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With ‘Let It Be Morning’ and ‘Cinema Sabaya,’ Israeli filmmakers are winning awards for portraying Palestinian stories
(JTA) — Years ago, the Israeli filmmaker Orit Fouks Rotem took a class led by director Eran Kolirin, best known as the maker of “The Band’s Visit.” This month, movies by both filmmakers are getting theatrical rollouts in the United States.
On a recent Zoom call, Palestinian author Sayed Kashua joked: “Was that his class — how to use a Palestinian story?”
Kashua was smiling on Zoom as he said it — he is, after all, known for his often fatalistic sense of humor, particularly when it comes to the Israeli-Palestinian conflict. And the author had given his blessing for Kolirin to make an adaptation of his novel “Let It Be Morning,” and said he loved the final result.
But like most jokes, this one had a kernel of truth: Israel’s two most recent Oscar submissions, hitting New York’s Quad Cinema within a week of each other, both — to varying degrees — tell Palestinian stories.
“Let It Be Morning” is a dark comedy about an Arab Israeli village that has suddenly and with no explanation been cordoned off from the rest of the country by the Israeli military. This event forces its Palestinian residents, including a protagonist trying to return to his comfortable middle-class life in Jerusalem, to reckon with how their dignity as citizens has been denied to them by the mechanisms of the Israeli occupation. At the Quad, the film is accompanied by a retrospective of Kolirin’s work, including “The Band’s Visit,” the basis for the Tony Award-winning musical; the retrospective is sponsored by the Israeli consulate in New York.
The all-female cast of “Cinema Sabaya,” a mix of Jewish and Arab actresses, in a film directed by Orit Fouks Rotem. (Courtesy of Kino Lorber)
The following week will see the opening of Rotem’s film, “Cinema Sabaya.” It follows a group of eight women, some Jewish and some Arab and Palestinian, who bond with each other while taking a filmmaking class in a community center in the Israeli city of Hadera. Cast member Dana Ivgy, who plays the class’s instructor, told the Jewish Telegraphic Agency that the filming experience “felt like how living in Israel should feel,” adding, “We have more women in the film than in the Israeli government.”
Stylistically, the two films couldn’t be more different. “Let It Be Morning” is a tightly plotted narrative with boldly realized characters; almost all of its dialogue is in Arabic. “Cinema Sabaya” is a loose, heavily improvisational piece that is almost entirely set in one room, and is mostly in Hebrew (although in one tense early scene, the characters debate whether to conduct their class in Hebrew or Arabic). One is a dry, Kafkaesque satire; the other is an intimate, naturalistic drama.
But together, the films provide a snapshot of the delicate dance Israeli filmmakers must perform in the current climate. On the one hand, these art-house directors are being feted on the international stage for their empathetic storytelling that incorporates or even centers entirely on Palestinian characters. But on the other, they’re being attacked by government officials for their perceived insufficient loyalty — and their films’ very status as “Israeli” is being questioned, too, sometimes by their own cast and crew.
“Everyone can call it what they want,” Rotem said of her film. “I’m an Israeli and it’s in Israel, but I have partners who call themselves Palestinians, and some of them call themselves Arabs, and each one defined herself. I think it’s really how it should be.”
“A film does not have an identity,” Kolirin insisted in an interview with JTA. “It is a citizen of the screen.”
Eran Kolirin accepted the award for Best Director for “Let It Be Morning” at the 2021 Ophir Awards in Tel Aviv on October 5, 2021. (Tomer Neuberg/ Flash90)
Kolirin isn’t a fan of the label “Israeli film” in this case, even though that is how “Let It Be Morning” was categorized at its 2021 Cannes Film Festival premiere; its own press notes also list Israel as the “country of production.” That Cannes screening took place shortly after Israel’s deadly conflict with Hamas that killed more than 250 Palestinians in the Gaza Strip and around a dozen Israelis. The events turned Cannes into a political firestorm when the film’s Palestinian cast refused to attend the premiere.
“We cannot ignore the contradiction of the film’s entry into Cannes under the label of an ‘Israeli film’ when Israel continues to carry its decades-long colonial campaign of ethnic cleansing, expulsion, and apartheid against us — the Palestinian people,” the cast’s statement read in part.
“Each time the film industry assumes that we and our work fall under the ethno-national label of ‘Israeli,’ it further perpetuates an unacceptable reality that imposes on us, Palestinian artists with Israeli citizenship,” the statement continues, calling on “international artistic and cultural institutions” to “amplify the voices of Palestinian artists and creatives.”
Kolirin himself supported the cast’s action. He knew they were grieving over the outbreak of violence in Gaza and didn’t want to put themselves in a situation where “some politician is going to wave a flag over their head or whatever.”
What’s more, he said, the status of “Let It Be Morning” as an “Israeli” film, despite the fact that around half the crew was Palestinian, was not his decision: “The film was not submitted to Cannes as an Israeli film,” he said. “You know, you fill in the form: ‘Which were the countries that gave money?’” In this case, the answer was Israel and France.
Most of the cast later did not attend the Ophir Awards ceremony, Israel’s equivalent to the Oscars voted on by its filmmaking academy, where “Morning” won the top prize (which automatically made it Israel’s Oscar submission for that year). In solidarity at the awards, Kolirin read aloud a statement from his lead actress, Juna Suleiman, decrying Israel’s “active efforts to erase Palestinian identity” and what she called “ethnic cleansing.”
Orit Fouks Rotem (Courtesy of Kino Lorber)
“Cinema Sabaya” hasn’t played host to as much offscreen controversy, but its vision of Israeli multiculturalism is still inherently political. Rotem’s mother is a local government adviser on women’s issues in Hadera, and the film was inspired by her experience participating in a photography class designed to unite Jewish and Arab women. Rotem herself later led filmmaking classes in a similar vein as research for “Sabaya.”
In the film, Ivgy’s character, who is modeled on Rotem, instructs her class to film their home lives, while secretly hoping to make a movie from their efforts. When her desire to do so is revealed, the women in the class feel betrayed: They thought they were just making films for themselves, not for their stories to be told by someone else.
Similarly, Rotem said that working with Arab and Palestinian actresses made her “aware to the fact that I can’t really tell their story.” Her solution was to allow the performers — some of whom are well-known activists who had to think twice about appearing in an Israeli movie — to voice their own opinions, and to establish the necessary trust to allow them to be unscripted on camera.
She theorizes that “Cinema Sabaya” has been so well received in Israel because “it doesn’t say ‘occupation, occupation, occupation.’ It says ‘humanity,’ so people are less afraid.” (She also noted that, in real life, the women who attended her filmmaking classes bristled at her initial suggestion to make a documentary about them, telling her to fictionalize their stories instead — which she did.)
Lately the Israeli government has a tendency to view its filmmaking class as agitators unworthy of national support, particularly when they make films criticizing the occupation. Former Culture Minister Miri Regev often disparaged films she thought were bad for Israel, including celebrated international hits such as “Foxtrot” and “Synonyms.” Her current successor, Miki Zohar, has already threatened the makers of a new documentary about the West Bank city of Hebron, saying the movie smears the military and that the directors might have to return government funds.
In recent years, Israel’s culture ministry has pushed two new controversial proposals: a grant program earmarked for those who make films in settlements, which are considered illegal under international law; and a form pledging not to make films “offensive” to Israel or the military that filmmakers would be required to sign in order to apply for certain grants, which many directors have likened to a loyalty oath. For years, some of the country’s largest grantmakers have required applicants to sign a form promising to represent their projects as Israeli on the national stage.
There has also been an effort among some members of Prime Minister Benjamin Netanyahu’s new right-wing government to end funding to public broadcaster Kan, which the country’s film industry views as another attack on its free expression.
“Kan has all this dialogue,” Ivgy said. “It has Jewish and religious and Arab and Palestinian, for kids and for grownups. And nothing is taboo there. I feel that it’s very dangerous to close that option down.”
Many Israeli filmmakers are fighting back. Hundreds, including Kolirin and Rotem, have refused to sign the ministry’s pledge, and many have also protested the settlement grant program. Nadav Lapid, one of the country’s most celebrated and outspoken directors, harshly critiqued government restrictions placed on his own work in the 2021 drama “Ahed’s Knee,” which went on to win a special prize at Cannes.
Kolirin said he had recently been on a call with several Israeli filmmakers looking to further organize against artistic restrictions, and that it had given him hope. “I had this feeling of some optimism, which I didn’t have for a long time,” he said. But he didn’t mince words when discussing Israel’s new governing coalition, which he likened to “a circus of mad dogs unleashed.”
Rotem said that the current government is “very, very bad and scary,” but that it has only strengthened her resolve to make political films.
“For me, it’s also political to show women in Israel in a deep way: I mean Arabs and Jews,” she said. “Because I don’t think there are enough films that are doing that.”
For Kashua, a veteran TV writer and opinion columnist, the question of identity in Israeli and Palestinian filmmaking is even more pronounced. After a long career of trying to write about the Palestinian experience in Hebrew as a way of reaching Israelis, he left Israel for the United States in 2014, becoming discouraged by an incident in which Jewish extremists burned a Palestinian teenager alive as revenge after Palestinian terrorists kidnapped Israeli soldiers. Now based in St. Louis, he has worked as a writer and story editor on Israeli series that center on both Palestinian and Jewish stories — including the global hit “Shtisel,” which focuses on haredi Orthodox Jews, and its upcoming spinoff, along with “Madrasa,” a young-adult series about a bilingual Hebrew-Arabic school.
Israeli filmmakers choosing to center Palestinian stories can be its own radical political act, Kashua believes. He noted that the dialogue in “Morning” is almost entirely in Arabic, a language that Israel demoted from national language status in 2018 — doubly ironic as he had deliberately chosen to write his original novel in Hebrew.
“The idea that this film is ‘Israeli’ — it really contradicts the idea of Israel being a purely Jewish state,” Kashua said. He added that, while he had initially hoped a Palestinian director might have adapted his novel, he was ultimately happy with Kolirin’s approach.
“I truly love the movie, and it’s barely Orientalist,” he joked, echoing Palestinian-American intellectual Edward Said’s famous book about how a Western lens on Eastern cultures can be reductive and harmful. “Which is a big achievement for an Israeli filmmaker.”
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A ‘unique 20th Century Israelite’ who always made sure we got it right
It’s fitting that I first met Rabbi Capers Funnye in a television studio. And it should surprise no one that the topic that brought us together — by no means accidentally — was a discussion about Black Jews.
We never stopped talking about it. And making sure others got it right.
The spiritual leader for decades of Chicago’s Beth Shalom B’nai Zaken Ethiopian Hebrew Congregation and since 2016 the Chief Rabbi of the International Israelite Board of Rabbis, Funnye died Nov. 2 at 74.
Our friendship spanned decades, beginning before we co-founded the Alliance of Black Jews with Michelle Stein-Evers Frankl in 1995. With Stein-Evers, then in Los Angeles, and me in Boston, the organization brought together Jews of African descent from around the country to celebrate our dual affiliations as normative.
Although the organization did not last beyond its early years, it spawned numerous other groups that exist today. Most significantly, it mainstreamed the fact that Blackness and Judaism are not mutually exclusive.
That’s the message we had been imparting five years earlier, on the Black Entertainment Television show Our Voices in 1990. Having filed a story mentioning Black Jews while a reporter for BET’s news division, I was asked by the network to co-produce a special on the subject. In addition to me, they asked who else should appear.
“There’s a rabbi in Chicago,” I said unhesitatingly, though I had yet to meet him, “and the police chief in Charleston, South Carolina” — Reuben Greenberg, who passed away in 2014.
Each of us came to Judaism differently: me, the child of a non-Jewish African-American father and non-Black Jewish mother; Greenberg, via conversion first through Reform, then Conservative Judaism (and also “reversion” in that he was reaching back to the religion of his grandfather), and Funnye, who had been Methodist before joining the Ethiopian Hebrew denomination (of African Americans, not Ethiopians) and later underwent a Conservative conversion.
Although his smicha was granted by the Ethiopian Hebrew group (now more broadly termed Israelite) and not by the Conservative body, he was invited to join the Chicago Board of Rabbis as its first African American member in 1997.
His dual affiliations as both Conservative and Israelite — and indeed, that of his largely Black and increasingly Hispanic Chicago shul, which also had merged with an aging Ashkenazi congregation — allowed him to serve as a bridge between many strains of Judaic practices.
“He accomplished what he wanted,” said Rabbi Baruch A. Yehudah of Congregation B’nai Adath Kol Beth Yisrael in New York. “He wanted to be a bridge builder and he built many — into the Ethiopian community, the Nigerian community, South Africa, Ghana, Uganda. He was the first one of us to be on a mainstream board of rabbis.”
“I loved him,” Yehudah added. “He wasn’t just my boss.”
Bruce Haynes, author of The Soul of Judaism, called Funnye “the most unique 21st Century Israelite” because of his role as chief rabbi. “To my knowledge, that (position) was the first of its kind. It elevated him institutionally as the premiere figure among modern-day Hebrew Israelites.”
Yet that outreach went beyond the bima. “Having chosen to move his whole family toward Conservative Judaism was an important step in cementing a personal relationship between Israelite congregations and rabbinic Judaism,” Haynes said.
Rabbi Tamar Manasseh, a protégé of Funnye who in 2021 became the first woman ordained by the Israelite body, said Funnye was “doing the whole bridge thing before anybody knew that they wanted a bridge.
“There were Black Jews who didn’t like that. There were white Jews who didn’t like that, either. It was uncomfortable for everybody until it wasn’t uncomfortable for anybody.”
She praised him for enduring “all of the stuff he had to go through to get us to a point where I can complain about things now, which is remarkable.”
I too find it difficult to separate the personal from the bridge-building. In addition to our numerous Black Jewish campaigns and initiatives — we literally traveled the world together, from Chicago to Boston to San Francisco to Uganda — he served as the rabbi for my mother’s funeral and my daughter’s wedding.
In my ever-diverse family, both were examples of bridge-building in their own right. During the wedding, my now son-in-law, whose native language is Russian, recited the line “I concentrate you to me as my wife,” prompting Funnye to break from the prepared liturgy to correct him.
“No, no. Consecrate. We gotta get this right.”
“I consecrate you to me as my wife,” the groom said, appreciative of the gentle but authoritative guidance.
Because Capers made sure to get it right.
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The Jewish midterms: Races to watch on Election Day
Tuesday’s midterm elections will determine which party controls Congress for the final two years of President Donald Trump’s second term, with Republicans fighting to hold their narrow majorities and Democrats hoping to regain power.
Recent polls suggest Democrats are favored to retake the House and have a strong chance of winning the Senate. Several closely watched gubernatorial races could also shape the field for the 2028 presidential election and increase the number of Jewish governors.
The outcome could have immediate consequences for U.S. foreign policy, particularly American support for Israel and the war with Iran. If Democrats win the House, they would have greater power to investigate Trump’s handling of the war, limit his power and challenge his foreign policy decisions. Democrats will also likely push for restrictions on military aid to Israel, depending on who forms the next Israeli government. Democrats remain divided over Israel and their leadership has so far resisted pressure to pursue major changes to longstanding U.S. policy.
A Democratic takeover of Congress would put House Democratic leader Hakeem Jeffries and Senate Democratic leader Chuck Schumer, both longtime supporters of Israel, in charge of their respective chambers and navigating any divides within their caucus.
The elections will also test whether Democrats can win back voters who shifted toward Trump and will reveal how much influence the party’s progressive wing may have, particularly on Israel and foreign policy going into the presidential primary season.
For Jewish voters, the stakes are especially high. Although they make up only about 2% of the population nationwide, Jewish voters could help decide close races in New York, Michigan, Georgia and Ohio. The results could also show whether frustration with Democrats over Israel is driving more Jewish voters toward Republicans or whether concerns about antisemitism on the right and disapproval of Trump are keeping them in the Democratic camp.
Here are the key races we’re watching and what’s at stake.
– Senate –
Michigan: Abdul El-Sayed (D) vs. Mike Rogers (R)
Issues: The race has become one of the largest tests of the Democratic divide on Israel and antisemitism. El-Sayed, a progressive and fierce critic of Israel, defeated Rep. Haley Stevens in the contested Democratic primary despite millions spent by AIPAC and other pro-Israel groups. Now, Stevens is backing Rogers. El-Sayed has refused to moderate his views and has doubled down on ending Israel aid and his association with Hasan Piker, a popular left-wing pundit who has been accused of antisemitism. El-Sayed said he disagreed with the content of an ad from a PAC supporting his campaign that blamed U.S. aid to Israel for rising grocery prices.
The Jewish vote: The state has an estimated 130,000 Jewish residents, who make up 1.4% of the electorate. The Republican Jewish Coalition spent $2 million to target 50,000 Jewish voters in Oakland County who opposed El-Sayed in the primary; those votes could matter in a close race.
Georgia: Incumbent Jon Ossoff (D) vs. Mike Collins (R)
Issues: Ossoff, the state’s first Jewish senator, has angered some Jewish voters for backing measures to block some aid to Israel. Collins criticized Ossoff for supporting El-Sayed. The Republican has been accused of ties to white nationalists and antisemitic figures, including his son-in-law, who promoted antisemitic conspiracies. Collins rejected their views and condemned antisemitism.
The Jewish vote: Georgia is home to an estimated 150,000 Jews, primarily in Atlanta. Though that represents 1.3% of the electorate, Jewish voters could play an important role in a state where recent elections were decided by narrow margins. The outcome could test whether dissatisfied Jewish Democrats will still support Ossoff over a Trump-aligned Republican and whether his Jewish identity still provides a political advantage.
Florida: Incumbent Ashley Moody (R) vs. Angie Nixon (D)
Issues: Moody, who was appointed to the Senate in 2025 after Marco Rubio became Secretary of State, is a staunch supporter of Israel and led on combating BDS in her previous role as attorney general. Nixon is the first member of the Democratic Socialists of America on a major party ticket. She did not make Israel the centerpiece of her Senate campaign, which focused heavily on affordability, health care and other economic issues. But on Israel and Gaza, her record puts her broadly in line with the DSA’s platform.
The Jewish vote: Florida is home to 750,000 Jews, who make up an estimated 3-5% of the state’s electorate. Moody leads Nixon by an average of 6 percentage points.
– House –
New York 17: Rep. Mike Lawler (R) vs. Cait Conley (D)
Issues: Support for Israel and antisemitism were central in outreach to the Jewish community, though the two candidates have more in common on those issues than their campaigns suggest. Lawler highlighted his ties to Jewish voters and questioned whether Conley would stand up to anti-Israel voices in the Democratic Party, while Conley accuses him of associating with Republicans who have faced accusations of antisemitic rhetoric and ties to white nationalists.
The Jewish vote: The district has 150,000 Jewish residents who make up 19% of the population. At least 20,000 members of the growing Hasidic communities in Rockland County voted for Lawler in 2024. His first race was won by a narrow margin of about 2,000 votes. The margin of victory could determine whether a pro-Israel moderate Democrat could peel away Jewish voters from Lawler’s camp.
New York 10 and 12: Brad Lander and Micah Lasher
Lander and Lasher are heavily favored to win their races in the deep blue districts. They represent a generational transition in the debate over Israel and Jewish influence in Congress, as Jerry Nadler, co-chair of the Congressional Jewish Congress who served as the leading voice in Congress for liberal Jews, is set to retire. Lander, an ally of New York City Mayor Zohran Mamdani and of the pro-Palestinian movement, supports halting all aid to Israel and has called the Gaza war a genocide, while Lasher supports continued aid and calls himself a Zionist.
The Jewish vote: The 12th District has the nation’s largest Jewish population – 24%, while the 10th ranks fourth, at 21%.
New York 13 and 7: Daraliza Avila Chevalier and Claire Valdez
The election of Avila Chevalier, a former Columbia University Gaza War encampment activist, in the 13th District — where Jews make up 6% — and Valdez in the 7th District in Brooklyn — where Jews make up 13% – will put two fierce Israel critics and DSA members at the center of debate over Israel in Congress.
Florida 20: Rep. Debbie Wasserman Schultz (D) vs. Brent Andersen (R)
Wasserman Schultz, one of the most prominent Jewish members in Congress, is favored to win reelection after easily winning the Democratic primary in a redrawn majority-Black district, surviving GOP redistricting. Jews make up just 5% of her new district.
Florida 25: Rep. Jared Moskowitz (D) vs. Scott Singer (R)
Issues: Moskowitz, who built a reputation as an outspoken supporter of Israel and one of the more bipartisan members of the House, easily defeated Oliver Larkin, a democratic socialist and fierce critic of Israel, in the August primary as he clashed with progressives over Israel. Singer, the Jewish former mayor of Boca Raton, highlighted his support for Israel and his roots in the district and, if elected, could increase the Jewish Republican caucus to five members.
The Jewish vote: The district is home to 67,000 Jews, at 8%. Recent polls show a close race, in which Jewish voters will play an important role in deciding whether they are represented by a Jewish Democrat or a Jewish Republican.
California 11: Scott Wiener vs. Connie Chan
Issues: This race to succeed Nancy Pelosi, the former House Speaker, is a test of how far left on Israel is good enough for San Francisco. Both Weiner, who is Jewish and advanced to first place in the Democratic primary, and Chan say that Israel committed genocide in Gaza and want to end U.S. military aid to Israel. Chan, however, is the favored candidate among pro-Palestinian activists, who say Weiner’s characterization of the conflict as a genocide was too little, too late.
Jewish vote: The district is home to 57,000 Jews, 7.5% of the population. Wiener leads Chan by an average of 6 percentage points.
Colorado 1: Melat Kiros (D) vs. Shimon Blau (I)
Issues: Israel has been a defining issue in the race. Kiros, a democratic socialist, has repeatedly declined to call the 2025 firebombing of a walk for Gaza hostages antisemitic. The attacker was heard yelling “Free Palestine” as he threw molotov cocktails, injuring 13 people, including an 82-year-old woman who later died from her injuries. Kiros has since said she understands “the immense pain and fear the Boulder attack caused.” Kiros has also argued in favor of a one-state solution, called for ending both offensive and defensive weapons sales to Israel, and called Hamas’s Oct. 7, 2023 attack the “inevitable consequence of apartheid.” Blau, an Orthodox Jew, said he was inspired to get into the race by what he described as Kiros’ antisemitic rhetoric. He told Axios he’ll caucus with Democrats if elected.
The Jewish vote: Jewish voters make up about 2% of the state’s electorate. Kiros is favored to win and become the first Gen Z woman elected to Congress.
Ohio 7: Rep. Max Miller (R) vs. Brian Poindexter (D)
Issues: Miller, a Jewish Republican and former Trump White House aide, has been an outspoken supporter of Israel and a critic of antisemitism on the left. But his reelection campaign has been overshadowed by allegations of domestic violence and abuse made by his ex-wife, Emily Moreno, the daughter of Republican Sen. Bernie Moreno. Last year, a local doctor was arrested after threatening to kill Miller. Poindexter, a union ironworker endorsed by J Street and the Jewish Democratic Council of America, largely avoided discussing Israel in the campaign.
The Jewish vote: The Cleveland area is home to one of Ohio’s largest Jewish communities, though the Jewish share of the 7th District is estimated at 2%.
Virginia 2: Rep. Jen Kiggans (R) vs. former Rep. Elaine Luria (D)
Issues: Luria, a Jewish Navy veteran, is challenging the Republican incumbent in a closely watched rematch after losing the seat in 2022. In her farewell speech on the House floor, Luria accused some of her colleagues of engaging in antisemitic tropes. Democratic Majority for Israel invested $1 million in a digital ad campaign supporting her political return. Both candidates have military backgrounds, making national security and foreign policy central to the contest.
The Jewish vote: The district’s 8,400 Jewish residents make up 1% of the population.
– Governors –
Ohio: Amy Acton (D) vs. Vivek Ramaswamy (R)
Issues: Ramaswamy, an American First candidate, campaigned twice at a church whose pastor called modern Judaism “fake.” Acton, who is Jewish, faced antisemitic attacks while serving as Ohio’s health director during the COVID-19 pandemic. Ramaswamy boasted during the campaign that he was the first Republican, during the 2024 presidential primary, to propose sunsetting the $38 billion aid for Israel. If Acton wins, she would be Ohio’s first Jewish governor, while Ramaswamy would be the state’s first Hindu governor.
The Jewish vote: Ohio is home to 180,000 Jews, 1.5% of the state’s population. Acton has a four-point lead over Ramaswamy.
New York: Kathy Hochul (D) vs. Bruce Blakeman (R)
Issues: Blakeman, the Jewish Nassau County executive, has made support for Israel and opposition to antisemitism on the left central themes of his campaign against Hochul. But Blakeman has struggled to match the support former Republican gubernatorial candidate Lee Zeldin received from Jewish voters and Hasidic voting blocs four years ago. Hochul has maintained strong ties with Jewish leaders even while working closely with New York City Mayor Zohran Mamdani. She remained a strong supporter of Israel despite growing criticism of the country within her party. A recent Netanyahu critic, Hochul was the first foreign elected official to visit Israel shortly after Oct. 7 and criticized the pro-Palestinian protests on campus. Her most recent state budget included a measure establishing a buffer zone around houses of worship to prevent disruptive protests from blocking access.
The Jewish vote: The state’s 1.8 million Jews have historically played an outsized role in elections, exceeding their 9% share of the population. Organized Hasidic voting blocs are sought after by both parties. This year, most groups endorsed Hochul, in part because of her decisions to pause the implementation of state regulations on secular education in yeshivas and to join the federal tax-credit program created under Trump that would help families pay for private school tuition.
– Other races –
LA Mayor
The competitive race for mayor of Los Angeles features the incumbent, Karen Bass, against Nithya Raman, a democratic socialist, who has threaded the needle on Israel, putting her at odds with the national Democratic Socialists of America, which requires candidates to take an anti-Zionist stance. Bass has rejected the use of the term “genocide” and opposes the movement to boycott Israel. She has also faced criticism from parts of the Jewish community for what some considered an inadequate response to the Pacific Palisades wildfires and for failing to establish protest-free buffer zones outside synagogues.
Colorado Governor
Phil Weiser, the state’s Jewish attorney general, is hoping to succeed Jared Polis, the Jewish governor who is term-limited. Victor Marx, the Republican nominee, has faced antisemitism allegations for depicting Weiser with red horns in an attack ad.
2028 watch
Pennsylvania Gov. Josh Shapiro and Illinois Gov. J.B. Pritzker are both favored to win reelection. Both Jewish politicians have been floated as possible 2028 presidential candidates so how well they perform, and how strong their coattails are, may influence their future prospects.
Texas railroad commissioner
Jewish state Rep. Jon Rosenthal accused his Republican opponent, Bo French, of sending an antisemitic fundraising email in July. French has focused his campaign on culture war issues, despite the office’s limited role: regulating the state’s gas and oil industries.
Michigan Board of Regents
Lena Epstein, who is Jewish, is seeking a seat on one of the two open seats for the Michigan board of regents in an election seen as an Israel litmus test for Democrats. The Democratic nominee, Amir Makled, has faced scrutiny over past social media posts viewed as pro-Hezbollah and antisemitic.
The post The Jewish midterms: Races to watch on Election Day appeared first on The Forward.
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In Michigan, a Black conservative group pushes Jewish and pro-Israel messaging
(JTA) — YPSILANTI, Michigan – A Black conservative group is distributing signs and paying for billboards in Michigan encouraging Black voters to support Jews and Israel, in the days before a contentious U.S. Senate race in which the Democratic candidate has struggled to shore up both voting groups.
The Center for Urban Renewal and Education (CURE), a Washington, D.C.-based nonprofit, has paid for a series of yard signs reading “Blacks and Jews Standing Together” throughout cities with high Black populations, including Detroit, Flint and Ypsilanti.
The nonprofit’s director, Star Parker, told the Jewish Telegraphic Agency in an email their goal is “to remind black Christian voters of unique and special reasons to stand with Israel.”
Parker said CURE is also paying for billboards in the area reading “Self Defense is Not Genocide” and “Many Black Evangelicals Agree that Israel Has a Right to Exist.”
The signs and billboards do not name any candidates. But Michigan’s Democratic Senate nominee, Abdul El-Sayed, has alienated many Jewish voters with his rhetoric on Israel and comments on Jewish safety.
He has also had difficulty shoring up Black support, another traditional Democratic constituency, with many Black Detroiters voting for his primary rival, U.S. Rep. Haley Stevens. That phenomenon has shifted somewhat in the race’s final days, with one poll commissioned by the Detroit News suggesting that 87% of likely Black voters would support El-Sayed.
Still, there can be distrust between Black and Arab communities as with Jewish and Arab populations. Sam Robinson, a Detroit-based reporter for a historic Black newspaper who has interviewed scores of Black voters in viral interviews, recently told the Columbia Journalism Review, “There’s a scarcity mindset that there are only so many resources and Arabs are somehow taking Black people’s share.”
Republican Mike Rogers, meanwhile, has courted Black voters as well as Jewish ones, with pro-Rogers ads highlighting tensions between local Black and Arab communities. A new super PAC linked to Rogers has spent heavily on ads stating that El-Sayed “has been disrespectful and dishonest with Black voters.”
CURE’s signs targeting Black voters appeared in the final week of the campaign. They followed an Oct. 22 interfaith roundtable in Detroit hosted by the organization, in which a local rabbi appeared alongside Black pastors to discuss the history of Black-Jewish organizing — a longtime alliance that has been shaken in recent years for a number of reasons.
Rabbi Aaron Bergman of Adat Shalom, a Conservative synagogue in the Detroit suburb of Farmington Hills, participated in the CURE roundtable. Over email, he told JTA that politics was not meant to be the focus of the event.
“It was mostly about teaching about antisemitism, which I guess at this point in history is political,” Bergman wrote.
El-Sayed has focused much of his campaign’s homestretch on shoring up the Black vote, visiting Black churches and holding events with former President Barack Obama and senior U.S. Rep. Jim Clyburn of South Carolina, a Black congressional leader. Driving up turnout in Black communities, usually one of the Democrats’ strongest constituencies, is viewed as key to his chances of taking the seat.
Stevens’ last-minute decision to endorse Rogers instead is a wildcard. Star told JTA she believed many “black Christian voters” would follow her lead.
“Their support for Israel needed a boost,” she said. “I believe this endorsement has taken Mike Rogers over the finish line with black voters.”
Yet there are signs that Palestinian rights may be a more animating issue among Michigan’s Black voters this year than in the past. Pro-Palestinian state Rep. Donavan McKinney, a democratic socialist, won his primary challenge against a pro-Israel incumbent in a majority-Black, Detroit-area congressional district in August. And during one Stevens primary campaign stop in Detroit, a Black community organizer directly confronted her over her support for Israel.
This article originally appeared on JTA.org.
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