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With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories
(JTA) — Years ago, the Israeli filmmaker Orit Fouks Rotem took a class led by director Eran Kolirin, best known as the maker of “The Band’s Visit.” This month, movies by both filmmakers are getting theatrical rollouts in the United States.
On a recent Zoom call, Palestinian author Sayed Kashua joked: “Was that his class — how to use a Palestinian story?”
Kashua was smiling on Zoom as he said it — he is, after all, known for his often fatalistic sense of humor, particularly when it comes to the Israeli-Palestinian conflict. And the author had given his blessing for Kolirin to make an adaptation of his novel “Let It Be Morning,” and said he loved the final result.
But like most jokes, this one had a kernel of truth: Israel’s two most recent Oscar submissions, hitting New York’s Quad Cinema within a week of each other, both — to varying degrees — tell Palestinian stories.
“Let It Be Morning” is a dark comedy about an Arab Israeli village that has suddenly and with no explanation been cordoned off from the rest of the country by the Israeli military. This event forces its Palestinian residents, including a protagonist trying to return to his comfortable middle-class life in Jerusalem, to reckon with how their dignity as citizens has been denied to them by the mechanisms of the Israeli occupation. At the Quad, the film is accompanied by a retrospective of Kolirin’s work, including “The Band’s Visit,” the basis for the Tony Award-winning musical; the retrospective is sponsored by the Israeli consulate in New York.
The all-female cast of “Cinema Sabaya,” a mix of Jewish and Arab actresses, in a film directed by Orit Fouks Rotem. (Courtesy of Kino Lorber)
The following week will see the opening of Rotem’s film, “Cinema Sabaya.” It follows a group of eight women, some Jewish and some Arab and Palestinian, who bond with each other while taking a filmmaking class in a community center in the Israeli city of Hadera. Cast member Dana Ivgy, who plays the class’s instructor, told the Jewish Telegraphic Agency that the filming experience “felt like how living in Israel should feel,” adding, “We have more women in the film than in the Israeli government.”
Stylistically, the two films couldn’t be more different. “Let It Be Morning” is a tightly plotted narrative with boldly realized characters; almost all of its dialogue is in Arabic. “Cinema Sabaya” is a loose, heavily improvisational piece that is almost entirely set in one room, and is mostly in Hebrew (although in one tense early scene, the characters debate whether to conduct their class in Hebrew or Arabic). One is a dry, Kafkaesque satire; the other is an intimate, naturalistic drama.
But together, the films provide a snapshot of the delicate dance Israeli filmmakers must perform in the current climate. On the one hand, these art-house directors are being feted on the international stage for their empathetic storytelling that incorporates or even centers entirely on Palestinian characters. But on the other, they’re being attacked by government officials for their perceived insufficient loyalty — and their films’ very status as “Israeli” is being questioned, too, sometimes by their own cast and crew.
“Everyone can call it what they want,” Rotem said of her film. “I’m an Israeli and it’s in Israel, but I have partners who call themselves Palestinians, and some of them call themselves Arabs, and each one defined herself. I think it’s really how it should be.”
“A film does not have an identity,” Kolirin insisted in an interview with JTA. “It is a citizen of the screen.”
Eran Kolirin accepted the award for Best Director for “Let It Be Morning” at the 2021 Ophir Awards in Tel Aviv on October 5, 2021. (Tomer Neuberg/ Flash90)
Kolirin isn’t a fan of the label “Israeli film” in this case, even though that is how “Let It Be Morning” was categorized at its 2021 Cannes Film Festival premiere; its own press notes also list Israel as the “country of production.” That Cannes screening took place shortly after Israel’s deadly conflict with Hamas that killed more than 250 Palestinians in the Gaza Strip and around a dozen Israelis. The events turned Cannes into a political firestorm when the film’s Palestinian cast refused to attend the premiere.
“We cannot ignore the contradiction of the film’s entry into Cannes under the label of an ‘Israeli film’ when Israel continues to carry its decades-long colonial campaign of ethnic cleansing, expulsion, and apartheid against us — the Palestinian people,” the cast’s statement read in part.
“Each time the film industry assumes that we and our work fall under the ethno-national label of ‘Israeli,’ it further perpetuates an unacceptable reality that imposes on us, Palestinian artists with Israeli citizenship,” the statement continues, calling on “international artistic and cultural institutions” to “amplify the voices of Palestinian artists and creatives.”
Kolirin himself supported the cast’s action. He knew they were grieving over the outbreak of violence in Gaza and didn’t want to put themselves in a situation where “some politician is going to wave a flag over their head or whatever.”
What’s more, he said, the status of “Let It Be Morning” as an “Israeli” film, despite the fact that around half the crew was Palestinian, was not his decision: “The film was not submitted to Cannes as an Israeli film,” he said. “You know, you fill in the form: ‘Which were the countries that gave money?’” In this case, the answer was Israel and France.
Most of the cast later did not attend the Ophir Awards ceremony, Israel’s equivalent to the Oscars voted on by its filmmaking academy, where “Morning” won the top prize (which automatically made it Israel’s Oscar submission for that year). In solidarity at the awards, Kolirin read aloud a statement from his lead actress, Juna Suleiman, decrying Israel’s “active efforts to erase Palestinian identity” and what she called “ethnic cleansing.”
Orit Fouks Rotem (Courtesy of Kino Lorber)
“Cinema Sabaya” hasn’t played host to as much offscreen controversy, but its vision of Israeli multiculturalism is still inherently political. Rotem’s mother is a local government adviser on women’s issues in Hadera, and the film was inspired by her experience participating in a photography class designed to unite Jewish and Arab women. Rotem herself later led filmmaking classes in a similar vein as research for “Sabaya.”
In the film, Ivgy’s character, who is modeled on Rotem, instructs her class to film their home lives, while secretly hoping to make a movie from their efforts. When her desire to do so is revealed, the women in the class feel betrayed: They thought they were just making films for themselves, not for their stories to be told by someone else.
Similarly, Rotem said that working with Arab and Palestinian actresses made her “aware to the fact that I can’t really tell their story.” Her solution was to allow the performers — some of whom are well-known activists who had to think twice about appearing in an Israeli movie — to voice their own opinions, and to establish the necessary trust to allow them to be unscripted on camera.
She theorizes that “Cinema Sabaya” has been so well received in Israel because “it doesn’t say ‘occupation, occupation, occupation.’ It says ‘humanity,’ so people are less afraid.” (She also noted that, in real life, the women who attended her filmmaking classes bristled at her initial suggestion to make a documentary about them, telling her to fictionalize their stories instead — which she did.)
Lately the Israeli government has a tendency to view its filmmaking class as agitators unworthy of national support, particularly when they make films criticizing the occupation. Former Culture Minister Miri Regev often disparaged films she thought were bad for Israel, including celebrated international hits such as “Foxtrot” and “Synonyms.” Her current successor, Miki Zohar, has already threatened the makers of a new documentary about the West Bank city of Hebron, saying the movie smears the military and that the directors might have to return government funds.
In recent years, Israel’s culture ministry has pushed two new controversial proposals: a grant program earmarked for those who make films in settlements, which are considered illegal under international law; and a form pledging not to make films “offensive” to Israel or the military that filmmakers would be required to sign in order to apply for certain grants, which many directors have likened to a loyalty oath. For years, some of the country’s largest grantmakers have required applicants to sign a form promising to represent their projects as Israeli on the national stage.
There has also been an effort among some members of Prime Minister Benjamin Netanyahu’s new right-wing government to end funding to public broadcaster Kan, which the country’s film industry views as another attack on its free expression.
“Kan has all this dialogue,” Ivgy said. “It has Jewish and religious and Arab and Palestinian, for kids and for grownups. And nothing is taboo there. I feel that it’s very dangerous to close that option down.”
Many Israeli filmmakers are fighting back. Hundreds, including Kolirin and Rotem, have refused to sign the ministry’s pledge, and many have also protested the settlement grant program. Nadav Lapid, one of the country’s most celebrated and outspoken directors, harshly critiqued government restrictions placed on his own work in the 2021 drama “Ahed’s Knee,” which went on to win a special prize at Cannes.
Kolirin said he had recently been on a call with several Israeli filmmakers looking to further organize against artistic restrictions, and that it had given him hope. “I had this feeling of some optimism, which I didn’t have for a long time,” he said. But he didn’t mince words when discussing Israel’s new governing coalition, which he likened to “a circus of mad dogs unleashed.”
Rotem said that the current government is “very, very bad and scary,” but that it has only strengthened her resolve to make political films.
“For me, it’s also political to show women in Israel in a deep way: I mean Arabs and Jews,” she said. “Because I don’t think there are enough films that are doing that.”
For Kashua, a veteran TV writer and opinion columnist, the question of identity in Israeli and Palestinian filmmaking is even more pronounced. After a long career of trying to write about the Palestinian experience in Hebrew as a way of reaching Israelis, he left Israel for the United States in 2014, becoming discouraged by an incident in which Jewish extremists burned a Palestinian teenager alive as revenge after Palestinian terrorists kidnapped Israeli soldiers. Now based in St. Louis, he has worked as a writer and story editor on Israeli series that center on both Palestinian and Jewish stories — including the global hit “Shtisel,” which focuses on haredi Orthodox Jews, and its upcoming spinoff, along with “Madrasa,” a young-adult series about a bilingual Hebrew-Arabic school.
Israeli filmmakers choosing to center Palestinian stories can be its own radical political act, Kashua believes. He noted that the dialogue in “Morning” is almost entirely in Arabic, a language that Israel demoted from national language status in 2018 — doubly ironic as he had deliberately chosen to write his original novel in Hebrew.
“The idea that this film is ‘Israeli’ — it really contradicts the idea of Israel being a purely Jewish state,” Kashua said. He added that, while he had initially hoped a Palestinian director might have adapted his novel, he was ultimately happy with Kolirin’s approach.
“I truly love the movie, and it’s barely Orientalist,” he joked, echoing Palestinian-American intellectual Edward Said’s famous book about how a Western lens on Eastern cultures can be reductive and harmful. “Which is a big achievement for an Israeli filmmaker.”
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The post With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories appeared first on Jewish Telegraphic Agency.
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Trump national Shabbat divides America’s Jews ahead of National Mall prayer rally
(JTA) — As part of a 250th anniversary celebration of the United States, President Donald Trump is calling on Americans to pray together in a nine-hour marathon on the National Mall Sunday featuring a host of Christian speakers — and one rabbi.
But first, Trump is calling on Jews to mark Shabbat, the Jewish day of rest from sundown Friday to nightfall Saturday, and encouraging other Americans to consider embracing the ritual as well.
“In special honor of 250 glorious years of American independence and on the weekend of Rededicate 250 — a national jubilee of prayer, praise, and thanksgiving — Jewish Americans are encouraged to observe a national Sabbath,” Trump said in his Jewish American Heritage Month proclamation on May 4.
“From sundown on May 15 to nightfall on May 16, friends, families, and communities of all backgrounds may come together in gratitude for our great Nation,” he continued. “This day will recognize the sacred Jewish tradition of setting aside time for rest, reflection, and gratitude to the Almighty.”
The call marked the first time that an American president has formally urged the celebration of Shabbat. Trump’s daughter Ivanka, who converted to Judaism before marrying Jared Kushner, now a prominent Trump advisor, reportedly observes Shabbat according to traditional interpretations of Jewish law.
Trump’s call echoes the legacy of conservative Christian activist Charlie Kirk, who was fatally shot in September. Kirk’s book detailing his own observance of a “Jewish Sabbath” every week was published posthumously.
The exhortation has received mixed reviews from the American Jewish community. Some Jews have said they appreciate the gesture and recognition of a central tradition to Judaism, and even are promoting their own Shabbat services as part of “Shabbat 250.”
Others say Trump is appropriating Judaism to promote conservative political goals and Christian nationalism, a movement backed by a portion of Trump’s base that scholars say could push the country in a direction that is less hospitable to Jews.
Support for the initiative has been strongest among Orthodox Jews, who tend to be more politically conservative. Rabbi Josh Joseph, executive vice president of the Orthodox Union, endorsed Trump’s call soon after it was made.
“This weekend, following President Trump’s encouragement, we will mark Shabbat 250,” he said in a statement earlier this week. “We will pause to acknowledge all the blessings that the Almighty has provided American Jews through the unique devotion to liberty embedded in this nation.”
Some Orthodox synagogues, including many affiliated with the Chabad Hasidic movement, have announced “Shabbat 250” programming, such as dinners and special speakers. The group Young Jewish Conservatives, meanwhile, doled out $180 grants to conservative Jews under 35 who committed to hosting at least five people for a Shabbat dinner in their homes.
More than 7,500 people have declared on a new website, Shabbat250.org, their intention to observe Shabbat. Some Orthodox commentators tied Trump’s proclamation to the week’s Torah portion, which describes how the Israelites, having been freed from Egypt, took a census of themselves in the desert as their new nation came into focus.
“Today we celebrate the numbers, the 250th anniversary, but like a census, this milestone must also be a springboard from which to consider where America is going,” wrote Jonathan Feldstein, president of the Genesis 123 Foundation, a nonprofit that aims to build ties between Jews and Christians, on his Substack.
On the other side, Rabbi Jonah Pesner of the Religious Action Center of Reform Judaism is among the faith leaders scheduled to participate in a virtual event Friday morning that organizers say will “explain why so many religious Americans of diverse faiths are alarmed and alienated by attempts to use America’s 250th birthday as an opportunity to frame the US as a ‘Christian nation’ and to misrepresent the approach to religious tolerance and freedom adopted by our founders and Constitution.”
The perspective is shared widely on the Jewish left, where many leaders say it is inappropriate and harmful for Trump to involve himself in Shabbat.
“When the state meddles in our sacred affairs, blurring the already fuzzy lines between church and state, it doesn’t elevate the Sabbath; it diminishes the democracy that 250 years of history were supposed to protect,” Rabbi Amichai Lau-Lavie of the progressive Lab/Shul wrote in a blog post Wednesday. “I suggest we each adapt this ‘National Shabbat’ in our own unique way – not because a leader commanded it, but because our humanity demands it.”
The debate comes ahead of the prayer rally planned for the National Mall on Sunday. The event, called Rededicate 250, is organized by a nonprofit called Freedom 250, which is advertising an event lineup featuring Christian music as well as “Freedom Trucks” that provide educational material provided by the conservative advocacy group PragerU and the Christian classical school Hillsdale College.
Organizers are also promoting performances by U.S. military bands as well as participation from several Trump administration officials, including Secretary of State Marco Rubio and Defense Secretary Pete Hegseth. Trump himself is set to appear by video, and House Speaker Mike Johnson, a Republican from Louisiana, will also take the stage.
Of the 33 prayer leaders set to appear, about half are of evangelical or non-denominational evangelical Christian practice. Baptist, Catholic and Seventh Day Adventist speakers will also speak.
The only non-Christian speaker on the lineup is Rabbi Meir Soloveichik, an Orthodox rabbi and senior scholar at the Tikvah Fund, a politically conservative Jewish think tank, who also sits on the Religious Liberty Commission that Trump created last year.
Rachel Laser, the Jewish CEO of Americans United for the Separation of Church and State, denounced the rally as part of a rising tide of Christian nationalism.
“If President Trump and his allies truly cared about America’s legacy of religious freedom, they would be celebrating church-state separation as the unique American invention that has allowed religious diversity to flourish in our country,” she said in a statement. “Instead, they continue to threaten this foundational principle by advancing a Christian Nationalist crusade to impose one narrow version of Christianity on all Americans.”
The rally comes as Americans are growing more appreciative of religion, even if they do not necessarily practice any themselves. A new Pew Research Center report out this week shows that an increasing minority of American adults say religion is “gaining influence in American life” and more than half of Americans say religion plays a positive role in society.
The proportion of Americans who believe Christianity should be declared the official religion of the United States has grown slightly in recent years and now stands at 17%, according to the survey. A much larger proportion of Americans, 43%, said they believe Christianity should not be an official religion but that the government should promote Christian moral values.
The White House will host a reception to mark the start of Shabbat 250 late Friday afternoon.
The attention to Shabbat jolted by Trump’s proclamation has spurred a wave of non-political attention to Shabbat, too. The writer Daniella Greenbaum Davis, for example, explained rabbinic teachings in a column in the Washington Post urging non-Jews to consider adopting Shabbat as a mindfulness practice.
“Shabbat is a Jewish tradition,” Davis wrote. “But the case for a weekly day of rest, taking a formal break from worldly concerns, is universal.”
This article originally appeared on JTA.org.
The post Trump national Shabbat divides America’s Jews ahead of National Mall prayer rally appeared first on The Forward.
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Talarico won’t campaign with Democratic House candidate who wants to open ‘a prison for American Zionists’
(JTA) — Maureen Galindo, the housing activist and conspiracy theorist whose rants about “billionaire Zionists” have defined her pursuit of a U.S. House seat in Texas, is within spitting distance of winning a Democratic runoff in a competitive San Antonio-area district.
But if Galindo becomes the nominee, she’ll be without the support of the state’s most prominent Democrat: U.S. Senate candidate James Talarico.
“This antisemitic rhetoric has no place in our politics. We need leadership in both parties willing to stand up and call out hate wherever it rears its ugly head,” the Texas state representative, whose own surging campaign has garnered national attention, said in a statement to the Jewish Telegraphic Agency when asked about Galindo.
Talarico’s campaign confirmed to JTA that he would not campaign with Galindo if she wins her May 26 runoff, in a district Democrats are hoping to flip following Republican-led redistricting in the state.
Talarico, a pastor, has sought to carve out a lane for himself as a religious progressive. While his interactions with the Jewish community have been minimal, his rejection of Galindo comes after he swore off support from pro-Israel lobbying group AIPAC and expressed criticism of Israeli Prime Minister Benjamin Netanyahu.
It was a forceful rebuke of an outsider candidate who has quickly personified an extreme in antisemitic rhetoric among Democrats as the party, caught up in hopes for a “blue wave” in the midterms, is also facing a delicate moment in its relationship with Jews.
Galindo, a sex and family therapist and single mother who rose to local prominence after fighting a proposed redevelopment project affecting her affordable housing, so far has spent only around $11,000 on her campaign. Yet she came in first in the 35th District’s heated Democratic primary in March with 29.2% of the vote.
Her runoff opponent, sheriff’s deputy Johnny Garcia, received 27% of the vote. The third- and fourth-place finishers endorsed Galindo after conceding. Local progressives have suggested that Garcia’s early endorsement from Democratic Majority for Israel along with his positioning as an establishment moderate may have hurt his standing among Democratic voters, while Galindo’s anti-establishment stances may have helped her.
Asked about Talarico’s rejection of her, Galindo told JTA that his stance “says he might be Zionist affiliated so I’ll move around him accordingly.”
“I wouldn’t have been running with anyone anyway,” she wrote in an email. “I run autonomous campaigns so I can maintain my freedom. That’s what people like about me.”
Galindo also told JTA that “coordinated media attacks declaring my anti-Zionist rhetoric as anti-Semitic” were “causing MORE harm to the Jews of San Antonio by playing into all the stigmas that they own the media.”
“Zionists WANT us to blame all Jews to shield them from the violence they perpetrate on Semites across the Middle East,” Galindo continued. “I’m not falling for it and will continue to protect all Jews from their corrupted leaders by constantly reminding folks that its NOT ALL JEWS. We need to be LOUD about our anti-Zionism in these times to protect our neighbors.”
The candidate has also disparaged other groups, including Latino men, whom she has said have a “colonizer mentality.”
When it comes to Jews and Zionists, the candidate has made no secret of her views.
“It’s all very complex. But it’s my perception that Zionist billionaires run the world,” she told the San Antonio Current this week, several days after The New York Times and other outlets publicized her past rhetoric to a national audience. “They’re of all religions. But especially Israeli, Jewish billionaire Zionists who disproportionately and factually own a lot of Hollywood production studios, media companies and banks.”
On social media this week she wrote, “ZIOS=GENOCIDAL EUROPEAN COLONIZER FREAKS.” She has elsewhere referred to the “synagogue of Satan,” a phrase with Biblical origins that was popularized by Louis Farrakhan to promote the idea that today’s Jews are inauthentic, and said that “Israeli leaders are not real Jews.”
On Instagram Wednesday Galindo wrote that, if elected, she would “write legislation so that all Zionism and support of Zionism is undoubtedly Anti-Semitic, since it’s Zionists harming the Semites.” The candidate added that she would turn a local immigrant detention center “into a prison for American Zionists and former ICE officers for human trafficking,” adding in parentheses, “It will also be a castration processing center for pedophiles which will probably be most of the Zionists.”
Appearing on Texas Public Radio this week, she refuted accusations of antisemitism while reaffirming that she opposes “Zionist Jews.”
“I’m not antisemitic. In fact my last serious relationship was with a Jewish man,” Galindo said. “I’m against Zionist Jews. When I said that the Jews who own Hollywood are doing this, do all Jews own Hollywood? No. The Zionist Jews do. The Zionist Jews own our media, our banks and all of our politicians.”
She added, “There’s plenty of evidence for what I’m saying in the Epstein files.”
On the same program, Garcia, Galindo’s opponent, condemned her for having made “antisemitic remarks” and said he had spoken to concerned local Jews about her rhetoric.
“It gets people to sit out of elections and lose faith in the Democratic Party,” Garcia said. “And my reassurance to them was, look, I understand how bad we lost you in 2024. We saw people leaving our party in droves. … These comments, it’s hurtful, and it does nothing good for our Democratic Party.”
On social media, Galindo has gone after Garcia by depicting him standing in front of U.S. and Israeli flags and saying he “took money from Israel to get into Congress & fund Israeli wars.”
Democratic Majority For Israel is mounting an 11th-hour mobilization effort against Galindo, launching a new six-figure ad campaign for Garcia. “Johnny Garcia is a coalition builder who supports a strong U.S.-Israel relationship and has been clear in standing against antisemitism,” DMFI head Brian Romick told Jewish Insider. “His opponent, on the other hand, proudly embraces vile, antisemitic conspiracies and if she advances could put a Democratic House majority at risk.”
Galindo has received support from Lean Left, a new Florida-based super PAC with unclear origins that has been linked to Republicans.
Asked about Galindo, the San Antonio Jewish Community Relations Council told JTA that it “condemns any and all hateful speech, including the use of antisemitic tropes, in public discourse.” It did not name any candidate in its statement.
San Antonio is home to an estimated 11,000 Jews, who were shaken last year by a mass shooting threat directed at a Jewish community center.
Since Galindo’s record of remarks has come to light, one of her former primary opponents rescinded his endorsement of her. “Over the course of the runoff, I have become increasingly troubled by a series of derogatory, inflammatory and conspiratorial statements directed toward Jewish people and others,” John Lira, a former Small Business Administration staffer, said in a statement.
Lira did not endorse Garcia, instead affirming he would “remain neutral in this runoff election.”
This article originally appeared on JTA.org.
The post Talarico won’t campaign with Democratic House candidate who wants to open ‘a prison for American Zionists’ appeared first on The Forward.
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Cornell trustees back Jewish president after confrontation with pro-Palestinian protesters
(JTA) — Cornell University’s Jewish president will not be penalized for a recent campus altercation with pro-Palestinian protesters who had surrounded his car following a campus debate on Israel, an investigation by the university concluded Friday.
The Ivy League school’s Board of Trustees issued a statement of support for Michael Kotlikoff following an investigation into the April 30 incident. Kotlikoff had recused himself from the investigation, which wrapped after eight days.
“President Kotlikoff has shown a steadfast commitment to Cornell’s values and principles, and we are confident he will continue to lead with integrity,” a Friday statement from the board’s ad-hoc investigation committee concludes.
The investigation also cleared the protesters, a mix of students and non-students, of any wrongdoing, even as it found that their actions “are inconsistent with university policies governing expressive activity and our standards for respectful conduct, safety, and the prohibition of intimidation.”
Kotlikoff will not be pursuing any complaints against the students involved, Cornell’s board said. The president himself did not immediately release a statement on the investigation’s results, and a spokesperson for the university declined to comment further.
The report’s release sought to quickly close the book on a whirlwind controversy at the Ithaca, New York, university, as long-simmering tensions between Kotlikoff and the campus’s pro-Palestinian contingent boiled over into a rare physical altercation between students and a college president.
The incident that prompted the investigation was the second part of a two-session debate on Israel, sponsored by the non-partisan Cornell Political Union. Kotlikoff was present to introduce the guest speaker, Jewish pro-Palestinian academic and activist Norman Finkelstein.
Multiple video sources from the Finkelstein event showed that, following the talk, members of the protest group Students for a Democratic Cornell followed the president to his car and appeared to try to block its path. When he did edge his way out of his parking spot, they said he bumped some of the protesters with his vehicle, releasing video to the student newspaper The Cornell Daily Sun to back up the allegation.
Kotlikoff issued a statement the next day calling the incident one of “harassment and intimidation,” while some of the protesters accused him of injuring them and running over one person’s foot. The university released its own footage from a security camera in a scene that presented a different view than that of the students, though the exact nature of the confrontation remains murky.
The Cornell trustees who conducted the investigation said the protesters’ initial claims of wrongdoing on Kotlikoff’s part could not be verified by campus police, in part because the affected individuals “refused medical treatment from the EMS team and refused to provide sworn statements as to their account of the incident.”
The board added, “None of the individuals at the scene have provided sworn statements to CUPD [campus police], despite CUPD’s repeated attempts to collect sworn statements in the days following the incident.” The Jewish Telegraphic Agency has reached out to Students for a Democratic Cornell for comment.
Some campus groups including the graduate student union and its affiliated labor union had called on Kotlikoff to resign. Some campus graduate student associations cited what they called an “explicit act of violence against these students” and what they felt was the “misleading nature” of Kotlikoff’s own statement. Cornell’s chapter of the American Association of University Professors also criticized the president’s actions.
But Kotlikoff had his supporters, too. National outlets including The Washington Post’s editorial board celebrated him for having “stood up to campus bullies.” A faculty and student petition supporting him also circulated this week. The petition, which was shared with JTA, says Kotlikoff acted appropriately in the face of “physical intimidation.”
“If we characterize the obstruction of a vehicle and the pursuit of an individual as ‘peaceful protest,’ we erode the safety of our entire campus,” reads the petition, whose signatories, including the number, have not yet been made public. “This is not a matter of siding with a specific policy or a specific person. It is about whether Cornell remains a place where any member of our community (student, faculty or staff) can move freely without fear of being surrounded or harassed.”
Since his appointment as Cornell’s president in 2024, initially on an interim basis, Kotlikoff has weathered a series of Israel-related controversies. He drew blowback from academic freedom advocates for criticizing a planned class to be taught on Gaza by a Jewish pro-Palestinian professor, and in March vetoed two anti-Israel student government resolutions. Under his watch the university also struck a controversial deal to pay $60 million to the Trump administration to resolve antisemitism investigations.
Menachem Rosensaft, an adjunct professor at Cornell’s law school and former general counsel of the World Jewish Congress, is one of Kotlikoff’s backers on campus. Rosensaft told JTA that, though Kotlikoff has made clear his own pro-Israel views, he remains committed to free expression on campus — which he argued the protesters were trying to silence.
“People who have an agenda don’t like those who don’t have an agenda, and who just want to play it straight down the middle,” Rosensaft said. “Mike has played it straight down the middle and he is doing it appropriately. The university is lucky to have him and I’m pleased to say that the board agrees.”
Kotlikoff’s commitment to the debate series on Israel, despite his personal disagreements with Finkelstein, was proof of this, Rosensaft suggested. The first part of the series had featured Israeli historian Benny Morris, and the debate series boasted an unusually diverse list of ideological partners, ranging from Students for Justice in Palestine to the Zionist Organization of America, pro-Israel advocacy group StandWithUs and Cornell’s Jewish Studies program.
Cornell’s commencement is set for May 23. Kotlikoff is scheduled to deliver an address.
This article originally appeared on JTA.org.
The post Cornell trustees back Jewish president after confrontation with pro-Palestinian protesters appeared first on The Forward.
