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With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories
(JTA) — Years ago, the Israeli filmmaker Orit Fouks Rotem took a class led by director Eran Kolirin, best known as the maker of “The Band’s Visit.” This month, movies by both filmmakers are getting theatrical rollouts in the United States.
On a recent Zoom call, Palestinian author Sayed Kashua joked: “Was that his class — how to use a Palestinian story?”
Kashua was smiling on Zoom as he said it — he is, after all, known for his often fatalistic sense of humor, particularly when it comes to the Israeli-Palestinian conflict. And the author had given his blessing for Kolirin to make an adaptation of his novel “Let It Be Morning,” and said he loved the final result.
But like most jokes, this one had a kernel of truth: Israel’s two most recent Oscar submissions, hitting New York’s Quad Cinema within a week of each other, both — to varying degrees — tell Palestinian stories.
“Let It Be Morning” is a dark comedy about an Arab Israeli village that has suddenly and with no explanation been cordoned off from the rest of the country by the Israeli military. This event forces its Palestinian residents, including a protagonist trying to return to his comfortable middle-class life in Jerusalem, to reckon with how their dignity as citizens has been denied to them by the mechanisms of the Israeli occupation. At the Quad, the film is accompanied by a retrospective of Kolirin’s work, including “The Band’s Visit,” the basis for the Tony Award-winning musical; the retrospective is sponsored by the Israeli consulate in New York.
The all-female cast of “Cinema Sabaya,” a mix of Jewish and Arab actresses, in a film directed by Orit Fouks Rotem. (Courtesy of Kino Lorber)
The following week will see the opening of Rotem’s film, “Cinema Sabaya.” It follows a group of eight women, some Jewish and some Arab and Palestinian, who bond with each other while taking a filmmaking class in a community center in the Israeli city of Hadera. Cast member Dana Ivgy, who plays the class’s instructor, told the Jewish Telegraphic Agency that the filming experience “felt like how living in Israel should feel,” adding, “We have more women in the film than in the Israeli government.”
Stylistically, the two films couldn’t be more different. “Let It Be Morning” is a tightly plotted narrative with boldly realized characters; almost all of its dialogue is in Arabic. “Cinema Sabaya” is a loose, heavily improvisational piece that is almost entirely set in one room, and is mostly in Hebrew (although in one tense early scene, the characters debate whether to conduct their class in Hebrew or Arabic). One is a dry, Kafkaesque satire; the other is an intimate, naturalistic drama.
But together, the films provide a snapshot of the delicate dance Israeli filmmakers must perform in the current climate. On the one hand, these art-house directors are being feted on the international stage for their empathetic storytelling that incorporates or even centers entirely on Palestinian characters. But on the other, they’re being attacked by government officials for their perceived insufficient loyalty — and their films’ very status as “Israeli” is being questioned, too, sometimes by their own cast and crew.
“Everyone can call it what they want,” Rotem said of her film. “I’m an Israeli and it’s in Israel, but I have partners who call themselves Palestinians, and some of them call themselves Arabs, and each one defined herself. I think it’s really how it should be.”
“A film does not have an identity,” Kolirin insisted in an interview with JTA. “It is a citizen of the screen.”
Eran Kolirin accepted the award for Best Director for “Let It Be Morning” at the 2021 Ophir Awards in Tel Aviv on October 5, 2021. (Tomer Neuberg/ Flash90)
Kolirin isn’t a fan of the label “Israeli film” in this case, even though that is how “Let It Be Morning” was categorized at its 2021 Cannes Film Festival premiere; its own press notes also list Israel as the “country of production.” That Cannes screening took place shortly after Israel’s deadly conflict with Hamas that killed more than 250 Palestinians in the Gaza Strip and around a dozen Israelis. The events turned Cannes into a political firestorm when the film’s Palestinian cast refused to attend the premiere.
“We cannot ignore the contradiction of the film’s entry into Cannes under the label of an ‘Israeli film’ when Israel continues to carry its decades-long colonial campaign of ethnic cleansing, expulsion, and apartheid against us — the Palestinian people,” the cast’s statement read in part.
“Each time the film industry assumes that we and our work fall under the ethno-national label of ‘Israeli,’ it further perpetuates an unacceptable reality that imposes on us, Palestinian artists with Israeli citizenship,” the statement continues, calling on “international artistic and cultural institutions” to “amplify the voices of Palestinian artists and creatives.”
Kolirin himself supported the cast’s action. He knew they were grieving over the outbreak of violence in Gaza and didn’t want to put themselves in a situation where “some politician is going to wave a flag over their head or whatever.”
What’s more, he said, the status of “Let It Be Morning” as an “Israeli” film, despite the fact that around half the crew was Palestinian, was not his decision: “The film was not submitted to Cannes as an Israeli film,” he said. “You know, you fill in the form: ‘Which were the countries that gave money?’” In this case, the answer was Israel and France.
Most of the cast later did not attend the Ophir Awards ceremony, Israel’s equivalent to the Oscars voted on by its filmmaking academy, where “Morning” won the top prize (which automatically made it Israel’s Oscar submission for that year). In solidarity at the awards, Kolirin read aloud a statement from his lead actress, Juna Suleiman, decrying Israel’s “active efforts to erase Palestinian identity” and what she called “ethnic cleansing.”
Orit Fouks Rotem (Courtesy of Kino Lorber)
“Cinema Sabaya” hasn’t played host to as much offscreen controversy, but its vision of Israeli multiculturalism is still inherently political. Rotem’s mother is a local government adviser on women’s issues in Hadera, and the film was inspired by her experience participating in a photography class designed to unite Jewish and Arab women. Rotem herself later led filmmaking classes in a similar vein as research for “Sabaya.”
In the film, Ivgy’s character, who is modeled on Rotem, instructs her class to film their home lives, while secretly hoping to make a movie from their efforts. When her desire to do so is revealed, the women in the class feel betrayed: They thought they were just making films for themselves, not for their stories to be told by someone else.
Similarly, Rotem said that working with Arab and Palestinian actresses made her “aware to the fact that I can’t really tell their story.” Her solution was to allow the performers — some of whom are well-known activists who had to think twice about appearing in an Israeli movie — to voice their own opinions, and to establish the necessary trust to allow them to be unscripted on camera.
She theorizes that “Cinema Sabaya” has been so well received in Israel because “it doesn’t say ‘occupation, occupation, occupation.’ It says ‘humanity,’ so people are less afraid.” (She also noted that, in real life, the women who attended her filmmaking classes bristled at her initial suggestion to make a documentary about them, telling her to fictionalize their stories instead — which she did.)
Lately the Israeli government has a tendency to view its filmmaking class as agitators unworthy of national support, particularly when they make films criticizing the occupation. Former Culture Minister Miri Regev often disparaged films she thought were bad for Israel, including celebrated international hits such as “Foxtrot” and “Synonyms.” Her current successor, Miki Zohar, has already threatened the makers of a new documentary about the West Bank city of Hebron, saying the movie smears the military and that the directors might have to return government funds.
In recent years, Israel’s culture ministry has pushed two new controversial proposals: a grant program earmarked for those who make films in settlements, which are considered illegal under international law; and a form pledging not to make films “offensive” to Israel or the military that filmmakers would be required to sign in order to apply for certain grants, which many directors have likened to a loyalty oath. For years, some of the country’s largest grantmakers have required applicants to sign a form promising to represent their projects as Israeli on the national stage.
There has also been an effort among some members of Prime Minister Benjamin Netanyahu’s new right-wing government to end funding to public broadcaster Kan, which the country’s film industry views as another attack on its free expression.
“Kan has all this dialogue,” Ivgy said. “It has Jewish and religious and Arab and Palestinian, for kids and for grownups. And nothing is taboo there. I feel that it’s very dangerous to close that option down.”
Many Israeli filmmakers are fighting back. Hundreds, including Kolirin and Rotem, have refused to sign the ministry’s pledge, and many have also protested the settlement grant program. Nadav Lapid, one of the country’s most celebrated and outspoken directors, harshly critiqued government restrictions placed on his own work in the 2021 drama “Ahed’s Knee,” which went on to win a special prize at Cannes.
Kolirin said he had recently been on a call with several Israeli filmmakers looking to further organize against artistic restrictions, and that it had given him hope. “I had this feeling of some optimism, which I didn’t have for a long time,” he said. But he didn’t mince words when discussing Israel’s new governing coalition, which he likened to “a circus of mad dogs unleashed.”
Rotem said that the current government is “very, very bad and scary,” but that it has only strengthened her resolve to make political films.
“For me, it’s also political to show women in Israel in a deep way: I mean Arabs and Jews,” she said. “Because I don’t think there are enough films that are doing that.”
For Kashua, a veteran TV writer and opinion columnist, the question of identity in Israeli and Palestinian filmmaking is even more pronounced. After a long career of trying to write about the Palestinian experience in Hebrew as a way of reaching Israelis, he left Israel for the United States in 2014, becoming discouraged by an incident in which Jewish extremists burned a Palestinian teenager alive as revenge after Palestinian terrorists kidnapped Israeli soldiers. Now based in St. Louis, he has worked as a writer and story editor on Israeli series that center on both Palestinian and Jewish stories — including the global hit “Shtisel,” which focuses on haredi Orthodox Jews, and its upcoming spinoff, along with “Madrasa,” a young-adult series about a bilingual Hebrew-Arabic school.
Israeli filmmakers choosing to center Palestinian stories can be its own radical political act, Kashua believes. He noted that the dialogue in “Morning” is almost entirely in Arabic, a language that Israel demoted from national language status in 2018 — doubly ironic as he had deliberately chosen to write his original novel in Hebrew.
“The idea that this film is ‘Israeli’ — it really contradicts the idea of Israel being a purely Jewish state,” Kashua said. He added that, while he had initially hoped a Palestinian director might have adapted his novel, he was ultimately happy with Kolirin’s approach.
“I truly love the movie, and it’s barely Orientalist,” he joked, echoing Palestinian-American intellectual Edward Said’s famous book about how a Western lens on Eastern cultures can be reductive and harmful. “Which is a big achievement for an Israeli filmmaker.”
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The post With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories appeared first on Jewish Telegraphic Agency.
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Iran Races to Rebuild Missile Arsenal, Israel Tests Upgraded Defenses Amid Fragile US Nuclear Talks
Iranian missiles are displayed in a park in Tehran, Iran, Jan. 31, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
As the prospect of renewed conflict looms, Iran is scrambling to restore its battered missile capabilities while Israel tests upgraded air defenses and accelerates military preparations for a potential confrontation.
Iran had 25 key sites housing long-range ballistic missile capabilities, 19 of which were struck during last June’s 12-day war, when the US and Israel bombed the regime’s nuclear facilities, according to Israel’s Channel 14.
The outlet’s latest report, drawing on satellite imagery, research by the Alma Institute for Middle Eastern Studies, and confirmations from security officials, reveals that all sites were equipped with underground infrastructure and suffered extensive surface and subterranean damage.
Yet, with the shadow of a new conflict looming, Iran has rushed to restore its shattered defense capabilities, reportedly completing some partial repairs already.
As of last month, the country’s main launch bases — whose surfaces suffered moderate to severe damage — appear to show clear signs of recovery and resumed operational activity.
Israeli officials estimate that the Islamist regime now possesses at least twice the missile arsenal it deployed in past attacks.
However, Iran’s missile launch capacity remains limited by shortages of launchers and rocket fuel, even as it reportedly works to restore these critical components as well.
As Tehran works to rebuild its strategic threat against the Jewish state amid rising regional tensions, Israel has successfully upgraded its missile defense systems and expanded its arsenal of anti-missile batteries, effectively reinforcing its deterrence capabilities.
On Wednesday, the Israeli Ministry of Defense announced a successful test of the “David’s Sling” air-defense system, designed to intercept Iranian ballistic missiles with advanced evasive capabilities.
Built on operational lessons from last year’s war, Israeli officials said the upgraded system can intercept cruise missiles, ballistic missiles, aircraft, and drones at medium and long ranges, reaching altitudes of 50 to 70 kilometers (31 to 43 miles).
From the Arrow system to the Iron Dome, Israel is bolstering its defense capabilities with extensive logistical preparations to maintain operational readiness during prolonged and intense missile attacks, the Ministry of Defense said in a statement.
At the top of the country’s operational defense pyramid is the Arrow system, a strategic, exo-atmospheric shield designed to intercept long-range ballistic missiles while they are still outside the atmosphere, neutralizing threats at a distance and preventing environmental damage or the impact of unconventional warheads
Serving as the middle layer of Israel’s missile defense, the newly upgraded David’s Sling system works alongside the Iron Dome, which protects the home front and civilian settlements.
The country is also introducing the laser system Iron Beam, or “Magen Or,” capable of intercepting missiles quickly, accurately, and more efficiently than conventional systems
These latest developments come as regional tensions escalate over Iran’s nuclear program and fragile negotiations with the United States, raising concerns about a renewed conflict in the region.
Washington and Tehran resumed negotiations last Friday in Oman, marking the first direct engagement between US and Iranian officials since nuclear talks collapsed after the 12-day war in June.
With the chances of a deal still uncertain, US President Donald Trump has simultaneously launched a massive military buildup in the Gulf, pressuring the Iranian regime to return to the negotiating table if it wants to prevent a potential conflict.
On Wednesday, Israeli Prime Minister Benjamin Netanyahu met with Trump to discuss the prospects of a potential nuclear agreement with Tehran and the next steps in the talks. Israeli officials have said they want any agreement with Iran to include zero enrichment of uranium, limits on ballistic missiles, and a pullback of the regime’s support for terrorist groups across the Middle East.
“There was nothing definitive reached other than I insisted that negotiations with Iran continue to see whether or not a Deal can be consummated. If it cannot, we will just have to see what the outcome will be,” Trump wrote in a post on Truth Social after their meeting.
“Last time Iran decided that they were better off not making a deal, they were hit with Midnight Hammer — that did not work well for them,” he continued, referring to the US operation to bomb Iranian nuclear sites in June. “Hopefully this time they will be more reasonable and responsible.”
Trump also told Axios in a Tuesday interview that he is considering deploying a second aircraft carrier strike group to the Middle East to prepare for military action if negotiations with Iran fail.
“Either we will make a deal or we will have to do something very tough like last time,” Trump said.
According to multiple media reports, Washington has set three conditions for a nuclear agreement with Iran: halting uranium enrichment, restricting the country’s ballistic missile program, and ending the regime’s support for terrorist groups and other proxies throughout the Middle East.
However, Iran has long said all three demands are unacceptable, but two Iranian officials told Reuters its Islamist, authoritarian rulers view the ballistic missile program, not uranium enrichment, as the bigger issue.
In recent days, the US has indicated it is primarily concerned with the nuclear program, leaving some observers concerned that the Trump administration will strike a deal that’s too narrow in scope.
The Iranian government has already publicly rejected any transfer of uranium out of the country and ruled out negotiations over its ballistic missile program or support for proxy forces.
Cautious optimism about diplomacy has also been shaken by reported clashes between US and Iranian forces at sea as tensions rise.
Last week, the US military said it shot down an Iranian drone that had “aggressively” approached the aircraft carrier Abraham Lincoln in the Arabian Sea. Hours later, forces from Iran’s Islamic Revolutionary Guard Corps (IRGC) harassed a US-flagged, US-crewed merchant vessel in the Strait of Hormuz.
Trump initially threatened to intervene in Iran if the regime killed anti-government protesters who took to the streets across the country in late December and early January. However, the Iranian government proceeded to crush the protests with a brutal crackdown, reportedly killing tens of thousands of people.
The US subsequently began its military buildup in the region, and Trump called on the regime to begin negotiations.
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US Congressional Race in Illinois Features Showdown Between AIPAC and New Anti-Israel Group
Aug. 12, 2025, Chicago, Illinois, US: Daniel Biss, mayor of Evanston, Illinois, attends a rally at Federal Plaza in Chicago after the announcement that the Trump administration has unilaterally ended the collective bargaining agreement with federal unions. Photo: Chicago Tribune via ZUMA Press Wire via Reuters Connect
The US congressional race for Illinois’ 9th District is shaping up to become a battleground between the American Israel Public Affairs Committee (AIPAC) and the Peace, Accountability, and Leadership PAC (PAL PAC), a newly formed pro-Palestinian political action committee.
The open competition to replace retiring Democratic Rep. Jan Schakowsky is widely considered to be a showdown in the Democratic primary between far-left newcomer and social media star Kat Abughazaleh, progressive Evanston Mayor Daniel Biss, and moderate state Sen. Laura Fine.
Abughazaleh, a Palestinian-American Tik-Tok personality who has repeatedly accused Israel of so-called “genocide” in Gaza, has earned the endorsement of the far-left Justice Democrats organization. She also has received backing from PAL PAC over her stated support for “Palestinian rights.”
Margaret DeReus, the executive director of PAL PAC, showered praise on the social media star as someone who “represents an exciting new wave of bold and progressive democratic candidates in the 2026 midterms.”
PAL PAC describes itself as an advocacy group which seeks to reward political candidates and members of Congress who champion “Palestinian freedom and human rights” and oppose Israeli policy toward the Palestinians. Among the group’s initial endorsers are US Democratic Reps. Rashida Tlaib (MI), Ilhan Omar (MN), and Summer Lee (PA), all of whom are among the fiercest anti-Israel voices in Congress.
“A defining priority for PAL PAC is ending Israel’s ongoing human rights abuses against Palestinians and stopping US complicity in and backing of Israel’s apartheid system, illegal theft of Palestinian land, and genocide against Palestinians,” the group’s website reads. “We seek to elect champions of human rights for all, who will demonstrate clear, courageous, and consistent leadership on one of the morally defining political and human rights issues of our time.”
Abughazaleh, a 26-year-old influencer who recently moved to Illinois from Texas, has described her new endorsements from far-left organizations as evidence of her “growing movement of people who are done with a Democratic Party that has cast them aside in favor of profit, greed, and power.”
Biss, who is Jewish, has condemned the extent of Israel’s military operations in Gaza and has vowed to vote against additional military aid to the Jewish state. However, Biss also spent large stretches of his childhood in Israel and has expressed a generally positive sentiment toward the nation and its people.
Nonetheless, the mayor has promised not to accept any funding or support from AIPAC, accusing the prominent lobbying group, which seeks to foster bipartisan support for a strong US-Israel alliance, of having “MAGA-aligned donors,” using the acronym for President Donald Trump’s Make America Great Again movement. Biss has also argued that accepting support from the organization would force him to “compromise” his progressive values.
“Daniel believes the special relationship between the United States and Israel means the US must do all it can to ensure long-term protection and prosperity of the Jewish homeland,” Biss’s campaign said in a statement.
“I do not share AIPAC’s hardline views,” Biss added.
Last month, US Rep. Tim Walberg (R-MI), chairman of the House Committee on Education and the Workforce, penned a letter demanding answers from Biss, accusing him of failing to protect Jewish students during a pro-Hamas, anti-Israel encampment at Northwestern University that, lawmakers say, devolved into widespread antisemitic harassment and violence. Northwestern’s campus is located in Evanston.
In a sharply worded letter dated Jan. 28, Walberg said Biss refused to authorize Evanston police to assist when Northwestern requested help clearing the encampment in April 2024, despite reports of assaults, intimidation, and explicitly antisemitic incidents. Walberg wrote that the decision left the university unable to enforce the law safely, citing committee documents indicating Northwestern lacked sufficient police resources to carry out arrests without city support.
Biss called Walberg’s letter a “dishonest political attack” and defended his decision not to intervene in the campus unrest, saying he and police assessed that sending officers “might further inflame the situation.”
Instead of receiving support from AIPAC, Biss has accepted $8,250 from J Street, a self-proclaimed “pro-peace, pro-Israel” lobbying organization. However, J Street has come under fire for allegedly not doing enough to combat antisemitism or anti-Israel narratives within liberal political circles. The organization’s leader Jeremy Ben-Ami said he would no longer dispute the claim that Israel is committing “genocide” in Gaza and that he has been convinced by activists that international courts will successfully prosecute the Jewish state.
In 2024, J Street called on the US government to withhold offensive weapons from Israel, arguing that the United States needs to hold Israel accountable for alleged human rights “violations.”
In September 2025, AIPAC sent an email to supporters decrying Biss and Abughazaleh as “dangerous detractors” to the group’s mission.
AIPAC has thrown its weight behind Fine, despite her longshot candidacy. A recently formed PAC reportedly backed by AIPAC has started spending six-figure sums on ads supporting Fine’s candidacy. The new ad-buy came after her campaign last year received about $300,000 from over 270 donors linked to AIPAC, according to campaign finance records viewed by local news outlet Evanston Now.
Fine has strategically positioned herself as the most pro-Israel candidate in the race.
“Anybody who is supporting me in my campaign is supporting a woman who yes, believes in the existence of Israel, yes believes in freedom and justice for all,” Fine said. “But also, anybody who’s investing in my campaign is investing in a 13-year record of someone who stood up to the biggest bullies in Springfield.”
In the two years following the breakout of the Israel-Hamas war, the role of AIPAC in American politics has become increasingly scrutinized. Fallacious conspiracy theories surrounding the group’s origins and influence over US politicians have become increasingly mainstreamed, causing many Democrats to either return or preemptively reject support and funding from the group. Moreover, the increasing toxicity of AIPAC within Democratic circles comes as party voters have soured on Israel.
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University of Maryland Student Gov’t Teams Up With Anti-Zionist Group to Pass 4th Anti-Israel Resolution This Year
University of Maryland, College Park’s Students for Justice in Palestine chapter honoring Hamas terrorists, whom it called “our martyrs,” on the first anniversary of the Oct. 7, 2023, massacre. Photo: Screenshot
The University of Maryland, College Park’s student government on Wednesday passed its fourth anti-Israel resolution in just this academic year alone, cementing a governing partnership with the extremist group Students for Justice in Palestine (SJP).
Every member of the Student Government Association (SGA), notwithstanding one who abstained, supported the latest measure with a voting tally of 19-0-1, The Algemeiner has learned from sources close to the situation.
Previous resolutions, which include one passed on Yom Kippur, the holiest day in the Jewish calendar, amassed as many as 28 votes but failed to achieve unanimous approval.
The latest measure calls on the school to divest from a range of defense contractors for working with Israel in accordance with the boycott, divestment, and sanctions (BDS) movement, which seeks to isolate the world’s lone Jewish state on the international stage as the first step toward its elimination. Leaders of the movement have repeatedly stated their goal is to destroy Israel.
“[The University of Maryland’s] investments may include companies such as Lockheed Martin, Northrop Grumman, BAE Systems, Elbit Systems, Caterpillar Inc, and RTX Corp, all companies that in some form or another, supply weapons, surveillance, technology, or infrastructure used in Israel’s oppression of Palestinians and have been linked to human right’s violations in other regions,” the resolution states, seemingly admitting that its supporters are not certain of the contents of the university’s investment portfolio. “This framework shall apply to the investment of all USM-controlled funds subject to Maryland law.”
October’s Yom Kippur vote, which Jewish students could not attend, accused Israel of “apartheid and occupation.”
Other resolutions at the University of Maryland (UMD) lodged discredited claims of “genocide” and “crimes against humanity” against Israel, parroting atrocity propaganda confected by Hamas to influence the public’s perception of the war in Gaza prompted by Hamas’s Oct. 7, 2023, invasion of and massacre across southern Israel.
In the days leading up to Wednesday’s vote, Jewish and Christian groups castigated the student government for what they described as being so easily captured by extremists who flagrantly signal their contempt for Jews by perpetrating hate incidents and using Jewish holidays as an occasion for promoting the destruction of the Jewish state.
“As a movement, we are trying to combat antisemitism. It is difficult when we have groups like BDS and UMD’s own student government outwardly discriminating against Jewish students,” said Christians United for Israel (CUFI) and Students Supporting Israel (SSI) in a joint statement, posted on the Instagram social media platform, on Saturday. “They have screamed at Jewish students and cornered them in rooms until police had to get involved. UMD’s student government is not interested in dialogue. They tell their followers not to speak with Israelis.”
They continued, “This form of extremism is hateful and discriminatory. We are calling for awareness and action from UMD to put an end to this.”
On Thursday, SSI president Uriel Appel told The Algemeiner, “The only surprising thing about SGA’s blatant attack on Jewish students on our campus is their zealous persistence on the matter.”
UMD, College Park SJP leading Muslim prayers. Photo: Screenshot
The University of Maryland, College Park’s SJP chapter is one of the most radical in the country. After the Oct. 7 attack, it held a “vigil” for Palestinian terrorists and other events which appeared aimed at pitting the Black and Latino communities against Jews. In its public statements, it has rejected a two-state solution to the Israeli-Palestinian conflict and called for the destruction of the Jewish state.
“UMD SJP unequivocally states that the Zionist state of Israel has no right to exist,” it said in a statement issued in July 2024. “Beyond being an apartheid state, the system of Israeli apartheid is a symptom of the fact that it is a settler-colonial ethnostate that seeks to use apartheid to facilitate its genocidal intent and ultimate goal of displacing indigenous Palestinians from their homeland.”
Student governments at other major universities are also pushing anti-Israel measures, as antisemitic incidents remain at high levels on campuses across the US.
As reported by The Algemeiner last week, the University of Nebraska-Lincoln’s (UNL) student government approved a BDS measure pushed by SJP. The student government, facing public scrutiny, ultimately amended the resolution to remove any mention of Israel and rename it the “Divest for Humanity Act.” The measure demanded divestment from armaments manufacturers to block “”complicit in the genocide and atrocities worldwide.” It passed by a wide margin after being doggedly argued against by Jewish students who were subjected to unfounded allegations about links to Israel.
SJP exalted its passing as a victory for its mission to foster a climate in which pro-Israel support in the US is untenable.
The vote came days after a right-wing social media influencer and University of Miami student upbraided her Jewish peers in a tirade in which she denounced them as “disgusting” while accusing rabbis of eating infants.
“Christianity, which says love everyone, meanwhile your Bible says eating someone who is a non-Jew is like eating with an animal. That’s what the Talmud says,” the online influencer, Kaylee Mahony, yelled at members of Students Supporting Israel who had a table at a campus fair held at the University of Miami. “That’s what these people follow.”
She continued, “They think that if you are not a Jew you are an animal. That’s the Talmud. That’s the Talmud.”
The Talmud, a key source of Jewish law, tradition, and theology, is often misrepresented by antisemitic agitators in an effort to malign the Jewish people and their religion.
Mahony can also be heard in video of the incident telling one of the “Because you’re disgusting. It’s disgusting.”
Follow Dion J. Pierre @DionJPierre.