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With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories
(JTA) — Years ago, the Israeli filmmaker Orit Fouks Rotem took a class led by director Eran Kolirin, best known as the maker of “The Band’s Visit.” This month, movies by both filmmakers are getting theatrical rollouts in the United States.
On a recent Zoom call, Palestinian author Sayed Kashua joked: “Was that his class — how to use a Palestinian story?”
Kashua was smiling on Zoom as he said it — he is, after all, known for his often fatalistic sense of humor, particularly when it comes to the Israeli-Palestinian conflict. And the author had given his blessing for Kolirin to make an adaptation of his novel “Let It Be Morning,” and said he loved the final result.
But like most jokes, this one had a kernel of truth: Israel’s two most recent Oscar submissions, hitting New York’s Quad Cinema within a week of each other, both — to varying degrees — tell Palestinian stories.
“Let It Be Morning” is a dark comedy about an Arab Israeli village that has suddenly and with no explanation been cordoned off from the rest of the country by the Israeli military. This event forces its Palestinian residents, including a protagonist trying to return to his comfortable middle-class life in Jerusalem, to reckon with how their dignity as citizens has been denied to them by the mechanisms of the Israeli occupation. At the Quad, the film is accompanied by a retrospective of Kolirin’s work, including “The Band’s Visit,” the basis for the Tony Award-winning musical; the retrospective is sponsored by the Israeli consulate in New York.
The all-female cast of “Cinema Sabaya,” a mix of Jewish and Arab actresses, in a film directed by Orit Fouks Rotem. (Courtesy of Kino Lorber)
The following week will see the opening of Rotem’s film, “Cinema Sabaya.” It follows a group of eight women, some Jewish and some Arab and Palestinian, who bond with each other while taking a filmmaking class in a community center in the Israeli city of Hadera. Cast member Dana Ivgy, who plays the class’s instructor, told the Jewish Telegraphic Agency that the filming experience “felt like how living in Israel should feel,” adding, “We have more women in the film than in the Israeli government.”
Stylistically, the two films couldn’t be more different. “Let It Be Morning” is a tightly plotted narrative with boldly realized characters; almost all of its dialogue is in Arabic. “Cinema Sabaya” is a loose, heavily improvisational piece that is almost entirely set in one room, and is mostly in Hebrew (although in one tense early scene, the characters debate whether to conduct their class in Hebrew or Arabic). One is a dry, Kafkaesque satire; the other is an intimate, naturalistic drama.
But together, the films provide a snapshot of the delicate dance Israeli filmmakers must perform in the current climate. On the one hand, these art-house directors are being feted on the international stage for their empathetic storytelling that incorporates or even centers entirely on Palestinian characters. But on the other, they’re being attacked by government officials for their perceived insufficient loyalty — and their films’ very status as “Israeli” is being questioned, too, sometimes by their own cast and crew.
“Everyone can call it what they want,” Rotem said of her film. “I’m an Israeli and it’s in Israel, but I have partners who call themselves Palestinians, and some of them call themselves Arabs, and each one defined herself. I think it’s really how it should be.”
“A film does not have an identity,” Kolirin insisted in an interview with JTA. “It is a citizen of the screen.”
Eran Kolirin accepted the award for Best Director for “Let It Be Morning” at the 2021 Ophir Awards in Tel Aviv on October 5, 2021. (Tomer Neuberg/ Flash90)
Kolirin isn’t a fan of the label “Israeli film” in this case, even though that is how “Let It Be Morning” was categorized at its 2021 Cannes Film Festival premiere; its own press notes also list Israel as the “country of production.” That Cannes screening took place shortly after Israel’s deadly conflict with Hamas that killed more than 250 Palestinians in the Gaza Strip and around a dozen Israelis. The events turned Cannes into a political firestorm when the film’s Palestinian cast refused to attend the premiere.
“We cannot ignore the contradiction of the film’s entry into Cannes under the label of an ‘Israeli film’ when Israel continues to carry its decades-long colonial campaign of ethnic cleansing, expulsion, and apartheid against us — the Palestinian people,” the cast’s statement read in part.
“Each time the film industry assumes that we and our work fall under the ethno-national label of ‘Israeli,’ it further perpetuates an unacceptable reality that imposes on us, Palestinian artists with Israeli citizenship,” the statement continues, calling on “international artistic and cultural institutions” to “amplify the voices of Palestinian artists and creatives.”
Kolirin himself supported the cast’s action. He knew they were grieving over the outbreak of violence in Gaza and didn’t want to put themselves in a situation where “some politician is going to wave a flag over their head or whatever.”
What’s more, he said, the status of “Let It Be Morning” as an “Israeli” film, despite the fact that around half the crew was Palestinian, was not his decision: “The film was not submitted to Cannes as an Israeli film,” he said. “You know, you fill in the form: ‘Which were the countries that gave money?’” In this case, the answer was Israel and France.
Most of the cast later did not attend the Ophir Awards ceremony, Israel’s equivalent to the Oscars voted on by its filmmaking academy, where “Morning” won the top prize (which automatically made it Israel’s Oscar submission for that year). In solidarity at the awards, Kolirin read aloud a statement from his lead actress, Juna Suleiman, decrying Israel’s “active efforts to erase Palestinian identity” and what she called “ethnic cleansing.”
Orit Fouks Rotem (Courtesy of Kino Lorber)
“Cinema Sabaya” hasn’t played host to as much offscreen controversy, but its vision of Israeli multiculturalism is still inherently political. Rotem’s mother is a local government adviser on women’s issues in Hadera, and the film was inspired by her experience participating in a photography class designed to unite Jewish and Arab women. Rotem herself later led filmmaking classes in a similar vein as research for “Sabaya.”
In the film, Ivgy’s character, who is modeled on Rotem, instructs her class to film their home lives, while secretly hoping to make a movie from their efforts. When her desire to do so is revealed, the women in the class feel betrayed: They thought they were just making films for themselves, not for their stories to be told by someone else.
Similarly, Rotem said that working with Arab and Palestinian actresses made her “aware to the fact that I can’t really tell their story.” Her solution was to allow the performers — some of whom are well-known activists who had to think twice about appearing in an Israeli movie — to voice their own opinions, and to establish the necessary trust to allow them to be unscripted on camera.
She theorizes that “Cinema Sabaya” has been so well received in Israel because “it doesn’t say ‘occupation, occupation, occupation.’ It says ‘humanity,’ so people are less afraid.” (She also noted that, in real life, the women who attended her filmmaking classes bristled at her initial suggestion to make a documentary about them, telling her to fictionalize their stories instead — which she did.)
Lately the Israeli government has a tendency to view its filmmaking class as agitators unworthy of national support, particularly when they make films criticizing the occupation. Former Culture Minister Miri Regev often disparaged films she thought were bad for Israel, including celebrated international hits such as “Foxtrot” and “Synonyms.” Her current successor, Miki Zohar, has already threatened the makers of a new documentary about the West Bank city of Hebron, saying the movie smears the military and that the directors might have to return government funds.
In recent years, Israel’s culture ministry has pushed two new controversial proposals: a grant program earmarked for those who make films in settlements, which are considered illegal under international law; and a form pledging not to make films “offensive” to Israel or the military that filmmakers would be required to sign in order to apply for certain grants, which many directors have likened to a loyalty oath. For years, some of the country’s largest grantmakers have required applicants to sign a form promising to represent their projects as Israeli on the national stage.
There has also been an effort among some members of Prime Minister Benjamin Netanyahu’s new right-wing government to end funding to public broadcaster Kan, which the country’s film industry views as another attack on its free expression.
“Kan has all this dialogue,” Ivgy said. “It has Jewish and religious and Arab and Palestinian, for kids and for grownups. And nothing is taboo there. I feel that it’s very dangerous to close that option down.”
Many Israeli filmmakers are fighting back. Hundreds, including Kolirin and Rotem, have refused to sign the ministry’s pledge, and many have also protested the settlement grant program. Nadav Lapid, one of the country’s most celebrated and outspoken directors, harshly critiqued government restrictions placed on his own work in the 2021 drama “Ahed’s Knee,” which went on to win a special prize at Cannes.
Kolirin said he had recently been on a call with several Israeli filmmakers looking to further organize against artistic restrictions, and that it had given him hope. “I had this feeling of some optimism, which I didn’t have for a long time,” he said. But he didn’t mince words when discussing Israel’s new governing coalition, which he likened to “a circus of mad dogs unleashed.”
Rotem said that the current government is “very, very bad and scary,” but that it has only strengthened her resolve to make political films.
“For me, it’s also political to show women in Israel in a deep way: I mean Arabs and Jews,” she said. “Because I don’t think there are enough films that are doing that.”
For Kashua, a veteran TV writer and opinion columnist, the question of identity in Israeli and Palestinian filmmaking is even more pronounced. After a long career of trying to write about the Palestinian experience in Hebrew as a way of reaching Israelis, he left Israel for the United States in 2014, becoming discouraged by an incident in which Jewish extremists burned a Palestinian teenager alive as revenge after Palestinian terrorists kidnapped Israeli soldiers. Now based in St. Louis, he has worked as a writer and story editor on Israeli series that center on both Palestinian and Jewish stories — including the global hit “Shtisel,” which focuses on haredi Orthodox Jews, and its upcoming spinoff, along with “Madrasa,” a young-adult series about a bilingual Hebrew-Arabic school.
Israeli filmmakers choosing to center Palestinian stories can be its own radical political act, Kashua believes. He noted that the dialogue in “Morning” is almost entirely in Arabic, a language that Israel demoted from national language status in 2018 — doubly ironic as he had deliberately chosen to write his original novel in Hebrew.
“The idea that this film is ‘Israeli’ — it really contradicts the idea of Israel being a purely Jewish state,” Kashua said. He added that, while he had initially hoped a Palestinian director might have adapted his novel, he was ultimately happy with Kolirin’s approach.
“I truly love the movie, and it’s barely Orientalist,” he joked, echoing Palestinian-American intellectual Edward Said’s famous book about how a Western lens on Eastern cultures can be reductive and harmful. “Which is a big achievement for an Israeli filmmaker.”
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The post With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories appeared first on Jewish Telegraphic Agency.
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UN Official Speaks at Same Event in Qatar as Hamas Leader, Iranian Foreign Minister
Francesca Albanese, UN special rapporteur on human rights in the Palestinian territories, attends a side event during the Human Rights Council at the United Nations in Geneva, Switzerland, March 26, 2024. Photo: REUTERS/Denis Balibouse
A United Nations official who has been criticized for using her role to denigrate Israel spoke at the same event in Qatar over the weekend as a senior Hamas official and Iran’s top diplomat.
The Al Jazeera Forum, which took place over the weekend in Qatar, featured speakers including Hamas former leader and current senior figure Khaled Meshaal, Iran’s foreign minister, and Francesca Albanese — the UN’s notoriously controversial special rapporteur on the human rights situation in the Palestinian territories.
Writer and Open Source Intelligence researcher Eitan Fischberger noted that Albanese, whose job centers around human rights, would be speaking at the same event as the leader of Hamas — the terrorist organization that has ruled Gaza since 2006 and committed the October 7 attack on Israel — and Iran’s foreign minister — who is part of the regime that reportedly killed tens of thousands of civilians while they were protesting against the government.
And Albanese was not the only speaker whose professional focus is on human rights but ended up speaking at a conference with some of the world’s most notable human rights abusers. According to the Al Jazeera Forum website, a former prosecutor of the International Criminal Court (ICC), a professor of international law, and a humanitarian and climate activist also spoke at the event. Additionally, at least one American professor — who teaches at the University of Maryland, College Park — spoke at the forum.
While Albanese spoke at the event, she discussed Israel being a “common enemy of humanity.”
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The Anti-Defamation League responded to her appearance and comments at the forum, writing, “When will the world stop allowing Albanese to dress up hateful bias against Jews, Israel and endorsement of terrorism, as righteous indignation? ADL has long been calling for Albanese to be found in breach of the UNHRC code of conduct and to be separated from her mandate.”
The Israeli Director of the Digital Diplomacy Bureau wrote that “the mask is finally off” and that there is “No need for satire – reality writes it better.”
Albanese’s appearance at a conference with a Hamas leader is the latest chapter of her extensive history of using her role at the UN to denigrate Israel and seemingly rationalize Hamas’ attacks on the Jewish state.
In 2024, the UN launched a probe into Albanese’s conduct over allegedly accepting a trip to Australia funded by pro-Hamas organizations. UN Watch explains that in “November 2023, Ms. Albanese conducted a lobbying trip to Australia and New Zealand in which she did not conduct any investigation pursuant to her mandate. Contrary to her denials and those by the UN, this report documents how the trip was partially funded by ‘external’ groups, most likely pro-Hamas lobby groups in those countries.”
Also in 2024, Albanese claimed Israelis were “colonialists” who had “fake identities.” Previously, she defended Palestinians’ “right to resist” Israeli “occupation” at a time when over 1,100 rockets were fired by Gaza terrorists at Israel. Last year, US lawmakers called for the firing of Albanese for what they described as her “outrageous” antisemitic statements, including a 2014 letter in which she claimed America was “subjugated by the Jewish lobby.”
Albanese’s anti-Israel comments have earned her the praise of Hamas officials in the past.
In response to French President Emmanuel Macron calling Hamas’ Oct. 7 attack on Israel the “largest antisemitic massacre of the 21st century,” Albanese said, “No, Mr. Macron. The victims of Oct. 7 were not killed because of their Judaism, but in response to Israel’s oppression.”
Video footage of the Oct. 7 onslaught showed Palestinian terrorists led by Hamas celebrating the fact that they were murdering Jews.
Nevertheless, Albanese has argued that Israel should make peace with Hamas, saying that it “needs to make peace with Hamas in order to not be threatened by Hamas.”
When asked what people do not understand about Hamas, she added, “If someone violates your right to self-determination, you are entitled to embrace resistance.”
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Somalia Warns Israel Against Military Base in Somaliland, Signs Defense Pact With Saudi Arabia
Somalia’s President Hassan Sheikh Mohamud delivers the opening keynote speech during the 17th Al Jazeera Forum, themed ”The Palestinian Cause and the Regional Balance of Power in the Context of an Emerging Multipolar World,” in Doha, Qatar, on Feb. 7, 2026. Photo: Noushad Thekkayil/NurPhoto via Reuters Connect
Somalia’s President Hassan Sheikh Mohamud has warned Israel against establishing a military base in the self-declared Republic of Somaliland, as Mogadishu bolsters strategic ties with Middle Eastern states amid mounting regional tensions.
At the Al Jazeera Forum in Doha on Saturday, Mohamud sounded the alarm over a potential Israeli military foothold in the Horn of Africa, while once again condemning Israel’s recognition of Somaliland as a “blatant breach of international law.”
Somaliland, which has claimed independence for decades in East Africa but remains largely unrecognized, is situated on the southern coast of the Gulf of Aden and bordered by Djibouti to the northwest, Ethiopia to the south and west, and Somalia to the south and east.
During Saturday’s event, Mohamud insisted that an Israeli military base in Somaliland would offer no real defensive benefit and would primarily serve as a springboard for foreign interventions.
“A base is not a tourist destination — it is a military facility, and military means either attack or defense,” he said during a speech. “There is no part of Somalia that Israel has any need to defend.”
“We will fight to the full extent of our capacity,” Mohamud continued. “We will confront any Israeli forces that enter, because we oppose this and will never allow it.”
For years now, Somalia has hosted military facilities for foreign powers, including Turkey and Egypt.
Mohamud’s remarks came after Israel last year became the first country to officially recognize the Republic of Somaliland as an independent and sovereign state — a move expected to reshape regional power dynamics as the two governments deepen political, security, and economic cooperation.
At the time, regional powers — including Egypt and Turkey — condemned Israel’s diplomatic move, saying it undermined Somalia’s sovereignty and territorial integrity.
According to experts, the growing Israel-Somaliland partnership could be a “game changer” for Israel, boosting the Jewish state’s ability to counter the Yemen-based Houthi terrorist group while offering strategic and geographic advantages amid shifting regional power dynamics.
Unlike most other states in the region, Somaliland has relative security, regular elections, and a degree of political stability — qualities that make it a valuable partner for international allies and a key player in regional cooperation.
“Israel’s interference in Somalia’s sovereignty will not be tolerated,” Mohamud said during his speech. “The African continent rejects any attempts to change borders through military force or unilateral actions.”
In a move to strengthen its defense capabilities amid increasing regional instability, Somalia signed a defense cooperation pact with Saudi Arabia on Monday, aimed at enhancing military ties and providing advanced technology and training for the Somali National Army.
According to officials from both countries, the deal is intended to safeguard the Red Sea, a strategic corridor between the Indian Ocean and the Suez Canal that has increasingly drawn the attention of Gulf states.
Even though the newly signed memorandum is not a mutual defense treaty, Somali officials say it sets the stage for deeper military cooperation — a move analysts say has gained momentum following Israel’s recognition of Somaliland.
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‘Every Jew Will Die’: German Synagogue Receives Threatening Letter With Gun Cartridge
Illustrative: The exterior of the main synagogue in the German city of Munich. Photo: Reuters/Michaela Rehle
German authorities have opened an investigation into a death threat mailed to the Jewish Community of Munich and Upper Bavaria (IKG) amid an ongoing rise in antisemitism across Germany.
The package, received by the IKG’s community center and the Ohel Jakob Synagogue on Thursday, contained a cartridge for a handgun and a note which included such intimidations as “all the Jews belonged shot” and “every Jew will die … I will cause all the deaths.”
The Bavarian police’s Criminal Department 4 launched a probe into the incident.
Munich’s leading synagogue has previously implemented security protocols for incoming packages.
“Every shipment is controlled. In this case, it immediately became apparent that the letter had a problematic content,” Vice President Yehoshua Chmiel told the Jüdische Allgemeine newspaper. “The escalation goes on and on … We receive a lot of threats. But a letter with a real cartridge is new.”
“We feel let down,” he added. “There are no acts against antisemitism. There are speeches, but they don’t help us.”
Ludwig Spaenle, who serves as the Bavarian state government’s commissioner against antisemitism, called the hate crime “evil and inhumane” before encouraging law enforcement in their investigation.
This latest incident comes as Jews in Germany are already on edge amid a relentlessly hostile climate.
In the city of Potsdam just outside Berlin, for example, members of the Jewish community have begun expressing second thoughts about a multi-year plan to develop a kindergarten out of fear that it could become a prime target for terrorists.
Evgueni Kutikow, chairman of the Jewish Community of Potsdam, said to Märkische Allgemeine that worries about antisemitism had grown and that “one mother called me crazy when I asked her if she would enroll her child in a Jewish daycare center.”
Kutikow has resisted canceling the kindergarten’s construction, however.
“As things stand now, I’m skeptical. But I’m also not prepared to abandon the project,” he said. “We don’t live in a bubble — we see what’s happening around us and across the world.”
Last month saw two antisemitic hate crimes in Germany targeting Andreas Büttner, the commissioner for antisemitism in the state of Brandenburg in northeastern Germany.
On Jan. 5, the Brandenburg state parliament received a death threat against him. The note warned, “we will kill you” and included an inverted red triangle, a symbol used by the Islamist terrorist group Hamas to designate targets.
This messaging mirrored an arson attack against a shed on Büttner’s property days earlier, when investigators also discovered inverted red triangles. Israeli Ambassador to Germany Ron Prosor posted on X at the time explaining that “attacks on those who think differently and attempted murder: That is what the Hamas triangle stands for — in Gaza as in Brandenburg. And the hatred of Israel goes hand in hand with hatred of our democracy. The rule of law must smash these terrorist organizations — and indeed, before they strike again.”
Following the attack, Büttner stated that “the symbol sends a clear message. The red Hamas triangle is widely recognized as a sign of jihadist violence and antisemitic incitement.” He added that “anyone who uses such a thing wants to intimidate and glorify terror. This is not a protest; it is a threat.”
On Jan. 13, another antisemitic act contributed to the growing climate of fear.
Police arrested an unnamed, 32-year-old man in Giessen in an attack on a synagogue. A judge would place him on a psychiatric hold, suspecting mental illness had contributed to his actions.
The suspect allegedly pushed over boxes which contained papers and then set them on fire outside the synagogue. A prosecutor’s statement read that “thanks to the swift intervention of a passerby, the fire was quickly brought under control, preventing the flames from spreading to the residential building and the synagogue.”
Police also believe the man performed a Nazi salute outside the synagogue that evening.
The commissioner to combat antisemitism in the German state of Hesse sounded the alarm after the arson attack, warning that it reflects a “growing pogrom-like atmosphere” threatening Jewish life across the country.
Germany, like most Western countries, has experienced a surge in antisemitic incidents over the past two years, following the Palestinian terrorist group Hamas’s Oct. 7, 2023, massacre across southern Israel.
According to official German government figures, antisemitic crimes jumped from 2,641 in 2022 to 6,236 in 2024, an increase of 136 percent.
“We are witnessing a growing number of antisemitic incidents. Ninety years ago, that hatred marked the beginning of the end,” Daniel Günther, the minister-president of Schleswig-Holstein, a state in northern Germany, said in a statement last month following the vandalism of a Holocaust memorial at a local synagogue in Kiel. “That is precisely why we cannot tolerate a single incident today. Every act must be investigated and punished under the rule of law.”