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With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories
(JTA) — Years ago, the Israeli filmmaker Orit Fouks Rotem took a class led by director Eran Kolirin, best known as the maker of “The Band’s Visit.” This month, movies by both filmmakers are getting theatrical rollouts in the United States.
On a recent Zoom call, Palestinian author Sayed Kashua joked: “Was that his class — how to use a Palestinian story?”
Kashua was smiling on Zoom as he said it — he is, after all, known for his often fatalistic sense of humor, particularly when it comes to the Israeli-Palestinian conflict. And the author had given his blessing for Kolirin to make an adaptation of his novel “Let It Be Morning,” and said he loved the final result.
But like most jokes, this one had a kernel of truth: Israel’s two most recent Oscar submissions, hitting New York’s Quad Cinema within a week of each other, both — to varying degrees — tell Palestinian stories.
“Let It Be Morning” is a dark comedy about an Arab Israeli village that has suddenly and with no explanation been cordoned off from the rest of the country by the Israeli military. This event forces its Palestinian residents, including a protagonist trying to return to his comfortable middle-class life in Jerusalem, to reckon with how their dignity as citizens has been denied to them by the mechanisms of the Israeli occupation. At the Quad, the film is accompanied by a retrospective of Kolirin’s work, including “The Band’s Visit,” the basis for the Tony Award-winning musical; the retrospective is sponsored by the Israeli consulate in New York.
The all-female cast of “Cinema Sabaya,” a mix of Jewish and Arab actresses, in a film directed by Orit Fouks Rotem. (Courtesy of Kino Lorber)
The following week will see the opening of Rotem’s film, “Cinema Sabaya.” It follows a group of eight women, some Jewish and some Arab and Palestinian, who bond with each other while taking a filmmaking class in a community center in the Israeli city of Hadera. Cast member Dana Ivgy, who plays the class’s instructor, told the Jewish Telegraphic Agency that the filming experience “felt like how living in Israel should feel,” adding, “We have more women in the film than in the Israeli government.”
Stylistically, the two films couldn’t be more different. “Let It Be Morning” is a tightly plotted narrative with boldly realized characters; almost all of its dialogue is in Arabic. “Cinema Sabaya” is a loose, heavily improvisational piece that is almost entirely set in one room, and is mostly in Hebrew (although in one tense early scene, the characters debate whether to conduct their class in Hebrew or Arabic). One is a dry, Kafkaesque satire; the other is an intimate, naturalistic drama.
But together, the films provide a snapshot of the delicate dance Israeli filmmakers must perform in the current climate. On the one hand, these art-house directors are being feted on the international stage for their empathetic storytelling that incorporates or even centers entirely on Palestinian characters. But on the other, they’re being attacked by government officials for their perceived insufficient loyalty — and their films’ very status as “Israeli” is being questioned, too, sometimes by their own cast and crew.
“Everyone can call it what they want,” Rotem said of her film. “I’m an Israeli and it’s in Israel, but I have partners who call themselves Palestinians, and some of them call themselves Arabs, and each one defined herself. I think it’s really how it should be.”
“A film does not have an identity,” Kolirin insisted in an interview with JTA. “It is a citizen of the screen.”
Eran Kolirin accepted the award for Best Director for “Let It Be Morning” at the 2021 Ophir Awards in Tel Aviv on October 5, 2021. (Tomer Neuberg/ Flash90)
Kolirin isn’t a fan of the label “Israeli film” in this case, even though that is how “Let It Be Morning” was categorized at its 2021 Cannes Film Festival premiere; its own press notes also list Israel as the “country of production.” That Cannes screening took place shortly after Israel’s deadly conflict with Hamas that killed more than 250 Palestinians in the Gaza Strip and around a dozen Israelis. The events turned Cannes into a political firestorm when the film’s Palestinian cast refused to attend the premiere.
“We cannot ignore the contradiction of the film’s entry into Cannes under the label of an ‘Israeli film’ when Israel continues to carry its decades-long colonial campaign of ethnic cleansing, expulsion, and apartheid against us — the Palestinian people,” the cast’s statement read in part.
“Each time the film industry assumes that we and our work fall under the ethno-national label of ‘Israeli,’ it further perpetuates an unacceptable reality that imposes on us, Palestinian artists with Israeli citizenship,” the statement continues, calling on “international artistic and cultural institutions” to “amplify the voices of Palestinian artists and creatives.”
Kolirin himself supported the cast’s action. He knew they were grieving over the outbreak of violence in Gaza and didn’t want to put themselves in a situation where “some politician is going to wave a flag over their head or whatever.”
What’s more, he said, the status of “Let It Be Morning” as an “Israeli” film, despite the fact that around half the crew was Palestinian, was not his decision: “The film was not submitted to Cannes as an Israeli film,” he said. “You know, you fill in the form: ‘Which were the countries that gave money?’” In this case, the answer was Israel and France.
Most of the cast later did not attend the Ophir Awards ceremony, Israel’s equivalent to the Oscars voted on by its filmmaking academy, where “Morning” won the top prize (which automatically made it Israel’s Oscar submission for that year). In solidarity at the awards, Kolirin read aloud a statement from his lead actress, Juna Suleiman, decrying Israel’s “active efforts to erase Palestinian identity” and what she called “ethnic cleansing.”
Orit Fouks Rotem (Courtesy of Kino Lorber)
“Cinema Sabaya” hasn’t played host to as much offscreen controversy, but its vision of Israeli multiculturalism is still inherently political. Rotem’s mother is a local government adviser on women’s issues in Hadera, and the film was inspired by her experience participating in a photography class designed to unite Jewish and Arab women. Rotem herself later led filmmaking classes in a similar vein as research for “Sabaya.”
In the film, Ivgy’s character, who is modeled on Rotem, instructs her class to film their home lives, while secretly hoping to make a movie from their efforts. When her desire to do so is revealed, the women in the class feel betrayed: They thought they were just making films for themselves, not for their stories to be told by someone else.
Similarly, Rotem said that working with Arab and Palestinian actresses made her “aware to the fact that I can’t really tell their story.” Her solution was to allow the performers — some of whom are well-known activists who had to think twice about appearing in an Israeli movie — to voice their own opinions, and to establish the necessary trust to allow them to be unscripted on camera.
She theorizes that “Cinema Sabaya” has been so well received in Israel because “it doesn’t say ‘occupation, occupation, occupation.’ It says ‘humanity,’ so people are less afraid.” (She also noted that, in real life, the women who attended her filmmaking classes bristled at her initial suggestion to make a documentary about them, telling her to fictionalize their stories instead — which she did.)
Lately the Israeli government has a tendency to view its filmmaking class as agitators unworthy of national support, particularly when they make films criticizing the occupation. Former Culture Minister Miri Regev often disparaged films she thought were bad for Israel, including celebrated international hits such as “Foxtrot” and “Synonyms.” Her current successor, Miki Zohar, has already threatened the makers of a new documentary about the West Bank city of Hebron, saying the movie smears the military and that the directors might have to return government funds.
In recent years, Israel’s culture ministry has pushed two new controversial proposals: a grant program earmarked for those who make films in settlements, which are considered illegal under international law; and a form pledging not to make films “offensive” to Israel or the military that filmmakers would be required to sign in order to apply for certain grants, which many directors have likened to a loyalty oath. For years, some of the country’s largest grantmakers have required applicants to sign a form promising to represent their projects as Israeli on the national stage.
There has also been an effort among some members of Prime Minister Benjamin Netanyahu’s new right-wing government to end funding to public broadcaster Kan, which the country’s film industry views as another attack on its free expression.
“Kan has all this dialogue,” Ivgy said. “It has Jewish and religious and Arab and Palestinian, for kids and for grownups. And nothing is taboo there. I feel that it’s very dangerous to close that option down.”
Many Israeli filmmakers are fighting back. Hundreds, including Kolirin and Rotem, have refused to sign the ministry’s pledge, and many have also protested the settlement grant program. Nadav Lapid, one of the country’s most celebrated and outspoken directors, harshly critiqued government restrictions placed on his own work in the 2021 drama “Ahed’s Knee,” which went on to win a special prize at Cannes.
Kolirin said he had recently been on a call with several Israeli filmmakers looking to further organize against artistic restrictions, and that it had given him hope. “I had this feeling of some optimism, which I didn’t have for a long time,” he said. But he didn’t mince words when discussing Israel’s new governing coalition, which he likened to “a circus of mad dogs unleashed.”
Rotem said that the current government is “very, very bad and scary,” but that it has only strengthened her resolve to make political films.
“For me, it’s also political to show women in Israel in a deep way: I mean Arabs and Jews,” she said. “Because I don’t think there are enough films that are doing that.”
For Kashua, a veteran TV writer and opinion columnist, the question of identity in Israeli and Palestinian filmmaking is even more pronounced. After a long career of trying to write about the Palestinian experience in Hebrew as a way of reaching Israelis, he left Israel for the United States in 2014, becoming discouraged by an incident in which Jewish extremists burned a Palestinian teenager alive as revenge after Palestinian terrorists kidnapped Israeli soldiers. Now based in St. Louis, he has worked as a writer and story editor on Israeli series that center on both Palestinian and Jewish stories — including the global hit “Shtisel,” which focuses on haredi Orthodox Jews, and its upcoming spinoff, along with “Madrasa,” a young-adult series about a bilingual Hebrew-Arabic school.
Israeli filmmakers choosing to center Palestinian stories can be its own radical political act, Kashua believes. He noted that the dialogue in “Morning” is almost entirely in Arabic, a language that Israel demoted from national language status in 2018 — doubly ironic as he had deliberately chosen to write his original novel in Hebrew.
“The idea that this film is ‘Israeli’ — it really contradicts the idea of Israel being a purely Jewish state,” Kashua said. He added that, while he had initially hoped a Palestinian director might have adapted his novel, he was ultimately happy with Kolirin’s approach.
“I truly love the movie, and it’s barely Orientalist,” he joked, echoing Palestinian-American intellectual Edward Said’s famous book about how a Western lens on Eastern cultures can be reductive and harmful. “Which is a big achievement for an Israeli filmmaker.”
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The post With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories appeared first on Jewish Telegraphic Agency.
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Lebanon Expels Iranian Ambassador as Israel Creates New ‘Security Zone’ in Campaign to Counter Hezbollah
Smoke rises after an Israeli strike, amid escalating hostilities between Israel and Hezbollah, as the US-Israeli conflict with Iran continues, in southern Lebanon, March 24, 2026. Photo: REUTERS/Stringer
Lebanon declared Iran’s new ambassador to the country, Mohammad Reza Sheibani, persona non grata on Tuesday and ordered him to leave by Sunday, as relations with Tehran sharply deteriorate amid tensions over the Iranian regime’s continued support for Hezbollah and interference in Beirut’s affairs.
Lebanese Foreign Minister Youssef Raggi announced the decision, accusing Tehran of violating diplomatic norms and interfering in Lebanon’s security, amid the regime’s backing of the Lebanese terrorist group Hezbollah.
I instructed today the Secretary-General of the Ministry of Foreign Affairs and Emigrants to summon the Iranian Chargé d’Affaires in Lebanon to inform him of the decision to withdraw the agrément for the designated Iranian Ambassador, Mohammad Reza Shibani, declare him persona…
— Youssef Raggi (@YoussefRaggi) March 24, 2026
Even though Sheibani served as Iran’s ambassador to Lebanon in the 2000s, he was only reappointed to the role in February and had not yet presented his credentials.
Israeli Foreign Minister Gideon Saar praised Lebanon’s move, calling it a “justified and necessary step against the state responsible for violating Lebanon’s sovereignty, for its indirect occupation through Hezbollah, and for dragging [the country] into war.”
“We call on the Lebanese government to take practical and meaningful measures against Hezbollah, whose representatives still serve as ministers within it,” the top Israeli diplomat wrote in a post on X.
I welcome the decision of the Lebanese Foreign Minister to expel the Iranian ambassador-designate from Lebanon.
This is a justified and necessary step against the state responsible for violating Lebanon’s sovereignty, for its indirect occupation through Hezbollah, and for…— Gideon Sa’ar | גדעון סער (@gidonsaar) March 24, 2026
This latest diplomatic escalation comes after a week of high-level meetings between Lebanese officials and regional leaders, many from countries that have faced Iranian missile and drone attacks or uncovered Hezbollah-linked networks on their soil.
Experts say the move also serves as a diplomatic signal toward Israel, as Beirut seeks to show a firmer stance against the Iranian proxy’s terrorist activities within the country ahead of possible future negotiations with Jerusalem
Last week, Raggi condemned the discovery of Hezbollah terrorist cells in Kuwait and the United Arab Emirates, expressing Lebanon’s solidarity with both states and reiterating that all military and security operations conducted by the Iran-backed group remain banned under Lebanese government authority.
The Lebanese diplomat also condemned Iran’s attacks on Saudi Arabia, warning that continued escalation by Tehran risks widening instability across the Gulf and further threatening regional security and economic cooperation.
“By targeting Arab and Islamic countries, Iran is attempting to hijack their security and peace and trade them for its own opportunistic objectives,” Raggi said during a diplomatic visit to Riyadh.
“The most dangerous aspect of these attacks is that they are directed against countries that have consistently pursued a policy of de-escalation with Iran. These are countries that have always adhered to good neighborly relations, extended bridges of cooperation, and strived to prevent the region from sliding into conflict … What message is Iran sending to our region when moderation is rewarded with aggression?” he continued.
In an interview with Saudi outlet al-Hadath on Sunday, Lebanese Prime Minister Nawaf Salam also condemned Iran’s role in the conflict, saying “the war was imposed on us,” and accused its Islamic Revolutionary Guards Corps (IRGC) of directing Hezbollah’s military operations from behind the scenes.
“These people have forged passports and entered the country illegally,” the Lebanese leader said.
“Is it our role to provoke [Israel] or to avenge the death of [Iran’s Supreme Leader Ayatollah Ali Khamenei]? That is not the role of Lebanon. This war is by definition the war of others on our soil,” Salam continued.
Earlier this month, the Lebanese government formally declared Hezbollah’s military operations illegal, though the army has so far refrained from intervening to halt the group’s military activity in the country’s southern region, even as Israeli strikes continue across the area.
“I am not calling for a confrontation with Hezbollah. On the contrary, I want to avoid such a confrontation. But I do not accept yielding to Hezbollah’s blackmail, and I ask the group to respect government decisions,” Salam told al-Hadath.
“Ending this conflict in Lebanon is our top priority, and we are deploying every necessary diplomatic effort, including our proposal for direct negotiations,” he continued.
On Tuesday, Israeli Defense Minister Israel Katz announced that Israeli forces will deploy across southern Lebanon up to the Litani River and crease a “security zone” until the threat of Hezbollah is removed, saying they would “control the remaining bridges and the security zone up to the Litani” and create a “defensive buffer.”
In recent weeks, Israel has conducted strikes targeting Hezbollah, particularly south of the Litani River, where the group’s operatives have historically been most active against the Jewish state.
For years, Israel has demanded that Hezbollah be barred from carrying out activities south of the Litani, located roughly 15 miles from the Israeli border.
According to Katz, the Israel Defense Forces (IDF) are now moving into Lebanon to establish what he described as a “forward defensive line,” targeting Hezbollah infrastructure and destroying buildings he said were being used as operational “terrorist outposts.”
“The principle is clear: Where there are terror and missiles, there will be no homes and no residents, and the IDF will be inside,” he said.
Since Hezbollah joined the conflict in support of Iran at the beginning of the month, Israeli officials report the group has carried out over 900 coordinated attacks, showing a notable rise in cross-border activity and an expansion of operations across the region.
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UK Announces Reforms to Accelerate Firings of Antisemitic Doctors
Wes Streeting, the British secretary of state for health and social care, is seen in Westminster as he appears on Sunday politics shows, London, England, United Kingdom, Oct. 26, 2025. Photo: Tayfun Salci/ZUMA Press Wire via Reuters Connect
The United Kingdom on Tuesday announced a series of reforms to empower its General Medical Council (GMC), a key regulatory body, to act forcibly in removing bigots who endanger patients.
The move followed several high-profile cases both in the UK and around the world involving medical practitioners promoting antisemitic beliefs online and even threatening or boasting about their hate for Jewish people as well as Israelis.
John Mann, who serves in the House of Lords and as the government’s independent adviser on antisemitism, was tasked in October with reviewing the severity of antisemitism in the UK’s National Health Service (NHS) and exploring methods to counter it in October.
“There are just too many examples, clear examples, of antisemitism that have not been dealt with adequately or effectively,” Prime Minister Keir Starmer said at the time, directing Mann to “root out this problem and ensure perpetrators are always held to account.”
The results of that investigation led to the new reforms unveiled on Tuesday — changes described by the UK government as “key” and “the most significant overhaul of the regulation of medical professionals since 1983.”
Specifically, UK Secretary Wes Streeting and his Department of Health and Social Care focused on three main changes.
First, the GMC should “retain its existing right to appeal decisions made by the Medical Practitioners Tribunal Service (MPTS) to the courts, ensuring there remains a robust check on fitness to practice outcomes.” The MPTS adjudicates on complaints made against doctors.
Second, the Professional Standards Authority (PSA), which oversees all health-care regulators, will gain expanded authority to challenge decisions from the MPTS.
Third, regulatory bodies must now share information with the PSA when requested, a move intended to provide greater scrutiny of regulatory decisions and potential times to intervene.
“Racism, including anti-Jewish racism, has no place in the health sector or our NHS, and those who engage in it should face swift and meaningful consequences,” Mann said in a statement. “For too long, the system has been too slow and too cumbersome to deliver that.”
The GMC’s chief executive and registrar, Charlie Massey, called the reforms a “long-awaited step” and explained how the changes would work.
“Patients rightly expect assurance that doctors, PAs, and AAs are safe to practice and can be held to account if serious concerns are raised,” Massey said. “These proposed reforms will allow us to respond more quickly and flexibly when patient safety is at risk. They will also allow us to further improve our efficiency and effectiveness, while at the same time enabling us to help patients navigate the complaints and concerns process more easily.”
Mann said the reforms “will help deliver change” and added he was “pleased” the government moved quickly to act on his recommendations.
The UK health-care system has been riddled with cases of alleged antisemitism over the past several months,
The case of Dr. Rahmeh Aladwan, a trainee trauma and orthopedic surgeon, particularly drew public attention. In November, Aladwan was suspended from practicing medicine in the UK for 15 months over social media posts denigrating Jews and celebrating terrorism.
Aladwan had called online for the ethnic cleaning of Jews and celebrated the Palestinian terrorist group Hamas’s Oct. 7, 2023, massacre across southern Israel. She also described Israelis as “worse than Nazis” and Hamas operatives as “oppressed resistance fighters, not terrorists.”
The anti-Israel activist also made explicitly antisemitic claims, such as labeling the Royal Free Hospital in London “a Jewish supremacy cesspit” and asserting that “over 90% of the world’s Jews are genocidal.”
On a Feb. 7, 2026, episode of the “Blood Brothers” podcast, Aladwan called on Muslims in the countries around Israel to wage a violent jihad.
British law enforcement had arrested Aladwan on Oct. 21, charging her with four counts related to malicious communications and inciting racial hatred.
Aladwan’s arrest followed the GMC’s clearing her to continue treating patients, finding that her conduct had not done anything to “undermine public confidence in the medical profession” and that her comments did not “amount to bullying or harassment.” The MPTS panel concluded that “a reasonable and fully informed member of the public would not be alarmed or concerned” by her being allowed to continue treating patients.
However, following widespread backlash, the GMC said it had re-referred Aladwan’s case to the MPTS for “an interim orders tribunal,” adding that such referrals are made when an interim order “is necessary to protect the public or public confidence in doctors during an investigation.”
The 15-month suspension came about two weeks after Streeting called it “chilling” that some members of the Jewish community fear discrimination within the NHS, amid reports of widespread antisemitism in Britain’s health-care system.
Other incidents in the UK included a Jewish family fearing their London doctor’s antisemitism influenced their disabled son’s treatment. The North London hospital suspended the physician who was under investigation for publicly claiming that all Jews have “feelings of supremacy” and downplaying antisemitism.
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Arabic Wikipedia Riddled With Terror Propaganda and Bias, New Investigation Shows
Avishek Das / SOPA Images via Reuters Connect
Arabic-language Wikipedia is riddled with systemic bias and extreme terrorist propaganda, a new investigation shows, raising serious questions about the reliability of one of the world’s most widely used information sources and exposing millions of readers worldwide to potentially harmful content.
On Tuesday, the World Jewish Congress’s Institute for Technology and Human Rights released a report revealing that Arabic-language Wikipedia content repeatedly violates the platform’s core neutrality rules, specifically in articles covering the Israeli–Palestinian conflict and the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
Extremist influence runs deep in major Wikipedia articles, with 25 to over 50 percent of citations drawn from Hamas, Hezbollah, and other terrorist propaganda sources, spreading radical narratives and terror-supporting content to millions of readers worldwide.
The World Jewish Congress (WJC)’s latest findings also reveal that the terrorist groups Hamas and Palestinian Islamic Jihad are often described as legitimate resistance factions, while attacks on civilians are labeled “martyrdom operations.”
Some articles go further, not only referring to designated terrorists as “martyrs” but also celebrating suicide bombings and attacks on civilians as historical “achievements.”
“This report demonstrates that one of the world’s most trusted knowledge platforms is being systematically manipulated to promote extremist narratives,” Yfat Barak-Cheney, executive director of WJC’s Institute for Technology and Human Rights, said in a statement.
“When terrorist propaganda and hate-driven narratives are allowed to masquerade as neutral information, the consequences extend far beyond Wikipedia itself. These distortions shape public understanding and views of Jews and Israelis across the Arabic-speaking world,” she continued.
In one of its most recent controversies, Wikipedia came under fire last month after a human rights group allegedly linked to Hamas began training Palestinians to edit pages on Israel and the war in Gaza, raising fears of anti-Israel propaganda and antisemitic content on the platform.
According to WJC, the newly released report shows that manipulated Wikipedia content is creating worldwide risks by influencing public discourse and the AI systems that millions rely on, allowing biased information to extend far beyond the site itself.
The report recommends that technology companies and search engines put safeguards in place when using Wikipedia content for AI training and search systems until meaningful reforms are implemented.
“We call on [the Wikimedia Foundation, the nonprofit that operates the Wikipedia website,] to take urgent action to restore neutrality and accountability on Arabic Wikipedia, including enforcing existing neutrality standards, removing administrators who enable extremist propaganda, and implementing centralized monitoring mechanisms for terrorism-related content,” the statement read.
Last year, the US House Committee on Oversight and Government Reform, opened an investigation into the Wikimedia Foundation, demanding answers over concerns that hostile foreign actors are exploiting the online encyclopedia to insert anti-Israel or antisemitic framing designed to sway audiences.
Months earlier, the US Justice Department warned the Wikimedia Foundation that its nonprofit status could be jeopardized for possibly violating its “legal obligations and fiduciary responsibilities” under US law.
Specifically, US officials expressed concern about accusations that the online encyclopedia has spread “propaganda” and allowed “foreign actors to manipulate information” while maintaining a systemic bias against Israel.
“Wikipedia has long presented itself as humanity’s shared knowledge repository,” Barak-Cheney said in a statement on Tuesday. “Ensuring that this knowledge remains factual is particularly critical as emerging AI platforms increasingly rely on multilingual information sources to formulate responses to user queries.”