. A group of 30 St. Louis-area rabbis penned a letter endorsing Bell, accusing Bush of a “lack of decency, disregard for history, and for intentionally fueling antisemitism and hatred.” Bell also brought about an official “director of Jewish outreach” to increase turnout among the Jewish community.
A poll commissioned by McLaughlin & Associates and sponsored by the CCA Action Fund, a pro-Bell super PAC, showed Bell with a commanding 56 percent to 33 percent lead over Bush.
Supporters of Israel see the primary race as a prime opportunity to oust another opponent of the Jewish state from the halls of Congress. Rep. Jamaal Bowman (D-NY), a progressive lawmaker, lost his primary race to a pro-Israel challenger on June 25. Over the course of his reelection campaign, Bowman accused Israel of committing “genocide” and enacting “apartheid” against Palestinians. Bowman’s comments incensed Jewish constituents in the leafy suburbs of Westchester County, New York.
Furthermore, observers are looking to the race as a potential indicator of the Democratic electorate’s position on Israel. Opinions of the Jewish state among Democrats have soured in the months following Oct. 7, calling into question whether anti-Israel views are still a liability with American liberals.
The post Top St. Louis Newspaper Endorses US Rep. Cori Bush’s Opponent, Argues Incumbent’s Israel Stance Is ‘Disqualifying’ first appeared on Algemeiner.com.
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