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With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories

(JTA) — Years ago, the Israeli filmmaker Orit Fouks Rotem took a class led by director Eran Kolirin, best known as the maker of “The Band’s Visit.” This month, movies by both filmmakers are getting theatrical rollouts in the United States.

On a recent Zoom call, Palestinian author Sayed Kashua joked: “Was that his class — how to use a Palestinian story?”

Kashua was smiling on Zoom as he said it — he is, after all, known for his often fatalistic sense of humor, particularly when it comes to the Israeli-Palestinian conflict. And the author had given his blessing for Kolirin to make an adaptation of his novel “Let It Be Morning,” and said he loved the final result. 

But like most jokes, this one had a kernel of truth: Israel’s two most recent Oscar submissions, hitting New York’s Quad Cinema within a week of each other, both — to varying degrees — tell Palestinian stories. 

“Let It Be Morning” is a dark comedy about an Arab Israeli village that has suddenly and with no explanation been cordoned off from the rest of the country by the Israeli military. This event forces its Palestinian residents, including a protagonist trying to return to his comfortable middle-class life in Jerusalem, to reckon with how their dignity as citizens has been denied to them by the mechanisms of the Israeli occupation. At the Quad, the film is accompanied by a retrospective of Kolirin’s work, including “The Band’s Visit,” the basis for the Tony Award-winning musical; the retrospective is sponsored by the Israeli consulate in New York.

The all-female cast of “Cinema Sabaya,” a mix of Jewish and Arab actresses, in a film directed by Orit Fouks Rotem. (Courtesy of Kino Lorber)

The following week will see the opening of Rotem’s film, “Cinema Sabaya.” It follows a group of eight women, some Jewish and some Arab and Palestinian, who bond with each other while taking a filmmaking class in a community center in the Israeli city of Hadera. Cast member Dana Ivgy, who plays the class’s instructor, told the Jewish Telegraphic Agency that the filming experience “felt like how living in Israel should feel,” adding, “We have more women in the film than in the Israeli government.”

Stylistically, the two films couldn’t be more different. “Let It Be Morning” is a tightly plotted narrative with boldly realized characters; almost all of its dialogue is in Arabic. “Cinema Sabaya” is a loose, heavily improvisational piece that is almost entirely set in one room, and is mostly in Hebrew (although in one tense early scene, the characters debate whether to conduct their class in Hebrew or Arabic). One is a dry, Kafkaesque satire; the other is an intimate, naturalistic drama.

But together, the films provide a snapshot of the delicate dance Israeli filmmakers must perform in the current climate. On the one hand, these art-house directors are being feted on the international stage for their empathetic storytelling that incorporates or even centers entirely on Palestinian characters. But on the other, they’re being attacked by government officials for their perceived insufficient loyalty — and their films’ very status as “Israeli” is being questioned, too, sometimes by their own cast and crew.

“Everyone can call it what they want,” Rotem said of her film. “I’m an Israeli and it’s in Israel, but I have partners who call themselves Palestinians, and some of them call themselves Arabs, and each one defined herself. I think it’s really how it should be.”

“A film does not have an identity,” Kolirin insisted in an interview with JTA. “It is a citizen of the screen.”

Eran Kolirin accepted the award for Best Director for “Let It Be Morning” at the 2021 Ophir Awards in Tel Aviv on October 5, 2021. (Tomer Neuberg/ Flash90)

Kolirin isn’t a fan of the label “Israeli film” in this case, even though that is how “Let It Be Morning” was categorized at its 2021 Cannes Film Festival premiere; its own press notes also list Israel as the “country of production.” That Cannes screening took place shortly after Israel’s deadly conflict with Hamas that killed more than 250 Palestinians in the Gaza Strip and around a dozen Israelis. The events turned Cannes into a political firestorm when the film’s Palestinian cast refused to attend the premiere.

“We cannot ignore the contradiction of the film’s entry into Cannes under the label of an ‘Israeli film’ when Israel continues to carry its decades-long colonial campaign of ethnic cleansing, expulsion, and apartheid against us — the Palestinian people,” the cast’s statement read in part. 

“Each time the film industry assumes that we and our work fall under the ethno-national label of ‘Israeli,’ it further perpetuates an unacceptable reality that imposes on us, Palestinian artists with Israeli citizenship,” the statement continues, calling on “international artistic and cultural institutions” to “amplify the voices of Palestinian artists and creatives.”

Kolirin himself supported the cast’s action. He knew they were grieving over the outbreak of violence in Gaza and didn’t want to put themselves in a situation where “some politician is going to wave a flag over their head or whatever.” 

What’s more, he said, the status of “Let It Be Morning” as an “Israeli” film, despite the fact that around half the crew was Palestinian, was not his decision: “The film was not submitted to Cannes as an Israeli film,” he said. “You know, you fill in the form: ‘Which were the countries that gave money?’” In this case, the answer was Israel and France.

Most of the cast later did not attend the Ophir Awards ceremony, Israel’s equivalent to the Oscars voted on by its filmmaking academy, where “Morning” won the top prize (which automatically made it Israel’s Oscar submission for that year). In solidarity at the awards, Kolirin read aloud a statement from his lead actress, Juna Suleiman, decrying Israel’s “active efforts to erase Palestinian identity” and what she called “ethnic cleansing.”

Orit Fouks Rotem (Courtesy of Kino Lorber)

“Cinema Sabaya” hasn’t played host to as much offscreen controversy, but its vision of Israeli multiculturalism is still inherently political. Rotem’s mother is a local government adviser on women’s issues in Hadera, and the film was inspired by her experience participating in a photography class designed to unite Jewish and Arab women. Rotem herself later led filmmaking classes in a similar vein as research for “Sabaya.” 

In the film, Ivgy’s character, who is modeled on Rotem, instructs her class to film their home lives, while secretly hoping to make a movie from their efforts. When her desire to do so is revealed, the women in the class feel betrayed: They thought they were just making films for themselves, not for their stories to be told by someone else.

Similarly, Rotem said that working with Arab and Palestinian actresses made her “aware to the fact that I can’t really tell their story.” Her solution was to allow the performers — some of whom are well-known activists who had to think twice about appearing in an Israeli movie — to voice their own opinions, and to establish the necessary trust to allow them to be unscripted on camera.

She theorizes that “Cinema Sabaya” has been so well received in Israel because “it doesn’t say ‘occupation, occupation, occupation.’ It says ‘humanity,’ so people are less afraid.” (She also noted that, in real life, the women who attended her filmmaking classes bristled at her initial suggestion to make a documentary about them, telling her to fictionalize their stories instead — which she did.)

Lately the Israeli government has a tendency to view its filmmaking class as agitators unworthy of national support, particularly when they make films criticizing the occupation. Former Culture Minister Miri Regev often disparaged films she thought were bad for Israel, including celebrated international hits such as “Foxtrot” and “Synonyms.” Her current successor, Miki Zohar, has already threatened the makers of a new documentary about the West Bank city of Hebron, saying the movie smears the military and that the directors might have to return government funds. 

In recent years, Israel’s culture ministry has pushed two new controversial proposals: a grant program earmarked for those who make films in settlements, which are considered illegal under international law; and a form pledging not to make films “offensive” to Israel or the military that filmmakers would be required to sign in order to apply for certain grants, which many directors have likened to a loyalty oath. For years, some of the country’s largest grantmakers have required applicants to sign a form promising to represent their projects as Israeli on the national stage.

There has also been an effort among some members of Prime Minister Benjamin Netanyahu’s new right-wing government to end funding to public broadcaster Kan, which the country’s film industry views as another attack on its free expression.

“Kan has all this dialogue,” Ivgy said. “It has Jewish and religious and Arab and Palestinian, for kids and for grownups. And nothing is taboo there. I feel that it’s very dangerous to close that option down.”

Many Israeli filmmakers are fighting back. Hundreds, including Kolirin and Rotem, have refused to sign the ministry’s pledge, and many have also protested the settlement grant program. Nadav Lapid, one of the country’s most celebrated and outspoken directors, harshly critiqued government restrictions placed on his own work in the 2021 drama “Ahed’s Knee,” which went on to win a special prize at Cannes.

Kolirin said he had recently been on a call with several Israeli filmmakers looking to further organize against artistic restrictions, and that it had given him hope. “I had this feeling of some optimism, which I didn’t have for a long time,” he said. But he didn’t mince words when discussing Israel’s new governing coalition, which he likened to “a circus of mad dogs unleashed.” 

Rotem said that the current government is “very, very bad and scary,” but that it has only strengthened her resolve to make political films.

“For me, it’s also political to show women in Israel in a deep way: I mean Arabs and Jews,” she said. “Because I don’t think there are enough films that are doing that.”

For Kashua, a veteran TV writer and opinion columnist, the question of identity in Israeli and Palestinian filmmaking is even more pronounced. After a long career of trying to write about the Palestinian experience in Hebrew as a way of reaching Israelis, he left Israel for the United States in 2014, becoming discouraged by an incident in which Jewish extremists burned a Palestinian teenager alive as revenge after Palestinian terrorists kidnapped Israeli soldiers. Now based in St. Louis, he has worked as a writer and story editor on Israeli series that center on both Palestinian and Jewish stories — including the global hit “Shtisel,” which focuses on haredi Orthodox Jews, and its upcoming spinoff, along with “Madrasa,” a young-adult series about a bilingual Hebrew-Arabic school.

Israeli filmmakers choosing to center Palestinian stories can be its own radical political act, Kashua believes. He noted that the dialogue in “Morning” is almost entirely in Arabic, a language that Israel demoted from national language status in 2018 — doubly ironic as he had deliberately chosen to write his original novel in Hebrew. 

“The idea that this film is ‘Israeli’ — it really contradicts the idea of Israel being a purely Jewish state,” Kashua said. He added that, while he had initially hoped a Palestinian director might have adapted his novel, he was ultimately happy with Kolirin’s approach.

“I truly love the movie, and it’s barely Orientalist,” he joked, echoing Palestinian-American intellectual Edward Said’s famous book about how a Western lens on Eastern cultures can be reductive and harmful. “Which is a big achievement for an Israeli filmmaker.”


The post With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories appeared first on Jewish Telegraphic Agency.

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Iran, Israel and Hitler’s gun are all on the ballot in key primaries in Texas and NC on Tuesday

(JTA) — With war in Iran breaking out just as two crucial states hold their primaries, a new PAC opposing pro-Israel spending will have its first big opportunity to flex its muscles among Democrats.

Meanwhile, a gun influencer with a penchant for Hitler jokes and Nazi symbols stands a chance to ride a scandal-ridden GOP primary all the way to Congress.

What unfolds Tuesday at the polls in North Carolina and Texas could reverberate throughout the midterms calendar as American Jews are facing unprecedented levels of political alienation from both sides of the aisle. Here’s what to watch for.

In North Carolina, Israel morphs from asset to liability

Pro-Israel election spending was already poised to be a hot topic this year even before the joint American and Israeli-led strikes in Iran reignited the issue of the Middle East. Nowhere is that more true than in North Carolina’s 4th Congressional District.

In the state’s densely populated Research Triangle region, incumbent Rep. Valerie Foushee has sworn off support from pro-Israel lobbying giant AIPAC — which spent more than $2 million for her in 2022. She has taken additional steps to distance herself from Israel, including refusing to attend Prime Minister Benjamin Netanyahu’s congressional address in 2024.

But her main opponent, Durham County Commissioner Nida Allam, is the one who is associated with criticism of Israel.

American Priorities PAC, which formed last month specifically to counter pro-Israel money, is spending more than $1 million in support of Allam, one of the major factors making the race one of the most expensive in state history. Allam also has the endorsement of Sen. Bernie Sanders and several leading progressive groups, while Foushee has the endorsement of the state’s centrist Jewish governor, Josh Stein.

In the homestretch, Allam’s campaign spending has focused almost entirely on tying Foushee to AIPAC, as well as to other groups like Article One PAC, which has a pro-Israel leading donor and has spent $600,000 supporting Foushee.

Both have criticized the Iran strikes in the campaign’s waning days, in different flavors. “I do not support Trump’s illegal war with Iran,” Foushee tweeted, without mentioning Israel. Allam, meanwhile, is homing in on Israel: She told Politico that district voters “are ready to hold every leader who co-signed a blank check to the Israeli war hawks accountable — including my opponent,” and said in a video message opposing the strikes, “I will never take a dime from defense contractors or the pro-Israel lobby.”

At the same time, Allam has taken on some outreach to local Jews; among other gestures, she recently read a resolution celebrating the safe return of Israeli hostage Keith Siegal, a native of her district.

Democratic Majority for Israel, a pro-Israel group focused on Democrats, has not issued an endorsement in the race. North Carolina’s Democratic party has recently been engulfed in an antisemitism scandal after the head of its Muslim caucus called Zionists “modern day Nazis” and a “threat to humaity.” Gov. Stein has denounced antisemitism in the party.

Another North Carolina Democratic candidate, Rep. Deborah Ross, has also sworn off accepting AIPAC money in her own re-election bid in the state’s 2nd district. Ross is not facing any primary challengers.

Jasmine Crockett’s anti-Israel pastor may have a big day

One of the most closely-watched races nationally will be the Texas Senate primaries, where Rep. Jasmine Crockett is in a dead heat against another rising Democratic star, state Rep. James Talarico. (Both candidates have signaled support for Israel as a Jewish and democratic state but have denounced the strikes in Iran.)

But whichever way their race goes, the figure coming up behind Crockett is a cause for concern among some supporters of Israel.

Frederick Haynes III, a prominent Baptist minister and Crockett’s own pastor, is running for her seat in the state’s heavily Democratic 30th district and is a clear favorite. Like Allam in North Carolina, Haynes is also a beneficiary of American Priorities PAC, with the anti-Israel group spending at least $72,000 to support him.

Long before announcing his candidacy, Haynes has bucked Democrats on Israel. The day after the Oct. 7, 2023, Hamas attacks in Israel, the pastor delivered a sermon drawing on former President Jimmy Carter to accuse Israel of “apartheid.”

“I recognize that we gotta be pro-Israel, yeah we got to do that, or we get in trouble,” he told his congregation in a snippet of a sermon posted to his Facebook page on Oct. 8. “Well, I’m coming to get in trouble.” He continued, “This country’s going to stand on the side of apartheid because that’s its track record.”

Throughout the war, Haynes would often seek to provide “context” for Oct. 7 or otherwise apply pressure to Israel, according to Jewish Insider. By January 2024 he was pushing then-President Joe Biden to cut off U.S. support for Israel if its war in Gaza continued. He has also disparaged Christian Zionism, in a similar manner to Tucker Carlson and other anti-Israel figures on the right. Prior to the attacks, he had been photographed with Nation of Islam leader Louis Farrakhan, calling the Black nationalist with a long history of antisemitism “a wonderful and great man.”

Haynes also opposed war with Iran in a tweet sent the day of the strikes, without mentioning Israel.

Haynes has dwarfed his Democratic opponents in fundraising in the Dallas-area district, recently redrawn by Republicans as part of a contentious mid-decade redistricting fight.

‘The AK Guy,’ who restaged Hitler’s suicide, could win in Texas

“The man who killed Hitler has got to be a personal hero of mine,” Brandon Herrera declared in a YouTube video posted last year — before an assistant of his told him, in a stagey whisper, that Hitler died by suicide. Herrera then gave his best “The Office” stare to the camera.

That joke is a distillation of the irony-laced, very online humor favored by Herrera, a far-right 30-year-old gun manufacturer and firearms influencer who goes by “The AK Guy” and who on Tuesday is challenging — for the second time — GOP Rep. Tony Gonzales for his Texas seat in Congress.

In Herrera’s 2025 video, titled “Testing The Gun That Killed Hitler,” he wields the firearm Hitler used to shoot himself while cracking jokes about Nazi salutes and conspiracy theories imagining Hitler’s survival in Argentina. It’s not the only time he has waded into such territory.

In 2022, reviewing a Nazi-manufactured submachine gun, Herrera joked that it was “the original ghetto blaster” and filmed himself goose-stepping with the weapon over the Nazi song “Erika.” (In the video, Herrera describes the song as “a bunch of soldiers singing about a pretty girl they miss at home” and says, “There’s absolutely nothing wrong with the song we just used.”)

Beyond Nazis, the Herrera-Gonzalez rematch is notable for several reasons. For one, the district includes Uvalde, site of the 2022 elementary school mass shooting, and Herrera has attacked Gonzales for a gun-control vote he made in the shooting’s aftermath.

For another, Gonzales’s career has become consumed by a lurid scandal in the days leading up to the primary, after a staffer he allegedly pressured into sex later died by suicide — vaulting the political neophyte Herrera into a strong position to unseat the incumbent, who has refused to step down.

AIPAC’s United Democracy PAC heavily boosted Gonzales while avoiding Israel as an issue during the duo’s first showdown in 2024, which ended in a runoff and a razor-thin Gonzales victory of around 400 votes in advance of his general election win.

Herrera, while saying that he “despise[s] AIPAC” over its spending against him, has also stated that Israel “is far from a top issue for me” and condemned Hamas the day after Oct. 7. “I’m not anti Israel, I’m anti Israel buying US elections,” he tweeted in 2024.

For his part, Herrera has also offered qualified support of military action in Iran, tweeting, “If there must be military action, let it be QUICK, effective, and please God keep our service members safe.” Gonzales, too, is supporting the strikes on Iran, tweeting, “Under President Trump’s close watch, the Iranian people have a historic opportunity to reclaim their country and embrace freedom.”

Another mass shooting in the state, this one with apparent links to Iran, may end up boosting Herrera’s bid as well. After a gunman in Austin outfitted with Iranian-flag clothing and wearing a “Property of Allah” sweatshirt killed three people including himself and injured 14 at a bar over the weekend, Herrera was one of many state Republicans who seized on the issue.

“‘Diversity is our greatest strength,’” the candidate tweeted mockingly, over a photo of the assailant, who was a naturalized American citizen from Senegal.

So where is AIPAC, really?

With an increasingly toxic brand, and facing backlash after a New Jersey primary campaign expenditure that backfired to likely help a pro-Palestinian candidate get elected, it might not be surprising if AIPAC kept a low profile this election cycle.

Then again, the group and its United Democracy Project have reported around $95 million, a massive war chest, and say they intend to spend intensively for the midterms.

AIPAC has made one, possibly consequential endorsement in a Tuesday race: GOP Rep. Wesley Hunt, who is running for senate in Texas. Hunt, however, is considered by most pollsters a third-place candidate in what has shaped up as a tight race between incumbent Sen. John Cornyn and Texas Attorney General Ken Paxton, each competing for the MAGA mantle.

Opposing PACs, meanwhile, are making a big show of pushing against pro-Israel money. In addition to American Priorities PAC, the Anti-Zionist America PAC, an upstart group whose founder tried to court white nationalist Nick Fuentes, is also backing a few candidates much more on the fringes of both parties.

Those include Texas Democratic hopeful Zeeshan Hafeez, who is running against incumbent Rep. Colin Allred in the state’s 33rd district and who has cross-endorsed with Haynes; and Republican Mark Newgent, who is challenging incumbent Rep. Keith Self in the state’s 3rd district.

The post Iran, Israel and Hitler’s gun are all on the ballot in key primaries in Texas and NC on Tuesday appeared first on The Forward.

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Death of Iranian leader just before Purim revives Book of Esther parallels

(JTA) — In Jewish time, history often has a way of rhyming with the calendar. So when Iran’s supreme leader Ali Khamenei was killed in an Israeli air strike on the Shabbat before Purim — the holiday that commemorates the downfall of Haman, a Persian tyrant who sought to annihilate the Jews — it was perhaps inevitable that rabbis, politicians and social media commentators would reach for the Book of Esther.

Some did so reverently, others triumphantly, and a few with a wink. But as Jews prepared to don costumes and drown out Haman’s name with noisemakers, the ancient story of survival in Persia collided with a very modern war in what is now known as Iran.

The Orthodox Union, the Modern Orthodox umbrella group, put out a statement titled “Purim in Our Time: Standing Up to Iranian Tyranny.” “We will read the Bible story of Esther and Mordecai overcoming the genocidal plans of Haman, who sought to destroy the Jewish people. Today, in coordination with Prime Minister Netanyahu and the IDF, President Trump and the U.S. armed forces took defensive action to silence a modern threat from the same ancestral land of Haman,” the statement read.

Such comparisons have proliferated since the killing of Khamenei.

In his first statement after the beginning of the war, Israeli Prime Minister Benjamin Netanyahu made the connection to Purim explicit.

“Twenty-five hundred years ago, in ancient Persia, a tyrant rose against us with the very same goal, to utterly destroy our people,” Netanyahu said. “Today as well, on Purim, the lot has fallen, and in the end this evil regime will fall too.”

Known as Persia until 1935, Iran has been belligerent toward Israel at least since the Islamic Revolution of 1978-79, which brought clerics like Khamenei, with their frequent chant of “Death to Israel,” to power.

The holiday takes its cue from the Book of Esther, which describes how the Jewish queen to the Persian king Ahasuerus engineers the downfall of Haman, an advisor to the king who was plotting the murder of the kingdom’s Jews. Although Jewish tradition treats the book as historical — and Ahasuerus is often associated with the historical ruler Xerxes I — biblical scholars and historians tend to regard the story as what scholar Adele Berlin, author of “The JPS Bible Commentary: Esther,”  called a “historical novella.”

Jews across the  religious spectrum noted the comparison, often to different ends. Agudath Israel of America, the haredi Orthodox umbrella group, talked about prayer and salvation in its statement about the war.

“The upcoming Jewish holiday of Purim celebrates the downfall of those who rose up against the Jewish People in ancient Persia nearly 2,400 years ago,” it read (the events described in Esther are thought to have taken place in the fifth or fourth century BCE). “We are reminded how the key to the miraculous salvation was the heartfelt prayers of men, women, and children. While prayer is always powerful, our sages have taught that it carries special power during the Purim holiday season. We call upon the Jewish community to unite in prayer and beseech the Almighty to protect all those on the front lines and in harm’s way in Israel and across the Middle East.”

Rabbi Nicole Guzik, senior rabbi at Sinai Temple, a Conservative congregation in Los Angeles, spoke about human agency in her hastily rewritten Saturday sermon.

“Right now we stand at a critical stage where the story shifts, where the final paragraph in the Megillah that we are reading right now, in real time, has yet to be written,” she said, using the Hebrew name for a scroll like the Book of Esther. “The U.S., Israel, our beloved nations are holding the pen, and they are declaring, with courage and conviction, that we will be the authors of our future in the same manner as Esther.”

Some of the comparisons have been offhanded, even flippant. The novelist Dara Horn, speaking Sunday night at a forum on combating antisemitism at the 92nd Street Y in Manhattan, said, “Tomorrow night is Purim, and I think it’s clear to all of us now that the best way to fight antisemitism is to take out Haman with an F-15.”

Comedian Yohay Sponder, an Israeli who often performs in North America, posted a video of a routine commenting on the death of Khamenei. Like the Purim hamantaschen cookies named after Haman, he predicted a time when Jews will eat a food named after the slain Iranian leader. He suggested khamin, the Shabbat stew also known as cholent.

Others have already adapted hamantaschen for the moment. Some have joked about baking “Khamentaschen,” combining the new nemesis’ name with the treat named for an ancient one. At least one bakery in Israel produced “Ayatollah-taschens” with a chocolate center resembling Khamenei’s trademark turban.

Evangelical Christians and Messianic Jews, for whom the Esther story has had increasing significance in recent years, also seized on the parallels. “It all made an amazing story back then, and we are praying for an equally miraculous outcome in our days that will lead to the salvation of many in Israel, Iran, and throughout the whole Middle East,” the One For Israel Ministry, a U.S.-based Messianic group, posted on Facebook..

Meanwhile, some suggested that the timing of the attacks appeared to be more than a coincidence. Digital creator Evan Pickus noted in a Facebook post that, according to the Book of Esther, Haman was hanged on the gallows just days before the calendar date that became Purim. “The evil Persian Prime Minister [sic], who issued a promise to kill all the Jews, destroyed on the same day as his ancestor,” wrote Pickus. “I honestly believe our leaders planned it this way, and I love that.”

Although no Israeli or U.S. official has said they planned the attack with Purim in mind, the idea became a talking point over the weekend, especially after CNN posted a report by Israel correspondent Tal Shalev saying the comparisons had been widely shared in Israel.

Shalev also wrote of the significance of the attacks on the Iranian leaders’ compound falling on Shabbat Zachor, the “Sabbath of Remembrance” that precedes Purim on the Hebrew calendar. The day takes its name from a special Torah reading (Deuteronomy 25:17-19) commanding Jews never to forget how Amalek — said to be the ancestral nation of Haman — attacked the vulnerable Israelites after they left Egypt. The Israelites are given a somewhat contradictory command: “Blot out the memory of Amalek from under heaven. Do not forget!”

A widely circulated image from Beit Shemesh, where an Iranian missile killed nine people in a bomb shelter that also functioned as a synagogue, showed a fragment of shrapnel puncturing a Torah right on the passage that had been read a day earlier.

The injunctions about “Amalek” are often applied, sometimes controversially, as an ongoing commandment for Jews to show no mercy toward those who might eradicate them. That, in turn, has led some Israeli politicians and Jewish observers to cite Amalek in justifying Israel’s war on Hamas and Iran, and others to criticize those same politicians as ruthless and even genocidal.

Shalev’s report inspired at least some commentators to criticize Israel, suggesting the attacks were inspired by religious or nationalist fanaticism.

Purim is itself a strange mixture of the deadly serious and the wildly playful: a story of a thwarted genocide celebrated with carnival antics, including costumes, a raucous reading of the Book of Esther interrupted by noisemakers, and even a tradition of getting drunk. For millennia, it was often a release for a beleaguered minority in strange and often hostile lands. But as Israel emerged as a military power, scrutiny from within and without the Jewish community has often focused on the real-life implications of the story’s purported lessons.

Yet despite the Israeli politicians who take the Bible as a guidebook for revenge or Jewish supremacy, there is a long tradition of commentary that sees books like Esther as intentionally nuanced, even ambiguous guides to ethical behavior, including the prosecution of just wars.

Chapter 9 in the Book of Esther details the reversal of fortune for the Jews on the 13th of the Hebrew month of Adar, when they were said to have killed 75,000 foes in the wake of Haman’s downfall. Many Jewish commentators have expressed discomfort about what can be read as a heartless response to Haman’s thwarted decree.

On Sunday, Rabbi Michelle Dardashti expanded on that theme in a letter sent to members of her Kane Street Synagogue in Brooklyn. She warned that the Purim story is not just a celebration of the Jews’ victory over a Persian despot, but a warning that “battles that begin in moral clarity do not necessarily remain that way.”

“Purim pushes us to contend with the gray — to recognize how quickly roles can flip; how, on a dime, individuals and nations can shift from victim to aggressor, from righteous to morally compromised, or into categories that resist easy labels altogether,” wrote Dardashti, whose father left Iran as a young man. “Anyone who tells you with certainty that this war with Iran will unquestionably be good for the Jews and good for the world, that it will surely end well or end quickly — I would be wary of heeding that voice.

“And anyone who speaks with absolute certainty about it being entirely disastrous, unquestionably wrong — I would be wary of heeding that voice as well.”

Rabbi Simon Jacobson, a popular lecturer from the Chabad-Lubavitch Hasidic movement, discussed the parallels between the war and Purim in an installment of his video series, “MyLife: Chassidus Applied.” “The goal, of course, is to eradicate the enemy in every possible way, exactly as it happened in Persia, 2400 years ago in the story of Purim,” he said of the war.

But Jacobson also drew on two common themes not only of the Purim holiday but of much of Jewish tradition: salvation from an enemy, and the ultimate redemption of the Jews and humankind. He characterized the war in metaphysical terms, regretting “any type of bloodshed” but aspiring to “what happens afterwards: a stage, an era, a permanent era of Messianic, … total, solemn, permanent and sustainable peace for all people of this earth.”

For some congregations, the confluence of the war and the Purim holiday posed a challenge in tone — with rabbis asking how their communities might celebrate with bombs falling across the Middle East and Israelis taking cover in bomb shelters.

At B’nai Jeshurun, an independent synagogue on Manhattan’s Upper West Side, the clergy offered a schedule of observance and celebration to match the ambivalent mood. On Monday, a traditional fast day in honor of Esther marking “moments of danger and uncertainty,” they urged congregants to turn “their hearts toward prayer and summoning strength before stepping into the unknown.”

At sundown, they wrote in a letter to congregants, when the fast “gives way to celebration, in a world shaken by violence and instability, we anchor ourselves in Purim’s four mitzvot”: hearing the Book of Esther, sharing gifts with friends, giving charity and sharing a meal with friends or family.

“We cannot resolve the uncertainty of this moment,” wrote the B’nai Jeshurun clergy. “But we can choose how we meet it — with prayer, with generosity, and with one another.”

Yoni Rosensweig, a rabbi in Beit Shemesh, wrote in a Facebook post that many of the comparisons between the Purim story and the war on Iran miss crucial distinctions.

“Yes, Haman wanted to destroy us, and so did Khamenei — but Khamenei was the ruler of Iran. Haman was not the ruler — he was nothing more than a schemer. This is not just a technical difference, it’s fundamental,” Rosensweig wrote in an email to JTA. “Esther and Mordechai are trying to survive, that is all, They are trying to maintain the status quo in someone else’s kingdom.”

While the events in Persia inspired a holiday, he argued, “there is nothing long-lasting about the Jewish future in Persia which comes from the story.” By contrast, the current war has the potential to profoundly shape the Jewish future, no less than the Exodus from Egypt celebrated at Passover.

“It is about creating something new (we hope) in the Middle East. It is part of a regional war against powers that want to obliterate us. We aren’t looking to maintain the status quo,” wrote Rosensweig. “We are standing up for our right to live free, as a sovereign nation. Much like the Jews who left Egypt weren’t looking to maintain the status quo but rather to embark on a new path and start a new journey, so too we are doing with this war.”

The post Death of Iranian leader just before Purim revives Book of Esther parallels appeared first on The Forward.

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US urges Americans to ‘DEPART NOW’ from Israel and a dozen other Middle Eastern countries

(JTA) — The U.S. State Department urged American citizens on Monday afternoon to urgently depart from over a dozen Middle Eastern countries amid the escalating conflict in Iran.

The list includes Israel, which halted all commercial air travel when U.S. and Israeli forces jointly attacked Iran on Saturday.

“The @SecRubio @StateDept urges Americans to DEPART NOW from the countries below using available commercial transportation, due to serious safety risks,” wrote Mora Namdar, the State Department’s assistant secretary for consular affairs, in a post on X.

In addition to Israel, the countries listed in the advisory were Bahrain, Egypt, Iran, Iraq, the West Bank and Gaza, Jordan, Kuwait, Lebanon, Oman, Qatar, Saudi Arabia, Syria, United Arab Emirates and Yemen. Several of the countries have been targets of Iranian fire as the regime there has sought to widen the conflict in the Middle East.

While Namdar’s advisory urged Americans to “depart via commercial means,” there is currently no commercial air travel in or out of Israel. Israeli airlines El Al, Air Haifa and Israir announced plans to launch rescue flights to bring stranded Israelis abroad back home once authorities reopen Ben Gurion Airport, but it is not clear when that could happen. Some Israelis are making their way to Taba, Egypt, for passage into and out of Israel, but flights there are limited. Taba is about a 20-minute drive from Eilat, in southern Israel.

President Donald Trump warned on Monday that the largest U.S. strikes on Iran are yet to come.

The post US urges Americans to ‘DEPART NOW’ from Israel and a dozen other Middle Eastern countries appeared first on The Forward.

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