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With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories
(JTA) — Years ago, the Israeli filmmaker Orit Fouks Rotem took a class led by director Eran Kolirin, best known as the maker of “The Band’s Visit.” This month, movies by both filmmakers are getting theatrical rollouts in the United States.
On a recent Zoom call, Palestinian author Sayed Kashua joked: “Was that his class — how to use a Palestinian story?”
Kashua was smiling on Zoom as he said it — he is, after all, known for his often fatalistic sense of humor, particularly when it comes to the Israeli-Palestinian conflict. And the author had given his blessing for Kolirin to make an adaptation of his novel “Let It Be Morning,” and said he loved the final result.
But like most jokes, this one had a kernel of truth: Israel’s two most recent Oscar submissions, hitting New York’s Quad Cinema within a week of each other, both — to varying degrees — tell Palestinian stories.
“Let It Be Morning” is a dark comedy about an Arab Israeli village that has suddenly and with no explanation been cordoned off from the rest of the country by the Israeli military. This event forces its Palestinian residents, including a protagonist trying to return to his comfortable middle-class life in Jerusalem, to reckon with how their dignity as citizens has been denied to them by the mechanisms of the Israeli occupation. At the Quad, the film is accompanied by a retrospective of Kolirin’s work, including “The Band’s Visit,” the basis for the Tony Award-winning musical; the retrospective is sponsored by the Israeli consulate in New York.
The all-female cast of “Cinema Sabaya,” a mix of Jewish and Arab actresses, in a film directed by Orit Fouks Rotem. (Courtesy of Kino Lorber)
The following week will see the opening of Rotem’s film, “Cinema Sabaya.” It follows a group of eight women, some Jewish and some Arab and Palestinian, who bond with each other while taking a filmmaking class in a community center in the Israeli city of Hadera. Cast member Dana Ivgy, who plays the class’s instructor, told the Jewish Telegraphic Agency that the filming experience “felt like how living in Israel should feel,” adding, “We have more women in the film than in the Israeli government.”
Stylistically, the two films couldn’t be more different. “Let It Be Morning” is a tightly plotted narrative with boldly realized characters; almost all of its dialogue is in Arabic. “Cinema Sabaya” is a loose, heavily improvisational piece that is almost entirely set in one room, and is mostly in Hebrew (although in one tense early scene, the characters debate whether to conduct their class in Hebrew or Arabic). One is a dry, Kafkaesque satire; the other is an intimate, naturalistic drama.
But together, the films provide a snapshot of the delicate dance Israeli filmmakers must perform in the current climate. On the one hand, these art-house directors are being feted on the international stage for their empathetic storytelling that incorporates or even centers entirely on Palestinian characters. But on the other, they’re being attacked by government officials for their perceived insufficient loyalty — and their films’ very status as “Israeli” is being questioned, too, sometimes by their own cast and crew.
“Everyone can call it what they want,” Rotem said of her film. “I’m an Israeli and it’s in Israel, but I have partners who call themselves Palestinians, and some of them call themselves Arabs, and each one defined herself. I think it’s really how it should be.”
“A film does not have an identity,” Kolirin insisted in an interview with JTA. “It is a citizen of the screen.”
Eran Kolirin accepted the award for Best Director for “Let It Be Morning” at the 2021 Ophir Awards in Tel Aviv on October 5, 2021. (Tomer Neuberg/ Flash90)
Kolirin isn’t a fan of the label “Israeli film” in this case, even though that is how “Let It Be Morning” was categorized at its 2021 Cannes Film Festival premiere; its own press notes also list Israel as the “country of production.” That Cannes screening took place shortly after Israel’s deadly conflict with Hamas that killed more than 250 Palestinians in the Gaza Strip and around a dozen Israelis. The events turned Cannes into a political firestorm when the film’s Palestinian cast refused to attend the premiere.
“We cannot ignore the contradiction of the film’s entry into Cannes under the label of an ‘Israeli film’ when Israel continues to carry its decades-long colonial campaign of ethnic cleansing, expulsion, and apartheid against us — the Palestinian people,” the cast’s statement read in part.
“Each time the film industry assumes that we and our work fall under the ethno-national label of ‘Israeli,’ it further perpetuates an unacceptable reality that imposes on us, Palestinian artists with Israeli citizenship,” the statement continues, calling on “international artistic and cultural institutions” to “amplify the voices of Palestinian artists and creatives.”
Kolirin himself supported the cast’s action. He knew they were grieving over the outbreak of violence in Gaza and didn’t want to put themselves in a situation where “some politician is going to wave a flag over their head or whatever.”
What’s more, he said, the status of “Let It Be Morning” as an “Israeli” film, despite the fact that around half the crew was Palestinian, was not his decision: “The film was not submitted to Cannes as an Israeli film,” he said. “You know, you fill in the form: ‘Which were the countries that gave money?’” In this case, the answer was Israel and France.
Most of the cast later did not attend the Ophir Awards ceremony, Israel’s equivalent to the Oscars voted on by its filmmaking academy, where “Morning” won the top prize (which automatically made it Israel’s Oscar submission for that year). In solidarity at the awards, Kolirin read aloud a statement from his lead actress, Juna Suleiman, decrying Israel’s “active efforts to erase Palestinian identity” and what she called “ethnic cleansing.”
Orit Fouks Rotem (Courtesy of Kino Lorber)
“Cinema Sabaya” hasn’t played host to as much offscreen controversy, but its vision of Israeli multiculturalism is still inherently political. Rotem’s mother is a local government adviser on women’s issues in Hadera, and the film was inspired by her experience participating in a photography class designed to unite Jewish and Arab women. Rotem herself later led filmmaking classes in a similar vein as research for “Sabaya.”
In the film, Ivgy’s character, who is modeled on Rotem, instructs her class to film their home lives, while secretly hoping to make a movie from their efforts. When her desire to do so is revealed, the women in the class feel betrayed: They thought they were just making films for themselves, not for their stories to be told by someone else.
Similarly, Rotem said that working with Arab and Palestinian actresses made her “aware to the fact that I can’t really tell their story.” Her solution was to allow the performers — some of whom are well-known activists who had to think twice about appearing in an Israeli movie — to voice their own opinions, and to establish the necessary trust to allow them to be unscripted on camera.
She theorizes that “Cinema Sabaya” has been so well received in Israel because “it doesn’t say ‘occupation, occupation, occupation.’ It says ‘humanity,’ so people are less afraid.” (She also noted that, in real life, the women who attended her filmmaking classes bristled at her initial suggestion to make a documentary about them, telling her to fictionalize their stories instead — which she did.)
Lately the Israeli government has a tendency to view its filmmaking class as agitators unworthy of national support, particularly when they make films criticizing the occupation. Former Culture Minister Miri Regev often disparaged films she thought were bad for Israel, including celebrated international hits such as “Foxtrot” and “Synonyms.” Her current successor, Miki Zohar, has already threatened the makers of a new documentary about the West Bank city of Hebron, saying the movie smears the military and that the directors might have to return government funds.
In recent years, Israel’s culture ministry has pushed two new controversial proposals: a grant program earmarked for those who make films in settlements, which are considered illegal under international law; and a form pledging not to make films “offensive” to Israel or the military that filmmakers would be required to sign in order to apply for certain grants, which many directors have likened to a loyalty oath. For years, some of the country’s largest grantmakers have required applicants to sign a form promising to represent their projects as Israeli on the national stage.
There has also been an effort among some members of Prime Minister Benjamin Netanyahu’s new right-wing government to end funding to public broadcaster Kan, which the country’s film industry views as another attack on its free expression.
“Kan has all this dialogue,” Ivgy said. “It has Jewish and religious and Arab and Palestinian, for kids and for grownups. And nothing is taboo there. I feel that it’s very dangerous to close that option down.”
Many Israeli filmmakers are fighting back. Hundreds, including Kolirin and Rotem, have refused to sign the ministry’s pledge, and many have also protested the settlement grant program. Nadav Lapid, one of the country’s most celebrated and outspoken directors, harshly critiqued government restrictions placed on his own work in the 2021 drama “Ahed’s Knee,” which went on to win a special prize at Cannes.
Kolirin said he had recently been on a call with several Israeli filmmakers looking to further organize against artistic restrictions, and that it had given him hope. “I had this feeling of some optimism, which I didn’t have for a long time,” he said. But he didn’t mince words when discussing Israel’s new governing coalition, which he likened to “a circus of mad dogs unleashed.”
Rotem said that the current government is “very, very bad and scary,” but that it has only strengthened her resolve to make political films.
“For me, it’s also political to show women in Israel in a deep way: I mean Arabs and Jews,” she said. “Because I don’t think there are enough films that are doing that.”
For Kashua, a veteran TV writer and opinion columnist, the question of identity in Israeli and Palestinian filmmaking is even more pronounced. After a long career of trying to write about the Palestinian experience in Hebrew as a way of reaching Israelis, he left Israel for the United States in 2014, becoming discouraged by an incident in which Jewish extremists burned a Palestinian teenager alive as revenge after Palestinian terrorists kidnapped Israeli soldiers. Now based in St. Louis, he has worked as a writer and story editor on Israeli series that center on both Palestinian and Jewish stories — including the global hit “Shtisel,” which focuses on haredi Orthodox Jews, and its upcoming spinoff, along with “Madrasa,” a young-adult series about a bilingual Hebrew-Arabic school.
Israeli filmmakers choosing to center Palestinian stories can be its own radical political act, Kashua believes. He noted that the dialogue in “Morning” is almost entirely in Arabic, a language that Israel demoted from national language status in 2018 — doubly ironic as he had deliberately chosen to write his original novel in Hebrew.
“The idea that this film is ‘Israeli’ — it really contradicts the idea of Israel being a purely Jewish state,” Kashua said. He added that, while he had initially hoped a Palestinian director might have adapted his novel, he was ultimately happy with Kolirin’s approach.
“I truly love the movie, and it’s barely Orientalist,” he joked, echoing Palestinian-American intellectual Edward Said’s famous book about how a Western lens on Eastern cultures can be reductive and harmful. “Which is a big achievement for an Israeli filmmaker.”
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The post With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories appeared first on Jewish Telegraphic Agency.
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Israel Announces Departure From Several UN Agencies It Accuses of Bias Against Jewish State
United Nations Secretary-General Antonio Guterres speaks at the UN headquarters in New York City, US, before a meeting about the conflict in Gaza, Nov. 6, 2023. Photo: REUTERS/Caitlin Ochs
Israel will immediately sever ties with several United Nations agencies and international organizations, the Foreign Ministry announced on Tuesday, accusing the bodies of exhibiting systemic bias against the Jewish state within the UN system.
In a statement posted on social media, the foreign ministry said that the decision was made following an internal examination after the United States last week withdrew from dozens of international bodies which, according to the White House, “no longer serve American interests.”
The move was approved by Israeli Foreign Minister Gideon Sa’ar, who instructed officials to conduct a broader review to determine whether Israel should continue cooperating with additional international organizations, potentially leading to further shakeups.
The seven organizations that Israel will remove itself from right away are: the Office of the Special Representative of the Secretary-General for Children in Armed Conflict, UN Entity for Gender Equality and the Empowerment of Women (UNWOMEN), UN Conference for Trade and Development, (UNCTAD), UN Economic and Social Commission for Western Asia (ESCWA), UN Alliance of Civilizations, UN Energy, and Global Forum on Migration and Development.
The foreign ministry argued that each body targeted Israel unfairly.
After an examination and discussion conducted following the US withdrawal from dozens of international organizations, Israel’s Minister of Foreign Affairs @gidonsaar has decided that Israel will immediately sever all contact with the following UN agencies and international…
— Israel Foreign Ministry (@IsraelMFA) January 13, 2026
Israeli officials said the decision to sever ties with these specific organizations was the result of a broader conclusion that parts of the UN system have been politicized and openly hostile to Israel. According to the foreign ministry, several of the bodies either singled out Israel for disproportionate condemnation, ignored or minimized Israeli civilian suffering, produced one-sided and ideologically driven reports, or provided platforms for critics while excluding Israeli participation altogether.
Other organizations were accused of undermining core principles of state sovereignty or exemplifying an unaccountable and inefficient UN bureaucracy. Collectively, the ministry argued, this repeated behavior led Israel with little justification for continued engagement and necessitated a reassessment of participation in forums it believes no longer operate in good faith.
Israeli officials framed the move as both corrective and overdue, arguing that a number of UN-affiliated bodies have abandoned neutrality and instead become platforms for political attacks against the Jewish state.
Several of the organizations cited in the US withdrawal announcement had already been cut off by Israel in recent years.
Israel ended cooperation with UN Women in July 2024, after the agency declined to address or investigate sexual violence committed against Israeli women during Hamas’s Oct. 7, 2023, invasion of and massacre across southern Israel. The foreign ministry said the organization’s silence on the issue was unacceptable, adding that the former local head of UN Women concluded her tenure at Israel’s request.
Officials signaled that additional organizations could face similar decisions as Israel reevaluates the costs of participation in international forums it believes have become politicized.
The move comes on the heels of the US removing itself from 66 international organizations which, the Trump administration argued, behave “contrary to US national interests, security, economic prosperity, or sovereignty” and promote “ideological programs that conflict with US sovereignty and economic strength.”
“These withdrawals will end American taxpayer funding and involvement in entities that advance globalist agendas over US priorities, or that address important issues inefficiently or ineffectively such that US taxpayer dollars are best allocated in other ways to support the relevant missions,” the White House said in a Jan. 7 statement.
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Anti-Israel Activists Drop Lawsuit to Cancel Antisemitism Prevention Course at Northwestern University
People walk on the campus of Northwestern University, a day after a US official said $790 million in federal funding has been frozen for the university while it investigates the school over civil rights violations, in Evanston, Illinois, US, April 9, 2025. Photo: REUTERS/Vincent Alban
A civil lawsuit which aimed to cancel Northwestern University’s antisemitism prevention course on the apparent grounds that conduct widely acknowledged as antisemitic is integral to Palestinian culture has been voluntarily withdrawn by both parties.
“The plaintiffs and defendants, by and through their respective undersigned counsel, hereby submit the following joint stipulation of voluntary dismissal purgation to federal rule of civil procedure … and hereby stipulate to the dismissal of this action in its entirety, without prejudice,” says a court document filed on Dec. 22. “Each party shall bear its own attorneys’ fees and costs.”
As previously reported by The Algemeiner, the Council on American-Islamic Relations (CAIR) — an organization that has been scrutinized by US authorities over alleged ties to the Palestinian terrorist group Hamas — demanded a temporary restraining order to halt the program, which the university mandated as a prerequisite for fall registration, and the rescission of disciplinary measures imposed on nine students who refused to complete it. Filing on behalf of the Northwestern Graduate Workers for Palestine (GW4P) group CAIR charged that the required training violates Title VI of the US Civil Rights Act of 1964 and serves as a “pretense” for censoring “expressions of Palestinian identity, culture, and advocacy for self-determination.”
CAIR particularly took issue with Northwestern’s adoption of the International Holocaust Remembrance Alliance’s (IHRA) definition of antisemitism and its application to the training course, which, at its conclusion, calls on students to pledge not to be antisemitic.
Used by governments and other entities across the world, the IHRA definition describes antisemitism as a “certain perception of Jews, which may be expressed as hatred toward Jews. Rhetorical and physical manifestations of antisemitism are directed toward Jewish or non-Jewish individuals and/or their property, toward Jewish community institutions and religious facilities.” It provides 11 specific, contemporary examples of antisemitism in public life, the media, schools, the workplace, and in the religious sphere.
Beyond classic antisemitic behavior associated with the likes of the medieval period and Nazi Germany, the examples include denial of the Holocaust and newer forms of antisemitism targeting Israel such as demonizing the Jewish state, denying its right to exist, and holding it to standards not expected of any other democratic state.
The mutual dismissal did not cite a reason for the claim’s withdrawal, but it was Northwestern’s robust policy agenda for combating antisemitism which precipitated CAIR’s scrutiny.
The university adopted the IHRA definition of antisemitism in 2025 and began holding the “mandatory antisemitism training” sessions CAIR challenged in its lawsuit.
“This included a live training for all new students in September and a 17-minute training module for all enrolled students, produced in collaboration with the Jewish United Fund,” Northwestern said in a report which updated the public on its antisemitism prevention efforts. “Antisemitism trainings will continue as a permanent part of our broader training in civil rights and Title IX.”
Other initiatives rolled out by the university include an Advisory Council to the President on Jewish Life, dinners for Jewish students hosted by administrative officials, and educational events which raise awareness of rising antisemitism in the US and around the world.
On Tuesday, the Coalition Against Antisemitism at Northwestern (CAAN) told The Algemeiner that the lawsuit lacked a “strong legal foundation” and was “an inefficient use of judicial resources.”
It added, “Universities have broad discretion to require training programs designed to address antisemitism and other issues central to campus safety and wellbeing. While the case was withdrawn prior to a ruling on the merits, we believe the university’s authority in this area is well-established.”
In late November, Northwestern University agreed to pay $75 million and abolish a controversial compact, known as the “Deering Meadow Agreement,” it reached with a pro-Hamas student group in exchange for the US federal government’s releasing $790 million in grants it impounded in April over accusations that it was slow to address antisemitism and other policies which allowed reverse discrimination.
Part of the “Deering Meadow Agreement” which ended an anti-Israel encampment, called for establishing a scholarship for Palestinian undergraduates, contacting potential employers of students who caused recent campus disruptions to insist on their being hired, creating a segregated dormitory hall to be occupied exclusively by students of Middle Eastern and North African (MENA) and Muslim descent, and forming a new advisory committee in which anti-Zionists students and faculty may wield an outsized voice.
The agreement outraged Jewish civil rights groups and lawmakers and ultimately led to the resignation of former Northwestern University president Michael Schill, who authorized the concessions.
“As part of this agreement with the federal government, the university has terminated the Deering Meadow Agreement and will reverse all policies that have been implemented or are being implemented in adherence to it,” the university said in a statement, noting that it also halted plans for the segregated dormitory. “The university remains committed to fostering inclusive spaces and will continue to support student belonging and engagement through existing campus facilities and organizations, while partnering with alumni to explore off-campus, privately owned locations that could further support community connection and programming.”
Follow Dion J. Pierre @DionJPierre.
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For 250 years, American Jews have answered prejudice with defiance
(JTA) — In December 1778, as the American Revolution still raged, a Jewish writer in Charlestown opened a newspaper and saw Jews made into wartime scapegoats. An article in the local press claimed that Jews in Georgia had taken “every advantage in trade,” then fled with “ill-got wealth” as soon as the state was “attacked by an enemy,” “turning their backs upon the country when in danger.”
The writer did not let this accusation go unanswered. He responded in print. And he signed his reply with a line that declared both his patriotism and his devotion to Judaism: “A real AMERICAN, and True hearted ISRAELITE.”
That combination — civic belonging and Jewish identity claimed in the same breath — feels newly resonant as the United States enters its 250th anniversary year. The American story has never been free of antisemitism. But this early source reveals something else that is often overlooked: From the country’s earliest years, Jews in the United States could answer public insinuations in newspapers, using the civic vocabulary of their time, as participants in the public square.
The 1778 letter is striking not only for its tone but for its immediacy. The author refutes the rumor with a blunt factual claim: “there is not, at this present hour, a single Georgia Israelite in Charlestown.” The people the earlier writer thought he had identified “upon inspection of their faces,” he suggests, were women “with their dear babes,” fleeing danger as countless families did in wartime.
Then he turns the accusation on its head. Far from abandoning Georgia, he writes, Jewish merchants from the state had been in Charlestown on “Sunday the 22d” [sic] of the previous month and when they learned of an enemy landing, “they instantly left this… and proceeded post haste to Georgia, leaving all their concerns unsettled.” They are now, he insists, “with their brother citizens in the field, doing that which every honest American should do.”
The accusation did not end with the Revolution. In the next century, amid another national crisis, it returned in a different form — and again drew a public reply.
A second text, published 85 years later during the Civil War, records antisemitism appearing again. On May 22, 1863, the Natchez Daily Courier published an extract from a sermon preached at the German Hebrew Synagogue in Richmond on a fast day “recommended by the President.” The rabbi, M. J. Michelbacher, addressed what he called the “cry” heard in public life: “that the Israelite does not fight in the battles of his country.”
The sermon does what the Charlestown letter did. It names the accusation plainly, then insists that it is false. “All history attests the untruthfulness of this ungracious charge,” the rabbi declares. He speaks of Jewish soldiers who have been “crippled for life, or slain upon the field of battle,” and of “several thousand” still in the war’s campaigns.
Then he turns to another longstanding claim — one that recalled the 1778 rumor about “ill-got wealth.” “There is another cry heard,” he says, “and it was even repeated in the Hall of Congress, that the Israelite is oppressing the people — that he is engaged in the great sin of speculating and extorting in the bread and meat of the land.”
The rabbi reports having made “due inquiry” from the Potomac to the Rio Grande and concludes: “the Israelites are not speculators nor extortioners.” He argues that Jewish merchants do not hoard a staple “to enhance its value,” and he appeals to the plain logic of commerce: “It is obvious to the most obtuse mind that the high prices of the Israelite would drive all his customers into the stores of his Christian neighbors.”
Taken together, the 1778 letter and the 1863 sermon extract show two strands present early in the American record: antisemitism, and the ability to answer it in print. That right did not erase prejudice or guarantee safety. But it did give American Jews an early civic tool of belonging —something many European Jews could not take for granted.
The same paper record that preserves these rebuttals also holds another inheritance: early scenes of Jewish belonging, especially at synagogue dedications and cornerstone layings, when non-Jewish neighbors and civic leaders chose to show up.
In Charleston, one of the nation’s earliest centers of Jewish life, Temple Beth Elohim rebuilt after a devastating fire in 1838. When the new synagogue was dedicated in March 1841, notices extended an invitation beyond the Jewish community. “Clergy of all denominations,” “His Excellency the Governor,” judges, other elected officials, the Mayor and Aldermen of Charleston, and “the public generally” were all “respectfully invited to attend.”
The notice shows the dedication as a civic occasion, not a private rite.
A similar pattern appears in Mobile. In 1858, after a fire left the Jewish community without its synagogue, a report in The Israelite spoke with gratitude of “Christian brethren” who “had generously and liberally contributed towards erecting a most beautiful and substantial edifice.” The same theme surfaces again and again in early reports of synagogue building across the United States.
That is why these sources matter in a 250th anniversary year: The paper record preserves both early prejudice and early practices of public belonging, and provides a template for what Jews can anticipate in the face of attacks, like last week’s arson at a synagogue in Jackson, Mississippi.
That double inheritance still shapes American Jewish life: welcome and violence, belonging and suspicion. The balance is never guaranteed. Pluralism has to be chosen again and again.
In the 1778 letter, the writer does not ask for pity. He asks for fair judgment. “Let judgment take place,” the earlier author had written, after describing Jews fleeing Georgia. The rebuttal responds with evidence and with a claim about the obligations of citizenship: Georgia’s Jewish merchants, he insists, are “with their brother citizens in the field.”
In 1863, M.J. Michelbacher did not pretend that the accusations were harmless. He calls them “ungracious” and rooted in prejudice.
As the United States marks 250 years, there will be no shortage of speeches about what it means to be an American. Newspaper archives offer one reminder: pluralism has always depended on choices made in public life — by editors who amplify slander or correct it, by neighbors who show up to moments of celebration across lines of faith, and by those who helped build places of worship not their own.
Belonging has never been guaranteed; it has been defended. The Charlestown “true hearted Israelite” offers an enduring lesson for the 250th: when prejudice is spoken, and you have the power to answer, you answer
The views and opinions expressed in this article are those of the author and do not necessarily reflect the views of JTA or its parent company, 70 Faces Media.
The post For 250 years, American Jews have answered prejudice with defiance appeared first on The Forward.
