Uncategorized
With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories
(JTA) — Years ago, the Israeli filmmaker Orit Fouks Rotem took a class led by director Eran Kolirin, best known as the maker of “The Band’s Visit.” This month, movies by both filmmakers are getting theatrical rollouts in the United States.
On a recent Zoom call, Palestinian author Sayed Kashua joked: “Was that his class — how to use a Palestinian story?”
Kashua was smiling on Zoom as he said it — he is, after all, known for his often fatalistic sense of humor, particularly when it comes to the Israeli-Palestinian conflict. And the author had given his blessing for Kolirin to make an adaptation of his novel “Let It Be Morning,” and said he loved the final result.
But like most jokes, this one had a kernel of truth: Israel’s two most recent Oscar submissions, hitting New York’s Quad Cinema within a week of each other, both — to varying degrees — tell Palestinian stories.
“Let It Be Morning” is a dark comedy about an Arab Israeli village that has suddenly and with no explanation been cordoned off from the rest of the country by the Israeli military. This event forces its Palestinian residents, including a protagonist trying to return to his comfortable middle-class life in Jerusalem, to reckon with how their dignity as citizens has been denied to them by the mechanisms of the Israeli occupation. At the Quad, the film is accompanied by a retrospective of Kolirin’s work, including “The Band’s Visit,” the basis for the Tony Award-winning musical; the retrospective is sponsored by the Israeli consulate in New York.
The all-female cast of “Cinema Sabaya,” a mix of Jewish and Arab actresses, in a film directed by Orit Fouks Rotem. (Courtesy of Kino Lorber)
The following week will see the opening of Rotem’s film, “Cinema Sabaya.” It follows a group of eight women, some Jewish and some Arab and Palestinian, who bond with each other while taking a filmmaking class in a community center in the Israeli city of Hadera. Cast member Dana Ivgy, who plays the class’s instructor, told the Jewish Telegraphic Agency that the filming experience “felt like how living in Israel should feel,” adding, “We have more women in the film than in the Israeli government.”
Stylistically, the two films couldn’t be more different. “Let It Be Morning” is a tightly plotted narrative with boldly realized characters; almost all of its dialogue is in Arabic. “Cinema Sabaya” is a loose, heavily improvisational piece that is almost entirely set in one room, and is mostly in Hebrew (although in one tense early scene, the characters debate whether to conduct their class in Hebrew or Arabic). One is a dry, Kafkaesque satire; the other is an intimate, naturalistic drama.
But together, the films provide a snapshot of the delicate dance Israeli filmmakers must perform in the current climate. On the one hand, these art-house directors are being feted on the international stage for their empathetic storytelling that incorporates or even centers entirely on Palestinian characters. But on the other, they’re being attacked by government officials for their perceived insufficient loyalty — and their films’ very status as “Israeli” is being questioned, too, sometimes by their own cast and crew.
“Everyone can call it what they want,” Rotem said of her film. “I’m an Israeli and it’s in Israel, but I have partners who call themselves Palestinians, and some of them call themselves Arabs, and each one defined herself. I think it’s really how it should be.”
“A film does not have an identity,” Kolirin insisted in an interview with JTA. “It is a citizen of the screen.”
Eran Kolirin accepted the award for Best Director for “Let It Be Morning” at the 2021 Ophir Awards in Tel Aviv on October 5, 2021. (Tomer Neuberg/ Flash90)
Kolirin isn’t a fan of the label “Israeli film” in this case, even though that is how “Let It Be Morning” was categorized at its 2021 Cannes Film Festival premiere; its own press notes also list Israel as the “country of production.” That Cannes screening took place shortly after Israel’s deadly conflict with Hamas that killed more than 250 Palestinians in the Gaza Strip and around a dozen Israelis. The events turned Cannes into a political firestorm when the film’s Palestinian cast refused to attend the premiere.
“We cannot ignore the contradiction of the film’s entry into Cannes under the label of an ‘Israeli film’ when Israel continues to carry its decades-long colonial campaign of ethnic cleansing, expulsion, and apartheid against us — the Palestinian people,” the cast’s statement read in part.
“Each time the film industry assumes that we and our work fall under the ethno-national label of ‘Israeli,’ it further perpetuates an unacceptable reality that imposes on us, Palestinian artists with Israeli citizenship,” the statement continues, calling on “international artistic and cultural institutions” to “amplify the voices of Palestinian artists and creatives.”
Kolirin himself supported the cast’s action. He knew they were grieving over the outbreak of violence in Gaza and didn’t want to put themselves in a situation where “some politician is going to wave a flag over their head or whatever.”
What’s more, he said, the status of “Let It Be Morning” as an “Israeli” film, despite the fact that around half the crew was Palestinian, was not his decision: “The film was not submitted to Cannes as an Israeli film,” he said. “You know, you fill in the form: ‘Which were the countries that gave money?’” In this case, the answer was Israel and France.
Most of the cast later did not attend the Ophir Awards ceremony, Israel’s equivalent to the Oscars voted on by its filmmaking academy, where “Morning” won the top prize (which automatically made it Israel’s Oscar submission for that year). In solidarity at the awards, Kolirin read aloud a statement from his lead actress, Juna Suleiman, decrying Israel’s “active efforts to erase Palestinian identity” and what she called “ethnic cleansing.”
Orit Fouks Rotem (Courtesy of Kino Lorber)
“Cinema Sabaya” hasn’t played host to as much offscreen controversy, but its vision of Israeli multiculturalism is still inherently political. Rotem’s mother is a local government adviser on women’s issues in Hadera, and the film was inspired by her experience participating in a photography class designed to unite Jewish and Arab women. Rotem herself later led filmmaking classes in a similar vein as research for “Sabaya.”
In the film, Ivgy’s character, who is modeled on Rotem, instructs her class to film their home lives, while secretly hoping to make a movie from their efforts. When her desire to do so is revealed, the women in the class feel betrayed: They thought they were just making films for themselves, not for their stories to be told by someone else.
Similarly, Rotem said that working with Arab and Palestinian actresses made her “aware to the fact that I can’t really tell their story.” Her solution was to allow the performers — some of whom are well-known activists who had to think twice about appearing in an Israeli movie — to voice their own opinions, and to establish the necessary trust to allow them to be unscripted on camera.
She theorizes that “Cinema Sabaya” has been so well received in Israel because “it doesn’t say ‘occupation, occupation, occupation.’ It says ‘humanity,’ so people are less afraid.” (She also noted that, in real life, the women who attended her filmmaking classes bristled at her initial suggestion to make a documentary about them, telling her to fictionalize their stories instead — which she did.)
Lately the Israeli government has a tendency to view its filmmaking class as agitators unworthy of national support, particularly when they make films criticizing the occupation. Former Culture Minister Miri Regev often disparaged films she thought were bad for Israel, including celebrated international hits such as “Foxtrot” and “Synonyms.” Her current successor, Miki Zohar, has already threatened the makers of a new documentary about the West Bank city of Hebron, saying the movie smears the military and that the directors might have to return government funds.
In recent years, Israel’s culture ministry has pushed two new controversial proposals: a grant program earmarked for those who make films in settlements, which are considered illegal under international law; and a form pledging not to make films “offensive” to Israel or the military that filmmakers would be required to sign in order to apply for certain grants, which many directors have likened to a loyalty oath. For years, some of the country’s largest grantmakers have required applicants to sign a form promising to represent their projects as Israeli on the national stage.
There has also been an effort among some members of Prime Minister Benjamin Netanyahu’s new right-wing government to end funding to public broadcaster Kan, which the country’s film industry views as another attack on its free expression.
“Kan has all this dialogue,” Ivgy said. “It has Jewish and religious and Arab and Palestinian, for kids and for grownups. And nothing is taboo there. I feel that it’s very dangerous to close that option down.”
Many Israeli filmmakers are fighting back. Hundreds, including Kolirin and Rotem, have refused to sign the ministry’s pledge, and many have also protested the settlement grant program. Nadav Lapid, one of the country’s most celebrated and outspoken directors, harshly critiqued government restrictions placed on his own work in the 2021 drama “Ahed’s Knee,” which went on to win a special prize at Cannes.
Kolirin said he had recently been on a call with several Israeli filmmakers looking to further organize against artistic restrictions, and that it had given him hope. “I had this feeling of some optimism, which I didn’t have for a long time,” he said. But he didn’t mince words when discussing Israel’s new governing coalition, which he likened to “a circus of mad dogs unleashed.”
Rotem said that the current government is “very, very bad and scary,” but that it has only strengthened her resolve to make political films.
“For me, it’s also political to show women in Israel in a deep way: I mean Arabs and Jews,” she said. “Because I don’t think there are enough films that are doing that.”
For Kashua, a veteran TV writer and opinion columnist, the question of identity in Israeli and Palestinian filmmaking is even more pronounced. After a long career of trying to write about the Palestinian experience in Hebrew as a way of reaching Israelis, he left Israel for the United States in 2014, becoming discouraged by an incident in which Jewish extremists burned a Palestinian teenager alive as revenge after Palestinian terrorists kidnapped Israeli soldiers. Now based in St. Louis, he has worked as a writer and story editor on Israeli series that center on both Palestinian and Jewish stories — including the global hit “Shtisel,” which focuses on haredi Orthodox Jews, and its upcoming spinoff, along with “Madrasa,” a young-adult series about a bilingual Hebrew-Arabic school.
Israeli filmmakers choosing to center Palestinian stories can be its own radical political act, Kashua believes. He noted that the dialogue in “Morning” is almost entirely in Arabic, a language that Israel demoted from national language status in 2018 — doubly ironic as he had deliberately chosen to write his original novel in Hebrew.
“The idea that this film is ‘Israeli’ — it really contradicts the idea of Israel being a purely Jewish state,” Kashua said. He added that, while he had initially hoped a Palestinian director might have adapted his novel, he was ultimately happy with Kolirin’s approach.
“I truly love the movie, and it’s barely Orientalist,” he joked, echoing Palestinian-American intellectual Edward Said’s famous book about how a Western lens on Eastern cultures can be reductive and harmful. “Which is a big achievement for an Israeli filmmaker.”
—
The post With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories appeared first on Jewish Telegraphic Agency.
Uncategorized
This Georgia Democrat stood by Israel and criticized her party. She is expected to win another term.
Esther Panitch spent Tuesday evening the way she spends every election night since holding office: on her couch at home in an Atlanta suburb, watching The Campaign, the 2012 comedy in which Will Ferrell and Zach Galifianakis play rival candidates for Congress who will stoop to anything to win.
It looks likely that the Georgia Democrat will have a third term in the state Georgia House of Representatives, where Panitch has been the only Jewish member since 2023. With 72% of precincts reporting, she is leading 67%-33% over her Republican challenger, Keith Gettmann. She may be joined in the state legislature by some additional Jewish members after Tuesday night’s vote.
Panitch is a pro-Israel Democrat in a party where support for Israel is increasingly contested. She has built her time in office on issues around antisemitism and Holocaust education, and she has criticized her own senator, Jon Ossoff, in public over Israel. Ossoff endorsed her this fall anyway.
Panitch has been warning for years that her party is drifting away from Israel, and she said she’s grateful Georgia’s Democratic leaders haven’t gone along. This summer she felt the pull at home. A local Democratic youth group told her to “mind her own business” after she asked a county party to move a fundraiser from Rosh Hashanah to another date. The Jewish Council of the Democratic Party of Georgia, where she’s first vice chair, condemned the group, and Panitch says the state and county parties did too.
She also survived a primary challenge from her left this spring. Aaron Baker, a fellow Jewish Democrat and member of the Democratic Socialists of America, called her a “DINO,” or Democrat in name only. Panitch won by a 13% margin.
Her complaint about Ossoff goes back to 2024, when he voted for resolutions to block some U.S. weapons shipments to Israel, and Panitch criticized him publicly at the time. But she still voted for him in the midterms. “I’m not going to bite my nose to spite my face,” she said.
Ossoff’s Republican opponent, Rep. Mike Collins, is a “non-starter,” she said. Collins has faced scrutiny over a son-in-law who posted antisemitic videos and a former staffer who posted Nazi imagery. He has said he doesn’t share those views. Ossoff was reelected Tuesday.
Laws she’s passed
Much of Panitch’s record in office has been a response to Hamas’ attack on Israel on Oct. 7, 2023. Georgia already had a hate crime law, she said, but it didn’t define antisemitism. She co-sponsored the bill that did — adopting a widely used, though controversial, definition — which the governor signed into law. She had been arguing for it before Oct. 7, but her colleagues, she said, “really couldn’t understand that until they saw it on Oct. 8.”
This past session, she co-sponsored a first-in-the-nation measure requiring public schools to disclose foreign funding, which she said grew out of research showing Qatar had funded Fulton County Public Schools and Georgia State University. She also backed a requirement that the state monitor complaints of antisemitism and other discrimination, from public schools through colleges. Previously, she said, parents had complained about incidents, but whether anything happened depended on the principal. A separate bill she led, creating one-stop family justice centers for victims of domestic violence and trafficking, passed unanimously and was signed into law.
The monitoring requirement puts her in the middle of the debate over where criticism of Israel ends and antisemitism begins. Asked whether she considers anti-Zionism antisemitism, Panitch said, “Not all of it. But there’s enough crossover that any of it should be examined.” Her line is a legal one. “They can hate Israel and Jews all they want,” she said. The issue is “if they commit a crime because of it.”
A tree for every critic
She’s also been targeted. On the morning the antisemitism bill was signed into law in January 2024, she discovered a threatening postcard in her mailbox containing antisemitic slurs, including a reference to “gassing the Jews.” A local rabbi who had backed the bill received a similar postcard. The man who sent the cards, Ariel Collazo Ramos, was convicted last fall and sentenced in February to five years in prison, the maximum. Panitch testified at his trial and sentencing.
“Jews have a right to participate in civic life in the United States, just as any other American,” she said, “and I’m not going to allow anybody to stop that.”
She has a lighter response to online critics. In 2024, she was at the University of Georgia for Israel Week, walking a student in a yarmulke to another building so he wouldn’t be alone, when protesters followed and chanted at her. “Esther, Esther, you can’t hide,” she recalled. “We charge you with genocide.”
Her response: Donate a Jewish National Fund tree in Israel in the name of the university’s chapter of Students for Justice in Palestine, and post the receipt online. She has since sent trees in the names of individual trolls and other pro-Palestinian activists. “Okay, you get a tree! You get a tree!” she recalled in her best Oprah Winfrey impersonation. The harassment, she said, “really stopped bothering me after that.”
Her Jewish roots
Panitch grew up in a Jewish household in Miami, where she went to a JCC day camp and later spent a couple of summers at Camp Ramah in Massachusetts. She’s a lifelong member of Hadassah, the third generation of her family in the organization. Her daughter is the fourth. She met her husband on a 1997 trip to Israel organized by the Jewish Federation of Miami, and they married the next year. Their three children went through Camp Judaea in North Carolina.
This summer she toured Auschwitz-Birkenau, Majdanek and Treblinka with a group of teachers on a trip to concentration camps in Poland. They also visited Kielce, a city where survivors who had returned after the war were attacked by a mob in 1946 after a rumor that a Christian boy had been kidnapped. Dozens of Jews were killed.
What stunned her was how deep the roots went. “Jews had been there for 1,000 years before the war,” she said, “and were turned on in the blink of an eye. They were always othered, so I’m not going to allow that to happen in my country.”
She wants to bring that message home. Panitch is a legislative liaison for the Georgia Commission on the Holocaust and plans to push mandatory Holocaust education in her next term, especially given foreign money she believes has been used to create anti-Israel sentiment.
“I want to be able to show students what happens when mobs go after Jews, which is what is starting to happen now,” she said. “Everybody needs to know their history, Jews and non-Jews, and the ugly parts too, because we have to figure out how not to repeat them.”
Criticize Israel as much as you want, she said, but when it’s singled out for criticism “that they wouldn’t hold any other place to,” it can cross into antisemitism. “The result of antisemitism, unchecked, turns into atrocities.”
The post This Georgia Democrat stood by Israel and criticized her party. She is expected to win another term. appeared first on The Forward.
Uncategorized
Republican Israel supporter Ashley Moody projected to beat DSA candidate Angie Nixon
(JTA) — Republican Sen. Ashley Moody, a supporter of Israel, is projected to beat Angie Nixon, a Democratic Socialist of America member, in a special election on Tuesday that could help determine which party controls the U.S. Senate.
With 96% of the vote counted, Moody won by a 2.7 percentage points. according to Associated Press.
The incumbent, Moody, was formerly the state attorney general, and was appointed to the Senate by Gov. Ron DeSantis in January 2025 after Marco Rubio vacated the seat to become secretary of state.
She was endorsed by the pro-Israel lobbying group AIPAC and President Donald Trump. She is a staunch supporter of Israel who has said she wants the U.S. to be “the most pro-Israel country in the world.” She also said that she “worked to make Florida the most pro-Israel state in the nation” as attorney general.
She has been critical of pro-Palestinian campus protests, and introduced a bill last year that would “claw back federal funds” when universities “violate students’ civil rights.” Too many “woke schools prioritize support for Hamas over their duty to protect the civil rights of ALL students,” she added.
Moody supported Trump and Rubio’s move to deport green card holders for their activism last year. “It is time for Hamas agitators to go,” she wrote.
Nixon is a progressive state legislator, with a campaign focused on universal healthcare and free childcare. She became a DSA member this year, but was not endorsed by the left-wing political organization. She did draw endorsements from a number of major progressive figures and campaigned alongside Vermont independent Bernie Sanders and former President Barack Obama.
She accuses Israel of committing a genocide in Gaza and opposes sending military aid or American weapons to Israel “at this moment.” In November 2023, she introduced a statewide bill advocating for “de-escalation and cease-fire in the state of Israel and occupied Palestine,” which was defeated 104-2 in the Florida House. She has condemned Hamas and the “violent terrorist attacks” that it committed in Israel on Oct. 7, 2023.
Nixon’s Israel stance raised questions over whether it would affect her performance among the state’s substantial Jewish minority. Some Jewish Democrats and independents in the state said they were hung up on her Israel views, while others said they are counting on the Democrats flipping the Senate and that Nixon has toned down her harsher talk about Israel.
The post Republican Israel supporter Ashley Moody projected to beat DSA candidate Angie Nixon appeared first on The Forward.
Uncategorized
What would a Democratic majority mean for Chuck Schumer?
Chuck Schumer has long described himself as a Shomer Yisrael, a guardian of Israel. If Democrats regain control of the Senate in the midterm elections, their leader may find himself playing a different role: guardian of a Democratic Party increasingly divided over Israel.
The highest-ranking Jewish elected official in American history, Schumer is hoping to return to the position of Senate Majority Leader to advance Democratic priorities and challenge President Donald Trump’s agenda after two years in the minority.
Schumer, echoing Sen. Raphael Warnock of Georgia and Rep. Jamie Raskin of Maryland, described his mood Tuesday morning as “nauseously optimistic” about his hopes being fulfilled. “A year ago, no one thought we could do this,” Schumer told reporters, crediting the party’s recruitment of strong candidates in Republican-leaning and swing states. “We don’t want to count our chickens before they hatch,” he added.
A Democratic majority will likely save Schumer from going into retirement. It could also present one of the biggest political challenges of his 52-year career.
Much will depend not just on whether Democrats win enough seats to take back the Senate, but also on who wins. Victories by mainstream Democrats recruited by Schumer — former Gov. Roy Cooper of North Carolina, former Sen. Sherrod Brown of Ohio, former U.S. Rep. Mary Peltola of Alaska — would strengthen his position. But his job could become much harder if the new majority includes progressives like Abdul El-Sayed of Michigan and Troy Jackson of Maine, fierce critics of Israel who he did not recruit and who have challenged the party’s direction.
And a narrow 51-49 Democratic majority would leave Schumer little room for disagreement. Sen. John Fetterman of Pennsylvania, a staunch supporter of Israel who has often broken with his party, has warned that he could leave the Democratic caucus if it becomes the “anti-Israel party.” If he joined the Republicans, the Senate would be split 50-50, giving Vice President JD Vance the deciding vote.
A changing Democratic Party
Schumer has made his Jewish identity and support for Israel a central part of his political career.
He often notes that his last name comes from the Hebrew word Shomer, meaning guardian, to describe his role in protecting Israel. “I have always tried to be in the Senate ‘Shomer Yisrael’ — someone who guards and watches over America’s critical partnership with Israel,” Schumer said in a 2024 speech to Jewish Democrats. In an interview with the Forward that year, he said that “having a majority leader who’s committed to Israel is vital for Israel’s relationship with the U.S.”
Schumer has become more critical of Israeli Prime Minister Benjamin Netanyahu, who is now struggling to form a government after an election that left his opponents with more seats in the Knesset. In a major Senate speech in March 2024, Schumer called for new elections in Israel and said Netanyahu was an obstacle to peace.
Still, Schumer has continued to support U.S. military aid to Israel and opposed efforts by progressives to place broad restrictions on it. He faced online backlash for saying his job as leader is to “fight” for Israel aid.
But he also did not push his fellow Democrats to vote against measures to block certain weapons sales to Israel, which drew support from 36 to 40 Democratic senators.
That balance could become harder to maintain if he becomes majority leader of a changed Democratic caucus. El-Sayed, Jackson and other progressives have called for an end to all military aid to Israel and others support more conditions. Schumer would share congressional leadership with fellow New Yorker Hakeem Jeffries, who would become House speaker if Democrats prevail there. Both have longstanding ties to Jewish organizations.
Trump’s announcement on Tuesday that he and Netanyahu had agreed to end the roughly $3.8 billion in annual U.S. military aid to Israel by the end of this year — two years before the current 10-year memorandum of understanding expires — could dramatically change the debate Schumer would inherit. Trump offered few details about the agreement, and Netanyahu’s office did not immediately confirm it.
Trump has repeatedly mocked the Jewish Democratic leader by calling him a “Palestinian” and “not Jewish anymore.” Schumer took the attack more lightly, telling the Forward, “I say jokingly, don’t tell my mother.”
The two will likely clash on many fronts, including over the Iran war, as a Democratic-controlled Congress may seek to impose restrictions on Trump’s power to strike Tehran.
With Schumer, 75, facing another possible campaign in 2028, his decisions over the next two years could determine whether he faces a primary challenge — potentially from Rep. Alexandria Ocasio-Cortez, who has also been floated as a possible 2028 presidential candidate. Schumer has seen his popularity decline since he supported a Republican spending bill to avert a shutdown last year. Schumer postponed his book launch events amid controversy and planned protests. A recent survey showed AOC with a 70% approval rating among New York Democrats.
As Senate leader, Schumer would have to adapt a leadership style shaped by an earlier era of the Democratic Party and two years in minority to shape an agenda that fits a party whose views on Israel are changing. That shift was already notable in his pre-election promises. Speaking to Jewish leaders last month, Schumer pledged increased funding for the federal Nonprofit Security Grant Program, an issue that has broader support among Democrats.
Schumer’s job could also become easier if Gadi Eisenkot and his allies form a new government in Israel, replacing Netanyahu with a leader more acceptable to most Democrats.
The post What would a Democratic majority mean for Chuck Schumer? appeared first on The Forward.
